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Searchlight Pictures has released the trailer for “Behemoth!,” a new drama film from Tony Gilroy about a family of Los Angeles musicians.

The film’s logline reads, “A gifted cellist, Alex Serian, returns home to Los Angeles after 20 years on the road. Music, which has been the constant, all-consuming river of his life, begins to carry Alex on an adventure that will change him forever.”

Cast members include Pedro Pascal, Olivia Wilde, Eva Victor, Alexa Swinton, Kaya Ralls, Erik Griffin, JoBeth Williams, Margarita Levieva, Hank Azaria and Will Arnett. Gilroy, whose previous directorial works include “Michael Clayton” and “The Bourne Legacy,” directed and wrote the film. Gilroy also produced the film alongside John Gilroy and Sanne Wohlenberg. Executive producers include Cameron Chidsey, Katie Goodson, DanTram Nguyen, Jeremy Reitz and Rayne Roberts.

David Harbour was originally set to start in the film, but dropped out in January. Sources told Variety at the time that Harbour was overwhelmed by the series wrap of Netflix’s marquee series “Stranger Things” and backed out of his role to rest.

In a recent interview with Vanity Fair, Pascal explained what inspired him to join the film and provided a little more context about his character, a classically trained cellist named Alex.

“There was something overall about this story that I think I connected to more cerebrally and emotionally,” Pascal said. “[Alex is] not a rock star. He’s not even somebody that’s looking for the spotlight. He’s just someone whose first language is music…. It’s a love letter to music; it’s a love letter to movies. It’s about family; it’s about legacy; it’s about healing. I wished for myself this kind of experience as an actor before I ever got to act.”

Check out the trailer for “Behemoth!” below.

The U.K. and Ireland box office saw a transition at the summit as Disney’s live-action adaptation “Moana” debuted in the top spot, banking an opening weekend of £2.8 million ($3.8 million).

The launch was enough to narrowly edge out Disney stablemate “Toy Story 5,” which moved to second place in its fourth frame. The film added $3.3 million over the weekend and now has a cumulative total of $56.7 million.

Universal’s “Minions & Monsters” claimed third place in its sophomore session, taking $2.3 million to lift its 10-day running total to $9.8 million. Studiocanal’s “Evil Dead Burn” secured fourth place, drawing horror audiences across its opening frame to pocket $1.2 million.

Black Bear’s ensemble comedy-drama “The Invite” placed fifth during its second weekend, adding $575,431 for a cumulative total of $2.4 million. Universal’s “Obsession” followed in sixth place in its ninth week of release, banking $358,918 for a running total of $24.3 million.

Warner Bros.’ superhero holdover “Supergirl” landed in seventh place during its third weekend, adding £$355,863 to its running total, which now stands at $7 million. Universal’s Steven Spielberg sci-fi thriller “Disclosure Day” took eighth place in its fifth weekend, taking $276,660 to drive its cume to $16.5 million.

Paramount’s comedy “Jackass: Best and Last” finished in ninth place in its third weekend with $165,514 for a total of $2.7 million, while Bakrania Media’s comedy sequel “Dhamaal 4” debuted at No. 10, taking $155,882 in its opening frame.

Looking ahead to the upcoming theatrical frame, all eyes are on Christopher Nolan’s massive epic adventure “The Odyssey.” Universal is set to launch the highly anticipated blockbuster on July 17 in a saturation campaign across more than 300 locations, featuring premium formats and native Imax presentations. The high-profile film leads a busy frame that also sees Signature Entertainment debut Oscar Boyson’s comedy “Our Hero, Balthazar,” starring Jaeden Martell and Asa Butterfield, that releases for one day only on July 16.

The specialized and independent slate for July 17 includes LonRom Film Production’s romantic LGBTQ+ drama “A Year In London,” starring Melanie Liburd and Nina Pons, while Verve Pictures releases Marc Isaacs’ AI-focused documentary “Synthetic Sincerity.” Park Circus will handle classic repertory slots with specialized screen reissues of the beloved Aardman animations “A Close Shave” and “A Matter Of Loaf And Death.”

Elvis Duran, one of terrestrial radio’s biggest talk-show hosts, has formed a new partnership to develop, produce and monetize creators’ video podcasts — providing what he claims are Hollywood-level production facilities in New York City.

Duran already oversees a slate of more than a dozen podcasts under the Elvis Duran Podcast Network, which is operated by iHeartMedia. The company is home to “Elvis Duran and the Morning Show,” which has aired on iHeart’s Z100 station for more than three decades and is syndicated nationwide.

But Duran says the time is ripe for a new approach to producing podcasts and vodcasts. “We are seeing the need for a different level of production quality for new video podcasts,” he told Variety.

Duran is one of the partners behind Podrophenia, touted as a “next-generation podcast, vodcast and creator development company.” The venture brings together the Elvis Duran Group; Looking4Larry, a creative marketing agency co-founded by WWE personality Paul Heyman and producer Mitchell Stuart; and production company MCM Studios, headed by Michael Canzoniero.

“We felt there had to be a place to take our talent for these shows,” Duran said. “You need more than a microphone and booth” to make a breakthrough podcast show today.

Podrophenia’s inaugural flagship series is “Hello Randy,” hosted by Randy Fenoli, longtime host of TLC’s “Say Yes to the Dress.” Fenoli’s show is expected to premiere later this year through iHeartMedia and the Elvis Duran Podcast Network; details about the podcast are being kept under wraps for now. Additional original programming announcements are expected throughout 2026, according to the company. Duran said he’ll use his daily radio show to promote the Podrophenia shows and podcasts.

In its deals with creators, Podrophenia will provide upfront compensation as well as profit-sharing terms. Some of the shows will be distributed via iHeart, but Podrophenia also is eyeing other platforms, according to Duran.

The partners behind Podrophenia say their key differentiator is that they can provide an array of services, spanning show development, premium production, post-production, audience growth strategy, marketing support, sponsorship opportunities and strategic distribution.

“In looking at today’s landscape, we’ve seen so many studios that are turnkey and therefore built on the premise of minimal alterations” to their sets, said Heyman, who performs for WWE as a villainous wrestling manager. “Podrophenia is the first studio specifically customized to the host’s personality and also the concept. We’re not just building a content hub for creators — we’re building a creator hub for the content.”

Podrophenia’s partners are looking at all kinds of creators for potential shows, Heyman said. “It’s a matter of, Is there an audience for this? Is there a lure for advertisers and sponsors to come on board? The lens I’m scouting for is ‘uninhibited’ — if a hot dog vendor on Lexington Avenue has a compelling story to tell, I want that person in Podrophenia’s studios.”

Podrophenia will operate from MCM Studios’ production facility located in Chelsea, which features sound-controlled studios, customizable sets, broadcast-quality audio infrastructure, cinematic lighting systems, creator green rooms, post-production capabilities and collaborative production spaces. MCM Studios has hosted productions including those associated with Steven Bartlett’s “The Diary of a CEO,” wing-eating talk show “Hot Ones,” Keke Palmer and more.

Stuart, of Looking4Larry, said that podcasting has “evolved far beyond simply recording conversations.” Podrophenia’s ambitions are to build creator-led content brands that extend beyond podcasts, into films, merchandise and more, he said. “We are going to look at people who, yes, have a big fanbase. But it’s not the Instagram version of them,” he said. “We’re looking at authentic storytelling.”

Meanwhile, Duran said he’s interested in hosting his own show for Podrophenia at some point. On his daily radio show, he typically sits alongside three co-hosts. “I would like to go to a place of doing one-on-one interviews,” Duran said. Heyman also said he’s been “toying with the idea of a podcast” since 2011: “When the time is right, and the marketplace is ready, I’ll come out of the gates blasting.”

The Podrophenia name is a play on “Quadrophenia,” The Who’s classic double album released in 1973. More info is available on the Podrophenia website.