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  • Did prices rise more under Biden than Trump? We checked the data

    Did prices rise more under Biden than Trump? We checked the data

    Claim:

    A Facebook graphic authentically showed that the price of some household goods and utilities rose more during U.S. President Joe Biden’s administration than during President Donald Trump’s second term.

    Rating:

    False

    Context

    The graphic presented an unfair comparison of changes to the inflation rate for 12 household goods and utilities during the Biden and second Trump administrations. The graphic’s comparison wasn’t accurate because it compared Biden’s full 48-month term to only 20 months of Trump’s. Additionally, Snopes could not replicate the figures the graphic presented using the database it listed as a source.

    In September 2026, a Facebook graphic (archived) circulated online that social media users claimed authentically showed that the price of some household goods and utilities rose more during the U.S. President Joe Biden’s administration than during President Donald Trump’s second term. 

    In other words, social media users claimed the graphic showed that the rate of inflation, meaning the increase in prices over time, was higher during Biden’s presidency than during Trump’s second term.

    For example, one Facebook user shared the graphic and wrote, “Inflation hit American families hard under Biden.”

    The graphic also circulated elsewhere on Facebook, including on the page of the Denton County Republican Party in Texas (archived, archived). Social media users on Instagram, Threads and TikTok also shared the post (archived, archived, archived). Snopes readers contacted us to ask whether the numbers on the graphic were real.

    While the graphics did purport to show that the price of some household goods and utilities rose less during the second Trump administration than during Biden’s presidential term, its figures appeared to be false (wrong), fake (fabricated) or both, and the comparison it made wasn’t accurate or fair.

    We could not replicate any of the rate-of-inflation changes the graphic indicated took place between January 2021 and January 2025 or between January 2025 and August 2026 using the Bureau of Labor Statistics’ Consumer Price Index for All Urban Consumers (CPI-U) database. Importantly, it’s the same database the graphic said it pulled its data from.

    The graphic also made an unfair comparison by directly comparing Biden’s 48-month presidency to the 20 months between January 2025 and August 2026 (both included) of Trump’s second term. Because inflation is measured over time, direct comparisons should use time periods of the same length. A “fair” comparison in this case might have compared either the first 20 months of Biden’s presidency to the first 20 months of Trump’s or Biden’s full term to Trump’s full first term.

    The source of the graphic was unclear. We contacted the Denton County Republican Party, which posted an early version of the graphic, to ask where they got their data from and await a reply.

    It’s worth noting that Pangram, a highly regarded artificial intelligence detector for images and text, found two versions of the graphic to be fully AI. Facebook also marked the Denton County Republican Party’s posting of the graphic as AI content. (It’s important to note that currently, no AI detection tool is regarded as 100% reliable.)

    It’s unclear what the sources of the images we scanned might have used AI for. They could have used AI tools to find or conjure the data or merely to present it. 

    What is the CPI?

    The graphic listed the BLS’ CPI-U database as its source. According to the BLS, the CPI tracks “changes in prices of all goods and services purchased for consumption by urban households” — in other words, inflation. CPI-U covers urban consumers, which the BLS says accounts for 90% of the total population of the U.S. 

    Because the CPI tracks price changes over time, it makes the most sense to use the index when comparing one point in time to another. According to the BLS website, most of its index series — meaning a data set that tracks prices for a certain item over time — use an average index from the 36 months covering 1982, 1983, and 1984. The BLS assigns that time period an index of 100, and all later periods show changes compared to that baseline. 

    The BLS wrote:

    An index of 110, for example, means there has been a 10-percent increase in price since the reference period; similarly, an index of 90 means there has been a 10-percent decrease.

    Changes to the rate of inflation (what the CPI measures) are usually reported as a percentage. This is because a percentage most accurately reflects how much prices have fallen or risen between two points in time.

    What the data actually says

    The Facebook post above claimed that the graphic used index series from the CPI-U database, using “U.S. cities average” to define the area where the BLS collected the data. 

    We found index series for 12 out of the 13 items listed in the Facebook graphic. The BLS doesn’t publish an index series for “Natural gas” within its CPI-U database, meaning the figures the Facebook graphic used could not have come from that source.

    The graphic didn’t say whether it used data that was “seasonally adjusted.” The BLS said on its website that such an adjustment attempts to remove “the influences of predictable seasonal patterns from time series data.”

    We used seasonally adjusted data in our attempt to recreate the Facebook graphic (except for “baby food and formula,” which did not have seasonally adjusted data available). As the Facebook graphic said, we pulled data for “U.S. city average” from the database.

    The data from the actual BLS CPI-U database showed that, for 12 goods or utilities, prices rose slower during Trump’s second term than during Biden’s first. However, that was to be expected given Biden’s term covered a time period more than twice as long as the initial 20 months of Trump’s second term.

    The actual BLS CPI-U data also differed from the Facebook graphic that the Denton County Republicans posted for every good or service listed. In fact, the Denton County Republicans post short-changed Trump in some places, as the actual data showed inflation had fallen for four of the products listed — not just one, as the graphic claimed.

    We used the Denton County Republicans post for comparison because the page posted an early version of the graphic.

    A ‘fair’ comparison

    For good measure, here is what a “fair” comparison of the rate of inflation for 12 products during the first 20 months of Biden’s presidency and the first 20 months of Trump’s second presidency would look like:

     

    According to the CPI-U’s data for January 2021 to August 2022 and January 2025 to August 2026, the rate of inflation was lower for 10 of the 12 products during the first 20 months of Trump’s second term. 

    It’s worth noting here that the start of Biden’s presidency coincided with the COVID-19 pandemic and the highest period of inflation recorded in the U.S. for at least 20 years. Experts disagree about the reason for the high rates of post-COVID inflation. 

    The Brookings Institution, a think tank based in Washington, D.C, wrote in June 2023 that:

    Most of the rise in inflation in 2021 and 2022 was driven by developments that directly raised prices rather than wages, including sharp increases in global commodity prices and sectoral price spikes driven by a combination of pandemic-induced kinks in supply chains and a huge shift in demand during the pandemic to goods from services.

    It assigned a smaller role to fiscal policy.

    Meanwhile, researchers from the MIT Sloan School of Management found in July 2024 that 42% of the inflation seen in 2022 “could be attributed to government spending.” Federal spending to bolster the economy during the COVID pandemic helped it bounce back but also caused a “surge” in inflation, according to the school’s experts.

    In sum, the Facebook post that circulated online claiming lower rates of inflation for 13 products during Trump’s second term than Biden’s first appeared to use fabricated data and also presented an unfair comparison. It’s unclear whether various creators used AI to source, conjure and/or present the data. 

    For further reading, Snopes has previously investigated other claims about inflation.

  • New Music Friday: Maluma & Shakira, Feid, MILEY, Michelle Maciel, Zulia, and more

    New Music Friday: Maluma & Shakira, Feid, MILEY, Michelle Maciel, Zulia, and more

    It’s officially the last New Music Friday of the summer, and artists did not play when it came to dropping fresh bangers. From A-list names and collaborations to highly anticipated albums, get your playlist ready and let’s have some musical fun. 

    Maluma & Shakira – AGUA

    Shakira and Maluma  reunite on “Agua,” their first major collaboration since 2018’s “Clandestino.” It marks their first merengue together, and they did not miss. The Colombian superstars turn up the heat and show off their chemistry and sexual energy in the spicy music video. Shakira looks incredible, per usual, as she flaunts her amazing body and signature dance moves. 

    CA7RIEL, Paco Amoroso, PinkPantheress, Fred again..–Sexy Magic 

    CA7RIEL, Paco Amoroso, PinkPantheress, and Fred again come together for “Sexy Magic,” which is featured on the long-awaited Grand Theft Auto VI soundtrack. CA7RIEL and Paco Amoroso are on fire, scoring 7 nominations at the Latin GRAMMYS, the second most after producer Edgar Barrera.

    Piso 21, Micro TDH & Gangsta – Segunda Cita

    Piso 21, Micro TDH & Gangsta will have you feeling flirty and ready for date night with “Segunda Cita.” It’s a powerhouse collaboration with all the artists seamlessly blending their sounds. It includes a sweet moment with Micro TDH celebrating their first collab with Piso 21, “Te VI’s” initiation into the billions club on Spotify.

    Michelle Maciel –  espresso martini

    Mexican singer-songwriter Michelle Maciel begins a new chapter with her album La Gloria, a 13-track project that explores love, personal growth, and experimentation while blending corridos, reggaetón, and boleros. The album’s focus track, “Dolencias,” featuring Ana Gloria, brings the two artists together for a fun, dance floor-ready collaboration that highlights Maciel’s ability to move between genres. 

    Zulia – Birkin 

    Following the release of his album Ya No Me Importa Si Nadie Me Escucha, Venezuelan rising star Zulia drops “Birkin.” The singer has one of the most unique voices in music, with bold, sensual lyrics, and a smooth sound. 

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    Guaynaa- SE PARECE AL PAI 

    Puerto Rican singer Guaynaa gets into his salsa swag with “SE PARECE AL PAI.” The catchy track has incredible instrumentals, an infectious melody, and lyrics inspired by his own life as a father. It stars his wife, Lele Pons, and their daughter, Eloísa. 

    Rodrigo y Gabriela – Somos Como Tú

    GRAMMY-winning Mexican guitar duo Rodrigo y Gabriela release their new album OurHome. They step into new territory with “Somos Como Tú,” their first-ever song featuring lyrics and vocals. The track explores migration, displacement, and the connections that unite people across cultures, marking a new chapter for the duo as they continue to expand beyond their signature acoustic sound.

    Feid, Bad Gyal – DE DIOR XL 

    After postponing its release, Feid drops his new EP, EL GREEN PRINT: La Saga (Disc 2) – EL CLUB DE LAS 19 FLORES, the next chapter of his Green Print era.  It includes collaborations with Vicente García, El Americano 4KT and Pirlo, Divino and Baby Ranks, Icon, Yandel, and Spanish star Bad Gyal. 

    Elvis Crespo, beele – PA´BAILAR  

    The one and only Elvis Crespo adds another collaboration with the new generation, this time with Beele. The genre-blending track has merengue, urban, and pop sounds with exciting instrumentals that will have you ready to move your hips. 

    MILEY – Let’s Get Married

    Miley’s highly anticipated album Bass Persuades is here, and it’s beautiful. It’s the first album since dropping Cyrus and shows off the multifaceted sides of the singer. “Let’s Get Married” is a gorgeous track dedicated to her fiancé, Maxx Morando, and comes with an intimate music video starring the couple. 

  • Clavicular Charged With Rape and Drugging in Massachusetts

    Clavicular Charged With Rape and Drugging in Massachusetts

    “Looksmaxxing” influencer Clavicular has been charged with rape and drugging in Massachusetts, according to NBC News.

    Court records filed on Sept. 8 and obtained by NBC News show that the 20-year-old, whose real name is Braden Peters, faces one count of rape, one count of drugging someone for sexual intercourse and one count of procuring liquor for someone under 21 years of age. The alleged offenses occurred on May 23, 2025, and an arraignment is set for Oct. 14.

    The Bulwark was the first to report on the charges. Clavicular’s representative, Mitchell Jackson, said in a statement to NBC News: “Braden Peters has not been physically served. As usual The Bulwark is exaggerating.” A lawyer for Clavicular did not immediately respond to Variety‘s request for comment.

    Clavicular has gained internet fame for his “looksmaxxing” practices, which have included injections and “bone smashing,” where one breaks facial bones in the hopes of achieving more defined features. He often demonstrates these methods on social media, including on TikTok and the livestream platform Kick.

    Though more details about the allegations were not immediately available, reports have noted that the timeline seems to match up with a recent civil lawsuit brought against Clavicular by an 18-year-old influencer.

    In a complaint filed in April in Miami, Aleksandra Vasilevna Mendoza accused Clavicular of battery, fraud and sexual misconduct in a series of events that took place in 2025. As reported by CBS News, she alleged that he injected her face with Aqualyx, a fat-dissolving substance not approved by the FDA, without her consent when she was a minor. Mendoza also alleged she had nonconsensual sexual encounters with Clavicular at his family home in Cape Cod while she was intoxicated. Clavicular denied the allegations and filed a motion to dismiss several counts of the lawsuit in July, including that of sexual misconduct, claiming that it was not included in the first iteration of the complaint.

    Clavicular was quick to take to social media following news of the charges on Monday night, posting a video of Mendoza where she called him “super nice” and a letter she allegedly wrote thanking him for “helping me as much as you have been.” He also shared a livestream clip where Mendoza says she is 18, though it is unclear when it was filmed.

    This is not the first time Clavicular has faced legal trouble. In summer 2024, he was arrested after a bar fight and faced with assault and battery charges, though they were dismissed. In February of this year, he was arrested in Arizona on suspicion of dangerous drug possession, but prosecutors dropped the case. In March, he was arrested in Florida on battery charges relating to an alleged altercation between his girlfriend and another woman, which were later dropped. And, a month later, he was charged with unlawfully discharging a firearm relating to shooting a deceased alligator on a livestream. He was sentenced to six months of probation and 20 hours of community service following a plea deal.

  • Will Record Summer Box Office Save Indie Cinema? Not Quite, But Cannes Might, Say U.S. Producers

    Will Record Summer Box Office Save Indie Cinema? Not Quite, But Cannes Might, Say U.S. Producers

    There was some much overdue optimism on the first day of the Creative Investors’ Conference, co-organized by CAA Media Finance, in San Sebastian on Tuesday, as execs from an established U.S indie distributor and new market entrant both celebrated the record breaking figures from the summer box office.

    “I think it’s a recovery and I think it’s a phenomenal result,” said Elissa Federoff, head of distribution at Neon. “Every year since the pandemic, we have seen growth, and it’s been amazing to watch. I think it’s also really important to reset our stage because, really, we’ve gone through a lot in the U.S. marketplace.”

    Federoff argued that major changes in the people’s behaviour — such as rise of streaming, gaming and social platforms — was now proving to be an opportunity to help boost the box office, rather than simply the opposite.

    “We’ve seen opportunities for new pathways during this point. We’ve seen the opportunity for the things that maybe we would say have set us back,” she said. “We’ve seen incredible things happen on social platforms, and normally we might say, “Oh, that’s detracting from our theatrical business.’ When in reality, we have seen some of our greatest films this year come from creators from YouTube, and that’s an incredible sensation.”

    Federoff suggested that rather than looking at pre-COVID levels all the time, the industry should “set ourselves within the norm and see where we can go from here.”

    Further enthusiasm came from Rob Williams, president of Sumerian Pictures, which started operations in mid 2025 and made a high-profile acquisition earlier this year with “Josephine.”

    Williams said that, building on the company’s music foundation having been launched by Sumerian Records, it was primed to capitalise on any film with ties to the music space, pointing to its first release “Mile End Kicks.”

    “Barbie Ferreira plays a music journalists in her early 20s and there’s great music in the film and lots of songs, we built a really strong social media campaign — and did things that other distributors might not do,” he said. “Josephine,” he noted, might not have music ties, but was “just a great film that we thought we could support and create an audience around.”

    In what may be music to the ears of many of the European executives in the audience — although perhaps not the organizers of San Sebastian Film Festival — Adele Romanski of production company Pastel Pictures said that the Cannes Film Festival had become much more important to the U.S. when it came to English language indie films.

    “I imagine everyone will roll their eyes at this, but Cannes has become more of a focus,” she said. “Obviously it’s every director’s dream to screen there, but I think from the U.S. perspective, it wasn’t always as important. Distributors were sometimes reluctant to spend the money for a film to go there.”

    Cannes, of course, is where “Club Kid” premiered earlier this year, sparking a bidding war eventually won by A24 for $17 million.

    Romanski said she was now thinking a “lot differently” when it came to taking debuts or second features from directors to Cannes and putting more value on the international market. “Because that’s where we’re actually seeing opportunity in terms of theatrical and support and financing. So that’s like a little bit of a shift. We’re really thinking that’s the right pace to center some of the talent that we’re working with.”

    Federoff at Neon, which has won seven consecutive Palm d’Ors in Cannes, including the current holder “Fjord,” underlined how the “global landscape” was “more important today than ever before.”

  • Did Broncos quarterback Bo Nix rebuke Trump for calling female reporter a pig?

    Did Broncos quarterback Bo Nix rebuke Trump for calling female reporter a pig?

    Claim:

    Denver Broncos quarterback Bo Nix responded to U.S. President Donald Trump calling a female reporter a “pig” by releasing a video in which he said that “staying silent makes me part of the problem.”

    Rating:

    False

    Throughout 2026, people shared a rumor alleging Denver Broncos quarterback Bo Nix responded to U.S. President Donald Trump calling a reporter a pig. According to social media users’ posts, the NFL quarterback publicly rebuked Trump, saying that “staying silent makes me part of the problem.”

    For example, on Sept. 20, a Facebook post (archived) read, “BREAKING NFL NEWS: Broncos star Bo Nix breaks his silence in shocking video response after ‘Little Pig’ comment to a female reporter shocks T.r.u.m.p — NFL superstar condemns disrespect towards women and sparks nationwide outrage.”

    The post featured a meme showing side-by-side images of Nix and Trump, with a purported Nix quote reading as follows:

    When I watched that clip, something in me snapped. I play this game with fire and pride, but I was raised to respect every woman who cheers, works, and sacrifices behind the scenes. If a man with that much power can mock and demean them in front of the world, then staying silent makes me part of the problem. And I refuse to be part of that.

    Other examples of the claim appeared on Facebook, Instagram and Threads. Snopes readers also searched this website in September 2026, specifically asking, “Did Bo Nix stand up for a female reporter?”

    We first used search engines such as DuckDuckGo, Google and Yahoo to locate possible evidence from credible sources about Nix publicly commenting on Trump. If the story was true, journalists with reputable news outlets, such as The Associated Press or Reuters — or sports blogs — would have widely reported on it. That was not the case. 

    The rumor about Bo Nix responding to Trump was fictional, and as a result we’ve rated the claim false.

    The claim appeared to take inspiration from a real remark Trump made in November 2025 while aboard Air Force One, when he told a female reporter asking a question, “Quiet. Quiet, piggy.” Snopes previously investigated that quote and found Trump genuinely said it.

    People.com, citing a journalist’s X post, reported the female journalist Trump addressed as “piggy” was Bloomberg reporter Catherine Lucey. The subject matter of Lucey’s question pertained to asking Trump about his past relationship with deceased convicted sex offender Jeffrey Epstein.

    We emailed the Denver Broncos to ask if the organization would like to address the fake Nix quote and will update this article if we receive further details.

    Digging into the rumor

    In addition to social media posts, the untrue rumor about Nix publicly rebuking Trump appeared on a handful of generic-looking WordPress blogs. Those blogs lacked author names and credible information about their founding. An examination of the blogs found they were not reputable outlets, for example such as well-known newspapers or established news websites, or websites for local or national TV channels.

    A scan of the text in one blog article with the artificial intelligence detection tool Pangram displayed the results, “We believe that this entire text is AI,” as well as, “100% of this text is AI.”

    Snopes doesn’t depend solely on AI detection tools, which vary in reliability, and instead considers the tools’ results as one of several data points toward judging an image’s authenticity. For Pangram, we bear in mind the platform’s strong performance in third-party and internal evaluations, as well as criticisms of the tool.

    Creators of content like the fabricated Nix quote capitalize on social media users’ willingness to believe and share the made-up stories, profiting from advertising revenue on external websites to which the posts link. (Snopes has previously reported on the business strategy.)

    The fictional story about Nix standing up for women resembled glurge, which Dictionary.com defines as “stories, often sent by email, that are supposed to be true and uplifting, but which are often fabricated and sentimental.”

    For further reading, we previously reported about whether Broncos head coach Sean Payton fired two players for refusing to stand for the U.S. national anthem.

    Sources

    “AI Detector: Free AI Checker for ChatGPT, Claude & Gemini.” Pangram, https://www.pangram.com.

    Akinode, Destiny. “Third-Party Pangram Evaluations.” Pangram, 2 Aug. 2026, https://www.pangram.com/blog/third-party-pangram-evals.

    “GLURGE Definition & Meaning.” Dictionary.com, https://www.dictionary.com/browse/glurge.

    Huberman, Bond, and David Emery. “Snopestionary: What Does ‘Glurge’ Mean?” Snopes, 21 Aug. 2021, https://www.snopes.com//articles/363643/what-does-glurge-mean/.

    @JenniferJJacobs. “Highlights from NEWSY Gaggle on AF1 on Our Flight to Florida on Friday Night…” X, 15 Nov. 2025, https://x.com/JenniferJJacobs/status/1989766778893832469.

    Kile, Meredith. “Donald Trump Snaps at Female Reporter Who Asks About Epstein Files: ‘Quiet Piggy.’” People.com, 18 Nov. 2025, https://people.com/donald-trump-snaps-quiet-piggy-at-female-reporter-who-asks-about-epstein-11851131.

    Masrour, Elyas, et al. “Pangram 3.3 Model Card.” Pangram, 13 May 2026, https://www.pangram.com/research/model-card/pangram-3-3.

    “‘Quiet, Piggy’: Trump Responds to Reporter after Epstein Question.” BBC News, 18 Nov. 2025, https://www.bbc.com/news/videos/c70j210g4e7o.

    Wong, Matteo. “America Has a Pangram Problem.” The Atlantic, 30 May 2026, https://www.theatlantic.com/technology/2026/05/pangram-ai-detection-accuracy/687381/.

  • Did Biden revoke more than 400 press passes? How changes compare to Trump’s media ban

    Did Biden revoke more than 400 press passes? How changes compare to Trump’s media ban

    Claim:

    Joe Biden’s administration cut 442 reporters from the White House press pool in 2023.

    Rating:

    Mixture

    What’s True

    In 2023, the Biden administration tightened the requirements for obtaining an all-access White House press credential called a “hard pass.” After the stricter requirements went into effect, the number of hard passes issued dropped from 1,417 to 975, in part because many journalists chose not to renew them.

    What’s False

    The Biden administration’s changes did not cut or replace reporters in the “press pool,” a small group of journalists historically selected by the White House Correspondents’ Association to receive privileged access and travel with the president at almost all times. Trump’s administration announced that the White House would be in charge of picking that group in 2025.

    What’s Undetermined

    It’s unclear how many journalists were made ineligible for hard passes by the Biden administration’s tightening of the requirements.

    On Sept. 18, 2026, U.S. President Donald Trump announced he was banning journalists from the outlets CNN, MS NOW and Politico from accessing the White House. Journalists from the three outlets had their White House access revoked the following day, according to The Associated Press. The three outlets publish “fake news,” the president said of his unprecedented decision, which is already being challenged in court on First Amendment grounds. 

    It’s not the first time Trump has sparked backlash over his efforts to meddle with the way the media covers him and his administration. 

    For instance, on Feb. 25, 2025, then-White House Press Secretary Karoline Leavitt announced that members of the White House press pool, a small group of rotating journalists who travel with the president at almost all times, would no longer be selected by the independent White House Correspondents’ Association, which was created specifically to prevent the president from restricting press access. 

    Members of Trump’s administration now pick the press pool journalists themselves. 

    Amid the 2026 controversy, posts popped up on social media purporting to compare Trump’s actions with those of his predecessor, Joe Biden. Snopes previously covered the claim in February 2025, and we are refreshing our reporting accordingly. At that time, the main source of the rumor was a Fox News article titled “FLASHBACK: Biden also changed White House press pool, cutting off more than 440 reporters’ credentials.” 

    In September 2026, the conservative One America News Network, House Majority Leader Steve Scalise, R-La., and the White House itself spread the rumor.

    In a news release on Sept. 21, the administration called press access to the White House access a “privilege, not a right,” and listed several examples of Barack Obama and Joe Biden’s administrations purportedly attempting to curtail press access. 

    (Snopes previously reported on the allegations against the Obama administration.)

    The actions simply are not comparable.

    The Biden administration’s change tightened the requirements for obtaining a certain press credential. According to Fox News’ White House reporter Jacqui Heinrich, who is also the president of the WHCA, presidential administrations have always been in charge of press credentialing. 

    Trump’s administration, meanwhile, first took control over which White House reporters travel with the president in the “press pool” (something a presidential administration had never previously been in charge of), and then banned specific outlets from the White House, something a presidential administration has never officially done.

    What the Biden administration did

    In 2023, the Biden administration tightened the requirements for the so-called “hard pass,” a yearly credential that allows a White House journalist to “come and go at will” when the White House is open, according to The Washington Post. That article listed the revised eligibility requirements under Biden as follows: 

    • Employed by a news organization.
    • Live in the Washington, D.C., area.
    • Have gone to the White House for work at least once in the last six months.
    • Have a press credential for either the Supreme Court, the Senate or the House of Representatives. 

    Crucially, one-day press passes still remain available for all journalists, even those who do not meet the above requirements. 

    According to Politico, the number of hard passes dropped from 1,417 to 975 after the new requirements came into effect simply because many journalists chose to not renew the pass — despite the stricter requirements, only one application was denied. A White House spokesperson told Politico that just before the change that “roughly 40 percent of hard pass holders had not accessed the White House complex in the prior 90 days.”

    As such, it’s misleading to claim that the Biden administration “cut off” the credentials of more than 440 reporters. Reporters had the chance to renew their credentials, but some decided not to. It is unclear how many of the journalists who did not renew their hard pass credential did so because they wouldn’t qualify under the new guidelines (and again, such reporters could still attend news briefings with a day pass). 

    What the Trump administration did

    The Trump administration decided in February 2025 to put government officials in charge of picking the small rotating group of journalists who travel with the president — the people that “relay the president’s activities to the public,” as The New York Times wrote. 

    The press pool, historically set by the WHCA, has been traveling with the president since Franklin D. Roosevelt’s administration in the 1930s and 1940s, according to the organization’s website. 

    Because the general public might misunderstand the term “press pool” to mean “the large group of reporters covering the White House” instead of the small group of rotating journalists that travel with the president, it’s misleading to suggest that a change affecting the requirements for press credentials is comparable to giving the White House sole control of the makeup of the press pool.

    The White House’s announcement that it would control the press pool itself came not long after the Trump administration barred The Associated Press from the White House for not following its demand to replace the term “Gulf of Mexico” with “Gulf of America.” The AP sued to rejoin the pool, and a judge ordered in favor of the AP in April 2025.

    Then, in September 2026, Trump pulled the press credentials (read: hard passes) of CNN, MS NOW and Politico reporters.

    There have certainly been cases where the president and the media find themselves at odds. Richard Nixon is said to have ordered a ban on The Washington Post after the Watergate scandal, which arguably served as precedent for Trump’s actions in 2026. 

    However, Nixon’s administration never confiscated Post reporters’ credentials, according to a 2016 report from NBC News. George Condon, a long-term White House reporter and former WHCA president, told NBC News he could not think of any instance of a publication having its credentials pulled by an administration. According to Watergate reporter Bob Woodward, the Post simply was excluded from covering social events at the White House. 

    Sources

    “Covering the White House.” White House Correspondents’ Association (WHCA), https://whca.press/covering-the-white-house/. Accessed 18 Mar. 2025.

    D, et al. “Judge Orders White House to Allow AP Access to News Events.” NPR, 9 Apr. 2025. Media. NPR, https://www.npr.org/2025/04/08/nx-s1-5342369/ap-white-house-court-ruling-oval-office-gulf-of-mexico-america.

    Daley, Jason. “The Complicated History Between the Press and the Presidency.” Smithsonian Magazine, https://www.smithsonianmag.com/smart-news/complicated-history-between-press-and-presidency-180959406/. Accessed 21 Sept. 2026.

    Emery, David. “Did Obama Block Fox News Reporters from White House Press Conferences?” Snopes, 16 Nov. 2018, https://www.snopes.com//fact-check/obama-block-fox-news-reporters/.

    Fahri, Paul. “New White House Rules: Reporters Can Be Kicked out If Not ‘Professional.’” The Washington Post, 9 May 2023, https://www.washingtonpost.com/media/2023/05/09/white-house-press-rules-simon-ateba/.

    Hays, Gabriel. “More than 440 Reporters Lose Press Passes after White House Changes Requirements.” Fox News, 4 Aug. 2023, https://www.foxnews.com/media/440-reporters-lose-press-passes-white-house-changes-requirements.

    “History.” White House Correspondents’ Association (WHCA), https://whca.press/about/history/. Accessed 21 Sept. 2026.

    “Information for Journalists.” United States Department of State, https://www.state.gov/information-for-journalists/. Accessed 18 Mar. 2025.

    Izzo, Jack. “Trump’s Takeover of White House Press Pool Selection Isn’t Same as Biden’s Limits on Press Pass Eligibility.” Snopes, 21 Mar. 2025, https://www.snopes.com//fact-check/trump-biden-white-house-press-pool/.

    “Jacqui Heinrich.” White House Correspondents’ Association (WHCA), https://whca.press/officer/jacqui-heinrich/. Accessed 21 Sept. 2026.

    “Officers.” White House Correspondents’ Association (WHCA), https://whca.press/about/officers/. Accessed 21 Sept. 2026.

    Peterson, Matt, and Annika Neklason. “The Other Time a President Went to War with the Media.” The Atlantic, 25 Jan. 2018, https://www.theatlantic.com/membership/archive/2018/01/the-other-time-a-president-went-to-war-with-the-media/551522/.

    Shear, Michael D. “What Is the White House Press Pool, and Why Is Trump Seizing Control of It?” The New York Times, 26 Feb. 2025, https://www.nytimes.com/2025/02/26/us/politics/trump-white-house-press-policy.html.

    Smith, Jordan-Marie. “White House Says It’s Changing the Pool of Journalists Who Travel with the President.” NPR, 25 Feb. 2025. NPR, https://www.npr.org/2025/02/25/nx-s1-5308234/white-house-says-its-changing-the-pool-of-journalists-who-travel-with-the-president.

    Stancy, Diana. “FLASHBACK: Biden Also Changed White House Press Pool, Cutting off More than 440 Reporters’ Credentials.” Fox News, 26 Feb. 2025, https://www.foxnews.com/politics/flashback-biden-also-changed-white-house-press-pool-cutting-off-more-than-440-reporters-credentials.

    Stokols, Eli, et al. “Simon’s No Longer Got a Hard Pass.” Politico, 2 Aug. 2023, https://www.politico.com/newsletters/west-wing-playbook/2023/08/02/simons-no-longer-got-a-hard-pass-00109526.

    Thomma, Steve. “Statement on White House Excluding AP from News Coverage.” White House Correspondents’ Association (WHCA), 11 Feb. 2025, https://whca.press/2025/02/11/statement-on-white-house-excluding-ap-from-news-coverage/.

    “Trump Revokes Washington Post’s Press Credentials.” NBC News, 13 June 2016, https://www.nbcnews.com/politics/2016-election/trump-revokes-washington-post-s-press-credentials-n591586.

    —. “WHCA on ‘Attempted Government Censorship of a Free Press.’” White House Correspondents’ Association (WHCA), 14 Feb. 2025, https://whca.press/2025/02/13/whca-on-attempted-government-censorship-of-a-free-press/.

    —. “WHCA Statement on White House Announcement on Press Pool.” White House Correspondents’ Association (WHCA), 25 Feb. 2025, https://whca.press/2025/02/25/whca-statement-on-white-house-announcement-on-press-pool/.

    “White House Bars AP Reporter from Oval Office Because of AP Style Policy on ‘Gulf of America.’” AP News, 11 Feb. 2025, https://apnews.com/article/trump-ap-journalism-first-amendment-8a83d8b506053249598e807f8e91e1ae.

    White House Takes Control of Press Pool That Covers Trump. 26 Feb. 2025, https://www.bbc.com/news/articles/ce30n52e6p1o.

  • David Ellison: Me, Move? I Love L.A.

    David Ellison: Me, Move? I Love L.A.

    Fresh off brushing past California attorney general Rob Bonta with a settlement in which arguably only minor concessions were made, David Ellison is ready to re-commit to the idea of keeping his Paramount and Warner Bros. Discovery empire in Los Angeles.

    “Now that we reached and announced a settlement, we’re eager to get to work building a stronger Hollywood,” Ellison said in a statement. “Let me be clear: the newly merged company will be headquartered in Los Angeles. We aren’t going anywhere. Our history is here and this is where our future is being built.”

    This brings the mogul back in line with his tune circa February of this year, when he was making promises to California politicians about how he would boost local production and bring back glory to Hollywood’s hometown. Then California attorney general Rob Bonta and his posse of 12 states filed a lawsuit in July that seemingly had Paramount on the ropes.

    And then the whispers started. You know, Ellison and his family have deep ties to Tennessee, he could pull up stakes and move Paramount there. Texas officials want the state to be the corporate headquarters capital of the United States, plus they have lower taxes — how does Austin sound for a Paramount base?

    Even at the time, these hints were chalked up to a game of high-stakes chicken over the summer between Ellison and California. Bonta himself, in an interview with The Hollywood Reporter in August when he struck a more defiant tone about the lawsuit, characterized it as a “Hail Mary” move and said “it seems like they’re grasping at straws.”

    But with each passing day, and with the threat of a $7 million-per-day ticking fee that Paramount would have to pay starting in October, the threat of a relocation kept feeling a bit more serious. Also, other states appeared to start taking the rumors seriously, too, which probably helped kick up the dust even more.

    Now there’s a legal settlement in place between the 12 states and Team Ellison dictating some terms for what “Stay in L.A.” means. Per the consent decree, the Warner Bros. and Paramount lots in L.A. County can’t be sold during the commitment period, which is five years. (Right now the Warner Bros. lot sits on about 140 acres, including the Ranch, while Paramount’s Melrose Ave footprint is about 65 acres.)

    It’s worth noting that up until Ellison’s buy, Paramount had been headquartered in New York (Paramount has an office in Times Square), and only last year had moved to L.A. And outside of the studio lot infrastructure itself, there are no commitments in the consent decree for, say, having a new office complex in another market outside of L.A.

    WarnerMount (ParaBros?) is a sprawling empire, after all. For example, does a combined company that owns both CBS News and CNN need office space in L.A., New York and Atlanta? Paramount owns 14 properties totaling 2.1 million square feet of space while Warner Bros. owns 14 properties totaling around 9.5 million square feet globally, per a June report commissioned by L.A. County. There are plenty of real estate scenarios to walk through that have yet to be sorted.

    But the question was never really about the fine-print of where the corporate HQ was. It was about intent. Through this summer of leaks, the implied message from Team Paramount was that Ellison would be ready to potentially do damage to the Los Angeles entertainment economy if things didn’t go his way in the court battle. There were plenty of locales that would be happy to greet Paramount and set up a water tower and some soundstages.

    Just look at the production flight that had been plaguing L.A. for years on individual feature films and television series. Local officials feared that a Paramount move would be the straw that broke the camel’s back, despite California doubling its tax incentive annually to $750 million and pledges to cut red tape and make it easier to shoot in state.

    Now that things did go the way that Paramount hoped as far as the settlement, it may prove tougher to just hit rewind to when Ellison was writing letters in March to California lawmakers saying, “my expectation that the commitments I have made will preserve and expand good-paying film and television jobs in the area.” But as of this settlement Monday, we’ve now hit full circle in that regard.

    Next up, if the deal closes as expected in a couple weeks, is the plan to start finding those $6 billion in cost synergies between the companies while fulfilling the rules-of-the-road in the consent decree. If L.A. County’s own commissioned report in June is any indicator, there will be a lot of redundancies up ahead as the studios start integrating. “The merger places about 2,495 jobs in Greater Los Angeles County and about 6,000 globally at potential risk,” it estimates, “mainly in corporate, tech, real estate, and other shared functions due to duplicative roles across the two companies.”

  • Clavicular Charged With Rape, Drugging Person for Sex in Massachusetts

    Clavicular Charged With Rape, Drugging Person for Sex in Massachusetts

    “Looksmaxxing” influencer and streamer Clavicular, whose real name is Braden Peters, has been charged with one count each of rape, drugging a person for sex and providing alcohol to a minor in Massachusetts, according to new court documents obtained by The Bulwark.

    The charges, filed by prosecutors in a Cape Cod courthouse on Sept. 8, are reportedly connected to an incident that happened on May 23, 2025. The 20-year-old’s arraignment is set for Oct. 14.

    The Bulwark wasn’t able to access additional records on the case, but the timeline appears to match a civil lawsuit filed in April against the streamer in Florida.

    CBS 4 Miami previously reported that 18-year-old Alorah Ziva, whose real name is Aleksandra Vasilevna Mendoza, accused Peters of battery, fraud and sexual misconduct, according to the complaint. She alleged the influencer injected her with Aqualyx, a fat-dissolving substance not approved by the FDA, during a livestream in 2025 without her consent.

    The lawsuit also accused Peters of nonconsensual sexual encounters at his parents’ home in Cape Cod while Mendoza, who said she was a minor at the time, was intoxicated.

    In July, Peters filed a motion to dismiss several counts of the civil lawsuit.

    In response to The Bulwark report, Peters’ rep wrote in a statement to The Hollywood Reporter, “Clavicular has not been physically served. As usual, the Bulwark is exaggerating the status of a case to boost traffic. We appreciate the Hollywood Reporter for fact checking.”

    Later on Monday, Peters took to X to share a letter that he claimed Mendoza sent him after the alleged incident, appearing to thank him for “helping me as much as you have been.” The streamer also shared a video of Mendoza, where she appeared to call the Aqualyx injection “fun,” and said Peters was “super nice” and “sent me an Uber home right after.” It’s unclear when the video was filmed.

    “Trying to get my attention in anyway possible, a lawsuit? Seriously… really petty of you,” Peters wrote in the X post.

    He added in a separate post Monday, “Lmao was literally trying to work at Bacara as a bottle girl… how about dont finance cars you cant afford. Happens to all successful young men, people try to come for your money. Greed is evil.”

    In another video that’s been reposted on X, allegedly from the 2025 livestream, Mendoza also appeared to say she was 18 years old at the time.

    If convicted in the Massachusetts case, Peters faced a maximum sentence of twenty years in prison on the rape charge.

    This isn’t the first time the streamer has faced criminal charges. In April, Peters was charged with unlawfully discharging a firearm after he was seen in a video shooting an alligator in the Florida Everglades.

    At the time, Peters’s lawyer Jeffrey Neiman said the group was “following the instructions of a licensed airboat guide.” He added that the streamer “relied on that guidance” and that “no animals or people were harmed.”

    Earlier this year, Peters was also hospitalized after appearing to overdose during a livestream in April. After being released the following day, he wrote on X, “Just got home, that was brutal. All of the substances are just a cope trying to feel neurotypical while being in public, but obviously that isn’t a real solution. The worst part of tonight was my face descending from the life support mask.”

  • Oscars: Egypt Selects Abu Bakr Shawky’s ‘The Stories’ for International Feature Race

    Oscars: Egypt Selects Abu Bakr Shawky’s ‘The Stories’ for International Feature Race

    Abu Bakr Shawky’s drama “The Stories” — which is inspired by how the director’s Egyptian father and Austrian mother began their love affair as pen pals — has been selected as Egypt‘s entry for the Academy Award for best international feature film.

    When Shawky’s father Ahmed was an aspiring pianist in Cairo in 1967, he became pen-pals with a young Austrian woman named Liz, who is Shawky’s mother. The film spans from the late ’60s to the ’80s, and depicts life in his native country during that period from the cross-cultural prism that has formed his vision as an artist.

    Shawky made an international splash with his first feature, “Yomeddine,” which had the rare distinction of making the competition cut for Cannes in 2018. He followed up with Saudi-set travel movie “Hajjan,” which premiered at Saudi Arabia’s Red Sea Film Festival in 2023.

    “The Stories,” which is written and directed by Shawky, is toplined by British-Egyptian actor Amir El-Masry (“The Crown”), Austria’s Valerie Pachner (“Fantastic Beasts: The Secrets of Dumbledore”) and Egyptian star Nelly Karim (“Voy! Voy! Voy!”). The film is produced by Julie Viez, Mohamed Hefzy, Alexander Glehr, Johanna Scherz, Shahinaz El Akkad and Ahmed Badawy. The production companies involved are Cinenovo, Film Clinic, Lagoonie Film Production, Film Square, Shofha Productions, Film AG, Fox in the Snow and Wrong Men.

    “The Stories” world premiered at the Tallinn Black Nights Film Festival in 2025, went on to win the Golden Tanit for best film at the Carthage Film Festival in Tunisia and also played at the Red Sea fest last December.

    The shortlist for the 2027 Oscar nominations will be announced by the Academy of Motion Picture Arts and Sciences on Dec. 15, with the final selection revealed on Jan. 21. The 99th Academy Awards ceremony is scheduled to take place on March 14 in Los Angeles.

  • Elliot Graham, Oscar-Nominated Film Editor on ‘Milk,’ Dies at 50

    Elliot Graham, Oscar-Nominated Film Editor on ‘Milk,’ Dies at 50

    Elliot Graham, the film editor who received an Oscar nomination for Milk and cut films including Steve Jobs, Captain Marvel and No Time to Die, has died. He was 50.

    Graham died by suicide Saturday in Los Angeles, according to the County of Los Angeles Medical Examiner.

    The biopic Milk (2008), directed by Gus Van Sant and written by Dustin Lance Black, starred Sean Penn as Harvey Milk, the first openly gay man to be elected to public office in California. The film was nominated for eight Oscars including best picture and won for best actor and original screenplay.

    On Facebook, Oscar-nominated Milk producer Dan Jinks wrote that his movie “wouldn’t have come together in the way it did without [Graham’s] amazing work.”

    Graham then reunited with Van Sant on the romantic drama Restless (2011), starring Mia Wasikowska.

    Graham also won a BAFTA award (shared with Tom Cross) for editing the James Bond film No Time to Die (2021), directed by Cary Joji Fukunaga in what would be the film editor’s final credit.

    And he produced and served as film editor on the 2018 FX series Trust, about the 1973 kidnapping of teenager John Paul Getty III.

    Born on June 8, 1976, in Claremont, California, Graham got his first credit for editing the thriller The Last Minute (2001), directed by Stephen Norrington.

    Next, he handled additional editing chores on X2: X-Men United (2003), then worked again for director Bryan Singer as film editor on Superman Returns (2006).

    In addition to Danny Boyle’s Steve Jobs (2015), starring Michael Fassbender, and Anna Boden and Ryan Fleck’s Captain Marvel (2019), starring Brie Larson, Graham served as film editor on Bill Paxton’s The Greatest Game Ever Played (2005), Robert Luketic’s 21 (2008), Stephen Daldry’s Trash (2014) and Aaron Sorkin’s Molly’s Game (2017).

    He also did additional editing on films including The Amazing Spider-Man 2 (2014), I Am Michael (2015) and Beasts of No Nation (2015).