Category: Entertainment

Sabrina Carpenter leaned into a “Thelma & Louise” theme with her weekend-two Coachella appearance Friday by featuring Geena Davis reading the mid-show monologue as an older “Aunt Sabrina,” succeeding last weekend’s guest Susan Sarandon.

The monologue was half the length of Sarandon’s uncomfortably overlong version last weekend, lending credence to rumors that Sarandon had been asked to stretch and improvise due to a technical delay.

Her appearance was doubly a surprise as it came amid hurricane-force rumors that Madonna will be joining Carpenter during the show, which led many to wonder if she would perform the monologue instead of Sarandon, only to find that she was being saved for an actual musical appearance later in the show.

Sitting in one of the 1950s cars that are a theme of Carpenter’s set, amid a makeshift drive-in theater lot in the middle of the field, Davis read through a monologue that preceded largely along the lines of last weekend’s script. However, the young drive-in carhop, played by her former “Girl Meets World” TV costar Corey Fogelmanis, arrived after three and a half minutes instead of seven to help her settle up her tab.

Even though the monologue hit many of the same beats as last week’s, it was paraphrased throughout. Sarandon opened with: “What a moron I was. Running around like nobody’s going to judge you, just bippity boppity boo. When of course, everybody’s judging you.” Davis’ opening: “What a moron. I was running around like that carefree, all hippity, skippity…”

The many trims that cut the speech in half included losing somewhat audience-confusing references to a fictional sister, Laurie, who Sarandon-as-Sabrina said “was always really uncomfortable whenever I was the center of attention. Sometimes she would just ignore what I was doing or other times she would shit on me. And probably she’s putting down my career right now…” Also dropped was the whole wistful/inspirational final part of the monologue, in which Sarandon had spoken of “that little voice (where) you say, fuck it, I can do this. I can do whatever I put my mind to… Why do people stop saying that to themselves when they become 12 years old?”

Later in the set, Will Ferrell was succeeded in his comedic role as an electrician by Terry Crews, playing the same part, but with different dialogue, and without the failed attempt to light a cigarette.

Of course, Madonna ultimately provided the mother of all cameos with a medley/duet of her hits… and extended astrology talk that threatened to erase the memory of any filibustering that might have gone on during Sarandon’s speech the previous week.

Sabrina Carpenter leaned into a “Thelma & Louise” theme with her weekend-two Coachella appearance Friday by featuring Geena Davis reading the mid-show monologue as an older “Aunt Sabrina,” succeeding last weekend’s guest Susan Sarandon.

The monologue was half the length of Sarandon’s uncomfortably overlong version last weekend, lending credence to rumors that Sarandon had been asked to stretch and improvise due to a technical delay.

Her appearance was doubly a surprise as it came amid hurricane-force rumors that Madonna will be joining Carpenter during the show, which led many to wonder if she would perform the monologue instead of Sarandon, only to find that she was being saved for an actual musical appearance later in the show.

Sitting in one of the 1950s cars that are a theme of Carpenter’s set, amid a makeshift drive-in theater lot in the middle of the field, Davis read through a monologue that preceded largely along the lines of last weekend’s script. However, the young drive-in carhop, played by her former “Girl Meets World” TV costar Corey Fogelmanis, arrived after three and a half minutes instead of seven to help her settle up her tab.

Even though the monologue hit many of the same beats as last week’s, it was paraphrased throughout. Sarandon opened with: “What a moron I was. Running around like nobody’s going to judge you, just bippity boppity boo. When of course, everybody’s judging you.” Davis’ opening: “What a moron. I was running around like that carefree, all hippity, skippity…”

The many trims that cut the speech in half included losing somewhat audience-confusing references to a fictional sister, Laurie, who Sarandon-as-Sabrina said “was always really uncomfortable whenever I was the center of attention. Sometimes she would just ignore what I was doing or other times she would shit on me. And probably she’s putting down my career right now…” Also dropped was the whole wistful/inspirational final part of the monologue, in which Sarandon had spoken of “that little voice (where) you say, fuck it, I can do this. I can do whatever I put my mind to… Why do people stop saying that to themselves when they become 12 years old?”

Later in the set, Will Ferrell was succeeded in his comedic role as an electrician by Terry Crews, playing the same part, but with different dialogue, and without the failed attempt to light a cigarette.

Of course, Madonna ultimately provided the mother of all cameos with a medley/duet of her hits… and extended astrology talk that threatened to erase the memory of any filibustering that might have gone on during Sarandon’s speech the previous week.

Sabrina Carpenter leaned into a “Thelma & Louise” theme with her weekend-two Coachella appearance Friday by featuring Geena Davis reading the mid-show monologue as an older “Aunt Sabrina,” succeeding last weekend’s guest Susan Sarandon.

The monologue was half the length of Sarandon’s uncomfortably overlong version last weekend, lending credence to rumors that Sarandon had been asked to stretch and improvise due to a technical delay.

Her appearance was doubly a surprise as it came amid hurricane-force rumors that Madonna will be joining Carpenter during the show, which led many to wonder if she would perform the monologue instead of Sarandon, only to find that she was being saved for an actual musical appearance later in the show.

Sitting in one of the 1950s cars that are a theme of Carpenter’s set, amid a makeshift drive-in theater lot in the middle of the field, Davis read through a monologue that preceded largely along the lines of last weekend’s script. However, the young drive-in carhop, played by her former “Girl Meets World” TV costar Corey Fogelmanis, arrived after three and a half minutes instead of seven to help her settle up her tab.

Even though the monologue hit many of the same beats as last week’s, it was paraphrased throughout. Sarandon opened with: “What a moron I was. Running around like nobody’s going to judge you, just bippity boppity boo. When of course, everybody’s judging you.” Davis’ opening: “What a moron. I was running around like that carefree, all hippity, skippity…”

The many trims that cut the speech in half included losing somewhat audience-confusing references to a fictional sister, Laurie, who Sarandon-as-Sabrina said “was always really uncomfortable whenever I was the center of attention. Sometimes she would just ignore what I was doing or other times she would shit on me. And probably she’s putting down my career right now…” Also dropped was the whole wistful/inspirational final part of the monologue, in which Sarandon had spoken of “that little voice (where) you say, fuck it, I can do this. I can do whatever I put my mind to… Why do people stop saying that to themselves when they become 12 years old?”

Later in the set, Will Ferrell was succeeded in his comedic role as an electrician by Terry Crews, playing the same part, but with different dialogue, and without the failed attempt to light a cigarette.

Of course, Madonna ultimately provided the mother of all cameos with a medley/duet of her hits… and extended astrology talk that threatened to erase the memory of any filibustering that might have gone on during Sarandon’s speech the previous week.

Sabrina Carpenter leaned into a “Thelma & Louise” theme with her weekend-two Coachella appearance Friday by featuring Geena Davis reading the mid-show monologue as an older “Aunt Sabrina,” succeeding last weekend’s guest Susan Sarandon.

The monologue was half the length of Sarandon’s uncomfortably overlong version last weekend, lending credence to rumors that Sarandon had been asked to stretch and improvise due to a technical delay.

Her appearance was doubly a surprise as it came amid hurricane-force rumors that Madonna will be joining Carpenter during the show, which led many to wonder if she would perform the monologue instead of Sarandon, only to find that she was being saved for an actual musical appearance later in the show.

Sitting in one of the 1950s cars that are a theme of Carpenter’s set, amid a makeshift drive-in theater lot in the middle of the field, Davis read through a monologue that preceded largely along the lines of last weekend’s script. However, the young drive-in carhop, played by her former “Girl Meets World” TV costar Corey Fogelmanis, arrived after three and a half minutes instead of seven to help her settle up her tab.

Even though the monologue hit many of the same beats as last week’s, it was paraphrased throughout. Sarandon opened with: “What a moron I was. Running around like nobody’s going to judge you, just bippity boppity boo. When of course, everybody’s judging you.” Davis’ opening: “What a moron. I was running around like that carefree, all hippity, skippity…”

The many trims that cut the speech in half included losing somewhat audience-confusing references to a fictional sister, Laurie, who Sarandon-as-Sabrina said “was always really uncomfortable whenever I was the center of attention. Sometimes she would just ignore what I was doing or other times she would shit on me. And probably she’s putting down my career right now…” Also dropped was the whole wistful/inspirational final part of the monologue, in which Sarandon had spoken of “that little voice (where) you say, fuck it, I can do this. I can do whatever I put my mind to… Why do people stop saying that to themselves when they become 12 years old?”

Later in the set, Will Ferrell was succeeded in his comedic role as an electrician by Terry Crews, playing the same part, but with different dialogue, and without the failed attempt to light a cigarette.

Of course, Madonna ultimately provided the mother of all cameos with a medley/duet of her hits… and extended astrology talk that threatened to erase the memory of any filibustering that might have gone on during Sarandon’s speech the previous week.

Sabrina Carpenter leaned into a “Thelma & Louise” theme with her weekend-two Coachella appearance Friday by featuring Geena Davis reading the mid-show monologue as an older “Aunt Sabrina,” succeeding last weekend’s guest Susan Sarandon.

The monologue was half the length of Sarandon’s uncomfortably overlong version last weekend, lending credence to rumors that Sarandon had been asked to stretch and improvise due to a technical delay.

Her appearance was doubly a surprise as it came amid hurricane-force rumors that Madonna will be joining Carpenter during the show, which led many to wonder if she would perform the monologue instead of Sarandon, only to find that she was being saved for an actual musical appearance later in the show.

Sitting in one of the 1950s cars that are a theme of Carpenter’s set, amid a makeshift drive-in theater lot in the middle of the field, Davis read through a monologue that preceded largely along the lines of last weekend’s script. However, the young drive-in carhop, played by her former “Girl Meets World” TV costar Corey Fogelmanis, arrived after three and a half minutes instead of seven to help her settle up her tab.

Even though the monologue hit many of the same beats as last week’s, it was paraphrased throughout. Sarandon opened with: “What a moron I was. Running around like nobody’s going to judge you, just bippity boppity boo. When of course, everybody’s judging you.” Davis’ opening: “What a moron. I was running around like that carefree, all hippity, skippity…”

The many trims that cut the speech in half included losing somewhat audience-confusing references to a fictional sister, Laurie, who Sarandon-as-Sabrina said “was always really uncomfortable whenever I was the center of attention. Sometimes she would just ignore what I was doing or other times she would shit on me. And probably she’s putting down my career right now…” Also dropped was the whole wistful/inspirational final part of the monologue, in which Sarandon had spoken of “that little voice (where) you say, fuck it, I can do this. I can do whatever I put my mind to… Why do people stop saying that to themselves when they become 12 years old?”

Later in the set, Will Ferrell was succeeded in his comedic role as an electrician by Terry Crews, playing the same part, but with different dialogue, and without the failed attempt to light a cigarette.

Of course, Madonna ultimately provided the mother of all cameos with a medley/duet of her hits… and extended astrology talk that threatened to erase the memory of any filibustering that might have gone on during Sarandon’s speech the previous week.

Sabrina Carpenter leaned into a “Thelma & Louise” theme with her weekend-two Coachella appearance Friday by featuring Geena Davis reading the mid-show monologue as an older “Aunt Sabrina,” succeeding last weekend’s guest Susan Sarandon.

The monologue was half the length of Sarandon’s uncomfortably overlong version last weekend, lending credence to rumors that Sarandon had been asked to stretch and improvise due to a technical delay.

Her appearance was doubly a surprise as it came amid hurricane-force rumors that Madonna will be joining Carpenter during the show, which led many to wonder if she would perform the monologue instead of Sarandon, only to find that she was being saved for an actual musical appearance later in the show.

Sitting in one of the 1950s cars that are a theme of Carpenter’s set, amid a makeshift drive-in theater lot in the middle of the field, Davis read through a monologue that preceded largely along the lines of last weekend’s script. However, the young drive-in carhop, played by her former “Girl Meets World” TV costar Corey Fogelmanis, arrived after three and a half minutes instead of seven to help her settle up her tab.

Even though the monologue hit many of the same beats as last week’s, it was paraphrased throughout. Sarandon opened with: “What a moron I was. Running around like nobody’s going to judge you, just bippity boppity boo. When of course, everybody’s judging you.” Davis’ opening: “What a moron. I was running around like that carefree, all hippity, skippity…”

The many trims that cut the speech in half included losing somewhat audience-confusing references to a fictional sister, Laurie, who Sarandon-as-Sabrina said “was always really uncomfortable whenever I was the center of attention. Sometimes she would just ignore what I was doing or other times she would shit on me. And probably she’s putting down my career right now…” Also dropped was the whole wistful/inspirational final part of the monologue, in which Sarandon had spoken of “that little voice (where) you say, fuck it, I can do this. I can do whatever I put my mind to… Why do people stop saying that to themselves when they become 12 years old?”

Later in the set, Will Ferrell was succeeded in his comedic role as an electrician by Terry Crews, playing the same part, but with different dialogue, and without the failed attempt to light a cigarette.

Of course, Madonna ultimately provided the mother of all cameos with a medley/duet of her hits… and extended astrology talk that threatened to erase the memory of any filibustering that might have gone on during Sarandon’s speech the previous week.

After rumors swirled that she would appear at Coachella weekend one, Madonna made a cameo during Sabrina Carpenter’s headlining performance on Friday night, emerging near the end of the set to perform “Vogue,” “Like a Prayer” and a new duet.

Carpenter was midway through “Juno” — typically the song on her “Short ‘n Sweet” tour where she’d “arrest” a different celebrity — to bring out Madonna. The pop queen emerged through the middle of the stage to sing “Vogue,” joining Carpenter to debut a new duet that’s rumored to be on the singer’s upcoming album “Confessions II.” Then, Madonna took the mic to give an extended address to the audience.

“So 20 years ago today I performed at Coachella,” said Madonna. “I was in the dance tent and it was the first time I performed ‘Confessions on a Dance Floor Pt. 1’ in America, and that was such a thrill for me, so you can imagine what a thrill it is to be back 20 years later in the same boots, with the same corset, the jacket I had on earlier, a Gucci jacket. So it’s like a full circle moment, you know? Very meaningful for me.”

After Madonna gave an astrology lesson (literally), the two joined forces to duet on her classic “Like a Prayer,” with backup dancers dressed in habits sauntering down from the back of the stage. “The great thing about music is that it brings people together. Am I right?” said Madonna. “It’s the one place that people have to put their differences aside. Put their shit down and everyone just have a good time togehter, right? So I am thrilled to be a part of that healing experience of bringing people together. I just want to say, four lines from my ‘Confessions 1’ record. It goes like this. Can we get together? I really, I really want to be with you. Come on check it out with me, I hope you, I hope you feel the same way too.”

As she said, Madonna’s appearance during Carpenter’s set comes 20 years after her Coachella debut in 2006, when she popped up at the Sahara Tent instead of the main stage to perform cuts from “Confessions on a Dance Floor.” She later returned to the desert for a surprise cameo during Drake’s closing set in 2015, singing “Human Nature” and “Hung Up” and, in one of the most talked-about moments that year, kissed Drake.

The timing of Madonna’s return to Coachella aligns with the announcement of her upcoming album “Confessions II” earlier this week. The project, slated for July 3 via Warner Records, marks her first full-length album in seven years and her reunion with Stuart Price, the producer of the original “Confessions on a Dance Floor.” Earlier on Friday, Madonna premiered the song “I Feel So Free” on iHeartRadio’s Pride Radio, giving a first taste of the project.

Leading up to her Coachella performance last weekend, Carpenter dropped the video for “House Tour,” the latest single off of last year’s “Man’s Best Friend.” In the clip, she has a girls’ night out with Margaret Qualley and Madelyn Cline, ransacking a stranger’s house and stealing a Grammy.

Carpenter previously performed at Coachella in 2024, foreshadowing that she’d one day take top billing during a custom outro for “Nonsense”: “Made his knees so weak he had to spread mine / He’s drinking my bathwater like it’s red wine / Coachella, see you back here when I headline.” This year’s headlining gig comes after a busy few years for the singer, who kicked off her “Short ‘n Sweet” tour — her first arena trek — in September 2024. She stayed on the road through the end of 2025, when she closed the tour with six nights at Los Angeles’ Crypto.com Arena just a week before she was celebrated as Variety‘s Hitmaker of the Year.

A federal judge in Sacramento has issued a preliminary injunction against Nexstar‘s acquisition of Tegna TV stations as part of DirecTV‘s lawsuit to block the merger of TV station groups.

U.S. District Court Judge Troy Nunley of California’s Eastern District issued the 52-page ruling late Friday, siding with DirecTV’s argument that allowing Nexstar to move forward with its integration of Tegna’s 64 stations could bring “irreparable harm” to DirecTV. Nexstar has vowed to appeal.

On March 19, Nexstar announced its acquisition of Tegna was complete despite the litigation in California and other states to block the deal. On its face, Nexstar’s absorption of Tegna puts the combined company beyond the FCC’s existing limits on the number of TV stations that a single entity can own. But the FCC is actively reviewing those ownership limit rules. Nexstar moved forward with its purchse of Tegna in a bold gamble that the rules would be changed and thus the merger would win federal approval, which it did. The FCC and Justice Department gave their greenlights to the purchase. But eight state attorneys general and DirecTV are pushing back hard.

On March 27, Nunley granted a temporary restraining order against Nexstar’s integration. The preliminary injunction strengthens the court order for Nexstar to halt all integration efforts with Tegna. The ruling also explores the impact of the deal on local news, given that Nexstar has a history of consolidating newsgathering activity across markets and regions. The impact of the merger on local news is the primary focus of the lawsuit filed by Bonta and his counterparts in New York, Colorado, Illinois, Oregon, North Carolina, Connecticut, and Virginia.

For DirecTV, the focus is on the enlarged Nexstar’s ability to raise the retransmission consent rates that it charges cable operators and satellite providers such as DirecTV to carry its local stations.

“The Court agrees with Plaintiffs that Defendants’ integration efforts are exactly those that would make it more difficult to divest Tegna stations, as they will eliminate competition and result in newsroom layoffs and shutdowns,” Nunley wrote. “The Court also notes Plaintiffs filed the instant suits prior to Defendants’ consummation of the Transaction. Accordingly, Defendants could have waited seven days to complete the acquisition or begin integration efforts until after this Court ruled on Plaintiffs’ motions for TRO. Therefore, especially in light of the fact that Plaintiffs raise a likelihood of success on the merits of their claims and establish an injunction is in the public interest, the Court agrees with Plaintiffs that the private benefits Nexstar could obtain by acquiring Tegna are outweighed by the harm to Plaintiffs.”

Nexstar is the nation’s largest TV station owner with nearly 200 outlets across the country. Tegna owns Big Four network affiliate stations in key major and medium-size TV markets including Washington, D.C., Houston, Dallas, Seattle, Denver and Phoenix.

“This transaction closed more than four weeks ago following receipt of all required regulatory approvals
from the Federal Communications Commission and the U.S. Department of Justice. Nexstar Media Group now owns Tegna and has taken steps consistent with the Court order that has been in effect,” Nexstar said in a statement. “For nearly thirty years, Nexstar has provided free over-the-air access to all its broadcast stations — local news, weather, and community-focused programming alongside major network programming. This procompetitive transaction will make local stations stronger and support continued investment in local journalism and fact-based news. We will appeal today’s decision and look forward to presenting our case on its merits before the Ninth Circuit Court of Appeals.”

DirecTV, on the other hand, was quick to praise Nunley’s ruling.

“We commend the court’s decision, which reinforces the coalition of states’ and our shared belief that unchecked station consolidation will force consumers to pay more for less by reducing the quality and variety of local news coverage, driving up content prices, and increasing the threat of station blackouts,” DirecTV said. “DirecTV remains committed to a competitive, diverse, and affordable media landscape for all Americans.”

Rob Bonta, California’s Attorney General, called Nunley’s ruling “a critical win” for the plaintiffs.

“My office and attorneys general nationwide have secured a preliminary injunction in our lawsuit opposing the illegal and U.S. DOJ-approved merger of Nexstar/Tegna — an order that demands the broadcasting titans stop merging while our case proceeds. This is a critical win in our case,” Bonta said. “This merger is illegal, plain and simple. The federal government may have thrown in the towel, but we’ll keep fighting for consumers, for workers, for affordability and for our local news.”