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  • Paramount Pitches Judge On November Start Of WBD Merger Antitrust Trial, While State AGs & WGA Propose April

    Paramount Pitches Judge On November Start Of WBD Merger Antitrust Trial, While State AGs & WGA Propose April

    Paramount wants a trial to start in November in the antitrust lawsuit brought by a dozen state attorneys general and the Writers Guild America. Not surprisingly, the state AGs and the guild want an April start to the proceedings.

    The sides outlined their proposals in a joint filing Friday, with the ultimate decision on scheduling left to the federal judge in the case, Araceli Martinez-Olguin.

    “The parties have discussed the trial schedule, but they have not reached agreement,” the parties wrote.

    The trial dates are hugely important for the transaction, and even Paramount’s proposed date likely will cost the company hundreds of millions. After September 30, Paramount will be on the hook for about $7 million for every day that the transaction doesn’t close, under an agreement with WBD that was a sweetener to the deal.

    A Paramount spokesperson said, “Our request for a November trial date is more than sufficient to give both sides the time they need to conduct discovery, gather evidence, and prepare for trial. Plaintiffs’ request to delay proceedings until April is nothing more than a stonewalling tactic that goes well beyond the timelines sought in similar prior proceedings and ignores the substantial evidence plaintiffs have already received in this matter. Delay will also harm the many individuals outside this courtroom who will be denied the expanded content offerings and industry stability that a combined Paramount-WBD promises to bring.”

    California Attorney General Rob Bonta, who is leading 12 states in the lawsuit, said in a statement, “Our challenge to the unlawful Warner Bros./Paramount merger is a clean-cut antitrust challenge through and through: it’s about protecting the vibrancy of an industry, the pockets of consumers, and the quality of films and television programs that take center stage in many of our lives. This challenge deserves careful and thorough review and today my office and attorneys general across the country asked the court for a trial date next spring. We are eager to continue to make our case and look forward to a final determination of the schedule by the court.”

    Last week, Paramount said it would not close the merger until June 1, 2027, or until days after the legal issues are resolved, and indicated it wanted to go directly to trial. Its announcement came just days after the judge granted the state AGs a temporary restraining order that prohibited the transaction from closing for 14 days, an order that was later extended to 28 days.

    The company spokeswoman said a trial “on the merits is the best and most direct way for us to prove what we’ve said from the start — this transaction is lawful, pro-competitive, and raises no antitrust concerns.”

    In the filing Friday, Paramount proposed a 12-day trial starting November 4 that would encompass the cases brought by the states and the WGA.

    Paramount also noted that the later date would give the judge “much less time to decide” the case by June, the outside date it had set for the merger to close, as well as time for the company to appeal.

    Among other things, they noted that the DOJ’s antitrust case seeking to block AT&T’s merger with Time Warner went to trial on March 19, 2018, four months after the federal government brought the case. Makan Delrahim, who is Paramount’s chief legal officer, was then the chief of the DOJ’s antitrust division; on the other side was attorney Daniel Petrocelli, representing Time Warner, and now representing WBD in this case.

    The company also noted that Bonta had last week favored a January trial start, but now was proposing a date four months later.

    “Given the stakes of this case, there is no basis and no time to delay for the sake of delay, particularly when delay significantly prejudices Defendants and the Hollywood ecosystem more broadly,” Paramount’s legal team wrote in the filing.

    The company also argued that Paramount and the WGA will have had sufficient time for discovery.

    Paramount’s legal team wrote, “State Plaintiffs had six-plus months before they filed their complaint to conduct unilateral discovery regarding the proposed transaction. State Plaintiffs also had the benefit of waivers granted by Defendants to enable the U.S. Department of Justice (DOJ) to share with State Plaintiffs all information and materials that Defendants produced to the DOJ. In sum, the discovery that State Plaintiffs received many months ago includes over two million documents from more than 80 of Defendants’ employees.”

    The company’s legal team noted that the later date would require them to refile merger materials with the Justice Department, which has already cleared the transaction, and that it would leave the creative community in a period of uncertainty, as Paramount plans to boost production to 30 films per year.

    The state AGs and WGA proposed a start of April 5, 2027, lasting at least 12-15 days, with each plaintiff presenting their cases sequentially.

    The state plaintiffs wrote that extensive discovery is needed, including of “the definition of the relevant product and geographic markets, the nature and scope of harm in those markets, whether expansion by other firms will prevent harm in those markets, and whether the merger will produce verifiable, merger-specific efficiencies sufficient to outweigh harm in those markets.”

    They pointed specifically to areas like Paramount’s assertion that the merger will generate billions in synergies, “a claim that Plaintiff States are entitled to test in discovery, including discovery of Defendants’ integration plans for their merged company.”

    The states noted that Paramount’s document productions “largely cut off” before the merger agreement was signed in February, leaving the plaintiffs with few internal documents about post-closing plans.

    The state AGs wrote, “Defendants’ pre-complaint productions also do nothing to address the need for discovery from third party customers and competitors. Importantly, no depositions of percipient fact witnesses from Defendants or third parties have occurred.”

    The states also contended that their schedule was “reasonable,” claiming that the 402 days from the signing of the merger agreement on February 27 to the proposed trial date “moves this case to trial more rapidly than virtually every merger case in recent history.” The AT&T-Time Warner trial started 513 days after the merger deal was signed, they noted, as opposed to when the DOJ lawsuit was filed. The state AGs also wrote that an April trial would still leave the judge with time to decide the case by June.

    The state AGs also called Paramount’s proposed schedule “one-sided,” arguing, “Their extraordinarily truncated schedule unfairly favors Defendants because they (1) have information Plaintiff States need to prove their case and (2) do not bear the burden of persuasion.”

  • Woody Harrelson to Receive Honorary Heart of Sarajevo at Bosnian Film Festival

    Woody Harrelson to Receive Honorary Heart of Sarajevo at Bosnian Film Festival

    U.S. star Woody Harrelson will be honored with an award at this year’s Sarajevo Film Festival in recognition of his contribution to cinema.

    He’ll receive the Honorary Heart of Sarajevo at the Bosnian festival, joining fellow 2026 recipients Emily Watson (also president of the Sarajevo jury), Asghar Farhadi, and the recently announced Diego Luna.

    Harrelson has earned three Oscar nominations, including best actor for The People vs. Larry Flynt and best supporting actor for The Messenger and Three Billboards Outside Ebbing, Missouri. He accrued more critical acclaim for starring in Ruben Östlund’s Palme d’Or winner Triangle of Sadness.

    “Woody Harrelson is one of those actors you believe in even in the most improbable roles, while at the same time you can easily imagine him as someone you might spend time with every day,” said Jovan Marjanović, director of the Sarajevo Film Festival. “That remarkable ease of performance is, in fact, one of the hardest qualities to achieve on screen, yet he delivers it film after film. His talent, charisma, and boldness serve as an inspiration to many future generations. It is our great honor to present him with the Honorary Heart of Sarajevo.”

    In honor of Harrelson, Michael Winterbottom’s 1997 film Welcome to Sarajevo, which premiered at Cannes and was also screened at the third-ever Sarajevo Film Festival later that year, will be screened for audiences. The film examines the war in Bosnia in the mid-1990s, and the role of journalists in its media coverage. It is based on journalist Michael Nicholson’s book Natasha’s Story. The screening will take place at the Coca-Cola Open Air Cinema as part of the Open Air program.

    He next leads Apple TV’s Brothers alongside Matthew McConaughey, premiering Sept. 23, and stars opposite Kristen Stewart in Quentin Dupieux’s Full Phil, which debuted at Cannes this year. He recently wrapped Netflix’s The Cackling of the Dodos with Sam Rockwell and is producing a documentary on Austin’s iconic Armadillo World Headquarters.

    Harrelson also wrote, directed and starred in Lost in London, the first feature film shot in a single continuous take and broadcast live to theaters. His television credits include Cheers, True Detective and The White House Plumbers.

    The 32nd Sarajevo Film Festival will run Aug. 14-21.

  • Walmart Back-to-School Deals: Your Tech and Supply Shopping List

    Walmart Back-to-School Deals: Your Tech and Supply Shopping List

    You shouldn’t have to trade your beach towel for a chaotic shopping cart just to tackle the back-to-school rush of hunting for new clothes and supplies for the school year ahead. Whether you’re lounging by the pool or squeezing out the very last drops of summer vacation, Walmart makes it easy to cross off your kids’ tech, fashion, and supply checklists in one seamless sweep—complete with lightning-fast delivery and pickup options that plant you firmly in relax mode.

    Here’s a sneak peek at some of the best school-ready deals, only at Walmart (prices and deals subject to availability), that you can shop right now.

    Get Tech for Less, Without the Stress

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    Even the most durable tech essentials struggle to survive in the hands of kids, tweens, and teens. Thankfully, you don’t have to spend a fortune to get well-made gear that prioritizes the features and specs that matter most. 

    Items like headphones, which are regularly tossed from school bag to desk, should include volume-limiting controls for safety, be comfortable for growing ears, and be affordable enough to replace if they’re lost. The JLab JBuddies Studio Wired Headphones ($12.88, save $2) check every box and come in a wide range of colors. 

    Fill Closets With Fashionable Picks

    Save yourself from the early-morning wardrobe dilemmas caused by unpredictable weather and growing bodies by investing in a few new pieces for your kids. 

    Here’s a simple formula to get you started:

    With prices this low, you can grab items in your child’s current size and the size above, so you’re stocked for those emergency moments.

    Score a Deal on Must-Have School Supplies

    There is nothing quite like a fresh notebook and clean markers to signal the start of a new school year.

    Walmart offers a range of school supplies that are both practical and fun, including Crayola Broad Line Markers and Elmer’s Scented Glue Sticks.

    Plus, you can stock up on essentials like Pen+Gear Wide Ruled 1-Subject Notebooks and Five Star 2-Pocket Stay-Put Plastic Folders, which are available in an assortment of colors.

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  • In ‘Donkey Princess,’ a Young Royal Travels Through Worlds – and Film Genres – in Search of Love (Exclusive Trailer)

    In ‘Donkey Princess,’ a Young Royal Travels Through Worlds – and Film Genres – in Search of Love (Exclusive Trailer)

    Cristóbal León and Joaquín Cociña, the Chilean filmmakers who have made a name for themselves with The Wolf House and The Hyperboreans, as well as collaborators of Ari Aster, will world premiere their third feature film, Donkey Princess (Princesa Burro), in the international competition program of the 79th edition of the Locarno Film Festival on Friday, Aug. 7.

    As was the case with their first two feature films, their new movie is an ambitious cinematic ride. And it comes in the form of an envelope-pushing fairy tale.

    The Donkey Princess focuses on Diana, the princess of an ancient kingdom, whose father, King Arthur, has forbidden love. That is why, when Diana falls in love with Lalo, the King simply banishes him. “Using a magical bracelet, Diana travels to other worlds in search of her love,” explains a synopsis. “Discovering that her father manipulates her decisions, she must face her fears and change her destiny.”

    The travels that Diana embarks on allow León and Cociña to use the places she visits as a way to explore different film periods and genres. “Diana travels through parallel worlds where each universe transforms the film’s genre,” the creative duo explains in a directors’ note on the Locarno website. “The film brings this constant mutation of realities into live action, where fantasy reshapes everything.”

    The cast is led by Antonia Giesen and also features Andrew Bargsted and Francisco Melo. Alejandra Moffat co-wrote the screenplay for Donkey Princess with the directors. The movie, featuring cinematography by Benjamín Echazarreta, was edited by Soledad Salfate, Maria Salazar, León and Cociña. Bendita Film Sales is handling international sales.

    Donkey Princess is our way of reimagining the history of fantasy cinema: a film that engages with this tradition while presenting our own vision of the genre,” León and Cociña highlight in a directors’ statement. “In The Wolf House, The Hyperboreans and in our short films, we have explored worlds where dreams and nightmares dominate the materiality of space, generating universes in constant construction, mutation and destruction. In Donkey Princess, we take these ideas and adapt them into a fiction feature film performed entirely by actors. The story is loosely inspired by the tale Donkeyskin, as recorded in writing by [Charles] Perrault and later adapted for the screen by Jacques Demy.”

    But there is really no way to get a feel for a film by León and Cociña other than to watch it. THR can now exclusively premiere a trailer for Donkey Princess. So, check it out right here – and get ready to have your mind blown.

  • ‘Sunday in the Park with George’ Producers Confirm Summer 2027 Show Will Go On ‘As Planned’ After Ariana Grande Exits

    ‘Sunday in the Park with George’ Producers Confirm Summer 2027 Show Will Go On ‘As Planned’ After Ariana Grande Exits

    The London production of “Sunday in the Park With George” is set to go ahead as planned despite Ariana Grande exiting the show.

    The Stephen Sondheim revival, which also stars Grande’s “Wicked” co-star Jonathan Bailey, was scheduled to premiere at London’s Barbican next summer with producers set to launch ticket sales after Grande completed the last leg of her “The Eternal Sunshine Tour” on Sept. 1 in the U.K.

    However, on Sunday night reps for the actress said Grande will be “taking a step back from visibility” after she completes her tour — which includes dropping out of the play.

    But the show must go on and a rep for producers Empire Street Productions tells Variety: “The production will open at the Barbican in summer 2027 as planned, and casting will be announced in due course.”

    Grande was set to star as both Dot and Marie in the revival opposite Bailey as painter George Seurat, offering “Wicked” fans a rare opportunity to see the film’s stars together live on stage. “Sunday in the Park With George” is directed by Tony and Olivier Award winner Marianne Elliot, with design by Tom Scutt. Auditions for the ensemble have been taking place in London this summer.

    Producers for the show said they “wish [Grande] nothing but the best,” adding: “We know this cannot have been an easy decision, and she makes it with our complete understanding and support.”

    In recent years fans have expressed increasing concern for Grande, particularly in regards to her physical appearance. The actor and singer previously disclosed she was diagnosed with PTSD after a suicide bomber killed 22 people, including a number of children, at her concert in Manchester in 2017.

    Aside from “Sunday in the Park With George,” Grande’s only other publicly-known commitment is a role in upcoming Robert De Niro and Ben Stiller comedy “Focker-in-Law,” which is set to bow over Thanksgiving. It is unclear whether Grande will still participate in the film’s publicity tour.

    Grande’s rep told People magazine: “She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break from public-facing work and appearances, which has led to endless, ongoing public scrutiny.”

  • Sarajevo Unveils Open Air Program, Including Diego Luna’s ‘Ashes,’ ‘Minotaur’ and ‘No Good Men’

    Sarajevo Unveils Open Air Program, Including Diego Luna’s ‘Ashes,’ ‘Minotaur’ and ‘No Good Men’

    Sarajevo Film Festival has unveiled its Open Air program, with films such as the Cannes-premiering Minotaur and Diego Luna‘s Ashes set to screen at the fest’s largest venue, the Coca-Cola Open Air Cinema.

    Paweł Pawlikowski’s Fatherland, starring Hanns Zischler and Sandra Hüller, will open the section at the Bosnian film festival, with Danis Tanović’s 2001 film No Man’s Land set to close it. The movie takes place in 1993, during the war in Bosnia and Herzegovina. By a twist of fate, Čiki, a soldier in the Army of Bosnia and Herzegovina, finds himself trapped in the same trench as Nino, a Bosnian Serb soldier.

    Also premiering in the program is Luna’s film about two siblings forced to leave Mexico and head to Madrid to reunite with their mother, who had left a few years earlier to chase a better future. When they arrive, however, the bitter, suffocating reality that awaits them proves far harsher than imagined. Luna spoke to The Hollywood Reporter at Cannes about the making of the film and why it was a deeply personal project.

    Also screening is Andrey Zvyagintsev’s Minotaur, another feature from Cannes, following a successful company director called Gleb, who finds himself under siege from mounting corporate pressures and an increasingly unstable world. The collapse of his carefully ordered life accelerates towards violence.

    The Berlinale opener No Good Men from Shahrbanoo Sadat is also set for a Sarajevo premiere. It focuses on Naru, the only camerawoman at Kabul’s main TV station, who struggles to keep custody of her three-year-old son after leaving her husband, a serial cheater. Convinced no good men exist in her country, Naru is caught off guard when Qodrat, Kabul TV’s most respected journalist, gives her a career opportunity.

    Among other movies premiering in this section are Annemarie Jacir’s Palestine 36, Rodrigo Sorogoyen’s The Beloved, and Michael Winterbottom’s 1997 film Welcome to Sarajevo, in honor of the recently announced Honorary Heart of Sarajevo recipient Woody Harrelson.

    Also on Monday, the Sarajevo Film Festival unveiled its Open Air Premiere program, which brings together the most anticipated new films from the region of the former Yugoslavia. These movies are screened at UNIQA Open Air Cinema Stari Grad, and the best film — selected by audiences — will receive the Prix Cineplexx.

    Among the features in this selection are Miroslav Terzić’s 3 Weeks After, Miha Hočevar’s Hidden People, and Marijana Jankovic’s Home. Igor Jelinović’s Honey Bunny will screen, as will Darko Štante’s The Lost Son, Predrag Ličina’s The Virus of Pathological Kindness, and Hari Šečić’s The Widower, about a 62-year-old electrician who was raised and lives in a patriarchal society. When his daily routine changes after the sudden death of his wife, Enisa, Mirsad tries to get used to a life without her and soon realizes that he took her for granted.

    The 32nd Sarajevo Film Festival will take place Aug. 14-21.

  • World’s most boring festival is full of ‘unexceptional’ cars

    World’s most boring festival is full of ‘unexceptional’ cars

    The Festival of the Unexceptional features 2,500 cars which were all manufactured between 25 and 50 years ago (Picture: Chris Lowndes/Cover Media)

    It’s the event where being boring is the whole point.

    Every year thousands of fans travel from across the world for the Festival of the Unexceptional (FOTU) at Grimsthorpe Castle, in Lincolnshire.

    Created to champion the most basic cars you can imagine, the grounds are packed with around 2,500 much-loved but largely forgotten family vehicles now rarely seen on Britain’s roads.

    The event this weekend was in its 12th year and entries must have been manufacturedbetween 25 and 50 years ago to qualify.

    Fifty are selected to compete for top prize, with this year’s judges having included editor-in-chief at Autocar Steve Cropley, content creator Steph Hoy, motoring journalists Richard Bremner, Jesse Billington, Antony Ingram and Gary Axon, as well as TV presenter Jon Bentley.

    The event takes place in the grounds of Grimsthorpe Castle and is now in its 12th year (Picture: Chris Lowndes/Cover Media)

    First place went to Gordon McNeill and his 2001 Volkswagen Polo E, which has been owned and loved for 20 years. It was Gordon’s first car and – despite having battle-scarred paintwork – is still the only car he has ever owned, racking up 176,000 miles.

    In second was a very rare 1992 Toyota Previa, owned by Matt Swinn, who uses it to haul his band and their equipment all over the country.

    Despite its heavy use, Matt has kept it meticulously maintained. He is so dedicated that he even framed the 1990s sweet wrappers, receipts and other period rubbish found under the seats when he bought it.

    The festival celebrates the most basic cars, many of which are now very rare, and is usually a sellout (Picture: Chris Lowndes/Cover Media)

    Third place went to a 2001 Ford Focus owned by Jake Seddon. The car originally belonged to his grandad and was restored by his father.

    It was displayed alongside many family photos, and the judges commended the condition of the car and its family connection.

    Other special mentions went to a 1991 Ford P100 TD owned by Jack Duxbury, a 2000 Kia Clarus Wagon owned by Marwin Jansen, a 1986 Citroen Axel owned by Rick Martens, a 1982 Fiat 127 owned by Maia Egan and a 1994 Honda Civic Bali owned by Emma Rowe.

    Away from the cars on the main stage was live music and interviews.

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    People travel from around the world to visit (Picture: Chris Lowndes/Cover Media)

    The festival is hosted by insurance provider Hagerty. Mark Roper, the company’s managing director, said: ‘Wow. Just when we think the Festival of the Unexceptional can’t get any bigger, it grows again and is more spectacular than ever.

    ‘What a delight to see the lawns of Grimsthorpe Castle covered with thousands of FOTU cars, being enjoyed by 4,500 people from all around the world.

    ‘Thanks to each and every person who came for their dedication, passion and support of all things FOTU.’

    Best of the most boring

    Gordon McNeill won first place with his first-ever car (Picture: Hagerty/Cover Media)

    Gordon McNeill took first place with his 2001 VW Polo E, which may be a little battle-scarred but is still the only car he has ever owned.

    The rubbish found under his car helped Matt Swinn win (Picture: Hagerty/Cover Media)

    Matt Swinn with his 1992 Toyota Previa, which came second. He has framed the rubbish he found under the seat when he bought it.

    Jake Seddon used his family connections to win third place (Picture: Hagerty/Cover Media)

    Third place went to Jake Seddon and his 2001 Ford Focus. The car originally belonged to his grandfather.

  • ‘Peaky Blinders’ Helps U.K. Region Land Official Production Hub Status From British Film Commission

    ‘Peaky Blinders’ Helps U.K. Region Land Official Production Hub Status From British Film Commission

    Peaky Blinders” may have given closely clipped back and sides haircuts a new lease of life, but it’s now helped a region of the U.K. land official backing as a center for high-end productions.

    The British Film Commission has announced that the West Midlands, home to the city of Birmingham and where “Peaky Blinders” is set and shot, has been named the U.K.’s eighth official regional production hub for scripted inward investment for film and high-end TV.

    According to the Commission, having served as production base for “Peaky Blinders,” the feature film “The Immortal Man” and the as-yet untitled “Peaky Blinders” spin-off series, the region has now fulfilled the criteria needed to receive official hub status.

    The West Midlands joins South-West England (Bristol); North-West England (Manchester and Liverpool); Yorkshire (Leeds); Northern Ireland (Belfast); Scotland (Glasgow and Edinburgh); Wales (Cardiff); and London & South-East England as an official production hub, lending its strength to a UK-wide offer which contributed £5.8 billion ($7.8 billion) to the UK economy in 2025.

    “As Tommy Shelby of the Peaky Blinders once said, ‘when you plan something well, there’s no need to rush.’ The growing success of the West Midlands as a U.K. production hub certainly bears this out. Over the course of nearly 15 years, the region has steadily grown in strength and stature, building skills, infrastructure and reputation,” said Adrian Wootton, Chief Executive of the British Film Commission.

    “With the West Midlands becoming an official regional production hub, our offer to the global film and TV industry now spans the length and breadth of the U.K.: wherever you base your production, you’re within a stone’s throw of world-class facilities, crew and talent, with access to one-of-a-kind locations and some of the world’s most stable, transparent and generous tax incentives.”

    The two upcoming “Peaky Blinders” spin-off series are being film at the recently opened in Birmingham’s Digbeth Loc. Studios, which was founded by show creator Steven Knight.

    “I’m thrilled that the West Midlands has been recognised as a fantastic place to make film and TV,” said Knight. The opening of Digbeth Loc. Studios is an important part of that ambition, providing a home for world-class film and television production in the heart of Birmingham. We are at the beginning of a journey, and we’ve got off to a great start. The West Midlands is always ambitious, and we believe we will create a global content making industry in our neighbourhood.”

    In addition to the region’s new hub status, the BBC previously announced plans to establish its future regional headquarters in The Tea Factory in Digbeth .

  • South Korean Exchange Bithumb Targets 2028 IPO

    South Korean Exchange Bithumb Targets 2028 IPO

    In brief

    • South Korean exchange Bithumb published a three-stage roadmap to a 2028 IPO.
    • The roadmap includes internal controls and K-IFRS preparation in 2026, and a preliminary listing review in 2027 ahead of the IPO.
    • Regulators fined the exchange $24.5 million in March, while CEO Lee Jae-won was booked as a bribery suspect in June.

    Bithumb has set out a three-stage path to a stock market listing in 2028, telling customers on Monday it will spend this year upgrading internal controls and preparing to switch accounting standards, then file for preliminary listing review in 2027. The exchange competes with Dunamu-operated Upbit for South Korea’s domestic market.

    The notice is framed almost entirely around trust. Bithumb says it is rebuilding risk management to the standard required of regulated financial firms, moving from Korean accounting standard K-GAAP to the global K-IFRS standard, and strengthening compliance monitoring to institutional-finance level. It has split off Bithumb Asset to separate its business lines and, it says, remove scope for conflicts of interest, and has engaged domestic and overseas underwriters, law firms and accountants. It also promises regular disclosure of its finances and its own crypto holdings.

    The record

    The IPO roadmap comes as Bithumb faces a slew of legal and regulatory challenges.

    In February, a display error credited thousands of Bithumb users with Bitcoin they did not own. Lawmakers criticized regulators over the handling of it, investigators examined the compensation arrangements, and the exchange went to court to recover coins from users who would not return them.

    In March, financial regulators fined the exchange $24.5 million and ordered a six-month partial suspension over anti-money-laundering and know-your-customer failures. A court blocked the order in April after Bithumb challenged it.

    Months later, chief executive Lee Jae-won was booked as a bribery suspect over the alleged hiring of a National Assembly member’s son, with police searching Bithumb’s headquarters in February and June.

    None of it appears in Monday’s notice, which lists Bithumb’s promises to customers as transparent governance, stronger internal control, better investor protection, sustainable growth and a management system built to global standards. The company said the timetable could shift with market conditions and the pace of the review it will need to clear.

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  • Electric blue ‘alien’ sea creatures invade UK shores in droves during heatwave

    Electric blue ‘alien’ sea creatures invade UK shores in droves during heatwave

    Velella (velella velella) or by-the-wind sailor washed up on the beach in Malibu, California USA; Shutterstock ID 2285728707; purchase_order: -; job: -; client: -; other:
    Velella (velella velella) or by-the-wind sailor washed up on the beach (Picture: Shutterstock / Kelly Nine)

    If you were to go down to the beach today you may find a wobbly surprise.

    Thousands of bright electric blue creatures, thought to be Velella Velella, have washed ashore after a scorching heatwave this summer.

    The creatures dubbed ‘alien jellyfish’ are normally found in exotic climes like Portugal or the Caribbean but over the weekend it was St Bees beach in Cumbria that was overrun.

    Louise Nicholson nearly mistook one of the strange creatures for a mound of seaweed.

    Speaking to BBC Cumbria, she said: ‘There were hundreds of them and there were lots of visitors to the area taking photos.

    ‘They are absolutely beautiful, only about 2ins in size. It was a great find on a beautiful day.’

    BNPS.co.uk (01202 558833) Pic: SteveTrewhella/BNPS Thousands of 'jellyfish' related to the deadly Portuguese Man-o-War have washed up on a stretch of British beach after being blown here by Storm Desmond. The bizarre-looking Velella velella, known commonly as By-the-wind Sailors, are being left high and dry on beaches in Dorset in unprecedented numbers as a result of the recent strong winds. Experts say it is the biggest influx of the marine creatures in a decade - and it has left beachgoers fearing for their safety due to their close resemblance to Portuguese Man-o-War. But unlike their poisonous cousins, Velella velella - which have a 'sail' they use to travel across oceans - are harmless to humans.
    Velella velella have a ‘sail’ they use to travel across oceans (Picture: BNPS)

    The organisms have a ‘sail’ which they use to travel across oceans, and normally roll into strange territories in the wake of a storm.

    They are harmless to humans – but beachcombers have been warned to be aware.

    BNPS.co.uk (01202 558833) Pic: SteveTrewhella/BNPS Thousands of 'jellyfish' related to the deadly Portuguese Man-o-War have washed up on a stretch of British beach after being blown here by Storm Desmond. The bizarre-looking Velella velella, known commonly as By-the-wind Sailors, are being left high and dry on beaches in Dorset in unprecedented numbers as a result of the recent strong winds. Experts say it is the biggest influx of the marine creatures in a decade - and it has left beachgoers fearing for their safety due to their close resemblance to Portuguese Man-o-War. But unlike their poisonous cousins, Velella velella - which have a 'sail' they use to travel across oceans - are harmless to humans.
    Experts say it is the biggest influx in a decade (Picture: BNPS)

    Velella velella, known as By-the-wind Sailors, haven’t been swept here in such huge numbers in more than a decade.

    But although the two-inch creatures are related to the deadly Portugese man ‘o war, the worst they offer people is a mild sting.

    The electric blue creatures are ‘colonial hydroids’ – meaning they’re not jellyfish but a colony of tiny individual animals.

    They live partly in and partly out of the water with a sail held in the wind and tentacles dangling in the water to catch plankton.

    BNPS.co.uk (01202 558833) Pic: SteveTrewhella/BNPS Thousands of 'jellyfish' related to the deadly Portuguese Man-o-War have washed up on a stretch of British beach after being blown here by Storm Desmond. The bizarre-looking Velella velella, known commonly as By-the-wind Sailors, are being left high and dry on beaches in Dorset in unprecedented numbers as a result of the recent strong winds. Experts say it is the biggest influx of the marine creatures in a decade - and it has left beachgoers fearing for their safety due to their close resemblance to Portuguese Man-o-War. But unlike their poisonous cousins, Velella velella - which have a 'sail' they use to travel across oceans - are harmless to humans.
    They are known as ‘By-the-wind Sailors’ (Picture: BNPS)

    Conservationist Steve Trewhella said: ‘They only wash up after prolonged gales and storms.

    ‘Because they travel in the same way, in theory Portugese man o’ wars could come in as well, and that would be something to worry about. They pose a real threat and can kill people in the water.

    ‘We are noticing a trend in these unusual marine animals coming into our shores on a more regular basis recently. It’s because our weather appears to be changing.

    ‘Velella velella are deep blue or purple in colour and often cause confusion if they wash in, in vast numbers, creating a blue beach.’

    Marine specialist Frankie Hobro, owner of Anglesey Sea Zoo in Bynsiencyn, said their sting is ‘mild’ in comparison to their cousins – the deadly Portuguese man o’ war.

    ‘If you touched your lips, face or another sensitive area, it could be quite painful and cause a tingling sensation,’ she said.

    ‘What is slightly worrying is that Portuguese Man o’ War are arriving earlier in the year and more frequently, overlapping with marine creatures like By-the-wind-sailors. It shows how climate change is affecting ocean currents.’

    Temperatures could reach 35C in the South East on Monday, according to the Met Office, higher than forecasts for the islands of Mykonos, Rhodes and Santorini.

    Much of central and southern England is set to see highs in the upper 20s to low 30s before temperatures ease slightly later in the week.

    The UK Health Security Agency (UKHSA) has issued amber heat-health alerts for the East Midlands, East of England, South East and London from Monday until Wednesday morning.