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  • Guillermo del Toro said ‘Absolutely No Goddamn AI’ in ‘Pan’s Labyrinth’ 3D Re-Release: ‘We’re Protecting a Lineage of Art’

    Guillermo del Toro had one rule when bringing “Pan’s Labyrinth” back to theaters for its 20th anniversary: “No goddamn AI.”

    The filmmaker returned to San Diego Comic-Con to discuss the film’s 20th anniversary, which returns to theaters Oct. 9 in 3D and HDR for the first time.

    The filmmaker said he converted “Pan’s Labyrinth” into 3D by hand and opted not to use AI.

    “Obviously I said, ‘Absolutely no goddamn AI,’” he said, which was met with the audience’s applause. “What we’re protecting is the beauty and the redeeming power of art. It’s not about who gets the job. We are protecting a lineage of art. If we cut a generation of people from learning their craft, you’re cutting the rest of the history of that medium away from them for what?”

    When doing the conversion, del Toro said he had two options: to do it quick, or to do it good.

    “I chose good. You have to put in time. You have to do every element by hand. A human made a decision of depth,” he said.

    During the panel, del Toro teased a documentary that explores the process of creating the original film, which features appearances and commentary from Jacob Elordi, Cate Blanchett and Charlie Day.

    Also offered in 2D HDR, Cineverse and Fathom 4K will bring the re-release to the big screen, with each version being overseen by del Toro himself. Tickets will be available to purchase on Sept. 9.

    “Pan’s Labyrinth” follows a young girl named Ofelia (Ivana Baquero), who travels into a fantasy world after fleeing the danger of 1944 Francoist Spain in the aftermath of the Spanish Civil War. While there, she befriends a mysterious faun and navigates the realm of deadly beasts. Starring alongside Baquero are Doug Jones, Maribel Verdú and Sergi López.

    “Pan’s Labyrinth” earned $83 million worldwide at the box office in 2006 and received six Oscar nominations and three wins for best makeup, cinematography and art direction.

    Del Toro returned to Cannes Film Festival earlier this year to debut a 4K restoration of the film, which was met with several minutes of applause. Two decades ago, the film made Cannes history of the longest standing ovation, totaling 22 minutes.

  • KULRTech moves $9.45mln in Bitcoin – Is a complete exit next?

    KULRTech moves $9.45mln in Bitcoin – Is a complete exit next?

    Since the October 2025 peak, Bitcoin has failed to sustain an uptrend, falling 48% from its $ATH. Amid this extended market weakness, long-term holders, especially institutions, have seen their losses skyrocket.

    The rising losses have pushed many of these firms to a breaking point, and they are not only capitulating but also walking away.

    KULRTech dumps $9 million in Bitcoin

    Treasuries that rushed to accumulate Bitcoin [$BTC] from late 2024 and 2025, fearing they would miss out, have found themselves operating at a loss.

    Others were pushed to capitulate to avoid more losses, and one such Bitcoin treasury company is KULRTech.

    KULRTech has been aggressively dumping its $BTC over the past months. According to Arkham data, KULRTech transferred 145.8 $BTC worth $9.45 million to Coinbase Prime.

    Source: Arkham

    After multiple transfers, its holdings of 1,021 $BTC worth $101 million now have only 100 $BTC worth $6.47 million left.

    In its selling spree, the company has mostly exited at a loss. AMBCrypto earlier reported that KULR Bitcoin holdings saw over $18 million in losses.

    Now with only 100 $BTC left, it seems the company is on the verge of completely exiting its position. Thus, if weakness continues, the company is likely to sell and exit the market entirely.

    Source: Yahoo Finance

    Even more impactful for KULRTech, the company’s stock value was hit the hardest by extended Bitcoin poor performance.

    Yahoo Finance data showed that the company’s stock declined 78% from its $ATH of $43 recorded after it announced its $BTC investment. As of this writing, the firm’s stock value was around $2.7.

    Treasuries holdings value plunges $47 billion from 2025 peak

    KULR Technology Group, Inc is one of the many Bitcoin treasury companies operating at a loss. Also, it joins a long list of these firms aggressively selling.

    Interestingly, while Treasury companies have increased their holdings in 2026, they have yet to reclaim peak value.

    Source: CoinGlass

    In 2025, Bitcoin treasury companies held 1.02 million $BTC worth approximately $128.5 billion at the peak. Now, these firms hold 1.25 million $BTC worth $81.5 billion, marking a $47 billion drop from the 2025 peak.

    Thus, although holdings have increased by 230k $BTC, the value remains extremely low, signaling rising losses. For example, Strategy is currently operating on $9 billion in losses.

    With these major investors holding at a loss and continually selling, the Bitcoin market still remains at extreme risk. Thus, fear from treasuries could drive continued market weakness, further reducing the capital that $BTC relied on significantly for the 2024-2025 rally.

    Final Summary

    • KULR Technology Group transferred 145.8 $BTC worth $9.45 million to Coinbase Prime, reducing total holdings to 100 Bitcoin.
    • Bitcoin treasuries have increased holdings by 230k $BTC since October 2025, but value dropped from $128 billion to $81 billion.
  • Trump Says White House Correspondents Dinner Is ‘Largest Group of Trump Derangement Syndrome People Ever Put Together at One Time’

    President Donald Trump attended his first-ever White House Correspondents Association Dinner, with this year’s rescheduled gala held Friday evening in Washington, D.C., and delivered some pointed remarks to the assembled journalists in a rambling speech that stretched on for just over an hour — and personally insulted several journalists, politicians and celebs that he’s sparred with.

    “I am delighted to be here at the White House Correspondents’ Dinner. Amazing people, a lot of people that I like,” Trump said. “Some I don’t like at all, but I respect most of them.”

    At first Trump seemed unsure of the tone he wanted to impart, and suggested that — compared with barbs he was planning to deliver at the original WHCA dinner, which was disrupted by a gun-wielding attacker — he was pulling his punches. “I said, ‘What do we do here? Is this supposed to be fun? Am I supposed to be serious? Am I supposed to be a comedian?’ So I guess you said, maybe a little bit of everything.”

    But Trump quickly started bashing the press. “This evening it’s really all about the fake news media and your handling of prizes — writing and producing and performing made-up stories like the Academy Awards,” Trump said. The Academy Awards “used to be the the epitome of ratings outside of the Super Bowl… Now it’s down in the dumps. Nobody wants to watch it anymore because they took on Trump. They hit me all night long.”

    He told the journalists, “when I’m gone. You’re all going to be broke. Your business model is going to be finished. No, it’s true. When I’m not around, you’re going to be broke. There’s not going to be anybody to report on. Nobody gives a damn about anybody else.”

    Trump said “mostly, I’ve given up on you and the media, so that now I just gave up on you, and I’m number one on TikTok. Did you see that?… I gave up on you, people. I gave up on traditional press, and it obviously worked because we did win in a landline” (by which he meant “landslide,” which is not true). Trump boasted that “I was able to get [TikTok] sold to a group of very wealthy people, mostly Americans.”

    Trump said he did not attend past WHCA dinners because “I thought the press treated me very, very unfairly, and I don’t know. I think I made the right decision because they need to go where maybe you’re not wanted, but they did want me. They wanted me for ratings, and they wanted me for other reasons, but not for love. And I said, ‘You know, I’m not going to go.’ First time that ever happened… And I didn’t go for four years because I got treated terribly by the press.”

    This year, Trump noted, the WHCA decided not to have a comedian. “They considered using Jimmy Kimmel, Jimmy Fallon,” Trump said. “These guys — they’re terrible. They’re terrible. Stephen Colbert. These are people without talent… They have no talent, but they are not comedians. They’re not funny people. They’re angry people. They’re sick people.”

    Trump held forth for about 64 minutes after he took the podium at 9:33 p.m.

    Trump joked that Paramount CEO David Ellison, who is the owner of CBS News (“He bought it, spent a lot of money, and he’s going to make, I think, fantastic changes and keep some of the great stuff going”) next year will rename the WHCA dinner “the Trump White House Correspondents’ Dinner.” “He told me that, and I like that very much. We’re going to change the name of it, OK?” Trump said, alluding to his unsuccessful effort to add his name to the Kennedy Center.

    He also said at another point in his talk, “I, for one, wish Bari Weiss all the best at CBS News. She’s a wonderful woman,” which drew an audible murmur from the audience.

    He said White House press secretary Karoline Leavitt “may have one of the hardest jobs in the White House” because she has to “deal with all of you all the time, and you can be very difficult. You can be very, very difficult people. But I’m probably being a little bit oversensitive. Sometimes I really do think that some of you don’t like me.”

    He quipped, “This place is the really the largest group of Trump derangement syndrome people ever put together at one time, I suspect,” eliciting a smattering of laughter.

    Trump slammed some of his favorite perceived enemies. He said the winner of the lowest ratings and the “lowest IQ on television” was “actually Don Lemon,” who Trump called “the dumbest man on television. I said, you know, when you say some things, you never make a comeback. It’s not like, ‘Oh gee, hey Don, let’s have dinner some night.’”

    Trump also took aim at CNN anchor Kaitlan Collins. He said, “I want to personally congratulate CNN’s Kaitlan Collins on receiving her award” but said it “was all about me. It’s a fake. She shouldn’t get the award. It was a fake, but I didn’t mind.” (In a statement issued as Trump was still speaking, Mark Thompson, chairman and CEO of CNN Worldwide, said: “We stand by our journalists and the integrity and fair mindedness with which the CNN team reports the news. Honest, accurate journalism may sometimes irritate politicians, but our right to report and present that reporting to the public without government interference is fully protected by the U.S. Constitution. CNN will continue to exercise this right.”)

    Trump then went on a weird tangent about Collins, calling her “a young, active woman” but that “she never smiles. I said, ‘Kaitlan, do you ever smile? Smile. You have a nice position. You’re at CNN fake news. You should be a happy person. Just smile, Kaitlan. Just smile.’” Then Trump tried to joke that Collins had signed “a major new sponsorship. But then I informed her that it wasn’t her on the Bud Light can. It was Dylan Mulvaney,” Trump said, referring to transgender influencer who was enlisted by the beer company in 2023, a campaign that suffered a huge backlash. “Dylan Mulvaney cost Bud like $35 million in market cap. It was the worst commercial ever made, by the way. For those few people that want to hear that, most people don’t care, but I would. I wouldn’t want to hire Dylan anytime soon,” said Trump.

    About another CNN anchor, Anderson Cooper, Trump said: “I like Anderson actually because he’s covered me well for many years, and he went bad as soon as I went for politics. But for years, he loved interviews. I did so many interviews with him, and he was great. But you know, he’s got a little different persuasion than me, in many ways actually.”

    Trump also lashed out at California Gov. Gavin Newsom, U.S. Rep. Ilhan Omar, Sens. Elizabeth Warren and Chuck Schumer, Rosie O’Donnell (a “sick older woman”), CNN’s Jake Tapper and Bruce Springsteen. About Springsteen, Trump said: “What the hell happened to that guy? He looks like hell… I’m sure he doesn’t like the way I look, but I don’t look so bad.” He complained that Springsteen made “four political speeches in his three-hour show,” leading Trump to joke, “The tour has been renamed ‘Bored in the USA,’ and his new song was so bad.”

    Trump, of course, has had a hostile relationship with the press. He not only routinely complains that news outlets are “fake news” and insults individual journalists but he has also sued multiple news outlets over coverage he dislikes, including the New York Times, the Wall Street Journal, CNN, ABC News and CBS News’ “60 Minutes.”

    At the WHCA dinner, the Wall Street Journal reporters behind the paper’s story about a birthday letter purportedly written by Trump to Jeffrey Epstein won the $10,000 Katharine Graham Award for Courage and Accountability award. Trump, who has denied he penned the Epstein letter, filed a lawsuit over the story, demanding $20 billion in damages. A judge dismissed his original suit but Trump refiled the complaint in May 2026 and the matter is pending. The Journal’s lawyers called Trump’s lawsuit “an affront to the First Amendment.” At the dinner, Trump awkwardly shook the hands of the Journal reporters who were there to receive the prize, then threw up his hands in mock resignation and returned to his seat.

    “This has not been an easy evening. All these awards… Do I get a say in those awards?” Trump joked during his remarks.

    Near the end of his remarks, Trump joked that he would run for a fourth term — and he donned a “Trump 2028” hat — repeating his baseless claim that he actually won the 2020 U.S. presidential election. (He did not.) Trump said he plans to return to the correspondents’ dinner in 2027.

    Meanwhile, Trump also made a joke at the expense of Robert F. Kennedy Jr., his secretary of Health and Human Services. “Bobby Kennedy’s right here. He personally ran over the cow in his car… he brought it here for you to eat tonight,” Trump said. “So it’s very fresh. And Bobby also suggested an appetizer featuring his favorite cut of male raccoon roadkill. But we drew the line at that, Cheryl. We said, no, we’re not going to do that. We’re not doing that. We love Bobby.”

    Friday’s WHCA dinner took place at the Waldorf Astoria hotel in D.C. It featured a performance by mentalist Oz Pearlman, whereas the association has traditionally invited a comedian to roast the sitting president.

    The WHCA dinner was rescheduled after the first gathering, on April 25, was interrupted by an evident assassination attempt on Trump. The gunman who crashed through security at the Washington Hilton was apprehended and charged. Trump spent time discussing the April attack in his remarks, thanking the law enforcement personnel who subdued the suspect.

    Outgoing WHCA president Weijia Jiang, senior White House correspondent for CBS News, delivered opening remarks at the start of the event. She then shared hosting duties with Fox News’ Jacqui Heinrich, who will serve as the organization’s president for the 2026-27 term.

  • GLP-1s are changing US healthcare, should everyone be on them?

    GLP-1s are changing US healthcare, should everyone be on them?

    NewsFeed

    GLP-1 drugs, originally developed to treat diabetes and now widely used for obesity, are reshaping healthcare in the US. As research uncovers potential benefits beyond weight loss, experts are asking whether these medications could one day be used far more widely.

  • 382,000-Member Police Group Supports Revised Crypto CLARITY Act

    382,000-Member Police Group Supports Revised Crypto CLARITY Act

    Nation’s Largest Police Labor Group Reverses Course

    The National Fraternal Order of Police (FOP) has endorsed the latest version of the Digital Asset Market Clarity Act after lawmakers revised provisions that had raised concerns about cryptocurrency-related prosecutions.

    Founded in 1915, the FOP describes itself as the largest law enforcement labor organization in the United States, representing more than 382,000 active and retired officers. Its size gives the group a prominent voice in federal debates affecting policing, criminal investigations, and officer resources.

    In a July 24 letter to Senate Banking Committee Chairman Tim Scott and ranking member Elizabeth Warren, FOP National President Patrick Yoes said the organization’s concerns had been “satisfactorily addressed.”

    The endorsement reverses the FOP’s earlier position. In its April opposition letter, the organization warned that language involving noncontrolling blockchain developers could restrict prosecutors pursuing financial crimes involving cryptocurrency.

    Revisions clarified that protections for certain noncontrolling software developers and decentralized technologies would not curtail investigations, prosecutions, or the application of established criminal statutes.

    Law Enforcement Positions Shift

    The FOP joins the National Organization of Black Law Enforcement Executives (NOBLE), which became the first major police organization to endorse the legislation. NOBLE said the bill would expand investigative capabilities while preserving established criminal authorities, marking an early law enforcement endorsement for the proposal.

    Major County Sheriffs of America stopped short of endorsing the bill but withdrew its opposition after further discussions. The group’s move to a neutral position suggested that revisions had eased some concerns.

    Opposition has not disappeared. A coalition representing more than 70,000 prosecutors, sheriffs, police chiefs, and other professionals previously called for changes to the CLARITY Act, arguing that broad exemptions could weaken oversight and investigative tools.

    Revised Bill Expands Enforcement Tools

    The revised bill would protect digital asset companies and stablecoin issuers from liability when they voluntarily delay suspicious transactions or act at law enforcement’s request. Temporary holds could give investigators time to prevent losses, trace stolen assets, and disrupt illicit transfers.

    The legislation also addresses crypto ATM fraud and applies Bank Secrecy Act obligations to covered digital commodity exchanges, brokers and dealers. An official section-by-section summary says those businesses would face anti-money laundering, customer identification, and due diligence requirements.

    Title IX would establish a grant program to strengthen state and local digital asset enforcement capabilities, create a law enforcement and national security training program, establish a digital asset cyber innovation center, and fund research into emerging technologies used in cryptocurrency-related crime. The provisions also include initiatives aimed at protecting older Americans from fraud and improving coordination among federal, state, and local agencies.

    Democrats Reject Latest Senate Draft

    U.S. Senator Cynthia Lummis (R-WY) released an updated CLARITY Act draft July 22 after Senate banking and agriculture lawmakers combined their market-structure proposals. The measure addresses securities oversight, commodities regulation, decentralized finance, illicit-finance controls, and federal ethics requirements involving digital assets.

    Seven Democratic senators rejected the Republican text, contending that the proposal still falls short of an acceptable bipartisan agreement. Their joint statement opposing the current draft identified unresolved concerns involving elected officials’ ethics, consumer protections, illicit finance, conflicts of interest, and market integrity.

    Although the seven lawmakers pledged to continue negotiations, Republicans are expected to need Democratic votes to reach the 60-vote threshold typically required to invoke cloture if the legislation faces a filibuster. The timing of a floor vote will depend on whether negotiators can resolve the remaining political and regulatory disputes.

  • Paramount Agrees To Not Close Warner Bros Discovery Transaction Until Next Year Or Until Lawsuit Merits Are Resolved

    Paramount Agrees To Not Close Warner Bros Discovery Transaction Until Next Year Or Until Lawsuit Merits Are Resolved

    Paramount has agreed not to close its proposed merger with Warner Bros. Discovery until June 1, 2027, or until shortly after the merits of lawsuits brought by state attorneys general and the Writers Guild of America are resolved.

    The agreement is an extraordinary new development in the merger transaction, which has won regulatory approval from the federal government and European regulators.

    After a court filing spelling out the agreement came during the last hour of trading on Wall Street, shares in Paramount added to what was already a lackluster day. They fell 3.3% on the day to finish at $8.21 after touching a 52-week low of $8.17. The stock slid another penny in after-hours trading.

    Click here to read Paramount’s agreement not to close the transaction as legal proceedings take place.

    U.S. District Judge Araceli Martinez-Olguin this week granted the states a temporary restraining order pausing the transaction for 14 days to hold a hearing on whether to grant a lengthier preliminary injunction. She later extended the TRO by another 14 days, through August 17. Now both sides have indicated that they want to schedule a trial.

    California Attorney General Rob Bonta, in a statement on social media, called the agreement “a major victory for a free and fair economy, for the entertainment industry, for workers, for consumers, and for affordability.” He planned to share additional thoughts with the media at a Friday afternoon press briefing.

    Hanging over the legal proceedings has been the prospect that Paramount would be on the hook to pay a $7 million-per-day “ticking fee” to Warner Bros Discovery for every day that the transaction does not close past September 30. The agreement opens the very real possibility that legal proceedings will extend well beyond that date. There is a $7 billion breakup fee if the deal falls apart.

    In their filing in federal court Friday, the attorneys for the parties wrote, “The transaction at issue in State of California and Writers Guild shall not close, be consummated, or otherwise be completed and Defendants will not take any steps, directly or indirectly, to integrate or consolidate their operations pursuant to the Transaction until the earlier of (1) five days after the merits determination in these matters, or (2) June 1, 2027. This stipulation and order extends to Defendants’ agents, officers, servants, employees, attorneys, and other persons who are in active concert or participation with Defendants.”

    A Paramount spokesperson said, “Today’s agreement is a significant win because the result is exactly what we have sought from the outset: a direct path to a trial based on the evidence. This is the fastest and clearest way to prove that this transaction is good for competition, good for consumers, and good for creators, a conclusion dozens of competition authorities around the world have already reached. Plaintiffs’ market definitions bear no relationship to the realities of today’s marketplace and cannot withstand scrutiny. We look forward to proving our case at trial.”

    The judge still has to sign off on the plan, but she had asked attorneys for the plaintiffs and defendants to meet to try to agree to a schedule.

    In a joint statement on the agreement, the WGA West and WGA East said, “Paramount and Warner Bros. Discovery today agreed to what the state Attorneys General and the WGA both sought from the court: the merger will be put on hold pending the outcome of the states’ and the WGA’s cases or until June 1, 2027, whichever comes first. It remains our view that this merger is unlawful, and we will continue the fight to block it.”

    New York Attorney General Letitia James, representing one of a dozen seeking to block the transaction, said in a statement, “From the workers and artists who bring stories to life to the families who buy tickets at the box office, Paramount’s illegal takeover of Warner Bros. is a bad deal for all those who count on a competitive entertainment industry. Halting this merger while our case proceeds is a critical victory in our efforts to uphold the law and protect the film and television industries. I look forward to continuing our case to stop this illegal merger.”

    The sides also agreed to scrap the current briefing schedule, as well as an August 3 hearing on the motion for a preliminary injunction. They also agreed to file a joint statement regarding the scheduling of a trial by July 31.

    The state attorneys general sued July 13 to block the transaction, claiming that it would stifle competition for wide release theatrical film distribution, anticipated big budget blockbusters, and basic cable television channel licensing. The WGA filed its own suit a day later, contending that the merger would illegally limit competition for writers services.

    Paramount called the state AGs lawsuit a “flawed application of the antitrust laws and is wrong on both the facts and the law. We will vigorously defend the transaction and demonstrate that this challenge is inconsistent with sound competition policy and the competitive realities of the media marketplace.”

  • Donald Trump Says LeBron James Is “Maybe A Racist” After 76ers Move & Prefers Michael Jordan: “I Only Like People Who Like Me”

    Donald Trump Says LeBron James Is “Maybe A Racist” After 76ers Move & Prefers Michael Jordan: “I Only Like People Who Like Me”

    Donald Trump is weighing in on LeBron James signing with the Philadelphia 76ers as he continues his NBA career after leaving the Los Angeles Lakers.

    During a press conference Friday at the White House, a reporter asked Trump where he stood on the James versus Michael Jordan debate.

    “Well, Michael Jordan is a guy who is a friend of mine — play golf with him. He’s a really good guy,” Trump said.

    He continued, “I think LeBron is… Maybe he’s a racist. Maybe he doesn’t like Trump. I don’t know, but I only like people that like me. So I would say Michael Jordan all the way.”

    James has been open about his political choices, voicing his support for Joe Biden and Kamala Harris in the 2020 election; for the 2024 election, James endorsed Harris in her presidential run. Claims that Jordan endorsed Trump for the last presidential election were debunked by his management team, who said “there is absolutely no truth” that the former NBA star publicly endorsed a candidate.

    James made news earlier in the day after he confirmed he was headed to the 76ers for “a chance at the feeling of winning another championship.”

    “I thought I was done when the season ended. I wasn’t ready to announce it, and I knew I needed some time to really decide, but I was pretty sure I played my last game,” James posted on X. “I was honest at that last press conference when I said I needed to look at myself and decide if I still love this game. I still truly love this game, and I have more to give.”

    ESPN reported that James signed an $8 million, two-year deal with the 76ers. The basketball star made almost $53 million playing with the Lakers last year.

    Watch Trump make the comments about James in the video below.

  • Malia Baker on Returning to ‘Descendants’ and Her Dream Roles

    Malia Baker on Returning to ‘Descendants’ and Her Dream Roles

    As Descendants enters a new chapter, so does Malia Baker.

    The 20-year-old Botswana-born actress returns as Chloe Charming in Descendants: Wicked Wonderland, stepping back into the Disney franchise, not as the newcomer who once idolized the original cast, but as one of the faces leading its next generation.

    “It’s like entering this world as camp counselors this time instead of these nervous campers that we were the first time around,” Baker tells The Hollywood Reporter on a recent Zoom.

    “We put so much pressure on ourselves just because we loved the movies so much. They were so integral, not just for my formative years, but my peers as well,” she continues. “You hold so much respect and love for them, so it was a really big deal. But it was still so much fun to film.”

    Returning for a second film also meant welcoming a new group of cast mates, who quickly turned into some of Baker’s closest friendships. She’s excited for the “world to fall in love” with her friends and the new characters.

    Malia Baker.

    Cibelle Levi

    Ahead of the film’s release, the Descendants and Zombies casts embarked on a tour, giving Baker the chance to witness fan excitement firsthand. “It’s so wild to be able to literally watch it unfold in front of you and have people be so excited and joyful around something that’s so close to your heart,” she says.

    The Descendants films are among the most beloved Disney movies in modern time. Baker feels that the films strike a necessary chord of timeless themes and represent young people well, which is why they’ve been able to remain relevant.

    For Baker, stepping into the character of Chloe meant embracing the legacy of Cinderella and Prince Charming, two of Disney’s most recognizable characters. While audiences were already familiar with Chloe’s parents, the young actress had the opportunity to help define a new character entirely her own.

    “I think we all put our hearts and souls into it,” she says. “Yes, these are iconic characters, but Chloe Charming has never been done before, which is a lot of trust to put into a person.”

    Malia Baker and Brandy in ‘Descendants: Wicked Wonderland.’

    Disney/David Astorga

    With Disney’s trust in Baker to represent the beloved character over the course of two films, she says she’s found herself growing alongside Chloe. “As things in your life start changing, you can find different levels and depths to whatever character you’re playing,” she says. “I think Chloe and I have been very fortunate to have been at very similar stages in our lives. It feels like we really are learning these lessons at the same time and inspired by one another’s growth.”

    The actress hopes that Wicked Wonderland viewers watch it and enjoy it. “It can seem like it’s your responsibility to not enjoy something, because it’s not as ‘serious,’” she says. “But I think there’s something really magical in being able to learn a great lesson while having fun.”

    While Chloe Charming may be the role she’s most known for today, sitting at the top of her acting bucket list is Starfire from Teen Titans. “I love the role of Starfire, I think she’s the coolest ever she is just such a baddie in her own right,” she says, laughing. “I would swap out the blue for some pink hair any time any place.”

    The actress says a role in a biopic would also be a dream for her. “I don’t know who, what or when, I keep joking with Brandy about playing her,” she says. “I told her I’ll start practicing for it.”

    Malia Baker.

    Cibelle Levi

    While Starfire, and maybe a Brandy biopic if she ever gives that call, remain on Baker’s manifestation board, she’s still wrapping her head around the fact that she’s become one of the faces of Disney’s newest generation with Descendants.

    “Sassy little me would’ve been shocked, flabbergasted, everything in between. It’s still a dream now,” Baker says of her younger self. “I have to have little reminders every now and then. I don’t think it’ll ever fully sink in, and honestly, I’m happy it won’t.”

  • Ralph W. Hemecker, Veteran TV Director of ‘Blue Bloods,’ ‘Once Upon a Time’ and More, Dies at 65

    Ralph W. Hemecker, Veteran TV Director of ‘Blue Bloods,’ ‘Once Upon a Time’ and More, Dies at 65

    Veteran TV director, writer, producer and showrunner Ralph W. Hemecker has died. He was 65.

    Hemecker, whose work spanned three decades and included directing 31 episodes of Blue Bloods and 28 episodes of Once Upon a Time, died July 10 at his home in Glendale.

    He also directed episodes of The X-Files, Millennium, Ghost Whisperer, Numb3rs, The Vampire Diaries, Nikita, V, Legends of Tomorrow, Quantico, Body of Proof, The Flash and Pacific Blue as well as the 2000 TNT TV movie Witchblade, going on to serve as showrunner, writer and executive producer of the Witchblade TV series across its two-season run from 2001 to 2002.

    And he directed the pilot for Roar, starring a then little-known Heath Ledger, as well as the pilots for Lawless and Dead at 21.

    Born on June 12, 1961, Ralph William Hemecker graduated from Bucknell University where he studied English, made short films and developed a passion for visual storytelling. He went on to take filmmaking courses at New York University and began his career in production and post-production.

    Some of his earliest directing work was on America’s Most Wanted, helming dramatic reenactments of real-life crimes, and he directed episodes of Silk Stalkings, on which he worked behind the scenes, as well as Renegade.

    “Some losses are impossible to put into words,” Once Upon a Time actress Lana Parrilla wrote in part on Instagram. “Ralph Hemecker was one of the kindest, most generous souls I’ve ever known. One of Once Upon a Time’s defining directors. A truly passionate, beautiful man and my dear friend. I was lucky enough to shadow Ralph as a director as he knew Once, behind the camera, best. He was always carrying a camera in hand, staying up all night in the director’s office putting his shots together, studying the scripts and endlessly visiting sets in preparation. His passion was infectious. We always knew if Ralph was directing, we were in good hands.”

    Hemecker is survived by his two stepdaughters as well as his father, sister and brother; two nephews; one niece and one great-nephew.

    Hemecker admired the Navy SEALs’ courage, discipline, resilience and commitment to service, and he was inspired by their leadership principles. As a result, in lieu of flowers, his family asks that memorial donations be made to the SEAL Future Foundation in Hemecker’s memory.

    A celebration of Hemecker’s life will be announced at a later date.

  • ‘Blue Bloods,’ ‘Once Upon a Time’ TV Director Ralph W. Hemecker Dies at 65

    Veteran TV director, writer and producer Ralph W. Hemecker, known for his work on shows including “The X-Files,” “Blue Bloods,” “Once Upon a Time” and “The Flash,” has died. He was 65.

    According to an obituary notice, Hemecker died July 10 at his home in Glendale, Calif. Hemecker’s credits over the years also include “Millennium,” “Ghost Whisperer,” “Numb3rs,” “The Vampire Diaries,” “Nikita,” “V,” and many more. He directed the Fox pilot “Roar,” starring a then-unknown Heath Ledger, as well as pilots for “Lawless” and “Dead at 21.”

    Ralph William Hemecker was born on June 12, 1961, and studied English at Bucknell University, where he was already making short films. He later took filmmaking classes at New York University.

    Hemecker started his career in production and post-production, and early on was a director on Fox’s “America’s Most Wanted.” He also got early experience on the syndicated series “Silk Stalkings,” which he later directed episodes for, as well as Stephen J. Cannell’s “Renegade.”

    Another big break came in 2000, when he directed the TNT TV movie adaptation of the comic “Witchblade,” executive produced by Dan Halsted and Oliver Stone. That turned into the “Witchblade” TV series, which he served as showrunner, executive producer and writer for two seasons, from 2001 to 2002.

    Among his busiest gigs were directing 31 episodes of “Blue Bloods” and 28 episodes of “Once Upon a Time.”

    “Some losses are impossible to put into words,” “Once Upon a Time” star Lana Parilla wrote on Instagram. “Ralph Hemecker was one of the kindest, most generous souls I’ve ever known. One of ‘Once Upon a Time’s’ defining directors. A truly passionate, beautiful man and my dear friend. I was lucky enough to shadow Ralph as a director as he knew ‘Once,’ behind the camera, best. He was always carrying a camera in hand, staying up all night in the director’s office putting his shots together, studying the scripts and endlessly visiting sets in preparation. His passion was infectious. We always knew if Ralph was directing, we were in good hands.”

    Wrote “Once” exec producers Adam Horowitz and Eddy Kitsis: “Ralph Hemecker was a great friend, partner, and a true artist. His contribution to ‘Once Upon a Time’ was immeasurable and he will be missed more than words can express.”

    Hemecker also directed feature films and television movies such as “Dead On,” “Blade Squad,” “Haunting Sarah,” “Fatal Desire,” “Nora Roberts’ Angels Fall,” “Nora Roberts’ Midnight Bayou” and “Skyrunners.” He launched Mythic Films in 2000.

    Hemecker is survived by two stepdaughters, as well as his father, sister, brother, three nephews, one niece and a great-nephew. Services will be announced at a later date.