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  • Paramount Pitches Judge On November Start Of WBD Merger Antitrust Trial, While State AGs & WGA Propose April

    Paramount Pitches Judge On November Start Of WBD Merger Antitrust Trial, While State AGs & WGA Propose April

    Paramount wants a trial to start in November in the antitrust lawsuit brought by a dozen state attorneys general and the Writers Guild America. Not surprisingly, the state AGs and the guild want an April start to the proceedings.

    The sides outlined their proposals ina joint filing Friday, with the ultimate decision on scheduling left to the federal judge in the case, Araceli Martinez-Olguin.

    “The parties have discussed the trial schedule, but they have not reached agreement,” the parties wrote.

    The trial dates are hugely important for the transaction, and even Paramount’s proposed date likely will cost the company hundreds of millions. After September 30, Paramount will be on the hook for about $7 million for every day that the transaction doesn’t close, under an agreement with WBD that was a sweetener to the deal.

    A Paramount spokesperson said, “Our request for a November trial date is more than sufficient to give both sides the time they need to conduct discovery, gather evidence, and prepare for trial. Plaintiffs’ request to delay proceedings until April is nothing more than a stonewalling tactic that goes well beyond the timelines sought in similar prior proceedings and ignores the substantial evidence plaintiffs have already received in this matter. Delay will also harm the many individuals outside this courtroom who will be denied the expanded content offerings and industry stability that a combined Paramount-WBD promises to bring.”

    California Attorney General Rob Bonta, who is leading 12 states in the lawsuit, said in a statement, “Our challenge to the unlawful Warner Bros./Paramount merger is a clean-cut antitrust challenge through and through: it’s about protecting the vibrancy of an industry, the pockets of consumers, and the quality of films and television programs that take center stage in many of our lives. This challenge deserves careful and thorough review and today my office and attorneys general across the country asked the court for a trial date next spring. We are eager to continue to make our case and look forward to a final determination of the schedule by the court.”

    Last week, Paramount said it would not close the merger until June 1, 2027, or until days after the legal issues are resolved, and indicated it wanted to go directly to trial. Its announcement came just days after the judge granted the state AGs a temporary restraining order that prohibited the transaction from closing for 14 days, an order that was later extended to 28 days.

    The company spokeswoman said a trial “on the merits is the best and most direct way for us to prove what we’ve said from the start — this transaction is lawful, pro-competitive, and raises no antitrust concerns.”

    In the filing Friday, Paramount proposed a 12-day trial starting November 4 that would encompass the cases brought by the states and the WGA.

    Paramount also noted that the later date would give the judge “much less time to decide” the case by June, the outside date it had set for the merger to close, as well as time for the company to appeal.

    Among other things, they noted that the DOJ’s antitrust case seeking to block AT&T’s merger with Time Warner went to trial on March 19, 2018, four months after the federal government brought the case. Makan Delrahim, who is Paramount’s chief legal officer, was then the chief of the DOJ’s antitrust division; on the other side was attorney Daniel Petrocelli, representing Time Warner, and now representing WBD in this case.

    The company also noted that Bonta had last week favored a January trial start, but now was proposing a date four months later.

    “Given the stakes of this case, there is no basis and no time to delay for the sake of delay, particularly when delay significantly prejudices Defendants and the Hollywood ecosystem more broadly,” Paramount’s legal team wrote in the filing.

    The company also argued that Paramount and the WGA will have had sufficient time for discovery.

    Paramount’s legal team wrote, “State Plaintiffs had six-plus months before they filed their complaint to conduct unilateral discovery regarding the proposed transaction. State Plaintiffs also had the benefit of waivers granted by Defendants to enable the U.S. Department of Justice (DOJ) to share with State Plaintiffs all information and materials that Defendants produced to the DOJ. In sum, the discovery that State Plaintiffs received many months ago includes over two million documents from more than 80 of Defendants’ employees.”

    The company’s legal team noted that the later date would require them to refile merger materials with the Justice Department, which has already cleared the transaction, and that it would leave the creative community in a period of uncertainty, as Paramount plans to boost production to 30 films per year.

    The state AGs and WGA proposed a start of April 5, 2027, lasting at least 12-15 days, with each plaintiff presenting their cases sequentially.

    The state plaintiffs wrote that extensive discovery is needed, including of “the definition of the relevant product and geographic markets, the nature and scope of harm in those markets, whether expansion by other firms will prevent harm in those markets, and whether the merger will produce verifiable, merger-specific efficiencies sufficient to outweigh harm in those markets.”

    They pointed specifically to areas like Paramount’s assertion that the merger will generate billions in synergies, “a claim that Plaintiff States are entitled to test in discovery, including discovery of Defendants’ integration plans for their merged company.”

    The states noted that Paramount’s document productions “largely cut off” before the merger agreement was signed in February, leaving the plaintiffs with few internal documents about post-closing plans.

    The state AGs wrote, “Defendants’ pre-complaint productions also do nothing to address the need for discovery from third party customers and competitors. Importantly, no depositions of percipient fact witnesses from Defendants or third parties have occurred.”

    The states also contended that their schedule was “reasonable,” claiming that the 402 days from the signing of the merger agreement on February 27 to the proposed trial date “moves this case to trial more rapidly than virtually every merger case in recent history.” The AT&T-Time Warner trial started 513 days after the merger deal was signed, they noted, as opposed to when the DOJ lawsuit was filed. The state AGs also wrote that an April trial would still leave the judge with time to decide the case by June.

    The state AGs also called Paramount’s proposed schedule “one-sided,” arguing, “Their extraordinarily truncated schedule unfairly favors Defendants because they (1) have information Plaintiff States need to prove their case and (2) do not bear the burden of persuasion.”

  • ‘The Inbetweeners’ Reunion Movie in the Works at Netflix With Original Lead Cast to Return

    ‘The Inbetweeners’ Reunion Movie in the Works at Netflix With Original Lead Cast to Return

    The Inbetweeners” — the hit Brit teen comedy series from the late 2000s that spawned two successful spin-off films — is officially back.

    A reunion movie is now in the works at Netflix, Variety has confirmed, with the original lead cast of Simon Bird, Joe Thomas, Blake Harrison and James Buckley understood to be attached, although final deals are yet to be finalized.

    The news comes less than a year after rights holders Banijay U.K. revealed that it had struck a deal with “The Inbetweeners” creators Iain Morris and Damon Beesley and their Fudge Park Productions that, at the time, they said “paves the way for the return of the hit comedy title.” But it was then unknown in what shape or form — and on what platform — that return would look like.

    Netflix, it seems, has fallen for the show’s famed foul-mouthed library of hilariously puerile quotes.

    Originally broadcast on E4 in the U.K. between 2008 and 2010, “The Inbetweeners” follows the misadventures of suburban teenager Will MacKenzie (Bird) and his friends Simon Cooper (Thomas), Neil Sutherland (Harrison) and Jay Cartwright (Buckley) at the fictional Rudge Park Comprehensive as they navigated school life, friendship, male bonding, lad culture and failed sexual encounters. It was originally conceived as a more realistic counterpoint to fellow hit Brit teen show “Skins,” showcasing an adolescence that is awkward and — as Morris suggested at the time — mostly “crap.”

    After three seasons, two hit movies followed, released in 2011 and 2014 respectively. The first set a record for the biggest opening weekend for a U.K. comedy at the time of its release with the sequel also breaking box office records.

    “Incredibly exciting to be plotting more adventures for our four favourite friends (ooh friends),” Morris and Beesley said after the news that “The Inbetweeners” would return in 2025.

    Netflix declined to comment.

  • Coinbase’s Bitcoin Premium Index Has Been Negative for 75 Days: A Record Has Been Broken—What Does This Mean?

    Coinbase’s Bitcoin Premium Index Has Been Negative for 75 Days: A Record Has Been Broken—What Does This Mean?

    The negative premium period on the US-based cryptocurrency exchange Coinbase, caused by the Bitcoin price falling below Binance’s, has reached its longest period to date.

    According to CoinGlass data, the Coinbase Bitcoin Premium Index remained in negative territory for 75 consecutive days between May 19 and August 1. The index’s final value was recorded at -0.0959%, marking the longest period of negative premium seen since the indicator’s inception.

    The previous record was a 40-day streak of negative premium recorded between January 16 and February 24. The current period also significantly surpassed the approximately 30-day period of negative premium seen during the “October 10 crash” last year.

    Related News Five Major New Features Are Coming to XRP—Ripple Official Reveals

    The Coinbase Bitcoin Premium Index measures the difference between Bitcoin prices on Coinbase Pro and Binance. An index that remains in negative territory for an extended period indicates that the Bitcoin price on Coinbase is lower than on Binance. This typically signals weakening buying pressure or increasing selling pressure in the US market.

    However, concluding that US institutional investors are exiting Bitcoin or that there is capital outflow from the country based solely on this indicator is not considered accurate. The index can also be affected by market liquidity, trading hours, investor profiles, and regional demand differences between exchanges.

    *This is not investment advice.

  • Massive Attack Duo Banned From Singapore Over Palestinian Flag Display

    Massive Attack Duo Banned From Singapore Over Palestinian Flag Display

    Both members of Massive Attack have been permanently barred from re-entering Singapore after unfurling a Palestinian flag during the British trip-hop group’s concert in the city-state, according to a joint statement from the Singapore Police Force and the Infocomm Media Development Authority (IMDA).

    The statement said police investigated both band members for “their actions of support for a political cause and unfurling of a foreign flag” during the show at The Star Theatre on July 29. Following the investigation, and in consultation with the Attorney-General’s Chambers, police administered stern warnings to both men for offences under Section 3 of the Foreign National Emblems (Control of Display) Act 1949 and Section 16 of the Public Order Act.

    “Both men will also be banned from re-entering Singapore,” the statement said.

    According to the statement, the event organizer had acknowledged the licensing conditions attached to the concert beforehand, but both band members held up a “foreign flag” onstage during the performance, with one shouting “Free Palestine.” The IMDA said it is investigating a possible breach of several licence conditions, including one barring performers from displaying flags tied to any cause, and will act once that inquiry concludes. The regulator added it will not approve any future application for the band to perform in Singapore given the entry ban.

    The concert was the band’s only scheduled Singapore date on its current tour, with video of the flag display circulating widely online alongside footage of the crowd joining in chants of “Free Palestine.” The two men are Massive Attack’s founding members, Robert “3D” Del Naja and Grant “Daddy G” Marshall, who make up its current touring lineup; authorities did not name them in the statement.

    Singapore maintains strict rules on the public display of foreign flags and emblems without a permit, framing the laws as necessary to protect the country’s racial and religious harmony. The joint statement reiterated that position, with authorities saying they “take a serious view of acts which could potentially harm the racial and religious harmony in Singapore” and urging the public, including foreigners, “to refrain from importing foreign politics” into the country.

    “The peace and harmony between different races and religions in Singapore should not be taken for granted, and we must not let external events affect our society,” the statement said.

    Massive Attack has been among the more vocal acts in music in its support for Palestinian causes. Del Naja was arrested earlier this year during a demonstration in London tied to Palestine Action, a group proscribed in the U.K.

    Variety has reached out to Massive Attack’s representation for comment.

  • Paramount Pitches Judge On November Start Of WBD Merger Antitrust Trial, While State AGs & WGA Propose April

    Paramount Pitches Judge On November Start Of WBD Merger Antitrust Trial, While State AGs & WGA Propose April

    Paramount wants a trial to start in November in the antitrust lawsuit brought by a dozen state attorneys general and the Writers Guild America. Not surprisingly, the state AGs and the guild want an April start to the proceedings.

    The sides outlined their proposals ina joint filing Friday, with the ultimate decision on scheduling left to the federal judge in the case, Araceli Martinez-Olguin.

    “The parties have discussed the trial schedule, but they have not reached agreement,” the parties wrote.

    The trial dates are hugely important for the transaction, and even Paramount’s proposed date likely will cost the company hundreds of millions. After September 30, Paramount will be on the hook for about $7 million for every day that the transaction doesn’t close, under an agreement with WBD that was a sweetener to the deal.

    A Paramount spokesperson said, “Our request for a November trial date is more than sufficient to give both sides the time they need to conduct discovery, gather evidence, and prepare for trial. Plaintiffs’ request to delay proceedings until April is nothing more than a stonewalling tactic that goes well beyond the timelines sought in similar prior proceedings and ignores the substantial evidence plaintiffs have already received in this matter. Delay will also harm the many individuals outside this courtroom who will be denied the expanded content offerings and industry stability that a combined Paramount-WBD promises to bring.”

    California Attorney General Rob Bonta, who is leading 12 states in the lawsuit, said in a statement, “Our challenge to the unlawful Warner Bros./Paramount merger is a clean-cut antitrust challenge through and through: it’s about protecting the vibrancy of an industry, the pockets of consumers, and the quality of films and television programs that take center stage in many of our lives. This challenge deserves careful and thorough review and today my office and attorneys general across the country asked the court for a trial date next spring. We are eager to continue to make our case and look forward to a final determination of the schedule by the court.”

    Last week, Paramount said it would not close the merger until June 1, 2027, or until days after the legal issues are resolved, and indicated it wanted to go directly to trial. Its announcement came just days after the judge granted the state AGs a temporary restraining order that prohibited the transaction from closing for 14 days, an order that was later extended to 28 days.

    The company spokeswoman said a trial “on the merits is the best and most direct way for us to prove what we’ve said from the start — this transaction is lawful, pro-competitive, and raises no antitrust concerns.”

    In the filing Friday, Paramount proposed a 12-day trial starting November 4 that would encompass the cases brought by the states and the WGA.

    Paramount also noted that the later date would give the judge “much less time to decide” the case by June, the outside date it had set for the merger to close, as well as time for the company to appeal.

    Among other things, they noted that the DOJ’s antitrust case seeking to block AT&T’s merger with Time Warner went to trial on March 19, 2018, four months after the federal government brought the case. Makan Delrahim, who is Paramount’s chief legal officer, was then the chief of the DOJ’s antitrust division; on the other side was attorney Daniel Petrocelli, representing Time Warner, and now representing WBD in this case.

    The company also noted that Bonta had last week favored a January trial start, but now was proposing a date four months later.

    “Given the stakes of this case, there is no basis and no time to delay for the sake of delay, particularly when delay significantly prejudices Defendants and the Hollywood ecosystem more broadly,” Paramount’s legal team wrote in the filing.

    The company also argued that Paramount and the WGA will have had sufficient time for discovery.

    Paramount’s legal team wrote, “State Plaintiffs had six-plus months before they filed their complaint to conduct unilateral discovery regarding the proposed transaction. State Plaintiffs also had the benefit of waivers granted by Defendants to enable the U.S. Department of Justice (DOJ) to share with State Plaintiffs all information and materials that Defendants produced to the DOJ. In sum, the discovery that State Plaintiffs received many months ago includes over two million documents from more than 80 of Defendants’ employees.”

    The company’s legal team noted that the later date would require them to refile merger materials with the Justice Department, which has already cleared the transaction, and that it would leave the creative community in a period of uncertainty, as Paramount plans to boost production to 30 films per year.

    The state AGs and WGA proposed a start of April 5, 2027, lasting at least 12-15 days, with each plaintiff presenting their cases sequentially.

    The state plaintiffs wrote that extensive discovery is needed, including of “the definition of the relevant product and geographic markets, the nature and scope of harm in those markets, whether expansion by other firms will prevent harm in those markets, and whether the merger will produce verifiable, merger-specific efficiencies sufficient to outweigh harm in those markets.”

    They pointed specifically to areas like Paramount’s assertion that the merger will generate billions in synergies, “a claim that Plaintiff States are entitled to test in discovery, including discovery of Defendants’ integration plans for their merged company.”

    The states noted that Paramount’s document productions “largely cut off” before the merger agreement was signed in February, leaving the plaintiffs with few internal documents about post-closing plans.

    The state AGs wrote, “Defendants’ pre-complaint productions also do nothing to address the need for discovery from third party customers and competitors. Importantly, no depositions of percipient fact witnesses from Defendants or third parties have occurred.”

    The states also contended that their schedule was “reasonable,” claiming that the 402 days from the signing of the merger agreement on February 27 to the proposed trial date “moves this case to trial more rapidly than virtually every merger case in recent history.” The AT&T-Time Warner trial started 513 days after the merger deal was signed, they noted, as opposed to when the DOJ lawsuit was filed. The state AGs also wrote that an April trial would still leave the judge with time to decide the case by June.

    The state AGs also called Paramount’s proposed schedule “one-sided,” arguing, “Their extraordinarily truncated schedule unfairly favors Defendants because they (1) have information Plaintiff States need to prove their case and (2) do not bear the burden of persuasion.”

  • Paramount Pitches Judge On November Start Of WBD Merger Antitrust Trial, While State AGs & WGA Propose April

    Paramount Pitches Judge On November Start Of WBD Merger Antitrust Trial, While State AGs & WGA Propose April

    Paramount wants a trial to start in November in the antitrust lawsuit brought by a dozen state attorneys general and the Writers Guild America. Not surprisingly, the state AGs and the guild want an April start to the proceedings.

    The sides outlined their proposals ina joint filing Friday, with the ultimate decision on scheduling left to the federal judge in the case, Araceli Martinez-Olguin.

    “The parties have discussed the trial schedule, but they have not reached agreement,” the parties wrote.

    The trial dates are hugely important for the transaction, and even Paramount’s proposed date likely will cost the company hundreds of millions. After September 30, Paramount will be on the hook for about $7 million for every day that the transaction doesn’t close, under an agreement with WBD that was a sweetener to the deal.

    A Paramount spokesperson said, “Our request for a November trial date is more than sufficient to give both sides the time they need to conduct discovery, gather evidence, and prepare for trial. Plaintiffs’ request to delay proceedings until April is nothing more than a stonewalling tactic that goes well beyond the timelines sought in similar prior proceedings and ignores the substantial evidence plaintiffs have already received in this matter. Delay will also harm the many individuals outside this courtroom who will be denied the expanded content offerings and industry stability that a combined Paramount-WBD promises to bring.”

    California Attorney General Rob Bonta, who is leading 12 states in the lawsuit, said in a statement, “Our challenge to the unlawful Warner Bros./Paramount merger is a clean-cut antitrust challenge through and through: it’s about protecting the vibrancy of an industry, the pockets of consumers, and the quality of films and television programs that take center stage in many of our lives. This challenge deserves careful and thorough review and today my office and attorneys general across the country asked the court for a trial date next spring. We are eager to continue to make our case and look forward to a final determination of the schedule by the court.”

    Last week, Paramount said it would not close the merger until June 1, 2027, or until days after the legal issues are resolved, and indicated it wanted to go directly to trial. Its announcement came just days after the judge granted the state AGs a temporary restraining order that prohibited the transaction from closing for 14 days, an order that was later extended to 28 days.

    The company spokeswoman said a trial “on the merits is the best and most direct way for us to prove what we’ve said from the start — this transaction is lawful, pro-competitive, and raises no antitrust concerns.”

    In the filing Friday, Paramount proposed a 12-day trial starting November 4 that would encompass the cases brought by the states and the WGA.

    Paramount also noted that the later date would give the judge “much less time to decide” the case by June, the outside date it had set for the merger to close, as well as time for the company to appeal.

    Among other things, they noted that the DOJ’s antitrust case seeking to block AT&T’s merger with Time Warner went to trial on March 19, 2018, four months after the federal government brought the case. Makan Delrahim, who is Paramount’s chief legal officer, was then the chief of the DOJ’s antitrust division; on the other side was attorney Daniel Petrocelli, representing Time Warner, and now representing WBD in this case.

    The company also noted that Bonta had last week favored a January trial start, but now was proposing a date four months later.

    “Given the stakes of this case, there is no basis and no time to delay for the sake of delay, particularly when delay significantly prejudices Defendants and the Hollywood ecosystem more broadly,” Paramount’s legal team wrote in the filing.

    The company also argued that Paramount and the WGA will have had sufficient time for discovery.

    Paramount’s legal team wrote, “State Plaintiffs had six-plus months before they filed their complaint to conduct unilateral discovery regarding the proposed transaction. State Plaintiffs also had the benefit of waivers granted by Defendants to enable the U.S. Department of Justice (DOJ) to share with State Plaintiffs all information and materials that Defendants produced to the DOJ. In sum, the discovery that State Plaintiffs received many months ago includes over two million documents from more than 80 of Defendants’ employees.”

    The company’s legal team noted that the later date would require them to refile merger materials with the Justice Department, which has already cleared the transaction, and that it would leave the creative community in a period of uncertainty, as Paramount plans to boost production to 30 films per year.

    The state AGs and WGA proposed a start of April 5, 2027, lasting at least 12-15 days, with each plaintiff presenting their cases sequentially.

    The state plaintiffs wrote that extensive discovery is needed, including of “the definition of the relevant product and geographic markets, the nature and scope of harm in those markets, whether expansion by other firms will prevent harm in those markets, and whether the merger will produce verifiable, merger-specific efficiencies sufficient to outweigh harm in those markets.”

    They pointed specifically to areas like Paramount’s assertion that the merger will generate billions in synergies, “a claim that Plaintiff States are entitled to test in discovery, including discovery of Defendants’ integration plans for their merged company.”

    The states noted that Paramount’s document productions “largely cut off” before the merger agreement was signed in February, leaving the plaintiffs with few internal documents about post-closing plans.

    The state AGs wrote, “Defendants’ pre-complaint productions also do nothing to address the need for discovery from third party customers and competitors. Importantly, no depositions of percipient fact witnesses from Defendants or third parties have occurred.”

    The states also contended that their schedule was “reasonable,” claiming that the 402 days from the signing of the merger agreement on February 27 to the proposed trial date “moves this case to trial more rapidly than virtually every merger case in recent history.” The AT&T-Time Warner trial started 513 days after the merger deal was signed, they noted, as opposed to when the DOJ lawsuit was filed. The state AGs also wrote that an April trial would still leave the judge with time to decide the case by June.

    The state AGs also called Paramount’s proposed schedule “one-sided,” arguing, “Their extraordinarily truncated schedule unfairly favors Defendants because they (1) have information Plaintiff States need to prove their case and (2) do not bear the burden of persuasion.”

  • How bitcoin cold wallets lost $70 million in an attack that never touched the devices

    How bitcoin cold wallets lost $70 million in an attack that never touched the devices

    More than 1,000 bitcoin, worth about $70 million, was drained from 1,196 wallets in a 41-minute window on July 30, nearly double the amount reported when the theft first surfaced.

    Galaxy Research mapped the full event on Friday, finding 1,082.65 BTC swept between 01:10 and 01:51 UTC across six blocks, with three intervening blocks containing nothing, which suggests the transactions were broadcast in batches rather than continuously.

    The proceeds sit in four addresses and have not moved. Early reporting captured only one of those addresses, which is why the figure has grown.

    The size of the attack is much smaller than some of the bigger attacks this year, but the mechanism is what makes this unusually — and why the attack is such a big deal.

    Why the Coldcard wallet exploit is a bigger deal than most exploits

    Most crypto theft involves getting to something. An exchange is breached, a contract is tricked, a key is phished off a laptop. The defence has always been distance, which is precisely what a hardware wallet sells. Keep the key on a device that never connects to the internet and, theoretically, there is nothing for an attacker to touch.

    Most crypto thefts require reaching the key. This one rebuilt it. (Shaurya Malwa/CoinDesk)

    When a wallet is created, the device is supposed to pick a number so large and so unpredictable that guessing it is impossible.

  • Tiger Shroff to Star in Viccky Jain’s VJ Frames Launch Title, Directed by Remo D’Souza, With Abhishek Banerjee, Elvish Yadav Also Set (EXCLUSIVE)

    Tiger Shroff to Star in Viccky Jain’s VJ Frames Launch Title, Directed by Remo D’Souza, With Abhishek Banerjee, Elvish Yadav Also Set (EXCLUSIVE)

    Indian producer and entrepreneur Viccky Jain has launched a new production banner, VJ Frames, timed to coincide with his birthday.

    The company’s debut project is an action franchise directed by Remo D’Souza, starring Tiger Shroff, Abhishek Banerjee and Elvish Yadav.

    VJ Frames is positioned as a home for large-scale cinematic stories and commercial entertainers aimed at audiences across the India. The action franchise, developed through a creative collaboration between Jain and D’Souza, is described as combining high-octane action with dramatic storytelling.

    Jain, best known for his stint on “Bigg Boss 17,” is making his debut as a film producer with VJ Frames. Shroff was most recently seen in “Baaghi 4,” while Banerjee’s recent credits include “Thamma” and “Toaster.” D’Souza’s last directorial credit was “Be Happy,” starring Abhishek Bachchan.

    “Launching VJ Frames is a dream that has been years in the making, and I couldn’t have asked for a better occasion than my birthday to begin this journey,” Jain said. “Cinema has always inspired me, and with VJ Frames, I hope to create stories that entertain, connect with audiences, and leave a lasting impact. Beginning this journey with an ambitious action franchise alongside Remo and an incredible cast makes it even more special. This is just the beginning, and I’m excited for everything that lies ahead.”

    D’Souza added, “I’m really happy to be directing the first film from VJ Frames. Viccky has come on board with a clear vision and a genuine passion for cinema, and it’s exciting to be part of this journey with him. We’ve got a fantastic cast in Tiger Shroff, Abhishek Banerjee and Elvish Yadav, and I’m looking forward to creating something that’s entertaining, action-packed and enjoyable for audiences.”