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  • Former Miramax Exec Munika Lay Teams With Indie Producer Toni Wang to Launch Luna Media

    Former Miramax Exec Munika Lay Teams With Indie Producer Toni Wang to Launch Luna Media

    Munika Lay and Toni Wang have teamed to launch Luna Media.

    The production company carries a mission to “shine a light on unseen stories” and will work across film, television and digital content. Luna Media’s slate already includes a recently wrapped feature, Tap Twice, from multi-hyphenate King Bach, aka Andrew Bachelor, who directed and stars in the project.

    Luna Lab will seek to accomplish its work of advancing representation through the launch of a development initiative called Luna Lab. An inaugural installment of it is already on the rails with a screenwriting portion that kicked off this summer. From a large pool of applicants, a team of industry professionals first selected 10 semifinalists before the group was whittled down to six finalists (including a writing team of two).

    The finalists received a stipend for the four-month program, which featured workshops, meetings and mentorship. It culminated with a Luna Lab Pitch Day that took place at Rideback Ranch in Los Angeles, where finalists pitched projects to an audience of industry insiders. Additional information on the finalists and their projects is below.

    Lay comes to Luna after having served as a senior vp of film at Miramax, where she oversaw such films as The Holdovers, The Beekeeper and Wrath of Man. Prior to Miramax, she had executive stints at MGM, Paramount, Warner Bros. and WME. The Long Beach native, who graduated from USC’s Marshall School of Business and Stanford University, serves as a co-founder of digital-first action studio Melee and works as an adjunct professor in film studies at Mount Saint Mary’s University.

    Wang is a producer whose recent credits include Sung Kang’s TIFF selection Drifter and Jill Sachs’ Sundance Film Festival short selection Taga. She also executive produced the indie A Great Divide starring Ken Jeong. Wang previously worked at Columbia Records, where she worked in digital, helping steer content for artists like Destiny’s Child, Train, Lauryn Hill and Leonard Cohen. The Shanghai-born producer, who graduated from Wellesley College, also co-founded an electronic pop trio and created an album titled A Little Mandarin to reimagine Chinese children’s classics for contemporary audiences.

    “Growing up, I was obsessed with movies but I never quite found people like me onscreen, even in the few Asian characters I encountered,” Lay said in a statement. “Asian Americans are often treated as a monolithic group, when in reality, most Southeast Asians arrived in the US as refugees from war and genocide. Few of us are fortunate enough to even dream about working in entertainment, and our stories are rarely depicted in films or TV shows.”

    Added Wang: “Our goal, beyond elevating these six projects, is to equip every participant with the skills and connections to thrive as a professional filmmaker — and to carry that momentum into the Southeast Asian creative community, and ultimately, into the broader cultural zeitgeist.”

    The finalists in Luna Media’s inaugural Luna Lab for 2026 (from left to right, top to bottom): Buntheun Real, Phet Mahathongdy, Saila Reyes, Samantha Tan, Sebastien Tobler, Tom Dang and Nico Wan. CAPE and Rideback Rise served as community partners to the lab.

    Credit: Courtesy of Luna Media/Subjects

    Luna Lab’s finalists and details on their scripts:

    Bunthoeun Real with Demon Arms: After being released from prison, Fia, a former gangster turned kung-fu master, must infiltrate a high-society demon syndicate to rescue her sister. Fia’s mission takes her into a shadow world of literal monsters, forcing her to battle, survive and ultimately embrace her legacy to become the city’s phantom protector.

    Phet Mahathongdy with Go To Sleep: A woman returns to her estranged mother’s house where they awaken a vengeful Lao spirit hellbent on destroying her family. Now she must uncover the secrets of her family’s journey to America and force her mother to confront the past before it’s too late. Based on the true events that inspired A Nightmare on Elm Street where over one hundred Southeast Asian refugees died in their sleep mysteriously, Go To Sleep explores the story from a Southeast Asian perspective.

    Saila Reyes with In the Smoke of You: A world-renowned pianist returns home on the eve of his first love’s wedding to his crime-boss brother, forcing them to confront the violent past they covered up together and the wounds that they still share.

    Samantha Tan with Ally Chia: A hungry, horny American dream story. With only six months to secure her green card, an ambitious home chef in Los Angeles doubles down on the hustle while fighting not to lose herself or the loved ones who make it worth staying in the first place.

    Sebastien Tobler with Lino’s Vortex: An aging Filipino hippie and his uptight estranged grandson chase a mystical vortex in the Arizona desert, unearthing family secrets and forging an unlikely bond through psychedelics.

    Tom Dang and Nico Wan with Happy Pizza: When a recently laid-off rave bae and his equally degenerate best friend are hired to throw the grand reopening party for a beach resort, they have to convince everyone they know what they’re doing — before the police bust them, the gangsters get them or the party drugs kill them.

  • Malta Launches Open Call for Submissions to Finish the Country’s Ambitious Land-Sea Super Stage

    Malta Launches Open Call for Submissions to Finish the Country’s Ambitious Land-Sea Super Stage

    Earlier this summer during the Mediterrane Film Festival, Malta’s film commissioner Johann Grech teased plans for an ambitious new soundstage, dubbed the Land Sea Super Stage. Housed at Malta Film Studios, the facility could host major Hollywood blockbusters with blueprints that include a water tank and construction sturdy enough to hang two Black Hawk helicopters.

    We want to create something unique,” Grech told The Hollywood Reporter in June. “To build the entire facility — in addition to the soundstage, there will be workshops, offices, production offices, warehouses, etc. — it will take two years. We have every detail in place. We just need to issue this public call.”

    Grech is back with an update: The call has been made and Malta is now accepting proposals for investments to finance, build and operate the first-of-its-kind superstudio. Per the Malta Film Commission, the project would see more than €80 million in private investment in Malta’s film industry.

    A rendering of Malta’s proposed Land Sea Super Stage.

    Courtesy of Malta Film Studios

    “Today’s launch marks the final piece of the jigsaw in creating a world-class film industry in Malta. We are committed to taking Malta’s film infrastructure to the next level,” Grech explains. “We have already seen major franchises such as Gladiator and Jurassic World repeatedly choose Malta for our versatile locations and our water tanks. We now want to complete Malta’s offer to the global film industry by developing a world-class studio facility that is truly unique.”

    Grech has not been shy about the bid to lure more blockbusters to the country after hosting such high-profile productions in the past like Gladiator and its sequel, Napoleon, Captain Phillips, Troy, Munich, Assassin’s Creed, Murder on the Orient Express and Enola Holmes 3.

    “By developing the world’s first Land-Sea Super Stage at the Malta Film Studios, we will strengthen our ability to attract more high-end, high-budget and high-value productions. Malta can become the home of some of the world’s biggest movies and film franchises,” added Grech. “I’ve always been ambitious for Malta’s film industry and now we are ready to reach even higher.”

    Submissions are now open for a three-month period.

  • Happy Fall: Here’s Where to Stream All Seasons of ‘Gilmore Girls’ Online

    Happy Fall: Here’s Where to Stream All Seasons of ‘Gilmore Girls’ Online

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    Fall is officially here and that means it’s the best time for wearing sweaters and hoodies in breezy weather, drinking pumpkin spice lattes and watching (or rewatching) episodes of Gilmore Girls.

    For more than 25 years, the drama/comedy series has been tied with the cozy fall season, thanks to its iconic New England foliage, sharp and witty dialogue, and quirky, but relatable characters and situations.

    Luckily, all seasons of Gilmore Girls are streaming online.

    At a Glance: How to Watch Gilmore Girls Online

    Includes four character figures in display package.

    Where to Stream Gilmore Girls Online Without Cable

    While the TV drama was a Warner. Bros Television production, all seven seasons of Gilmore Girls are not streaming on HBO Max (although there is a new documentary in the works from the streamer). However, every episode can be found on Prime Video and Hulu.

    Amazon

    Prime Video starts at $8.99 per month

    All seasons of Gilmore Girls is streamable on Prime Video for subscribers only with prices starting at $8.99 per month. If you’re not a member, then you can sign up for a 30-day free trial to take advantage of all that Amazon Prime has to offer, including access to Amazon Music, Amazon Photos and Prime Reading; fast and free shipping in less than two days with Prime Delivery; in-store discounts at Whole Foods Market; access to exclusive shopping events, such as Black Friday in November, and other perks.

    Hulu

    You can watch Hulu starting at $11.99 per month for the ad-supported plan, but for the best bang for your buck, opt for the Hulu/Disney+ bundle, starting at the same $11.99 per month for the first six months, then $12.99 monthly thereafter.

    Meanwhile, Hulu (No Ads) costs $18.99 per month. Both the ad-supported and ad-free plans offer unlimited access to Hulu‘s massive streaming library, including entire seasons of exclusive series, hit movies, Hulu Originals and music festival livestreams. Meanwhile, Hulu (No Ads) comes with the ability to download movies and TV shows on your device for offline viewing.

    For even more, add ESPN Unlimited to Disney+ and Hulu, starting at $35.99 per month.

    Gilmore Girls: Synopsis & Cast

    Created by Amy Sherman-Palladino, Gilmore Girls follows the lives of single mother Lorelai Gilmore (Lauren Graham) and her overachieving daughter, Rory (Alexis Bledel) in the small fictional town of Stars Hollow, Connecticut. Lorelai can’t afford private school for Rory, so she turns to her wealthy, yet estranged, parents Richard (Edward Herrmann) and Emily Gilmore (Kelly Bishop).

    The TV drama stars Melissa McCarthy, Keiko Agena, Yanic Truesdale, Scott Patterson, Liza Weil, Chris Eigeman, Jared Padalecki, Milo Ventimiglia, Matt Czuchry and Sean Gunn.

    Additionally, the revival mini-series, Gilmore Girls: A Year in the Life, is available to stream on Netflix. However, episodes can be purchased on Prime Video too.

  • Robert Eggers Tackling ‘Romeo and Juliet’ Adaptation as Focus Wins Bidding War (Exclusive)

    Robert Eggers Tackling ‘Romeo and Juliet’ Adaptation as Focus Wins Bidding War (Exclusive)

    After tackling witches, vampires and werewolves, Robert Eggers is tackling perhaps the scariest of monsters: teenage love.

    Eggers is setting up an adaptation of William Shakespeare’s Romeo and Juliet at Focus Features, which has come out on top of a bidding war that included A24, Sony and Warner Bros.

    When deals close, it will reteam Eggers with the Universal specialty arm that released his 2024 surprise hit Nosferatu and will be releasing his latest, Werwulf. Eggers will direct the feature and produce. It was not immediately clear who else was producing or executive producing.

    As befitting a filmmaker who is known for his meticulous attention to detail in capturing a time period, even when it comes to dialogue, sources say that this adaptation will feature actors speaking in Olde English.

    A tragic romance, Shakespeare’s play told the ill-fated story of the titular young lovers who hail from two warring families, the Capulets and the Montagues, in the city of Verona, Italy.

    Written in the 1590s, it has been one of the Bard’s more enduring and famous plays and has consistently attracted cinematic attention. Among the more notable productions have been the 1968 iteration directed by Franco Zeffirelli and the 1996’s Romeo + Juliet, Baz Lurhman’s modern take (Verona Beach, anyone?) that starred Leonardo DiCaprio and Claire Danes.

    While numbers were not revealed, sources say the deal for the project is in the high-seventy millions, which will include filmmaker and talent fees as well as the budget for the production. Romeo and Juliet is intended to be Eggers’ next production.

    Focus had no comment.

    While he doesn’t have a deal with Focus, Eggers has consistently set up films at the studio division. The company, run by Peter Kujawski, has released and worked with Eggers on all his films, including The Northman, and his earlier movies, The Witch and The Lighthouse. (Focus handled international distribution through Universal International for The Lighthouse.)

    Eggers’ latest, Werwulf, reunites him with Aaron Taylor-Johnson and Lily Rose Depp, who both starred in Nosferatu, in a unique and arty-looking take on the werewolf horror story. Like Nosferatu, it is set for a Christmas Day theatrical opening.

    Eggers is repped by WME and Frankfurt Kurnit.

  • Mahershala Ali Says ‘I Agree’ That Marvel Not Making ‘Blade’ Is the ‘Biggest Failure’ of Kevin Feige’s Career: ‘I Don’t Know Why It Didn’t Happen’

    Mahershala Ali Says ‘I Agree’ That Marvel Not Making ‘Blade’ Is the ‘Biggest Failure’ of Kevin Feige’s Career: ‘I Don’t Know Why It Didn’t Happen’

    Mahershala Ali is dumbfounded like the rest of us when it comes to Marvel’s inability to get his “Blade” movie reboot off the ground. Marvel Studios president Kevin Feige told the “Happy Sad Confused” podcast over the summer that he was “feeling like a gigantic loser and failure” for bungling Ali’s “Blade,” and now the actor told GQ that he agrees with that assessment.

    “That’s a Kevin Feige question,” Ali said when asked why Marvel never got to the point of putting “Blade” into production. “They had, as you said, a two-time Oscar-winning actor under contract and you got billions of dollars. That’s a question for them. I don’t mean anything personal to you, but I don’t know why it didn’t. To this day, I don’t know why it didn’t happen. I just know that it was—Kevin, he said it was the biggest failure of his career and I agree.”

    Marvel originally announced “Blade” in July 2019. Bassam Tariq (who now directs Ali in “Your Mother Your Mother Your Mother”) was the first director to join the movie, but he exited in September 2022 roughly two months before it was set to begin shooting. Variety reported in November 2023 that “Blade” had gone through at least five writers, from “Watchmen” scribe Stacy Osei-Kuffour to Michael Starrbury. Yann Demange stepped in as the movie’s director after Tariq’s exit, but Demange ended up dropping out in June 2024.

    Amid the film’s development struggles, Ali’s interest in playing Blade has never wavered. He told Variety on the “Jurassic World Rebirth” red carpet last summer: “I’m ready. Let them know I’m ready.” In an interview with GQ earlier this year, Ali called out Marvel point blank by saying: “You had me under contract, they have billions of dollars, if they wanted to do the movie, we would’ve done the movie. So we’re not doing the movie.”

    Speaking to press in July 2025, Feige explained how the prolonged delays on “Blade” were a symptom of Marvel’s “over-expansion” into Disney+ streaming content where “for the very first time ever, quantity trumped quality.” When Marvel began to reevaluate its development process, the “Blade” movie was one of the projects that stalled.

    “Blade” was the latest example of Ali’s career never being sure-footed despite being a two-time Oscar-winning actor for “Moonlight” and “Green Book.” The actor told GQ in his latest interview that he thought his career would break through after the Oscar wins, yet he still found himself fighting to be cast in HBO’s “True Detective” Season 3 as opposed to getting any offers.

    “I don’t feel any bitterness or disappointment around that. I want to be careful of it coming off that way because it’s honestly not how I feel,” Ali explained. “If anything, there’s sort of a relief in the epiphany of like, ‘Oh, ain’t nobody coming to save you. You got to build your boat. They’re not coming. There’s no helicopter coming. Get to cutting wood.’”

    Ali also said in the interiew, “I don’t know why I constantly feel like I have to remind people of stuff or prove myself to people, but that’s just how this business works. And it exhausts me. And so then you start thinking about: How long do I have to do this this way, or do it at all?”

    Watch Ali’s full interview with GQ in the video below.

  • Sombr Says Nepo Baby Claims Are “Incredibly Insane”

    Sombr Says Nepo Baby Claims Are “Incredibly Insane”

    Sombr says it’s “incredibly insane” that people would consider him a child of nepotism.

    The Grammy nominee addressed nepotism claims in a Tuesday profile with Elle, where he pointed out both of his mother’s and father’s professional history with amFAR, the Foundation for AIDS Research. He said he’s proud of his parents’ work, and doesn’t think that specifically his father, Andy Boose, boosted his career.

    “Every time I see an artist blow up, I’m like, ‘OK, this artist is great. I love them so much. They’re so talented.’ Three months later, somehow they’re a nepo baby,” Sombr said. “I will forever respect my dad and my mom. I’m so fucking proud of them, because to devote your life to something like that is so incredible and important. To think that that could help me get signed or become a big artist because my dad devotes his life to fight AIDS is just incredibly insane.”

    Boose worked at amFAR for a decade and became the director of special events, he told The World’s Best Events in a 2018 interview. He was also a musician, and now serves as the president of AAB Productions, a single-source event management company that has managed and developed charity dinners for amFAR, The Elton John AIDS Foundation, The Leonardo DiCaprio Foundation, Madonna’s Raising Malawi and more, per its website. Bennah Serfaty, the singer’s mother, works at the nonprofit as the senior director of public relations.

    Boose explained to The World’s Best Events, after 2018’s UNICEF Summer Gala, how he books talent, citing Ricky Martin’s participation in the event as an example.

    “He’s a UNICEF ambassador, so the cause is close to his heart. I happen to have known his publicist for many years,” Boose said of Martin. “We have a lot of relationships because we have been doing this for a while, and we are constantly building new bridges to help connect actors and musicians and the fashion elite with new causes.”

    The “Back to Friends” singer also opened up about criticism he’s seen of his body online. He said, “Women get the worst of it. So who am I to complain? But no, it’s real. People fucking body-shame me.”

    Somber said he has seen people “mak[ing] fun of how skinny I am, which is why I’m in the fucking gym now.” He also spoke about why it was important for him to release the song “My Body Isn’t Ready,” which touches on body image.

    “I feel like it’s so important to have this message for the kid who’s growing up and going through this,” he said. “Everything you see on the internet is these sexy people with perfect bodies. I want there to be a song for the kid who is growing up and doesn’t always love the way he looks, and I want him to know that Sombr feels the same thing.”

  • ‘Crew Girl’ Renewed for Season 2 at Netflix

    ‘Crew Girl’ Renewed for Season 2 at Netflix

    Netflix’s latest YA drama series “Crew Girl” is racing right into Season 2, the streamer announced on Wednesday.

    “Crew Girl” came out on Sept. 10 and rowed to the top in the Netflix English TV Top 10, where it has remained since its release, climbing to number two this week. It reached the top 10 in more than 90 countries and now has more than 16 million views.

    “I am beyond excited for Crew Girl season two!” star Miku Martineau said. “There’s so much left to explore with the characters, the romances and the rowing team, it’s going to be a ride for sure! All I know is that it will definitely be a packed, juicy, drama-filled second season so I’m ready to get back in a boat and on camera! #teamteagan.”

    The eight-episode inaugural season follows 16-year-old Teagan Tao (Martineau) as she adapts to her new life after her father’s financial fraud forced her family to move across the country and back to her mother’s close-knit hometown. Tao must navigate the choppy waters of her elite prep school Easton Academy and its all-boys crew team. Unwilling to give up her own rowing dreams, she finds a spot for herself as coxswain, leading the team to victory and falling in love with some of her teammates along the way. To celebrate the team’s success, former-stroke seat Josh (Samuel Braun) opened up to his family about his ongoing health issues, while his replacement Cam (Kyle Clark) romantically rejoiced with Tao.

    Along with the unanswered questions about her complicated love life and family circumstances, the season ends with Tao’s nemesis, Britney (Sage Linder), pledging to help create a girls crew team.

    Fans will have to sit tight for the second season to see if Tao is team Josh, team Cam or team girls crew.

    The Netflix original series is executive produced by Vivian Lin, Jeff Norton, Lindsay Macadam, Hillary Zwick Turner, Tony Chung, Lori Massini and Matthew Hornburg, Mark J.W. Bishop, Jennifer McCarron for Blue Ant Studios.

  • ‘Wonder Woman’ Director Patty Jenkins Says Paramount-Warner Bros. Merger Is ‘Such Chaos’: ‘The Studio System Is in Bad Shape’

    ‘Wonder Woman’ Director Patty Jenkins Says Paramount-Warner Bros. Merger Is ‘Such Chaos’: ‘The Studio System Is in Bad Shape’

    Patty Jenkins, Halle Berry, Regina King, Misty Copeland and others gathered at downtown Manhattan’s Locanda Verde on Tuesday morning for Tribeca and Chanel’s Through Her Lens luncheon. The timing was notable for an event centered on emerging filmmakers, coming just 24 hours after news that the Paramount-Warner Bros. deal is essentially complete — a consolidation that many in Hollywood fear could have profoundly negative effects on the industry.

    “I didn’t even look at it, frankly. I’ve been tuning all of that out,” “Wonder Woman” director Patty Jenkins, who has a longstanding relationship with Warner Bros., tells Variety of the news. “It’s such chaos. I think the studio system is in such bad shape that I’m kind of tuning it out.”

    Still, Jenkins remains optimistic about the industry’s future. Asked whether she would make a film with Warner Bros. under Ellison’s leadership, she says, “You never know.”

    “I never say no to anything because so many people have different projects,” she continues. “Something may come along, and they’ve been making some great films, and who knows.”

    Despite the turmoil within the studio system, Jenkins believes emerging filmmakers face fewer barriers than they did when she was starting out. She points to films like “Backrooms” and “Obsession” as encouraging proof that talented directors can make films on shoestring budgets — and find box office success.

    “People are able to make their own films and it’s a game-changer,” she says. “I see it coming and I’m so excited about it — the democratization of being able to get your films to your audiences.”

    Tribeca boss Jane Rosenthal, who co-founded Tribeca and Chanel’s Through Her Lens program 11 years ago, takes a somewhat different view, arguing that young filmmakers actually face more obstacles than when she started out. “The business is really kind of a mess,” she says, noting that streaming has contributed to an uptick in the number of films being made. Still, she adds, “Who knows what this merger is gonna do.”

    One potential silver lining of the merger, according to Rosenthal, is that it could create an opening for new models of independent film distribution. “You see what AMC is doing, let’s see what that really means,” she says, referring to the indie distribution venture announced by the country’s largest theater chain last month.

    That hopeful, solution-oriented attitude carried throughout the event, which kicked off this year’s Through Her Lens program. The initiative brings together five filmmaking teams for workshops, one-on-one mentorship and industry conversations before culminating in a live pitch to a jury. One team will receive full financing to produce its short film with support from Tribeca Studios, while the remaining four will receive development grants.

    Berry, King and Meg Ryan were announced as this year’s jury members alongside cinematographer Autumn Durald Arkapaw (“Sinners”) and “Sterling Point” actress Ella Rubin.

    Emmy Rossum, who attended Tuesday morning to support the initiative, says she “just wants the best people to tell stories” — and, she adds, “to be seen by lots of people in theaters and on streaming.”

  • ‘Porto Rico’: Everything we know about Residente’s epic film

    ‘Porto Rico’: Everything we know about Residente’s epic film

    René “Residente” Pérez Joglar is moving behind the camera for one of the most ambitious projects of his career. The Puerto Rican rapper, filmmaker and actor is making his feature directorial debut with Porto Rico, an epic Caribbean western and historical drama inspired by real events in Puerto Rico during the turbulent final years of the 19th century. Production is now underway in the Dominican Republic, with Bad Bunny taking his first leading role in a feature film. 

    And the cast has become considerably bigger since the movie was first announced. Alongside Benito “Bad Bunny” Martínez Ocasio, the current lineup includes Viggo Mortensen, Edward Norton, Richard Gadd, Rhenzy Feliz, Ismael Cruz Córdova, Daniel Brühl, Rubén Blades, Alberto Guerra, Marcel Ruiz, Arian Cartaya, Óscar Jaenada, Carmen Machi and Luis Tosar. 

    The gold braided tie, a growing signature detail during Roseberry's tenure at the French fashion house.© Getty Images
    Media Image© Europa Press via Getty Images
    Media Image© WireImage

    Javier Bardem was part of the original cast announcement in February 2026, but the latest production report says the film subsequently “lost” Bardem while adding its new Spanish cast members. 

    Here is everything currently known about Porto Rico.

    What Is Residente’s ‘Porto Rico’ About?

    Porto Rico has been described by its producers as an “epic Caribbean western and historical drama” inspired by true events. Residente co-wrote the screenplay with Alexander Dinelaris, the Oscar-winning co-writer of Birdman, as informed by Live Nation Newsroom.

     Rene Perez Joglar visits the IMDb Portrait Studio© Getty Images for IMDb
    Rene Perez Joglar visits the IMDb Portrait Studio

    The project has been developing for several years. When it was first reported in 2023, the story was described as being based on the life of Puerto Rican revolutionary José Maldonado Román, better known as Águila Blanca, or White Eagle, according to Dominican newspaper, Diario Libre.

    Set around the end of the 19th century, the story follows a period when Puerto Rico was undergoing a dramatic transformation from Spanish colonial rule to American control.

    Maldonado was involved in the 1897 Intentona de Yauco, an unsuccessful uprising against Spanish rule. Historical accounts describe him joining Fidel Vélez and other revolutionaries who gathered outside Yauco and marched toward the town. 

    Earlier descriptions of Residente’s screenplay said Maldonado would lead a group of 17 former convicts as part of a story examining Puerto Rico’s struggle over colonialism, resistance and national identity. 

    Residente’s Porto Rico stars Bad Bunny, Edward Norton and Viggo Mortensen in an epic Caribbean western exploring Puerto Rico’s colonial history.
© Getty Images
    Residente’s Porto Rico stars Bad Bunny, Edward Norton and Viggo Mortensen in an epic Caribbean western exploring Puerto Rico’s colonial history.

    Deadline says the film will also address the events surrounding the United States’ 1898 takeover of Puerto Rico from Spain. That history also explains the movie’s title.

    Why Is the Movie Called ‘Porto Rico’ Instead of ‘Puerto Rico’?

    The missing “u” is intentional. After Puerto Rico came under U.S. control following the Spanish-American War, “Porto Rico” became the spelling used by the U.S. government. Federal law did not officially restore “Puerto Rico” as the island’s name until May 17, 1932.

    Residente has connected that linguistic change directly to the themes of his film. Speaking about the project in September 2026, he described Porto Rico as Puerto Rico seen through the perspective of a new colonizing power and suggested that losing a letter from the island’s name symbolized losing power over how the country identified itself. “The loss of a single letter summarizes the loss of power over one’s own name: occupying a country can also mean deciding what it is called,” indicated Residente, as informed by EFE Noticias.

    That makes the title much more than a historical spelling choice. It points directly toward the movie’s exploration of identity, political power and colonial control.

    Bad Bunny Leads the ‘Porto Rico’ Cast

    The biggest casting development is Bad Bunny’s leading role. Benito Martínez Ocasio has appeared in films including Bullet Train and Caught Stealing, but Porto Rico marks his first lead role in a feature film. 

    Singer Bad Bunny will star in Porto Rico© GC Images
    Singer Bad Bunny will star in Porto Rico

    His exact character has not officially been disclosed, as character details for the newly announced actors are being kept under wraps. Edward Norton also has a major role behind the scenes as one of the film’s producers. 

    The Oscar-Winning Talent Behind the Camera

    The filmmaking team extends well beyond Residente.

    Academy Award-winning cinematographer Anthony Dod Mantle, whose credits include Slumdog Millionaire, is serving as director of photography. David Crank is the production designer, while Anna Terrazas is handling costume design. 

    Residente and Erick Douât are producing through 1868 Studios. Edward Norton, Bill Migliore and Michael Bederman are producing through Class 5 Films. The film is backed by Live Nation Studios and Class 5 Films along with several strategic financing partners. 

    Alejandro Gonzalez Inarritu received a Special Award Oscar at the November ceremony, a prize that is rarely given out. The Academy's committee decided to recognize Alejandro's newest venture CARNE Y ARENA (translation: Meat and Sand), which premiered at the 2017 Cannes festival. Aiming to throw © Getty Images
    Alejandro Gonzalez Inarritu received a Special Award Oscar at the November ceremony, a prize that is rarely given out.

    Perhaps the most notable name among the executive producers is filmmaker Alejandro G. Iñárritu, the Oscar-winning director behind Birdman and The Revenant. Other executive producers currently listed include Michael Rapino, Ryan Kroft, Stella Bulochnikov, Scott Budnick, Kwanza Jones, José E. Feliciano, Mike and Sukey Novogratz, Noah Assad, Henry R. Muñoz III, Ric Elias, Sherrese Clarke, Niija Kuykendall, Regina Solórzano and Lakshmi Iyengar. 

    When Will ‘Porto Rico’ Be Released?

    There is currently no announced release date for Porto Rico. Cameras are officially rolling in the Dominican Republic as of September 2026. No studio or distributor has announced a theatrical release date, streaming date or festival premiere. A trailer has also not been released.

    ‘Porto Rico’ Could Be a Major Moment for Caribbean Cinema

    Porto Rico is notable not simply because Bad Bunny is starring in it or because Residente is directing. The production is positioning a Puerto Rican historical story as a large-scale Caribbean western with an international cast and an unusually decorated creative team. Rather than using the traditional American frontier as the setting for a western, the film applies elements of the genre to Puerto Rico’s own history of rebellion, colonial rule and political transition.

    Residente has also emphasized the significance of making the film in Spanish, recalling that he had previously encountered the argument that studios were not interested in Caribbean stories.