Category: Entertainment

  • Where to Watch ‘Dancing With the Stars: The Next Pro’ Live Online

    Where to Watch ‘Dancing With the Stars: The Next Pro’ Live Online

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    Ahead of fall’s Dancing With the Stars season 35 premiere, a new spinoff is joining the franchise to determine who will become a pro dancer on the flagship series. Hosted by fan-favorite season 34 winner Robert Irwin, Dancing With the Stars: The Next Pro premieres on Monday, July 13 at 8 p.m. PT/ET on ABC, which is available on any streaming service that carries said network, namely DirecTV (with a five-day free trial), Fubo (with a one-day free trial), Sling and Hulu + Live TV.

    Unlike Dancing With the Stars, the spinoff competition does not stream live on Disney+, however it will be available to watch on a one-day delay (every Tuesday) on Disney+/Hulu.

    At a Glance: How to Watch Dancing With the Stars: The Next Pro

    Where to Watch Dancing With the Stars: The Next Pro: Air Date, Time

    The spinoff competition series will be broadcast Mondays on ABC, at 8 p.m. PT/ET, starting with the July 13 premiere.

    Where to Stream Dancing With the Stars: The Next Pro Online

    Since The Next Pro airs on ABC, it will also be available to watch live on any streaming service that carries the network, including DirecTV (with a five-day free trial), Fubo (with a one-day free trial), Sling and Hulu + Live TV. Episodes will be available to stream the following day on Disney+/Hulu. More on each option — and their new subscriber discounts — below.

    Five-day free trial; packages from $19.99 per month

    ABC is included in any of DirecTV’s signature packages: Entertainment, Choice, Ultimate or Premier. Plus, DirecTV offers a five-day free trial for its streaming service, meaning new subscribers can tune in at no cost for a limited time.

    Learn more about each plan option, including how to build your own channel lineup (starting at just $19.99 per month), at directv.com.

    Fubo

    One-day free trial; packages from $64.99 per month ($54.99 for first month)

    ABC is available to stream with a subscription to Fubo, which offers a one-day free trial for new subscribers. After the trial, plans start at $54.99 for the first month and $64.99 monthly thereafter.

    Plans from $4.99 per day or $19.99 per month

    ABC is included in Sling’s Blue Plan, from $45.99 per month, and Sling’s Orange & Blue plan, from $60.99 per month. That said, local channel availability depends on your TV market. Visit Sling.com to check station availability and package options, starting as low as $4.99 per day or $19.99 per month.

    Three-day free trial; packages from $89.99 per month

    Watch ABC for free with a three-day trial to Hulu + Live TV. Subscriptions come bundled with Disney+ and ESPN+, and start at $89.99 per month.

    Dancing With the Stars: The Next Pro Host, Judges, Cast

    Season 34 DWTS winner Robert Irwin will serve as host, while mother-son duo Shirley and Mark Ballas will be on the weekly judging panel. Rotating guest judges — who will double as weekly mentors — will take the panel’s third slot. This season’s guest judges include Derek Hough, Witney Carson, Jenna Johnson, Britt Stewart, Daniella Karagach, Brandon Armstrong and Kym Johnson-Herjavec.

    Twelve contestants will compete on The Next Pro. These professional dancers include Benjamin Castro, Allen Genkin, Selena Hamilton, Natalie Jolley, Erik Linder, Nina Mayster, Jake Monreal, Briar Nolet, AJ Pritchard, Tristen Sanders, Stephani Sosa and Adele Zaikman. Sosa is sister to current pro Ezra and was a troupe member on season 33.

  • Movie Theaters’ Group Backs Lawsuit to Block Paramount Merger With Warner Bros.

    Movie Theaters’ Group Backs Lawsuit to Block Paramount Merger With Warner Bros.

    Cinema United and other organizations that have opposed Paramount’s attempted mega-merger with Warner Bros. Discovery applauded the move by 12 state attorneys general on Monday to sue to block the $111 billion deal.

    Cinema United, the trade organization that advocates on behalf of movie theaters across the country and internationally, took a victory lap on the challenge to a deal it vociferously opposed, arguing that small businesses across the country would suffer. “The ramifications of further movie studio consolidation will be significant and lasting, not just in Hollywood, but on Main Streets across this nation where local movie theaters serve as cultural and financial cornerstones for communities of all sizes,” president and CEO Michael O’Leary said in a statement.

    Cinema United has long opposed a mega-merger of another major Hollywood entity with Warner Bros., claiming that such a transaction would concentrate too much power in the hands of a single distributor. The group is not only concerned about bargaining power, but about the diversity and number of films that would be released each year were two major distributors to merge. (Paramount Skydance CEO Ellison has promised to release at least 30 films theatrically a year across Paramount and Warner Bros. Discovery, which he says will operate as studios independently, if the merger is consummated.)

    Cinema United’s take is especially salient given that, in their lawsuit, the state regulators argued that the theatrical market, in particular, would be harmed by a reduction in owners of wide-release, high-grossing films. They claimed that the mega-deal would raise prices for consumers, reduce the amount of projects in theaters and throttle the diversity and quality of entertainment.

    Along with California, attorneys general for Arizona, Colorado, Connecticut, Massachusetts, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon and Washington joined the suit filed in California federal court on Monday.

    Equally vocal on the alleged evils of corporate consolidation in the entertainment industry has been the Writers Guild of America, the union representing film and television writers across the country. The union said on Monday that it had “engaged with the offices of many State Attorneys General” to argue against the merger for some time.

    “This is one of the worst proposed mergers we’ve seen. We’ve been very clear from day one that combining Warner Bros. Discovery with Paramount threatens our members and this industry, and must be blocked,” Writers Guild of America West president Michele Mulroney said in a statement.

    Added her counterpart from the Writers Guild of America East, Tom Fontana, “The proposed Paramount Skydance merger with Warner Bros. Discovery would create an alarming amount of consolidation and contraction and cause irreparable harm to our members. People will lose their jobs, their income, their homes. The damage this deal would do to America’s entertainment and news industries would be an absolute, unmitigated disaster.”

    Ahead of Monday’s announcement, the American Economic Liberties Project, a nonprofit devoted to antitrust policy, had helped organize a series of town halls for industry workers opposed to the Paramount-Warner Bros. deal. Unsurprisingly, a moderator for these town halls, American Economic Liberties Project senior advisor Alvaro Bedoya, cheered on the legal challenges.

    “The rich guys who run Paramount can say what they want, but the people who actually work for them know that this will kill jobs and screw over the small businesses that are the lifeblood of this industry. I hope the states win and win fast, because these people need it,” the former FTC commissioner said in a statement.

    In response to Monday’s lawsuit, Paramount alleged that the lawsuit would help shield tech giants like Apple and Amazon as well as the dominant streaming company, Netflix, from competition and that a blocked transaction would result in consequences for entertainment workers and consumers.

    But the merger’s opponents aren’t convinced. New York mayor Zohran Mamdani got in the action on Monday, posting on the social platform X that he was “proud” that New York is one of the states participating in the suit. He added, “New York’s workers helped build this industry. They should not be sacrificed for the sake of further corporate consolidation.”

  • Humanitas Prizes Reveal Nominations; ‘My So-Called Life’ Creator Winnie Holzman to Be Honored and Ashley Nicole Black Will Host (EXCLUSIVE)

    Humanitas Prizes Reveal Nominations; ‘My So-Called Life’ Creator Winnie Holzman to Be Honored and Ashley Nicole Black Will Host (EXCLUSIVE)

    “My So-Called Life” creator and “Wicked” writer Winnie Holzman has been tapped to receive Humanitas‘s Kieser Award, while writer/comedian Ashley Nicole Black has been named host of this year’s Humanitas Prizes Award Show & Toast, the org announced Monday.

    Also on Monday, Humanitas announced the nominees for this year’s ten Humanitas Prizes, and revealed that Starz is back as the awards show’s key sponsor.

    The ceremony, which will also announce the 2026 New Voices Fellows, College Screenwriting Awards and Starz #TakeTheLead Award, will take place at Avalon Hollywood on Sept. 9.

    The Humanitas Prize honors “film and television writers whose work explores the human condition in a nuanced, meaningful way. Prizes are presented at an annual event where winners receive a trophy and a cash prize.” Here are this year’s nominees:

    Drama Teleplay

    “Chicago Med” (“The Book of Charles”): Allen MacDonald

    “Grey’s Anatomy” (“Sometimes I Feel Like a Motherless Child”): Jess Righthand

    “Paradise” (“Graceland”): Dan Fogelman, Eric Wen

    “The Testaments” (“Stadium”): Gianna Sobol

    Comedy Teleplay
    “Abbott Elementary” (“Goofgirl”): Justin Tan

    “Long Story Short” (“Yoshi’s Bar Mitzvah”): Raphael Bob-Waksberg

    “Resident Alien” (“The End is Here”): Chris Sheridan

    “Shrinking” (“My Bad”): Brian Gallivan

    Limited Series Teleplay
    “Beef” (“Oh, The Comfort, The Inexpressible Comfort”): Lee Sung Jin, Madeleine Pron

    “DTF St. Louis” (“No One’s Normal. It Just Looks That Way from Across the Street”): Steven Conrad

    “Hal & Harper” (“Are You Watching?”): Cooper Raiff

    “Washington Black” (“The Flying Man & the Musician”): Selwyn Hinds

    Children’s Teleplay
    “E.B. White’s Charlotte’s Web” (“Part 3”): Levi Abrino

    “My Brother the Minotaur” (“Lunacy and Lorcan”): Mark B. Hodkinson

    “The Proud Family: Louder and Prouder” (“The Shade of It All”): Tiffany Thomas

    “Tab Time” (“When We Lose Someone”): Sean Presant

    Drama Feature
    “All That’s Left of You”: Cherien Dabis

    “Preparation for the Next Life”: Martyna Majok

    “Song Sung Blue”: Craig Brewer

    “Train Dreams”: Clint Bentley, Greg Kwedar

    Comedy Feature
    “A Nice Indian Boy”: Eric Randall

    “Rental Family”: Hikari, Stephen Blahut

    “The Invite”: Will McCormack, Rashida Jones

    “The Baltimorons”: Jay Duplass, Michael Strassner

    Family Feature
    “Elio”: Julia Cho, Mark Hammer, Mike Jones, Adrian Molina, Madeline Sharafian, Domee Shi

    “Grow”: Nick Güthe, Christos N. Gage, Ruth Fletcher Gage

    “Hoppers”: Jesse Andrews, Daniel Chong

    “KPop Demon Hunters”: Maggie Kang, Chris Appelhans, Danya Jimenez, Hannah McMechan

    Short Film
    “Beyond Unstoppable”: Valerie Alexander

    “Double Happiness”: Shari Albert, Laura LeeLun

    “The Birthday Gif”t: Stephanie Alison Walker, Paula Pizzi

    “Vital”: Amir Zargara, Gabe Berry

    Documentary (Feature)
    “Come See Me in the Good Light”: Ryan White, Jessica Hargrave, Tig Notaro, Stef Willen

    “The Tale of Silyan”: Tamara Kotevska

    “Life After”: Reid Davenport, Colleen Cassingham

    “Shuffle”: Benjamin Flaherty

    Documentary (Docuseries, Single Episode)
    “Billy Joel: And So It Goes” (“Part Two”): Susan Lacy, Jessica Levin

    “Katrina: Come Hell and High Water” (“Shelter of Last Resort”): Samantha Knowles

    “Mel Brooks: The 99 Year Old Man!” (“Part Two”): Judd Apatow, Michael Bonfiglio, Joe Beshenkovsky

    “Rise of the 49ers” (“We Built This City”): Ryan Kelly, Nick Mascolo

    In the case of Holzman, the Kieser Award “honors those who have dedicated their substantial talent, work, and resources to creating transformative stories that celebrate our common humanity.” Past winners include Greg Berlanti, Marta Kauffman, John Sacret Young, John Ridley, Jason Katims, Fay Kanin and Bill Moyers.

    Besides “My So-Called Life” and “Wicked,” Holzman’s other credits include “Thirtysomething,” “Once and Again” and “Huge.” As an actor, she’s been seen in “Jerry Maguire,” “Curb Your Enthusiasm,” “The Comeback” and “A Man on the Inside.” Most recently, she co-wrote both screenplays for the movie adaptations of “Wicked.”

    “Winnie has consistently explored the complexities of the human condition with compassion, intelligence, and emotional honesty. Winnie’s work has made generations grappling with coming of age and identity feel seen,” said Humanitas executive director Michelle Franke. “We admire her steadfast commitment to mentoring and nurturing writers, as we saw up close when she twice served as a mentor in our New Voices Fellowship program. We are honored to be recognizing her with our top honor, the Kieser Award, this September.”

    As for the Starz #TakeTheLead Award, the honor is meant to “amplify narratives by, about and for women and underrepresented audiences.”

    “Starz’s generosity has had a profound impact on Humanitas’ work over the last four years, most notably by providing support to our New Voices Fellowship,” Franke said. “In 2026, we’re thrilled to offer the #TakeTheLead Award once again. We’ll share more application details via our website in the coming weeks and more programming details at The Humanitas Prizes event this fall.”

    Also, winners of the 2026 New Voices Fellowship, David and Lynn Angell College Comedy Award and Carol Mendelsohn College Drama Award will be revealed at The Humanitas Prizes Awards Show & Toast.

    “The New Voices Fellowship is a six-month mentorship program while the College Screenwriting Awards carry with them professional engagements and significant cash prizes. Lists of semifinalists for the New Voices Fellowship and for the College Screenwriting Awards are available on the organization’s website.”

    In addition to being the culminating event of the annual awards program, The Humanitas Prizes Awards Show & Toast raises financial support for the New Voices Fellowship, College Screenwriting Awards and a programs including the Industry 101 event series and The Writers Room program for high school students.

    As for Black, the writer/comedian has worked on “Ted Lasso” and “Shrinking,” where she also recurs. Her other credits include “Bad Monkey” and “Full Frontal with Samantha Bee.”

  • After Three-Hour Delay, Jay-Z Caps Yankee Stadium Run With Rihanna, Beyoncé, Usher and More

    After Three-Hour Delay, Jay-Z Caps Yankee Stadium Run With Rihanna, Beyoncé, Usher and More

    By now it’s well-known that Jay-Z‘s third and eagerly anticipated “Extra Innings” show at Yankee Stadium was delayed by roughly three hours due to a security breach at the gates that led to thousands of people being trapped outside as they were slowly admitted by security. The show didn’t begin until after midnight ET Monday morning and ended with celebratory fireworks around 2:45 a.m.

    But the enthusiasm from the packed crowd hadn’t dampened by the time Jay-Z finally took the stage, as the audience went wild for surprise guest performances from Rihanna — who made a rare concert appearence — as well as from Beyoncé, Jeezy, Clipse and more.

    Most of the audience stayed through the show, and concertgoers commuting home on the subway could be heard musing about how it was the best show of Jay-Z’s three-night run, excitedly recounting how they saw Rihanna and Beyoncé.

    Until the show suddenly kicked off around 12:21 a.m. ET, it wasn’t clear if the concert would even happen. The stadium was mostly filled by the expected 9:30 p.m. start time, with fans donning merch to celebrate the 30th anniversary of Jay-Z’s seminal album Reasonable Doubt. At 9:45 p.m., a voice over the loudspeaker thanked people for their patience and said they were still trying to get everyone in safely.

    Over the next two hours, though, patient but frustrated fans received few updates apart from consistent messaging from security officials that they wanted to wait for everyone who had purchased a ticket to get in. Chatting with concertgoers, security officials mentioned people rushing the gate and how people were now being let in slowly. The crowd inside remained calm, though, sticking around and mostly staying in their seats when they weren’t taking advantage of the delay to visit the concession stands and the restrooms.

    Still, there were scattered expressions of frustration and confusion among concertgoers (“This is crazy,” one fan said, likely voicing the thoughts of many people in the audience.) And there were some brief boos amid a “Hova” chant before 11 p.m. A rumor began spreading that Kanye “Ye” West, Jay-Z’s former close collaborator from whom he’s since become estranged, would be appearing, after Jay had been performing some of their Watch the Throne collabs (not to mention earlier work that West had produced) on the previous two nights.

    Still, as the clock creeped closer to midnight, and fans also heard that supposedly Jay-Z had to end the show by midnight, confusion reigned with many people suspecting the concert might get canceled.

    Around 11:45 p.m. there was another update, saying they were still trying to get people inside safely and that safety was the most important thing to organizers and Jay. Then, at 12:21 a.m., the lights went down and the video of Beyoncé cutting Jay-Z’s hair that kicked on Friday night’s show appeared on the video screens onstage. It was happening!

    Jay-Z quickly took the stage leading a hyped up crowd through “Brooklyn’s Finest.” After the high-energy kickoff, he took a few minutes to apologize for and explain the delay, saying in part that he didn’t want people to get “trampled,” noting safety concerns behind the delay as organizers had to deal with crowd control given that there were “10,000 people outside.”

    Still he promised “I got some shit for you,” suggesting the show would be worth the wait.

    And Hova delivered. While fans were originally speculating if West would show, there was an appearance from an arguably more elusive performer and close Jay-Z collaborator, Rihanna, performing live for the first time in more than two years, and more than 10 years after her Anti world tour in 2016. When she walked out from backstage on “Run This Town,” another West collab, the crowd went wild.

    She then delivered a solo version of “Bitch Better Have My Money” and left the stage, later being led out of the stadium, through the audience, around 1:45 a.m.

    Before Rihanna, fans got their first performance of “Dirt Off Your Shoulder” in the three-night run and guest appearances from Teyana Taylor, performing the Mary J. Blige portion of “Can’t Knock the Hustle” that Beyoncé delivered during night one; Jermaine Dupri on “Money Ain’t a Thang,” with the crowd enthusiastically rapping the opening lines from the Vol. 2 … Hard Knock Life track before Dupri took the stage); Jeezy; The-Dream; and Usher.

    Usher onstage with Jay-Z early Monday morning.

    Courtesy of Roc Nation

    The extensive, decades-spanning setlist (45 songs!) featured a mix of hits and deeper cuts including tracks from Reasonable Doubt and The Blueprint, albums celebrated on the previous two evenings, as well as more of The Black Album than he’d performed on those previous outings.

    During “99 Problems,” another first at the Yankee Stadium shows, enthusiastically received by the sleep-deprived crowd, helicopter-captured video from inside the stadium broadcast on the screen behind Jay-Z showed that the audience was still packed.

    Jay-Z also welcomed Swizz Beatz, with the two performing a cover of the late DMX’s “Ruff Ryders’ Anthem” with enthusiastic backing from the audience, as the kick-off to a string of tracks that ended with the more recent hit “On to the Next One.” Pharrell Williams returned for a multi-song set, including their collab “Frontin’,” in an echo of Saturday night’s performance. Jay and Pharrell also brought out the Clipse, to loud cheers, for “Grindin’.”

    When Jay-Z asked the audience around 2 a.m. if they were ready to go home, the crowd responded with a resounding “no.”

    The encore kicked off with another appearance from Queen Bey, who came out during night one and returned with Lebanese dance group the Mayyas. Sporting a summery Yankee fan look after her pinstripe attire Friday night, she performed “Drunk in Love.”

    The married couple shared a kiss onstage before Beyoncé again expressed her support for the audience. “I love you all so much,” she said. “I appreciate your loyalty to this man right here.”

    Thenm after what had been the closing tracks on the previous nights, “Ni**as in Paris” into “Big Pimpin’,” Hov kept the show going with “Empire State of Mind,” along with guest appearances from Fat Joe and Jadakiss on “New York,” and then “Lucifer” and “Encore.”

    The three-night stand was capped by celebratory fireworks, which could be seen shooting off from Yankee Stadium at 2:45 a.m. Monday morning.

    On “Izzo,” Jay altered one of the lyrics to address the fact that the show hadn’t begun on time, and he quipped multiple times throughout the show that they’d go until 5 a.m. But near the end of the more-than-two-hour concert he just found himself musing, “It’s been a night. We’re just enjoying the night. It’s one of those legendary nights.”

  • ‘Growing Pains’ Star Ashley Johnson Was Nearly Abducted on Set When a Kidnapper Grabbed Her After Episode Taping: ‘I Was Clueless’ and ‘Very Upset’

    ‘Growing Pains’ Star Ashley Johnson Was Nearly Abducted on Set When a Kidnapper Grabbed Her After Episode Taping: ‘I Was Clueless’ and ‘Very Upset’

    “The Last of Us” voice actor Ashley Johnson got her start in Hollywood as a child actor, playing the role of Chrissy Seaver on the final two seasons of ABC‘s sitcom “Growing Pains” from 1990 to 1992. On a recent episode of her “Weird Kids” podcast, Johnson revealed she was once nearly abducted by a fan after a live taping of the show (via People).

    “It was in the first year I was on, and we had only done a couple of film nights,” Johnson said. “So, I hadn’t done that many yet and at that time, all of the cast sort of had trailers and they were like old camper trailers. They’re not like the fancy trailers that they are now. They were great. We would exit our trailers before the shoot and the audience that would be walking in, you would walk by the audience before you would walk into the studio.”

    Johnson said the studio was not equipped with metal detectors and other security measures that are now common practice in Hollywood. The studio audience would only be “within five feet” of the actors when they were entering the set, for example.

    “Somebody had written in and said that, ‘I am coming to set and I am going to bring a gun and I am going to murder some of the cast,’” Johnson continued. “So, I’m walking with my mom and then I just remember some guy hops out of the line and he grabs me and grabs me up and starts booking it. And all I remember is like, there was security that somehow got on him after some time.”

    Security apprehended the fan and Johnson remembered “flying around in the air” during the struggle to set her free. The would-be kidnapper had a gun on him, the actor recalled.

    “I was clueless as to what was happening, but I was very upset and they were talking to me about it after. And they were like, ‘Are you okay?’ And I just said, ‘I just think I’m gonna be in trouble,’” Johnson said. “Because I think I was such a polite kid at the time. I think he was running with me and running away. I was like, ‘Who are you, sir? What is your name? I was very pleased to meet you.’ But he was packing. They got him. This was the thing. He was high on something. It wasn’t meth, but it was something — like, he was so strong.”

    Johnson made her television debut on “Growing Pains” and continued on the small screen with roles on short-lived series such as “Phenom” and “Maybe This Time.” She pivoted to voice acting at a young age with a role on the “Jumanji” animated series, which included 40 episodes, and she’d continue with this work throughout her career. She is the voice of Ellise in “The Last of Us” video game franchise, which won her two BAFTA Games Awards.

    Following “Growing Pains,” Johnson reprised her role of Chrissy Seaver in the 2000 movie “The Growing Pains Movie” and the 2004 follow-up “Growing Pains: Return of the Seavers.”

  • David Zaslav Files to Sell $59 Million More in Warner Bros. Discovery Stock

    David Zaslav Files to Sell $59 Million More in Warner Bros. Discovery Stock

    As Paramount Skydance’s deal to take over Warner Bros. Discovery is still pending, WBD CEO David Zaslav is continuing to cash out his stock in the company he is set to depart in the coming months.

    Zaslav filed to sell about 2.18 million shares of Warner Bros. Discovery stock, valued at $59.47 million, according to an SEC filing Monday. That comes after Zaslav filed to sell $114 million worth of WBD stock in March.

    Once Paramount Skydance’s megadeal to buy WBD closes, Zaslav is poised to walk away with a golden parachute package that Warner Bros. Discovery this spring had pegged as being worth more than half a billion dollars. With the sale of Warner Bros. Discovery to Paramount, Zaslav will have a net worth that has been estimated to be more than $1 billion.

    Zaslav has been among the highest-compensation CEOs in the media biz. In 2025, his pay package totaled $165 million, including $3 million base salary, $22.6 million in stock, a $25.7 million cash bonus and stock options valued at $109.6 million, according to a company SEC filing. In purely symbolic moves, WBD shareholders voted against Zaslav’s exit pay package and his 2025 compensation.

    In late 2025, Warner Bros. Discovery had clinched a deal with Netflix to buy Warner Bros.’s streaming and studios businesses. But Netflix backed out of the bidding in February after Paramount upped its takeout offer for all of WBD in a deal worth $111 billion. Paramount has said it expects to close the WBD deal in the third quarter of 2026.

    Separately Monday, a coalition of 12 Democratic state attorneys general sued to block the David Ellison-led Paramount’s takeover of Warner Bros. Discovery on antitrust grounds. Paramount says it will “vigorously defend the transaction” and claimed that the states’ lawsuit will “shield those dominant streaming platforms like Netflix and technology companies from much-needed competition.”

    The Paramount-WBD deal is still pending regulatory approval in the U.K., where officials have said they are likely to intervene. According to Paramount, the Warner Bros. mergers has been cleared by regulators in 24 jurisdictions, including by the U.S. Justice Department, which did not impose any requirements for divestitures or other concessions on the part of Paramount Skydance.

  • ‘Life, Larry and the Pursuit of Unhappiness’ Showrunner Jeff Schaffer on Working With Obama (and Navigating Trump) With Larry David

    Of all the ways in which people have decided to celebrate the 250th anniversary of the United States of America, few are as left-field as a sketch comedy collaboration between Larry David and President Barack Obama.

    Jeff Schaffer, David’s frequent writing partner and showrunner of Life, Larry and the Pursuit of Unhappiness, seems as aware of this as anyone. But when the Obamas and their Higher Ground productions company expressed an interest, who was he to turn them down? The fruits of their labor, a seven-episode exploration of American history through David’s curmudgeonly eyes, is already halfway through its HBO run. And, yes, it’s even a little educational. “I enjoy history, but I like ancient history — Greek and Roman stuff,” says Schaffer. “But Larry’s American history knowledge was astounding. He wanted to do something on winning the popular vote but losing the election, and he goes ‘You know, like Samual J. Tilden.’ Who? He could have been a country music star for all I knew.”

    During a recent episode of The Hollywood Reporter podcast, I’m Having an Episode (SpotifyAmazon MusicApple), Schaffer talked about collaborating with a former president and making a production schedule that would accommodate the erratic behavior of the sitting one. (And, for good measure, he discussed one of the more unlikely gems of his long comedy career: “Scotty Doesn’t Know.”)

    ***

    You and Larry David were in conversation at South by Southwest earlier this year, and you compared a series celebrating the country right now to “throwing a birthday party for your friend that’s in rehab.” 

    He’s at the methadone clinic right now. He’s all fucked up, but we still love him. So we’re gonna celebrate him and we hope he gets better soon.

    Especially before they shut down the methadone clinics.

    I hope our friend doesn’t live in a rural area.

    For many, this was not a “rah rah” Fourth of July. But, also, it’s a time to acknowledge the country’s history and you’re working with a beloved former president. [The series is produced by Barack and Michelle Obama via their production company, Higher Ground.] How does that mix of variables color the experience? 

    That’s the yin and the yang of the American experience, right? Larry’s there to grouse about it, and President Obama’s there to say, “Hey, no matter how sticky things get, we can still find inspiration in each other.” It’s a comedy, so there’s a lot of Larry in here. But there are also times, especially in the beginning and the end, where we want to make sure that we’re actually saying something, too. We can get through this. And this messy, weird experiment in democracy is still is still working. We’re celebrating America, warts and all. And right now there’s a saggy orange wart that we wish would go away as quickly as possible. But the body’s still okay.

    So, Larry and President Obama know one another, but this is still such a strange pairing. How did this happen?

    Higher Ground and the Obamas wanted to do something to celebrate the 250th. Larry — who says “no” to everything, like you and I breathe — he’s such an American history buff. It intrigued him. I think really the the genesis of Larry’s interest starts four years ago, when Larry and I did a commercial where he played someone who was basically crapping all over the best inventions of humanity. We did it for FTX. I wonder whatever happened to them. They were so nice. (Laughs.) Anyway, remembered how much fun he had being in costume — and he forgot how much he hated being in wigs. So we just started talking about events and other things and we had some funny ideas. 

    I realize the president wasn’t in the writers room with you two, but what was the dynamic when the three of you were talking about the series?

    The most amazing part of this was getting to see Larry and President Obama together. The first meeting we had — I’ve never met the president before — and he just says, “Do you play golf?” Not really. Then he he points to Larry and he goes, “This guy’s better than you’d think he’d be, but he wears so much sunscreen.” Obama’s just crapping all over Larry. And Larry goes, “I’m sorry my dad’s not from Kenya.” And this is minute one. These two are so funny together. So my big mission was just like, I just need to get them on screen together. That’s all I want. And when you see them on screen together, they’re so funny. It’s a very interesting odd couple.

    How contemporary did you want to get with this? I think the closest to today that I’ve seen was Rosa Parks.

    We go all the way up to almost today, but one thing that we really tried to do was talk about things that are happening now through a historical lens. There’s a sketch where we talk about vaccinations, but we’re not talking about vaccination issues that are happening right now. We’re talking about when the polio vaccine first came out. When you look at the history of America is that we’ve made a lot of the same mistakes again and again. We really have learned very little.

    Larry David and Jerry Seinfeld in Life, Larry and the Pursuit of Unhappiness: An Almost History of America.

    HBO

    Was that helpful for you to realize, given our current strife?

    We’re still around! There was a a tremendous amount of suspicion about polio vaccine when it came out. And now we’re doing that again? It’s a two steps forward, one step back progress — this American experiment. Selfishness and pettiness are not twentieth century inventions. 

    There are cracks at Trump in there, without any direct hits. One sketch in particular has Jimmy Kimmel playing a man who can’t fathom a president trying to seek more than two terms. Were jokes like that cathartic? 

    We shot that sketch in November 2025, and we knew that Trump was going to do more insane evil things between when we shot and when we aired. So we basically left spaces so we could come back and chronicle each new horror of the madness of King Trump. We know that if you give this guy a few months, he’s gonna do something else completely diabolical and stupid that we weren’t even expecting: things like sending troops into American cities to harass and even kill American citizens. That was in between starting wars with foreign countries to deflect from the fact that you’re best friends with a pedophile. We left space to come in and and refill.

    You and Larry work with a lot of artistic liberty, but you’re still making this with another production company on this. What is an Obama note like? 

    We had one meeting, and President Obama had read roughs of the sketches. He was very complimentary. And I remember he had a note about a particular sketch and Larry just goes, “Yeah, yeah, we’ll we’ll take care of it.” And Obama just goes, “I see how this is gonna be. You know, when I was in the Oval Office, I like to think that I listened to my advisors and I took advice from them. And I was president of the United States. That’s when Larry just goes, “Yeah, but I’m president of this.” Obama spent a half an hour telling [him] how funny I think this is. One note and [he] gets into a defensive crouch.” But they did give very good notes. And for certain sketches, which we haven’t gotten to yet, they were their knowledge was instrumental.

    Looking at your long résumé, what is something that you worked on that you thought should have hit bigger than it did?

    There are things like like EuroTrip. Alec Berg and Dave Mandel and I wrote that, and I directed. When it came out, not that many people saw it. But thanks to DVD, it has had this life. The song “Scotty Doesn’t Know” is like having some sort of renaissance that I don’t understand. A lot of my friends’ kids are in college, and they’re sending me stuff of bars singing “Scotty Doesn’t Know” when it comes on. I guess that we were disappointed that more people didn’t see it when it came out. But it’s had the life that we wanted it to have. We wanted to make a movie for teens to watch together in their parents’ basement while stealing their parents’ liquor. That’s happened.

    That movie came out when I was mid-college and, by senior year, “Scotty Doesn’t Know” was playing at most parties.

    There’s a gold record right here. We got a gold record from the single.

    We’ve never spoken about this, so can you tell me how that all came together? Matt Damon making a cameo as a pop-punk frontman was an unexpected way to start that movie.

    Alec, Dave and I, along with the band Lustra, wrote the lyrics. Obviously, the band came up with an amazing hook. We were shooting this movie in Prague during SARS and the [Iraq] war. We didn’t have a lot of money. We couldn’t be flying people in. Matt was shooting The Brothers Grimm in Prague. His head was shaved because he was wearing a wig the whole time. He’d quit smoking, so, in his words, he had swelled up like a tick. So we were like, “Hey, do you want to do this?” He had one one night available, which was the shortest night of the year. It was literally June 21st. There’s like five hours of nighttime to get this thing done. But he was so fun, and we just raced to get it. It’s crazy that it even existed. If Matt hadn’t been there. If he hadn’t looked like that. It just all came together. I was talking to Matt a little while ago, and he was like, “I was Private Ryan and Saving Private Ryan. I was Ripley and The Talented Mr. Ripley. I was Will Hunting in Good Will Hunting. And I walk down the street, and people just go, “Scotty Doesn’t Know!”

    ***

    Life, Larry and the Pursuit of Unhappiness releases new episodes Fridays on HBO Max.

  • Team USA Soccer Star Folarin Balogun Signs With Klutch Sports Group (Exclusive)

    Team USA Soccer Star Folarin Balogun Signs With Klutch Sports Group (Exclusive)

    One of the breakout stars for the U.S. at this year’s FIFA World Cup has secured new representation for his off the pitch endeavors.

    Folarin Balogun, the striker for the U.S. men’s national team and the Ligue 1 club Monaco, has signed with Klutch Sports Group. Balogun was a breakout for the U.S., scoring three goals to help lead the team to the round of 16.

    “Folarin Balogun is one of the most talented and influential players in global football today. His relentless ambition and cultural impact represent the standard of excellence we hope to continue to bring to the sport,” said Rich Paul, Founder and CEO of Klutch Sports Group. “We are incredibly proud to welcome him to KLUTCH and excited about everything we can build together.”

    Klutch first entered the global soccer business when it acquired the football-focused European agency ROOF two years ago. Balogun however is the first soccer star to sign with Klutch directly.

    The high profile of the World Cup and a newfound excitement for soccer could lead to new opportunity for the 25 year old, who also found himself at the center of one of the tournament’s more memorable storylines after President Donald Trump called FIFA chief Gianni Infantino in an effort to get a red card issue to Balogun reviewed. He was ultimately allowed to play in the round of 16 matchup against Belgium.

    With athletes becoming many of the worlds biggest celebrities, the opportunities for off the field work continues to grow. That includes entertainment in the form of docuseries and scripted fare, but also high-profile endorsement deals across seemingly every category.

    It’s an area that Klutch, which counts superstars like LeBron James and Jalen Hurts on its roster, knows well.

  • Jay-Z Yankee Stadium Concert Security Breach Caught on Video

    Jay-Z Yankee Stadium Concert Security Breach Caught on Video

    Jay-Z fans were caught on video rushing an entrance to Yankee Stadium on Sunday night ahead of the veteran rapper’s third and final performance of three shows at his hometown stadium, which was delayed roughly three hours as security navigated the massive crowd that had gathered outside, admitting those with tickets, as the already packed audience within the venue were told Jay-Z was waiting to take the stage until everyone who had purchased a ticket could get in.

    Early in his performance, which was scheduled for Sunday night but began after midnight on Monday, Jay-Z apologized for the delay and told the sold-out crowd at the 46,000-seat stadium in the South Bronx that, “like, 10,000 people” were outside, so security “closed all the doors, and somebody rushed the door. They closed the door for you guys’ safety and everyone’s safety outside.”

    Video posted to X seems to confirm the breach of at least one turnstile at the stadium. In footage posted by users @HipHopKlipz36 and @TheRocSupremacy, several young concertgoers are seen breaching a turnstile, and a bottleneck quickly forms, with several individuals becoming stuck in the entryway as a heaving crowd seems to be pushing them forward.

    While certain elated fans jump up and down, excited to have gotten past the turnstile, several others are soon in peril behind them. It’s unclear if those seen in the video are ticketholders or if they are unticketed fans attempting to gain entry.

    After about a minute of this dangerous situation unfolding, security and New York Police Department officers are seen rushing over to the entrance to stop a potential stampede. There have been no injuries reported during the concert.

    It is unclear if this was an isolated incident or if reported similar breaches of security did in fact occur around the stadium’s many entrances.

    Sunday night’s show was the third and final performance of Jay-Z’s historic three-night Yankee Stadium run, a celebration of the 30th anniversary of his seminal album Reasonable Doubt and the 25th anniversary of The Blueprint, with the third night more of an overarching career retrospective. Like the first two nights, it was a star-studded event. Beyoncé, Rihanna, Teyana Taylor, Usher and Pharrell Williams all graced the stage at the show, which wrapped at 2:45 a.m. Monday.

    On Monday, the baseball team, Jay-Z’s company, and the promoter of the event released a joint statement after the show, saying: “The Yankees, Roc Nation and Live Nation express our deep gratitude to the NYPD and to Yankee Stadium security personnel for their leadership and direction throughout the evening, putting the welfare of attendees above all other considerations.”

  • Paramount Blasts States’ Lawsuit Aimed at Blocking Warner Bros. Deal, Claims Litigation Will ‘Shield’ Netflix and Tech Companies From ‘Much-Needed Competition’

    Paramount Blasts States’ Lawsuit Aimed at Blocking Warner Bros. Deal, Claims Litigation Will ‘Shield’ Netflix and Tech Companies From ‘Much-Needed Competition’

    Paramount Skydance sharply criticized a coalition of 12 Democratic state attorneys general that sued to block the David Ellison-led company’s takeover of Warner Bros. Discovery.

    The lawsuit filed by the state AGs “distorts settled antitrust law and is based on a misrepresentation of competition in the entertainment industry today,” Paramount said Monday, after the suit was filed. The company, formed by Skydance Media’s takeover of Paramount Global in August 2025, said it will “vigorously defend the transaction.”

    The company repeated its claims that the $111 billion deal to merge Paramount and Warner Bros. “creates a stronger competitor against dominant streaming and technology platforms who have harmed the market for theatrical exhibition and jobs in the entertainment industry.”

    “The lawsuit filed by the state attorneys general, in the most generous light, reflects a fundamentally flawed application of the antitrust laws and is wrong on both the facts and the law,” Paramount’s statement said. “Delaying this transaction will only harm entertainment workers who have already suffered over recent years as technology has disrupted their livelihood and cost California tens of thousands of entertainment jobs.”

    The company’s statement continued: “The practical effect of this lawsuit is to shield those dominant streaming platforms like Netflix and technology companies from much-needed competition while preventing the significant benefits this transaction will deliver for consumers, creators, workers and the broader Hollywood economy. We will continue to fight against any attempt to derail a deal that strengthens competition, expands opportunity, and positions the combined company to compete in an increasingly competitive global media landscape.”

    Paramount says its takeover of WBD has been cleared by regulators in 24 jurisdictions. That includes a green light from the U.S. Justice Department in mid-June, which did not impose any requirements for divestitures or other concessions on the part of Paramount Skydance. The deal is still pending regulatory approval in the U.K., where officials have said they are likely to intervene.

    Paramount has said it anticipates closing the WBD deal in the third quarter of 2026. The company has committed to paying a “ticking fee” of 25 cents per share to shareholders for every quarter the deal isn’t completed after Sept. 30 — equivalent to approximately $650 million cash value each quarter.