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  • Musk says US military controls Starlink’s limits after Ukraine outcry

    Musk says US military controls Starlink’s limits after Ukraine outcry

    Ukrainian officials have accused SpaceX of throttling Starlink satellite services, disrupting its ability to carry out military operations and leaving Kyiv vulnerable to deadly attacks.

    An adviser to President Volodymyr Zelenskyy said that without warning, services had been limited for terminals travelling over 100mph overnight on Wednesday – effectively limiting Ukraine’s ability to launch drones, which use satellite internet to pilot the craft.

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    Elon Musk, the CEO of SpaceX, which operates Starlink and its military version, Starshield, has since claimed on X that the United States government and military control all Starshield speeds.

    “Any limits on speed or usage are decided by the US military and ultimately [President of the United States],” wrote Musk, a major US defence contractor and former top adviser to US President Donald Trump, after receiving criticism for the disruptions.

    The White House has not confirmed or denied Musk’s assertion. The Pentagon did not immediately respond to Al Jazeera’s request for comment.

    Writing on Telegram, Ukrainian defence technology adviser Serhii Beskrestnov said Ukraine was “deprived of one of the few chances to defend itself from Shahed drones”.

    He added that frontline logistics and long-distance missions were also disrupted.

    Asked about the restriction on the military version of Starlink, Zelenskyy told Piers Morgan Uncensored it was “a big mistake” that “will bring a lot of human losses”.

    US Senator Jeanne Shaheen, a member of the armed services and foreign relations committees, wrote on X: “These restrictions on Ukraine’s access to Starshield must stop immediately. Lives are at stake.

    “The Pentagon is also required to notify Congress if it pauses or downgrades intelligence sharing with Ukraine. If that happens, Secretary of War [Pete Hegseth] must provide that immediately.”

    The suggestion that Musk’s company had throttled Starlink services drew the ire of Poland, which pays for Ukrainian Starlink subscriptions on Kyiv’s behalf.

    “Hey Elon Musk, big man, are you playing politics with your products again?” wrote Radoslaw Sikorski, Poland’s foreign minister. “As your European customers, we are watching you.”

    The “big man” gibe refers to a public dispute on social media between Musk, Sikorski and United States Secretary of State Marco Rubio in 2025, when the SpaceX boss told Sikorski to “be quiet, small man” on his X platform.

    Starlink is a sensitive topic between Sikorski and Musk. The two previously clashed over the technology after the trillionaire said Ukraine’s “entire frontline could collapse” if he switched off Starlink.

    Following the dispute in 2025, Musk said “no matter how much I disagree with the Ukraine policy, Starlink will never turn off its terminals.”

    At the time he added, “We would never do such a thing or use it as a bargaining chip.”

    ‘Cannot be a coincidence’

    The slowdown comes after Russian ballistic missiles struck Kyiv for the second night in a row, killing at least nine people and damaging electricity and heating infrastructure. Zelenskyy said Ukraine did not receive its usual warnings from Western allies for a second day, without specifying which partners.

    Sources have told Reuters and other media that the US has threatened to cut off intelligence for early warning of missile strikes on Ukraine, pressing Kyiv to suspend attacks on Russian oil refineries.

    Trump said on Tuesday the US has not stopped sharing intelligence.

    Beskrestnov warned that the slowdown “cannot be a coincidence” after Trump struck a deal with President Vladimir Putin to import Russian diesel – despite international sanctions to isolate Moscow.

    Speaking to AFP, another Ukrainian official accused Washington of throttling Starlink and helping Russia.

    On Saturday, Trump suggested Zelenskyy had not done enough to end the war with Russia, blaming him for high diesel prices in the US.

    Last week, Trump lifted sanctions on Russian diesel under pressure to curb fuel prices that have soared since the US war with Iran began as the midterms rapidly approach. He told Kyiv to stop attacking Russian refineries and urged Ukrainians to replace Zelenskyy.

    “It’s painful when President Trump chooses one side, not our side,” Zelenskyy said in the interview with Morgan.

    The Ukrainian leader explained he was fine with Trump being in the middle between Ukraine and Russia, but “if you are in the middle, you have to stay in the middle.”

  • US lifts sanctions on Venezuela’s top legislator

    US lifts sanctions on Venezuela’s top legislator

    Jorge Rodriguez has been removed from OFAC’s sanctions list in latest US push for oil control and bilateral diplomacy.

    The United States Department of the Treasury has lifted sanctions on the head of Venezuela’s National Assembly, Jorge Rodriguez, brother of the country’s interim President, Delcy Rodriguez.

    The move by US Treasury’s Office of Foreign Assets Control (OFAC) comes amid major US-Venezuela energy pacts and other talks with the Latin American country’s government.

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    The delisting notice was posted on the federal agency’s website on Wednesday, officially removing Jorge Rodriguez’s name from OFAC’s Specially Designated Nationals (SDN) blacklist.

    The top lawmaker in the country, Jorge Rodriguez has held the position of National Assembly president since 2021. He was reappointed in January, weeks after the abduction of former President Nicolas Maduro by the US government. He served as vice president under Venezuela’s late President Hugo Chavez, among other posts.

    Jorge and Delcy Rodriguez had been sanctioned under US President Donald Trump’s first administration due to their ministerial roles under Maduro, who now faces several federal charges, including a sweeping superseding indictment adding torture to his other alleged crimes.

    In 2018, the State Department said that Jorge Rodriguez was given prominent government positions by Maduro “to help him maintain power and solidify his authoritarian rule”.

    A source familiar with the matter told Al Jazeera that the decision to lift sanctions on Jorge Rodriguez is part of Washington’s wider diplomatic recognition of the interim Venezuelan government, and Trump’s three-phase plan for Venezuela’s stabilisation and political transition.

    During a press briefing at the US State Department on Friday, Secretary of State Marco Rubio told reporters that the next round of negotiations on Venezuela’s future was scheduled to begin on Wednesday. He also urged all Venezuelan opposition factions to join US-backed political talks with the interim president.

    Earlier this year, the US Treasury dropped sanctions against Delcy Rodriguez and later lifted the restrictions on Venezuela’s central bank and its state-owned national airline, signalling Washington’s pivot from economic warfare to backroom bargaining. She has largely complied with Trump’s demands for Caracas to open up its energy industry to American companies.

    As interim president, Delcy Rodriguez has promised to hold elections – including in her recent remarks at the United Nations General Assembly – but no firm date has been set. Opposition leader and Nobel Peace Prize winner Maria Corina Machado has demanded they take place by July.

    Jorge Rodriguez has shepherded several major reforms through the ruling party-controlled legislature since his sister took power, including a law that facilitated the entry of more foreign oil companies, a similar law for the mining sector and an effort to allow private investment for the country’s battered power grid.

    Since Maduro’s ouster, Caracas and Washington have cut a deal giving the US access to 17 Venezuelan oil fields, while international energy firms have separately committed to expanding projects in the Latin American country. In August, Trump announced a plan to secure direct US access to a large share of Venezuela’s vast oil to refill the US Strategic Petroleum Reserve.

  • Infantino faces FIFA rebels in Zurich after failed World Cup stake sale

    Infantino faces FIFA rebels in Zurich after failed World Cup stake sale

    Gianni ⁠Infantino faces the football leaders who ⁠want him gone on Thursday in his first meeting with FIFA’s top brass since his plan to sell a stake in FIFA tournaments, including the World Cup, collapsed.

    Infantino has faced calls to resign from the leaders of three regional football confederations – UEFA (Europe), AFC (Asia) ⁠and CONCACAF (North and Central America and the Caribbean) – and their representatives will be present in Zurich for a FIFA Council meeting.

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    They will be joined by their counterparts from Africa, South America and Oceania.

    On the agenda will be a discussion of the failed FIFA Forward Enterprise (FFE) scheme, which Infantino was forced to abandon ⁠within days of announcing it in July.

    Under the plan, Infantino proposed selling a minority stake in a FIFA commercial subsidiary to private investors, with a company launched by Joshua Kushner, the brother of Donald Trump’s son-in-law Jared Kushner, identified as the proposed lead investor.

    The 37-member council will also address FIFA’s governance, with some of the sport’s most powerful figures determined to limit Infantino’s powers if they cannot force him out of office.

    Infantino, 56, will stand for re-election in March 2027, with a ‌November 18 deadline looming for potential candidates to submit their nominations.

    Last week, former Switzerland and Tottenham Hotspur defender Ramon Vega announced that he intended to stand, but he has not confirmed whether he has the backing of the five national associations required to enter the race.

    The FFE plan exposed a split in world football, with Aleksander Ceferin, Salman Al Khalifa and Victor Montagliani – the presidents respectively of UEFA, AFC and CONCACAF – saying it was time for a change at the top of FIFA.

    However, Infantino has been canvassing support as he bids to remain in power and received a standing ovation when he met African football leaders last week in Cape Verde.

    He is also expected to be backed by South America at next year’s election ⁠in Rabat, Morocco. Despite the AFC’s criticism of his leadership, many countries within Asia, including a bloc of Arab nations, ⁠have offered their support.

    FIFA Peace Prize to Trump in spotlight

    People familiar with the matter told the Reuters news agency that although the chances of finding someone to replace Infantino were remote, his opponents were determined to leave him more isolated and curb his powers.

    In addition to reviewing FFE, council members are expected to discuss FIFA’s financial reserves and how much money it can release to member associations, as well as its ⁠disciplinary procedures, governance framework and Peace Prize, which was controversially awarded to US President Donald Trump last year.

    Last month, UEFA and CONCACAF called on FIFA to release $10m to each of its 211 member associations, countering Infantino’s FFE proposal ⁠under which associations could receive $20m in development funding and potentially access a further $20m.

    Emanuel Medeiros, ⁠founder and Global CEO of Sport Integrity Global Alliance, a pressure group for better governance in sport, said FIFA needed to have a “frank discussion” in Zurich.

    “The eyes of the world are on them,” he said. “The world of football expects to see a council that takes this unique opportunity to establish a genuinely independent, comprehensive and transparent governance review … We certainly wish to see a new ‌impetus, a new dynamic.”

    However, lawyer and politician Miguel Maduro, who was chairman of the FIFA Governance Committee in 2016 before being sacked by Infantino, said he would be surprised if anything meaningful came of Thursday’s meeting.

    “They may announce the setting up of a working group or even an independent review of FIFA ‌governance, ‌but the credibility of either exercise will be very limited in the light of FIFA’s track record,” he said.

    “Such an exercise, if not genuinely independent and enforceable, might be more of the same: a window dressing exercise simply aimed at reducing public pressure and to state they have now addressed whatever problems they had.”

    FIFA to offer members $6.35bn development fund windfall

    FIFA is also planning to set up a $6.35bn development fund for the next four years, the AFP news agency learned Wednesday from a source close to the matter.

    The plan is due to be approved at its Council meeting on Thursday.

    To finance this development fund for the 2026-2030 period, which would allow money to be distributed to FIFA’s 211 federations as well as to the regional confederations, it would draw in part on its financial reserves after a commercially successful 2026 World Cup.

    The plan, first revealed by The Associated Press, would allow for the payment of $25m to each of its 211 member federations.

    This is far more than the $10m called for by two of Infantino’s chief critics, Aleksander Ceferin, the boss of the European confederation UEFA, and Victor Montagliani, the head of CONCACAF, the confederation of North and Central America and the Caribbean.

    Thursday’s gathering is the first such meeting since April 28, and comes amid a crisis in the governance of world football, following Infantino’s announcement earlier this year of his desire to open FIFA’s premium competitions, such as the World Cup, to private investors.

    That plan was ultimately abandoned in the face of widespread criticism from the football world, with a rebellion led by UEFA, CONCACAF, and the Asian Football Confederation (AFC).

    At the end of September, Infantino launched a consultation process with the federations to reform how the global body operates, announcing that the first proposals could be examined as early as Thursday’s meeting.

    The 56-year-old, who has headed FIFA since 2016, is running for re-election in March 2027.

    His opponents have so far failed to agree on a candidate.

    Ceferin has chosen to stand for a new term at the helm of UEFA and, according to several media outlets, Montagliani is expected to do the same at CONCACAF.

    The deadline for submitting candidacies is November 18.

  • Latin Grammys 2026: Ca7riel & Paco Amoroso, Milo J, and more Argentine artists nominated

    Latin Grammys 2026: Ca7riel & Paco Amoroso, Milo J, and more Argentine artists nominated

    The Latin GRAMMYS are next month on November 12, in Las Vegas, bringing together artists across Latin music’s many genres for one of the biggest nights in entertainment. Argentina is represented across rock, alternative, urban music, electronic music, and tango. CA7RIEL & Paco Amoroso lead the country’s performers with seven nominations, while Milo J earned five, putting two Argentine acts among the most recognized artists in this year’s competition. From established names such as Fito Páez and Babasónicos to newer voices making their mark internationally, the list showcases the range of Argentina’s music scene.

    CA7RIEL & Paco Amoroso

    The duo met in first grade after sitting next to eachother by chance © Redferns

    Grammy-winning duo CA7RIEL & Paco Amoroso,  who met in grade school, are among the most-nominated acts, earning seven nods for their incredible album FREE SPIRITS. Their nominations include Record of the Year for “Ha Ha,” Album of the Year, Best Alternative Music Album, Best Electronic Music Performance for “Beto’s Horns – Fred Remix” with Fred again.., Song of the Year and Best Pop/Rock Song for “Hasta Jesús Tuvo Un Mal Día,” featuring Sting, and Best Long Form Music Video for FREE SPIRITS (The Film).

    Milo J

    Media Image© Getty

    At only 19, Milo J is proving he could be one of the biggest stars in music. With his signature voice and range of sounds, he earned five nominations, including Album of the Year for La Vida Era Más Corta, which he started writing when he was 17. The Argentine rapper is also nominated for Record of the Year with “Niño,” Song of the Year for “Solifican12,” Best Urban Performance for “Gil” with Trueno, and Best Folk Album for his latest project. 

    Bizarrap

    Person in green leather jacket and white shirt stands in front of yellow beehive structure.© Natasha Moustache

    Bizarrap earned two nominations for his collaboration with Daddy Yankee, “Daddy Yankee: Bzrp Music Sessions, Vol. 0/66.” The track is up for Best Urban Performance and Best Urban Song, adding another major awards moment for the Argentine producer known for his sessions with some of the biggest names in Latin music.

    Trueno

    Trueno© Getty

    Trueno is nominated for Best Urban Performance as a featured artist on Milo J’s “Gil.” The Argentine rapper has become a leading voice in Latin hip-hop, bringing his freestyle roots and sharp lyricism to an increasingly global audience.

    1915

    Argentine rock band 1915 earned a Best Rock Album nomination for Ceremonia. The recognition puts the group among the country’s rock acts represented at this year’s ceremony, alongside established artists and musicians continuing to push the genre forward.

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    Fito Páez

    LAS VEGAS, NEVADA - NOVEMBER 13: Fito Paez (L) poses with the Best Rock Song award for 'Sale El Sol' and RENEE (R) poses with the Best Rock Song award for 'La Torre' during the 26th Annual Latin Grammy Awards Premiere Ceremony at the Mandalay Bay Convention Center on November 13, 2025 in Las Vegas, Nevada. (Photo by Greg Doherty/Getty Images for The Latin Recording Academy) © Getty

    Fito Páez is nominated for Best Rock Album for Shine and Best Rock Song for “Las Fuerzas Armadas Del Amor.” The Argentine singer-songwriter has spent decades shaping Latin rock, and his latest nominations add another chapter to his long-running relationship with the Latin Grammys.

    Dillom

    MIAMI, FLORIDA - NOVEMBER 14: (EDITORIAL USE ONLY) Dillom attends the 25th Annual Latin GRAMMY Awards at Kaseya Center on November 14, 2024 in Miami, Florida. (Photo by Romain Maurice/WireImage) © Getty

    Dillom earned a Best Rock Song nomination for “Rojo Profundo.” Known for his dark aesthetic and willingness to move between rap, rock, and alternative music, the Argentine artist continues to challenge expectations around the country’s urban scene.

    Emmanuel Horvilleur

    MEXICO CITY, MEXICO - MARCH 15: Dante Spinetta and Emmanuel Horvilleur of Illya Kuryaki and the Valderramas band performs during Vive Latino 2026 at Foro GNP Seguros on March 15, 2026 in Mexico City, Mexico.  (Photo by Medios y Media/Getty Images) © Getty

    Emmanuel Horvilleur is nominated for Best Pop/Rock Album with Mi Año Gótico. The Argentine musician, who rose to prominence as part of Illya Kuryaki and the Valderramas, continues to explore a solo sound that blends pop, funk and rock.

    Usted Señalemelo

    SEVILLE, SPAIN - NOVEMBER 16: (L-R) Gabriel Orozco, Lucca Beguerie Petrich and Juan Mango of the band Usted Señalemelo attend The 24th Annual Latin Grammy Awards on November 16, 2023 in Seville, Spain. (Photo by Neilson Barnard/Getty Images for Latin Recording Academy) © Getty
    SEVILLE, SPAIN – NOVEMBER 16: (L-R) Gabriel Orozco, Lucca Beguerie Petrich and Juan Mango of the band Usted Señalemelo attend The 24th Annual Latin Grammy Awards on November 16, 2023 in Seville, Spain. (Photo by Neilson Barnard/Getty Images for Latin Recording Academy)

    Usted Señalemelo earned a Best Pop/Rock Album nomination for Términos & Condiciones. The Argentine indie-rock band has developed a sound that moves between atmospheric rock and alternative pop, earning recognition alongside some of the region’s most established acts.

    Babasónicos

    Usted Señalemelo© Getty

    Babasónicos is nominated for Best Alternative Music Album for CUERPOS, Vol. 1. One of Argentina’s defining alternative-rock bands, the group continues to experiment with its sound while maintaining the distinctive identity that has shaped its career.

    Dante Spinetta

    Media Image© Getty

    Dante Spinetta is credited as a songwriter on “El Reset,” nominated for Best Alternative Song. The Argentine musician has spent decades blending rock, funk, and hip-hop, both through his solo work and as one half of Illya Kuryaki and the Valderramas.

    Nathy Peluso

    Nathy Peluso© Getty

    Born in Argentina and based in Spain, Nathy Peluso is nominated for Best Salsa Album with Malportada. Her music moves between salsa, hip-hop, jazz, and other Latin styles, making her one of the artists challenging conventional genre boundaries.

    Yami Safdie

    MADRID, SPAIN - JULY 05: Argentinian singer Yami Safdie performs onstage during day 3 of Rio Babel Festival 2026 at Auditorio Miguel Ríos on July 05, 2026 in Madrid, Spain. (Photo by Borja B. Hojas/Getty Images ) © Getty
    MADRID, SPAIN – JULY 05: Argentinian singer Yami Safdie performs onstage during day 3 of Rio Babel Festival 2026 at Auditorio Miguel Ríos on July 05, 2026 in Madrid, Spain. (Photo by Borja B. Hojas/Getty Images )

    Yami Safdie is nominated for Best Traditional Pop Album for Querida Yo. The Argentine singer-songwriter has connected with audiences through emotionally direct pop and personal songwriting, bringing a newer generation of talent into the Latin Grammy conversation.

    Peces Raros

    Peces Raros earned a Best Electronic Music Performance nomination for “Circular,” featuring Nick Warren. The Argentine duo combines electronic production with live-band energy, making its nomination a notable moment for the country’s electronic music scene.

    Ke Personajes

    Argentine singer Emanuel Noir, of the band Ke Personajes, performs on stage during the 65th Vina del Mar International Song Festival in Vina del Mar, Chile, on February 25, 2026. (Photo by Javier TORRES / AFP via Getty Images) © Getty
    Argentine singer Emanuel Noir, of the band Ke Personajes, performs on stage during the 65th Vina del Mar International Song Festival in Vina del Mar, Chile, on February 25, 2026. (Photo by Javier TORRES / AFP via Getty Images)

    Ke Personajes is nominated for Best Cumbia/Vallenato Album for Corazón Ausente. The Argentine group has become a recognizable name in contemporary cumbia, bringing the country’s tropical music scene into an international awards conversation.

    Aníbal Berraute

    Aníbal Berraute is nominated for Best Tango Album for Neopía. The recognition highlights the continuing presence of Argentine tango at the Latin Grammys, a genre deeply connected to the country’s musical identity.

    Lidia Borda and Ariel Ardit

    Lidia Borda and Ariel Ardit are nominated for Best Tango Album with Somos. Both artists are known for their work with traditional tango, bringing a classic Argentine sound to the international awards stage.

    Pablo Jaurena

    Pablo Jaurena earned a Best Tango Album nomination for Fueyerías. The Argentine bandoneon player and composer is recognized for his contributions to a musical tradition that remains central to the country’s cultural heritage.

    Quinteto Astor Piazzolla

    Quinteto Astor Piazzolla is nominated for Best Tango Album with Le Grand Tango. The ensemble continues the legacy of Astor Piazzolla, whose work helped transform tango through its incorporation of classical music and jazz influences.

    Rafa Arcaute

    Rafa Arcaute is credited as a producer and songwriter on CA7RIEL & Paco Amoroso’s FREE SPIRITS and “Hasta Jesús Tuvo Un Mal Día.” His work on the duo’s projects connects him to several of the pair’s nominations.

    Federico Vindver

    Federico Vindver is credited on FREE SPIRITS and “Hasta Jesús Tuvo Un Mal Día,” and earned an individual nomination for Producer of the Year. His work places him among the behind-the-scenes music creators recognized at this year’s ceremony.

    Santiago Alvarado

    Santiago Alvarado is credited as a producer and songwriter on Milo J’s La Vida Era Más Corta and “Solifican12.” His work connects him to the album and song nominations earned by the Argentine rapper.

    Santiago Ruiz “Tatool”

    Santiago Ruiz, known professionally as Tatool, is nominated for Producer of the Year. His production credits include Milo J’s La Vida Era Más Corta and Trueno’s “Turr4zo,” highlighting his work across Argentina’s urban music scene.

    Mateo Sujatovich

    Mateo Sujatovich, the frontman of Conociendo Rusia, is credited among the songwriters on Jorge Drexler’s “Ante la duda, baila,” nominated for Best Alternative Song. 

  • OpenAI London employees get an average of £2.3m per person each year, accounts show

    OpenAI London employees get an average of £2.3m per person each year, accounts show

    Records have revealed the eyewatering salaries that OpenAI’s UK staff are paid and I promise you, it’s going to have you rushing off to polish up your CV.

    It’s no secret that AI is big business these days, with Anthropic, the company behind Claude, valued at a whopping $965 billion back in May (£728bn), and OpenAI seeking a $1.4 trillion (around £1tn) valuation just last month.

    With such massive numbers, it probably comes as little surprise that the team working at such companies are impressively compensated.

    And now accounts have been revealed that show just how generously staff are paid.

    Last year’s acounts for OpenAI UK Ltd, which is based in Westminster, showed that there were 110 staff members who split £87m in salaries and £168m in shares in the company.

    Doing a quick bit of maths, that means the average salary was £2,318,181 last year.

    See? I told you, you’d want to go and sort your CV out.

    OpenAI offers very generous salaries (Heather Diehl/Getty Images)

    OpenAI offers very generous salaries (Heather Diehl/Getty Images)

    For a bit of context, the Office of National Statistics found that the median annual earnings for full-time employees in the UK was £39,039.

    So using this average salary, you’d need to work 58 years to match the average salary of a UK-based OpenAI worker.

    However, according to the Guardian, there’s reportedly a large discrepancy between the AI company’s lowest and highest earners.

    The largest pay packets are dished out to researchers who help to build OpenAI’s models, including Astra.

    It’s also important to note that the figures are from 2025 when there was a bit of a talent war amongst AI companies to land themselves the best and brightest staff.

    Other companies in the space, such as Meta, were reportedly offering multi-year salary packages that amounted to hundreds of millions of dollars.

    When approached by the Guardian, OpenAI declined to comment on its salaries.

    Meanwhile, last month, it was revealed that OpenAI was offering up very generous compensation packages as it builds out its robotics efforts.

    The company had more than two dozen robotics jobs listed on its careers page in September, across various areas, including software, hardware and data collection.

    It isn’t the only tech giant spending big on hiring talent ( Samuel Boivin/NurPhoto via Getty Images)

    It isn’t the only tech giant spending big on hiring talent ( Samuel Boivin/NurPhoto via Getty Images)

    And these new roles came with some top-notch salaries, with publicly available information showing that the base wages ran from a way-above-average $177,000 (£133,600) to a frankly-staggering $500,000 (£377,400) a year, before equity.

    The roles on offer included a lab tech tasked with helping to ‘develop, build, test, and iterate on robotic systems’ and actuator design engineers who are responsible for building the various parts of bots that help them move.

    The highest-paid listing, as reported by Business Insider, was for a role for a ‘machine learning engineer’ who would be working on distributed data systems, infrastructure for processing, and moving huge amounts of robotics training data across computers.

    Now, while that might all sound like an awful lot to get your head around, it does come with a salary of a half a million dollars per year.

    Anyone else wishing they’d paid more attention in their IT classes?

  • New poll reveals number of brits who wouldn’t fight for the uk if war broke out

    New poll reveals number of brits who wouldn’t fight for the uk if war broke out

    Half of the public say under no circumstances they would go to war for the UK, according to a new poll.

    48 percent of voters said they would not join the army, despite the ongoing threat from the likes of Russia, China and Iran.

    Ipsos said the figure is unchanged from last year’s poll, as 36 percent, this year, said there were circumstances in which they would fight, up one percent from previous.

    Hamish Mundell, an associate fellow at the Royal United Services Institute, said there were questions about ‘Britain’s willingness to fight and make sacrifices’, but added the Ipsos poll did not suggest the country would be unable to mobilise in the event of WW3.

    “I think the most important thing to take away from this polling is that we should be careful about confusing what people say they would do in peacetime with how they might actually behave in a national emergency,” he told the Press Association.

    Many Brits wouldn't want to go for war for the UK despite rising concern about the threat from Russia, China and Iran (Getty Stock Images)

    Many Brits wouldn’t want to go for war for the UK despite rising concern about the threat from Russia, China and Iran (Getty Stock Images)

    Mundell thinks the army won’t be overly concerned by the poll because their main concern is being able to train and prepare people for war, not getting extra people to sign up.

    He added: “I can’t see the number of people willing to fight decreasing if the UK started suffering at the hands of a foreign power during a conflict.”

    In the male category, more people said they would fight than would not, with 48 percent saying there were circumstances in which they would go to war, while 40 percent saying they would not be willing to do so.

    The majority of women and people aged 35-54 said they would not fight, the poll found.

    Although Mundell said the figures were ‘hardly surprising’, he said it was ‘disheartening that we don’t seem to have any form of leadership from the Government on a pathway to Britain’s 3.5 percent Nato commitment’.

    Half of the public say under no circumstances they would go to war for the UK (Getty Stock Images)

    Half of the public say under no circumstances they would go to war for the UK (Getty Stock Images)

    Last year, the UK and other Nato allies agreed to spend 3.5 percent of GDP on ‘core defence’ by 2035 under pressure from Donald Trump to increase military spending.

    Mundell added: “I am sceptical that we need another national conversation before we can make those decisions.

    “We need political leaders to explain the threats facing the country, set out what needs to be done and just go and do it, even where that might prove contentious.”

    The Ipsos poll surveyed 1,090 British adults between 29 September and 1 October.

    A Ministry of Defence spokesperson said: “In an increasingly dangerous world, we are stepping up to protect the UK.

    “There has never been a more important time to join defence and with more people now joining the armed forces than leaving, that reflects the growing confidence in the opportunities and benefits that service life offers.

    “This Government is determined to build on that progress.

    “A career in the armed forces provides incredible opportunities for people from all backgrounds to develop their skills, fulfil their potential and come together in the shared defence of our nation.”

  • Kirti Kulhari’s Production Debut ‘Kinaare’ to Premiere at Dharamshala, Rima Das’ ‘Not a Hero’ to Open Festival

    Kirti Kulhari’s Production Debut ‘Kinaare’ to Premiere at Dharamshala, Rima Das’ ‘Not a Hero’ to Open Festival

    Kirti Kulhari’s first feature as a producer, “Kinaare” (“Shores”), will premiere at the 15th Dharamshala International Film Festival (DIFF), which will open with Rima Das’ Berlin-awarded “Not a Hero.”

    The festival will run Oct. 29–Nov. 1 at the Tibetan Children’s Village in Upper Dharamshala, with an online edition to follow Nov. 2–9.

    Written and directed by brothers Akbar Quadri and Azam Quadri, “Kinaare” stars Kulhari as Amina, a single woman in a village near Delhi who spends her days looking after her elderly parents and the family home. Her cousin, played by Azam Quadri, turns up without warning after 15 years away, and his visit brings back the events that once split the family. By the time he leaves, Amina has made her peace with the past. Rajeev Siddhartha, Alka Amin and Ravi Taneja complete the cast.

    Kulhari produced the film through her banner Kintsukuroi Films, with Abhishek Koka and Maansi Guptey as co-producers.

    “It’s a script that really resonated with me. It’s a simple, heartwarming, and subtle film. I find all these adjectives in Iranian films – which I’ve always really loved – so when something like this came to me, I knew I had to make it,” Kulhari said. “This is exactly how I wanted to make this film: independently, make it the way I see it, the way we all see it collectively.”

    Siddhartha said every actor hopes for a script that values the written word and also pushes them to explore the spaces between the words. “And with ‘Kinaare,’ I got to do that as an actor. I feel ‘Kinaare’ has such a universal theme that everybody who sees it will definitely be touched, be moved and be slightly changed from within after the experience,” he said.

    The film’s crew includes cinematographer Arjun Sundaram, composer Mohan Kannan, editor Bakul Matiyani and sound designer Sanjay Chaturvedi.

    “Not a Hero,” an India-Singapore co-production, will have its South Asia premiere as the festival’s opening night film. It debuted at the Berlinale earlier this year, where it took a Crystal Bear Special Mention in the Generation Kplus strand, and later won best indie film at the Indian Film Festival of Melbourne. It has also played Zlín, Zurich and Busan.

    The film centers on a boy packed off from the city to his family’s ancestral village. There he meets a distant aunt, makes friends with a horse and falls in with a pack of local children, finding both a life away from screens and a courage he did not know he had.

    Das is known for “Village Rockstars,” “Bulbul Can Sing,” “Tora’s Husband” and “Village Rockstars 2.” Her films have screened at more than 150 festivals and collected over 75 awards.

    The latest additions to the DIFF lineup also include Don Palathara’s “The Uncertainty Principle,” set among young people in Kochi chasing careers in cinema, and “Cool Ladies Club,” a documentary co-directed by Shilpi Gulati and 10 women from Mumbai’s eastern suburbs who made the film together over 18 months.

    Also on the slate are Tanushree Das and Saumyananda Sahi’s Kolkata-set Berlin-debuting family drama “Shadowbox,” Rafael Kapelinski’s Poland-Hungary title “Budapest Diaries” and Eimi Imanishi’s Western Sahara-set “Nomad Shadow.”

    They join titles from the festival’s initial lineup, among them Gurvinder Singh’s Locarno title, India-France co-production “Rehmat,” which weaves together three stories set in present-day Punjab; “Termite,” a short set in 1990s Old Delhi that marks the first fiction film from Oscar-nominated documentarian Shaunak Sen; and Oliver Laxe’s Cannes-winning “Sirāt.”

    The first wave also includes Sompot Chidgasornpongse’s Cannes-debuting Thai family pilgrimage drama “9 Temples to Heaven,” Sara Dosa’s Iceland-set “Time and Water,” R. Gowtham’s Berlin-bowing grief drama “Members of the Problematic Family” and Dennis Harvey and Lars Lovén’s Irish folk music documentary “Celtic Utopia.” Samreen Farooqui and Shabani Hassanwalia’s documentary “The Ordinary Star” follows Nawazuddin Siddiqui as he studies the real-life occupant of the room he would use while shooting “Star,” Dibakar Banerjee’s segment in the 2013 anthology “Bombay Talkies.”

    DIFF was founded by filmmakers Ritu Sarin and Tenzing Sonam. This year’s edition will also run its fellowship program, with seven fellows mentored by Bhutanese director Dechen Roder and Indian independent filmmakers Umesh Kulkarni and Dominic Sangma.

  • Child, 10, almost blinded after copying YouTube influencer’s ‘life hacks’

    Child, 10, almost blinded after copying YouTube influencer’s ‘life hacks’

    The mother of a 10-year-old girl who poured nail polish remover in her eyes says she can’t wait for a blanket ban on social media for under-16s to come into effect.

    Rebecca Soal said she was horrified to discover her 10-year-old daughter, Phoebe, had wiped the solvent across her lips before putting several drops in each eye after seeing an influencer ‘hack’ on social media.

    “This stupid video said it’s a good alternative to eye drops,” Rebecca, from Caerphilly, Wales, said.

    “She went into the bathroom, grabbed my nail varnish remover, tapped it on a cotton bud and wiped it all over her lips.

    “Then she dropped [some] drops in each eye.”

    The stay-at-home mum revealed that she only became aware that Phoebe had done so after smelling nail varnish remover while taking her younger daughter upstairs to bed.

    10-year-old Phoebe ended up in hopsital after copying an influencer 'hack' she'd seen online  (Kennedy News and Media)

    10-year-old Phoebe ended up in hopsital after copying an influencer ‘hack’ she’d seen online (Kennedy News and Media)

    “I got that gut feeling, I went to my daughter, and it clicked. It was frightening,” the mum said. “Her lips and eyes were red.”

    Rebecca went on to explain that it took a while for Phoebe to admit that she’d used the nail polish remover after seeing videos online, adding: “They use water in the videos to gain likes, they’re joking, but kids take it literally.

    “We’ve seen a lot of similar videos and it’s absolutely disgusting.”

    “You don’t expect kids to take part in trends.”

    Petrified that her daughter had permanently damaged her eyesight, Rebecca rushed her daughter to the hospital, where doctors flushed each eye with a litre of saline water in order to ensure all of the chemicals were washed out.

    While the nail polish remover was acetone-free, meaning that Phoebe avoided causing serious permanent damage to her eyes, the family do not know how her vision will be affected in the long term.

    “We’re waiting for a specialist appointment for her eyes,” Rebecca explained. “So we don’t have the full picture at the moment.”

    While the nail polish remover was acetone-free, it did contain the eye irritants ethyl acetate, isopropanol and bitrex (Kennedy News and Media)

    While the nail polish remover was acetone-free, it did contain the eye irritants ethyl acetate, isopropanol and bitrex (Kennedy News and Media)

    Phoebe also suffered a chemical burn to her lips, which the family are treating with Vaseline to make sure it doesn’t crack.

    “Doctors said she was really lucky,” she added.

    Rebecca has since banned her children from social media, stating that the family were now going to be a lot more ‘vigilant’ when it comes to monitoring their online activity.

    She is also in full support of the UK’s upcoming social media ban, which will effectively lock anyone under the age of 16 out of platforms such as Facebook, Instagram, X and TikTok.

    Announced back in June, the Labour government hoped the move, which mirrors a similar social media ban in Australia, will kickstart a ‘cultural shift’ and allow children to grow up offline.

    “It’s just scary. We can’t wait for this government ban because it’s not safe to do anything anymore,” she said.

    Rebecca now says she 'can't wait' for the social media ban to into effect (Kennedy News and Media)

    Rebecca now says she ‘can’t wait’ for the social media ban to into effect (Kennedy News and Media)

    “They go on YouTube to watch their favourite Roblox videos, you don’t expect kids to take part in trends,” she continued.

    “All my children now are on a ban, we can’t take any more risks.”

    When approached about the videos, YouTube said it was investigating how the clips made it onto the platform. A quick search on the video-sharing platform returned no results for nail polish remover hacks.

    “Be more vigilant with your children,” Rebecca added. “I know you trust your children, but do you trust them enough not to be influenced?

    “I’m hoping she understands what she has done now.”

  • Anti-Bitcoin Peter Schiff Warns: Switch to Gold Before the Market Crashes!

    Anti-Bitcoin Peter Schiff Warns: Switch to Gold Before the Market Crashes!

    According to Schiff, political developments in the US, rising inflation, and bond yields are among the factors that could put pressure on risky assets. The renowned investor believes these conditions could lead to a broader correction in financial markets.

    Schiff, in particular, highlighted the potential impact of rising bond yields on asset prices and expressed doubts about the sustainability of the current market outlook.

    Schiff, known for his criticisms of Bitcoin, considers gold a long-term store of value. In his latest statement, he reiterated his view that people should invest in gold instead of Bitcoin.

    Schiff’s assessments are based on the belief that Bitcoin’s current price levels do not adequately reflect economic risks. However, these statements reflect the investor’s personal market expectations.

    Bitcoin’s future price movements will depend on global economic conditions, investor demand, and developments in financial markets. Whether the sharp decline predicted by Schiff will materialize remains uncertain.

    *This is not investment advice.

  • Gersh Launches Victoria House, Expanding Into Scripted Films, True Crime and International Co-Productions (EXCLUSIVE)

    Gersh Launches Victoria House, Expanding Into Scripted Films, True Crime and International Co-Productions (EXCLUSIVE)

    Gersh is stepping up its international content ambitions with the launch of Victoria House, the new identity of Emmy-winning Spanish production outfit You First Originals, as the U.S. talent agency completes the integration of You First under its global brand on Oct. 15.

    The move gives Victoria House access to Gersh’s international talent network and opportunities to explore new financing and co-production partnerships, while preserving the Spanish company’s creative independence.

    The rebranding follows Gersh’s 2024 acquisition of Madrid-based You First, a move into global sports representation that doubled the agency’s workforce to more than 600 employees and extended its reach to 22 offices across 14 countries.

    “It’s not easy to find a production company with access to an international talent network as powerful as Gersh’s,” Victoria House managing director Javier Martínez told Variety. “At the same time, we have the creative freedom to develop original stories and work with talent, creators and IP from any source.”

    Martínez continues to lead the company alongside Luis Miguel Calvo, head of content at Gersh International. Both oversee the creative direction and serve as executive producers on Victoria House projects. Joanna Pardos, with the company since 2022, heads projects and content development, having directed “It’s All Over,” “Alexia” and the upcoming “Criminopatía.”

    Lucía Alemany directs ‘Alexia’ Courtesy of Victoria House

    Scripted fiction is a key growth driver, with Victoria House co-producing Lucía Alemany’s “Alexia,” inspired by the early life of Spanish soccer star Alexia Putellas, alongside LaZona, LaCima Producciones and Odessa Films. Backed by Movistar Plus and 3Cat, the film is slated for theatrical release in 2027. Victoria House previously produced Prime Video’s International Emmy-nominated docuseries “Alexia: Labor Omnia Vincit.”

    Looking ahead to 2028 and 2029, Victoria House is developing two further scripted features, including what Martínez describes as “a kind of Spanish ‘Billy Elliot,’” inspired by an extraordinary true story with strong emotional and social dimensions.

    “We want to diversify into fiction, documentaries and entertainment while staying true to our DNA: talent-driven stories with social relevance and the ability to reach broad audiences,” Martínez said.

    The company is also expanding its true-crime business, following HBO Max’s “11 Tiros.” Set for 2027, its Netflix documentary series “Criminopatía” adapts Clara Tiscar’s successful true-crime podcast, bringing an established IP with a loyal following to television. Further investigative projects are being developed around exclusive access to compelling real-life stories.

    The new slate builds on five years of production for Netflix, Prime Video and HBO Max under the You First Originals banner, during which the company earned two International Emmy nominations and won the 2025 International Emmy for Best Sports Documentary with “It’s All Over: The Kiss That Changed Spanish Football.”

    The newly rebranded producer will operate within Gersh International’s content division, alongside its podcast, YouTube and branded entertainment businesses.