Author: rb809rb

  • ZachXBT alleges RaveDAO misconduct as RAVE token explodes 1,200%

    ZachXBT alleges RaveDAO misconduct as RAVE token explodes 1,200%

    On-chain investigator ZachXBT is offering a $25,000 bounty for information related to alleged irregularities in $RAVE, the native utility and governance token of RaveDAO, a web3 entertainment project that links music festivals with blockchain-based community participation.

    In a statement on X on Saturday, ZachXBT alleged the project is tied to a pump-and-dump scheme, with insiders controlling the majority of supply. The blockchain sleuth urged crypto exchanges Binance, Bitget, and Gate.io to review the activity and take action.

    Pump and dump activity for $RAVE originated on @bitget @binance @Gate

    Call to action for both @heyibinance @GracyBitget to do better and launch internal investigation offboarding the responsible actors.

    Offering up to $10K bounty of my personal funds for whistleblowers to… pic.twitter.com/NhZDubdU9R

    — ZachXBT (@zachxbt) April 18, 2026

    Update: I am increasing the $RAVE bounty to $25K due to contributions from other community members.

    Keep applying pressure to exchanges so they address the market manipulation. pic.twitter.com/UChKYuZvYK

    — ZachXBT (@zachxbt) April 18, 2026

    ZachXBT said he expects exchanges to conduct internal reviews and publish transparent findings on those responsible. He noted that crime-associated tokens harm the industry’s credibility.

    Responding to ZachXBT’s call, Bitget CEO Gracy Chen said the team had initiated an investigation into the token.

    Price action

    $RAVE trended sharply higher over the month. Data from CoinMarketCap shows that the token ballooned from $0.25 to $18 between April 1 and April 15 before easing and later resurging.

    During the first rally, the project’s official account posted a muted warning during the volatility, encouraging users to “remain mindful of the associated risks” and exercise caution with leverage.

    In the past week, $RAVE rallied 1,200%, rising from $2.1 to approximately $28.

    At one point on Saturday, the token’s market capitalization reached as high as $6.7 billion, briefly surpassing Litecoin (LTC) and Avalanche (AVAX) in the rankings.

    Following ZachXBT’s statements, $RAVE crashed 24% to under $13.

    Project’s background

    Founded in late 2023, RaveDAO has grown from a small 200-person crypto afterparty and to an initiative linking live music events with blockchain-based participation.

    The project’s MiCAR White Paper lists Wildwood Xu as its director and Ronald Yung as one of the key leaders.

    Some members of the crypto community have pointed to possible links between RaveDAO and ZX Capital and individuals associated with Bella Protocol. These claims remain unverified.

    The project reports tens of thousands of community members and over 70,000 NFT tickets issued on-chain, alongside more than 100,000 total participants across 20-plus events in cities including Singapore, Dubai, Amsterdam, and Hong Kong. Its events feature major electronic music artists and use a proof-of-attendance model to track engagement and rewards.

    RaveDAO also operates “Rave for Light,” a charitable program allocating a portion of event proceeds to social initiatives. In 2025, it funded cataract surgery in Nepal and supported education-focused programs through Nalanda West.

  • How Coachella’s Longest-Standing Sponsor Holds Its Own in the Age of Brand Activations

    How Coachella’s Longest-Standing Sponsor Holds Its Own in the Age of Brand Activations

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    As someone who hadn’t been to Coachella since 2014, this year’s festival felt deeply familiar in many ways, and entirely unrecognizable in others. While 2014, of course, had its fair share of brand partners, sponsored parties and experiential marketing, they were a drop in the bucket compared to what has developed in just 12 years time.

    Cut to 2026: Brand activations are popping up by the dozens, and Coachella is filled with — what have now been dubbed — “festivals within a festival,” or smaller curated experiences — often exclusive — within the larger event (think Revolve Fest or Kourtney Kardashian Barker‘s Camp Poosh). But other than the music (and the desert heat), there’s another major throughline between Coachella then and Coachella now: Heineken.

    The Dutch brewing company, Coachella’s official beer sponsor for 23 consecutive years, is the festival’s longest-standing brand partner. Well before the introduction of Heineken House (the brand’s dedicated music stage and beer garden), which, funnily enough, made its Coachella debut in 2014 (I remember because I was 18 and couldn’t get in), the brewer has always held a prominent role at the festival. But how has Coachella’s most enduring partner stayed relevant in the age of activations? The short answer: community. The slightly longer answer? By innovating a piece of technology that brings people back to what OG Coachella felt like: connected.

    “The Clinker,” first introduced at Weekend One of Coachella 2026, is a smart device festivalgoers place around their Heineken cans that lights up to signal music compatibility upon contact with another Clinker. By syncing with each user’s Spotify or YouTube Music data, the device allows two fans to, first, see their exact overlap in music taste, and then, share social media handles to stay connected throughout the festival and beyond.

    Festivalgoers using “The Clinker” at Heineken House during Coachella Weekend One.

    Heineken

    “Heineken developed the Heineken House to bring fans together over music with a beer in hand,” Alison Payne, Heineken USA’s Chief Marketing Officer, exclusively tells The Hollywood Reporter. “This year, we went a step further by creating something that actively brings people together in real time. ‘The Clinker’ turns a simple ‘cheers’ into a conversation starter, leaving festival goers with a new connection or memory that will live on once the dust settles from the festival.”

    Beyond the new tech, crowds were pulled to the Heineken House for its stacked lineup. Weekend One included Wale, Sean Paul, Coi Leray, Motion City Soundtrack and Less Than Jake, while Big Boi will replace Paul for Weekend Two. And since Heineken House is a closed off space with only one entry point, there’s an intentional effort to make a massive festival feel intimate.

    This theme of fostering connection prevailed throughout the festival, with an overarching goal to bring Coachella back to its roots. (In fact, many fans noted that 2026 had a similar feeling to 2016.) Instead of dividing the festival, the standalone activations aimed to cultivate community. Right around the corner from Heineken House, Aperol opted for a lounge-style day club, while Soho House brought its same private, elevated feel to The Hideout. Meanwhile, just across the grass, Absolut’s Heat Haus was a star-studded affair with throwback DJ sets and Absolut Tabasco Vodka on the ready. Anyone over 21 could enter, but the space still managed to feel private and personal.

    Sean Paul performs onstage at Coachella’s Heineken House on April 11, 2026.

    Phillip Faraone/Getty Images for Heineken

    At a time when — even in the most crowded of spaces — it’s easier than ever to feel isolated, brands are actively choosing to fuel connection. We’ll “Clink” to that.

    Related: How to Secure — and Save on — Last-Minute Stagecoach 2026 Passes

  • LISTEN: Betches Media CEO Aleen Dreksler on Building a Digital Hub for Women With Comedy and Community

    LISTEN: Betches Media CEO Aleen Dreksler on Building a Digital Hub for Women With Comedy and Community

    On today’s episode of Variety podcast “Strictly Business,” Aleen Dreksler, CEO and founder of Betches Media, details the digital media brand’s origin story and why it blossomed into a hub for comedy and community designed for women. The episode also features a separate conversation from the SXSW festival that highlighted Variety‘s recent 10 Creators to Watch list.

    Listen to the full podcast here

    Dreksler traces Betches Media‘s rise from its humble beginnings with two friends in college at a time when Dreksler thought she was on her way to medical school. But the opportunity to become a digital media entrepreneur got in the way. Betches’ early DIY content efforts on Instagram and Facebook were buzzy enough to land the trio a book deal, which proved to be the foundation for a brand that combines comedy and community and lifestyle topics.

    “The key to what Betches the brand really represents is — it’s your funny best friend in the group chat, the one that will say the thing with you. And that is what we represent for people,” Dreksler says. “That is what the brand is. The reason why I get up every day is really to make women laugh and to feel seen and understood and all of our thoughts that we’re thinking throughout the day, whether it is the latest pop culture or what’s going on in Bravo, what’s going on in the white House, or what’s going on in your dating life?”

    Dreksler has seen the digital media eco-system evolve and grow significantly since Betches first hung out its shingle in 2011.

    “Right now, my engagement rate is one of the highest across all women’s media. And now the key metric for me is DMs — what are people sending to each other in their DMs? What share percentage of all of our engagement? So it’s not just engagement rate, it’s about share percentage. So that’s where we’re looking in terms of where I think the industry is going to go,” she says.

    The episode also features a separate conversation with members of Variety‘s 10 Creators to Watch list that was recorded March 14 at the SXSW festival in Austin, Texas.

    The group speaks frankly with Variety reporter Selome Hailu about living and working online, and the algorithm’s grip on their creative output. It rewards consistency and punishes experimentation, and the psychological cost of chasing it, they said, is real. Creator Vinny Thomas warned of a very specific creative hazard. “There are people who will have gone dead behind the eyes,” he says, “because they know what they have to do and they’ll get up there and do it, but the light is gone.”

    Kennedy French contributed to this report.

    “Strictly Business” is Variety’s weekly interview podcast featuring conversations with industry leaders about the business of media and entertainment. (Please click here to subscribe to our free newsletter.) New episodes debut every Wednesday and can be downloaded at Apple Podcasts, Amazon Music, Spotify, Google Play, SoundCloud and more.

  • Record Store Day 2026’s Most Wanted: Taylor Swift, Pink Floyd, Tom Petty, Brandi Carlile, Hilary Duff, ‘Demon Hunters,’ Bruce Springsteen and Laufey Lead a List of 350 Exclusives

    Record Store Day 2026’s Most Wanted: Taylor Swift, Pink Floyd, Tom Petty, Brandi Carlile, Hilary Duff, ‘Demon Hunters,’ Bruce Springsteen and Laufey Lead a List of 350 Exclusives

    Record Store Day may know what it’s doing, traditionally scheduling the biggest sales day of the year for independent music retailers on the Saturday after tax day. You are very, very, very confident you’re going to be getting a hefty refund, and that’s why you can blow into your local shop and lay down hundreds of Benjamins on an actual stack of wax, right? Or, you’ve just realized that you’re so far behind on what you owe the IRS, the only momentary relief for your despair is some retail therapy. Whatever the case, it’s time to go tithing in your nearest brick-and-mortar house of musical worship, picking up as many vinyl exclusives as your arms and wallet can handle. Consumerism feels good in a place like this.

    The long list of vinyl exclusives (and at least a couple of CDs, too) has something for the proverbial everybody, from youth-skewing Taylor Swift, Katseye and “Kpop Demon Hunters” releases to new entries from dad-rock dynasties like Bruce Springsteen, Pink Floyd and Neil Young … along with plenty of indie-leaning fare (hello, Dijon) and jazz. We couldn’t cover all 355 releases, but we’ve picked out about a tenth of them to spotlight here as highlights of America’s most crucial holiday. (And for handy reference, we’ve included a full list of every title if you scroll to the end.)

  • Zondacrypto under fire as Poland’s prime minister links exchange to legislative interference

    Zondacrypto under fire as Poland’s prime minister links exchange to legislative interference

    Polish cryptocurrency exchange Zondacrypto’s problems just keep mounting.

    Already under fire following reports of frozen or delayed customer withdrawals, the company on Friday drew the ire of Prime Minister Donald Tusk, who told parliament the company had sponsored some politicians who opposed crypto market regulation.

    Blocking the legislation by some politicians showed they were toeing Zondacrypto’s line, Tusk said before a vote to overturn President Karol Nawrocki’s veto of the law, according to a report by AP. The exchange has links to Russia and had previously provided the lawmakers with financial support, he said.

    Tusk’s comments came a day after Zondacrypto CEO Przemysław Kral turned to X to defuse allegations the company was helping itself to investors’ funds to bulk up its declining reserves.

    In a statement and video published on the platform, Kral said the exchange had sufficient reserves, and owns a bitcoin wallet holding about 4,500 BTC, about $330 million. There is a problem, though: It can’t access the funds because the previous owner didn’t hand over the private key and has now disappeared.

    Delayed withdrawals

    Kral said he revealed the wallet address to “cut short the unfounded accusations of alleged misappropriation of funds.” The key was not handed over by former CEO Sylwester Suszek in 2021, when ownership of the exchange, then known as BitBay, transferred and Kral took over. Suszek has been missing for four years.

    Zondacrypto has faced reports of frozen or delayed customer withdrawals since late March, according to local news reports. Kral denied any misuse of client funds and said the exchange remains profitable. He publicized the inaccessible wallet to prove the exchange has reserves, he said.

    Kral framed the situation as part of a broader campaign against the company, according to an AI translation of his Polish video. He pointed to supposed political pressure, regulatory interference and coordinated media coverage that contributed to a surge in withdrawal requests.

    Analysis conducted by blockchain intelligence firm Recoveris and cited by local news outlets found that bitcoin balances in hot wallets tied to Zonda have dropped by about 99% since mid-2024. At one point, Kral threatened legal action against Polish news outlets covering the situation.

    The furor revives the long-running controversy surrounding the company.

    Polish investigative reporting, led by broadcaster TVN, in 2024 identified shareholder Marek K., who held a 35% stake, as a criminal sentenced to eight years in prison for complicity in a 1995 gangland murder and fined 45 million zlotys ($12.5 million) for VAT fraud.

    In 2019, Poland’s Financial Supervision Authority (KNF) placed BitBay on its public warning list for unauthorized financial activities.

    In January 2025, the Office of Competition and Consumer Protection, Poland’s consumer protection agency, started an investigation — still in progress — into BB Trade Estonia, Zonda’s owner, for “violating the collective interests of consumers,” Fakt reported earlier this month.

    “Fundamental error”

    In an April 6 post on X, Kral said reports of the reported decline in reserves stemmed from a “fundamental analytical error” by focusing solely on hot wallets. At the time, Zonda stood as a “stable, solvent, and secure entity.”

    As for withdrawal delays, he said that at one point the platform processed tens of thousands of requests in a short period, far above normal levels. That, plus “the implementation of new, advanced security and transaction monitoring systems,” forced manual withdrawal verifications.

    The wallet presented as proof of reserves following customer demand has seen little recent activity. Onchain data shows no outgoing movements whatsoever, and a total of 32 receiving transactions.

    As for the veto vote, 191 MPs voted in favor of Nawrocki’s veto and 243 against it, 20 mandates too few to overturn the block, TVP World reported.

  • Trump claims on Iranian concessions trigger questions, rejections in Tehran

    Trump claims on Iranian concessions trigger questions, rejections in Tehran

    Tehran, Iran – United States President Donald Trump’s announcements about securing major concessions from Tehran have riled supporters of the Iranian establishment, prompting rejections and clarifications from the authorities.

    Several current and former senior officials, state media and the Islamic Republic’s hardcore backers expressed anger, frustration, and confusion after the US leader made a series of claims, with days left on a two-week ceasefire reached on April 8.

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    Trump on Friday said Iran and the US would jointly dig up the enriched uranium buried under the rubble of bombed Iranian nuclear sites, and transfer it to the US. He claimed Iran had agreed to stop enriching uranium on its soil.

    He also said the Strait of Hormuz had been opened and would never be closed again, while the US naval blockade of Iran’s ports remained in place, and sea mines were removed or were in the process of being removed.

    Trump also emphasised that Iran would not receive billions of dollars of its own frozen assets abroad due to US sanctions, and that the 10-day ceasefire between Israel and Lebanon was completely unrelated to Iran.

    Amid Pakistan’s ongoing efforts to mediate another round of negotiations, Iran’s Parliament Speaker Mohammad Bagher Ghalibaf, who led the Iranian delegation to the Islamabad talks earlier this month, rejected all of Trump’s claims.

    “With these lies, they did not win the war, and they certainly will not get anywhere in negotiations either,” he posted on X early on Saturday.

    By Saturday noon, the Khatam al-Anbiya Central Headquarters of the Islamic Revolutionary Guard Corps (IRGC) released a statement, saying the Strait of Hormuz is once again heavily restricted and under “strict management” of the armed forces. It cited continued “acts of piracy and maritime theft under the so-called label of a blockade” by Washington as the reason.

    ‘Haze of confusion’

    In the hours it took between Trump’s flurry of announcements on Friday and official responses from Iranian authorities, supporters of the establishment voiced serious concerns about any major concessions.

    “Is there no Muslim out there to talk to the people a bit about what is happening?!” Ezzatollah Zarghami, a former state television chief and current member of the Supreme Cyberspace Council that controls the heavily restricted internet in Iran, wrote on X.

    Alireza Zakani, the hardline mayor of Tehran, said if any of Trump’s claims are true, then the Iranian establishment must beware “not to gift the vile enemy in negotiations what it failed to achieve in the field”.

    A fan account on X for Saeed Jalili, an ultrahardline member of the Supreme National Security Council who has opposed any deals with the US for decades, said “dissent” may be at play. It said Supreme Leader Mojtaba Khamenei, who has not been seen or heard from outside of several written statements attributed to him, must release a voice or video message to confirm what is happening.

    Jalili’s main account distanced itself from the comment, saying the fan account – which was subsequently deleted – was a sign of “infiltration” by enemies of Iran who were trying to sow discord.

    Iranian state media released another written statement attributed to Khamenei on Saturday to mark Army Day, but made no mention of the political drama unfolding hours earlier, or the negotiations with the US.

    The dissonance was clearly on display on state television and other state-linked media on Friday, especially those affiliated with the IRGC.

    Multiple state television hosts and analysts harshly attacked Foreign Minister Abbas Araghchi because he tweeted on Friday that the Strait of Hormuz was “declared completely open for the remaining period of ceasefire, on the coordinated route as already announced by Ports and Maritime Organisation”.

    One of the hosts demanded Araghchi must immediately clarify. Another said the top diplomat’s tweet was in English, and since the Iranian people do not have access to X due to the state-imposed near-total internet shutdown for seven weeks, the message was not directed at the people.

    With a huge Hezbollah flag in the background, a furious presenter on state television’s Channel 3 claimed that Araghchi was somehow “the representative of the people of Lebanon, Yemen and Iraq” because they are a part of Iran’s “axis of resistance” of armed forces, so he should demand concessions on their behalf from Trump.

    Morteza Mahmoudvand, a representative for Tehran in the Iranian parliament, went as far as saying Araghchi would have been impeached had it not been for “the excuse of war”.

    The Fars and Tasnim news sites, which are affiliated with the IRGC, also heavily criticised Araghchi and called for further explanations on Friday evening, with Fars arguing that “Iranian society was plunged into a haze of confusion.”

    Armed supporters in the streets

    Critical comments from supporters of the Iranian government also flooded social media, including local messaging applications and the comments section of state-run sites.

    “We took to the streets every night with clear demands, but you shook hands with the killer of our supreme leader and handed our strait to the Zionists,” one user wrote on Friday in the local app Baleh, in reference to Israel.

    “After all these years of sanctions and war and costs imposed on the people, if you are to give up the uranium and the strait, then why did you play with the people’s livelihoods and the blood of the martyrs for so long?” another user wrote.

    A large number of analysts and media personalities, including Hossein Shariatmadar, the head of the Kayhan newspaper, who was appointed by late Supreme Leader Ayatollah Ali Khamenei, also voiced criticism and demanded answers on Fars and other outlets.

    Regardless of whether there will be more mediated negotiations in Pakistan or whether the war will continue, Iran continues to encourage and arm backers to take to the streets to maintain control.

    State media on Friday aired footage of more armed convoys moving through the streets of Tehran while waving the flags of Lebanon’s Hezbollah, Iraq’s Hashd al-Shaabi and other groups. The video below shows women and children crewing heavy machineguns mounted on the back of pick-up trucks during a rally in downtown Tehran.

    With no end in sight to the state-imposed internet shutdown that has wiped out millions of jobs in Iran, in addition to steel factories and other infrastructure that were destroyed, the Iranian economy continues to suffer.

    The timing of the back-and-forth between Trump and the Iranian officials meant that oil prices dropped before Western markets closed on Friday, and the Iranian currency experienced more volatility.

    The rial was priced at about 1.46 million against the US dollar on Saturday morning, the first day of the working week in Iran. But it shot back up to about 1.51 million after the IRGC announced the repeated closure of the Strait of Hormuz.

  • Ethereum co-founder Joseph Lubin warns of the dangers of AI being controlled by a few big tech firms

    Ethereum co-founder Joseph Lubin warns of the dangers of AI being controlled by a few big tech firms

    Crypto’s next major inflection point is coming from artificial intelligence (AI).

    That’s according to Consensys CEO and Ethereum co-founder Joseph Lubin. He told CoinDesk that autonomous or semi-autonomous agents can transact, coordinate and verify one another on decentralized networks, using crypto rails as a foundation for machine-driven activity.

    Lubin, who will be speaking at Consensus Miami 2026 next month, said he is “sympathetic to the idea that blockchain is for machine intelligences,” but does not see humans being displaced. Instead, increasingly intelligent interfaces will abstract away complexity, allowing users to interact with crypto systems through intent rather than manual inputs. In that model, AI becomes the intermediary layer between people and protocols.

    That vision comes with risks. If AI infrastructure remains concentrated among large technology firms, “we could be in trouble,” Lubin warned. He argued that decentralized systems and cryptography will be essential in ensuring accountability, enabling machines to “check on one another” in transparent, verifiable environments.

    Within that broader shift, products like MetaMask — a Consensys product — are evolving to reflect the change. Lubin said the wallet is being rebuilt as “a new kind of neobank that you own and control,” part of a transition toward what he described as a “personal money operating system.” AI-powered agents could act on behalf of users, managing assets, executing transactions and navigating a growing decentralized economy. “You can walk around with your personal financial system in your pocket,” he said.

    The rise of corporate chains on Ethereum

    Beyond interfaces, Lubin pointed to structural changes across the Ethereum ecosystem. The architecture of the blockchain is also shaping how institutions approach adoption. Lubin expects “corporate chains” to become more common as companies seek higher throughput and greater control over their infrastructure. Still, he argued that assets are best issued on Ethereum’s base layer, saying “the best way to ensure that an asset is durable… is to mint it on Ethereum layer one,” even if the asset is later used across other networks.

    Stablecoins, one of crypto’s fastest-growing sectors, are part of that transition, but not the endpoint. Lubin described them as a “stepping stone” toward more fully decentralized financial systems, noting that current models remain heavily reliant on centralized issuers. Over time, he expects growth in decentralized collateral to enable more robust, crypto-native forms of money.

    On tokenization more broadly, Lubin suggested that traditional finance and decentralized finance are entering a period of convergence, combining centuries of financial innovation with newer blockchain-based systems. The result, he said, will be a more granular and programmable global economy.

    Even as these shifts accelerate, Lubin struck a measured tone on longer-term technical risks like quantum computing. While not an immediate concern, he said Ethereum developers have been preparing for years.

    “A lot of us just see it as being folded into the natural evolution of Ethereum,” Lubin said.

    Read more: Joe Lubin claims DeFi is as safe as traditional finance, adding that bitcoin is in crisis

  • Wrapped XRP goes live on Solana, broadening DeFi access for Ripple-linked token

    Wrapped XRP goes live on Solana, broadening DeFi access for Ripple-linked token

    Wrapped $XRP went live on Solana on Friday, issued by custodian Hex Trust and bridged through LayerZero, making the token available inside Solana’s DeFi apps for the first time.

    $XRP holders can now use the wrapped asset on Jupiter, Phantom, Titan Exchange, and Meteora without selling their underlying position.

    Each wXRP is backed 1:1 by native $XRP held in segregated custody accounts and is redeemable at any time, according to Hex Trust.

    The Solana launch is one leg of a broader rollout Hex Trust disclosed in December 2025, which also targets Ethereum, Optimism, and HyperEVM. The move fits a pattern that has accelerated through 2025 and 2026, where tokens that started their life on one chain are being bridged to others to capture yield and liquidity that did not exist at launch.

    $XRP has historically functioned as a payment-rail token settled directly on the $XRP Ledger. Solana has built the opposite use case, a throughput-optimized smart contract platform where the DeFi and memecoin activity actually lives.

    The piece of infrastructure underneath this deal is LayerZero, the cross-chain messaging protocol that has quietly won most of the bridge volume that used to flow through Wormhole, Nomad, and Ronin before those protocols were exploited for more than $1 billion combined between 2022 and 2024.

    Whether $XRP generates meaningful DeFi volume on Solana is a separate question. The wrapped asset is live, but the test is whether holders actually use it.

  • Anthropic’s Alarming Mythos Findings Replicated With Off-the-Shelf AI, Researchers Say

    Anthropic’s Alarming Mythos Findings Replicated With Off-the-Shelf AI, Researchers Say

    In brief

    • Researchers show Anthropic-style exploits can be reproduced with public AI, report claims.
    • Study suggests vulnerability discovery is already cheap and widely accessible.
    • Findings indicate AI cyber capabilities may be spreading faster than expected.

    When Anthropic unveiled Claude Mythos earlier this month, it locked the model behind a vetted coalition of tech giants and framed it as something too dangerous for the public. Treasury Secretary Scott Bessent and Fed Chair Jerome Powell convened an emergency meeting with Wall Street CEOs. The word “vulnpocalypse” resurfaced in security circles.

    And now a team of researchers has further complicated that narrative.

    Vidoc Security took Anthropic’s own patched public examples and tried to reproduce them using GPT-5.4 and Claude Opus 4.6 inside an open-source coding agent called opencode. No Glasswing invite. No private API access. No Anthropic internal stack.

    “We replicated Mythos findings in opencode using public models, not Anthropic’s private stack,” Dawid Moczadło, one of the researchers involved in the experiment, wrote on X after publishing the results. “A better way to read Anthropic’s Mythos release is not ‘one lab has a magical model.’ It is: the economics of vulnerability discovery are changing.”

    The cases they targeted were the same ones Anthropic highlighted in its public materials: a server file-sharing protocol, the networking stack of a security-focused OS, the video-processing software embedded in almost every media platform, and two cryptographic libraries used to verify digital identities across the web.

    Both GPT-5.4 and Claude Opus 4.6 reproduced two bug cases in all three runs each. Claude Opus 4.6 also independently rediscovered a bug in OpenBSD three times straight, while GPT-5.4 scored zero on that one. Some bugs (one involving the FFmpeg library to run videos and another involving the processing of digital signatures with wolfSSL) came back partial—meaning the models found the right code surface but didn’t nail the precise root cause.

    reproducing Mythos' results with mainstream AI.Image: Vidoc Security
    Image: Vidoc Security

    Every scan stayed below $30 per file, meaning researchers were able to find the same vulnerabilities as Anthropic while spending less than $30 to do it.

    “AI models are already good enough to narrow the search space, surface real leads, and sometimes recover the full root cause in battle-tested code,” Moczadło said on X.

    The workflow they used wasn’t a one-shot prompt. It mirrored what Anthropic itself described publicly: give the model a codebase, let it explore, parallelize attempts, filter for signal. The Vidoc team built the same architecture with open tooling. A planning agent split each file into chunks. A separate detection agent ran on each chunk, then inspected other files in the repo to confirm or rule out findings.

    The line ranges inside each detection prompt—for example, “focus on lines 1158-1215″—weren’t chosen by the researchers manually. They were outputs from the prior planning step. The blog post makes this explicit: “We want to be explicit about that because the chunking strategy shapes what each detection agent sees, and we do not want to present the workflow as more manually curated than it was.”

    The study doesn’t claim public models match Mythos on everything. Anthropic’s model went further than just spotting the FreeBSD bug—it built a working attack blueprint, figuring out how an attacker could chain code fragments together across multiple network packets to seize full control of the machine remotely. Vidoc’s models found the flaw. They didn’t build the weapon. That’s where the real gap sits: not in finding the hole, but in knowing exactly how to walk through it.

    But Moczadło’s argument isn’t really that public models are equally powerful. It’s that the expensive part of the workflow is now available to anyone with an API key: “The moat is moving from model access to validation: finding vulnerability signal is getting cheaper; turning it into trusted security work is still hard.”

    Anthropic’s own safety report acknowledged that Cybench, the benchmark used to measure whether a model poses serious cyber risk, “is no longer sufficiently informative of current frontier model capabilities” because Mythos cleared it entirely. The lab estimated comparable capabilities would spread from other AI labs within six to 18 months.

    The Vidoc study suggests the discovery side of that equation is already available outside any gated program. Their full prompt excerpts, model outputs, and methodology appendix are published at the lab’s official site.

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  • Cyberpunk platformers, gallivanting geckos and other new indie games worth checking out

    Welcome to our latest roundup of what’s going on in the indie game space. Once again, there are some neat new games for you to check out this weekend. We’ve got a bunch of updates and announcements for upcoming titles to tell you about too.

    There have been a bunch of solid indie showcases lately (and highlights from another one to tell you about below). If you want to learn about a ton of other games ASAP, you might want to set your alarm pretty early on April 25.

    Starting at 5AM ET that day, the latest edition of Indie Life Expo takes place on YouTube, Twitch, TikTok, Bilibili and elsewhere. This one will feature more than 200 games! A rapid-fire Indie Waves segment will power through 160 of them. Organizers received 1,100 submissions for this installment, so hats off to them for featuring a sizable percentage of those.

    Before that, you can check out another showcase on April 21. Top Hat Studios Presents: Spring Showcase 2026 will start at noon ET on the publisher’s YouTube and Twitch channels.

    The stream will feature Motorslice, Well Dweller and survival horror game Becrowned, as well premieres and other Top Hat games. I’ve been looking forward to Motorslice, which has a May release window. I wager we’ll get a precise release date for that during this stream.

    Meanwhile, there’s an interesting Steam event taking place soon. InterfaceX26 will run from April 27 until May 4. This one is focused on games that deal with made-up operating systems and other custom interfaces. Organizers have brought together more than 150 developers and publishers, who are asking Valve to introduce an official “Fake OS” tag for games on Steam.

    Some neat games will be included in a sale and a showcase on May 2, including Blippo+, TR-49 and The Roottrees are Dead. Expect demos and relevant new releases too. Speaking of which…

    New releases

    We’ve been waiting a very long time for Replaced. This cyberpunk adventure from Sad Cat Studios and publisher Thunderful finally landed this week on Steam, GOG, Xbox on PC and Xbox Series X/S. It’s on Game Pass Ultimate and PC Game Pass. Otherwise, the base game costs $20. A supporter edition that includes the soundtrack is $25. It’ll hit the Epic Games Store at a later date.

    The game was initially supposed to arrive in 2022. It certainly didn’t help that Sad Cat Studios was forced to relocate from Belarus to Cyprus after Russia’s invasion of Ukraine. But the game is finally here and it debuted to generally positive reviews.

    Replaced is a 2.5D action platformer set in an alternate version of 1980s America, in which you play as an AI trapped in a human body that may or may not dream of electric sheep. I haven’t yet had a chance to properly jump into this gorgeous-looking game, but I’m hoping to do so this weekend.

    Speaking of games I’ve long had on my wishlist, Gecko Gods arrived this week. I think I first clapped eyes on this around 2022. Various trailers charmed me with the idea of a puzzle exploration platformer that casts you in the role of a gecko that’s able to run along walls and ceilings.

    I’ve played around 90 minutes of this one so far. I dig the look and the gecko is very cute (being able to customize its appearance is a nice touch). I love that you “collect” different types of bugs by eating them. It’s a fairly relaxing game, which is broadly what I need at the minute.

    I think there are some issues here, though. I’ve explored two of the main five islands in the open world and it feels a bit sparse so far. The joy of being able to clamber up and around any object complicates things when it comes to more precise platforming sections. While the sailing sections are pretty, the boat is clunky to control on the choppy water. I ran into some mild technical issues as well on PS5 with occasional framerate dips and objects popping in. Hopefully, that’s something the developers at Inresin are able to address.

    Gecko Gods — from publishers Super Rare Originals and Gamersky Games — is available now on Steam, PS5 and Nintendo Switch. It’s normally $20, but there’s a 10 percent launch discount until April 30 (on PS5, this only applies to PlayStation Plus members)

    Another highly anticipated game landed this week in the form of Mouse: PI for Hire. We’ve had our eyes on this first-person shooter/detective game with sumptuous rubberhose-style animation for quite some time. Reviews have been generally positive so far, and it seems that there’s enough substance here to live up to those stellar visuals.

    Mouse: PI for Hire — from Fumi Games and publisher PlaySide — is out now for $30. It’s available on PC, Nintendo Switch 2, PS5 and Xbox Series X/S.

    Thirsty Suitors developer Outerloop Games and co-publisher Outersloth served up the cooking-themed Dosa Divas this week. It tells the story of two sisters who set out on a journey with their mech to take down a fast food empire and reconnect communities through cooking.

    It caught my eye when I saw it during a showcase a while back and it has a great concept, though I don’t exactly love turn-based combat. I’ve read a few lukewarm reviews of the game, and the consensus seems to be that the cooking mechanics and combat perhaps needed some more time to simmer.

    If you’d like to try Dosa Divas yourself, you can pick it up on Steam, Xbox Series X/S, PS5, Nintendo Switch and Switch 2. It’ll usually run you $20, but there’s a 10 percent launch discount until April 28.

    If you’re looking for a puzzle game that can be relaxing or rather dark, depending on your mood, it might be worth checking out A Storied Life: Tabitha. As you pack up the home of a late loved one, you’ll need to decide which items to keep in the limited storage space you have and discard the rest. You’ll need to wrap fragile items in bubble wrap and vacuum pack soft items to save room in the boxes.

    As you save items, you’ll unlock words that you can use to fill in the blanks of your loved one’s life and tell their story, Mad Libs-style. Given that you’ll find items like a blackmail letter and a shirt with lipstick on the collar, it seems like there’s a lot of variety to the kinds of stories you can tell.

    A Storied Life: Tabitha is available on Steam now. It’ll normally run you $15, but you can save 10 percent if you buy it before April 28.

    To round out this section, I’ll quickly note that Hades 2 is out now on PS5 and Xbox Series X/S for  $30, with a 20 percent launch discount. It’s on Game Pass Ultimate, Game Pass Premium and PC Game Pass too.

    I bought Hades 2 when Supergiant Games brought it to Steam early access two years ago, telling myself I’d wait until the full game was out. But I still haven’t gotten around to it yet. There are always too many games tugging at my fragile attention span and Hades 2 faded into the background for me. I really ought to play it, I know!

    Upcoming

    I’m keeping an eye out for Agefield High: Rock the School from Refugium Games. This spiritual successor to Rockstar’s Bully is set to arrive this summer on Steam. It emerged this week that it will hit PS5 and Xbox Series X/S later in the year.

    It’s a coming-of-age adventure in which you play as Sam, a young lad who has moved to a new school in the early 2000s. He wants to make his last few months of high school a time to remember.

    There’s a branching narrative with multiple endings here — you can opt to go to classes and be a good student, or skip school and cause trouble. As a mostly rule-abiding student way back when, I’d be tempted to go for the latter. This seems like a bit of a life sim with a broad array of activities and ways to get into bother. I’m looking forward to it.

    The latest edition of the Galaxies Showcase — yet another indie spotlight event — took place this week and The Backworld caught my attention. This is a Mother-inspired RPG from Numor Games and publisher Top Hat with charming art direction (yes, I did see that one character doing a Naruto run), an intriguing mix of characters and…

    Oh no, why did the music stop? Why did it get so dark all of a sudden? What are these horrifying beasts that are chasing my character? Yup, there’s a heavy horror element here. Numor took inspiration from The Backrooms as well.

    The Backworld will be released later this year. A demo just hit Steam.

    A Study in Blue, from Relate Games, was another highlight of the Galaxies Showcase, thanks in large part to that impressive animation. This is a point-and-click adventure in which you play as two characters with complex pasts: private detective Kenneth and runaway Blue.

    You’ll explore a semi-open world and solve crimes by collecting clues and calling out characters’ lies. There are three intertwined story acts and multiple endings. A Steam demo featuring a side quest from the main game that’ll take around two hours to complete is available now.

    I’m always going to be interested in any game that riffs on The Legend of Zelda: A Link to the Past. On the face of this trailer, Elementallis developer AnKae Games seems to borrow quite a bit of the design language and other ideas from the SNES classic. Still, if you’re going to crib from anything, it may as well be the best game of all time.

    This 2D action RPG, which is also published by Top Hat and has a heavier focus on elemental powers than A Link to the Past, looks very much like my kind of jam. It’s coming to Steam, GOG, Switch, PS4, PS5, Xbox Series X/S and Xbox One on April 28. Per the eShop listing, it’ll cost $18.