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  • How to Do Venice Right During Festival Week

    How to Do Venice Right During Festival Week

    The square and canals of Venice are famously packed with shorts-and-sneaker-sporting tourists in late summer and even historic homes on small cobblestone streets have been converted to Airbnbs. But across the water, on the barrier island of Lido, Laura Dern is chic in pale rose Prada, Rebecca Donaldson is turning heads in shimmering champagne and silver sequins, Claire Foy has chosen long scarlet opera gloves to match her ruched red gown and John Malkovich is sporting an Elizabethan ruffled collar with his Dior suit.

    The Venice Film Festival is in full swing, and in addition to viewing Danny Boyle’s Murdoch saga Ink, there’s a lot to enjoy in the area — whether during the festival (assuming you’ve made arrangements far in advance) or on your next visit.

    Rather than shuttling back and forth to Venice proper, you can stay right in Lido at The Excelsior, which was the scene of the first International Film Festival in 1932, and now hosts the opening ceremony on its beach as well as the opening and closing galas. It’s also less than a five-minute stroll from Sala Grande, where the screening of Lance Oppenheim’s Primetime was held.

    The hotel’s entrance is lined with blown-up photos of legendary figures, from Greta Garbo to Federico Fellini. Water taxis that cross the Venetian Lagoon en route to the festival stop at the hotel’s dock, so even relaxing in the lobby puts you in the middle of some spectacular arrivals, and you can’t underestimate the convenience of having a room there in which to shower, change and nap. 

    The Excelsior just reopened this past May after a major renovation, including a redesign of its nearly 200 rooms and suites and a new terrace restaurant called Amù Venice. The Iconic Hotels & Resorts property also has a spiffed-up beach club with private cabanas and views of the Adriatic — a perfect addition for the only five-star resort in the area that’s on the sand. Apart from sneaking in a dip in the large heated pool, guests can participate in stand-up paddle boarding, water skiing, boating and tennis.  Massages can be arranged in-room with the sea as a backdrop, and if you want to hop over to Harry’s Bar, the hotel has complimentary water taxis.

    Near Lido is another island in the Venetian Lagoon, the 15-acre San Clemente, that is entirely occupied by a hotel, the Kempinski San Clemente Palace. It was built in a restored 12th century monastery that still houses a Medieval church. Each year people seeking a little privacy choose this spot, which has played host to Johnny Depp and Jennifer Lopez, as well as events for Armani and AmfAR.

    The elegant, expansive rooms are palatial, with soaring ceilings, huge windows overlooking Mediterranean gardens or the canal, gilded mirrors and terrazzo floors. There is a large, tranquil heated pool surrounded by lush grounds, along with tennis and volleyball courts, a spa, and a waterside golf training area. The hotel has regular art and sculpture exhibitions, as well as outdoor screenings. There is a complimentary shuttle boat to Venice that runs all day, but if you want to remain on San Clemente, the main restaurant, Acquerello, sits on the lagoon and serves modern Venetian cuisine, with such dishes as scallops with sunchoke cream and tapioca chips, and lagoon spider crab with artichokes and lime bisque. For a more casual meal, diners can head poolside to La Specialità, which makes a variety of thin-crust pizza as well as salads, pastas and fish. 

    Wherever you stay, it’s well worth booking excursions with SeeItaly, which can upgrade your trip with a 60-meter wooden sailing yacht that was a favorite of Maria Callas. There is no noise of a motor and a Michelin starred chef whips up dishes while you cruise the canals. The company can also curate other experiences including tours of local palazzos, intimate rooftop dinners overlooking the Grand Canal and appointments with local artisans, where visitors can have jewelry, scarves and shoes made. Fans of Eyes Wide Shut can even design their own Venetian masks.

  • Danielle Deadwyler, Ike Barinholtz and Connor Storrie Join Billie Eilish and Carey Mulligan in ‘The Bell Jar’

    Danielle Deadwyler, Ike Barinholtz and Connor Storrie Join Billie Eilish and Carey Mulligan in ‘The Bell Jar’

    Focus Features has confirmed the cast for Academy Award winner Sarah Polley‘s “The Bell Jar,” starring Billie Eilish.

    Eilish, a two-time Oscar-winning singer-songwriter, makes her film acting debut playing Esther Greenwood, the protagonist of Sylvia Plath’s classic novel. Plath’s semi-autobiographical story follows as the aspiring young writer landes a magazine internship in New York City and chronicles her struggles with ambition, identity and mental health amid the stifling societal expectations for women in the 1950s.

    Production has wrapped on the film, which Polley (“Women Talking”) directed from her own adapted screenplay. The filmmaker assembled an acclaimed supporting cast to join Eilish, including Oscar- and Emmy-nominee Carey Mulligan, whom Variety exclusively reported signed on to play Esther’s mother, Mrs. Greenwood.

    Also confirmed to star are Gotham Award winner Danielle Deadwyler s Dr. Nolan, Esther’s psychiatrist; Actor Award winner Ike Barinholtz as Lenny, a wealthy NYC radio host; and “Heated Rivalry” breakout Connor Storrie as Marco, whom Esther is set up with on a horrifying blind date. Dylan Hawco (as Buddy Willard, Esther’s first boyfriend), Lili Taylor (Jay Cee, editor of Ladies’ Day magazine), Ella Beatty (Joan, an old acquaintance who ends up at the same mental hospital as Esther) and Maggie Kuntz (Doreen, Esther’s best friend in New York and a fellow intern) are also featured in the ensemble cast.

    “The Bell Jar” is produced by Plan B, Studiocanal and Joy Coalition. Focus will distribute the film, with a release date to be announced.

    Polley is represented by WME, GGA, and Circle Management + Production and Eilish is represented by WME, Sandbox Entertainment, High Rise PR and Gang, Tyre, Ramer, Brown & Passman, Inc.

    Mulligan is represented by Julian Belfrage, CAA, and Jackoway Austen et al; Deadwyler is represented by Paradigm, Play Management and Ziffren Brittenham; Barinholtz is represented by UTA, Artists First, and Jared Levine from Morris Yorn Barnes Levine Krintzman Rubenstein Kohner & Gellman; and Storrie is represented by CAA, Linden Entertainment, Shelter PR, and Yorn Levine.

    Hawco is represented by GGA, Gersh and Circle Management + Production; Taylor is represented by Independent Artist Group, Untitled Entertainment and Schreck, Rose, Dapello, Adams, Berlin & Dunham; Beatty is represented by Entertainment 360 and CAA; and Kuntz is represented by Verve and The Rozenzweig Group.

    Dylan Hawco, Lili Taylor, Ella Beatty and Maggie Kuntz.

  • Memecoins News 2026: MemeToro Releases Fair Launch Escrow, MT Agent Produces Zero Insider Fair Memecoins

    Memecoins News 2026: MemeToro Releases Fair Launch Escrow, MT Agent Produces Zero Insider Fair Memecoins

    Memecoins news 2026 is increasingly focused on launch mechanics instead of only token prices. One reason is simple: how funds are handled before a token launches can affect the level of trust participants have in a project.

    MemeToro is developing a fair-launch model that uses public rules and smart-contract infrastructure. The project’s planned system includes fixed-rate funding, wallet limits, funding thresholds, and automated launch steps.

    Fair-launch escrow fits into this model by creating a structured process for handling funds during the launch stage.

    Instead of relying entirely on a private team, the goal is to make important actions controlled by predefined blockchain rules.

    How the MT Agent Fits Into the Process

    MemeToro’s AI agent is designed to find emerging trends across news, social media, and online communities. It then creates a proposed meme concept and prepares information that can be reviewed before launch.

    The public development pipeline adds another layer. It can collect evidence links, apply risk checks, and produce a structured launch manifest.

    A launch manifest works like a rule sheet for a proposed token. It can contain information about supply, funding, allocations, wallet caps, thresholds, and execution conditions.

    This creates a clearer sequence:

    • The agent finds a trend
    • Evidence is collected
    • Risks are checked
    • The proposal is validated
    • Funding conditions are defined
    • The launch can move toward execution

    The AI is therefore being used to support the decision process rather than simply create a meme image.

    Why Zero Insider Allocation Matters

    The zero-insider approach is one of the main ideas behind MemeToro’s fair-launch system. Its validation rules reject insider allocations, while the project describes public launch contracts with no private allocation tiers.

    This can make the distribution model easier to understand.

    For a new memecoin, participants may want to know whether developers, early investors, or selected wallets received special access. Removing those allocations can reduce one source of unequal treatment.

    However, it does not guarantee that every wallet will behave fairly after launch.

    Market trading can still create concentration, price swings, and large selling pressure. The fair-launch model addresses the initial distribution rules, not every risk that can happen later.

    What Comes Next for MemeToro

    The latest memecoins news 2026 around MemeToro should be viewed as development progress rather than a finished product.

    Its GitHub repository says the current project is still at an early MVP and architecture stage. It also states that the contracts are not implemented, audited, or production-ready.

    The roadmap includes testing fair-launch contracts on BNB Smart Chain testnet, adding ERC-8004 identity and reputation support, and completing independent security reviews before production use.

    That makes security the next major checkpoint.

    If the fair-launch system reaches audited production deployment, MemeToro’s escrow and zero-insider model could become a meaningful part of its platform identity. Until then, users should treat current features and planned features separately.

    More Information on MemeToro ($MT) Presale Here:

    Website: https://memetoro.com/

    X: https://x.com/memetoro_mt

    Telegram: https://t.me/memetoro_mt

    YouTube: https://www.youtube.com/watch?v=gY0jgWy_DtA

  • Netflix to Report Box Office Numbers for 6 Upcoming Movies as Streamer Escalates Theatrical Plans (EXCLUSIVE)

    Netflix to Report Box Office Numbers for 6 Upcoming Movies as Streamer Escalates Theatrical Plans (EXCLUSIVE)

    “La Bola Negra” has mucho heat. The generational queer drama swept the Cannes Film Festival off its feet in May, nabbing a $5 million sale to Netflix and earning helmers Javier Ambrossi and Javier Calvo the jury prize for best director. After lighting up last weekend’s Telluride Film Festival, the Penélope Cruz-starrer is on its way to Toronto for yet another grand premiere.

    That’s plenty of bragging rights for an Oscar hopeful, but there’s one more bona fide that has raised eyebrows in the industry: “La Bola Negra” will receive the longest theatrical rollout that Netflix has given any of its films to date. The project has set a 46-day release for Oct. 16, before landing on the Netflix platform on Dec. 2.

    For years, the streamer has engaged in splashy limited releases to hype awards contenders and appease filmmakers who still yearn for the magic of movie theaters. But something about the “La Bola Negra” plan is hitting differently with sources — to say nothing of Netflix’s designs for 2027. That’s when Greta Gerwig’s “Narnia: The Magician’s Nephew” will enjoy a wide release (including Imax screens) for almost 50 days, while the company’s animated “Charlie and the Chocolate Factory” will play wide for 47 days at Christmas. The feeling shared by numerous power players interviewed by Variety is that Netflix — the great Hollywood disruptor — is inching closer to embracing the roughly 130-year tradition of theatrical exhibition. It will also be showing its hand for the first time by reporting box office grosses for a slew of upcoming releases, Variety has learned.

    “The real question is ‘What does Netflix want to be now?’” posed one high-level executive at a legacy film studio. “Having almost bought Warner Bros. Discovery, you get the sense that they can’t put some of that toothpaste back in the tube.”

    The executive is referring to Netflix’s willingness to own and operate a theatrical distribution entity — as it showed in attempting to acquire Warner Bros. and HBO, until David Ellison’s Paramount swooped in with a larger offer. In a subsequent interview with Bloomberg, Netflix co-CEO Ted Sarandos admitted that he could “see us doing things that we haven’t done before” with movie theaters, but insisted the company was streaming first, as always. For years, Sarandos pooh-poohed the idea of a robust theatrical window, even calling it an “outdated concept” compared with his on-demand and bingeable business model. The numbers seem to back him up. Streaming originals made up 12 of the top 20 most-watched general audience movies around the world this year, per a 2026 report from Nielsen. Thats’ up from seven last year, and includes Netflix’s Matt Damon-Ben Affleck project “The Rip” and “War Machine.”

    The cinema owners, in turn, have done their share of resisting Netflix titles, namely over the company’s refusal to give them a standard period of exclusivity before moving to streaming. COVID- 19 dashed all theatrical hopes when cineplexes were shut down, and the exhibitors have been clawing their way back to normalcy (playing films for 45 days on the big screen before moving them to other windows is the current industry standard). For one of the most deep-pocketed tech monoliths in the world to reconsider, even lightly, its position on theatrical would be a boost, one veteran film distributor says.

    “The exhibitors would absolutely welcome this. Imagine if Netflix of all places threw its weight behind a real theatrical marketing campaign, and not some awards play,” the source said. Though Netflix would be welcomed to the theatrical sandbox, its competitors are insistent that it play by the rules. That means reporting box office grosses, something the data-shy Netflix has never engaged in (to the chagrin of studio and indie distributors). But Netflix will report box office grosses for six upcoming films, two company insiders said: “Narnia” and “Charlie,” as well as “La Bola Negra,” David Fincher’s “The Further Mis-Adventures of Cliff Booth,” “The Mosquito Bowl” and “Ink.”

    As Netflix and fellow streamers like Apple and Prime Video rose to prominence — largely by overpaying talent with back-end buyouts based on hypothetical box office projections — the establishment fought back by saying the only way to create lasting value for a company’s film library was to eventize each release with major marketing dollars.

    Netflix seemed to agree with this, to an extent. Take the eye-popping $450 million it spent in 2021 to acquire the two sequels to Rian Johnson’s “Knives Out” ensemble murder mystery. Part of that deal, Variety reported at the time, entailed tens of millions of dollars in marketing spending to make the films feel as big as theatrical debuts. Netflix fulfilled its promise to spend big, but many industry observers said the company left a ton of cash on the table by skipping cinemas. The same was said in 2024 of the Jason Bateman thriller “Carry-On,” the third-most-watched film ever on the service.

    Theatrical distribution at Netflix has been headed by Spencer Klein since 2019. The former 20th Century Fox steward, who booked releases for juggernauts like the “Deadpool” and “Planet of the Apes” franchises, also dates movies on the service and manages Netflix-owned theaters in New York and Los Angeles. He also guided Netflix to its first No. 1 box office weekend in August 2025, with a sing-along version of its animated Oscar winner “KPop Demon Hunters.” Klein is respected among his peers and will be watched closely as “Narnia” and “Charlie” start ramping up.

    Those inside Netflix, per individuals with close knowledge of the company, are downplaying the significance of this theatrical flirtation. Extending big-screen runs, as the company line often goes, is part of a bespoke process where the film team decides “what’s right” for each movie.

  • Tom Lee Announced That He Had Purchased a Large Amount of Ethereum (ETH)

    Tom Lee Announced That He Had Purchased a Large Amount of Ethereum (ETH)

    BitMine, the largest Ethereum-focused institutional treasury company led by analyst Tom Lee, announced that its $ETH holdings have surpassed 5.93 million, reaching approximately 4.9% of Ethereum’s total supply.

    According to data shared by the company, BitMine holds a total of 5,929,198 $ETH as of September 7th. Assuming an Ethereum price of $2,495, the total value of these assets is approximately $14.79 billion. Considering that the total supply of Ethereum is approximately 122 million $ETH, BitMine alone controls about 4.9% of the circulating supply.

    BitMine stated that it added another 28,086 $ETH to its portfolio last week, and that it has been regularly buying $ETH every week since it launched its Ethereum treasury strategy on June 30, 2025.

    In addition to Ethereum, the company’s balance sheet also includes 211 Bitcoin (BTC) and approximately $593 million worth of cash and securities. Including cryptocurrency assets, cash, securities, and other investments, BitMine’s total assets are estimated to be approximately $15.7 billion.

    A significant portion of BitMine’s $ETH holdings are also used for staking. As of September 7th, the company had staked 5,067,309 $ETH, representing approximately 85% of its total Ethereum holdings.

    Based on current staking yields, BitMine is expected to generate approximately $330 million in annualized revenue from its Ethereum staking operations.

    The company’s average $ETH purchase price is around $3,036.

    *This is not investment advice.

  • Top 5 Memecoins to Invest in 2026: MemeToro Joins DOGE, SHIB, PEPE and BONK as Meme Demand Returns

    Top 5 Memecoins to Invest in 2026: MemeToro Joins DOGE, SHIB, PEPE and BONK as Meme Demand Returns

    Memecoin demand is returning as traders move back toward recognizable communities and new launch models. Dogecoin, Shiba Inu, Pepe, and Bonk already trade on public markets, while MemeToro remains in presale.

    That difference matters because this list mixes established tokens with an early project whose exchange price and platform delivery are not yet proven.

    Five Different Ways to Approach Returning Meme Demand

    • Dogecoin remains the best-known memecoin and often moves with retail interest and broader Bitcoin direction.
    • Shiba Inu adds an ecosystem around its token, but its very large supply and market cycles still shape price action.
    • Pepe depends heavily on culture, exchange liquidity, and social momentum rather than built-in cash flow.
    • Bonk benefits from Solana activity and deep meme trading, although weakness in $SOL can reduce demand.
    • MemeToro is building an AI-led launch pipeline on BNB Chain, but $MT is still a presale token.

    This makes simple price comparisons misleading. Older assets offer trading history and wider liquidity.

    MemeToro offers earlier access and public development evidence, but it also carries presale, delivery, and listing risks that the other four have already passed.

    $DOGE, $SHIB, $PEPE and $BONK Face Different Price Tests

    $DOGE charts have placed $0.15 and $0.22 in focus as possible breakout levels, but those targets depend on Bitcoin holding strength near the high-$70,000 area or above. A failed market breakout could quickly weaken the case for top memecoins to invest in 2026.

    $SHIB forecasts have pointed toward $0.000018 to $0.000022 under a bullish September scenario. Cold-storage withdrawals can reduce immediate exchange supply, yet they do not prove that buyers will sustain higher prices.

    $PEPE remains a pure momentum test. Its large community can create fast moves, but limited direct utility means sentiment and liquidity can reverse sharply.

    $BONK has stronger links to Solana’s trading ecosystem, though that also makes it sensitive to $SOL price and network activity.

    Where MemeToro Fits Beside the Legacy Leaders

    MemeToro does not yet have the public-market history of $DOGE, $SHIB, $PEPE, or $BONK. Its Stage 7 presale reports $121,171.48 raised toward $156,312.74, with $MT priced at $0.00430.

    The displayed $0.05186 launch figure is a target, not a guaranteed listing price.

    Its relevant difference is the launch model. The public AI agent pipeline scans trends, publishes evidence and risks, and can refuse unsafe concepts.

    A new draft escrow locks funding settings and allows only contributor and liquidity allocations totaling 100%.

    The contract is not live, audited, or connected to the agent yet. Token deployment, liquidity execution, testnet trials, and independent review remain future work.

    That makes MemeToro the development-led option among the top memecoins to invest in 2026, not the proven option.

    FAQs

    Are these five tokens equally risky?

    No. $DOGE, $SHIB, $PEPE, and $BONK already trade publicly, while MemeToro remains in presale.

    Presales add contract, delivery, claim, and listing risks. Existing tokens still face major volatility, liquidity changes, and sharp sentiment reversals.

    Can $DOGE or $SHIB targets be guaranteed?

    No. Price levels such as $0.22 for $DOGE or $0.000022 for $SHIB are conditional scenarios.

    They depend on Bitcoin, market liquidity, token demand, and technical support. Forecasts are not promised outcomes.

    Why include MemeToro in this group?

    MemeToro offers a different angle through public AI agent code and an early fair-launch contract. Buyers considering top memecoins to invest in 2026 must still wait for the missing executor, testnet deployment, audit, and live-market proof.

    More Information on MemeToro ($MT) Presale Here:

    Website: https://memetoro.com/

    X: https://x.com/memetoro_mt

    Telegram: https://t.me/memetoro_mt

    YouTube: https://www.youtube.com/watch?v=gY0jgWy_DtA

  • US won’t join UK ban on trade with illegal Israeli settlements

    US won’t join UK ban on trade with illegal Israeli settlements

    US Secretary of State Marco Rubio says Washington will ‘obviously not’ follow the UK in sanctioning illegal Israeli settlements. France and Canada are also taking action, as the UK says Palestinians face ethnic cleansing by Israeli settlers in parts of the occupied West Bank.

  • ‘60 Minutes’ Gives A Peek At Story Lineup For Season Premiere Following Tumultuous Revamp

    ‘60 Minutes’ Gives A Peek At Story Lineup For Season Premiere Following Tumultuous Revamp

    The season premiere of 60 Minutes on Sunday will feature Norah O’Donnell’s interview with the weapon systems officer whose plane was struck down in Iran, leading to a successful rescue operation.

    The newsmagazine will be starting its 59th season with plenty of scrutiny: It’s the first original broadcast since a tumultuous revamp earlier this year. The network ousted executive producer Tanya Simon and brought in Nick Bilton to succeed her, while correspondents Sharyn Alfonsi and Cecilia Vega were dropped and, sharply criticizing the changes in an all-staff meeting with Bilton, Scott Pelley was fired. The three correspondents have all claimed political interference in their stories, something that the network has denied.

    Under CBS News editor in chief Bari Weiss, the show has brought in Ross Douthat, a former New York Times columnist, as a correspondent, and upped O’Donnell’s role on the broadcast. Those joining as contributors include Gianna Toboni, former senior correspondent at Vice News, who is also a CBS News national correspondent; Sebastian Junger; Ariel Levy, a staff writer at the New Yorker; Trevor Phillips, who is also senior global affairs correspondent for the network; and Matt Gutman, who is also chief correspondent for the news division.

    The network also unveiled a portrait of the team, taken by Mark Seliger at the Oyster Bar at Grand Central Terminal.

    O’Donnell’s segment will feature interviews with Defense Secretary Pete Hegseth; Gen. Dan Caine, the chairman of the Joint Chiefs of Staff; and Admiral Brad Cooper, the operational commander of the war with Iran. In the interview, the officer is identified by the call sign Dude Four Four Bravo.

    Another segment, from correspondent Jon Wertheim, will be a look at the Los Angeles Rams. Wertheim, Lesley Stahl and Bill Whitaker chose to remain with the show.

    60 Minutes also leans more heavily in film-like narrative in a trailer for O’Donnell’s interview.

  • CNN To Host Debate Between California Gubernatorial Candidates Xavier Becerra And Steve Hilton

    CNN To Host Debate Between California Gubernatorial Candidates Xavier Becerra And Steve Hilton

    California gubernatorial candidates Xavier Becerra and Steve Hilton will meet for a debate later this month, a nationally televised event hosted by CNN.

    The event will take place at 9 p.m. ET/6 p.m. PT on Sept. 30 at the network’s studios in Burbank, with Jake Tapper and Dana Bash serving as moderators.

    Becerra and Hilton previously shared the stage in primary debates, including a CNN event last May that was moderated by Kaitlan Collins and Elex Michaelson. As of now, this will be their first one-on-one debate.

    Becerra, a Democrat, and Hilton, a Republican, were the top two finishers in the primary in June.

  • Is image of Pope Leo XIV wearing Nike sneakers real?

    Is image of Pope Leo XIV wearing Nike sneakers real?

    Claim:

    An image authentically shows Pope Leo XIV wearing Nike sneakers with his vestments.

    Rating:

    True

    Context

    The picture predates the papacy of Leo, whose real name is Robert Prevost.

    In 2026, people shared an image allegedly showing Pope Leo XIV wearing Nike sneakers with his vestments.

    For example, on May 9, an Instagram user shared (archived) the image with the caption, “Pope Leo XIV wearing Nikes with his vestments from ‘Leone a Roma’ Trailer by Vatican News (2026).”

    (@durangoism via Instagram)

    Other users shared the image on various social media platforms.

    In today’s age of evolving artificial intelligence, some people might question the authenticity of such an image showing the man now serving as pope, whose real name is Robert Prevost, donning such casual footwear.

    In short, the image is real and predates his time in the papacy. As some users’ posts said, the photo originated in “Leone a Roma,” a documentary released in 2026 that attempts to “retrace the years Robert Francis Prevost spent in the Eternal City” — a reference to Rome. Vogue identified the shoes as a pair of Nike Franchise Low Plus sneakers.

    Snopes emailed the Holy See press office to ask for further information, including to confirm exactly when the photo was taken.

    The picture appears at the 0:51 mark in the film’s trailer:

    The same photo also makes an appearance during a montage in the full documentary (28:28). That montage begins with the brief onscreen title “World Youth Day 2008,” as well as pictures of people wearing clothing referencing that day, indicating someone possibly took the photo either at that specific gathering or another past youth event.

    Leo also appeared on Vanity Fair’s 2026 “best dressed list,” with the publication referencing the photo with his “most memorable look,” reading, “Even prior to the papacy, Leo, FKA Father Bob, took his modest cream cassock to heavenly heights by pairing them with Nikes.” For his “fashion claim to fame,” the outlet wrote, “Leo has kept his sense of wry casualness, sometimes sporting baseball caps.”

    For further reading, we previously investigated the claim that Leo said no one can use God to justify war, as well as the claim he used AI to write his first encyclical.