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  • Harry Styles Pokes Fun at Ex Taylor Swift’s Wedding During Madison Square Garden Show

    Harry Styles Pokes Fun at Ex Taylor Swift’s Wedding During Madison Square Garden Show

    On the opening night of his 30-concert residency at Madison Square Garden, pop superstar Harry Styles paid tribute to the late, great Dolly Parton. And at the tail end of Saturday night’s show, he shouted out his ex-girlfriend Taylor Swift’s wedding to Travis Kelce.

    “We’re at Madison Square Garden, home of the world champion New York Knicks!” Styles announced to loud applause, before adding, “And they also do weddings.”

    Styles famously dated Swift from November 2012 to January 2013 and served as the inspiration for Swift’s chart-topping 2014 song “Style.” According to Variety, Styles even “received an invitation” to Swift’s wedding to NFL star Travis Kelce on July 3 at Madison Square Garden, but sources said that “Styles is currently on tour and will not make it to MSG.” However, Styles’ fiancé, Zoe Kravitz, did end up attending the Swift-Kelce mega-wedding.

    There appears to be no bad blood between the two exes. Styles even gave a cheeky nod to Swift’s wedding during his record-breaking Wembley residency on July 3, performing his 2017 song “Two Ghosts,” which is believed to be his response to her tune “Style,” as he sings: “Same lips red, same eyes blue / Same white shirt, couple more tattoos.”

  • Kraken Users Briefly Locked Out After Sanctioned-Transaction Flood

    Kraken Users Briefly Locked Out After Sanctioned-Transaction Flood

    Kraken users were briefly locked out after the exchange dealt with a flood of sanctioned crypto transactions, according to CoinDesk. The incident links an access disruption to compliance activity, highlighting the operational strain that can arise when an exchange must process a large volume of transactions associated with restricted entities or addresses.

    A Compliance-Driven Disruption

    A temporary lockout is different from a confirmed loss of customer funds, and the available report does not establish that user balances were permanently affected. The immediate issue was access while Kraken handled the transaction flow and its associated sanctions controls.

    Why Sanctions Screening Affects Availability

    Crypto exchanges screen deposits and withdrawals against sanctions lists and other risk signals. A sudden burst of flagged activity can require manual review, system throttling or account restrictions. Those controls are designed to limit prohibited activity, but they can also interrupt legitimate users when systems are under pressure.

    The Questions for Kraken

    The important follow-up points are how long the disruption lasted, how many accounts were affected, and what controls Kraken will change to prevent a repeat. Exchanges must balance rapid access with legal obligations, and a short incident can still expose weaknesses in monitoring, communication or capacity planning.

    For context, BlockchainReporter has previously examined how institutional financial systems are testing blockchain settlement in earlier coverage. The new development remains specific to this event and does not establish a broader market outcome.

  • Deribit moved 90% of client assets to Coinbase, then killed its daily proof-of-reserves check

    Deribit moved 90% of client assets to Coinbase, then killed its daily proof-of-reserves check

    Deribit will remove its public Proof of Reserves page on Sept. 1, ending a daily check customers could use to verify balance inclusion and compare aggregate liabilities with published wallet holdings. Regulator-required reserve, reconciliation and audit controls will remain, but they do not provide the same daily public visibility.

    The exchange said the change reflects a wallet infrastructure overhaul during its integration with Coinbase. Deribit said roughly 90% of client assets have moved into Coinbase custody arrangements since Coinbase acquired the derivatives platform in August 2025. Its disclosures name Coinbase at the brand level but do not identify the specific Coinbase legal entity holding the migrated assets.

    Related Reading

    Coinbase’s 30-minute Deribit switch will force-settle and rebuild institutional positions

    Deribit’s existing system uses a privacy-preserving binary Merkle tree and a daily snapshot. Each client can use a unique proof identifier to find the hashed entries representing their balances, while anyone can sum the file’s liabilities and compare the total with wallet balances published by Deribit.

    The public snapshot was already narrower than Deribit’s full custody footprint. Its methodology says assets held with third-party custodians are excluded because they are outside Deribit’s direct control, naming Copper ClearLoop as an example. It

    The removal does not cancel the obligations applying to Deribit FZE. Dubai’s Virtual Assets Regulatory Authority requires covered virtual asset service providers to maintain reserves equal to 100% of client liabilities, hold them one-to-one in the same asset, reconcile them daily and obtain an independent third-party reserve audit at least every six months.

    Deribit’s notice refers both to annual and twice-yearly Proof of Reserves audits. The VARA rule sets the reserve-audit minimum at once every six months. A separate VARA provision requires an annual financial-statement audit and says the annual report must be available to clients and the regulator on request.

    Other evidence is regulator-facing rather than public. Covered firms must submit wallet addresses monthly and statements demonstrating compliance with financial requirements, including reserve assets, quarterly to VARA.

    VARA’s register lists Deribit FZE as an active exchange and broker-dealer VASP. Its membership terms allow assets to be held directly or through third-party custodians while requiring segregation from company assets and preserving clients’ legal title. A separate service-provider list names Coinbase for custody and self-custody technology without specifying the Coinbase entity.

    The page’s removal is not evidence of a reserve shortfall. It is a reduction in what customers can test for themselves each day, leaving controls and reports that are less public, less frequent or available only on request.

  • A $1.1 million crypto card hack crashed a neobank’s token 49%

    A $1.1 million crypto card hack crashed a neobank’s token 49%

    A vulnerability in an outdated Rain card contract drained roughly $1.1 million across several Solana-based programs, including $500,800 from 1,685 Avici users, sending the neobank’s AVICI token down as much as 49%.

    AVICI — a self-custodial neobank that enables users to spend their crypto via a Visa-integrated credit card — fell from a 24-hour high of $0.43 to a record low of $0.217 before recovering to around $0.378 at the time of writing.

    Tria, another crypto neobank, reported that 636 users were affected, resulting in losses totaling more than $430,000. It vowed to repay users in full, even as its token plunged by more than 10% at one point.

    Avici said the attack was confined to a Solana contract holding funds after customers topped up their cards. Its self-custodial wallets on Solana and Ethereum-compatible networks were not affected, and the company said every affected card balance would be refunded.

    Rain said its monitoring identified the vulnerability in an outdated contract version used by Avici and a small number of other programs. It upgraded every program running that version and reported no further unauthorized activity.

  • Heidi Montag Recalls Dolly Parton Defending Her Amid Plastic Surgery Criticism

    Heidi Montag Recalls Dolly Parton Defending Her Amid Plastic Surgery Criticism

    Heidi Montag is remembering the kindness the late Dolly Parton showed her during one of the most heavily criticized periods of her life.

    Following news of Parton’s death earlier this week, Montag took to X on Friday night to pay tribute to the country music legend, recalling how Parton defended her after she underwent plastic surgery.

    “When I was at one of the hardest and most criticized moment of my life after my plastic surgery, Dolly was one of the only people in the industry who didn’t take the opportunity to drag me down,” Montag wrote.

    According to Montag, she recalled that Parton said at the time, “I had probably done the same thing if I was her age and could afford it, if I thought I needed it.”

    In 2009, Montag famously underwent 10 plastic surgery procedures in one day, including breast augmentation, a nose job revision and chin reduction. She faced intense scrutiny over the procedures, with the aftermath documented on The Hills, including a heartbreaking scene in which she revealed her new appearance to her mother.

    Montag also remembered a much earlier encounter with Parton, recalling that the singer visited her small town when she was seven years old.

    “Thank you Dolly. I remember when she came to my small town when I was seven years old, ate at my family restaurant, sang happy birthday to my Grammy, and it changed my life,” she wrote. “She has always been an inspiration to me. Such a blessing from afar. God bless you thank you Lord for this angel on earth.”

    Parton died Tuesday from cancer at age 80. Throughout her decades in the spotlight, the “9 to 5” singer was candid about her decision to undergo plastic surgery and her opinion on cosmetic procedures.

    “I have nips and tucks and trims and sucks, boobs and waist and butt and such, eyes and chin and back again, pills and peels and other frills, and I’ll never graduate from collagen,” she wrote in her autobiography Dolly: My Life and Other Unfinished Business (via Us Weekly). “Whatever you are comfortable with and can afford, you should do. Having had plastic surgery is something I am not embarrassed about.”

  • Chris Hansen Gives Robert Pattinson Credit for His “Pretty Good Imitation” in ‘Primetime’

    Chris Hansen Gives Robert Pattinson Credit for His “Pretty Good Imitation” in ‘Primetime’

    Chris Hansen is speaking out again about the upcoming film Primetime, and this time, he’s giving Robert Pattinson some credit for his performance as him.

    Speaking with Entertainment Tonight, Hansen, the former host of Dateline NBC’s To Catch a Predator, shared his take on The Batman star’s portrayal based on what he’s seen in the trailer.

    “Obviously he has practiced imitating me, and while I think it’s overly dramatic, I think there is a pretty good imitation there in the trailer,” Hansen said.

    However, Hansen added that his family has been more receptive to Pattinson’s performance.

    “It’s not so much what I think; it’s what other people think. And you know, my wife [and] my family seem to think it’s a pretty good imitation,” he said.

    Still, Hansen pointed out that Pattinson’s character is not an exact portrayal of him.

    “He’s saying things I never said and doing things I never did, and that’s not who I am. I’m a nice guy, except when it comes to criminals and predators,” Hansen continued. “I think people should remember that it is a work of fiction, only based on real-life events.”

    The Hollywood Reporter reached out to Pattinson’s reps for comment but did not hear back by the time of publication.

    Hansen has also been vocal about his lack of involvement in the film, which is inspired by his work investigating suspected child predators.

    Last week, he told Fox News’ Jesse Watters that he did not attend a screening of Primetime because, he alleged, “The lawyers at A24 wanted me to sign away my rights to my name, image and brand, essentially, as well as any potential legal rights that would come out of the movie.”

    “I couldn’t sign that, so they didn’t show me the film. I went all the way over there. … But who’s going to sign something like that?” he added.

    Despite not being involved in the film, Hansen has found a way to capitalize on its release. As THR exclusively reported, he purchased preshow advertising on every screen showing Primetime, directing moviegoers to TruBlu, his streaming network focused on predator investigations.

  • Chris Hansen Says Robert Pattinson’s ‘Primetime’ Performance Is ‘Overly Dramatic,’ But His Wife and Kids Think It’s a ‘Pretty Good Imitation’

    Chris Hansen Says Robert Pattinson’s ‘Primetime’ Performance Is ‘Overly Dramatic,’ But His Wife and Kids Think It’s a ‘Pretty Good Imitation’

    Chris Hansen recently gave his reaction to Robert Pattinson’s impression of him in the upcoming A24 drama-thriller “Primetime,” which chronicles Hansen’s stint as host of Dateline NBC’s “To Catch a Predator.”

    “I mean, obviously he has practiced imitating me, and while I think it’s overly dramatic, I think there is a pretty good imitation there in the trailer,” Hansen told Entertainment Tonight. “It’s not so much what I think; it’s what other people think. And you know, my wife [and] my family seem to think it’s a pretty good imitation.”

    “He’s saying things I never said and doing things I never did, and that’s not who I am. I’m a nice guy, except when it comes to criminals and predators,” he added. “I think people should remember that it is a work of fiction, only based on real-life events.”

    Reps for Pattinson did not immediately respond to a request for comment regarding Hansen’s comments.

    Hansen recently told Fox News’ “Jesse Watters Primetime” that when he showed up at the A24 offices for a private screening of the film, he was asked to sign a legal agreement that would sign away several of his personal rights.

    “The lawyers at A24 wanted me to sign away my rights to my name, image and brand, essentially, as well as any potential legal rights that would come out of the movie,” Hansen claimed. “I couldn’t sign that, so they didn’t show me the film. I went all the way over there.”

    A source close to A24 said at the time that Hansen was asked to sign an NDA that every preview audience must adhere to for an unreleased project.

  • ‘Borges and Me’ Review: Gentle, Nostalgic Literary Road Movie Is More Perky Than Poetic

    ‘Borges and Me’ Review: Gentle, Nostalgic Literary Road Movie Is More Perky Than Poetic

    American author Jay Parini’s 2020 memoir “Borges and Me: An Encounter” read as a charming extension of an anecdote any writer would dine out on for the rest of their life: the tale of how Parini, as a college student in the 1970s, was somehow partnered on a winding road trip through the Scottish Highlands with the venerable Argentine literary icon José Luis Borges. Like any good anecdote, it feels healthily embellished — Borges was doubtless a character, but is fashioned on the page into a Character — in ways that director Marc Turtletaub‘s enjoyable, good-natured screen adaptation appears to build upon. As a feature film, “Borges and Me” is perhaps extended beyond its natural capacity: It feels both a tall story and a thin one. But the charm is still there.

    Benefiting considerably from the tawny, textured splendor of its Scottish locations — shot with dewy autumnal crispness by DP Christopher Norr — this is mellow, quietly sentimental fare that was ideally suited to its home-turf world premiere at the Edinburgh Film Festival. It will likely please plenty more crowds on the festival circuit en route to global arthouse-crossover distribution, assisted by the mixture of British, South American and North American drawcards in a transatlantic co-production. Those include its deliberately mismatched leads: Chilean veteran Luis Gnecco (“Neruda”) as the twinkly genius, and Fionn Whitehead (“Dunkirk”), an actor eternally English in his uprightness but appealingly cast an Anglophile American, as his exasperated minder.

    As played by White, the young Parini may be fairly advanced in his studies — as an English literature doctoral student at St. Andrew’s University in Scotland — but he exudes an unworldly freshman quality in his just-askew tortoiseshell glasses and oversized duffel coat. A native Pennsylvanian, and still very much a fish out of water, his shy, sweet earnestness makes him an easy target for good-humored ribbing by his breezily bohemian supervisor, the poet Alastair Reid (Alan Cumming, on pleasingly Alan Cumming form). A scholar of South American literature and a leading translator of Borges’ work, he invites the Chilean to stay with him at his ramshackle coastal cottage; joining them for a day, Parini is both bewildered and a little enraptured by the brilliant, eccentric and sightless septuagenarian visitor.

    He’s not, however, prepared to be Borges’ babysitter — which is precisely what he becomes when Reid heads off on a last-minute trip to London, leaving some pointers regarding the writer’s various medications, but not much else. It also happens to be the week when Parini was planning to drive up into the Highlands to interview his Ph.D subject, the elusive and hermetic poet George Mackay Brown (Peter Mullan, in a mischievous extended cameo). Cue a cross-generational odd-couple road trip, with rather more sightseeing detours than Parini had planned for. Borges may not be able to see the scenery, but delights in every scrap of local color, to a degree that the American — tasked with describing everything to his elder, in suitably lyrical terms — finds quite wearisome.

    Audiences might relate to some extent. In a sprightly performance rife with oddball mannerisms, Gnecco gives Borges equal parts impish wisdom, earthy vulgarity and childlike wonder, rarely letting a moment’s silence go unfilled with eager chatter. When the virginal Parini — who thus far has read romantic poetry without truly feeling it — hits it off with smart, kindly pub worker Ailith (a wonderful Freya Mavor) and they steal away for a time, the film positively breathes in the old man’s absence.

    Borges’ presence accounts for some amusing and even poignant adventures: a bumbling boat excursion on Loch Ness, or a fanciful, hallucinatory visit to a long grassed-over battlefield. But the film’s most affecting moments are its quietest ones, largely centered on Parini and his interior anxieties, which include his less academically-inclined brother’s travails as a soldier in Vietnam. Whitehead gives “Borges and Me” the stillness it needs to avoid feeling mawkish or shticky, but screenwriter Oren Moverman (working from an earlier adaptation by Parini and Ross Clarke) pivots between moments of graceful poetry and others of simpler feelgood sentiment.

    The final balance slightly favors the latter: There’s little engagement with Borges’ own writing, for example, though audiences so inclined have the upcoming five-hour-plus documentary “Life of Jorge Luis Borges” for that. (Perhaps the two films’ eventual distributors could put their heads together and work out a complementary release strategy.) Full of warm feeling and fuzzy nostalgia for the porous, knowledge-gathering naïveté of youth, “Borges and Me” treats the author as a general, buoyant, heavily imagined spirit rather than a historical subject, and likably so.

  • Renowned Economist Harshly Criticizes the Fed’s Latest Policies: “They’re on the Wrong Track”

    Renowned Economist Harshly Criticizes the Fed’s Latest Policies: “They’re on the Wrong Track”

    Economist James E. Thorne criticized the Federal Reserve’s tight monetary policy against inflation, arguing that interest rate increases may be insufficient to address the root causes of current price pressures. According to Thorne, Fed Chairman Kevin Warsh and Wall Street circles view supply-driven inflation as a classic overheating problem stemming from excess demand.

    Thorne stated that high inflation is not solely caused by strong consumer demand; energy costs, housing shortages, production cuts, and other supply constraints also play a significant role. Therefore, he argued that further interest rate increases, instead of reducing inflation, could weaken the economy’s productive capacity.

    Employment Data Does Not Support the “Overheating” Thesis

    Thorne specifically drew attention to the decline in quarterly full-time employment data. The economist stated that this decline could be a sign of the structural transformation the economy is undergoing, rather than just a one-month statistical anomaly, and that the fact that a significant portion of the decline stemmed from public sector employment did not diminish the significance of the situation.

    According to Thorne, this view indicates not so much that the economy is overheating, but rather that the labor market is adapting to changing fiscal policies, industrial structure, and institutional conditions.

    Thorne argued that the housing sector was sending a similar message, stating that the housing market, one of the sectors most sensitive to interest rates, was directly feeling the pressure of tight monetary policy rather than creating inflation.

    Thorne argued that the recent growth in the US economy could be explained not by widespread, credit-fueled overheating, but rather by the initial results of the Trump administration’s supply-side economic policies and a long-term investment cycle.

    Thorne, particularly highlighting the increase in investments in artificial intelligence, data center and computing capacity, electricity generation, and infrastructure, stated that these investments have the potential to increase the production capacity and efficiency of the economy.

    According to the economist, further interest rate increases by the Fed during this period, instead of controlling inflation, could make it more difficult to finance productive investments, hindering future expansion of supply capacity.

    “Customs Duties Are Not the Same Thing as Persistent Inflation”

    Thorne also added that, according to classical economic theory, real supply shocks should lose their effect over time as prices and production adjust.

    Thorne noted that a shock in oil prices does not necessarily require permanently high interest rates, and that tariffs can also create a one-time increase in the price level, but this is not the same as a self-reinforcing, continuous inflationary process.

    Thorne also argued that there is no strong evidence to suggest that the neutral real interest rate, considered a stabilizing factor in the economy, or “r*” level, has risen by approximately 100 basis points in a short period of time.

    According to Thorne, the fundamental question for the Fed is whether further tightening of monetary policy is appropriate while full-time employment is declining and the housing sector remains under pressure.

    The economist said that under current conditions, new interest rate hikes might represent less of “prudent inflation control” and more of a deliberate suppression of demand as a result of supply constraints and a misjudgment that an economy undergoing structural transformation is overheating.

    *This is not investment advice.

  • Zcash’s 19x Rally May Have More Room as Grayscale Eyes Bitcoin Share

    Zcash’s 19x Rally May Have More Room as Grayscale Eyes Bitcoin Share

    Grayscale Sees More Room After Zcash’s 19x Rally

    Zcash may have further upside despite rising approximately 19-fold over the past year, according to Grayscale Head of Research Zach Pandl. The asset manager said Aug. 25 that Zcash could challenge Bitcoin’s network effects through capabilities that were unavailable or less relevant when Bitcoin established its lead.

    Grayscale’s “Currencies” sector groups crypto assets primarily designed to serve as digital money or stores of value. Bitcoin accounts for 93% of the category by market capitalization. The asset manager identified financial privacy, development addressing cybersecurity threats, and cross-chain reach through intents technology as Zcash’s potential advantages.

    “Zcash offers financial privacy and other attributes that users may find essential in an age of AI,” Pandl wrote, adding:

    “We think it is still undervalued and can continue to capture market share.”

    $ZEC’s price as of Aug. 29 via Bitcoin.com Markets

    Bitcoin’s Market Cap Remains 114 Times Larger Than Zcash’s

    $ZEC remained valued at less than 1% of bitcoin’s market capitalization after its rally sharply improved Zcash mining economics. Grayscale said the disparity could indicate that investors are underpricing Zcash’s features, although it emphasized that $ZEC remains a smaller, more volatile, and higher-risk cryptocurrency.

    As of Aug. 29, bitcoin ranked first among all cryptocurrencies with a market capitalization of $1.56 trillion, while Zcash ranked 11th at $13.74 billion. $ZEC’s market capitalization equaled approximately 0.88% of bitcoin’s, leaving $BTC about 114 times larger.

    Grayscale calculated how $ZEC could perform if it captured a larger share of bitcoin’s market capitalization over five years. Based on estimated $ZEC supply, the scenarios imply prices of $1,622 at 2%, $4,054 at 5%, and $8,109 at 10%. The figures are hypothetical, not price forecasts.

    Potential $ZEC prices at different shares of bitcoin’s market cap. Source: Coin Metrics and Grayscale Investments; Aug. 24, 2026.

    AI Surveillance Could Strengthen the Privacy Case

    Artificial intelligence could make financial surveillance more effective by connecting public addresses with exchanges, counterparties, wallet behavior, and transaction histories. Grayscale’s Aug. 19 Zcash financial privacy analysis argued that AI and blockchain adoption could create another wave of public concern about financial confidentiality.

    Intents technology lets a wallet coordinate cross-chain transactions based on the user’s desired result, such as converting another digital asset into $ZEC. This allows users or AI agents to access Zcash’s privacy features without merchants accepting $ZEC directly.

    In some respects, Zcash resembles Bitcoin through its proof-of-work security model and fixed supply of 21 million coins. Unlike Bitcoin, the network supports shielded transfers that conceal transaction details using zero-knowledge proofs. These transfers reflect how privacy coins use cryptographic techniques to obscure transaction details, including the sender, recipient, or amount.

    Market access expanded Aug. 25 when Grayscale’s Zcash ETF began trading on NYSE Arca under the ticker ZCSH. The fund moved from OTCQX quotations to NYSE Arca, giving investors spot $ZEC exposure through a publicly traded vehicle without requiring them to purchase the cryptocurrency or manage wallets and private keys directly.

    Privacy Use and Network Development Build Momentum

    Grayscale said in March that privacy and growing network momentum could help $ZEC compete with $BTC. Its March 18 comparison of Zcash and Bitcoin pointed to increasing use of shielding technology and new capital supporting wallet development and Zcash mining.

    Pandl wrote:

    “Zcash, a privacy-focused digital currency, is the Bitcoin competitor with the best shot at capturing market share over time, in our view.”

    Development carries security and execution risks alongside potential benefits. The Zcash Foundation patched two Zebra vulnerabilities involving a critical remote denial-of-service flaw and a high-severity potential chain-split flaw during the first quarter.