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  • Christina Applegate Now Cringes Over ‘Married With Children’ Audience Lusting for Her, Says Kelly Bundy Role Worsened Her Anorexia: ‘I Had to Be Skinny. I Was Size 0’

    Christina Applegate Now Cringes Over ‘Married With Children’ Audience Lusting for Her, Says Kelly Bundy Role Worsened Her Anorexia: ‘I Had to Be Skinny. I Was Size 0’

    Christina Applegate‘s memoir “You With the Sad Eyes” publishes March 3 and an exclusive excerpt is now available to read on Vulture in which the Emmy winner writes candidly about her body image struggles while filming “Married… with Children.” Applegate starred as Kelly Bundy on all 11 seasons of the classic Fox sitcom. She originally passed on the show after “I read the script and thought it was trash.”

    “To me, and to my mom, it read like a bunch of poorly written potty humor,” Applegate explains. “I’d turned down ‘Married …,’ so the pilot featured another kid in the role of Kelly, but it just didn’t work so they came back to me. The casting director sent me a VHS of the pilot, and my mom and I reluctantly watched it one evening. I’m not sure what we thought we’d see, or why we even watched it in the first place as I was dead set against it. Boy, how much we wanted to hate it. We sat there like two little snotty actory assholes who’d spent their lives doing Shakespeare. And then, as the show played, we realized we could not stop laughing. I looked at my mom. She looked at me. ‘Fuck!’ I said. ‘It’s funny. It’s good.’”

    Applegate already suffered from body dysmorphia and anorexia prior to being cast as Kelly Bundy, and the character only worsened the damaging effects on her body. Kelly was the Bundy family’s promiscuous and rebellious teenage daughter who played into “dumb blonde” tropes.

    “I dug myself into a hole with that character, though, because I had to be skinny,” Applegate writes. “I had a vision of the specific clothes I wanted her to wear, and to wear those clothes — clothes that would show if you ate something as tiny as a single grape — I had to lean even deeper into my eating disorder.”

    She continues, “If I was going to eat something as horrendously huge as a bagel, say, I would scoop it out and maybe have half of it, or half of a half. That would be my food intake for an entire day. Sometimes I’d punish myself and wouldn’t eat at all. I was a size 0, and the costume people on ‘Married …With Children’ would often have to take my clothes in. I was bone, bone, bone.”

    “I worked so hard on my body, but I was never satisfied,” Applegate adds. “There were days when I’d go to a spin class, then work out with my trainer, then go to a dance class for two and a half more hours, always chasing the unobtainable, abusing my body in the service of a quest for perfection that was as damaging as any addiction.”

    Playing Kelly meant Applegate often wore clothes that showed off her bare midriff. She writes that the clothes became “tighter” and the skirts “shorter” as the show progressed.

    “By season five, my God: I could walk into the living room, as I did in episode 13, ‘The Godfather,’ in a leather fringed jacket over a short red shirt and there would be a five-second break in the scene while the crowd hollered lustily at me,” she writes. “I look at all this now and cringe. The show was indeed
    broad, and lewd, and it wouldn’t have a shot in hell of being made these days. That’s a good thing: It’s hard enough for young women to thrive in a world of appearances.”

    But Applegate does not hold any resentment towards the cast and crew of the show, nor does she blame anyone for the ways in which playing Kelly impacted her anorexia.

    “Sure, it was always part of the show that I would be an object for men to leer at, but I wanted to wear those Kelly Bundy dresses, “Applegate writes. “And as hard as it may be to believe, I was genuinely innocent of my effect on people. I was just a kid. I knew my self‑denial of food and my generally damaging relationship with it were all trauma‑based.”

    Head over to Vulture’s website to read the full excerpt from Applegate’s memoir, “You With the Sad Eyes.”

  • Ben Affleck and Matt Damon’s Artists Equity Sets First-Look Streaming Deal at Netflix

    Ben Affleck and Matt Damon’s Artists Equity Sets First-Look Streaming Deal at Netflix

    Ben Affleck and Matt Damon are getting into business with Netflix, setting a first-look streaming deal for Artists Equity at the streamer.

    Their company has forged a multi-year production and distribution pact with the tech giant. Under the terms of the partnership, Artists Equity will handle creative and production for its movies. This deal only covers straight-to-streaming titles. Artists Equity has an existing theatrical feature film agreement with Sony Pictures, under which the company will develop and produce films for the big screen.

    “This is an incredible milestone for Artists Equity and one that validates the vision we’ve been working towards since 2022,” Damon and Affleck said in a statement. “From the jump, we’ve seen this growing need for an independent supplier comfortable across the entire creative process, from development to final cut. Netflix is a great match for our work.”

    They praised Netflix Film’s chairman Dan Lin and his team for their “unique connection with the modern viewer and the ability to unite audiences over a shared cultural moment” before concluding, “we can’t wait to create many more ambitious, globally resonant stories together.”

    This announcement follows the January launch of “The Rip,” an action thriller starring Damon and Affleck that spent three weeks at No. 1 on Netflix’s global top 10 charts. The movie got 112.3 million views over six weeks, according to the streamer’s vague metrics. Later this year, Netflix will release Affleck’s next directorial feature, “Animals,” in which he’ll also act alongside Kerry Washington, Gillian Anderson and Steven Yeun. “Animals” follows a Los Angeles mayoral candidate and his wife who have to come up with ransom money after their son is kidnapped.

    “We’re expanding our partnership with Artists Equity because they share our mission — to make bold, original films,” Lin said. “Ben and Matt don’t wait for opportunities, they create them: from making and starring in ambitious, original films, to building an innovative studio model. Audiences worldwide are loving ‘The Rip,’ and we can’t wait to share the thriller ‘Animals’ later this year. Formalizing this relationship means we will be making even more memorable movies together.”

    Artists Equity is a production venture backed by RedBird Capital Partners that aims to expand profit participation and provide a “talent-friendly” environment to creatives. Affleck and Damon have said their goal is to “fill a substantial gap in the marketplace as an outside supplier with the full capabilities of a traditional studio — developing, financing, producing, and overseeing all aspects of the creative process.” Artists Equity currently operates across three divisions: scripted film and television, unscripted, and advertising.

    Since launching in November 2022, Artists Equity has released films including the Nike drama “Air,” starring Damon and Affleck; inspirational sports story “Unstoppable” led by Jennifer Lopez; the Affleck and Jon Bernthal-led crime sequel “The Accountant 2 and the “Kiss of the Spider Woman” remake with Lopez, Diego Luna, and Tonatiuh, at studios including Amazon MGM, Lionsgate and Roadside Attractions.

    While promoting “The Rip,” Damon pulled back the curtain on working for the streamer. He said Netflix executives want their movies to restate the plot “three or four times in the dialogue” because they know that viewers are on “their phones while they’re watching.”

    “The standard action movie [has] three set pieces. One in the first act, one in the second, one in the third,” Damon said on Joe Rogan’s podcast. “You spend most of your money on the third act. That’s your finale. And now they’re like, ‘Can we get a big one in the first five minutes? We want people to stay. And it wouldn’t be terrible if you reiterated the plot three or four times in the dialogue because people are on their phones while they’re watching.’”

  • Anthropic brings memory to Claude’s free plan

    Anthropic brings memory to Claude’s free plan

    Anthropic is bringing another paid feature to Claude’s free tier. The next time you chat with Claude, you’ll have the option to have it reference your previous conversation to inform its outputs. Anthropic first made its chatbot capable of remembering past interactions last August, before giving it the ability to compartmentalize memories in the fall. Making memory a free feature is well-timed; earlier today Anthropic made it easier for users to import their past conversations with a competing chatbot to Claude. If after enabling memory you decide to turn it off, you can either pause the feature, preserving Claude’s memories for use down the road, or completely delete them so they’re not saved on Anthropic’s servers.

    Claude is enjoying new-found popularity, having recently jumped to the number one spot in the App Store’s free app charts. This comes while Anthropic is engaged in a high-stakes contract dispute with the US government over AI safeguards. On Friday, US Defense Secretary Pete Hegseth labeled the company a “supply chain risk” after it refused to sign a contract that would allow the Pentagon to use Anthropic models for mass surveillance against Americans and in fully autonomous weapons. Following Hegseth’s announcement, Anthropic vowed to challenge the designation. As of right now, we’re waiting to see how things play out, and what it might mean for Anthropic.

  • Australia will consider requiring app stores to block AI services without age verification

    Australia will consider requiring app stores to block AI services without age verification

    Australia’s government may take a strict stance on ensuring younger users cannot access AI chatbots. Reuters reports that Australian regulators may require app storefronts to block AI services that do not implement age verification for restricting mature content by March 9.

    “eSafety will use the full range of our powers where there is non-compliance,” a representative for the commissioner said in a statement to the publication. Those paths could include “action in respect of gatekeeper services such as search engines and app stores that provide key points of access to particular ‌services.”

    A review by Reuters found that of 50 leading text-based AI chat services in the region, only nine had introduced or shared plans for age assurance. Eleven services reportedly “had blanket content filters or planned to block all Australians from using their service,” according to the report, leaving a large number that had not taken public action a week ahead of the country’s deadline. Failure to comply could see AI companies face fines of up to A$49.5 million ($35 million).

    The question of which parties are responsible for keeping children from accessing potentially harmful content is being debated around the world. In the US, for instance, Apple and Google have been lobbying to have the task delegated to platforms rather than app store operators. The language from the Australian regulators about all stores is hardly definitive at this stage, but given the breadth of its sweeping ban on the use of social media and some highly social digital platforms for citizens under age 16 enacted last year, an aggressive stance seems to align with leaders’ priorities.

  • Iran crypto outflows surge 700% after US-Israel strikes as capital flees offshore

    Iran crypto outflows surge 700% after US-Israel strikes as capital flees offshore

    Crypto analytics firm Elliptic detected a significant spike in digital asset withdrawals from Nobitex, Iran’s dominant crypto exchange serving more than 11 million users, in the immediate aftermath of initial US-Israel military strikes on Iranian territory.

    The London-based blockchain intelligence company said the surge in outflows last Saturday may indicate capital flight. Outgoing transaction volumes spiked by 700% within minutes of the first strikes.

    Elliptic said the data suggests Iranian users converted rials into digital assets and moved funds to external wallets beyond the reach of conventional banking oversight.

    Nobitex handled $7.2B in crypto transactions in 2025, establishing itself as a cornerstone of Iran’s digital asset infrastructure. The platform has faced scrutiny over alleged financial ties to the Islamic Revolutionary Guard Corps.

    In January, Elliptic reported evidence suggesting Iran’s central bank utilized the exchange to prop up the country’s weakening currency.

    Early tracing of recent withdrawals shows funds flowing toward foreign trading platforms that have historically absorbed substantial volumes originating from Iran.

    The pattern mirrors previous episodes this year. The most pronounced earlier spike occurred on January 9, coinciding with mass protests and a government-imposed internet shutdown. Withdrawal activity declined during the blackout but persisted at reduced levels, suggesting some users maintained access to their holdings despite the platform going offline.

    Two subsequent surges aligned with fresh US sanctions announcements targeting Tehran, reinforcing observations that digital assets serve as a potential route around financial restrictions.

  • TD Securities sees NYSE tokenization as institutional turning point

    TD Securities, a major Canadian investment bank with operations across North America, says tokenization may be approaching an institutional turning point following the New York Stock Exchange’s push into tokenized equities.

    In recent commentary, TD Securities Reid Noch, vice president for electronic trading, said tokenization is beginning to carry real implications for market structure, pointing to the NYSE’s proposed tokenized equities alternative trading system (ATS) as a key development.

    The planned platform would enable 24-hour trading and near-instant settlement of tokenized stocks and exchange-traded funds (ETFs), subject to regulatory approval.

    Rather than creating a parallel crypto-native marketplace, the venue is designed to operate within existing US market rules while leveraging blockchain-based settlement infrastructure.

    Source: Cointelegraph

    Noch described the structure as closer to a “2.0” market shift, where custody and settlement would remain anchored to the Depository Trust & Clearing Corporation (DTCC), while trading would comply with National Best Bid and Offer (NBBO) requirements. This means prices must reflect the best available bid and offer across U.S. exchanges to prevent fragmented liquidity.

    Although Noch said early activity is expected to be retail-driven, the broader implications extend well beyond individual traders.

    TD Securities’ institutional focus suggests the company sees potential impact on core market plumbing, including trading hours, collateral management, settlement cycles and liquidity, areas that shape how large financial institutions operate.

    Tokenized equities gain institutional traction

    Tokenization accelerated in 2024, led primarily by private credit and U.S. Treasury products, which have accounted for the bulk of onchain real-world asset (RWA) issuance, according to industry data.

    Despite broader crypto market volatility, capital inflows into tokenized assets have continued, suggesting sustained institutional interest in blockchain-based settlement and ownership models.

    More recently, tokenized equities have begun gaining traction. Kraken’s xStocks platform has emerged as one of the more visible entrants, reporting more than $25 billion in cumulative trading volume since launching last year.

    The market for tokenized stocks has grown rapidly. Source: RWA.xyz

    Although tokenized equities remain a small fraction of global stock market activity, their growth reflects a broader shift toward bringing traditional financial instruments onchain within regulated frameworks.

  • Ice flies from vehicle roof, crashes through truck’s windshield

    Ice flies from vehicle roof, crashes through truck’s windshield

    Odd News // 3 weeks ago

    Man uses $10 in lottery winnings to score $100,000 jackpot

    Feb. 3 (UPI) — A Maryland man coming off an overnight work shift used $10 in lottery winnings to buy another ticket — and scored a $100,000 top prize.

  • Trump Says He’ll Attend White House Correspondents Dinner for First Time as President

    Trump Says He’ll Attend White House Correspondents Dinner for First Time as President

    Donald Trump says he will attend the upcoming White House Correspondents Dinner, marking the first time he’ll do so as president after skipping the dinner during his first term and last year.

    “The White House Correspondents Association has asked me, very nicely, to be the Honoree at this year’s Dinner, a long and storied tradition since it began in 1924, under then President Calvin Coolidge,” Trump wrote on his Truth Social platform. “In honor of our Nation’s 250th Birthday, and the fact that these ‘Correspondents’ now admit that I am truly one of the Greatest Presidents in the History of our Country, the G.O.A.T., according to many, it will be my Honor to accept their invitation, and work to make it the GREATEST, HOTTEST, and MOST SPECTACULAR DINNER, OF ANY KIND, EVER!”

    He added that he “boycotted” the event during his first term due to “extraordinarily bad” press coverage, “FAKE NEWS ALL, right from the beginning of my First Term.”

    Trump’s decision comes after the WHCA selected mentalist Oz Pearlman as this year’s featured entertainer, bypassing the frequent practice of having a comedian as the entertainer, which often included an extended routine roasting the president.

    Last year, the WHCA initially sleected Amber Ruffin as the featured entertainer for the event but had to cancel her appearance in the wake of White House criticism.

    Though Trump skipped the WHCD while president, he attended multiple times before he became president, most famously in 2011 when both then-President Barack Obama and featured entertainer Seth Meyers poked fun at him while he looked unamused. An experience that some have said may have inspired Trump’s decision to first run for president in 2015.

    The 2026 White House Correspondents Dinner is set for April 25 in Washington.

  • Artists Equity Inks Streaming Pact With Netflix

    Artists Equity Inks Streaming Pact With Netflix

    Ben Affleck and Matt Damon’s Artists Equity has found a streaming home with Netflix, signing a multi-year streaming first-look deal, production and distribution agreement with the company.

    Artists Equity, which is also run by RedBird Capital’s Gerry Cardinale, recently partnered with Netflix on the crime thriller The Rip, starring both Affleck and Damon, which spent three weeks as the No. 1 movie on Netflix’s Top 10 chart, according to the streamer. Netflix is also set to release Affleck’s next directorial feature, Animals, starring Affleck, Kerry Washington and Gillian Anderson, which is due out later this year.

    The news of the Netflix partnership comes after Artists Equity entered into a similar pact with Sony but for theatrical releases. Under that three-year deal, Sony will distribute Artists Equity’s theatrical films globally and will additionally finance the films and handle all ancillaries, with Artists Equity having the option to co-finance certain projects. (Sony, notably, does not have a sister streaming service.)

    In terms of which projects will end up under the Netflix streaming deal or the Sony theatrical pact, that decision will be made on a project-by-project basis based on Artists Equity’s discussion with its studio partners.

    “This is an incredible milestone for Artists Equity and one that validates the vision we’ve been working towards since 2022. From the jump, we’ve seen this growing need for an independent supplier comfortable across the entire creative process, from development to final cut. Netflix is a great match for our work. [Netflix film chairman] Dan [Lin] and his team have a unique connection with the modern viewer and the ability to unite audiences over a shared cultural moment,” said Affleck and Damon in a joint statement.

    Added Lin, “We’re expanding our partnership with Artists Equity because they share our mission — to make bold, original films. Ben and Matt don’t wait for opportunities, they create them: from making and starring in ambitious, original films, to building an innovative studio model.”

  • Battle for Bitcoin’s soul opens as first block supporting ‘clean-up’ proposal is mined

    Battle for Bitcoin’s soul opens as first block supporting ‘clean-up’ proposal is mined

    Bitcoin’s latest governance clash escalated this week as the first block signaling support for a temporary soft fork designed to restrict arbitrary, non-monetary data in the blockchain’s transactions was produced by mining pool Ocean.

    The proposal, formally assigned BIP-110 after evolving from earlier drafts, aims to reinstate strict limits on transaction output sizes and arbitrary data fields for about a year. The idea is to curb what proponents see as “spam” uses of block space for non-financial data. They argue that unchecked data, including large inscriptions and so-called OP_RETURN payloads, threaten the original blockchain’s role as sound monetary infrastructure and burden node operators.

    The community remains deeply divided. Prominent critics, including Blockstream CEO Adam Back, have warned that consensus-level intervention could harm Bitcoin’s credibility and lead to preferential treatment of some transactions in violation of the principle of neutral transaction capacity. He also questioned the level of support for the proposal, which, he said, increased the risk of the blockchain being split.

    Adding fuel to the debate, a developer recently inscribed a 66 KB image in a single transaction on Bitcoin, an apparent pushback against BIP-110’s core claims and a demonstration of how large amounts of data can be encoded even without relying on OP_RETURN.

    OP_RETURN and similar approaches are script instructions used to mark a transaction output as invalid for spending, effectively allowing users to repurpose that space to permanently embed arbitrary data — like text or images — directly into the blockchain

    As the controversy unfolds, it underscores enduring philosophical tensions within Bitcoin. Should network aggressively defend a narrowly defined monetary purpose or maintain maximal neutrality toward arbitrary uses of its base layer?