Author: rb809rb

  • Egg Coffee Is Percolating on TikTok, but May Pose Serious Health Risk

    A cup of Vietnamese egg coffee.Share on Pinterest
    Egg coffee is going viral on social media, but experts say the trendy drink may come with food safety risks depending on how it is prepared. VU PHAM VAN/Getty Images
    • Egg coffee, made with whipped egg yolks, sugar, and condensed milk, is going viral on social media platforms like TikTok.
    • Experts warn that the drink may increase the risk of Salmonella contamination from raw or undercooked eggs.
    • It can also be high in sugar and saturated fat.
    • Simple swaps can make it safer and healthier.

    A sweet, creamy twist on your morning cup of coffee is going viral on social media.

    It’s called egg coffee, and it’s typically made by whisking egg yolks with sugar and condensed milk into a rich, custard-like foam, then layering it over a strong cup of joe or espresso.

    While the drink is currently trending on TikTok, it isn’t exactly new. Versions of the dessert-like beverage have been around for decades, including Vietnamese egg coffee (cà phê trứng), Swedish egg coffee, and Italian egg-based drinks like zabaglione al caffè.

    But as the drink gains popularity, some experts are warning that it can carry some serious health risks.

    One of the biggest concerns about egg coffee is how it’s made. Many recipes call for raw or lightly heated egg yolks, which can carry Salmonella bacteria.

    “Consuming egg coffee using raw or undercooked yolk does carry a salmonella risk that shouldn’t be ignored,” says Michelle Routhenstein, MS, RD, CDCES, CDN, a preventive cardiology dietitian at Entirely Nourished.

    While some people may assume that hot coffee is enough to make the drink safe, Routhenstein warns that’s usually not the case.

    “Hot coffee does not typically reach a safe temperature to cook the egg and reduce the potential risk of salmonella contamination,” Routhenstein says.

    Salmonella infection can cause symptoms such as diarrhea, fever, and stomach cramps, which may begin anywhere from a few hours to a few days after exposure.

    While many healthy people recover without treatment, the infection can be more serious for certain groups, including older adults, pregnant people, and those with compromised immune systems.

    Although the risk of contamination from any single egg is relatively low, food safety experts generally recommend avoiding raw or undercooked eggs when possible.

    Beyond food safety concerns, egg coffee may also come with nutritional drawbacks.

    Combined with egg yolks, it can also contribute a notable amount of saturated fat.

    “We want to be mindful of the saturated fat content that this can add into your day,” Routhenstein says.

    “Egg yolks and condensed milk can carry several grams of saturated fat, and depending on what else you are eating, this can raise apoB and LDL cholesterol levels.”

    Higher levels of LDL cholesterol have been linked to an increased risk of heart disease over time.

    While occasional egg coffee consumption is unlikely to have a major impact on health, regularly drinking high-sugar, high–saturated–fat drinks may not be the best choice for long-term health.

    For those who are curious about egg coffee, there are ways to recreate a similar texture and flavor while reducing potential risks.

    “To lower salmonella risk, we need to eliminate the raw egg yolk,” Routhenstein says.

    One option is to swap in steamed milk or barista-style plant-based alternatives, such as oat milk, to create a creamy, foamy texture without using eggs.

    These options can mimic the drink’s signature richness while avoiding the food-safety concerns associated with raw or undercooked eggs.

    Another alternative is aquafaba (the liquid from canned chickpeas), which can be whipped into a stable foam and used as a coffee topping.

    Using aquafaba “adds an airy cloud effect to your coffee without the salmonella [risk],” Routhenstein says.

    For those who still want to incorporate eggs, using pasteurized eggs may help reduce the risk of contamination. However, experts still recommend handling them carefully and avoiding recipes that rely on raw or undercooked eggs whenever possible.

    In addition to food safety concerns, making a few ingredient adjustments can help reduce the drink’s overall sugar and saturated fat content.

    Traditional recipes often rely on sweetened condensed milk and added sugar, which can quickly increase the calorie load.

    Swapping in lower-sugar alternatives, such as unsweetened or lightly sweetened milk, may help reduce added sugars while still providing a creamy texture.

    Using lower-fat dairy or plant-based milk can also help reduce saturated fat intake. For example, oat milk or almond milk can offer a similar richness without contributing as much saturated fat as condensed milk.

    Adjusting portion sizes or treating egg coffee as an occasional indulgence rather than a daily habit can also make a difference for those looking to support heart health over time.

  • Tensions Grow Between Tron (TRX) Founder Justin Sun and Trump’s Altcoin! New Statements Emerge!

    Tensions Grow Between Tron (TRX) Founder Justin Sun and Trump’s Altcoin! New Statements Emerge!

    Tensions have escalated between US President Donald Trump and his family’s cryptocurrency project, World Liberty Financial ($WLFI), and Justin Sun.

    Finally, while Tron (TRX) founder Justin Sun sued $WLFI, $WLFI co-founder Eric Trump went even further and commented on Sun’s lawsuit.

    Related News Tron Founder Justin Sun Sues US President Donald Trump’s Altcoin! Here’s Why

    Donald Trump’s second son, Eric Trump, compared the lawsuit filed by The Sun to a banana he received.

    Eric Trump described Justin Sun’s lawsuit against $WLFI as being as ridiculous as “paying $6 million for a banana taped to a wall.”

    The $WLFI team, while accusing Sun of unspecified irregularities, rejected the case as a baseless and “desperate” attempt at public sabotage.

    These statements come after Justin Sun filed a lawsuit against World Liberty Financial the previous day.

    Justin Sun has filed a lawsuit in California federal court against World Liberty Finance ($WLFI), a cryptocurrency project supported by US President Donald Trump. In his lawsuit, Sun alleges that the $WLFI project team froze his tokens without valid reason, stripped him of his voting rights in governance proposals, and threatened to permanently burn his tokens.

    *This is not investment advice.

  • Michael Sheen and Callum Scott Howells to Star in West End Revival of ‘Amadeus’

    Michael Sheen and Callum Scott Howells to Star in West End Revival of ‘Amadeus’

    Michael Sheen and Callum Scott Howells are set to star as rival composers Antonio Salieri and Wolfgang Amadeus Mozart in a new production of Peter Shaffer’s “Amadeus,” marking the first major revival of the work in over a decade and the first time two Welsh actors have taken on the dual roles in the same staging.

    Directed by Jeremy Herrin, the production is a co-presentation between Second Half Productions and Welsh National Theatre. It will open at New Theatre Cardiff from March 9–27, 2027, before transferring to the Noël Coward Theatre in London’s West End for a 16-week run from April 17 to Aug. 7, 2027.

    The production marks Sheen’s return to the West End for the first time since “Frost/Nixon” in 2006. The multi-award-winning Welsh actor has a particular history with the play: he performed the role of Mozart in the West End and on Broadway in 1998 and 1999, then crossed to the other side of the rivalry to play Salieri at the Sydney Opera House in 2022.

    “It’s a full-circle moment for me to return to the West End with Amadeus,” Sheen said. “To play Salieri opposite a fellow Welshman as Mozart – a role that has meant so much to me – feels very special indeed.”

    Howells, whose television work includes “It’s a Sin” and a turn in “Cabaret” at the Kit Kat Club and who took home the BAFTA Cymru prize for leading actor, makes his role debut as Mozart. The two previously collaborated on BBC drama “The Way,” which Sheen directed.

    “It feels like a dream come true to be playing Mozart in this production next year,” Howells said. “I have wanted to play the role for a very long time so to be given this opportunity to work with Jeremy and Michael to bring this extraordinary world to life feels like a real gift.”

    Herrin comes to the production on the back of two well-received stagings: a new work at the Royal Court and a traveling production of “The Spy Who Came in From the Cold” that is currently making its way around the U.K. The design team includes set designer Bunny Christie, an Olivier Award holder, alongside costume designer Lez Brotherston. Casting is by Sam Jones CDG, with further creative appointments still to come.

    The production carries significance for both producing organisations. For Welsh National Theatre – the Swansea-based company that Sheen launched in 2025 and leads as artistic director, working alongside chief executive Sharon Gilburd and literary manager Tim Price – the Noël Coward run will be its first engagement in the West End. For Second Half Productions, it is the company’s first new show since transferring “Every Brilliant Thing” to Broadway. Welsh National Theatre’s debut season has included a touring production of Thornton Wilder’s “Our Town” earlier this year, with the world premiere of “Owain & Henry” scheduled for November 2026.

  • Kore-eda Hirokazu’s ‘Look Back’ Leads Tokyo International Film Festival Goes to Cannes Lineup (EXCLUSIVE)

    Kore-eda Hirokazu’s ‘Look Back’ Leads Tokyo International Film Festival Goes to Cannes Lineup (EXCLUSIVE)

    Five Japanese features are heading to the Cannes Film Festival next month through the Tokyo International Film Festival‘s Goes to Cannes showcase, with Kore-eda Hirokazu‘s “Look Back” – a drama about two young women bound together by their devotion to manga across 13 years – the marquee title in a lineup spread across suspense, animation, mystery and family drama.

    All five titles are Japanese-language productions due for 2026 completion. Kadokawa Corporation and Toei Company each contribute one title, while Shin-Ei Animation brings the selection’s sole animated feature.

    Organized by the Cannes Festival’s Marché du Film, the Goes to Cannes series of seven showcases of works in progress from festivals and markets all over the world is offering two new awards in 2026: the OCS+ Award, with €15,000 ($17,725) for the French distributor of a Goes to Cannes project, and the AH Media Production Award of €10,000 ($11,800) in cash. These prizes join the well-known Sideral Cinema Award of a €10,000 minimum guarantee for one of the projects.

    A closer look at the Tokyo International Film Festival Goes to Cannes lineup:

    “The Gate of Murder” (Kanai Ko, Tsubaki Yoshikazu, Kadokawa Corporation and storyboard, Japan)

    Directed by Kanai Ko and produced by Tsubaki Yoshikazu through Kadokawa Corporation, this suspense feature follows a man nursing a simmering desire to kill a childhood acquaintance he holds responsible for a lifetime of accumulated misfortune – and the question of whether that desire will eventually be acted upon.

    “All That Exists” (working title) (Zeze Takahisa, Takahashi Naoya, Toei Company, Ltd., Japan)

    Directed by Zeze Takahisa and produced by Takahashi Naoya through Toei Company, this mystery-drama centers on a journalist who revisits a decades-old double child abduction after the death of a former colleague in law enforcement. Three decades on from the original case, his renewed inquiry draws him toward a mysterious realist painter whose connection to the events gradually comes into focus.

    “You, Fireworks, and Our Promise” (working title) (Suzuki Kei, Umezawa Michihiko, Shin-Ei Animation and SynergySP, Japan)

    Directed by Suzuki Kei and produced by Umezawa Michihiko through Shin-Ei Animation and SynergySP, this adventure-drama follows a high-school student who encounters a girl carrying a drawing that bears his name and a future date. When she disappears and her identical great-grandmother arrives from the past, he must piece together what connects them before the fireworks fade.

    “Lives at Right Angles” (Kobayashi Syoutarou, Sato Gen, Toei Video Company and Hakuhodo DY Music & Pictures, Japan)

    Directed by Kobayashi Syoutarou and produced by Sato Gen through Toei Video Company, with Hakuhodo DY Music & Pictures attached as sales agent, this family drama follows Daiki, a man with autism spectrum disorder who holds a janitorial job and manages his own life with limited outside help. His younger sister Nozomi, a counselor, has sustained him since their mother’s early death. When she announces marriage plans, both siblings find themselves forced to confront their own futures independently.

    “Look Back” (Kore-eda Hirokazu, Koide Daiju, K2 Pictures Production Inc., Japan)

    Directed by Kore-eda Hirokazu and produced by Koide Daiju through K2 Pictures Production Inc., “Look Back” follows Fujino and Kyomoto – two elementary-school classmates in a snowbound rural town – whose shared obsession with drawing manga draws them into a friendship that unfolds across 13 years.

  • Bitcoin Exchange Upbit Announces It Will List This Altcoin on Its Spot Trading Platform! Here Are the Details

    Bitcoin Exchange Upbit Announces It Will List This Altcoin on Its Spot Trading Platform! Here Are the Details

    South Korea-based cryptocurrency exchange Upbit has decided to list another digital asset. According to the exchange’s statement, the Spark ($SPK) token will be available for trading against the Korean won (KRW) starting April 23rd at 12:00 PM. The asset will be supported on the Ethereum network.

    The warning issued to users emphasized the critical importance of correctly selecting the network before making deposits. It stated that transfers made outside the specified network would not be supported and the processing time might be lengthy. Furthermore, it was noted that transactions might not begin on the planned date if sufficient liquidity is not available.

    Upbit will implement the standard restrictions it applies to new listings for the Capital Markets Board ($SPK) as well. Accordingly, buy orders will be restricted for the first five minutes after the opening of trading. During the same period, sell orders below 10% of the previous day’s closing price will not be allowed. In addition, only limit orders will be available for the first two hours.

    The Capital Markets Board ($SPK) announced that the previous day’s closing price on the $BTC market was 0.00000049 $BTC, approximately 57 Korean won. Users were also reminded to carefully check their wallet addresses and contract information.

    The Spark project aims to provide decentralized finance infrastructure within the Sky Protocol ecosystem. The platform offers services such as savings, lending, and liquidity distribution, while the $SPK token is used for governance and staking purposes. This listing is expected to expand Upbit’s product range and offer new opportunities to investors.

    *This is not investment advice.

  • OpenAI appears to be poaching Coinbase’s marketing team

    OpenAI appears to be poaching Coinbase’s marketing team

    It’s no surprise that there’s a general pivot from blockchain to artificial intelligence right now.

    Every week brings another report of a company or person either leaving the cryptocurrency industry entirely or adding artificial intelligence to their portfolios. Bitcoin miners are moving away from mining to increasingly focus on AI infrastructure and venture capital firms are funding AI firms rather than crypto companies.

    But it’s unusual when the leading members of the same team leave one company and jump into another just down the road. That’s exactly what appears to have happened to the senior marketing team at crypto exchange Coinbase (COIN), which, over the course of a year or so, has landed at San Francisco-based OpenAI, the maker of ChatGPT. Coinbase maintains a 150,000-square-foot office in the city.

    It’s worth noting that Coinbase employs a large number of marketing staff and six — albeit quite senior roles — make up only a small portion of the entire team.

    The marketing talent migration began with Sarah Russell, who joined OpenAI as VP, integrated marketing and ops in November 2024. She had spent one year and three months as the senior director of integrated marketing at Coinbase, a position she left in January 2023. It’s worth noting that earlier in her career, she worked at Facebook’s (now Meta) Menlo Park headquarters.

    A month later, Kate Rouch became OpenAI’s chief marketing officer. Directly prior to that, she spent three and a half years in the same role at Coinbase. Before that, she spent over 11 years as global head of brand and product marketing at Meta.

    Rouch was followed by Elke Karstens, who joined OpenAI as head of international marketing in March 2025, though she didn’t move directly. Karstens spent three months at a London-based paytech startup called Finom. Karstens also spent over 10 years at Meta in various marketing roles.

    The following September saw another two transitions: Kaitlin Gianetti became head of integrated marketing management at OpenAI a month after leaving Coinbase, and Amy (Good) Robbins joined as brand insights lead directly after leaving Coinbase. Gianetti had spent just over four years as director of integrated marketing at Coinbase. Prior to that, she also worked as a brand marketing executive at Meta. Robbins spent three and a half years as senior manager of insights at Coinbase.

    Most recently, Nina Mogavero joined OpenAI in December 2025 to work in marketing strategy and operations, a month after leaving Coinbase where she’d spent three years in marketing and strategy.

    A person familiar with the situation said the exodus was no coincidence. The person described Rouch as the “nexus,” when it comes to enticing former Coinbase colleagues to move over to OpenAI.

    “To be fair, she hired a lot of them or brought them from Facebook,” they said. Kate Rouch did not respond to a request for comment.

    A Coinbase spokesperson brushed away the departures. “The marketing team at Coinbase is over 150 people and while some folks have left to join OpenAI last year, and we wish them the best, characterizing this as anything other than normal people moves would be incorrect,” the spokesperson said via email.

    OpenAI did not respond to requests for comment.

    Marketing isn’t the only department that’s seen AI as more attractive than crypto. Earlier this month, Tom Duff Gordon, the former VP of international policy at Coinbase, left to become OpenAI’s head of EMEA Policy.

    Other Coinbase alumni who have headed to OpenAI include

    • Yi X, who joined the AI firm as product manager in April 2025
    • The head of design at decentralized trading platform Base, Alexandra Fitzroy, left Coinbase in October 2025 after just over five years
    • Abe Sprague left Coinbase in September 2024 to become a member of OpenAI’s data science team.

    OpenAI isn’t the only machine learning shop to win over Coinbase marketing talent. Earlier this month, Sarah Wolf, the marketing lead behind Coinbase’s Base layer-2 network, left after nearly five years at the exchange to head startup marketing at AI lab Anthropic.

  • Recap: Pistons, Thunder roll to dominant victories

    Recap: Pistons, Thunder roll to dominant victories

    Shai Gilgeous-Alexander and the Thunder defeated the Suns in Game 2 of their 2026 NBA Playoffs series.

    We’re done for the night! The number one seeds rolled this evening with dominant efforts.

    Check out the best of Wednesday’s action with the NBA.com live blog, as the 2026 NBA Playoffs continue.

    Cade Cunningham (27 pts, 11 ast) and the Pistons locked down the Magic to open the night, blocking 11 shots on their way to a 98-83 win.

    Shai Gilgeous-Alexander (37 pts, 9 ast) and the Thunder rolled over the Suns, earning a 120-107 win to go up 2-0.

    What we know after Wednesday’s games:

    • The Pistons held the Magic to a season-low in points, winning Game 2 98-83 to even their series at 1-1.
    • The Thunder rolled over the Suns 120-107 behind Shai Gilgeous-Alexander (37 pts, 9 reb).
    • Check out the postgame pressers:
    • We pick these series up on Saturday as part of a quadruple-header.
      • Pistons vs. Magic, 1 ET (Peacock / NBC Sports Network)
      • Thunder vs. Suns, 3:30 ET (Peacock / NBC)
      • Knicks vs. Hawks, 6 ET (Peacock / NBC)
      • Nuggets vs. Timberwolves, 8:30 ET (ABC)

    APRIL 22, 2026 / 12:55 ET

    Wednesday’s results

    Shai Gilgeous-Alexander (37 pts, 5 reb, 9 ast, 1 stl) is your top performer of the night.


    APRIL 22, 2026 / 12:50 ET

    One time for Shai Gilgeous-Alexander


    APRIL 22, 2026 / 12:44 ET

    Postgame Presser: Suns-Thunder


    APRIL 22, 2026 / 12:30 ET

    Thunder defeat Suns

    120-107, sparked by Shai Gilgeous-Alexander (37 pts, 9 ast).

    Oklahoma City led by as many as 27 points, controlling the game throughout the second half.

    Dillon Brooks (30 pts) was the top scorer for Phoenix.


    APRIL 22, 2026 / 11:54 ET

    Brooks boosts Phoenix

    A personal 9-0 run for Dillon Brooks (26 pts) brought the Suns back somewhat, but Shai Gilgeous-Alexander (31 pts) cooly hit a jumper along the baseline to bring the Thunder lead back to 108-89 with seven minutes to go in the fourth.


    APRIL 22, 2026 / 11:35 ET

    Watch out for Shai

    SGA’s up to 27 points, surpassing his 25 points from Game 1.

    Thunder up 98-77 with 1:18 to go in the third quarter.


    APRIL 22, 2026 / 11:26 ET

    Chet Holmgren dominating

    Back-to-back blocks for Chet Holmgren (19 pts, 6 reb, 4 ast), interspersed with an acrobatic layup off a feed from Shai Gilgeous-Alexander. The Thunder big man has exerted his influence in recent minutes, giving the Suns another obstacle to deal with around the rim.

    “How about Chet?” Doris Burke said. “How many guys can make the kinds of plays he’s making on the defensive end?”

    Holmgren is the first player since Josh Smith in 2008 to put up 10 points and four blocks in a Playoff quarter.

    84-70 Thunder with 4:23 to go in the quarter.


    APRIL 22, 2026 / 11:23 ET

    One time for Cade Cunningham

    I bet Zeke’s proud.


    APRIL 22, 2026 / 11:17 ET

    Thunder surging

    77-64 Oklahoma City, as Isaiah Hartenstein (3 pts, 7 reb, 2 ast) hits Chet Holmgren (16 pts) for the big-to-big alley-oop, forcing a Phoenix timeout.


    APRIL 22, 2026 / 10:54 ET

    Thunder up 54-46 at the break

    Jalen Williams (19 pts on 7-of-8 shooting) took over in the second quarter, pacing the Thunder to a lead at halftime in the Paycom Center.

    They’ve turned the ball over just four times, while Phoenix has 11 turnovers so far.

    But the Suns are 6-of-14 from 3-point range (42.9%), keeping them in it.


    APRIL 22, 2026 / 10:34 ET

    Suns sticking close on ESPN

    51-46 Thunder with 6:00 to go in the second quarter, as Phoenix battles to stay with the defending champs on their home court.

    We’ve seen nine lead changes and two ties so far in the contest, with Jalen Williams (16 pts) and Jalen Green (12 pts) going off in the second quarter to carry the scoring.


    APRIL 22, 2026 / 10:17 ET

    Thunder up 30-29 after one

    The Suns battled back as the first quarter wound down, ending on a 10-5 run to cut the Thunder lead to one.

    They went 4-of-8 from 3-point range in the first quarter and earned a 7-2 advantage in fast break points.

    Collin Gillespie (7 pts, 4 ast) and Dillon Brooks (7 pts) are the top scorers for Phoenix, while Shai Gilgeous-Alexander (11 pts) is getting buckets for Oklahoma City.


    APRIL 22, 2026 / 10:09 ET

    Postgame Presser: Magic-Pistons


    APRIL 22, 2026 / 10:04 ET

    Thunder taking control with a 13-2 run

    25-16 Thunder with 4:30 to go in the first quarter, as Shai Gilgeous-Alexander (8 pts on 4-of-5 shooting) gets rolling despite tweaking a finger on his shooting hand.

    “He’s caught fire here,” said Dave Pasch.


    APRIL 22, 2026 / 9:50 ET

    Pistons even series with Magic

    In their first home Playoff win since 2008, the Pistons used a prototypical defensive effort to corral the Magic 98-83 and even their first round series at 1-1.

    Detroit held Orlando to a season-low in scoring, limiting the Magic to 32.5% shooting on the night.

    The game was tied at the half, but the Pistons used a 38-16 third quarter to take control, leading by as many as 27.

    Cade Cunningham (27 pts, 6 reb, 11 ast) was the top scorer on the game.


    APRIL 22, 2026 / 9:40 ET

    Shai Gilgeous-Alexander and the Oklahoma City Thunder host the Phoenix Suns in Game 2 of their 2026 NBA Playoffs series as our ESPN doubleheader continues.

    Phoenix:

    • PG Collin Gillespie (8 pts, 2 ast, 2 3PM)
    • SG Devin Booker (23 pts, 6 reb)
    • SF Jalen Green (17 pts, 5 reb)
    • PF Dillon Brooks (18 pts, 7 reb)
    • C Oso Ighodaro (9 reb, 3 ast)

    Oklahoma City:

    • PG Shai Gilgeous-Alexander (25 pts, 7 ast)
    • SG Luguentz Dort (8 pts, 2 reb, 2 ast)
    • SF Jalen Williams (22 pts, 7 reb, 6 ast)
    • PF Chet Holmgren (16 pts, 7 reb)
    • C Isaiah Hartenstein (8 pts, 8 reb, 2 blk)

    Watch Grayson Allen off the Suns’ bench. The Duke product averaged 16.3 ppg this season, which the Suns could use against the Thunder’s league-leading defense (106.5 DRTG).


    APRIL 22, 2026 / 9:25 ET

    All Pistons in Little Caesars Arena

    The Pistons are holding the Magic to 31.3% shooting so far, including a 6-of-25 mark from 3-point range (24%), with 11 blocks so far tonight.

    Isaiah Stewart just added another rim-protecting swat to his resume, blocking Paolo Banchero’s attempt at a posterizing two-hand jam.

    Ben Wallace and Richard Hamilton are in attendance as Detroit basketball shines bright on this Wednesday night.


    APRIL 22, 2026 / 9:10 ET

    A dominant effort from Detroit


    APRIL 22, 2026 / 9:00 ET

    Pistons firing on all cylinders

    The Detroit lead keeps growing, as Isaiah Stewart (4 pts, 3 reb, 1 blk) rejects Jalen Suggs’ (15 pts) dunk at the rim at the rim.

    It’s 76-49 with 4:20 to go in the third.

    Franz Wagner (4 pts), Wendell Carter Jr. (3 pts) and Desmond Bane (8 pts) have 15 points combined so far — they had 53 in Game 1.


    APRIL 22, 2026 / 8:52 ET

    Pistons open up the lead

    69-49 Detroit with 6:23 to go in the third quarter, as the Pistons start the period on a 23-3 run, shooting 76.9 from the field in the period.

    “It’s an avalanche here in the third,” said Mike Breen.


    APRIL 22, 2026 / 8:25 ET

    Tied at 46 at the half

    In a defensive battle, Orlando and Detroit are tied going into the second half, combining for 18 assists versus 21 turnovers in the first two quarters.

    The Pistons have a 32-18 advantage in points in the paint, while the Magic have a 10-6 advantage in fast break points.

    Jalen Suggs (15 pts, 5 reb, 3 ast) and Cade Cunningham (15 pts, 4 reb, 3 ast) are starring offensively.


    APRIL 22, 2026 / 7:58 ET

    Suggs going off

    Jalen Suggs (10 pts, 5 reb, 3 ast) is rallying the Magic, who are down 33-30 with 6:46 to go in the second quarter.

    Orlando was 34-23 with the point guard from Gonzaga this season, compared to 11-14 without him.


    APRIL 22, 2026 / 7:50 ET

    Classic Pistons defense


    APRIL 22, 2026 / 7:41 ET

    Pistons lead 25-21 after one

    Coming off a 39-point outing in Game 1, Cade Cunningham (9 pts, 3 reb, 2 ast) has it going again.

    Jalen Suggs (7 pts) is the top scorer for Orlando so far.


    APRIL 22, 2026 / 7:23 ET

    Pistons have the crowd roaring

    Detroit’s 6-of-10 to start the game, with a Duncan Robinson 3-pointer and Tobias Harris fast-break jam sending the Magic to a timeout in the early going.

    14-7 Pistons with 6:42 to go in the first quarter.


    APRIL 22, 2026 / 6:30 ET

    Cade Cunningham and the Detroit Pistons host the Orlando Magic in Game 2 of their 2026 NBA Playoffs first round series on ESPN.

    All stats from Sunday’s Game 1, which the Magic won 112-101.

    Orlando:

    • PG Jalen Suggs (16 pts, 4 reb, 4 ast)
    • SG Desmond Bane (17 pts, 6 reb, 5 ast)
    • SF Franz Wagner (19 pts, 5 reb)
    • PF Paolo Banchero (23 pts, 9 reb)
    • C Wendell Carter Jr. (17 pts, 7 reb, 5 ast)

    Detroit:

    • PG Cade Cunningham (39 pts, 5 reb, 4 ast)
    • SG Duncan Robinson (9 pts, 3 3PM)
    • SF Ausar Thompson (8 pts, 7 reb)
    • PF Tobias Harris (17 pts, 6 reb)
    • C Jalen Duren (8 pts, 7 reb)

    Keep an eye on Isaiah Stewart off the Pistons’ bench — he was a team-high +6 in their Game 1 loss, and could help slow down Paolo Banchero.


    APRIL 22 / 6:15 ET

    Tonight’s injury report

    Jonathan Isaac is out for Orlando.

    Grayson Allen, Mark Williams and Jordan Goodwin are questionable for Phoenix. Thomas Sorber is out for Oklahoma City.

  • Caution: Analysis Firm Identifies “Bearish Divergence” in a Recently Rising Altcoin

    Caution: Analysis Firm Identifies “Bearish Divergence” in a Recently Rising Altcoin

    Cryptocurrency analytics company CryptoQuant pointed out a notable anomaly in its latest report on the TRON network. According to the analysis, despite the rise in the price of TRON ($TRX), there is a significant decrease in network activity.

    According to data shared by the company, the $TRX price increased by nearly 20% from $0.278 to $0.333 in approximately 74 days, between February 7 and April 21, 2026. While this increase paints a positive picture at first glance, on-chain metrics point to a different story.

    In particular, the “number of active addresses” data, which measures the network’s usage level, recorded a significant decline during the same period. According to the 7-day simple moving average (SMA-7), the number of active addresses on the TRON network decreased by 21.13%, falling from approximately 5.3 million to below 4.2 million.

    Related News New Binance US CEO Assesses Bitcoin’s Future: “It Will Be a Golden Age”

    CryptoQuant describes this divergence between price increase and decrease in network activity as a “bearish divergence.” Such signals typically indicate that price action is not based on strong fundamentals and that speculative buying may be influential.

    According to the analysis, the decrease in user engagement suggests that the fundamental health of the TRON network may struggle to support current price levels. This is interpreted as indicating that the recent rally may be fragile and increases the risk of a potential correction.

    *This is not investment advice.

  • ‘Stranger Things’ Animated Spinoff ‘Tales From ’85’ Is a Depressing, Cynical Retread: TV Review

    Most spinoffs expand their flagship shows in a direction. That direction could be forward, following a beloved character past the events of the original story, á la “Frasier”; it could be backward, fleshing out the origins of a person or place with pre-established significance, the approach taken by both current “Game of Thrones” offshoots. It could even be lateral, simply transferring a concept to a different setting within the same universe in the time-honored tradition of procedurals like “CSI” or “Law & Order.”

    For its first official TV extension, “Stranger Things” opts for none of the above. (A theatrical production, “The First Shadow,” took place in the 1950s.) “Stranger Things: Tales From ‘85” is animated rather than live action, an obvious visual cue we’re no longer watching the show that wrapped its blockbuster run on Netflix earlier this year. It turns out such a signal is sorely needed, because “Tales From ‘85” winds back the clock to tell the exact same story as “Stranger Things” proper, with the exact same characters, in the exact same archetypal small town of Hawkins, Indiana. 

    The primary distinction is that this version of the Hellfire Club, now voiced by a fresh set of actors, will never face the main constraint on a serialized story about young children: They don’t age. “Tales From ‘85” is a transparent attempt to preserve “Stranger Things” in pixels rather than amber, allowing Netflix to keep capitalizing on the phenomenon long after its original faces have moved on to other projects.

    Per the title, “Tales From ‘85” takes place between the events of “Stranger Things” Seasons 2 and 3 — before the Battle of Starcourt Mall, the introduction of fan-favorite character Robin (Maya Hawke) or, most crucially, the main protagonists started to visibly transition from adorable tweens to post-puberty adolescents to, eventually, young adults. Exactly what occurred between those two chapters has never been a subject of great suspense. “Tales From ‘85” is quite literally doodling in the margins of “Stranger Things” mythology, or would be if the creative team (led by showrunner Eric Robles, with the Duffer Brothers executive producing) had opted for a hand-drawn look inspired by the kind of ‘80s cartoons its heroes watch between interdimensional adventures. But instead of “Transformers” or “He-Man,” “Tales From ‘85” as produced by animation studio Flying Bark looks like any number of contemporary, computer-generated shows, just with flashes of neon and other period details.

    To summarize the plot of “Tales From ‘85” is redundant, because it’s the same plot as any other season of “Stranger Things”: besties Will (Ben Plessala, subbing in for Noah Schnapp), Mike (Luca Diaz, for Finn Wolfhard), Lucas (EJ Williams, for Caleb McLaughlin), Dustin (Braxton Quinney, for Gaten Matarazzo), Max (Jolie Hoang-Rappaport, for Sadie Sink) and their superpowered friend Eleven (Brookly Davey Norstedt, for Millie Bobby Brown) team up to fight an interdimensional threat from the Upside Down as local adults remain oblivious. That the gate between our world and the Upside Down in the Hawkins Laboratory basement is technically shut at this point in the master narrative is a mere technicality that’s easily handwaved.

    The group’s internal dynamics and story beats are just as identical as the overall mission. Mike is protective of Eleven; Lucas and Max have sweet (then-platonic) chemistry; Dustin hangs out with reformed bully Steve Harrington (Jeremy Jordan, stepping in for Joe Keery). Dustin even re-christens the group the Hawkins Investigators Club, a particularly groanworthy development since there’s already a fictional member’s group that unites the ragtag gang. (Did the Hellfire Club not survive the digital transition?) If “Stranger Things” was already a nostalgia exercise, then “Tales ‘from ‘85” caters to nostalgia for nostalgia, a recursive loop with a predictably diminished impact.

    The ensemble’s main new addition is Nikki (Odessa A’Zion), a pink-mohawked punk whose individuality is encouraged by her mother Anna (Janeane Garofalo), a substitute science teacher. Why haven’t we heard any mention of Nikki in subsequent seasons? Perhaps because she serves as a kind of proto-Robin, a queer-coded role model to encourage Will’s individuality before he even understands what makes him different. Once the real Robin shows up down the line, Nikki could be safely memory-wiped. As engaging an aural presence as A’Zion, a rising star, may be, it’s hard to fall in love with someone you know won’t be around in just a few months of in-universe time, never to come up again. 

    More than the presence of such technically new faces that slot neatly into pre-established tropes, what distinguishes “Tales From ‘85” is that the characters are no longer tethered to flesh-and-blood humans. Without the liability of actors whose voices will deepen and heights will shoot up over time, Netflix can continue to exploit this IP as long as its audience desires, looking ever-more-solipsistically inward rather than branching out. I’ll give “Tales From ‘85” this much credit: it’s as creepy and unsettling an idea as this horror-adjacent franchise has produced in years.

    All eight episodes of “Stranger Things: Tales From ‘85” are now streaming on Netflix.

  • Billionaire Investor Kevin O’Leary Claims Only Two Cryptocurrencies Are “Worth Owning”

    Billionaire Investor Kevin O’Leary Claims Only Two Cryptocurrencies Are “Worth Owning”

    Renowned investor Kevin O’Leary has made noteworthy new assessments regarding the cryptocurrency market. After experimenting with various digital assets for a long time, O’Leary argued that he has narrowed his investment strategy and now only two cryptocurrencies deserve a place in portfolios.

    In an interview with Stuart Varney on the Varney & Co. program, the President of O’Leary Ventures stated that many tokens have lost their value proposition as institutional investors’ influence in the market increases. O’Leary, who previously invested in dozens of different altcoins, said he restructured his portfolio, particularly in the last year, due to changing regulatory expectations and institutional analysis.

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    The experienced investor, who has held positions in 27 different crypto assets in the past, argued that this approach is unsustainable, stating, “Now all you need to own is Bitcoin and Ethereum. These two assets account for 97 percent of the volatility of all other ‘junk’ coins in the market.”

    O’Leary also noted that thousands of small-scale crypto projects disappeared following the market downturn last October. He stated that this reinforced his decision to exit these assets, saying, “Thousands of projects collapsed and didn’t come back. So why not focus only on these two strong assets?”

    *This is not investment advice.