Author: rb809rb

  • ‘The Remarried Empress’ Trailer: Shin Min-a, Ju Ji-hoon Face Royal Betrayal in Disney+’s Lavish K-Drama

    ‘The Remarried Empress’ Trailer: Shin Min-a, Ju Ji-hoon Face Royal Betrayal in Disney+’s Lavish K-Drama

    “For the first time, I began to wonder — Do I love my husband?”

    So begins the gently salacious first full trailer for Disney+ and Hulu’s sumptuous Korean romantacy series The Remarried Empress, which dropped Wednesday ahead of the series’ Nov. 4 streaming launch. (Watch the full trailer below.)

    The 10-episode show is a big-budget adaptation of the hit Naver Webtoon of the same name, which has accumulated nearly 3 billion views worldwide. The series ranks among Disney’s biggest Korean projects to date and was filmed across European locations as well as elaborate purpose-built palace sets.

    Shin Min-a stars as Navier, the beloved empress of the fictional Eastern Kingdom, whose seemingly impeccable royal marriage to Emperor Sovieshu (Ju Ji-hoon) begins to unravel when he falls for Rashta (Lee Se-young), a runaway slave newly arrived at court. As romantic loyalties shift and palace ambitions collide, Navier finds herself increasingly drawn toward Crown Prince Heinrey (Lee Jong-suk), heir to the rival Western Kingdom.

    When Sovieshu ultimately seeks to cast his wife aside, Navier agrees to his demands on one audacious condition: that she be permitted to remarry Heinrey. The ensuing romantic and political entanglement threatens not only the four characters’ relationships but the balance of power between their kingdoms.

    The show is directed by Cho Su-won, whose previous credits include I Can Hear Your Voice, Pinocchio and Still 17, from scripts by Yeoh Geena and Hyun Choong-yeol.

    Among Disney+‘s most anticipated international titles of 2026, The Remarried Empress will debut with four episodes Nov. 4 on Disney+ and Hulu, followed by two new installments each Wednesday through Nov. 25.

    Before its streaming launch, the series will make its world premiere at the Busan International Film Festival in October, where three episodes — running a combined 151 minutes — will screen in the festival’s On Screen section.

  • ‘Vivant’ Tops Asia Streaming Chart, First Japanese Drama to Lead, Report Finds

    ‘Vivant’ Tops Asia Streaming Chart, First Japanese Drama to Lead, Report Finds

    TBS drama “Vivant” outdrew every other streaming title across Asia last month, excluding China and India, becoming the first Japanese show to top ampd Analytics’ regional monthly ranking since the measurement firm began tracking the market.

    The finding comes from a new ampd Vision report titled “Vivant: A TV Broadcast Hit, Streamed.”

    “Vivant,” which launched its second season in July as part of TBS’s Sunday Theater slot, pulled in 15.6 million unique viewers regionwide in August, with 15.1 million watching in Japan alone. That figure equals a quarter of the 61.4 million viewers ampd tracks across Japanese VOD, according to the report from ampd Analytics, the streaming measurement arm of Media Partners Asia (MPA).

    The series follows Yusuke Nogi, a Japanese trading company employee drawn into an international conspiracy tied to a shadowy government intelligence unit known as Beppan. Season 2 picks up immediately after the first season’s cliffhanger and was shot partly on location in Azerbaijan.

    Much of that reach came through TVer, the free platform operated by Japan’s broadcast networks, which drew 10.2 million of the show’s viewers. Only two other titles have ever pulled 10 million viewers on one platform in a single market within a month, according to ampd: broadcasts of the World Baseball Classic in Japan and the Korean drama “Teach You a Lesson,” both distributed on Netflix. TBS made the new season available on TVer at no cost within an hour of its Sunday broadcast, reserving paid streaming exclusively for U-Next. That arrangement created a second viewing peak each week, on Monday nights, and 92% of viewers who came back for a new episode had already watched the previous one by the time it aired.

    The show’s popularity also lifted viewership of its first season elsewhere. Netflix’s audience for “Vivant” grew more than eightfold between May and August, from 300,000 viewers to 2.5 million, while U-Next’s viewership rose over the same period from 100,000 to 2 million. That shift happened even among subscribers who already had access to the show elsewhere: an estimated one in eight Prime Video subscribers and one in 10 Netflix subscribers in Japan chose to watch “Vivant” on TVer rather than on the services they already pay for.

    Beyond the streaming platforms, “Vivant” built a substantial following on YouTube, where related content drew 13.2 million viewers, nearly matching its VOD reach. That audience was spread across more than 1,600 videos posted by 450 channels, totaling 8.8 million hours watched at an average of almost 40 minutes per viewer. A companion show TBS produced alongside the drama, “Villains’ Meeting Room,” averaged more than 1.3 million viewers an episode.

    “‘Vivant’ is a distribution story as much as a content story,” said Sam Yousif, managing director of ampd Analytics. “A quarter of Japan’s tracked VOD audience watched one drama in a single month, and premium subscribers moved to a free platform to follow it. Japan is the largest VOD market we measure, with the closest relationship between broadcast and streaming anywhere in the region, and measuring a title today means measuring it everywhere it lives, including YouTube, where ‘Vivant’ reached almost as many people as it did on VOD.”

    The drama’s success did not extend much beyond Japan’s borders. Some 97% of all “Vivant” viewing came from local audiences, ampd found, a pattern consistent with Japanese dramas’ broader struggles abroad: they land in Netflix’s global top 10 outside Japan just 0.3 times a month on average, well behind Korean dramas at 4.1 times and Japanese anime at 1.4.

  • ‘Pride and Prejudice’ Premiere Date Set at Netflix, Full Cast Photos Unveiled

    ‘Pride and Prejudice’ Premiere Date Set at Netflix, Full Cast Photos Unveiled

    Bonnets at the ready: The six-part Pride and Prejudice is coming to Netflix Dec. 3.

    Series writer Dolly Alderton (Everything I Know About Love, Ghosts) gave the Jane Austen Festival in Bath, England the first full look at every single cast member, including Olivia Colman as Mrs. Bennet, Rufus Sewell as Mr. Bennet and Louis Partridge as the roguish Mr. Wickham.

    Also photographed below are Emma Corrin as our beloved protagonist Lizzy Bennet, Jack Lowden as the stony Mr. Darcy and Daryl McCormack as the doe-eyed Mr. Bingley. Freya Mavor co-stars as Jane Bennet alongside Jamie Demetriou as Mr. Collins, Rhea Norwood as Lydia Bennet, Siena Kelly as Caroline Bingley, Fiona Shaw as Lady Catherine de Bourgh, Hopey Parish as Mary Bennet and Hollie Avery as Kitty Bennet.

    Emma Corrin as Elizabeth Bennet in Netflix’s ‘Pride and Prejudice’

    Justin Downing/Netflix

    Jack Lowden as Mr. Darcy

    Justin Downing/Netflix

    In a year rife with regency drama for loyal fans — the world premiere of Focus Features’ Sense and Sensibility took place just last night, where THR caught up with stars Daisy Edgar-Jones and George MacKay — the series will “join the yearn-aissance in the autumn to faithfully bring Jane Austen’s iconic story back to life for audiences that cherish it, whilst inspiring a new generation to fall in love with it for the first time,” said Netflix.

    The streaming platform also confirmed on Wednesday that the six episodes “will hew closely to the 1813 novel — which has captivated readers for centuries with its ever-relevant social commentary, razor-sharp wit, and indelible love story — but also take some thoughtful creative turns.”

    Alderton said when the trailer was released in February: “Once in a generation, a group of people get to retell this wonderful story and I feel very lucky that I get to be a part of it. Jane Austen’s Pride and Prejudice is the blueprint for romantic comedy — it has been a joy to delve back into its pages to find both familiar and fresh ways of bringing this beloved book to life.”

    Check out the rest of the photos from Netflix’s Pride and Prejudice below.

    Rufus Sewell as Mr. Bennet

    Justin Downing/Netflix

    Daryl McCormack as Mr. Bingley

    Justin Downing/Netflix

    Louis Partridge as Mr. Wickham

    Justin Downing/Netflix

    Freya Mavor as Jane Bennet and Emma Corrin as Lizzy Bennet in Netflix’s ‘Pride and Prejudice’

    Justin Downing/Netflix

  • Bitcoin Exchange Binance Announces It Will Delist Four Altcoin Trading Pairs! Here Are Those Altcoins

    Bitcoin Exchange Binance Announces It Will Delist Four Altcoin Trading Pairs! Here Are Those Altcoins

    Cryptocurrency exchange Binance announced it will delist some trading pairs currently traded on the spot market. The exchange stated that it regularly reviews all spot trading pairs to protect users and maintain a high-quality trading market.

    According to a statement by Binance, following recent evaluations, trading on the BREV/$USDC, COOKIE/$USDC, LA/$USDC, and QNT/$USDC trading pairs will be terminated. These trading pairs are scheduled to be removed from the platform on September 18, 2026, at 06:00 AM.

    The exchange stated that decisions regarding the removal of spot trading pairs were based on multiple factors, with low liquidity and trading volume being particularly prominent. Binance noted that it periodically reviews market conditions and user experience for trading pairs.

    Trading in the delisted pairs will be halted on the specified date, after which no new buy or sell orders can be placed for those pairs. The announcement did not provide any further information on whether the removal of these trading pairs means that the tokens in question have been completely delisted from the Binance platform.

    Binance’s periodic review of spot trading pairs is among its practices aimed at maintaining liquidity and trading volume on the platform. The exchange states that it may make similar decisions for other trading pairs in the future in line with changes in market conditions.

    It is important for investors to check their open orders and positions in the relevant trading pairs before the changes take place on September 18th. While the removal of trading pairs will not directly affect the price of the tokens, it may limit trading options for the related assets on Binance.

    *This is not investment advice.

  • Oscars: Spain Selects ‘La Bola Negra’ for International Features Race

    Oscars: Spain Selects ‘La Bola Negra’ for International Features Race

    “La Bola Negra,” Javier Calvo and Javier Ambrossi’s Cannes Festival sensation, is Spain’s submission for the 2027 international feature film Academy Award.

    Rodrigo Sorogoyen’s “The Beloved, ”starring Javier Bardem, and Alauda Ruiz de Azua’s Goya and San Sebastián winner “Sundays” also figured in Spain’s international feature shortlist, arguably the strongest in Spanish history.

    Any other Oscar entry choice from Spain than “La Bola Negra,” announced Wednesday by Alejandro Amenábar on behalf of Spain’s Academia de Cine, would have been a shock.

    Amenábar, whose “The Sea Inside” won Spain’s most recent international feature Oscar in 2005, opened the envelope and announced “La Bola Negra” at the Academia de Cine’s Madrid headquarters.

    The choice came after a second-round vote by Academy members, following the Sept. 3 selection of “La Bola Negra,” “The Beloved” and “Sundays” as the country’s three shortlisted titles.

    World premiering in Cannes main competition, “La Bola Negra” first caught attention by scoring a 16 minute standing ovation at its world premiere on the Croisette. It caused a further splash winning best director, shared with Paweł Pawlikowski for “Fatherland.”

    Picked up by Netflix for the U.S. and later Canada, “La Bola Negra” again moved waves when Netflix announced that it would open the feature theatrically on Oct. 16, setting a 47-day U.S. theatrical window the longest form any movie in the streaming giant’s history, a sure indication that the film will feature strongly among the streamer’s awards priorities for the fall.

    Though already regarded as one of the frontrunners in the international feature film category, “La Bola Negra” is already being talked up as a candidate for multiple other categories. “La Bola Negra’ has mucho heat,” Variety has asseverated.

    Sweeping, unapologetically passionate and hugely ambitious, “La Bola Negra” braids three connected stories, each shot in a different film style, chronicling the travails and legacy of Spain’s gay experience in 1932, 1937 during the Spanish Civil War, and 2017. It picks up on the first four pages in an unfinished novel by legendary poet-playwright Federico García Lorca, bludgeoned and shot to death by Franco’s troops in 1936 for being a social activist and homosexual, “un maricón” in the Spanish macho slur.

    The film features a feisty turn from Penélope Cruz as a cabaret dancer and a cameo from Glenn Close as a modern-day hispanist, accompanying Spanish stars Miguel Bernardeau, Guitarricadelafuente, Milo Quifes and Carlos Gutiérrez in lead roles.

    From the get-go, the Javis set out to make “a super production that is auteur-driven but also very queer,” Ambrossi told Variety before the Cannes world premiere.

    Heavily researched, “La Bola Negra” reflects not only the ambitions of Los Javis, as its writer-director are known, but also Movistar Plus, the biggest Spanish pay TV/SVOD operator which produced with Los Javis newly launched Suma Content Films. It is co-produced by Pedro and Agustín Almodovar’s El Deseo and France’s Le Pacte, with the participation of Spanish network Atresmedia. Sales agent Goodfellas has practically sold out the world.

    After “lighting up” Telluride, Variety has reported, “La Bola Negra,” the film bowed Tuesday in Toronto. It won the Audience Award at Australia Sydney Festival, will open New York’s LGBTQ+ film festival NewFest on Oct. 15. “La Bola Negra” will have is Spanish premiere at the San Sebastián Festival on Saturday, where it has already sparked a feeding fever for tickets.

    The shortlist for the 2027 Oscar nominations will be announced by the Academy of Motion Picture Arts and Sciences on Dec. 15, with the final selection announced on Jan. 21. The 99th Academy Awards ceremony is scheduled to take place on March 14 in Los Angeles.

  • John Abraham Starts Shooting Ribhu Dasgupta’s Psychological Thriller ‘Guru’ (EXCLUSIVE)

    John Abraham Starts Shooting Ribhu Dasgupta’s Psychological Thriller ‘Guru’ (EXCLUSIVE)

    Principal photography has commenced on “Guru,” a Bollywood psychological thriller starring John Abraham and directed by Ribhu Dasgupta.

    The film also stars Danish Pandor, Arif Zakaria and Kitu Gidwani.

    Dasgupta is known for his work in the thriller genre. His credits include the Netflix series “Bard of Blood,” as well as “Girl on the Train” and “Te3n.” He is also attached to the upcoming “Section 84 IPC.”

    Set against a backdrop of unsettling mystery, “Guru” follows a man whose life begins to change when he realizes that something is not right, and that his memory and his reality are two distinct things. As strange events unfold around him, he starts questioning his own perception of reality and wondering whom he can rely on. The story brings together Abraham, Pandor, Zakaria and Gidwani in a plot where memory and reality steadily converge.

    “The world of ‘Guru’ is unsettling. Anything which has depth in terms of story, treatment and performance, at the same time gives you something to relish, excites and challenges a filmmaker. I have been wanting to collaborate with John for a long time and ‘Guru’ is that script with that destiny,” Dasgupta said.

    “‘Guru’ is the kind of story that stays with you long after you’ve read it. What drew me to the film was the uncertainty at its core – when you can’t trust your own memory, reality itself becomes a question. The storyline is layered, unsettling and deeply intriguing, and I’m excited for audiences to experience it,” Abraham added.

    The film is produced by Authum Entertainment, Shibasish Sarkar, JA Entertainment and Fusion Flicks.

  • Bitcoin Exchange Binance Announces It Will Support Network Upgrade and Hard Fork of This Altcoin!

    Bitcoin Exchange Binance Announces It Will Support Network Upgrade and Hard Fork of This Altcoin!

    Cryptocurrency exchange Binance has announced it will support the network upgrade and hard fork on the Vana (VANA) network. According to the exchange’s statement, deposit and withdrawal operations on the VANA network will be temporarily suspended during the update process to ensure the secure management of users’ assets.

    Binance will halt these transactions on September 21, 2026, at approximately 2:29 PM. The upgrade and hard fork on the Valve network is planned to take place at block height 10,229,958, at approximately 3:29 PM.

    The exchange specifically stated that trading of tokens on the Valve network would not be affected during the network upgrade. Accordingly, users will be able to continue trading VANA on the Binance platform, even though deposit and withdrawal transactions conducted through the affected network will be temporarily suspended.

    Binance also announced that it will handle all necessary technical operations for the upgrade and hard fork on behalf of users. Therefore, users will not need to take any additional action to support the network upgrade.

    Deposit and withdrawal operations will be reopened once the Valve network is deemed to be operating stably and securely following the completion of the upgrade. Binance stated that it will not issue a separate announcement regarding the resumption of these operations.

    Network upgrades and hard forks can cause changes to the technical infrastructure of blockchain networks. Binance’s recent announcement reveals that certain parts of the exchange’s services will be temporarily restricted during a planned technical change to the Valve network. It is important for users to take the specified times into account when planning their transactions.

    *This is not investment advice.

  • Republican forces Congress to hold impeachment vote for Pete Hegseth

    Republican forces Congress to hold impeachment vote for Pete Hegseth

    United States Representative Thomas Massie is forcing fellow Republicans to vote whether to impeach Secretary of Defense Peter Hegseth over the US war on Iran. A recent poll found fewer than a third of Americans support the war.

  • Ethereum, Base give up on common wallet standard after months of talks

    Ethereum, Base give up on common wallet standard after months of talks

    Ethereum is working on EIP-8141, known as Frame Transactions. Base developed a competing proposal called EIP-8130. Both are drafts that change the rules around who can approve a transaction, who pays for it and what happens after it is approved.

    Ethereum wants its version to preserve privacy, censorship resistance and security as wallets become more programmable. The proposed standard is also designed to make it easier for accounts to move away from the cryptography most Ethereum wallets use today if quantum computers eventually make it unsafe.

    Base, on the other hand, wants more freedom to optimize transactions for high volumes and different kinds of applications, including systems with compliance requirements.

    Chiang said attempts to force a common standard eventually meant one side would have to give up features it considered important.

    Ethereum and Base give up on common wallet standard after months of talks. (Shaurya Malwa/CoinDesk)

    Ethereum is now pushing Frame Transactions toward Hegotá, its planned upgrade after Glamsterdam, which is scheduled for later this year. The Ethereum Foundation this month put EIP-8141 among the execution-layer features it says must ship with Hegotá.

    That gives the proposal priority rather than a guarantee. EIP-8141 is still being developed and is not running on Ethereum today.

    Read More: Ethereum commits to letting users pay gas fees without having to hold $ETH

  • Judge Blocks Donald Trump’s Name From Being Returned To Kennedy Center Facade

    Judge Blocks Donald Trump’s Name From Being Returned To Kennedy Center Facade

    A federal judge has again weighed in on the Kennedy Center‘s effort to brandish Donald Trump‘s name on the complex, blocking the institution from inscribing his name on its facade and designating its grounds for him.

    “Simply put, Defendants cannot install memorials for President Trump or anyone or anything else at the Kennedy Center without Congress’s blessing,” U.S. District Judge Christopher Cooper wrote in a ruling on Tuesday.

    Last spring, Cooper ruled that the center had to remove Trump’s name from the building and other materials. The board, dominated by the president’s supporters, voted to designate the center as the “Trump Kennedy Center” months earlier. Since complying with his order, a tarp has covered the front facade and its official designation, The John F. Kennedy Memorial Center for the Arts.

    Read the judge’s order on putting Trump’s name on the Kennedy Center.

    In August, the board voted for a new proposal, one that would add Trump’s name as many as three times to the complex.

    On the facade, below its official name, “The John F. Kennedy Memorial Center for the Performing Arts,” there would be an additional line reading “Restored and Renovated by President Donald J. Trump.”

    The board also voted to designate “the physical site and grounds upon which the center sits” as the “President Donald J. Trump Plaza.”

    Cooper did not rule on another proposal adopted by the board to add another line on the facade, reading, “Endowed by the Trump Kennedy Center Fund.” Such a designation is contingent on $100 million being raised for the endowment, and the judge ruled that because such an inscription is not about to happen imminently, the court “need not settle now whether it violates the permanent injunction.” But he expressed skepticism that even that inscription would be allowed, writing that it “appears to be another verboten memorial.” He required the center to give him at least 60 days notice before installing the inscription.

    The Kennedy Center is appealing the judge’s original ruling, which also prohibited the institution from embarking on a plan to close for two years for renovations. Cooper did not bar the center from closing, only that the board had to give a fuller consideration of the impact of such a shutdown.

    In August, the board adopted a new plan to close much of the complex for the renovations, while programming would still take place at The Reach, an extension of the center that opened in 2019. But that venue is only capable of hosting smaller productions, not Broadway scale shows or the National Symphony.

    On Tuesday, the board was expected to meet to consider a new resolution that would immediately close the main building. The resolution cited a recent incident in which a portion of the center’s ceiling collapsed following a rainstorm.

    Board members also were given a draft resolution that presented ten naming proposals for Trump, with an added sense of urgency: The center, it said, was facing financial ruin, and the president has offered to “step in and raise the necessary funds to keep the Center from bankruptcy during its much needed renovation.” The resolution added that the board “is seeking to appropriately recognize and acknowledge President Trump for his well timed proffer of fiscal rescue. The Board understands that without such appropriate recognition it is unlikely that President Trump will provide the fundamental oversight of the renovation of the main building and lead the fiscal rescue of the Center.” The center’s attorneys indicated that the new naming proposal would not come up at Tuesday’s meeting, but that it would focus on closure plans.

    The acknowledgement that the center has run into financial difficulties is not a surprise: There has been little major programming since July. But ticket sales also fell last year, when Trump took control of the center, installed his own board members and president, and ensured that he would become its chairman. He also ousted the previous chairman, David Rubenstein, who had been one of the center’s largest benefactors. After Trump’s name was added to the complex, a number of artists backed out of performances in protest.

    In his latest ruling, the judge accused the DOJ attorneys representing the center of playing “word games,” concluding that Congress designated the complex solely as a memorial to Kennedy. The law prohibits “additional memorials or plaques in the nature of memorials . . . in the public areas of the John F. Kennedy Center for the Performing Arts.”

    The judge wrote that “common sense dictates that the words ‘renovated and restored by President Donald J. Trump’ establish a memorial.”

    He wrote that his injunction “does not just prohibit the Board from renaming the institution the ‘Trump Kennedy Center.’ It also enjoins the creation of any ‘public memorial’ to anyone or anything other than President Kennedy, except in a few statutorily delineated ways that are not relevant here.”

    The judge also concluded that renaming the grounds also would violate the law’s designation for Kennedy.

    “Congress surely did not intend for the Board to auction off naming rights to constituent parts of the campus,” he wrote.

    Cooper also responded to the center’s claims that having Trump’s name inscribed was critical to raising money for the center, and potentially saving it from ruin. He noted that the center’s attorneys had lacked evidence for that contention, and “evidence before the Court pointed in the opposite direction: The renaming of the Center coincided with declines in revenue and contributions, as artists cancelled performances, the Washington National Opera ended its 50-year residency, and ticket sales and viewership of the Kennedy Center Honors broadcast dropped precipitously”

    Trump posted on Truth Social after the latest decision that the center is in “virtual state of collapse.” “The Judge has made us keep it open even though there are no performances, and no people that would have the Courage to even go in. The Board of The Kennedy Center has strongly voted to save it, and they know I’m the only one who can do so, because I have the ability to raise the money, and the ability to construct — that few others have. I also have the strength and power of the Presidency, which will be needed do what must be done, and give it a strong shot at Greatness again! Remember, The Kennedy Center was losing Hundreds of Millions of Dollars when I took over. It was failing badly! It had nothing to do with me, I am only there to help. I just got there to reveal the facts, but especially those concerning Building Safety. A very hostile and conflicted Judge (What else is new?) seems like he won’t let that happen, in which case, unfortunately, the Building is destined to doom. Isn’t that too bad? We have already wasted more than 6 months ‘playing around’ in Court.