Author: rb809rb

  • Polymarket in talks with CFTC to end four-year ban on American customers: Report

    Polymarket in talks with CFTC to end four-year ban on American customers: Report

    Polymarket is trying to bring its main platform back to the US, which could allow Americans to use the exchange again and boost the fast-growing prediction market industry. The company has been in talks with the Commodity Futures Trading Commission about removing its current ban on US users, Bloomberg reported Tuesday.

    After running into regulatory issues in 2022, Polymarket blocked US traders from its global platform and began working on a US-based version that hasn’t fully launched. Any change would need approval from the CFTC, currently led by Chairman Michael Selig.

    Meanwhile, competition is heating up, especially from Kalshi, and there’s growing interest in prediction markets from political and financial players. At the same time, regulators are still watching closely, particularly after cases of US users accessing the platform through VPNs.

    If approved, Polymarket could merge its blockchain-based system with its US operations, potentially bringing its core platform back under US regulation and expanding its reach.

    This is a developing story. Please check back for further updates.

  • Liquid raises $18 million to build 24/7 trading platform for crypto and traditional assets

    Liquid raises $18 million to build 24/7 trading platform for crypto and traditional assets

    Liquid raised $18 million in Series Seed funding to expand its 24/7 trading platform across crypto and traditional markets, the company said today. The round was co-led by Neo and Left Lane Capital, with participation from Haun Ventures, K5 Global, SV Angel, AntiFund, Sunflower Capital, Paradigm, and General Catalyst.

    Today, we’re announcing an $18 million Series Seed, led by @neo and @leftlanecap, with continued support from Paradigm, General Catalyst, and other top VC firms — bringing our total raised to over $25 million. pic.twitter.com/UmESiftPAJ

    — Liquid (@liquidtrading) April 28, 2026

    The platform allows users to trade more than 500 markets across crypto, equities, commodities, foreign exchange, and pre-IPO assets through iOS, Android, and desktop apps. Liquid says it has processed more than $3 billion in trading volume across 40,000 users since launching in August 2025.

    Liquid is positioning itself around the idea that traders increasingly want continuous exposure across markets that no longer move only during traditional exchange hours. The platform combines elements of derivatives venues, brokerages, and crypto exchanges into one interface, with support for long and short positioning through instruments such as perpetual futures.

    The company also includes an AI powered assistant designed to help users analyze markets, surface trading insights, and execute trades more quickly. Liquid CEO and co-founder Franklyn Wang said the platform was built to give retail users access to advanced tools and markets that have historically been harder to reach.

    The raise comes as consumer trading platforms push deeper into multi asset products, leverage, crypto rails, and around the clock market access. Liquid differentiates itself by offering up to 200x leverage across more than 500 markets.

    MetaMask has also expanded into perpetual futures through a Hyperliquid integration that supports exposure to crypto tokens, equities, commodities, and currencies, showing how crypto native interfaces are increasingly moving beyond spot tokens.

    Liquid has now raised $25.6 million in total, after previously securing a $7.6 million seed round led by Paradigm last November.

  • Jack Dorsey’s Block Discloses $2.2B Bitcoin Holdings in Q1 Proof-of-Reserves Report

    Jack Dorsey’s Block Discloses $2.2B Bitcoin Holdings in Q1 Proof-of-Reserves Report

    In brief

    • Jack Dorsey’s fintech firm Block published its first-quarter proof-of-reserves report on Monday, disclosing total Bitcoin holdings of 28,355 BTC, worth roughly $2.2 billion as of March 2026.
    • Customer Bitcoin holdings totaled 19,357 BTC, valued at approximately $1.5 billion, while corporate treasury holdings comprised 8,997 BTC, worth about $692.3 million.
    • The report allows independent verification of holdings using on-chain cryptographic signatures.

    Block Inc., the Jack Dorsey-led fintech company behind Square and Cash App, disclosed Bitcoin holdings totaling 28,355 BTC worth approximately $2.2 billion in its first-quarter proof-of-reserves report published Monday.

    The holdings include 19,357 BTC worth about $1.5 billion held on behalf of customers and 8,997 BTC worth about $692.3 million in corporate treasury, according to the report. Third-party auditors confirmed the findings.

    “People shouldn’t have to trust that their Bitcoin is there, they should be able to verify it,” the company said in its disclosure. Block noted that anyone can independently confirm its holdings using on-chain signatures, with reserves “actively controlled, not just historically observed.”

    Block’s corporate treasury holdings of just under 9,000 BTC represent the 14th-largest Bitcoin holding among corporate treasuries, placing the firm just behind Trump Media, according to BitcoinTreasuries.net.

    Proof-of-reserves reporting became more widely adopted after the collapse of FTX in November 2022, with major crypto exchanges and financial institutions increasingly embracing the transparency measure as a way to rebuild trust following high-profile failures in the industry.

    Not all Bitcoin advocates are fans of the practice, though. In May 2025, Michael Saylor, executive chairman of the largest Bitcoin reserve firm Strategy, argued against current proof-of-reserves practices. He suggested that publishing wallet addresses is “like publishing the address and the bank accounts of all your kids and your phone numbers of all your kids, and then thinking somehow that makes your family better,” noting that it exposes all past and future transactions from those addresses.

    “It actually dilutes the security of the issuer, the custodians, the exchanges and the investors. It’s not a good idea. It’s a bad idea,” Saylor said at the time, adding that, “It’s a proof of assets that is insecure, and it is not a proof of liabilities.”

    Block is expected to release its first-quarter earnings on May 7. The company reported $115.7 million in net income for Q4 2025, down from $1.9 billion in the same period of 2024.

    Daily Debrief Newsletter

    Start every day with the top news stories right now, plus original features, a podcast, videos and more.

  • Andy Cohen to Receive Variety’s Inaugural Creative Impact in Television Award at Newport Beach TV Fest

    Andy Cohen to Receive Variety’s Inaugural Creative Impact in Television Award at Newport Beach TV Fest

    Andy Cohen will be honored with the Variety Creative Impact in Television Award at the Newport Beach TV Fest on Friday, June 5. The award is to recognize individuals who have made indelible contributions to the television industry.

    Cohen is an Emmy-winning and five-time Peabody award-winning host, producer and author, best known for his role as host and executive producer of Bravo’s “Watch What Happens Live With Andy Cohen.” He is also an executive producer of Bravo’s “The Real Housewives” franchise, curates two SiriusXM channels and founded his own book imprint.  A five-time New York Times bestselling author, Cohen also notably annually co-hosts CNN’s “New Year’s Eve Live” with Anderson Cooper.

    “There’s no one in the entertainment business like Andy Cohen,” said Variety‘s managing editor, Kate Aurthur. “Cohen, or just ‘Andy’ as his fans call him, is an executive producer of Bravo’s culture-defining ‘Real Housewives’ franchise and hosts his talk show ‘Watch What Happens Live’ nightly on the network — all on top of hosting a twice-a-week talk show on Radio Andy. Can’t wait to grill him! Maybe we’ll play Plead the Fifth.”

    “Andy Cohen has had an undeniable impact on the television landscape, shaping the way audiences engage with pop culture and redefining the talk show format for a new generation,” said Gregg Schwenk, CEO and executive director of the Newport Beach TV Fest. “His creativity, authenticity,and influence across the industry make him a true trailblazer, and we are thrilled to honor him in partnership with Variety with the Creative Impact in Television Award.”

    The Newport Beach TV Fest, presented by the Newport Beach Film Festival, is a premier four-day celebration of television artistry, set for June 4-7. Held at the historic Lido Theater in Newport Beach, the event will showcase a dynamic lineup of events, honoring both established and emerging talent in television.

    Expecting the largest gathering of Guild and Television Academy voters outside Los Angeles and New York, the event offers a unique platform for innovative storytelling, cementing Newport Beach as a hub for creative excellence in the evolving landscape of television.

  • Dave Chappelle Re-Teams With Netflix for Three Comedy Shows During Netflix Is a Joke Fest

    Dave Chappelle Re-Teams With Netflix for Three Comedy Shows During Netflix Is a Joke Fest

    Dave Chappelle is joining Netflix Is a Joke 2026 with three nights of shows at the Hollywood Palladium.

    The streaming giant has announced that Chappelle will take over the iconic venue from May 7-9 with shows that blend music and comedy. Tickets will go on sale on April 29. Netflix also released a teaser for Chappelle’s performances, which can be seen below.

    Chappelle has often blended music and comedy, frequently collaborating with artists like The Roots, Yasiin Bey (fka Mos Def), and John Mayer among many others.

    Chappelle has a long-standing relationship with Netflix going back nearly 10 years. Netflix released four stand up specials by Chappelle in 2017 alone — “The Age of Spin,” “Deep in the Heart of Texas,” “Equanimity,” and “The Bird Revelation.” The releases marked Chappelle’s first specials to be aired publicly since 2004. He has since released five more specials on the streamer, including “Sticks & Stones” and most recently “The Unstoppable.”

    Netlfix also famously stood by Chappelle amidst controversy over jokes he made about transgender people in his stand up act and in multiple specials. Chappelle has repeatedly asserted he is not transphobic, recently saying “I did resent that the Republican Party ran on transgender jokes. You know, I felt like they were doing a weaponized version of what I was doing. That’s not what I was doing,” Chappelle told “NPR’s Newsmakers” host Michel Martin.

    Netflix Is a Joke is scheduled to run from May 4 to 10 with over 350 events planned all across Los Angeles. Along with Chappelle, the lineup includes a roast of Kevin Hart, John Mulaney at the Hollywood Bowl, and Katt Williams at the Intuit Dome.

  • Games Done Quick will host its first ever event in Europe

    Games Done Quick, the charity video game speedrunning series, is making its European debut in a live event at Germany’s Gamescom this summer.

    GDQ’s marathon event will run for the duration of the three-day show in Cologne, starting August 28-30, and will feature popular runners and an on-site live audience. The event will be broadcast on Twitch and YouTube, with programming kicking off at 4am ET (one for all you early risers) daily and running until 2pm.

    “We’re thrilled to expand Games Done Quick globally and to bring a live event to gamescom in Germany, an opportunity that’s incredibly meaningful to our team,” said Ashley Farkas, Games Done Quick’s Owner and Business Director. “This partnership not only supports an amazing initiative, but also creates space for more runners to participate, especially those who haven’t previously had the opportunity to travel to the US.”

    Games Done Quick was established in 2010 and has since raised more than $60 million for charities worldwide. Its first event of this year took place back in January, and featured live speedruns of Super Mario Sunshine, Hades II and Clair Obscur: Expedition 33, to name a few.

  • The age of Agentic Commerce has arrived. Consensus 2026 is where you can experience it IRL

    The age of Agentic Commerce has arrived. Consensus 2026 is where you can experience it IRL

    Something fundamental is changing in how commerce works. It’s happening right now, at the intersection of artificial intelligence and blockchain payments, and most people haven’t fully registered what it means yet.

    AI agents – software systems that can perceive, decide, and act autonomously – are beginning to transact. They’re paying for APIs, settling invoices, and interacting with infrastructure in ways that traditional payment rails were never designed to handle. The credit card, the bank login, the merchant onboarding flow: all of it is friction that agents can’t navigate the way humans do.

    Ask yourself: how many agents do you think you’ll have? Three, five -it’s a common answer. Ten. I have 200.

    By the numbers -if you have 10 or 20 agents per human, you’re between 70 to 140 billion agents in the world. Universally, most people will agree: there’s going to be more AI agents than there are humans. – Yat Siu, Animoca

    What comes next -the rails, regulatory frameworks, and business models – is precisely what Consensus 2026 is convening to figure out. When 15,000+ of the world’s most influential crypto, AI, and finance minds gather at the Miami Beach Convention Center from May 5 to 7, agentic commerce will be one of the defining conversations of the week.

    “That’s assisted checkout, not true agentic payments”

    Christian Catalini, MIT professor and founder of the Cryptoeconomics Lab, draws a line most people in the industry haven’t drawn yet.

    “Most agents today operate just as LLMs paired with a credit card,” he says. “That’s assisted checkout, not true agentic payments.”

    “Real agentic payments begin when the AI is the counterparty,” Catalini explains. “The actual test for programmable rails isn’t whether an agent can pay – it’s whether it can do things no human-facing rail allows: atomic settlement against delivery, per-second payment streaming, or transacting with a counterparty that has no KYC footprint.”

    That’s not a near-future scenario. It’s a near-term engineering problem. And Consensus is where the engineers, investors, and policymakers working on it will be in the same room.

    The internet was built for humans. Agents need something different

    Google Cloud is not a company known for hedging its bets on technology cycles. Its presence at Consensus 2026 – and its active investment in blockchain payment rails – is as clear a signal as any that agentic commerce is being taken seriously at the highest levels of the technology industry.

    “The convergence of agentic AI, blockchain payments, and commerce is still in its early stages, but momentum is building,” says Rich Widmann, Google Cloud’s Global Head of Strategy for Web3. “Google is actively participating in open protocols like x402 and deepening partnerships across the Web3 ecosystem to help bring these use cases to scale.”

    Widmann is direct about where the friction lies: “The biggest friction points center on the fact that most products are still built for humans, not agents. Sign-ups, logins, and manual onboarding create barriers that slow agentic commerce down.”

    The rails race: x402, MPP, and the fight for the agentic stack

    If AI agents are going to transact at scale, they need payment infrastructure designed for them from the ground up. Two protocols are emerging as early contenders for that role, and both will have a presence at Consensus 2026.

    x402, the open payment protocol built on HTTP and championed by Coinbase, is designed to allow agents to pay for API access and digital services with stablecoins in a single, frictionless flow. Erik Reppel, x402’s founder and Head of Engineering at Coinbase, will be at Consensus making the case for why open, interoperable rails are the right foundation for the agentic economy.

    MPP (Machine Payments Protocol), developed by Tempo and backed by Stripe, offers another vision for how agents can negotiate and settle payments autonomously. The presence of both protocols at the same event – in front of 15,000 developers, investors, and enterprise decision-makers -makes Consensus the de facto arena where the early standard-setting debate gets played out.

    Also in the room: Stefano Bury, head of Virtuals Protocol, one of the leading platforms for deploying autonomous AI agents, and Chi Zhang, co-founder of Kite, whose team is building at the intersection of agent infrastructure and decentralized payments.

    CoinDesk University: From Theory to Implementation

    For attendees who want to go beyond the mainstage debates and into the mechanics of how to actually build and deploy agentic payments, CoinDesk University offers a structured, three-day curriculum that takes participants from first principles to advanced implementation -no prior crypto experience required.

    Day 1 lays the foundation. Afternoon workshops walk attendees through setting up a stablecoin wallet and business dashboard with Circle, then pivot to session on compliance, followed by back-to-back workshops on using OpenClaw and x402.

    Day 2 goes deeper into the stack, with sessions on building a full agentic infrastructure, managing agentic economy risks, and the increasingly urgent question of how to prove human identity in an AI-saturated world. By Day 3, the curriculum reaches masterclass territory: workshops on deploying AI trading bots with stablecoins, trading on prediction markets with autonomous agents, and a capstone Agentic Masterclass that brings the full arc together.

    The format is intentionally immersive. Each day pairs hands-on workshops with mainstage sessions, networking lunches, and “No Dumb Questions” Q&A sessions.

    The window is open. It won’t be open forever

    Agentic commerce is not a future state. It is an early-stage present, moving faster than most industries have had time to notice. The protocols being debated at Consensus 2026 could become the rails that trillions of dollars in machine-to-machine transactions run on. The regulatory frameworks being discussed could define what’s permissible for a decade.

    The people in the room at the Miami Beach Convention Center from May 5 to 7 will be the ones who had a voice in how this unfolds. Everyone else will be working with what they decided.

  • World Cup fever: Chiliz expands to Solana and Base to supercharge fan token trading

    World Cup fever: Chiliz expands to Solana and Base to supercharge fan token trading

    Sports-focused blockchain Chiliz is expanding its roster of over 70 fan tokens to Solana and Base, the Ethereum layer-2 network developed by Coinbase (COIN).

    Chiliz rolled out its own layer-1 network in 2023 to host the trading of its tokens, but is transitioning to what it calls “omnichain distribution,” according to an announcement on X on Tuesday.

    “By using an Omnichain Fungible Token (OFT) standard, fan tokens will exist on each supported chain with a unified supply, eliminating the need for wrapped tokens or fragmented liquidity pools,” Chiliz said.

    Fan tokens are digital assets that represent membership of a community such as a sports team’s fan base. Chiliz has developed over 70 such tokens, including tokens for some of Europe’s soccer giants like Paris Saint-Germain, Barcelona, Manchester City and Juventus. These teams use tokens to farm engagement from fans who are not in the stadium, by giving holders the chance to win exclusive rewards and voting rights on minor issues such as the colour of the players’ warm-up kit.

    Chiliz said it hopes that expansion to Solana and Base will give these tokens a major trading volume boost ahead of this summer’s FIFA World Cup. Chiliz already offers tokens representing the Argentina and Portugal teams with more expected to be unveiled in June.

    Read More: SportFi’s next act: onchain markets built around match-day results

  • Georgia and New Mexico Lose Major Studio Services Provider in Pivot With Dozens Of Staff Cuts

    Georgia and New Mexico Lose Major Studio Services Provider in Pivot With Dozens Of Staff Cuts

    For years, when industry pros talked about production flight it was usually about projects leaving traditional film and television hubs like Los Angeles and New York, enticed by new tax credits, cheaper workplaces and less regulation in other U.S. states (or overseas). While that’s still true, some of these rising players now may be feeling the pain of fickle production, too.

    In early March, the CEO of a major studio soundstage operator indicated that a few markets that had been seen as up-and-coming production players were now starting to experience some film and TV downturns. “L.A. and New York have seen a rise in production with the downfall of other markets like Albuquerque, New Mexico, New Orleans, Louisiana, Atlanta,” said Victor Coleman, who runs Hudson Pacific, the Sunset Bronson Studios owner where Netflix is a tenant in Los Angeles.

    Less than two months later, Hudson Pacific is pulling the plug on its studio services supplier Quixote operating in Georgia and New Mexico as well as laying off 70 staffers in Atlanta and Los Angeles as it pares back its footprint, a source familiar with the decision tells The Hollywood Reporter.

    In Georgia and New Mexico, Quixote operated a vehicle fleet along with offering production supplies for film and TV projects. In Los Angeles, the services firm is winding down leases at Quixote West Hollywood, which hosted commercial and music video shoots, as well as its Van Nuys lease at Quixote Central Valley (formerly named Chandler Valley Center Studios, aka the backdrop for NBC’s The Office.) The operator also leases Griffith Park Studios, which has an ongoing tenant, and will keep that location.

    “Quixote’s fleet, equipment and supply rentals remain fully operational and ready to support production needs,” Sean Griffin, svp of sales for Quixote, stated to THR. “For clients of Quixote’s soundstage and Atlanta operations, we are taking a phased, collaborative approach to minimize disruption, while continuing to deliver a high level of service during this transition period.” 

    Hudson Pacific acquired Quixote in 2022 for $360 million at the height of the Streaming Wars content bubble when soundstages were seen as a better bet than office space. The firm is a notable provider of equipment, lighting, vehicle rental and other services for film and TV shoots and employer for below-the-line workers on projects. (Those Star Waggons trailers parked on a typical movie set for talent? That’s Quixote, the vintage Star Waggons brand was sold to Hudson Pacific in 2021 as part of a $222 million deal to bulk up its services offering.)

    Since that Quixote buy in 2022, which Coleman described this March at a Miami investor conference as “not the best deal we’ve ever done,” major studios have pulled back on content spending, trimmed slates and dialed back episode orders from the days when the likes of HBO Max and Disney+ were in a global subscriber race with Netflix (they lost that race). The number of original series on TV networks and streamers has declined for three straight years since then, with 2025 marking an 11 percent drop in premieres from 2024, per data provider Luminate.

    Hudson Pacific is forecasting $21 million to $27 million in potential annualized cost savings from the move to wind down Quixote operations in Atlanta and relocate “select” equipment to Los Angeles and New York. Both New Mexico and Georgia saw dips in filming count and production spend to start 2026, per industry platform ProdPro. Georgia had once been home to Marvel Studios shoots, which have now largely decamped to the U.K.

    The moves also reflect the reality of occupancy rates at Hudson Pacific soundstages. The operator’s Hollywood stages are 96 percent leased while Quixote stages “reached 53.3 percent,” the company’s president Mark Lammas said on a late February earnings call, signaling lots of open space at leased soundstages.

    In a statement on Tuesday, Lammas added, “Quixote is taking steps to move away from leased soundstages and markets characterized by structural cost or demand disadvantages, which will allow Hudson Pacific to focus financial and operational resources on our office portfolio and higher performing segments of our studio business.”

    Those high performing segments include Sunset Studios, where Netflix is the anchor tenant at the ICON, the EPIC and CUE buildings as part of the complex on Sunset Boulevard until 2031. The streaming giant, however, is in final talks to buy the historic Radford Studio Center in Studio City, with speculation that it may look to make the complex its new Los Angeles headquarters. That could open up even more studio soundstage space in Hudson Pacific’s portfolio.

  • BAFTA-Winning ‘Under the Shadow’ Filmmaker Babak Anvari and Production Company Two & Two Pictures Sign With Range (EXCLUSIVE)

    BAFTA-Winning ‘Under the Shadow’ Filmmaker Babak Anvari and Production Company Two & Two Pictures Sign With Range (EXCLUSIVE)

    Range has signed BAFTA-winning filmmaker Babak Anvari and his production company Two & Two Pictures.

    The London-based, Iranian-born filmmaker’s feature directorial debut “Under the Shadow,” which he also wrote, premiered at the 2016 Sundance Film Festival. The Persian-language psychological supernatural horror film established Anvari as one of the biggest discoveries out of the festival and Netflix quickly acquired the film, later releasing it to continued critical acclaim. The film went on to win numerous festival awards, including the New Visions Award at Sitges. It was also selected as the United Kingdom’s entry for best foreign language film for the 89th Academy Awards and was nominated for two BAFTA Awards in 2017, winning for outstanding debut. It was also nominated for six British Independent Film Awards, winning for best screenplay among two other wins.

    Anvari’s second feature film “Wounds,” which he also wrote and produced, premiered at the 2019 Sundance Film Festival and screened at the Cannes Film Festival in the Director’s Fortnight section. The psychological horror film, starring Armie Hammer, Dakota Johnson and Zazie Beetz, was distributed by Hulu in the United States and Netflix internationally. His follow-up feature was “I Came By,” a neo-noir thriller with Netflix. Anvari’s most recent film, “Hallow Road,” starring Rosamund Pike and Matthew Rhys, premiered at SXSW in 2025 to acclaim.

    In television, Anvari served as an executive producer of “Monsterland,” a horror drama anthology series on Hulu, and also directed the series finale.

    Anvari is also the co-founder of Two & Two Pictures, a production company he launched with Lucan Toh. The London and Los Angeles-based company is focused on filmmaker-driven, elevated genre films aimed at a global audience. Two & Two’s films include Jean-Stéphane Sauvaire’s “Asphalt City,” which premiered in competition at the 2023 Cannes Film Festival; Yorgos Zois’ “Arcadia,” which premiered at the 2024 Berlin Film Festival; Max & Sam Eggers’ debut film, “The Front Room,” for A24; and Jim O’Hanlon’s “Fackham Hall,” starring Thomasin McKenzie and Damian Lewis. Next up, Two & Two produced Bassam Tariq’s “You Mother Your Mother Your Mother,” starring Mahershala Ali, for Orion MGM, which will be released later this year.

    Anvari continues to be represented by WME, Independent Talent Group and Ziffren Brittenham. Two & Two Pictures continues to be represented by WME and Ziffren Brittenham.