Author: rb809rb

  • Nepali Drama ‘Shakti’ Sets Prime Video Debut in U.S. and U.K. (EXCLUSIVE)

    Nepali Drama ‘Shakti’ Sets Prime Video Debut in U.S. and U.K. (EXCLUSIVE)

    Shakti,” the debut narrative feature from filmmaker Nani Sahra Walker, will make its digital bow on Prime Video across the U.S. and U.K. on May 22, with a trailer unveiled ahead of the launch. Buffalo 8 handles distribution.

    The film unfolds in Kathmandu, where a mother races to shield her nine-year-old daughter from a sudden and troubling change – a journey that forces both characters to reckon with trauma and with a legal system ill-equipped to deliver justice. At its center, the story takes aim at Nepal’s time limits on prosecuting sexual violence, reflecting wider pressure for legislative accountability.

    Walker’s prior credits include the documentary “Other Nature,” which she directed, and the Academy Award-winning short “The Last Repair Shop,” on which she served as executive producer.

    “Shakti” gathered prizes across a run of prominent international festivals, including the Heartland International Film Festival, the Santa Barbara International Film Festival, the International Film Festival of India and the Hawaii International Film Festival. Before it reaches streaming audiences, the film will appear at the 44th CAAMFest – presented by the Center for Asian American Media – in the San Francisco Bay Area on May 10.

    “The conversations we’ve seen at festivals – especially with younger audiences – point to an urgent demand for stories that confront the abuse of power in society,” Walker said.

    “Every gatekeeper who called this story ‘too taboo’ only reinforced the film’s point. Naming these realities is the first step toward dismantling that culture,” Walker added.

    Keiko Nakahara served as director of photography. The cast includes Laxmi Bardewa, Menuka Pradhan, Shristi Shrestha, Maoste Gurung and Akash Nepali, with Polina Oli making her screen debut. Snehal Fulzele and Vrushali Satarkar financed the project, with additional backing from the Gerbode Foundation and the ARRI International Support Program.

    “As Dalit entrepreneurs, supporting ‘Shakti’ was deeply personal for us. The film confronts uncomfortable truths with rare authenticity, and we believe stories like this have the power to shift perspectives and spark meaningful change,” Fulzele and Satarkar said.

    William Ryan Fritch composed the score, which Buffalo 8 Music has distributed globally. The album incorporates an original track, “Naam,” from Nepali rapper Dmriti, alongside sarangi contributions from musician Shyam Nepali.

    Watch the trailer here:

  • Keira Knightley, Luke Thompson and Stephen Dillane to Star in ‘The Lives of Others’ Stage Adaptation on the West End

    Keira Knightley, Luke Thompson and Stephen Dillane to Star in ‘The Lives of Others’ Stage Adaptation on the West End

    Keira Knightley, “Bridgerton” star Luke Thompson and Stephen Dillane (“The Hours,” “Game of Thrones”) are set to lead a stage adaptation of Florian Henckel von Donnersmarck’s Oscar-winning 2007 film “The Lives of Others” on London’s West End.

    Adapted and directed by Olivier winner Robert Icke and produced by Sonia Friedman Productions, the play will world premiere at the Adelphi Theatre on Oct. 29, with previews from Oct. 14, and will run through Jan. 9, 2027. The film, which won the international feature Oscar, centers around the covert audio surveillance of East Berlin residents by a senior operative for East Germany’s secret police, aka the Stasi.

    “Listening changes everything,” the play’s plot description reads. “1984. East Germany. A writer and an actor are placed under state surveillance. From the attic above their apartment, their Stasi man listens for evidence of subversion. But to observe a life is to risk changing your own.”

    “The Lives of Others” is the latest collaboration between Icke and Friedman, who has produced his acclaimed works including “Oedipus,” “Manhunt,” “Hamlet,” “The Doctor,” “Oresteia” and “1984.” It also marks a reunion for Knightley and Friedman after “The Children’s Hour.”

    The set is designed by Hildegard Bechtler with lighting design by Jon Clark, sound design by Giles Thomas and original music from “Hamnet” composer Max Richter.

    I’ve been obsessed with The Lives of Others ever since I first saw it — Florian Henckel von Donnersmarck’s exquisite, haunting, and completely masterful film, and there is no one better than Robert Icke to bring this to life onstage. He has this rare ability to combine huge ideas with real emotional truth, and I know he and the company will find a way to realize it that feels both unexpected and completely thrilling.

    “Set in East Berlin in 1984 — a world where nothing is private, every word carries consequence and the state holds power not just over lives, but over thought, speech and imagination itself, this world premiere is a reminder of how fragile those freedoms are, and of the cost and courage required to hold on to them,” Friedman said in a statement. “What I love most about it is that it’s both epic and intimate — incredibly beautiful, sad and deeply moving — and at its heart, it’s an unlikely story about kindness. A story about connection and compassion in the most unexpected places.”

    Friedman added: “To have a company led by Keira Knightley, Stephen Dillane and Luke Thompson at the Adelphi Theatre this autumn makes it all the more special. And in an extraordinary coup, we’re incredibly excited that Max Richter will be composing new music for the production. Max is one of the great composers of our time, and his work has a depth and emotional truth that has the potential to break our hearts. I really can’t wait to share it with audiences.”

    Tickets are now on sale via the play’s website. Prices start from £25, with over 36,000 seats (25% of those available) selling at under £35.

  • OpenClaw Insider Builds the Enterprise Safety Layer the Project Never Shipped

    OpenClaw Insider Builds the Enterprise Safety Layer the Project Never Shipped

    In brief

    • Tank OS packages OpenClaw as a bootable system image.
    • With this implementation, each agent runs in an isolated container with its own credentials, and no instance can access the host machine or other agents.
    • Security audits flagged 12–20% of ClawHub add-ons as malicious.

    Red Hat principal software engineer Sally O’Malley spent a weekend solving a problem most enterprise IT teams don’t know they have yet. The result is Tank OS, an open-source tool that packages OpenClaw—the hot new software that makes it easy to deploy AI agents—inside a secure, self-contained environment and delivers it as a ready-to-boot system image you can push to any machine: a cloud server, a virtual machine, or physical hardware.

    In other words, if you (or your agent) screw things up, this level of isolation would contain the damage to within “it’s fine” territory.

    Instead of manually installing OpenClaw on each computer and hoping someone configured it correctly, you publish one image—a complete snapshot of the operating system plus the agent—and every machine that boots from it gets the exact same setup. Updates work the same way: swap the image, reboot, done. No manual patching.

    The security piece is where Tank OS earns its name. Each OpenClaw instance runs inside a container—a kind of walled-off box inside the computer that can’t reach outside its own boundaries.

    Critically, O’Malley used Podman, a container tool developed at Red Hat, which runs without administrator privileges. That means even if something goes wrong inside the container, it can’t touch the rest of the machine.

    API keys—the “passwords” that connect OpenClaw to services like email or Slack and make it possible for your machine to communicate with all those services—are stored separately per instance. One agent can’t see another’s credentials. Nothing inside the container can reach the host system.

    O’Malley is herself an OpenClaw maintainer, meaning she helps creator Peter Steinberger decide which features ship and which bugs get fixed, with her specific focus on enterprise use cases and Red Hat’s Linux ecosystem. Tank OS isn’t a third-party patch. It reflects where someone inside the project thinks enterprise hardening actually needs to go.

    Security in the agentic AI era is extremely important, considering that now just about everyone is using these tools, but not many know what they actually do to operate. This creates an open-door invitation for technically savvy hackers and attackers.

    For example, security researcher Mav Levin of DepthFirst disclosed CVE-2026-25253 in late January—a vulnerability rated 8.8 out of 10 on the severity scale used by security researchers worldwide. It was a one-click attack: visiting the wrong webpage while OpenClaw was running was enough to hand an attacker your login credentials and full control of your computer. The fix shipped January 30. More than 17,500 exposed instances were vulnerable before it did.

    This repository is aimed at Red Hat’s customer enterprises, but the idea of running agents in containers may be good advice even for home users.

    “My role within OpenClaw is really my interest in it,” O’Malley told TechCrunch. “How it’s going to look scaled out when there are millions of these autonomous agents talking to one another.”

    Tank OS is available now at github.com/LobsterTrap/tank-os.

  • What is the Technical Outlook for Bitcoin, Ethereum, XRP, and Solana? What Could Happen to the Price? Here’s the Technical Outlook

    As cryptocurrency markets enter the new week with a volatile outlook, a recent assessment shared by analyst Aaron Dishner highlights critical technical levels, particularly for Bitcoin and Ethereum.

    According to the analysis, although there are signs of short-term strength in the market, the downside risks are increasing in the coming period.

    Bitcoin testing the upper band of the daily TBO Cloud three times in the last seven days indicated a strong short-term outlook. However, Monday’s 1.64% drop revealed the fragility of this rise. The analyst notes that this pattern is similar to the period between November 2021 and January 2022, when a recovery was seen after a 52% retracement from the peak. Now, the most critical signal for the market is a potential TBT negative divergence with a large red candle.

    From a technical perspective, Bitcoin’s short-term support structure is showing signs of weakening. Following the loss of the steepest trend line on April 24th, the first significant support level is said to be just below $74,000. A potential pullback towards this level could mean a break below the RSI support and trigger further selling pressure. Furthermore, the liquidation of approximately $2.61 billion in long positions at the $76,780 level is another factor increasing market fragility.

    Related News BREAKING: Major Bitcoin Bull Firm Strategy Launches Key Vote on STRC

    Ethereum shows more weakness. Having lost 2.78% on Monday, ETH fell below both the support trendline and the daily TBO Fast level. The RSI indicator also approaching the loss of support suggests that the downward movement may continue. According to the analyst, if Bitcoin falls to $60,000 (a 22% drop), Ethereum could lose over 23% in a similar scenario, outperforming $BTC in the process.

    On the other hand, the first TBT positive divergence seen in stablecoin dominance (since July 2025) is historically considered a harbinger of sharp pullbacks in Bitcoin. This is interpreted as a macro-level risk signal across the market. Simultaneously, the fact that Bitcoin dominance ($BTC.D) is trading sideways around 60.5 and the RSI is forming lower peaks strengthens the possibility that investors will return to Bitcoin in the event of a potential decline.

    In the altcoin market, pressure is steadily increasing. The fact that large projects like XRP and SOL are falling back under the TBO Cloud is noteworthy, while smaller assets with market cap like ZEC are showing signs of negative divergence. Projects that have recently experienced growth, such as HYPE and NEAR, are showing signs of fatigue. Furthermore, the rejection of XLM from the Fibonacci 0.382 level and the fragile nature of memecoins like SPX6900 and ZBCN highlight the increasing risks in the altcoin market.

    *This is not investment advice.

  • Locarno Film Festival 2026 Poster Features Cindy Sherman’s “Ecstatic Gaze”

    Locarno Film Festival 2026 Poster Features Cindy Sherman’s “Ecstatic Gaze”

    U.S. photographer and artist Cindy Sherman designed the poster for the 79th edition of the Locarno Film Festival, which was unveiled on Wednesday. It features a character created by Sherman, rendered in stark black and white and wrapped in a yellow leopard-spotted headscarf.

    The leopard is the public image of the Locarno fest, which hands out the Golden Leopard as its top prize. Reinterpreting Locarno’s iconic leopard “through her signature language of masquerade and transformation,” Sherman “pays tribute to the festival’s historical image of itself,” the fest said. “A constructed character appears in stark black and white, framed by a billowing leopard‑print scarf rendered in a vivid, blazing yellow, suggesting both glamor and camouflage, revelation and disguise.”

    Said Maja Hoffmann, president of the Locarno Film Festival: “Cindy Sherman is one of the most influential artists of our generation. She transformed the way we perceive the world by using the camera not to document reality, but to expose how identity is staged, performed, and shaped by culture.” 

    Locarno artistic director Giona A. Nazzaro noted: “Sherman’s work asserts the inalienable right to self-expression and to the authorship of one’s own narratives in a moment in which alternative realities have increasingly started to replace the truth. In an age marked by global digital narcissism, the body re-emerges as a central medium through which we redefine both the role of images and our relationship to them. Draped in a leopard-patterned fabric, Sherman’s ecstatic gaze conveys a powerful tension between defiance and beauty – one that transcends the image itself, projecting outward into the world with a dreamlike intensity.”

    Locarno 2026 takes place Aug. 5-15. 

  • Producers on the Move Program Reveals Cannes Candidates With Credits Including ‘Sirât,’ ‘September 5,’ ‘Smoke Sauna Sisterhood,’ ‘DJ Ahmet’

    Producers on the Move Program Reveals Cannes Candidates With Credits Including ‘Sirât,’ ‘September 5,’ ‘Smoke Sauna Sisterhood,’ ‘DJ Ahmet’

    European Film Promotion and its member organizations have revealed the 20 up-and-coming producers selected for the 27th edition of its networking program Producers on the Move, taking place during the Cannes Film Festival. The credits of the selected participants include “Sirât,” “September 5,” “Smoke Sauna Sisterhood” and “DJ Ahmet,” and Cannes 2026 competition title “The Dreamed Adventure.”

    The producers are Lixi Frank (Austria), Roxanne Sarkozi (Belgium), Constantinos Nikiforou (Cyprus), Dagmar Sedláčková (Czech Republic), Maria Møller Kjeldgaard (Denmark), Marianne Ostrat (Estonia), Daniel Kuitunen (Finland), Julie Billy (France), Philipp Trauer (Germany), Danae Spathara (Greece), Sunna Guðnadóttir (Iceland), Julianne Forde (Ireland), Stefano Centini (Italy), Marion Guth (Luxembourg), Olivia Sophie van Leeuwen (The Netherlands), Ivana Shekutkoska (North Macedonia), Agata Novinski (Slovak Republic), Xavi Font (Spain), Linda Mutawi (Sweden) and Michela Pini (Switzerland).

    Two of the producers are attached to titles in the Cannes official selection: Lixi Frank of Panama Film from Austria is producer of Sandra Wollner’s “Everytime,” screening in Un Certain Regard, and co-producer of Valeska Grisebach’s competition entry “The Dreamed Adventure.” Italy’s Stefano Centini of Volos Films is aboard Jorge Thielen Armand’s “Death Has No Master,” which has been selected for Directors’ Fortnight.

    Several participants are linked to internationally recognized productions, including recent submissions to the Academy Awards’ International Feature Film category: Marianne Ostrat of Alexandra Film from Estonia was behind “Smoke Sauna Sisterhood” (2023), which won the Directing Award at the World Cinema Documentary Competition at Sundance. Icelandic producer Sunna Guðnadóttir of Bjartsýn Films is associated with “Beautiful Beings” (2022), Iceland’s Oscar submission.

    The group also includes Xavi Font of ZuZú Cinema, Spanish producer of Cannes jury prize winner “Sirât” (2025), which was nominated twice for the Academy Awards as well as Swedish producer Linda Mutawi of Fikra, whose credits comprise Sweden’s Oscar entry “Eagles of the Republic” (2025), which premiered last year in the Cannes Film Festival competition.

    Further names in this year’s lineup are Julie Billy from France of June Films, whose film “The Little Sister” (2025) by Hafsia Herzi earned Nadia Melliti the best actress award at Cannes, Philipp Trauer from Germany of BerghausWöbke Filmproduktion, associated with “September 5” (2025), which was nominated for both an Oscar and a Golden Globe, as well as Finnish producer Daniel Kuitunen of Komeetta and his film “Nightborn” (2026), which premiered in this year’s Berlinale Competition, starring former Shooting Star Seidi Haarla.

    Ivana Shekutkoska of Minimal Collective from North Macedonia is one of the two producers of “DJ Ahmet” (2025), produced by Cinema Futura, which received the special jury award for Creative Vision and the audience award at the Sundance Film Festival 2025, while Julianne Forde of Tailored Films from Ireland produced “The Apprentice,” which received nominations at the Oscars, BAFTAs and Golden Globes.

    Danish producer Maria Møller Kjeldgaard of Manna Film was behind Isabella Eklöf’s “Kalak” (2023), which won the special jury prize at the San Sebastián Film Festival in 2023.

  • What Is Ethereum’s True Fair Value?

    What Is Ethereum’s True Fair Value?

    Simon Seojoon Kim, CEO of crypto asset management company Hashed, has developed a comprehensive valuation tool for Ethereum. Called “ETHval,” the model aims to offer investors a broader perspective by calculating Ethereum’s “fair value” using 12 different methodologies.

    According to the developed model, Ethereum’s current price is $2,291.5, while the “composite fair value,” calculated from the combination of 12 models, is $4,222. This suggests that the asset may be approximately 84% “undervalued.”

    Related News XRP’s Sharpe Ratio Has Risen Significantly: What Does This Mean?

    ETHval brings together 12 different valuation approaches grouped under four main categories. Traditional finance models evaluate staking DCF, price-to-sales ratio (P/S), fee revenue, and validator economics; while the on-chain asset value category highlights TVL multiplier and implementation capital. Network impacts utilize metrics such as Metcalfe’s Law, the $ETH monetary model, and ecosystem consensus volume; and supply scarcity is assessed by indicators like staking scarcity and liquidity premium.

    Looking at the model details, metrics such as Metcalfe’s Law ($4,972), the staking-based DCF model ($6,873), and the validator economy ($5,476) reveal significant upside potential for Ethereum.

    On the other hand, some traditional multiplier-based indicators paint a more cautious picture. P/S ratio and fee revenue models, at $16 and $25 respectively, suggest that Ethereum may be “overvalued” according to these metrics.

    *This is not investment advice.

  • Yash’s ‘Toxic’ Release Pushed Back to ‘Later, Globally Aligned Date’

    Yash’s ‘Toxic’ Release Pushed Back to ‘Later, Globally Aligned Date’

    Yash fans will have to wait a bit longer for their idol’s much anticipated next film.

    The release of “Toxic: A Fairytale for Grown-Ups” has been postponed from its June 4 date to accommodate a broader global theatrical rollout following strong reception at CinemaCon, producers KVN Productions and Monster Mind Creations announced.

    The film’s presentation to global distributors and industry stakeholders at the annual exhibition trade show generated sufficient interest to warrant rescheduling while the production locks international distribution deals and partnerships. The completed film had previously been moved from a March 19 release due to Middle East regional instability.

    “There are films we make, and then there are films that remind us why we fell in love with cinema. ‘Toxic’ has been one such journey,” said Yash, who co-wrote and produced the film. “Presenting our film at CinemaCon and witnessing the overwhelming global response reaffirmed what we have always believed – that this film deserves to reach its fullest potential worldwide.”

    The production is currently finalizing global distribution agreements before confirming a new release date.

    “‘Toxic’ is complete, and we are currently aligning global distribution and partnerships. In light of this, we have decided to recalibrate our release timeline,” Yash said. “While we will not be releasing on June 4 as announced earlier, we will be releasing at a later, globally aligned date.”

    Yash positioned the delay within broader industry ambitions for Indian cinema’s international expansion.

    “At a time when Indian cinema is finding its voice and stepping onto the global stage with such promise, each of us has a responsibility to raise the bar,” he said. “As an actor and producer, I see this moment as an opportunity to do my part – for the Indian film industry and for all of us – by taking the time to ensure our film reaches the world with the impact it is meant to have.”

    The film stars Yash alongside Nayanthara, Kiara Advani, Huma Qureshi, Rukmini Vasanth and Tara Sutaria. Written by Yash and Geetu Mohandas, the production has been shot simultaneously in the Kannada and English languages with dubbed versions planned for Hindi, Tamil, Telugu and Malayalam. Mohandas directs.

    KVN Productions and Monster Mind Creations are producing.

  • CoinUp and RootData Forge Strategic Partnership to Bridge Institutional Data with Retail Trading

    CoinUp and RootData Forge Strategic Partnership to Bridge Institutional Data with Retail Trading

    CoinUp has a strategic partnership with RootData to help improve the crypto ecosystem from top to bottom by utilizing institutional quality research and providing retail users with the same level of information they’ve been missing. As a result of this partnership, CoinUp will be leveraging RootData’s advanced real-time project research into their trading platform to create the most complete research to trading experience available.

    Empowering the “Research-First” Trader

    The biggest problem with trading crypto today is the “context switch.” A trader frequently switches from social sites where new chances are identified to secondary data sources like CoinMarketCap or RootData to validate information. This constant back and forth implies that by the time research is confirmed, the entry price has frequently altered.

    The incorporation of RootData’s API into CoinUp addresses this issue by providing institutional-quality data on projects, including their funding history, background of teams, and maps of ecosystems, directly to the trading environment. Furthermore, this is consistent with an overall industry trend in which exchanges are transitioning to super apps, with as much emphasis on education for users as on providing liquidity.

    Enhancing Decision-Making Through Transparency

    CoinUp offers its users access to an exceptionally intelligent and comprehensive trading ecosystem, powered by RootData, which boasts a proven ability to manage “on-chain” and “off-chain” data in a clean and organized manner.

    This partnership enables “one-stop decision-making” for traders by integrating the advanced methods described above. Instead of relying only on price tickers, traders can make informed decisions based on the overall health of a project.

    CoinUp offers transparency in their trading platform, something that will be needed in a post-FTX world with traders having concerns about opaqueness in projects. CoinUp is being transparent with the “Root” of the data as an expression of their commitment to a professional,>The Growing Trend of Web3 Data Synergy

    The partnership demonstrates an increase in the number of projects working to unify disparate data within the Web3 ecosystem. Additionally, this shows that CoinUp and RootData are moving towards a more interoperable utility, as data layers and execution platforms come together to create efficiencies across the ecosystem.

    The growth in institutional interest in digital assets along with the corresponding increase in demand for verified data is having a positive effect on the development of the digital asset market. Chainalysis’ reports indicate that there is an increased reliance on having access to high-quality and reliable data that can reduce risks to both retail and institutional participants for the digital asset market to mature.

    Conclusion

    This integration is not simply an extension of technology, rather they represent a calculated enhancement for active traders within the retail trading community. By reducing the number of barriers to researching at a higher level, CoinUp will provide its customers with the resources to successfully navigate the unpredictable arena of Web3 as if they were an institution. By implementing these new features into their existing application, CoinUp has now set an entirely new benchmark for the modern-day trading experience.

  • Bitcoin Exchanges Upbit and Bithumb Announce Listing of This Altcoin on Their Spot Trading Platforms! Here Are the Details

    South Korea-based cryptocurrency exchanges Upbit and Bithumb have announced they will provide trading support for the new digital asset Fluent (BLEND).

    According to the announcements, BLEND will be listed in Korean won (KRW), Bitcoin (BTC), and Tether (USDT) pairs. Trading is planned to begin on April 29, 2026, while deposit and withdrawal operations will be activated shortly after the announcement.

    It was emphasized that the BLEND token will only be supported on the Ethereum network, and transfers from other networks will not be accepted. Exchanges also warned users to carefully check network information before making transactions.

    In order to ensure market stability during the initial trading hours, some restrictions will be implemented. Accordingly, buy orders will be limited for the first five minutes after trading begins, sell orders will not be allowed outside of certain price ranges, and only limit orders will be available for approximately two hours.

    The Fluent project stands out as an Ethereum-based Layer 2 solution. It distinguishes itself with its “Blended Execution” architecture, which aims to increase interoperability between different virtual machines. It also aims to develop a system that stores user activity history and reputation data on-chain.

    Authorities reminded investors that crypto assets involve high risk and emphasized the need for thorough research before trading. The new listing is expected to increase global interest in the BLEND token.

    *This is not investment advice.