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  • Did L2s break Ethereum’s ultrasound money?

    Did L2s break Ethereum’s ultrasound money?

    Ethereum’s best marketing line was that using it destroyed it, that every transaction burned $ETH and shrank the supply. Then the network solved its scaling problem, activity fled to layer 2s, and the burn collapsed. The scaling worked. The scarcity did not survive it.

    For about eighteen months, Ethereum had the best story in crypto, and the story was a paradox: the more people used the network, the rarer its token became. Every transaction burned a little $ETH, and when the network was busy enough, it burned more than it created. Supply went down. The community called it ultrasound money, a deliberate jab at Bitcoin’s “sound money,” complete with a bat emoji and a movement.

    For a while, the data backed it up. Then Ethereum did the thing it had promised to do for years, which was to scale, and scaling broke the story. Activity moved to layer-2 networks that pay almost nothing to the base chain, the burn collapsed, and $ETH quietly went inflationary again. This is the story of how Ethereum’s greatest technical success dismantled its best economic narrative, and whether a December upgrade can put the pieces back.

    What ultrasound money actually meant

    The mechanism is worth getting exactly right, because the whole debate turns on it.

    In August 2021, Ethereum activated EIP-1559, which changed how transaction fees work. Instead of paying miners directly, every transaction now pays a base fee that is burned, permanently removed from circulation. The busier the network, the higher the base fee, and the more $ETH destroyed. On its own, that is just a fee-burning mechanism. It became a monetary thesis when Ethereum switched from proof-of-work to proof-of-stake in the September 2022 Merge, which cut new $ETH issuance by roughly 90%, because the network no longer had to pay energy-intensive miners.

    Put the two together, and you get the ultrasound thesis. Issuance dropped to a trickle after the Merge. Burning continued with every transaction. If burning exceeded issuance, total $ETH supply would shrink over time, making the asset deflationary. And a deflationary asset with growing demand should, in theory, appreciate. Ethereum would become harder money than Bitcoin, whose supply still grows, hence “ultrasound.” The tracking site ultrasound.money existed to display exactly this: supply ticking down, day by day.

    For a stretch after the Merge, it happened. Supply fell back toward and below the level it sat at during the Merge itself. Burns outpaced issuance. The narrative was not hype; it was, for that window, an accurate description of the data. That is what made it powerful, and what made its reversal so awkward.

    NEW: Tom Lee calls Robinhood Chain proof that $ETH is money

    The chain uses Ethereum as native gas, denominates fees in $ETH, and settles on Ethereum L1 while generating volume exceeding many established DEXes pic.twitter.com/Ir2hTsaMiu

    — crypto.news (@cryptodotnews) July 12, 2026

    How scaling broke it

    The break came from Ethereum solving its most famous problem, and the irony is total.

    Ethereum’s scaling strategy is to push transactions off the expensive base layer and onto layer-2 rollups, networks like Arbitrum, Optimism, and Base that process transactions cheaply and then post compressed data back to Ethereum for security. The base layer becomes a settlement and target=”_blank”>daily burn dropped to as low as 50 to 70 $ETH. The base layer had lost its primary fee source. With issuance running around 1,700 $ETH per day and burn collapsing well below that, the equation flipped: Ethereum began creating more $ETH than it destroyed. By various measures across 2025 and into 2026, net annual inflation ran somewhere between roughly 0.2% and 0.8%, depending on the window. $ETH supply crossed back above its Merge-era level. The deflation was over.

    The mechanism that made ultrasound money true, EIP-1559 burning at scale, had not been removed. It had been bypassed. The activity simply moved to a layer where the burn does not happen in any meaningful amount. Ethereum scaled successfully and, in doing so, severed the link between usage and scarcity that the entire thesis depended on.

    The bull case: it still works, just differently

    The response from Ethereum’s defenders is not denial. It is reframing, and parts of it are genuinely strong.

    The first point is that elastic scarcity is the actual feature, not permanent deflation. Ethereum was never designed to deflate forever at a fixed rate. It was designed to burn in proportion to demand, which means it becomes deflationary when the network is busy and mildly inflationary when it is quiet. During periods of high mainnet activity, above roughly 16 gwei average gas, burn still exceeds issuance, and $ETH still goes net deflationary, temporarily. The mechanism works exactly as designed; it is just that a scaled network spends more time in the quiet regime. In this reading, ultrasound money was always conditional, and the condition is demand, not a promise.

    The second point is that issuance is still radically lower than before. Even mildly inflationary, Ethereum issues roughly 90% less $ETH than it did under proof-of-work. Compared to Bitcoin, which currently inflates at around 0.8% annually on a fixed schedule, Ethereum’s roughly 0.2% net inflation in calmer periods is actually lower. Both assets inflate in 2026; Ethereum, by some measures, inflates less. The “harder than Bitcoin” claim survives in a narrow, technical form even without net deflation.

    The third point is that the supply figure overstates the sell pressure. Roughly 28% to 30% of all $ETH is locked in staking, earning yield and not circulating. The tradeable float, $ETH actually available on exchanges, is meaningfully smaller than the headline supply number, and it shrinks as more $ETH is staked. A modestly inflating total supply with a large and growing staked portion is a very different pressure than the raw inflation number suggests. Demand from ETFs, treasury companies, and staking can absorb 0.2% inflation without difficulty.

    NEW: Ethereum ETFs see 58 million dollars in net inflows on July 14

    Fresh capital flowed into spot Ethereum ETFs during the latest session pic.twitter.com/V3vb5Y7x39

    — crypto.news (@cryptodotnews) July 16, 2026

    And the fourth point is simply that the store-of-value case never rested on deflation alone. As long as demand for Ethereum’s blockspace, its role as settlement for stablecoins, tokenization, and DeFi, grows faster than supply, price can rise regardless of whether supply ticks up 0.2% a year. Scarcity was a nice story. Utility is the real thesis.

    The bear case: the narrative was load-bearing

    The skeptical reading is that the ultrasound story was not just marketing, that it was doing real work in the investment case, and that losing it matters more than the reframing admits.

    The blunt version comes from the on-chain data and the people watching it leave. Daily network fee revenue on Ethereum fell from near $40 million in early 2025 to a local low around $10 million in 2026. That is not just a burn problem; it is a value-accrual problem. If the base layer captures little fee revenue because activity happens on rollups that pay it almost nothing, then holding $ETH is a bet on an asset whose own network is monetizing its users poorly. Some analyses have tied this directly to developer attrition and reduced whale support, framing the end of ultrasound money as the end of a period when $ETH had a clean, quantifiable reason to appreciate.

    The deeper problem is structural and hard to argue away: a scaled, efficient Ethereum is less deflationary than a congested, expensive one. This is the tension at the center of the whole debate. The very thing that makes Ethereum better as infrastructure, cheap transactions, more capacity, activity on fast rollups, is the thing that reduces the burn. Ethereum cannot simultaneously be the cheap, high-throughput settlement layer it wants to be and the fee-burning deflationary asset the ultrasound thesis needed. Those are in direct conflict, and the roadmap chose scaling. The asset thesis was, in a real sense, sacrificed to the technology roadmap.

    Then there is the value-capture question that rollups sharpen. Layer 2s use Ethereum for security and pay it a pittance for the privilege. Robinhood’s own chain is an example: analyses of corporate L2s show the base layer capturing a rounding error of the economics while providing the security that makes the whole arrangement credible. If Ethereum’s future is thousands of rollups settling to it cheaply, then Ethereum is providing enormous value and capturing little of it, and no amount of narrative reframing fixes a value-capture problem that lives in the fee structure.

    The fix nobody is talking about

    Which brings us to December 2025, and the upgrade that was designed, in part, to address exactly this, and that most of the market ignored.

    The Fusaka upgrade activated on December 3, 2025. Its headline features were about scaling further, PeerDAS and expanded blob capacity. But buried in it was EIP-7918, the “blob base fee bound,” which is the most direct attempt yet to repair the burn. The problem Dencun created was that blob fees could collapse to near-zero, one wei, when execution costs dominated and blob demand was soft, which meant rollups consumed Ethereum’s capacity almost for free and burned almost nothing. EIP-7918 sets a floor: it ties the minimum blob fee to the execution base fee, roughly the execution base fee divided by 16, so that even in quiet periods rollups pay a meaningful minimum, and a minimum stream of $ETH gets burned.

    The modeling is striking. Fidelity Digital Assets analyzed what would have happened if EIP-7918 had been active since blobs launched, and found that on 93% of days since the 2024 Dencun upgrade, the adjusted fee would have exceeded the actual fee, generating an estimated additional $78.6 million, roughly 24,641 $ETH, in cumulative blob-fee revenue. Blockworks noted that had the mechanism been introduced in June 2025, burnt blob fees would have been nearly 8x higher. The intent is explicit: restore a floor under the burn so that as stablecoins, DeFi, and tokenization migrate to rollups, $ETH still captures value from that activity instead of subsidizing it.

    The honest caveat is that this is a floor, not a restoration. EIP-7918 prevents the burn from collapsing to zero; it does not recreate the thousands-of-$ETH-per-day burn of the congested mainnet era. Whether it produces measurable, sustained deflation depends on how much activity flows through blobs and how high execution base fees run, and the market is still watching. It is a serious, well-designed attempt to reconnect usage and scarcity. It is not a return to 2022.

    Sound money versus ultrasound money, honestly compared

    Because the entire thesis was built as a shot at Bitcoin, it is worth putting the two monetary models side by side without the tribalism, since the comparison is more interesting than either camp admits.

    Bitcoin offers fixed scarcity. The supply schedule is written into the protocol, capped at 21 million coins, and halves on a predictable timetable roughly every four years. A holder knows today, with certainty, what Bitcoin’s issuance will be in 2030 and 2040. That certainty is the entire product. Bitcoin does not react to demand, does not burn, does not adjust; it simply issues on schedule toward a hard cap, and its current inflation runs around 0.8% annually, trending toward zero over decades. The trade-off Bitcoin holders accept is that the base layer offers little native utility and no yield. You hold it for the certainty, and you give up productivity in exchange.

    Ethereum offered, and to a degree still offers, elastic scarcity. Supply responds to network demand: high usage burns more and can push $ETH net deflationary; low usage burns less and lets mild inflation through. The appeal was a token that becomes scarcer precisely when it is most used, tying the asset’s scarcity to the network’s success. The trade-off, which the L2 era exposed, is that elasticity cuts both ways.

    A demand-responsive supply is only deflationary when demand is high on the layer that burns, and Ethereum deliberately moved demand to layers that do not burn. Bitcoin’s rigidity, often criticized as inflexible, turned out to be the thing that made its monetary promise keepable. Ethereum’s flexibility, often praised as sophisticated, turned out to be the thing that made its monetary promise conditional.

    NEW: Eric Trump says $ETH is pumping hard and crypto is the future pic.twitter.com/iVQYUclLz6

    — crypto.news (@cryptodotnews) July 12, 2026

    The honest scorecard is that these are different products for different buyers, not better and worse versions of the same thing. Bitcoin sells certainty and asks you to forgo utility. Ethereum sells utility and asks you to accept that its scarcity depends on how that utility is used. The ultrasound-money era was the brief window when Ethereum appeared to offer both, certainty of deflation and utility of a working network, and that window closed not because Ethereum failed but because it succeeded at scaling.

    A holder choosing between them in 2026 is really choosing between guaranteed scarcity with no yield and demand-driven scarcity with staking yield and network utility. Framed that way, the loss of ultrasound money is less a defeat than a clarification: Ethereum was never going to be Bitcoin, and the burn was hiding how different the two bets actually are.

    What this means for holding $ETH

    Strip away the narrative fight and the practical question is whether the ultrasound story mattered to the price, and the uncomfortable answer is that it is hard to tell, because $ETH has underperformed through the entire period regardless.

    The clean way to see it: the ultrasound thesis was strongest right after the Merge, and it has been dismantled steadily since Dencun in March 2024. Over that same window, $ETH has been a persistent underperformer against both Bitcoin and its own former highs. Either the market was pricing the loss of the deflation narrative, or the market never cared about the narrative and $ETH’s problems lie elsewhere, in L2 value leakage, in competition from Solana, in the sheer difficulty of the modular roadmap. Both readings are defensible, and they point to different conclusions about whether fixing the burn fixes the price.

    The most honest framing is that ultrasound money was a proxy for a real question that has not gone away: does Ethereum capture value from its own success? When the network was congested and expensive, the answer was visibly yes; the burn made it legible. When the network scaled and cheapened, the answer became murky, and the burn stopped telling the story. EIP-7918 is an attempt to make the answer legible again by putting a floor under value capture.

    Whether it works will show up not in the marketing but in two numbers over the next year: net $ETH supply, and base-layer fee revenue. If both turn up meaningfully, the thesis has a second life. If they do not, then ultrasound money was a phase, not a property, and Ethereum’s investment case has to stand on utility alone, which is a harder, slower, less tweetable argument than the one that shrank the supply.

    Frequently Asked Questions

    What is Ethereum ultrasound money?

    It is the thesis that Ethereum’s $ETH token would become deflationary and a superior store of value to Bitcoin. It rests on two mechanisms: EIP-1559, activated in 2021, which burns a portion of every transaction fee, and the 2022 Merge, which cut new $ETH issuance by roughly 90%. When burning exceeds issuance, total supply shrinks. The term was a play on Bitcoin’s “sound money” branding.

    Is Ethereum still deflationary in 2026?

    Not on a net basis, in normal conditions. After the March 2024 Dencun upgrade shifted activity to cheap layer-2 rollups, the burn collapsed, and $ETH became mildly inflationary, with net supply growth around 0.2% to 0.8% annually depending on the period. During bursts of high mainnet activity, it can still turn temporarily deflationary, but the sustained deflation of the immediate post-Merge period ended.

    Why did layer 2s break the burn?

    Because they moved activity off the base layer, where transactions burned meaningful $ETH, onto rollups that pay near-zero fees. The Dencun upgrade introduced cheap “blob” transactions for rollups, cutting their costs 10 to 100 times. Blob space was oversupplied, so blob fees fell close to zero, and the daily burn dropped from thousands of $ETH to as low as 50 to 70. The activity continued; the burn did not follow it.

    Does this mean $ETH is a worse investment?

    Not necessarily, and defenders make several counterpoints: issuance is still about 90% lower than under proof-of-work, roughly 0.2% net inflation in calm periods is actually below Bitcoin’s, nearly a third of $ETH is locked in staking and off the market, and the real case rests on demand for blockspace rather than deflation. Critics counter that base-layer fee revenue collapsed too, raising a genuine value-capture problem.

    What is EIP-7918?

    A change introduced in Ethereum’s December 2025 Fusaka upgrade that sets a minimum price for blob transactions, tied to the execution base fee, roughly that fee divided by 16. It prevents blob fees from collapsing to near-zero during quiet periods, ensuring a minimum stream of $ETH is burned. Fidelity modeled that it would have added roughly $78.6 million in cumulative burn across 93% of days since 2024 had it existed earlier.

    Did Fusaka restore ultrasound money?

    No, it put a floor under the burn rather than restoring the deflation of the post-Merge era. EIP-7918 stops the burn from collapsing to zero and improves value capture as activity migrates to rollups, but it does not recreate the thousands-of-$ETH-per-day burn of the congested mainnet period. Whether it produces sustained net deflation depends on blob activity and execution fees, and remains to be seen.

    Is Ethereum still harder money than Bitcoin?

    In a narrow technical sense, sometimes. In calm periods, Ethereum’s roughly 0.2% net inflation can run below Bitcoin’s roughly 0.8% fixed-schedule inflation. But Bitcoin offers predictable, protocol-guaranteed scarcity indefinitely, while Ethereum’s supply is elastic and responds to demand, so it can inflate more during quiet, scaled periods. They offer different kinds of scarcity: fixed and certain versus elastic and demand-driven.

    What should I watch to know if the thesis recovers?

    Two numbers over the next year: net $ETH supply growth, and Ethereum base-layer fee revenue. If EIP-7918 and rising rollup activity push net supply back toward flat or negative while base-layer revenue climbs from its roughly $10 million lows, the value-capture story recovers. If supply keeps growing and fee revenue stays depressed, ultrasound money was a temporary phase, and $ETH’s case rests on utility and demand alone.

    Disclaimer: This article is for information and educational purposes only and does not constitute financial or investment advice. It describes monetary mechanics and network upgrades whose effects are uncertain and still developing. Nothing here is a recommendation to buy or sell any asset. Always do your own research. Figures on supply, burn, and inflation move continuously and are accurate as of July 17, 2026.

  • SBI Holdings Acquires Majority Stake in Coinhako After Singapore Approval

    SBI Holdings Acquires Majority Stake in Coinhako After Singapore Approval

    SBI Holdings has completed the acquisition of a majority stake in Singapore-based cryptocurrency exchange Coinhako, marking another move in the Japanese financial group’s expanding digital asset strategy across Asia.

    The transaction closed on July 16 after receiving approval from the Monetary Authority of Singapore (MAS), bringing Coinhako under SBI’s corporate structure. The acquisition follows a number of digital asset initiatives by SBI, including its agreement to acquire Japan’s Bitbank and its partnership with Ondo Finance to support the tokenization of Japanese equities using its yen-backed stablecoin.

    Coinhako Becomes Part of SBI’s Digital Asset Business

    SBI Holdings announced that it has acquired a controlling interest in Holdbuild Pte. Ltd., the parent company of Coinhako. The transaction combined a capital injection along with the purchase of shares from existing investors, although the companies did not disclose the financial terms.

    Following the completion of the deal, Coinhako officially became an SBI Holdings subsidiary. Through its entity Hako Technology, the exchange operates under a Major Payment Institution (MPI) license issued by the Monetary Authority of Singapore.

    The acquisition also gives SBI access to Coinhako’s network of more than 400,000 customers, as well as its established operations and regulatory experience across Southeast Asia.

    SBI Outlines Cross-Border Digital Asset Strategy

    SBI Chairman and Chief Executive Officer Yoshitaka Kitao said the acquisition supports the group’s objective of connecting digital asset exchanges across multiple jurisdictions.

    According to Kitao, the company plans to create a global digital asset network that allows investors to participate in markets without being limited by national borders or currency barriers. He also described Singapore as an important market because of its advanced regulatory framework for digital assets.

    SBI said Coinhako will become part of its broader digital finance business, which includes its yen-backed stablecoin JPYSC. The company also plans to expand services related to tokenization, stablecoins, blockchain-based finance, and cross-border payments linking Japan with Southeast Asia.

    Coinhako co-founder and Chief Executive Officer Yusho Liu said the partnership will provide the exchange with broader institutional support and access to SBI’s financial ecosystem. He added that the company intends to use those resources to continue developing digital financial services across the region.

    Related: SBI Holdings to Acquire Crypto Exchange Bitbank in $288 Million Deal

  • A Full Year of the New Rosetta Stone Sapphire Is 20% Off Right Now

    A Full Year of the New Rosetta Stone Sapphire Is 20% Off Right Now

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  • Where to Watch France vs. England World Cup Third-Place Playoff Online

    Where to Watch France vs. England World Cup Third-Place Playoff Online

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    Just ahead of the 2026 World Cup final between Spain and Argentina, France and England must go toe-to-toe to determine who will take third place. Broadcast live on Saturday, July 18 at 2 p.m. PT/5 p.m. ET on Fox, the match can be livestreamed on any streaming service that carries said network, namely DirecTV (with a five-day free trial), Fubo, Sling and Hulu + Live TV. And since the World Cup concludes with the July 19 final, DirecTV’s five-day trial will provide free coverage through the remainder of the tournament and beyond.

    Like every match in this year’s tournament, the France vs. England matchup will also stream live on Fox One, the official 2026 World Cup streamer. Following the service’s three-day free trial, a Fox One subscription costs $19.99 per month. For Spanish-language coverage, Peacock is the official World Cup streamer.

    At a Glance: How to Watch France vs. England World Cup Third-Place Playoff

    Where to Watch France vs. England World Cup Match: Air Date, Time

    The tournament’s third-place game will be broadcast live on Saturday, July 18 at 2 p.m. PT/5 p.m. ET on Fox. It will also air live on Telemundo in Spanish.

    Where to Stream France vs. England World Cup Match Online Free

    Since the FIFA World Cup bronze match airs on Fox, it will also be available to watch live on any streaming service that carries the network, including DirecTV (with a five-day free trial), Fubo, Sling and Hulu + Live TV. By opting for DirecTV’s five-day trial, fans can also tune in to the July 19 final at no cost.

    All matches also stream live on Fox One, the official World Cup streamer. Following Fox One’s three-day free trial, the service costs $19.99 per month. For Spanish-language coverage, Peacock is the official World Cup streamer.

    More on each option — and their new subscriber discounts — below.

    Five-day free trial; packages from $19.99 per month

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    Learn more about each plan option, including how to build your own channel lineup (starting at just $19.99 per month), at directv.com.

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  • ‘The Odyssey’ Galloping to $120M in Muscular Box Office Opening

    ‘The Odyssey’ Galloping to $120M in Muscular Box Office Opening

    Christopher Nolan‘s box office journey with The Odyssey looks to be one for the books, as Universal Picturesstar-studded adaptation of the classical Greek mythological tale gets off to a rousing start in its opening weekend.

    Starring Matt Damon as the heroic Odysseus, the epic feature is fending off competition with $51.2 million on Friday from 3,900 North American screens, including Thursday previews. Earning an A CinemaScore from audiences, the film is eyeing a $120 million-plus frame, which would make it 2026’s biggest live-action opening, with only Toy Story 5 ($159 million) and The Super Mario Galaxy Movie ($131 million) debuting above it. The Odyssey is also set to claim the top R-rated opening of the year and Universal’s highest weekend launch ever for an R-rated movie.

    Globally, The Odyssey appears headed for $257.8 million for the summer weekend, with $137.3 million from 73 international markets.

    This marks an even stronger start than initially projected for the film, which has a production budget of $250 million, as the studio was targeting a domestic opening in the mid-$80 million to $100 million range. Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya and Charlize Theron star in the story of Odysseus (Damon) on his tumultuous trip home after the Trojan War to reclaim his throne as the king of Ithaca and reunite with his wife Penelope (Hathaway). Nolan and Emma Thomas produce for Syncopy.

    With The Odyssey marking the first feature to be shot entirely on IMAX cameras, premium large formats have been a priority for many moviegoers, and cinephiles have flocked to the 25 U.S. theaters that screen IMAX 70mm film. The title is eyeing an estimated $30 million from IMAX screens domestically for 25 percent of its North American haul, with an additional $22 million expected from IMAX showings internationally.

    This movie looks to notch the third-biggest opening weekend domestically of Nolan’s impressive career and the best outside of the Batman franchise, behind 2012’s The Dark Knight Rises with $160 million and 2008’s The Dark Knight at $158 million. The Odyssey is also set to become Nolan’s biggest global opening, topping The Dark Knight Rises’ $249 million worldwide launch.

    The Odyssey is the weekend’s sole new offering in wide release, unlike the filmmaker’s most recent title, Oppenheimer, which opened in July 2023 alongside Barbie as part of the sensation known as Barbenheimer. The film about the physicist who led development of the atomic bomb opened to $82.4 million domestically and ultimately collected $975 million worldwide, and it won seven Academy Awards, including best picture and Nolan’s first best director Oscar. 

    Nolan’s successful ride with The Odyssey includes sterling reviews, as its 95 percent approval rating from critics on Rotten Tomatoes is currently the best tally of his career, just ahead of The Dark Knight and Memento at 94 percent. The Odyssey is also “verified hot,” with a 97 percent Rotten Tomatoes score from audiences. In his review for The Hollywood Reporter, chief film critic David Rooney deemed it “a meditative action movie both immense and intimate, albeit one whose flow is impeded by the inherently episodic nature of the nonlinear source material and some questionable casting choices.” Additionally, THR’s list ranking Nolan’s movies places The Odyssey in second place, behind only The Dark Knight.

    The sophomore frame for Disney’s live-action Moana is set to dock in second place. After a disappointing opening, the Dwayne Johnson-led feature is heading to roughly $19 million domestically for the weekend, declining around 56 percent for a two-week run of $82 million in North America.

    Illumination’s Minions & Monsters and Disney’s Toy Story 5 are in close competition for No. 3 on the chart. As the latest title in Universal’s Despicable Me franchise, Minions & Monsters looks to pick up $4.2 million Friday for a third weekend of $14 million, bringing its domestic haul to $136 million. Meanwhile, the latest installment in the popular Toy Story series is also lassoing roughly $4.2 million Friday for around $13.8 million in its fifth frame for a domestic sum of $429 million.

    Closing out the top five is Warner Bros.’ Evil Dead Burn, the latest entry in the Evil Dead horror franchise. After its opening sum last weekend was well behind the debut of 2023’s Evil Dead Rise, Evil Dead Burn is expected to gross around $4.7 million this weekend, declining 66 percent for a two-week domestic total at $23.8 million.

    Sunday’s World Cup final between Spain and Argentina presents potential competition for moviegoing, particularly among international audiences. In a rare summer occurrence, next weekend is devoid of new wide releases, as studios appear reticent to date any titles between The Odyssey and Sony’s July 31 release of Spider-Man: Brand New Day, starring Holland and Zendaya.

  • ‘The Odyssey’: What Academics Are Saying About Christopher Nolan’s Epic

    ‘The Odyssey’: What Academics Are Saying About Christopher Nolan’s Epic

    So, a Homerist, an archaeologist and a dentist walk into a bar. 

    Fresh from a Thursday night showing of Christopher Nolan‘s “The Odyssey,” a group of 17 spent the evening doing what scholars have done with Homer’s epic for nearly 3,000 years: arguing about it.

    “We had a really robust debate,” says Joel P. Christensen, editor of “The Oxford Critical Guide to Homer’s Odyssey.” Christensen was accompanied by retired Homer scholars (often referred to as Homerists), editors, professors, historians and various public intellectuals. “And my wife is a dentist,” he adds, “so she was the red herring in the crowd.”

    The conversation ranged from Nolan’s decision to make Polyphemus (the Cyclops that Matt Damon’s Odysseus stabs in the eye) nonverbal to the film’s depiction of language itself. Each intellectual was fervently dedicated to a different academic discipline, yet Homer’s “The Odyssey” is one of the few works that transcends any single field of literature or history.

    “I was surprised by how many academics liked it,” Christensen says. “I had to be restrained a few times by my wife. Everybody knows that I’m the worst audience for the film.” After a long pause, he continues, “I’ve been saying to myself: ‘This is not Homer’s “Odyssey.” This is Nolan’s “Odyssey.” And it needs to be judged on different terms.’”

    There’s a palpable excitement around “The Odyssey” that movie theater exhibitors have been yearning for. Beyond its colossal box office projections, it’s the first feature shot entirely with Imax cameras. Over 95% of Imax 70mm screenings (the format Nolan says the film is intended to be seen in) have already sold out for the first five weeks. The spectacle is also fueling a cultural revival for classic literature in a way that academics have rarely seen before.

    “I’ve been in this business for a long time, and I don’t think I’ve seen anything like this,” says Monica Cyrino, a classics professor at the University of New Mexico who has spent decades studying ancient worlds on screen. “It’s had the impact of the OG ‘Gladiator,’ but even that didn’t have the same run-up. There’s already been hundreds of published academic articles — and the movie hasn’t even come out yet. It’s crazy!”

    In the months leading up to its release, Nolan’s film has become a flashpoint for online culture-war debates. Critics have argued that the “woke” castings of Lupita Nyong’o and Elliot Page, along with certain production design choices, are historically inconsistent with the Mycenaean world traditionally associated with “The Odyssey.” But after Variety spoke with leading classicists and historians, it became clear those weren’t the issues driving the conversation in academic circles. 

    “I’m really disturbed that so much of the conversation has been about how ‘woke’ or progressive this film was going to be,” Christensen says. “I actually think it’s a very conservative film. The roles for women are constrained. The interracial casting is women of color who just get to be married to white men, which is not progressive.”

    From a filmmaking perspective, literature and film experts alike will argue that no Hollywood epic portraying the ancient world has ever achieved complete historical accuracy, instead reflecting the cultural assumptions and audience preferences of the time.

    “These are fictional characters,” film critic Alonso Duralde notes in his review of “The Odyssey” on the “Breakfast All Day” podcast. “There probably wasn’t actually a Helen of Troy. There probably weren’t actually a lot of these folks. And if there were, the ancient world was a lot more mixed than we think from all the Italian sword-and-sandal epics we were given in the ‘50s and ‘60s. You had people from Africa, Asia and Europe. They had boats, y’all!”

    As for critiques of the film’s production design, whether it’s the polished Trojan Horse or the costumes (many fans online argued Benny Safdie’s Agamemnon looked more like a Batsuit than Bronze Age armor), Nolan has described his philosophy as: “What is the best speculation and how can I use that to create a world?” That approach didn’t seem to ruffle the feathers of classicists, many of whom have tempered their expectations for what a Hollywood blockbuster is designed for: entertainment.

    “Nobody cared,” Christensen laughs, speaking for his academic cohort. “Even the head archaeologist didn’t care. Because here’s the thing: ‘The Odyssey’ is filled with anachronisms. Homeric poetry contains different historical layers. What’s important is that the depiction functions as a vehicle for the audience’s fantasy about the past.”

    While the majority of classicists are embracing the spectacle of Nolan’s blockbuster, opinions start to diverge when discussing his adaptation of Homer’s language for the screenplay. As Harvard classics professor Gregory Nagy puts it, there is no single “original” version of “The Odyssey” in a modern sense — that’s because the poem emerged from an oral tradition.

    “‘Homer’s Odyssey’ was already historical fiction, reimagining an ancient past when it was first composed,” says Richard P. Martin, a professor of Greek and Latin literature at Stanford. “Fellow classicists are happy with Nolan’s version because we all recognize it is a version. There is no ‘correct’ treatment, because every generation makes its own version of the poem, either by retranslation or revisualization in various media. All publicity about Homer is good publicity.”

    Just as Odysseus assumes different identities to survive his arduous homecoming trek, there’s a long-standing debate over whether “Homer” was a single author — or, as Friedrich August Wolf first argued in 1795, that the poems were the product of “the whole Greek people” and were edited several times to suit changing contemporary tastes.

    Famously, Alexander Pope’s 18th-century translation made “The Odyssey” into a text about polite manners and tact, while Richmond Lattimore’s 1960s translation sought to preserve the rhythms and formulas of the original Greek language. Laura Slatkin, one of the leading Homer scholars, says Lattimore’s translation often feels “archaic” for her students at New York University because the diction is too quaint and formal.

    “None of them are definitive,” Slatkin says. “That tells you something about the problem of translation, but it also tells you something about ‘The Odyssey’ because it’s not simple enough for a definitive translation. You’re building on existing resources from previous songs, from previous poetic traditions, but you’re not simply repeating them or recapitulating them. You’re … assimilating them.”

    More recently, Emily Wilson’s translation suggests “The Odyssey” was socially progressive for its time and “meditates on what women [and other suppressed groups, broken down by race or economic status] might be capable of.” She argues that “Homer is, and is not, our contemporary,” and that her translations (along with all the others) should be contextualized as a “text that exists in two different temporal and spatial moments at once.”

    Slatkin described Nolan’s screenplay, which Variety’s chief awards editor Clayton Davis predicts will compete for best screenplay at next year’s Academy Awards, as “the newest song” in a lineage of adaptations. “The Odyssey” has always been a tale that contains multitudes — balancing realism and fantasy, moral certainty and reconciliation, strangeness and familiarity. Just as the ancient Greeks (and every civilization that followed them) used “The Odyssey” to express their own ideas about morality, Nolan is doing the same.

    “The consensus I’ve heard so far is that it’s going to generate a lot of discussion in the classroom,” says Justin Arft, a fellow Homerist and associate professor at the University of Tennessee, Knoxville. “Even with all the omissions and changes, no one’s too upset about that. Honestly, we’re all curious — maybe confused, at times — but really interested in this as a piece of art. Nolan’s film is a piece of art, and Homer is a piece of art.”

    Once that classroom discussion begins, academics will surely have some more words for all the creative liberties Nolan’s movie takes. Martin, Christensen and several other classicists knocked Nolan for watering down the “sophisticated” morality of Homer’s poem and devoting more narrative time to spectacle, such as the fall of Troy. 

    “I understand where the critics are coming from because I can speak in both registers,” Cyrino said. “What they don’t understand is the near-term and long-term benefit this has for us as a discipline. Humanities programs are being cut everywhere, especially classics programs. I’m a department chair, and I guarantee my Greek classes are going to be fuller this year!”

    She concludes, “You know what Hollywood does: one thing succeeds, and 10 more follow. This is going to be great. As my husband always says, business is booming!”

  • Jim Parsons was ‘Miserable’ During Peak ‘Big Bang Theory’ Popularity: ‘I Wouldn’t Do That Again and For Any Amount of Money’

    Jim Parsons was ‘Miserable’ During Peak ‘Big Bang Theory’ Popularity: ‘I Wouldn’t Do That Again and For Any Amount of Money’

    Jim Parsons recently told the “All Out with Jon Dean” podcast (via People) that he was “miserable” during the height of his long-running TBS sitcom “The Big Bang Theory.”

    “I look back now and realize that there were many ways, at some of the best moments of my life, I was miserable,” Parsons said. “I was not happy. I was stressed.”

    He added, “I felt that there was so many plates I was supposed to be keeping in the air and that the success and the good things of life that were happening were only due to this overworking… discipline and whatever. Maybe to a degree that was true. I don’t know. I can’t say because that’s how I was.”

    Despite the overwhelming success of “The Big Bang Theory,” Parsons said he wouldn’t relive it “for any amount of money.” He went on to acknowledge that the role “is not going away,” but since the show wrapped in 2019, he’s been “changing my relationship to it.”

    “It’s evolving, and it gets better all the time. What I feel is better, what I feel is healthier. It’s not something that I think probably anybody, but I was certainly not equipped to, looking back,” Parsons explained.

    “The Big Bang Theory” ran for 279 episodes from 2007 to 2019, and followed the misadventures of a group of socially awkward science geeks and their much cooler female neighbors. Parsons starred alongside Johnny Galecki, Kaley Cuoco, Simon Helberg, Kunal Nayyar, Melissa Rauch and Mayim Bialik. The show earned 10 Emmys during its run, including four best lead actor in a comedy wins for Parsons.

  • DOG Mode explains Bitcoin’s next governance fight

    DOG Mode explains Bitcoin’s next governance fight

    Debates and disputes about Bitcoin’s governance often pivot on the rules baked into the world’s original blockchain network’s code. The latest dispute suggests the reality is more nuanced.

    The alternative Bitcoin client “$DOG Mode”, introduced by Bitcoin developer “Leonidas”, doesn’t attempt to rewrite Bitcoin’s consensus rules. Instead, it targets the default relay policies used by Bitcoin Core and other node software. These are in effect the settings that determine which valid transactions are forwarded around the network before miners include them in a block.

    In doing so, the developer is reopening a philosophical debate over censorship, free markets and who really governs the network.

    Leonidas is an advocate of the Ordinals protocol, which allows data to be stored on the Bitcoin blockchain, often in the form of images or texts to essentially create a version of non-fungible tokens (NFTs).

    The Bitcoin Improvement Proposal (BIP) 110 sought to tighten the network’s rules to make such transactions more difficult, prompting accusations of censorship from its critics.

    Bitcoin consensus rule changes are rare, hence why attempts to alter them seem so seismic. In many ways, $DOG Mode represents the philosophical mirror image of BIP-110.

  • Taylor Sheridan’s ‘Call of Duty’ Movie Will Be Set in ‘Modern Warfare’ Universe

    Taylor Sheridan’s ‘Call of Duty’ Movie Will Be Set in ‘Modern Warfare’ Universe

    Paramount Pictures‘ upcoming “Call of Duty” movie from writer Taylor Sheridan will be based on the Xbox-owned first-person shooter franchise’s “Modern Warfare” games.

    Plot details about the movie have been kept under wraps since it was first announced in September 2025. But during a “Call of Duty in Culture Panel” promoting the October release of “Modern Warfare 4,” which took place at Fanatics Fest in NYC Saturday, “Call of Duty” movie director and co-writer Peter Berg took the stage to reveal to fans that the film will be set in the “Modern Warfare” universe.

    Since the original game’s release in 2003, the “Call of Duty” franchise has grown to include more than 30 mainline games. Among the dozens of titles, which have hailed from different developers over the years but are now all under Xbox via its purchase of publisher Activision, are the “Modern Warfare” games. Beginning with “Call of Duty 4: Modern Warfare” in 2007, the “Modern Warfare” storyline marked the first “CoD” games to break from the franchise’s original World War II setting.

    The “Modern Warfare” games have largely been set in the Middle East and followed Captain John Price and his Task Force 141 team’s mission to defeat terrorist Vladimir Makarov. This story will continue with the fall launch of “Modern Warfare 4,” which features a war that breaks out between North and South Korea.

    Last month, Paramount Pictures set a June 30, 2028 release date for the currently untitled “CoD” film, which is being produced in collaboration with publisher Activision.

    When the deal to make a “CoD” movie was first announced last year by new Paramount owner Skydance, sources told Variety that while the focus was to make the one “Call of Duty” movie from writer Taylor Sheridan, the multiyear pact includes the potential for Paramount to expand the “Call of Duty” universe across film and TV.

  • An Altcoin Is Heading to a Vote That Will Have Numerous Implications, Including a Token Burn

    An Altcoin Is Heading to a Vote That Will Have Numerous Implications, Including a Token Burn

    Uniswap management is preparing to vote on a proposal that would enable protocol fees for the first time in select Uniswap v4 liquidity pools. Separately, a proposal plans to extend the fee mechanism implemented in Uniswap v2 and v3 to Robinhood Chain.

    The final on-chain voting process has begun for both proposals. Voting opens on Sunday and will continue until July 26th. Uniswap founder Hayden Adams said they expect the proposals to have a significant impact on the $UNI burning mechanism, particularly highlighting the current trading volumes on Robinhood Chain.

    The Uniswap v4 proposal calls for enabling protocol fees in fixed-fee pools, pools created through perpetual swap auctions, and pools using aggregator hooks. The regulation will cover Ethereum, Arbitrum, Base, BNB Chain, Polygon, Optimism, and Robinhood Chain networks.

    According to the proposal text, a second vote will be held later for the remaining five networks. This is because Uniswap’s GovernorBravo governance agreement allows a maximum of 10 on-chain transactions in a single offer.

    A separate Robinhood Chain proposal by Hayden Adams aims to enable fees on Uniswap v2 and v3 pools on the network. All three protocol versions of Uniswap were made available with Robinhood Chain’s mainnet launch on July 1st.

    Related News Analyst: “The Leverage Cleanup in XRP Is Complete; Conditions Are Similar to the Period When It Surged 8x”

    According to data included in the proposal, the total exchange volume of Uniswap applications on Robinhood Chain exceeded $6 billion as of July 10th. The Ethereum Layer 2 network, developed with Arbitrum infrastructure, recorded approximately $3.1 billion in decentralized exchange volume in its first week. It was noted that memecoins were predominantly traded in the initial transactions.

    The protocol fees collected under both proposals will be transferred to the $UNI combustion mechanism, which was established by the UNIfication governance regulation approved with 99.9% support in December.

    With this governance change, protocol fees were enabled in the Uniswap v2 and v3 pools on the Ethereum mainnet, and 100 million $UNI were burned in the Uniswap treasury. However, the implementation of v4 fees was postponed to a later proposal pending the completion of the necessary technical infrastructure.

    The fee mechanism has reportedly been expanded to 11 different networks to date. According to the Uniswap v4 proposal, the protocol set a daily record last month by burning 186,000 $UNI in a single day.

    Enabling fees in Uniswap v4 requires a more complex infrastructure compared to previous versions. While v2 and v3 used fixed fee tiers, v4’s hook architecture allows pools to change their fees from block to block.

    The new proposal creates a management-controlled system that categorizes pools under specific “families” and calculates the fee for each pool according to predefined rules, rather than setting the fee individually.

    Both proposals utilize the accelerated governance process adopted under UNification. This process skips the request for comments phase and proceeds directly to on-chain voting after a five-day Snapshot voting period.