Category: Entertainment

  • Julianne Moore to Receive Zurich’s Golden Icon Award as Jesse Eisenberg’s ‘The Debut’ Screens

    Julianne Moore to Receive Zurich’s Golden Icon Award as Jesse Eisenberg’s ‘The Debut’ Screens

    The 22nd Zurich Film Festival will honor Julianne Moore with the Golden Icon Award for her “extraordinary career” and her performance in her new film, “The Debut.”

    She will be accompanied in Zurich by “The Debut” director Jesse Eisenberg. The film marks Moore’s second collaboration with Eisenberg as a director following his directorial debut “When You Finish Saving the World” (2022). It is his third feature film as a director.

    When Mona Friedman (Moore) is cast in a bit part at a small community theater, she transforms from a shy, unassuming housewife into a zealous method actor willing to do anything to protect the artistic integrity of her marginal role – even if it means waging war against the show’s domineering director.

    “Julianne Moore is one of the outstanding character actresses of American cinema. She possesses remarkable versatility and, time and again, manages to captivate us with her intense portrayals of the characters she plays. No matter which film we see her in, we find ourselves rooting for her characters,” Christian Jungen, CEO of the Zurich Film Festival, said. “In the wonderful film ‘The Debut,’ she delivers a brilliant performance as a woman who realizes it’s not too late to fulfill her deeply personal dream: becoming an actress. It is Julianne Moore’s love letter to her own profession – and thus the perfect film with which to thank her, with our Golden Icon Award, for so many wonderful cinematic experiences.”

    Moore won an Oscar for “Still Alice” and was Oscar nominated for “Far From Heaven,” “The Hours,” “The End of the Affair” and “Boogie Nights.” She won best actress awards at Cannes for “Maps to the Stars,” at Venice for “Far From Heaven” and Berlin for “The Hours.”

  • ‘The Trial of Alec Baldwin,’ Rory Kennedy Doc About Titular Actor in ‘Rust’ Shooting Aftermath, Acquired by Abramorama (Exclusive)

    ‘The Trial of Alec Baldwin,’ Rory Kennedy Doc About Titular Actor in ‘Rust’ Shooting Aftermath, Acquired by Abramorama (Exclusive)

    The Trial of Alec Baldwin, a powerful verité documentary feature for which the Oscar-nominated and Emmy-winning filmmaker Rory Kennedy was granted exclusive access to the titular star in the aftermath of the 2021 accidental shooting of cinematographer Halyna Hutchins on the set of the film Rust, has been acquired by Abramorama for a North American release and awards campaign, The Hollywood Reporter can exclusively report.

    The film, for which Kennedy spent years filming Baldwin, and which features powerful footage from the set of Rust and from Baldwin’s police interrogation and the legal proceedings that followed, will open in New York on Oct. 1 at Village East by Angelika, then premiere in Los Angeles on Oct. 15 at the Laemmle Monica, and go on to a week-long Oscar-qualifying engagement at the Laemmle Noho 7 before expanding to theaters across the country.

    “The Trial of Alec Baldwin doesn’t shy away from complexity or discomfort,” Karol Martesko-Fenster, CEO of AB2 Media Group and Abramorama, tells THR. “Rory and her [life and producing] partner Mark Bailey have crafted a film that goes beyond the headlines to ask hard questions about how we assign blame, process tragedy, and judge public figures in real time. We’re honored to partner with them in bringing this story to theaters.”

    Adds Kennedy and Bailey, “We felt this was an important story for our times, a vital story about the state of our judicial system. Alec is an enduring and undeniably significant figure in Hollywood, and the trial surrounding Rust raised questions well beyond the events that transpired on set. Alongside Abramorama, we are eager to bring this documentary to theater audiences so that the broader public can grapple with the complex questions at the heart of the film.”

    Hutchins was a 42-year-old up-and-coming cinematographer who was lensing the low-budget indie Rust, which Baldwin was starring in and a producer of, when she was killed by a prop gun that Baldwin was handed and instructed to point towards the camera. In the immediate aftermath of the tragedy, which was deeply traumatizing for everyone involved, virtually no one doubted that it was a terrible accident. But soon thereafter, questions of responsibility, guilt, blame, punishment and justice began to ripple through the media, fueled by the polarizing public persona of Baldwin, a talented actor and troubled celebrity adored by some and hated by others — attitudes which come into play even at his trial.

  • D4vd Murder Case: Victim’s Family Demands Justice as Indigent Claim Draws Scrutiny

    D4vd Murder Case: Victim’s Family Demands Justice as Indigent Claim Draws Scrutiny

    The family of Celeste Rivas Hernandez, the teenager whom singer D4vd is accused of sexually abusing and murdering before mutilating her body last year, is calling for justice as their attorney disputes the artist’s claim of indigence in a Los Angeles courtroom this week — a claim used to justify swapping his high-powered legal team for a public defender.

    “We, as a family, only want justice for Celeste and for whoever is responsible to face the full force of the law. And we thank everyone for supporting our daughter in every way,” the Rivas Hernandez family said in a statement Monday afternoon, following the latest hearing in the case against the singer, whose real name is David Anthony Burke.

    Earlier Monday, Burke stunned the courtroom during a pretrial hearing when it was announced he was firing his legal team and switching to a public defender. The move, attorneys said, was because the rising star — who once opened for SZA — qualifies as indigent, a claim now being heavily contested.

    Burke has swapped attorneys Blair Berk, Marilyn Bednarski and Regina Pete for incoming public defender Walid Fouad Kandeel.

    Prosecutors allege D4vd was in an illegal sexual relationship with Rivas Hernandez, whom he met when she was 11 years old, and killed her after she threatened to expose the relationship and end his career — with the alleged murder occurring on April 23, 2025, just two days before the release of his debut album, Withered. A CBS Los Angeles report on his arraignment detailed the timeline further: Rivas Hernandez left her family’s Lake Elsinore home via rideshare and arrived at Burke’s Hollywood Hills residence at 10:10 p.m., with his phone and car departing north toward Santa Barbara County roughly an hour and 20 minutes later.

    Dismembered remains were discovered in the trunk of a Tesla registered to the singer in Hollywood and were later identified through dental records and a matching “shhh…” finger tattoo the victim shared with D4vd. Burke is facing trial on murder, continuous sexual abuse and body-mutilation charges in connection with the April 2025 death.

    The Los Angeles Police Department served a warrant at his home and found evidence in the garage consistent with dismemberment, and a worker later found the victim’s passport off a Santa Barbara County highway. His label, Darkroom/Interscope, dropped him, and he canceled the remainder of his tour. Burke was arrested in April 2026 and formally charged with first-degree murder among other counts.

    Attorney Patrick Steinfeld, who is representing the Rivas Hernandez family, told The Hollywood Reporter on Tuesday that the singer has millions in three separate companies that he owns. Steinfeld sent documents from the state of Texas as evidence of his stake in the businesses

    “David Anthony Burke is the owner and director of three LLCs, including entertainment, merchandising and publishing companies,” the attorney said in a statement sent to THR. “As owner, he controls the distribution of funds for these companies, so he should ‘direct’ one of his LLCs to distribute funds to him rather than claiming he’s broke and forcing taxpayers to reach into their pockets to pay for his defense.”

    A five-day preliminary hearing in July produced some of the case’s most graphic disclosures — testimony about blood stains found on items in his garage, chainsaw purchases and explicit text messages with the victim, who was 13 at the time of their alleged relationship — and a judge ultimately ruled there was enough evidence to send the case to trial. L.A. County District Attorney Nathan Hochman said after the hearing that his office is undecided whether it will seek the death penalty in Burke’s case, and that two of his previous attorneys had been invited to submit a mitigation packet but had not done so as of the hearing.

    Burke has pleaded not guilty to all charges. His next court date is in October.

  • Carole Radziwill Addresses Her Name Being in Epstein Files: “It’s Important to Talk About It”

    Carole Radziwill Addresses Her Name Being in Epstein Files: “It’s Important to Talk About It”

    Carole Radziwill is addressing her name appearing in the Epstein files, which will seemingly be a hot topic on the 16th season of The Real Housewives of New York City.

    The Housewife used to be friends with Jeffrey Epstein co-conspirator Ghislaine Maxwell; Maxwell also shot the author’s photo for Radziwill’s 2007 memoir What Remains. Her connection to the Epstein files was brought up in the trailer for the upcoming season of RHONY, and she says it’s an important topic to discuss.

    “Me and many, many, many more people found our names in these files, and it’s not something I shy away from because I think really it’s important to talk about it,” Radziwill said in a video shared by Vulture during a RHONY cast Q&A hosted by Andy Cohen on Tuesday. “It’s important to be transparent.”

    Radziwill said that “obviously I didn’t know anything as no one, you know, 20 years ago would have known anything,” but that it’s “hard also” to grapple with the idea “that someone you knew that long ago and even called a friend at some point was a horrible, horrible person doing horrible things.”

    “At first, I was really nervous, but I just think it’s an opportunity to talk about it,” Radziwill added. “There’s real victims and survivors that were brave enough to really stand up to these very, very powerful people. So, you know, not to be a downer, though.”

    Radziwill is returning to the RHONY cast after previously starring on the series from season five through 10. It had previously been reported that she would be returning to the show for season 16, but only in a reduced status; however, she has regained her “Apple,” making her a full-time Housewife.

    RHONY will debut its 16th season on Tuesday, Sept. 8, at 8 p.m. on Bravo. The new season arrives a little over a year after the second season of the reboot (season 15) concluded on a rocky note in February 2025.

    RHONY was rebooted with a brand new cast for the show’s 14th season, following another hectic season 13. After that installment, Bravo initially planned to split RHONY into two shows — one centered around a fresh slate of women and another spotlighting the “legacy” cast. The latter idea was shelved when Peacock instead released The Real Housewives Ultimate Girls Trip: RHONY Legacy, a one-season project that highlighted Luann de Lesseps, Ramona Singer, Kelly Bensimon, Sonja Morgan, Dorinda Medley and Kristen Taekman on vacation.

  • Ji Chang-wook and Imada Mio’s Korean-Japanese Romcom ‘Merry Berry Love’ Sets October Disney+, Hulu Bow

    Ji Chang-wook and Imada Mio’s Korean-Japanese Romcom ‘Merry Berry Love’ Sets October Disney+, Hulu Bow

    Korean-Japanese romantic comedy series “Merry Berry Love,” starring Ji Chang-wook and Imada Mio, is bowing on Disney+ and Hulu this October.

    Set on a picturesque Japanese island, the series follows Karin Shirahama, a strawberry farmer who pours everything into her land, and Lee Yubin, a city dweller whose fortunes have taken a sharp turn for the worse. A spectacularly awkward first encounter gives way to an unlikely misunderstanding that keeps the pair far closer than either expected.

    Ji Chang-wook, known for “The Worst of Evil” and “The Manipulated,” plays Lee Yubin, a space planner navigating life well outside his comfort zone. Imada Mio, who appeared in “Tokyo Revengers,” takes the role of Karin Shirahama. The casting unites one of Korea’s most recognizable leading men with a prominent Japanese star, signaling the show’s deliberate cross-cultural pitch.

    Behind the camera, the series is co-directed by Kim Soojung (“Semantic Error”) and Noh Youngsub (“My Lovely Liar”), with a screenplay by Lee Jaeyoon, writer of “Divorce Insurance.” It was developed and produced by CJ ENM – the Korean entertainment company behind global hits “Crash Landing on You” and “Queen of Tears” – alongside Disney, with Nippon TV serving as co-producer.

    “Merry Berry Love” joins an expanding Asian originals slate on Disney+ and Hulu, which already carry Korean romantic titles including “Perfect Crown,” about a grand prince who enters a marriage of convenience with the heir to a Korean conglomerate, and “Soundtrack #1,” centered on a struggling songwriter and her best friend of 19 years.

    The series streams on Disney+ and Hulu from Oct. 7.

  • David Byrne Returns to Oscar Race With Original Song for Elon Musk Documentary ‘Musk’ (EXCLUSIVE)

    David Byrne Returns to Oscar Race With Original Song for Elon Musk Documentary ‘Musk’ (EXCLUSIVE)

    David Byrne wrote a song about the world’s richest man.

    The Talking Heads frontman wrote and performed an original song for “Musk,” Alex Gibney‘s sprawling documentary reckoning with Elon Musk, Variety can exclusively reveal. Titled “Let Me Sell You a Dream,” the track plays within the 235-minute film and arrives as an Oscar-qualifying entry in the best original song race.

    Byrne wrote the song with the documentary’s composer Daniel Pemberton, the Oscar-nominated musician behind “Spider-Man: Into the Spider-Verse” and “The Trial of the Chicago 7.”

    “I was thrilled when David agreed to write (with our composer Daniel Pemberton) and perform the final song in the film,” Gibney says. “I am a huge fan of his. My wife and I were at the Pantages for the filming of ‘Stop Making Sense,’ so I sensed that he would find a musical way into what the film is trying to say. And he did. ‘Let Me Sell You a Dream’ is kick-ass. And, in writing the lyrics, David dug deep into the sayings of Musk himself to get to ‘extremely hard core,’ foot-tapping sardonic poetry.”

    Photo: Shervin Lainez

    For Byrne, the lyrics required little invention. “A thrill to collaborate with Pemberton and get invited to do this as a fan of Gibney’s films,” he says. “I asked for good quotes from the Martian, and found more of them online. I’m sure he loves dropping these wild statements, and those became the lyrics. All his own words. No editorializing. Straight from the man’s mouth to mine.”

    For Byrne, the collaboration reopens a door he last walked through nearly four decades ago. He won the Academy Award for best original score for “The Last Emperor” in 1988, sharing the honor with Ryuichi Sakamoto and Cong Su. A nomination for “Let Me Sell You a Dream” would mark his first return to the Oscar race since. Pemberton earned a best original song nod in 2021 for “Hear My Voice,” co-written with Celeste for “The Trial of the Chicago 7.”

    The song will be entered for best original song at the 2027 Oscars by way of the film’s theatrical run. Bleecker Street releases “Musk” in U.S. theaters on Oct. 16, a berth that clears the category’s eligibility requirements.

    Early buzz surrounding the film, described in some quarters as “scathing” and billed by Gibney himself as a “definitive and unvarnished examination” of the businessman, has been strong. “Musk” world premieres out of competition at the 83rd Venice International Film Festival on Sept. 8 before continuing to the Toronto International Film Festival. At just shy of four hours, it stands among the most ambitious nonfiction portraits of Gibney’s career.

    Gibney first revealed in March 2023 that he had begun work on the documentary and was “many months” into production. Musk responded to news of the project on his X/Twitter account by predicting it would be “a hit-piece.” Gibney fired back on the same platform, asking “how would you know?”

    Gibney directs and produces “Musk,” joined by Jessie Deeter and Erin Edeiken for Jigsaw Productions, Dana O’Keefe for Double Agent, Joey Marra and Zhang Xin for Closer Media and Anonymous Content’s Nick Shumaker and Jessica Grimshaw. Ronan Farrow and Lawrence Wright round out the producing team.

  • CBS News’ Bari Weiss Faces Backlash Over Headline Linking Muslim Senate Candidate to 9/11

    CBS News’ Bari Weiss Faces Backlash Over Headline Linking Muslim Senate Candidate to 9/11

    Following devastating staff cuts and a chorus of pushback, CBS News editor-in-chief Bari Weiss is courting controversy once again for her editorial decisions at the helm of the network’s news division — this time for overseeing an article that critics say falsely insinuated Michigan’s Democratic Senate candidate Abdul El-Sayed had ties to the September 11 attacks.

    In CBS News’ Monday morning editorial meeting, Weiss reportedly praised the story written by Washington, D.C.-based producer Zak Hudak and directed that its headline be reworked — which has led the intervention to be criticized as a political dog whistle in this respect, using a thin premise to set El-Sayed’s name next to the phrase “9/11 attacks,” making an implication by association.

    The article, headlined “Michigan Democrat Abdul El-Sayed’s deleted tweets on Sept. 11 attacks invite scrutiny of past remarks,” surfaces two tweets that the candidate opted to delete, along with all of his other posts before July 2023, to prevent “any old posts from being taken out of context.”

    Reaction was swift, with one senior staffer calling the piece “a small nugget of news, forced into something much larger, and messed up.” Critics are now railing against Weiss for her role in shaping the article, which many see as not merely taken out of context but wholly mischaracterized. Both of the COVID-era posts from El-Sayed, a public health advocate, compared the death toll and devastation of the September 11 attacks to the mounting toll of the pandemic.

    In the tweets in question, El-Sayed compared the nearly 3,000 Americans killed on September 11 to the mounting COVID-19 death toll while advocating for a response as robust as the post-9/11 mobilization. In the second tweet, El-Sayed wrote that because more U.S. citizens had died from COVID than in the September 11 attacks, he hoped “that means we’ll spend the next ten years fighting a war for public health & against poverty … like we launched a global #WaronTerror after 9/11. We could save lives rather than take them.”

    According to inside sources who spoke with the newsletter Status, Weiss “personally directed” that the story’s headline be tweaked to “specifically mention that El-Sayed, who is vying to become the first Muslim American senator, had deleted tweets referencing the attacks.”

    The article frames the unearthed tweets against the backdrop of the approaching 25th anniversary of the September 11 attacks, casting El-Sayed as facing renewed political scrutiny as his campaign heats up and he’s forced to address the posts amid a historically unifying moment in American politics.

    A spokesperson for El-Sayed’s campaign said in a statement to CBS News that “Abdul has always unequivocally condemned terrorism and the September 11 attacks,” adding that his opponent, Mike Rogers, is engaged in “bad-faith lies meant to mislead Michiganders.”

    The Hollywood Reporter reached out to El-Sayed’s campaign for comment on the controversy but did not hear back Tuesday.

    Weiss, a longtime lightning rod for controversy, was elevated to CBS News editor-in-chief last year by David Ellison, son of Oracle founder and Trump megadonor Larry Ellison. Since her ascent, she has faced scrutiny over her lack of broadcast news experience and criticism for killing segments seen as critical of Trump administration policy.

    The incident is not the first time the network has been criticized over its characterization of a politician of Muslim faith. In July, the network was forced to remove a line from its coverage of New York Mayor Zohran Mamdani after a false claim about those who signed a petition to keep the progressive Democratic mayor out of an upcoming 9/11 attacks 25th remembrance ceremony.

  • Tom Cruise Blesses Paramount’s Deal to Buy Warner Bros., In the Name of Movie “Abundance”

    Tom Cruise Blesses Paramount’s Deal to Buy Warner Bros., In the Name of Movie “Abundance”

    Tom Cruise said Tuesday that he is confident that Paramount will follow through on its promise to deliver 30 movies per year if it closes its deal for Warner Bros. Discovery, arguing in an interview that Hollywood needs to create an “abundance” of opportunity to help ensure film survives and thrives.

    Cruise was interviewed by Pat McAfee on his show Tuesday afternoon, where he was booked to discuss his newly-announced Days of Thunder sequel. McAfee asked about Paramount CEO David Ellison’s promise to make 30 movies per year.

    “I think it’s awesome. You know, here’s the thing: they’re going to deliver 30 movies. It’s a community to me. It’s not an industry. The people in these studios are not just people in the studios, they’re my family,” Cruise told McAfee. “I know we’re going to get those 30 movies. I want us all to come together as a community to make help those 30 movies. It’s not just going to be Paramount doing it. Everyone’s going to need all the help of every artist to be able to do it.

    “[If] we do well with those, those 30 movies are going to turn into 40 movies,” Cruise continued. “It’s not good enough that I just get to make this movie for me. I see so many talented people that I want them to have that opportunity, to make the films that they want and be able to … these artists, all these greats, they got to cut their teeth and learn in the same way that you get to act and you’re learning. You take it, and the next one, and the next one. Every single one of them, the Iñárritus, the Spielbergs, the Nolans, me, all the opportunities that I’ve had, I want that for every writer, every director, every producer, every artist. And the only way you do it is we have to create an abundance. It’s production begets production.”

    Cruise also talked about Days of Thunder 2, which will also star Anne Hathaway and release in summer 2028.

    “I’ve been thinking about Cole Trickle for a long time,” Cruise told McAfee. “I love the sport. You know, I grew up like just taking cars in the back streets, before I had my license and racing on country roads and looking at dirt tracks and I love NASCAR and I love racing and airplanes and motorcycles. We did Top Gun and I took this story to Don Simpson and Jerry Bruckheimer to produce, and Tony Scott came on. After the first one, also I just been thinking about what, how can I do it? How can I seat the audience into another journey with this character?”

    And yes, he says he will be driving the race cars in the film: “Here’s the thing: if I’m making a movie about airplanes, I’m flying them,” Cruise quipped. “I’m driving.”

  • DreamWorks Remote Workers Ratify First Union Agreement With the Animation Guild

    DreamWorks Remote Workers Ratify First Union Agreement With the Animation Guild

    Remote workers at DreamWorks Animation have ratified their first collective bargaining agreement.

    The agreement was ratified on Aug. 21, with 97 percent of participants voting in favor of the contract. Of the 108 eligible voters, 90 cast ballots, representing 83.3% of voter turnout.

    Until recently, remote animation artists and technicians working on the same projects as their Los Angeles counterparts did not receive the same wage scales, benefits or protections.

    Remote workers are now on parity with on-campus workers, including pension and healthcare coverage. The newly-ratified agreement gives the unit all the same protections offered in the IATSE Local 839 Master Agreement through a Sideletter.

    Anthony Holden, DreamWorks Story Artist and member of the Negotiation Committee said, “This contract is a huge victory for DreamWorks remote artists, but also for the animation industry as a whole.” He added, “Our coworkers who work in-person at studios in L.A. enjoy mobility between employers with guaranteed benefits such as healthcare coverage and a pension plan. Many of us remote DreamWorkers have served for years (and in some cases decades) in the same industry without the same protections. Now we can work under the same terms as our union brothers and sisters. This contract represents an important shift towards broader industry change that values and respects not only artists’ skills but also our right to choose to live in locations around the country that are best for our families and personal circumstances.”

    Under the agreement, remote working animators will receive the same healthcare and pension plans as on-campus workers, with $0 premiums for individuals.

    In addtion, the agreement establishes the same minimum wage standards that apply under TAG’s Master
    Agreement. The lowest-paid remote artist covered by the agreement will see compensation increase from $40.82 per hour to $62.22 per hour. This represents a 52.4% wage increase.

    The unit includes remote workers across the U.S. doing work traditionally covered under TAG’s Master Agreement when performed in L.A. County, including Story Artists, Animators, Character Effects Artists, Technical Directors, Lighters, Visual Development Artists, Modelers, and Production Coordinators, among others.

    Workers at Sony Pictures Animation also voted overwhelmingly on Aug. 27 to join TAG after
    seeking voluntary recognition from the company. Sony declined the request and instead required workers to proceed through an NLRB election.

    The results demonstrated strong support for union representation with 95% voter participation and 84% voting in favor of unionizing.

    “Despite Sony’s deliberate attempts to challenge our movement, when the rubber hits the road, we’re all in favor of dignity and respect in the workplace.” says Grayson Arndt, Sr. Administrative Assistant. “Now it’s time to take our seat at the table.”

    Production Coordinator Maddie Rodriguez added, “It’s exciting to follow in the footsteps of so many animation production workers before us and it’s continually heartening to know that we were never alone. So many of us have wanted this for so long. Together, we are Prod Strong!”

  • ‘Wheel of Fortune’ Announcer Suspended Amid Investigation

    ‘Wheel of Fortune’ Announcer Suspended Amid Investigation

    The Hollywood Reporter is a part of PMX Global, LLC, a subsidiary of Penske Media Corporation. © 2026 The Hollywood Reporter, LLC. All rights reserved.
    THE HOLLYWOOD REPORTER is a registered trademark of The Hollywood Reporter, LLC.


    Powered by WordPress.com VIP