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  • For a Real Prime Day Deal, Get ESET’s Security Apps at 50% Off

    For a Real Prime Day Deal, Get ESET’s Security Apps at 50% Off

    During Amazon’s Prime Day Big Deals, you can pick up ESET Home Security Essential for half its usual price. With this security suite, you get ESET antivirus apps for Windows, macOS, and Android, as well as an unusual app for smart TVs. Those with the tech skills to appreciate them will find its network inspector, anti-theft system, and banking protection components delightful. And its Android security app is among the best. Getting it for half off makes this security suite even more tempting.

    Not a Prime Member?

    Anyone can shop and save during the Big Deal event, but to get the best deals, you need to sign up for Prime. Don’t worry about spending all your savings on membership. You can sign up for a free 30-day trial during the sales event and cancel when it’s over.

    Top Security for Tech-Savvy Users

    ESET Home Security Essential

    ESET Home Security Essential

    ESET Home Security Essential, 5 licenses, 1 year


    $35.00
    at Amazon

    $69.99
    Save $34.99


    Get Deal

    Even on an ordinary day, a five-license subscription for ESET Home Security Essential costs $69.99, less than almost all its competitors. Cut that already-low price in half, to $35, and you’ve got a serious Prime Day bargain. And this is no cheap protection. It gets top scores from the independent labs, and it includes expected security suite features, including antivirus, firewall, spam filter, and parental control. On top of the expected, it adds quite a few bonuses, among them webcam protection, anti-theft, and a network inspector. High quality, low price, what’s not to like?

    Prime Day is a great time to invest in security for your devices, but that’s not all. For Prime Day offers of all kinds, be sure to visit our PCMag Deals Hub.

    The Best Editor-Vetted Prime Day Deals

    *Deals are selected by our commerce team

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  • As Retailers Combat Prime Day Fatigue, Men’s Wearhouse Delivers Some of Its Best Deals to Date

    As Retailers Combat Prime Day Fatigue, Men’s Wearhouse Delivers Some of Its Best Deals to Date

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    Sure, Prime Big Deal Days has its fair share of highlights, but many of the real sale standouts are coming from elsewhere. As the 48-hour shopping holiday takes over our feeds, alternative retailers are proving their discounts are just as good — perhaps even better.

    For a limited time, Men’s Wearhouse is offering up to 50 percent off over 2,000 pieces: 30 percent off shoes, suits and sports coats; up to 40 percent off dress shirts; and up to half off pants, shorts and outerwear, exclusively online at menswearhouse.com.

    Also available (and discounted) in black pebble leather.

    A quarter-zip sweater is the ultimate wardrobe chameleon.

    Along with the flash sale comes free shipping on Tuesday, Oct. 6 and Wednesday, Oct. 7, plus, up to 70 percent off hundreds of clearance finds across all categories.

    Standout labels from the online-only event include Calvin Klein, Michael Kors, Tommy Hilfiger, Awearness Kenneth Cole (the designer’s Men’s Wearhouse-exclusive collection) and Paisley & Gray (for more unique styles). As for shoes, our top picks span Cole Haan, Timberland, Gola, Florsheim and Clarks.

    In terms of styling, collegiate-coded dressing is taking a front seat this fall, as the hottest shows of the season — like Off Campus and The Shards — are inspiring menswear for the cooler months ahead. The preppy academia fashion playbook spans luxe leather loafers, quarter-zip pullovers and casual knitwear, but regardless of trends, these cardigans, polo sweaters and crisp Oxfords never really go out of style.

    Shop the full flash sale and clearance assortment online only at menswearhouse.com, and use code FREESHIPPING for free standard shipping on orders placed between Tuesday, Oct. 6 and Wednesday, Oct. 7.

  • Ella Bleu Travolta looks just like mom Kelly Preston in Paris Fashion Week debut

    Ella Bleu Travolta has officially made her Paris runway debut on one of the top fashion brands’ stages. The 26-year-old daughter of John Travolta and the late Kelly Preston made her Paris Fashion Week runway debut, walking in Miu Miu’s Spring/Summer 2027 Ready-to-Wear show on Sunday.

    Ella walked for the biggest fashion brands © The Grosby Group
    Ella walked for the biggest fashion brands

    Ella rocked an oversized forest-green blazer layered over a patterned top and navy trousers and sandals.  She looked cool and composed with hair in a perfectly messy updo with natural makeup. There’s no denying she looked just like her mom’s mini me. Kelly might be remembered for her blonde hair, but she used to dye it brown and shades of red over the years. 

    Ella looked just like her late mom© The Grosby Group / Getty
    Ella looked just like her late mom

    Miu Miu is ranked as the world’s second-hottest fashion brand according to the second quarter of the 2026 Lyst Index, which tracks the hottest fashion brands and products online. It looks at what 160 million shoppers are searching for and engaging with across social media, search, editorial coverage, and emerging AI platforms based on desire, demand, and discovery. So her Paris Fashion Week debut was with one of the most sought-after fashion houses in the world. 

    Photo 2026 REX Features/Shutterstock /The Grosby Group 

Ella Bleu Travolta, 26, steps into the fashion spotlight with her debut on the Paris Fashion Week runway, walking for Miu Miu’s Spring/Summer 2027 Ready-to-Wear collection in Paris, France, on October 4, 2026. The daughter of Hollywood star John Travolta commands attention as she joins an impressive lineup of models for the highly anticipated show.****

Ella Bleu Travolta, de 26 años, entra en el mundo de la moda con su debut en la pasarela de la Semana de la Moda de París, desfilando para la colección Ready-to-Wear Primavera/Verano 2027 de Miu Miu en París, Francia, el 4 de octubre de 2026. La hija de la estrella de Hollywood John Travolta acapara la atención al unirse a un destacado grupo de modelos para el esperado desfile.

Byline: NOWFASHION/Shutterstock / / GROSBY GROUP© The Grosby Group
    It’s her first Paris Fashion Week runway
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    Ella’s multifaceted career 

    She’s been on the runway before, making her New York Fashion Week runway debut in 2022, walking in Karl Lagerfeld’s “Cara Loves Karl” collection. 

    Ella has also attended Fashion Weeks in New York and Milan and appeared on red carpets in designer looks, including this year’s Cannes Film Festival.  She has pursued acting throughout her career and recently starred in her father’s directorial debut, Propeller One-Way Night Coach, which premiered at Cannes earlier this year, which is when John’s hat went viral. 

    American Actor and Director John Travolta and his daughter, American Actress Ella Bleu Travolta, at Karma Red Carpet during Cannes Film Festival 2026 © Getty
    Cannes 2026

    Ella can even sing, releasing her debut single “Dizzy” in 2022.  In her Vogue Italia interview, she explained that she hopes to bring all of those interests together rather than just choosing one. “I’m trying to combine all these things as much as possible,” she said, adding that she is focusing on acting but hopes fashion and music will continue to be part of her life.

    John Travolta is having a full-circle moment. When his daughter, Ella Bleu Travolta, stepped onto the pink carpet at the 2026 Fashion Trust U.S. Awards, she didn’t just attend, she stole the show. © Getty
    Ella wants to forge her own path in the industry

    In a world obsessed with the idea of “nepo babies,” Ella has made it clear that she wants to establish an identity of her own. When asked about the term in 2023, she told Parade, “I know that personally speaking, for me, my parents are my parents and obviously what they do is acting and singing and all of that, but I can just learn from them—I’m definitely proud to be their child and also forge my own career in whatever I choose.”

    She carried that same tune in 2026. “I’m very close to my family, but I don’t want to give up being myself,” she told Vogue Italia. “I’d like to forge my own path: at home they’ve always encouraged me to do so.” 

    Alongside Ella, Travolta is also father to Benjamin, now 15. Through it all, he has taken on the role of both parent and mentor, guiding Ella as she shapes her own path in entertainment.© Getty
    They are Hollywood’s cutest father-daughter duos

    John has also emphasized that Ella is her own person. In a 2019 interview with PEOPLE, he praised his daughter as “gracious, generous, poised, graceful and gorgeous,” adding that he didn’t take credit for who she became “other than just adoring her.”

  • ABC Tells Judge That Donald Trump’s Regulatory Threats Continue To Chill Its Speech, But Network Faces Jurisdictional Hurdle In FCC Lawsuit

    ABC Tells Judge That Donald Trump’s Regulatory Threats Continue To Chill Its Speech, But Network Faces Jurisdictional Hurdle In FCC Lawsuit

    UPDATED: A federal judge heard arguments Tuesday in ABC‘s First Amendment lawsuit against the FCC, pressing a government attorney for details on why the agency took the dramatic step of calling in the network’s broadcast licenses for early renewal last spring.

    U.S. District Judge Loren AliKahn did not issue a ruling after a two-hour hearing in D.C. federal court, but she did ask that the government submit additional briefing on what other options it had besides ordering eight ABC owned stations to submit for early renewals.

    The network sued the agency in August after the latter issued the order. The highly unusual action came after Donald Trump urged the FCC to revoke the network’s licenses, along with calls for Jimmy Kimmel to be fired, complaints about its news coverage and warnings from the president’s FCC chairman Brendan Carr.

    During the hearing, ABC’s attorney, Beth Wilkinson, told the judge that urgent action is needed because the regulatory threats have chilled the network’s speech. She said that their editorial decisions “are being affected right now” in coverage of the midterm elections “that the American public has a right to hear about.”

    “We are watching everything we do,” Wilkinson said. She pointed to Trump’s call for the network to lose its broadcast licenses for not airing his primetime speech in July, noting that it “brings out anger in the administration and retaliation from the agency.”

    At one point, Wilkinson compared ABC’s situation to the French Revolution, with people forced on a guillotine, wondering if anything will come down. Losing broadcast licenses, she said, is akin to a “death penalty” for stations.

    Amid a flurry of FCC investigations of the networks under Carr, ABC’s lawsuit is the first major media challenge to those regulatory threats since Trump returned to office.

    The FCC is seeking to dismiss the lawsuit, arguing, among other things, that its early renewal order was tied to an investigation of Disney’s diversity, equity and inclusion practices.

    A large portion of Tuesday’s hearing was devoted to a critical jurisdictional question the network must overcome first. The agency’s lawyers contend that the network first had to exhaust administrative remedies before bringing the litigation, and that such a challenge has to be brought before the D.C. Circuit, not the district court.

    Asst. U.S. Attorney Dimitar P. Georgiev, representing the FCC, told the judge that ABC is “a regulated entity being subjected to regulatory inquiry by its regulatory.” He said that after the FCC’s media bureau issued its order for early licenses renewals, ABC could have appealed to the full commission and, if it got an adverse ruling, could have taken their claim to the D.C. Circuit.

    Alllowing the case to proceed in district court, he said, “would allow them to sidestep the path that Congress” designated.

    “Even if you find there is a valid First Amendment claim, there is nothing unique about requiring a regulated entity to go through the administrative processes before seeking judicial review,” he told the judge.

    Wilkinson countered that what was at issue was that the network has to go through the early renewal process at all, characterizing it as an act of retaliation that is ripe for district court review.

    While the network could have appealed the FCC’s order to the full commission, she noted, federal statute allows for the commission to just deny the appeal or hold it. That would further delay to the process, which in and of itself is chilling the network’s speech, she said.

    “We should never have to be in this process because it is only been initiated to retaliate against us,” Wilkinson said.

    In responding to the judge’s question of how ABC has changed editorial decisions, Wilkinson pointed to the decision by The View to forgo clips of political candidates on its “Hot Topics” segment this cycle, out of concern it will invoke FCC scrutiny because of the equal time rule. The agency launched an investigation in February after the show featured Texas U.S. Senate candidate James Talarico. The rule requires broadcasters to provide comparable time to rivals when they feature qualified candidates, but ABC has contended that The View has long fallen under an exemption for news programming.

    Wilkinson also said that when the president delivered his speech in July, the network did not air it but did decide to stream it on ABC News Live. “They did that because they thought the president would be angry” if they did not run the speech at all, she said. As it turned out, Trump lashed out at the network and NBC anyway for forgoing the broadcast.

    Georgiev said that there was “no reason to believe” that the early renewal order prompted changes to ABC’s editorial decisions, arguing that the networks’ invocation of The View in their briefs does not connect it to license renewals.

    The judge did not say which way she was leaning. She gave the government until Friday to file additional briefing on the FCC’s DEI investigation and other options the agency had to resolving a discovery dispute with the network. Wilkinson said that the FCC was making a “pretextual” excuse for taking such an unusual step, when the real reason was the punish the network for its speech. The order came right after Trump called for Kimmel to be fired, she noted.

    AliKhan also pressed Georgiev on comments made by Carr after Trump’s July speech. The FCC chairman told reporters that month that ABC’s decision not to air the primetime address on its broadcast network was likely to come up in the early renewal proceeding. She asked whether that undermined the contention that the early renewal order was about DEI, not newsroom and content decisions.

    “The statements are the statements,” Georgiev said, characterizing Carr’s comments as “awkward.” But he added that once an early renewal proceeding is launched, the FCC takes public comments that can be on a variety of issues for and against the licenses, and that the agency has an obligation to review them.

  • Madonna buys Angelina Jolie’s mansion with more than a century of Hollywood history

    Madonna buys Angelina Jolie’s mansion with more than a century of Hollywood history

    Angelina Jolie’s longtime Los Angeles home is entering another celebrity chapter. Madonna has reportedly purchased the actress’s historic Cecil B. DeMille estate, a property whose Hollywood connections stretch back more than a century.

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    Angelina Jolie's rare comments about her divorce and how her children helped her heal: 'I got taken down a little'© Bauer-Griffin
    Jolie purchased the sprawling property in 2017, following her separation from Brad Pitt.

    The estate sold for $24.75 million on September 24, after Jolie listed it for $29.85 million in May. While The Wall Street Journal initially reported that the buyer’s identity could not be determined, subsequent reports have identified the Queen of Pop as its new owner. Neither star has publicly confirmed the reported purchase.

    For Jolie, the transaction closes a chapter that began in 2017, when she purchased the property for approximately $24.5 million following her separation from Brad Pitt. 

    Angelina Jolie’s historic Los Feliz estate sold for $24.75 million, with Madonna reportedly emerging as its new owner.© Byline: Juliano/X17online.com / GROSBY GROUP
    Angelina Jolie’s historic Los Feliz estate sold for $24.75 million, with Madonna reportedly emerging as its new owner.

    The final sale price was $5.1 million below her asking price and just $250,000 above what she paid, before accounting for ownership expenses and transaction costs.

    Inside the historic estate:

    Located in Laughlin Park, a gated enclave in Los Feliz, the roughly 2.1-acre property includes an approximately 11,000-square-foot main residence with six bedrooms and 10 bathrooms.

    Long before Angelina Jolie called it home, the estate was the residence of filmmaker Cecil B. DeMille, pictured here on a postcard from around 1923. Madonna is reportedly its latest owner.© Nextrecord Archives
    Long before Angelina Jolie called it home, the estate was the residence of filmmaker Cecil B. DeMille, pictured here on a postcard from around 1923. Madonna is reportedly its latest owner.

     A library, wine cellar and gym are among its amenities, while the grounds include a guesthouse, swimming pool, pool house and dedicated tea house.

    The setting is equally impressive. Mature trees, rose gardens and rolling lawns surround the residence, and the primary suite opens onto a private patio with sweeping views. Despite its location in Los Angeles, the compound offers the space and seclusion of a much larger retreat.

    A home with more than a century of Hollywood history:

    The residence dates to 1913, with its design credited to architect B. Cooper Corbett. DeMille purchased it in 1916 for $27,893 and lived there until his death in 1959.

    Built in 1913, the residence carries more than a century of Hollywood history, including its connection to legendary filmmaker Cecil B. DeMille.© De Carvalho Collection
    Built in 1913, the residence carries more than a century of Hollywood history, including its connection to legendary filmmaker Cecil B. DeMille.

    The filmmaker, whose credits include The Ten Commandments and The Greatest Show on Earth, later expanded his estate by acquiring the neighboring residence associated with Charlie Chaplin. He connected the houses with a glass corridor, using the additional property as a guesthouse and office.

    The estate also played a role in DeMille’s working and social life. According to Architectural Digest, he entertained prominent visitors there, while the rose garden hosted family weddings. A scene from his 1927 film The King of Kings was even filmed in the estate’s olive grove. The property remained in the DeMille family until the late 1980s.

    Built in 1913, the residence carries more than a century of Hollywood history, including its connection to legendary filmmaker Cecil B. DeMille.© Byline: Juliano/X17online.com / GROSBY GROUP
    Built in 1913, the residence carries more than a century of Hollywood history, including its connection to legendary filmmaker Cecil B. DeMille.

    Madonna’s reported interest began with a video tour:

    Madonna’s connection to the property emerged before the sale. In August, the New York Post reported that her representatives had contacted the brokers and arranged a video tour because she was not in Los Angeles to see it in person. Representatives for both stars did not respond to the outlet at the time.

    Madonna celebrates 68th birthday surrounded by her children in rare family photos© Victor VIRGILE
    Madonna reportedly explored the property through a video tour before being named in reports as its buyer.

    Her specific reason for choosing the estate has not been publicly established. Its privacy, generous grounds and cinematic pedigree are distinctive features, but attributing the purchase to any one of them would be speculation.

    For Jolie, the sale follows her previously expressed desire to spend more time outside Los Angeles once her youngest children reached adulthood. Twins Knox and Vivienne turned 18 in July, making the transaction a notable development as she considers her next chapter.

    DeMille purchased the home in 1916 and lived there until his death in 1959.© Byline: Juliano/X17online.com / GROSBY GROUP
    DeMille purchased the home in 1916 and lived there until his death in 1959.
  • Donald Trump Weighs In On New Skydance: “They’re Terrific People, And It’s Going To Be A Great Company”

    Donald Trump Weighs In On New Skydance: “They’re Terrific People, And It’s Going To Be A Great Company”

    President Donald Trump commented on Skydance‘s acquisition of Warner Bros. Discovery, completed on Tuesday, by apparently showering praised on its CEO David Ellison and his father Larry.

    “It’s going to be a great company,” Trump told reporters when asked about the deal. “They’re terrific people, and it’s going to be a great company.”

    Trump’s ties to the Ellisons was an ongoing point of interest in the saga of the $110 billion merger.

    Some Democrats contended that the Justice Department greenlit the deal for political reasons, while warning that the Ellisons would steer CNN news coverage in a direction friendlier for the president. When Netflix and Paramount were vying for Warner Bros., Trump had said that he would be involved in the regulatory approval process, before later indicating that he would not.

    RELATED: A List Of Major Warner Bros. & Paramount Franchises, Film & TV Titles Coming Together At New Skydance

    Trump and the elder Ellison are longtime allies; in March, Trump put him on the President’s Council of Advisors on Science and Technology with other tech-forward execs including Meta founder and CEO Mark Zuckerberg, venture capitalist Marc Andreessen and Nvidia CEO Jensen Huang.

    David Ellison, meanwhile, attended the president’s State of the Union address as a guest of Sen. Lindsey Graham (R-SC). Ellison held a dinner in honor of the Trump White House and the network’s correspondents in advance of last spring’s White House Correspondents’ Dinner, and the Skydance CEO was a guest of the recent White House State Dinner for China’s President Xi Jinping.

    RELATED: Skydance CEOs Pressed On Layoffs & Donald Trump Interference As They Outline Future At Town Hall

    On Tuesday, the first day of the new company, Ellison told a town hall that CNN would have “complete editorial independence,” and, in a conversation with Anderson Cooper, said that he would shield the network from Trump’s interference and criticism. Ellison also said that he supported CNN’s challenge of Trump’s ban on the outlet from the White House grounds.

    Skydance’s settlement of a lawsuit brought by state attorneys general requires that it establish an independent review board to oversee CNN and CBS News, including establishing a set of standards and principles.

    RELATED: Skydance Bumps Pay, Extends Contracts For Top Execs; New Bonuses For WBD Brass

    RELATED: Skydance Shares Fall In New York Stock Exchange Debut Amid Debt Debate

    RELATED: Skydance Credit Rating Cut By Fitch Citing Heavy Debt Load, Integration, Execution Risk

  • Busta Rhymes Breaks Down ‘Dillagence II’ Album and Writing to J Dilla Beats in Grammy Museum Q&A With Anderson .Paak

    Busta Rhymes Breaks Down ‘Dillagence II’ Album and Writing to J Dilla Beats in Grammy Museum Q&A With Anderson .Paak

    Busta Rhymes discussed the fundamentals of his new album “Dillagence II” last night at Los Angeles’ Grammy Museum, breaking down a handful of key tracks during a Q&A with musician Anderson .Paak and performing a string of his greatest hits along with a guest appearance from Common.

    On “Dillagence II,” which was released in August, Rhymes raps over a spate of beats from the late James “J Dilla” Yancey, who died in 2006. At the Grammy Museum, he began by admitting that the weight of the moment had caught up with him and sharing appreciation for all the folks in attendance including Dilla’s mother Ma Dukes, music executive Sylvia Rhone, manager Mona Scott-Young and musician Jimmy Jam.

    “I’m emotional tonight. Shed a little tear backstage,” he said. “To be able to be in this room tonight and know that I’m being given this opportunity to share and to articulate and to be vulnerable, it’s a fucking amazing feeling.”

    .Paak, who is featured on the album alongside special guests D’Angelo, Ludacris, Lil Wayne, Jon Batiste and more, set the foundation for the discussion by asking about hearing the unreleased instrumentals that ended up on “Dillagence II” for the first time and then executive producing them for the album.

    “Interestingly, a lot of the beats that I have, he personally gave them to me. Dilla always gave these beat CDs that had 25 beats on them,” said Rhymes, discussing how the tapes would always feature beats that would fade in and out, making it difficult for him to loop them into full tracks. He recalled visiting Dilla at his mother’s home in Detroit amid his health struggles and how she basically became his engineer as he dealt with physical complications.

    “Ma Dukes is Ma. And then Ma Dukes is also Busta Rhymes‘ Ma in their home,” he said. “She cooked food for us. She engineers Dilla. She goes and finds the record he wants to sample from the alphabetically ordered record collection in the coat closet. And then he would make my beat CDs based on the beats that he would make that day and send me home with it. And I would live with these records over the years. Sometimes the beats were so incredible, I would actually be scared to rhyme on them because I didn’t want to mess up the way the beat was as far as how dope I thought it was.”

    Rhymes then discussed the particulars of several tracks on “Dillagence II” including “This Woman” featuring D’Angelo, recalling how he received the late singer’s vocals in February and laid down his rhymes that day. .Paak also asked him about “What We Got in Common” with Common and Batiste and their own collaboration “Kingpin (Knock Ya Head Off),” which also features Ludacris.

    Near the end of their conversation, .Paak asked Rhymes what it would mean for “Dillagence II” to get recognition from the Recording Academy, considering he has been nominated 12 times but hasn’t won. “What it would mean is beyond what I could actually describe, especially doing an album where every beat is a beat. I actually created an album that was a moment that was captured in time. Like, I don’t think y’all understand. I’m a hoarder of production, right? I have these long relationships with many incredible producers and artists that’s still popping now, right?”

    He named a few producers who had given him scores of beats — the Neptunes, Swizz Beatz, Timbaland — and said that he wouldn’t give them back if asked because they’re “moments in time that you can’t even recreate.” “The most incredible part about these moments is a lot of the shit that they was doing was timeless,” he said. “And that’s what Dilla did. Every production from him is older than 20 years old. But it now has Cascade dishwasher liquid sparkle all around it. And it makes the magic so beautiful because what he did is timeless. What we’re giving it is now and it is the proper ingredients to add to what he was having marinate with his seasonings. So when we finally put it in a stove and feed it to the street, nothing about it feels like 20 years ago.”

    To cap off the evening, Rhymes gave a 30-minute performance of his classics including “Put Your Hands Where My Eyes Could See,” “I Know What You Want” and “Break Ya Neck,” alongside new cuts like “Talk Ya Shit” and “What We Got in Common,” where he was joined by Common. He then brought out Ma Dukes to thank her for giving her blessing for “Dillagence II.”

    “This gift that we experienced with this project, and everything that I’ve been able to do from 30 years ago on my first solo album to today, and everything that we’re gonna continue to do, is with the grace and the blessing of the Yancey family and the estate,” he said. “I want to say thank you, Ma Dukes, beyond description, words cannot be found to describe how much I love you.”

  • Peter Thiel-backed Founders Fund leads a $5 million token buy in crypto collateral protocol Anvil

    Peter Thiel-backed Founders Fund leads a $5 million token buy in crypto collateral protocol Anvil

    “Businesses need to know the commitments behind payments and credit will be honored,” Joey Krug, a partner at Founders Fund, said in the announcement. “Anvil lets them secure those commitments with verifiable digital asset collateral, and the new SDK makes it easier to integrate into their products.”

    Anvil Research Labs named Consensus, Bitcoin.com, payments company Flexa and several other companies as partners that are already using or integrating its tooling. Bullish (BLSH), the parent company of CoinDesk, is also working with Anvil to explore how the protocol could be used in its operations.

    The ANVL tokens purchased by Founders Fund and the other investors provide governance rights over the protocol, allowing holders to participate in decisions about its development.

    A different use for crypto collateral

    Anvil is entering a part of decentralized finance where putting crypto up as collateral is already commonplace. DeFi lending protocols currently hold about $56 billion of assets, according to DefiLlama, with Aave and Morpho among the largest platforms.

    The protocol, developed by the Acronym Foundation, was bootstrapped and made fully open source. It currently has about $14 million in total value locked on its network, and remains small compared with established DeFi lending platforms

    But Anvil is aiming to put crypto collateral to a different use. Conventional DeFi lenders generally allow users to deposit assets as collateral and borrow against them, paying interest and potentially facing liquidation if the value of their collateral falls.

  • Eigen Labs and Zcash Launch AI Hash Challenge HashSmash

    Eigen Labs and Zcash Launch AI Hash Challenge HashSmash

    Eigen Labs, a blockchain research company, and Shielded Labs, a Zcash research organization, have launched HashSmash, an open competition that tests whether AI can find weaknesses in widely used cryptographic hash functions. Eigen Labs is a blockchain technology research company, while Shielded Labs is a research organization focused on developing Zcash.

    The competition focuses on SHA-256, SHA-3, BLAKE3, and Poseidon. These hash functions help protect blockchains, zero-knowledge systems, software, and other digital infrastructure. Participants can use AI agents and tools such as SAT solvers, automated searches, and formal methods to develop attacks.

  • Luxxfolio Plans Options Program for LTC

    Luxxfolio Plans Options Program for LTC

    Luxxfolio Holdings has signed a non-binding letter of intent with Hypercall to explore options trading on part of its Litecoin ($LTC) and Dogecoin ($DOGE) holdings. Luxxfolio is a digital asset company focused on Litecoin mining and accumulation, while Hypercall provides options trading products on Hyperliquid.

    Under the proposed program, Luxxfolio would sell covered calls on selected $LTC and $DOGE holdings through Hypercall. The company would decide which assets to use, how much to allocate, and the strike prices and expiration dates. Each option would be backed by the corresponding cryptocurrency.