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  • Trump turns on Meloni, saying she lacks ‘courage’ over US-Israel war on Iran

    Trump turns on Meloni, saying she lacks ‘courage’ over US-Israel war on Iran

    The US president says he is ‘shocked at her’, delivering a blunt public rebuke to one of his closest European allies.

    United States President Donald Trump has attacked Italian Prime Minister Giorgia Meloni, one of his main European allies, over her unwillingness to join the war on Iran.

    “I’m shocked at her. I thought she had courage, but I was wrong,” he said in an interview with Italian daily Corriere della Sera on Tuesday.

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    The interview was published the day after Meloni condemned as “unacceptable” Trump’s criticism of Pope Leo XIV, following the pontiff’s repeated calls for an end to the war in the Middle East.

    “She’s unacceptable because she doesn’t mind that Iran has a nuclear weapon and would blow up Italy in two minutes if they had the chance,” Trump said in English.

    Meloni, Italy’s leader since October 2022, used to be one of Trump’s closest allies in Europe and often sought to act as a mediator between diverging US and European views.

    But the president said they had not spoken this month, “not in a long time”, saying: “She doesn’t help us with NATO.

    “She doesn’t want to help get rid of a nuclear-weaponed Iran. Very sad … She’s much different than I thought,” Trump added.

    He described the NATO military alliance as a “paper tiger” and criticised Europe, in general, for not being “willing to fight for the Hormuz Strait, which is where they get their energy”.

    Trump said Meloni was “not the same person. Italy is not the same country. Immigration is killing Italy and all of Europe.”

    Local support for Meloni

    The Italian prime minister’s allies and political opponents were swift to offer their support.

    “We are and remain staunch supporters of Western unity and steadfast allies of the United States, but this unity is built on mutual loyalty, respect, and honesty,” Foreign Minister Antonio Tajani said on X.

    He said that until now, Trump considered Meloni a courageous person, and “he was not mistaken, but she is a woman who never shies away from saying what she thinks.”

    Elly Schlein, leader of the centre-left Democratic Party, condemned Trump’s “serious lack of respect”.

    “Our constitution is clear – Italy repudiates war,” she added in parliament.

    Separately on Tuesday, Italy suspended a defence agreement with Israel that involves the exchange of military equipment and technology research.

    “In view of the current situation, the government has decided to suspend the automatic renewal of the defence agreement with Israel,” Meloni said, according to Italian media.

    Tensions between Italy and Israel have been high after the Italian government accused Israeli forces of firing warning shots at a convoy of Italian peacekeepers in Lebanon last week.

  • Vietnamese Romance ‘Meet Me at the Eclipse’ Sets North American Theatrical Release After Record Home Box Office (EXCLUSIVE)

    Vietnamese Romance ‘Meet Me at the Eclipse’ Sets North American Theatrical Release After Record Home Box Office (EXCLUSIVE)

    Vietnamese romantic drama “Meet Me at the Eclipse” (Hẹn Em Ngày Nhật Thực) will open theatrically across North America on May 8, distributed worldwide by Mockingbird Pictures, following a dominant run at the Vietnamese local box office that has seen it clear $4 million and climb into the record books.

    Directed by Lê Thiện Viễn and produced by Lý Minh Thắng under Cánh Đồng Film, the film opened in Vietnam on March 27 and has held the top spot on the national chart for three consecutive weeks. It now ranks as the second highest-grossing original screenplay romance in Vietnamese box office history, behind only “Mai,” the 2024 hit directed by Trấn Thành.

    The film uses a 1995 solar eclipse as its central metaphor, tracing the journey of a woman who discovers a cache of unsent love letters and travels back to her rural hometown, where a reunion with her first love forces a reckoning with the past she never fully closed. The theatrical strategy for North America is being overseen by Thanh Tran of Mockingbird Pictures, with engagements confirmed at AMC, Regal Cinemas, and Cinemark locations.

    A day earlier, on May 7, the film will also open theatrically in Australia and New Zealand. Mockingbird is in advanced negotiations for releases in China, Taiwan, Japan, and South Korea, with dates yet to be confirmed for those territories.

    Phong Duong, business director of Mockingbird Pictures, noted: “Our ambition is to position Vietnamese and Southeast Asian cinema as a sustained presence on the global stage – not through isolated breakout titles, but by building a long-term ecosystem where local stories can travel, resonate, and thrive across international markets.”

    Over the past decade, Mockingbird Pictures has built a substantial distribution operation in Vietnam, putting out more than 60 films in cinemas each year while maintaining a digital slate of over 100 titles annually across streaming platforms, among them Netflix. The company has increasingly extended that reach into international sales, with a growing focus on cross-border theatrical releases.

  • Cannes Sets Japan IP Market in Collaboration With Tokyo International Film Festival Content Market

    Cannes Sets Japan IP Market in Collaboration With Tokyo International Film Festival Content Market

    Cannes is set to welcome a Japan IP market at this year’s festival.

    Cannes market, the film festival’s business hub, is collaborating with Tokyo International Film Festival Content Market (TIFFCOM) on the strategic gathering, which will run from May 15 to 17.

    The news comes as Japan readies to take the spotlight at this year’s market after being named the 2026 Country of Honor.

    The Japan IP market, which will take place on the Art Explora catamaran at Cannes’ Vieux-Port, is set to be a high-level networking platform for international companies to meet with their Japanese counterparts and discuss a selection of leading IP across cinema, animation and publishing originating from Japan. There will be opportunities to set up one-on-one business meetings, pitch sessions and a curated program of presentations and conferences.

    The event will also include a focus on the relationship between France Japan, highlighting the creative and industrial partnership between the two countries.

    Among IP holders set to attend are Amuse Creative Studio, Kadokawa Corporation, Nihon Bungeisha, Nippon Animation, Shochiku, Shufu To Seikatsu Sha and Toei Company.

    Keynote seminar “The Future of Japanese IP in Global Adaptations,” presented by “One Piece” exec producer and Filosophia CEO Tetsu Fujimura, is set for May 15 at 10am. Pitch sessions will take place on May 16 and one-to-one meetings throughout the three days of the IP market. Pre-registration is required.

    “We are thrilled to demonstrate how the Country of Honour program can create new opportunities for collaboration, and the launch of the Japan IP Market with TIFFCOM is a perfect illustration,” says Marché du Film exec director Guillaume Esmiol. “Japan is renowned as the birthplace of some of the world’s most powerful IP, from manga and anime to novels, remakes and video games. This new initiative will create further opportunities to foster international collaborations. At the same time, it reinforces the growing importance of the IP market at the Marché du Film, which has been a key strategic focus for several years.”

    TIFFCOM CEO Yasushi Shiina said: “The Japan IP Market is an important step for Japanese intellectual property on the global stage. We are very pleased to launch this platform with the Marché du Film, especially with Japan as Country of Honour this year. This is the ideal environment to highlight and showcase the extraordinary adaptability and creativity of Japanese content across multiple formats and markets. By bringing together key players from Japan and around the world in Cannes, we aim to create new opportunities for business and international growth.”

  • Ethereum treasury firm Bitmine reports $3.8 billion Q1 loss in latest filing

    Ethereum treasury firm Bitmine reports $3.8 billion Q1 loss in latest filing

    Bitmine Immersion Technologies has turned itself into the Ethereum version of Strategy, doubling its outstanding shares in six months and raising over $10 billion in equity to amass nearly 5% of all ether in existence.

    it reported a $3.8 billion quarterly net loss in Tuesday’s 10-Q filing, with share count going from 232 million to 494 million between August 31 and February 28.

    Additional paid-in capital jumped from $8.36 billion to $18.55 billion over the same period, and those funds went straight into $ETH.

    As of April 12, Bitmine held 4.87 million ether at an average cost of $2,206 per token, making it the largest corporate Ethereum treasury globally and the second-largest corporate crypto treasury behind Strategy.

    The bet is underwater but not by much. Ether traded near $2,325 on Wednesday, roughly 5% above Bitmine’s average entry. The $3.78 billion in unrealized losses on the quarter’s income statement reflects the drawdown from the token’s August 2025 highs near $4,900, not a loss from its cost basis.

    Under fair-value accounting rules adopted in 2024, those mark-to-market swings flow through the P&L regardless of whether the company has sold anything.

    But the transformation from mining company to leveraged $ETH treasury play is creating its own set of pressures.

    Self-mining revenue collapsed 86% year-over-year to $219,000 for the quarter. Staking has replaced it entirely, generating $10.2 million of the company’s $11 million in total quarterly revenue.

    General and administrative expenses hit $75 million for the quarter, up from $964,000 a year earlier. For the full six-month period, G&A reached $298.6 million against just $13.3 million in revenue. Some of that likely reflects stock-based compensation tied to the equity raises, but the gap between operating costs and operating revenue is stark for a company whose core product is now holding and staking a single token.

    The filing also reveals derivatives exposure that wasn’t previously detailed.

    Bitmine booked $65.3 million in unrealized losses on derivatives and $24.1 million in option premium income during the quarter, suggesting the company is running options strategies on its $ETH holdings, possibly covered calls to generate additional yield.

    Chairman Tom Lee said in March that the company views the ether pullback as “attractive, given the strengthening fundamentals,” and noted Monday that Bitmine has accelerated its buying pace over the past four weeks.

    Bitmine held $879.6 million in cash as of February 28, along with 198 bitcoin, a $200 million stake in Beast Industries, and an $85 million position in Eightco Holdings.

  • Major Partnership Announced Between XRP and Japanese E-Commerce Giant Rakuten – “Billions of Dollars in Potential”

    Major Partnership Announced Between XRP and Japanese E-Commerce Giant Rakuten – “Billions of Dollars in Potential”

    Rakuten, the Japanese e-commerce giant, has taken a significant step to accelerate cryptocurrency adoption. By integrating $XRP as a payment method into its platform, the company provides direct access to 44 million users.

    According to the announcement, users can now make payments with $XRP through the Rakuten Pay app. This integration will enable $XRP use at over 5 million merchant locations across Japan. Users can also buy and sell this digital asset developed by Ripple through the app, purchase $XRP with Rakuten points, and store their assets in the Rakuten Wallet.

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    Ripple ecosystem manager Tatsuya Kohrogi stated that this development is a significant milestone for the crypto sector. According to Kohrogi, this integration will introduce digital assets not only to crypto-focused users but also to millions of everyday shoppers.

    According to the company, the scale of the integration is remarkable. Rakuten has over 100 million members and an annual e-commerce volume of 5.6 trillion yen. Furthermore, over 3 trillion loyalty points in circulation (worth approximately 23 billion dollars) can now be converted to $XRP.

    *This is not investment advice.

  • ‘Legend of Zelda’ Movie’s Team Celebrates as Production Wraps Ahead of 2027 Release

    ‘Legend of Zelda’ Movie’s Team Celebrates as Production Wraps Ahead of 2027 Release

    The Legend of Zelda touched down in Sin City on Monday, with Sony teasing the upcoming video game adaptation during the studio’s CinemaCon presentation.

    First-look images from director Wes Ball’s live-action film had been released in November, and at CinemaCon, president of Sony’s motion picture group Sanford Panitch announced that the movie had recently finished principal photography. Sony did not reveal new images or details about the feature that counts Nintendo legend Shigeru Miyamoto and Avi Arad as producers.

    “We just wrapped production on Nintendo’s The Legend of Zelda — based, perhaps, on the most beloved gaming franchise of all time that sold over 180 million copies in four decades,” Panitch said. “It has been produced by the creator himself, Miyamoto, along with Avi Arad, and it’s directed by Wes Ball, whose most recent Planet of the Apes movie was a box office hit.”

    The exec continued, “The film releases worldwide May 7th, 2027. We and the legion of fans everywhere cannot wait. And video game adaptations continue to be a significant focus for us.”

    This adaptation comes from a team-up between Sony and Nintendo and is set for release on May 7, 2027. Ball, the filmmaker behind Kingdom of the Planet of the Apes and the Maze Runner trilogy, is directing; young actors Bo Bragason (known for her roles in BBC One’s Three Girls and The Jetty) and Benjamin Evan Ainsworth (Pinocchio, The Haunting of Bly Manor) are starring as the magical Princess Zelda and the swordsman Link, respectively.

    Nintendo has been increasingly getting into the theatrical space in recent years, to quite successful results; 2023’s The Super Mario Bros. Movie reached $1.36 billion worldwide, while sequel The Super Mario Galaxy Movie, released earlier this month, is already at over $600,000 worldwide. Zelda is another one of Nintendo’s major franchises, and previous adaptations have been attempted over the years, but nothing solidified until Sony announced development of the film in 2023.

    CinemaCon, the annual gathering of cinema owners and Hollywood studios, is hosted in Las Vegas by Cinema United, formerly known as the National Association of Theatre Owners. This year’s edition runs from April 13-16.

  • How Portugal Has Become a Production Hub, From ‘House of the Dragon’ to Local Hit ‘Turn of the Tide’

    How Portugal Has Become a Production Hub, From ‘House of the Dragon’ to Local Hit ‘Turn of the Tide’

    It’s not just about the money when it comes to building a film and TV production hub, and Portugal knows it. That was one of the key messages of a panel of local representatives who discussed “Portugal on Screen: A High-Growth Market for Streamers & Global Content Players” during a session at the inaugural StreamTV Europe in Lisbon, which drew a crowd.

    Ana Marques, executive director of the Portugal Film Commission, highlighted the appealing mix of locations, financial incentives and a focus on sustainability as key to making the country attractive for foreign productions. Among the popular fare made in Portugal, she mentioned local Netflix hit drama Turn of the Tide, which has seen three seasons, House of the Dragon, which has featured the historic village of Monsanto as a location, Star Wars series The Acolyte, which was shot on the Portuguese island of Madeira, movie Heart of Stone, and Netflix’s Damsel.

    “We want to be aspirational because of our wonderful locations,” Marques said. “We also have our incentives, so we want to be attractive, and we want to be sustainable. Sustainability is really important for us.”

    She highlighted how in 2024, the country launched a new and “competitive” incentives scheme for bigger productions “in response to the demand.”

    Creating in concert with foreign partners is another key part of the puzzle. “We love to co-produce,” Susana Gato, executive president of APIT, the Association of Independent Television Producers, explained.

    A case in point that she pointed to is Cold Haven, a co-production with Iceland. The psychological thriller series, whose Portuguese title is Refúgio do Medo, was produced by SPi in Portugal and Glassriver in Iceland.

    The panel also highlighted that Portugal has more than 60 co-production agreements.

    Technology is also part of Portugal’s focus in ensuring it is an appealing and successful production hub in the age of digital media and AI. Gil Azevedo, executive director of the Unicorn Factory Lisboa, an initiative launched by Lisbon’s mayor to turn the city into a leading innovation hub. “It’s been about gaining scale, and Technology is also part of Portugal’s focus in ensuring it is an appealing and successful production hub in the age of digital media and AI. Gil Azevedo, executive director of the Unicorn Factory Lisboa, an initiative launched by Lisbon’s mayor to turn the city into a leading innovation hub. “It’s been about gaining scale, and [we see] AI as a lever to move faster,” he said. “It’s about democratizing access, and we have great technology companies in Portugal.”

    Marques said at times, as in many countries, Portugal could be even more agile, but her team continues to work with the government and other key partners and stakeholders to continue fine-tuning the country’s appeal for productions. “Despite the film commission only working since 2019, being really recent, we have noticed big interest in Portugal and about the Portuguese conditions to film here,” she shared. “We are now launching a new program for the next four years, so until 2029, with 350 million euros ($412 million) with two different incentives.” And she and her team are ready for more film and TV productions to make the journey to Portugal.

  • Hornets-Heat: 4 takeaways as Charlotte outduels Miami in Play-In classic

    Hornets-Heat: 4 takeaways as Charlotte outduels Miami in Play-In classic

    Both Coby White and LaMelo Ball come up clutch to help the Hornets stay alive in the SoFi Play-In Tournament.

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    CHARLOTTE – The Play-In Tournament’s ability to keep middle-of-the-pack focused on what’s above them in the standings rather than what might await them from below has waned lately. But at least one of its superpowers remains: Injecting instant urgency at the start of the NBA’s postseason, a handful of one-and-done or two-and-done games serving as ideal hors d’oeuvres before everyone settles into those best-of-seven series.

    The Charlotte Hornets’ 127-126 overtime victory against Miami Tuesday at Spectrum Center wasn’t just a tasty appetizer – it was bacon-wrapped. A thriller across 53 minutes, what might have been something humdrum between the East’s ninth- and 10th-best teams instead had a little of everything: crazy buckets, timely defense, lead swings (16, with 17 ties), a bit of controversy, and plenty of frayed emotions.

    In this case, there was no faint praise in deeming it the greatest Play-In game ever.

    The prospect of having eight months of hard work, ups, downs, surprises, setbacks and drama end in the span of a few hours can dial up all levels of desperation and resolve to earn another game. To fend off elimination. Any night except this night, in other words.

    “I think both teams didn’t want to go out,” Hornets forward Miles Bridge said. “Us for sure. We’ve had a great year. We started out bad, then we banded together and created a culture. We wanted to win for our fans and for ourselves, and to get a taste of playoff basketball.”

    For that last ambition, Charlotte has to hit the road and do this all over again Friday night either in Philadelphia or Orlando, once the 76ers and the Magic determine Wednesday which of those two loses its way into the clash with the Hornets. Miami, as stubborn a Play-In participant as the league has had since creating the format in 2021, heads into the offseason after having to play for nearly three quarters without its best player, Bam Adebayo.

    Here are four takeaways from the victory that keeps alive Charlotte’s shot at facing the East’s No. 1 seed, the Detroit Pistons, in the first round for its first official playoff appearance in 10 years:


    1. Throwback game for LaMelo Ball

    Much has been made of the Charlotte point guard’s improved feel, leadership, efficiency and maturity this season in driving a team that has gone 34-15 since Jan. 3. But he looked Tuesday like old ’Melo, which means young ’Melo, the guy without much direction or accountability after his arrival in 2020.

    Only in this game, the Hornets needed that guy. Two of their three main sources of points were underperforming: rookie Kon Knueppel seemingly had big-stage jitters, missing 10 of his 12 shots and all six of his 3-pointers. Brandon Miller played less than 10 minutes in the first half, collecting as many fouls as points.

    That left it to Ball to have one of his everything-everywhere-all-at-once performances. He scored 30 points, including Charlotte’s first and last, and took 31 shots.

    He sought his own looks first and was not shy about missing 14 of 16 3-pointers. Ball dished 10 assists, committed five fouls, and was plus-15 in 40 minutes in his team’s one-point triumph. He stacked moments both heartbreaking and breathtaking.


    2. Bam goes boom, Spo is bummed

    Adebayo, the Heat big man who grabbed NBA headlines last month by scoring 83 points in a game, fell 77 short of that when he hit the floor hard in the opening minute of the second quarter.

    He injured his lower back and was unable to return. A quick scan of his meager stats and some others – Charlotte’s 17 offensive rebounds and 25 second-chance points, for instance – reveals how much Miami missed him.

    Replays showed Ball, who had fallen first, grabbing Adebayo’s right ankle to seemingly trip him. It went uncalled and unreviewed by the game officials but had Heat coach Erik Spoelstra plenty agitated.

    “I think it’s a stupid play. It’s a dangerous play,” Spoelstra said. “He should be penalized for that. I don’t think that belongs in the game, tripping guys. Somebody has got to see that [when it happens]. He should have been thrown out of the game for that.”

    Crew chief Zach Zarba told a pool reporter that the officials did not see Ball’s grab when it happened. Because play continued downcourt, there was no opportunity to review it for a possible flagrant foul. It is possible that the league will assess a fine or suspension for Ball’s dubious maneuver.

    The Hornets point guard denied any dirty motive, however. “I apologize on that one — I got hit in the head, I didn’t know where I was, but I’m going to check on him to see if he’s okay and everything,” Ball said. “I said sorry, and I’m going to check on him.”


    3. A perfect pickup: Coby White

    Charlotte took advantage of a moribund Bulls season to acquire White, a scoring point guard, in a February 4 trade.

    Chicago’s since-fired front office didn’t even pry loose a first-round pick in the deal.

    White was at his streaky-scoring best Tuesday with the sort of performance that can win a game or two in a long postseason.

    After a slow start, White caught fire in the third quarter. He had a rebound, two steals and scored 14 points, including 11 in a row as the Hornets scrambled from five down to lead by six heading into the fourth. The native North Carolinian, who played one season for the Tar Heels, has brought instant-offense from the Hornets bench. He finished with 19 points and was plus-21 in less than 26 minutes.


    4. Rookie regression for Knueppel

    Miller pulled out of his fouls funk to score 20 points in the second half but Knueppel never did course-correct. He had shot just 34.7% from the arc in the Hornets’ final 10 games, but this was only his fourth game all season in which Knueppel – who led the NBA in 3-pointers and shattered the rookie record – couldn’t hit a single one.

    Charlotte coach Charles Lee used Knueppel for only six minutes in the fourth quarter and not at all in overtime. But thanks to his teammates, the Rookie of the Year contender gets a chance at redemption Friday against the Magic or the Sixers.

    * * *

    Steve Aschburner has written about the NBA since 1980. You can e-mail him here, find his archive here and follow him on X.  

  • NBA Playoffs: What to expect in Spurs-Trail Blazers series

    NBA Playoffs: What to expect in Spurs-Trail Blazers series

    After putting together a Kia MVP-worthy regular season, Victor Wembanyama readies for his first playoff series.

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    This 2-7 Western Conference first-round series between the San Antonio Spurs and Portland Trail Blazers is unexpected in some ways.  

    Who expected the Spurs to go from 34 victories last season to 62 this season? Who expected the Trail Blazers – under acting head coach Tiago Splitter who took over early in the season – to go from 36 victories to 42? 

    San Antonio won the season series, taking two of three from Portland including a 112-101 victory on April 8, a game in which the Spurs’ Victor Wembanyama and Stephon Castle did not play. 


    Series schedule

    Here’s how to watch the Spurs vs. Trail Blazers series:

    All times Eastern Standard Time

    • Game 1: Portland at San Antonio | Sunday April 19 (9 ET, NBC/Peacock)
    • Game 2: Portland at San Antonio | Tuesday April 21 (8 ET, NBC)
    • Game 3: San Antonio at Portland | Friday April 24 (10:30 ET, Prime Video)
    • Game 4: San Antonio at Portland | Sunday April 26 (3:30 ET, ESPN)
    • Game 5: Portland at San Antonio | Tuesday April 28
    • Game 6: San Antonio at Portland | Thursday April 30
    • Game 7: Portland at San Antonio | Saturday May 2

    * = If necessary


    Regular-season results

    Nov. 26: Spurs 115, Trail Blazers 102
    Jan. 3: Trail Blazers 115, Spurs 110
    Apr. 8: Spurs 112, Trail Blazers 101


    Top storyline

    Victor Wembanyama’s first playoff series. In his third season, Wembanyama was special – special enough to warrant Kia MVP consideration and put himself in outstanding position to win his first Defensive Player of the Year Award. This season, he averaged 25 points, 11.5 rebounds, 3.1 assists, 3.1 blocks and 1.0 steals and shot 51.2% from the field, 34.9% on 3-pointers. His impact shines in other statistics, too. The Spurs are elite with Wembanyama on the court, scoring 120.5 points and allowing 103.6 points per 100 possessions – plus-17 net rating. When he’s not in the game, those stats drop to 114.3/113.7/plus-0.6). How will that translate in the 22-year-old star’s first playoffs? How does the seemingly unflappable Wembanyama handle the gravity of a best-of-seven series? 


    Keep your eyes on

    Mitch Johnson. A historian needs to go back to the late 1990s to find a Spurs playoff team not coached by Gregg Popovich. That changes with this Spurs series against the Trail BlazersSpurs coach Mitch Johnson took over for Popovich near the start of the 2024-25 season after Popovich had a stroke. Johnson was the interim coach last season and got the full-time job. It will be fascinating to watch his decisions. Popovich is the Spurs’ president of basketball operations, and Johnson has Pop’s mentoring and insight. It’s an advantage to rely on a guy who coached a team to five NBA championships, 22 consecutive playoff appearances and 170-114 career playoff record. 


    One more thing to watch for each team

    For Spurs: Their young(ish) guys beyond Wembanyama were tremendous this season, too. But key contributors Keldon Johnson, Stephon Castle, Dylan Harper, Julian Champagnie and Carter Bryant have never played in the playoffs. They will encounter stressful moments, and watching the Spurs work through those times – with the help of veterans De’Aaron Fox and Harrison Barnes – is a compelling subplot. 

    For Trail Blazers: Forward Deni Avdija posted All-NBA-caliber numbers this season: career highs in points per game (24.2), free-throw percentage (80.2%) and assists (6.7) along with 46.2% shooting from the field and 6.9 rebounds per game. The Blazers have an intriguing present and future with a talented roster and a new ownership group led by Tom Dundon. 


    One key number to know

    16% — The Blazers got 16% of their points, the league’s highest rate, from second chances. They ranked fourth in offensive rebounding percentage (35.4%) and third in second-chance points per 100 possessions (18.1). Only the Nets and Wizards were less efficient than the Blazers in regard to initial offense (prior to a rebound), and no team relied more on second chances to score.

    Now they’ll face the team (San Antonio) that led the league in defensive rebounding percentage (72.4%). The Blazers had some success on the offensive glass in the regular season series, retaining 32.5% of available offensive boards over their three games against the Spurs, the fifth highest rate for any team against the Spurs. But all three games were played without Victor Wembanyama, who had the highest individual defensive rebounding percentage (28.5%) among players who averaged at least 10 minutes in 40 games or more.

    — John Schuhmann


    The pick

    Spurs in five. The Spurs have too much offense and too much defense  ranked No. 3 in both categories – and too much Wembanyama. 

    * * *

    Jeff Zillgitt has covered the NBA since 2008. You can email him at jzillgitt@nba.com, find his archive here and follow him on X.

  • ‘Ocean’s’ Prequel Sets 2027 Release as ‘Weapons’ Spinoff ‘Gladys,’ ‘Final Destination 7’ and More Added to Warner Bros. Calendar in 2028

    ‘Ocean’s’ Prequel Sets 2027 Release as ‘Weapons’ Spinoff ‘Gladys,’ ‘Final Destination 7’ and More Added to Warner Bros. Calendar in 2028

    Warner Bros. added a slew of titles to its release calendar in 2027 and beyond, including a “Weapons” prequel about Aunt Gladys and the Margot Robbie-led “Ocean’s” prequel.

    New additions to the schedule are “The Revenge of La Llorona” (April 9, 2027), “Ocean’s” prequel (June 25, 2027), “Evil Dead Wrath” (April 7, 2028), “Gladys” (Sept. 8, 2028), “Final Destination 7” (May 12, 2028),  Zach Cregger’s next thriller “The Flood” (Aug. 11, 2028) and an untitled Baz Luhrmann film about Joan of Arc (Nov. 22, 2028).

    Warner Bros. announced the news at CinemaCon, the annual gathering of movie theater owners that’s currently taking place in Las Vegas. Warner Bros. is in the process of being sold to Paramount Skydance, which means that production timelines may be altered, and release dates could shift around if the merger goes through. However, Paramount’s CEO, David Ellison, has pledged to release 30 films a year once the two media giants become one, meaning they’ll need a lot of new material to fill out their theatrical slates.

    Mike De Luca noted the overall box office is down from pre-pandemic years because the number of major studio releases has declined by 23%. “You don’t need a crystal ball to wonder what admissions might look like that missing volume was made up for and restored,” he said.

    Warner Bros., meanwhile, has increased its output since De Luca and Pam Abdy took over as co-chairs in 2022. The studio released six films that year and was able to bump up that number to 11 in 2025. The bosses said they plan to unveil 14 movies in 2026 and 18 movies in 2027.

    “Look, we know they’re not all going to work,” Abdy acknowledged from the stage. “There’s no version of this business that’s risk-free. But our job is to step up, make bets and own it when it doesn’t work.”