Category: Entertainment

  • ‘I Swear’ Subject John Davidson Says Tourette’s Tics Are ‘Involuntary’ After Shouting N-Word at BAFTAs: ‘Deeply Mortified if Anyone’ Thinks It Was ‘Intentional’

    ‘I Swear’ Subject John Davidson Says Tourette’s Tics Are ‘Involuntary’ After Shouting N-Word at BAFTAs: ‘Deeply Mortified if Anyone’ Thinks It Was ‘Intentional’

    Tourette’s activist John Davidson, who inadvertently shouted the N-word during the BAFTA Film Awards on Sunday night, has released a statement after widespread backlash.

    “I wanted to thank BAFTA and everyone involved in the awards last night for their support and understanding and inviting me to attend the broadcast. I appreciated the announcement to the auditorium in advance of the recording, warning everyone that my tics are involuntary and are not a reflection of my personal beliefs,” Davidson said. “I was heartened by the round of applause that followed this announcement and felt welcomed and understood in an environment that would normally be impossible for me. In addition to the announcement by Alan Cumming, the BBC and BAFTA, I can only add that I am, and always have been deeply mortified if anyone considers my involuntary tics to be intentional or to carry any meaning.”

    He added: “I was in attendance to celebrate the film of my life, ‘I Swear,’ which more than any film or TV documentary, explains the origins, condition, traits and manifestations of Tourette Syndrome. I have spent my life trying to support and empower the Tourette’s community and to teach empathy, kindness and understanding from others and I will continue to do so. I chose to leave the auditorium early into the ceremony as I was aware of the distress my tics were causing.”

    Davidson, who first began experiencing tics and uncontrollable outbursts involving cursing at the age of 12, was a guest at the ceremony after a film about his life, “I Swear,” was nominated for five awards.

    In the movie, “Lord of the Rings: The Rings of Power” star Robert Aramayo plays Davidson as he is diagnosed with the syndrome. Aramayo beat out Hollywood stars including Leonardo DiCaprio and Ethan Hawke to take home the leading man statue for his performance. The film, which was nominated in five categories, also won an award for casting.

    Davidson made a number of outbursts during the first half of the ceremony, including shouting “shout the fuck up” at BAFTA chair Sara Putt. When Michael B, Jordan and Delroy Lindo took to the stage to present the best visual effects award to “Avatar: Fire and Ash” he was also heard shouting the N-word.

    “Sinners” production designer, Hannah Beachler, who was also nominated for a BAFTA, later posted on X that “it happened 3 times that night and one of the three times was directed at myself on the way to dinner after the show.”

    She added: “I know we must handle this with grace and continue to push through. But what made the situation worse was the throw away apology of ‘if you were offended’ at the end of the show.”
    Before the ceremony began a floor manager introduced Davidson to the audience and warned them they may hear “some involuntary noises or movements.” Host Alan Cumming also twice interrupted proceedings to address Davidson’s outbursts, once to thank the audience, which include William and Kate, the Prince and Princess of Wales, for their understanding and the second time to apologize “if you are offended tonight.”

    Despite the show being aired with a two hour time delay on BBC One in the U.K., the n-word was not censored or edited from the broadcast. The uncensored broadcast also remained available on the BBC’s streaming platform iPlayer until midday on Monday when the broadcaster pulled it. It was also audible on the U.S. broadcast which went out on E! The BBC said in a statement: “Some viewers may have heard strong and offensive language during the BAFTA Film Awards. This arose from involuntary verbal tics associated with Tourette syndrome, and as explained during the ceremony it was not intentional. We apologize that this was not edited out prior to broadcast and it will now be removed from the version on BBC iPlayer.”

  • Sony Orders 24 Episodes of ‘Reading Rainbow’ Reboot as Classic Kids Show Finds New Life

    Sony Orders 24 Episodes of ‘Reading Rainbow’ Reboot as Classic Kids Show Finds New Life

    The classic PBS children’s show Reading Rainbow is officially back, with the series securing a 24-episode pickup.

    Sony Pictures Television and Buffalo Toronto Public Media announced the pickup Monday.

    Mychal Threets, known as Mychal the Librarian on social media, will return as host, with Sesame Street and Ms. Rachel veteran Kristen McGregor joining the show as executive producer and showrunner.

    The show was revived last year with four digital episodes (20 years after the original incarnation hosted by LeVar Burton signed off the air) as a series for the Sony-owned YouTube channel KudZuko, garnering some 4.8 million views.

    While KidZuko will continue to get exclusive shortened episodes of the show, SPT is taking it to market, seeking to sell the 24-episode season to a TV network or streaming service. The company says talks are already underway.

    The four-episode revival featured guest appearances from Rylee Arnold (Dancing with the Stars), Ezra Sosa (Dancing with the Stars), Bellen Woodard (author for the children’s book “More Than Peach”), and Ebon Moss-Bachrach (The Bear), with Jamie Chung, Gabrielle Union, Adam DeVine, John Legend, and Chrissy Teigen among the celebrities narrating books featured in the show.

    The new season will feature many more celebrities and books, SPT says.

    In addition to McGregor, the series is executive produced by Michael Davies (Jeopardy!) for Sony’s Embassy Row, Tom Calderone and Nancy Hammond for Buffalo Toronto Public Media.

    The revival also marks something of a win for public media, after funding for the Corporate for Public Broadcasting was cut by the Trump administration last year. The Buffalo, New York-based public media station will benefit from having Reading Rainbow revived, providing a new revenue source once a buyer is found.

    “When I saw the response to the relaunch of Reading Rainbow and the enthusiasm for Mychal as host, it was clear there is a passionate audience that truly values educational children’s programming,” said Michael Davies, executive producer and president of Embassy Row. “This series offers more than entertainment—it empowers viewers through reading, which feels especially critical at a time when literacy rates are in historic decline. I’m incredibly excited to welcome Kristen and her expertise as we continue to evolve the show and discover what new magic Reading Rainbow can bring.”

    “We’ve been working for several years to bring Reading Rainbow back, and Michael Davies and Embassy Row have been the ideal partners to help make that vision a reality,” added Tom Calderone, CEO and president of Buffalo Toronto Public Media. “Seeing the impact these first four episodes have already had confirms that the timing is right — and that evolving the series for today’s audiences is both necessary and meaningful.”

  • From Trash to Treasure: How ‘The Girl Who Cried Pearls’ Turned Garbage Into an Oscar-Nominated Short

    From Trash to Treasure: How ‘The Girl Who Cried Pearls’ Turned Garbage Into an Oscar-Nominated Short

    For Chris Lavis and Maciek Szczerbowski, directors of the Oscar- and Annie Awards-nominated animated short film The Girl Who Cried Pearls, one man’s trash became miniature set materials for their stop-motion film that captures Montreal in the present and at the dawn of the 20th century.

    “People don’t necessarily appreciate when something is broken or dirty, it isn’t only that; it speaks to a history as it seems to carry, locked inside of itself, memories of another time,” Szczerbowski tells THR about recycling street waste to bring texture and authenticity to a tiny real-world set, where in reality, everything is fake.

    “There are no real, found locations. The light is not coming from the sun. Everything is a facsimile. So the more real material you stick into the image, the more it subconsciously works on an audience to make you forget about that illusion and buy it as reality,” he adds.

    Such trickery to assign great value to low-worth materials also underpins the surprise ending for The Girl Who Cried Pearls, which follows a poor boy falling in love with a girl overwhelmed by sorrow to the point her tears turn into pearls. The boy collects and sells the pearls for gain to a ruthless pawnbroker, even as he must choose between love or fortune. The film was nominated in the best short subject category, but lost to Snow Bear.

    The National Film Board of Canada filmmakers also opted to digitally replace the mouths of their hand-sculpted puppets to seamlessly match the sound of their dialogue and narration.

    “If it felt like they were CG mouths on top of a handcrafted puppet, then the whole illusion, the whole romance of stop-motion, of handcrafted work, would be shattered,” Lavis explains.

    And to avoid the appearance of simple wooden dolls as characters, Lavis and Szczerbowski had the heads of their puppets designed to look like old wood with multilayered oil painting that in reality are silicon molds placed on white plastic.

    The Montreal filmmakers also eschewed traditional storyboards for their animated film in favor of actors being invited into a studio to help shape their evolving script.

    During rehearsals with handheld cameras and angles, the actors were encouraged to capture with high-energy gestures and behaviors how the stop-motion puppets may eventually be shown in motion at 24 frames per second from their miniature set.

    “We don’t treat those actors like puppets. We want our puppets to act like people, and the best way to make that happen is to work with great performances,” Lavis adds of the actors being encouraged to be loose and playful in the studio, noting that the stop-motion animation to follow, by contrast, would be precise and painstaking.

    The animated short features Colm Feore as the narrator, with Patrick Watson doing the music and Brigitte Henry serving as artistic director.

    The Oscar nomination for The Girl Who Cried Pearls marks the second for Lavis and Szczerbowski, after their 2007 short Madame Tutli-Putli earned them their first. And, as with their first trip to the Oscars, they feel like winners already.

    “We didn’t come home from the last Oscars we went to as people who lost. We accomplished something beyond our wildest dreams by even being invited,” Szczerbowski says.

    Lavis adds that they want to represent their country and the National Film Board of Canada, which has put its faith in their animated short films, and the tight creative community in Montreal from which they draw inspiration and collaborators.

    “This is one of those cities that should exist in the world’s imagination, and one of our goals is to add a tiny bit of mythology to the streets that we walk through, the way that Hans Christian Andersen mythologized Copenhagen or the way New York romanticizes itself,” says Lavis.

    This story appeared in the Feb. 23 issue of The Hollywood Reporter magazine. Click here to subscribe.

  • ‘The Bachelorette’ Cast: Meet Taylor Frankie Paul’s 22 Men

    The dating reality series returns on March 22 with ‘The Secret Lives of Mormon Wives’ breakout stars as the lead. ABC has revealed all the contestants — see photos and bios of the men.

    The Bachelorette is almost back — and Taylor Frankie Paul is ready for another shot at love.

    Paul may be new to Bachelor Nation, but she’s no stranger to reality TV. She became the breakout star of Hulu’s The Secret Lives of Mormon Wives in 2024 and has built a strong social media following. The 31-year-old mom of three founded MomTok, the Utah-based mom influencer group, and now becomes the first Bachelorette selected outside of the franchise to lead her own season.

    Paul has been open about the “soft swinging” scandal involving her and other MomTok members, as well as the ups and downs of her first post-divorce relationship — including her domestic violence arrest and third pregnancy, which played out on the show. In a November interview with The Hollywood Reporter, she encouraged viewers to tune in and give her a chance.

    “I feel like if you were to ever watch me, hear my story, I think I come off a little bit differently than people would just assume,” she said.

    The Bachelorette returns March 22 for its 22nd season. The most recent season starred Jenn Tran in 2024. Though it ended in an engagement, the couple broke up while the show was still airing. During the After the Final Rose special, Tran revealed that her final pick, Devin Strader, ended the engagement over the phone. The Bachelorette skipped the 2025 season.

    The dating reality series is produced by Warner Horizon Unscripted Television, a Warner Bros. Television Group company. Scott Teti serves as executive producer.

    See photos and bios of the 22 men competing for Paul’s final rose, as revealed by ABC, below.

  • ‘Extra’ Renewed for Season 33 in 2026-27

    After undergoing a reset this season, the long-running entertainment news show will extend its run for another year.

    The show, produced by Warner Bros. TV Group’s Telepictures, has been renewed for a 33rd season in syndication. Fox Television Stations is the lead station group on the show, which has also been picked up by Nexstar, Sinclair, Scripps and other local station owners covering 95 percent of the country.

    Derek Hough took over as host of the show this season after Billy Bush’s departure. Extra also revamped its set and added new segments both in the broadcast show and on digital platforms. Weekend host and senior correspondent Mona Kasur Abdi and longtime correspondent Terri Seymour join Hough on air.

    “Thirty-three seasons of Extra reflects an enduring ​vision and a commitment to constant reinvention,” said Lauren Blincoe, senior vp current programming for Telepictures. “Nobody does this better than the Extra team, led by our phenomenal executive producer Jeremy Spiegel, supported by our dedicated staff and crew, and brought to life by Derek’s singular talent, further strengthened by the on-air excellence of Mona and Terri. As we head into season 33, we’re immensely proud of this powerhouse group and deeply grateful to our station partners and loyal viewers who’ve supported Extra for more than three decades.”

    Added Frank Cicha, executive vp programming for Fox TV Stations, “Amidst challenging times in syndication, the reinvention of Extra has emerged as a genuinely positive story. Congrats to Derek Hough, the entire team at Extra and everyone at Telepictures.”

    Extra is the second longest-running entertainment newsmagazine in syndication, behind Entertainment Tonight. It premiered in 1994 and has aired more than 9,000 episodes to date.

    “This renewal is a testament to the extraordinary Extra team, whose creativity, dedication and passion drive the show every day,” executive producer Spiegel said. “Derek’s energy, artistry, and creativity have helped us reimagine Extra in fresh and innovative ways, a perfect complement to the amazing work of Mona and Terri. We are grateful to Warner Bros. Discovery, Fox and all our station partners for their continued support and belief in Extra.”

  • ‘Extra’ Renewed by Telepictures and Fox TV Stations for Season 33

    ‘Extra’ Renewed by Telepictures and Fox TV Stations for Season 33

    Syndicated entertainment news strip “” has been renewed for Season 33 by the Fox-owned TV station group in key markets. Telepictures senior VP of current programming Lauren Blincoe and Fox Television Stations exec VP of programming Frank Cicha announced the pickup on Monday.

    This will keep “Extra” going through the 2026-2027 TV season. “Extra” introduced “Dancing With the Stars” judge Derek Hough as its new host in Season 32; the show is also led by senior correspondent and weekend host Mona Kosar Abdi, as well as correspondent Terri Seymour.

    “Amidst challenging times in syndication, the reinvention of ‘Extra’ has emerged as a genuinely positive story,” Cicha said in a statement. “Congrats to Derek Hough, the entire team at ‘Extra,’ and everyone at Telepictures.

    Jeremy Spiegel continues as exec producer of “Extra.” As part of the show’s evolution this season (including an opening dance number and new segments), “Extra” also launched the digital series “Rolling with the Stars,” featuring Hough as he interviewed “Dancing with the Stars” contestants in a golf cart.

    “Extra” has also expanded into longform content, including its Investigation Discovery program “Trapped: What Is Happening to Wendy Williams?”

    “Extra” is the second longest‑running entertainment news magazine in syndication, behind only “Entertainment Tonight.” The show has received 12 consecutive Daytime Emmy nominations for Outstanding Entertainment News Program, an honor it won in 2014 and 2016.

    “Thirty-three seasons of ‘Extra’ reflects an enduring ​vision and a commitment to constant reinvention,” Blincoe said. “Nobody does this better than the ‘Extra’ team, led by our phenomenal executive producer Jeremy Spiegel, supported by our dedicated staff and crew, and brought to life by Derek’s singular talent, further strengthened by the on-air excellence of Mona and Terri. As we head into Season 33, we’re immensely proud of this powerhouse group and deeply grateful to our station partners and loyal viewers who’ve supported ‘Extra’ for more than three decades.”

    “Extra” comes from Telepictures, which is part of Warner Bros. Television Group, and is distributed by Warner Bros. Discovery Content Sales. The show is currently cleared in 95% of the country, including on Fox Television Stations, Nexstar Media Group, Sinclair Broadcast Group, Tegna, Hearst Television, Scripps Broadcasting, Gray Media, Sunbeam Television, CBS, Mission Broadcasting, Morgan Murphy Media, Coastal Television, Allen Media, American Spirit, Lilly Broadcasting, News-Press & Gazette Company, Block Communications, Imagicomm Communications, Circle City Broadcasting, Weigel Broadcasting, Griffin Media, Marquee Broadcasting, Morris Network, Draper Media, Heartland Media, Heritage, Standard Media, Wray Properties Trust, Channel Communications, Community Broadcast Group and Price Media Corporation stations.

    “This renewal is a testament to the extraordinary ‘Extra’ team, whose creativity, dedication, and passion drive the show every day,” Spiegel said. “Derek’s energy, artistry, and creativity have helped us reimagine ‘Extra’ in fresh and innovative ways, a perfect complement to the amazing work of Mona and Terri. We are grateful to Warner Bros. Discovery, Fox and all our station partners for their continued support and belief in ‘Extra.’”

  • Funko-Inspired TV Shows, Movies and Animated Projects in the Works at Rideback, Spuree (EXCLUSIVE)

    Funko-Inspired TV Shows, Movies and Animated Projects in the Works at Rideback, Spuree (EXCLUSIVE)

    Collectibles brand Funko has struck a deal to develop and produce film, TV and animated content with “LEGO Movie” franchise and Netflix’s “Avatar: The Last Airbender” producer Rideback and AI-enabled creation tool company Spuree.

    Under the agreement, Spuree and Rideback will serve as Funko’s content partners for original Funko-driven projects across animation, hybrid, live-action, scripted and unscripted formats.

    Funko’s portfolio of brands includes Funko, Loungefly and Mondo, all of which collaborate with existing IP from Disney, NBCUniversal, Warner Bros. Discovery, Netflix and more major media companies, and release original products.

    Per the partners, this new deal “is designed to unlock new storytelling opportunities rooted in Funko’s globally recognized brands and deep fan engagement, while building scalable franchises that can live across screens, platforms, and other consumer touchpoints.”

    Specific projects will be announced at a later date.

    This announcement comes following years of a Funko movie remaining in the development stage at Warner Bros.

    “Funko sits at the center of fan culture, turning the moments people love into collectible characters, with more than one billion products in the hands of fans worldwide,” Funko CEO Josh Simon said. “Rideback’s unmatched ability to transform beloved toys and characters — like Lego & ‘Lilo & Stitch’ — into expansive, emotionally resonant stories makes them an ideal partner. Together with Spuree, we’re excited to open a new chapter of storytelling for Funko fans everywhere.”

    “Funko has built one of the most recognizable and beloved pop culture platforms in the world,” Rideback co-CEO and Spuree co-founder Jonathan Eirich said. “Together, we see an opportunity to develop ambitious, creator-driven stories that respect the DNA of the Funko universe while reimagining what it can become on screen.”

    Rideback co-CEO and Spuree co-founder Michael LoFaso added: “Spuree was founded to help storytellers and rights holders build premium content more efficiently and creatively. This agreement allows us to apply that vision at scale, combining innovative production workflows with globally resonant IP.”

  • Hearst Magazines Union Ratifies New Deal With Company Covering 410 Members

    Hearst Magazines Union Ratifies New Deal With Company Covering 410 Members

    Unions workers at Hearst Magazines ratified a deal with the company, marking their second three-year collective bargaining agreement. The contract was overwhelmingly ratified with 98% approval by the 410-member bargaining unit of the Hearst Magazines members, who are affiliated with the Writers Guild of America East.

    The new agreement covers staffers at 29 Hearst Magazines publications including Cosmopolitan, Elle, Esquire, Harper’s Bazaar and Good Housekeeping.

    The contract establishes 2%-3% annual raises, with the 2026 raise applying retroactively to Jan. 1, 2026, and increases salary minimums in the lowest tier by 11.8% to $62,400 in every location, according to WGA East. Other highlights include “improved severance protections” and enhanced 401(k) and retirement benefits, with the company providing a 100% match on the first 3% of employee 401(k) contributions.

    The new contract expires April 29, 2029, establishing “a more favorable bargaining timeline,” WGA East said. The tentative agreement was reached on Feb. 13, 2026.

    The union had engaged in more than two months of negotiations with Hearst Magazines, during which the guild agreed to continue talks past the previous contract’s Jan. 31, 2026, expiration date. The WGA East members at Hearst Magazines had authorized a strike if the two sides were unable to reach an agreement by Feb. 13. That came after union members at the company staged walkouts and rallies on Feb. 3 at Hearst Tower in New York City and at Hearst offices in L.A., Easton, Pa., Ann Arbor, Mich., and Birmingham, Ala.

    The Hearst Magazines Union bargaining committee said Monday, “We made many important gains — better raises, higher wage floors, and an improved 401k match — for members of our unit with this contract. We also know there is still a great deal of work to be done to make Hearst Magazines a place we can all be proud of. We hope this ratification sends a clear message to management that we are only getting stronger and more cohesive as time goes on, and that we will always fight for a more equitable workplace.”

    Sara David, VP of the WGA East’s Online Media Sector said in a statement, “Hearst management consistently underestimated the solidarity of the Hearst Magazines Union. While this contract is a step forward, our members are clear-eyed that there is still more to fight for: meaningful AI protections, flexible remote work policies, and wages that reflect their contributions to the $13.5 billion in profits Hearst boasted last year. We are proud of this membership, and Hearst should understand that this ratification is not complacency — it’s a starting point for the next negotiations.”

    The WGA East-affiliated Hearst Magazines Union, established in 2019, includes workers at the following publications: Autoweek, Best Products, Bicycling, Car and Driver, Cosmopolitan, Country Living, Delish, Elle, Elle Decor, Esquire, Food Network Magazine, Good Housekeeping, Harper’s Bazaar, HGTV Magazine, Hot Rod, House Beautiful, Men’s Health, MotorTrend, Oprah Daily, The Pioneer Woman, Popular Mechanics, Prevention, Road & Track, Runner’s World, Seventeen, Town & Country, Veranda, Woman’s Day and Women’s Health.

    In addition to Hearst Magazines, the WGA East’s Online Media Sector reps employees at companies including Bustle Digital Group, Civic News Group, Committee to Protect Journalists, Fast Company and Inc., Financial Times Specialist, Future PLC, Gizmodo Media USA, Jalopnik at Static Media, HuffPost, Jewish Currents, NowThis, Onion Inc., Salon, Slate, Talking Points Memo, The Intercept, The Root, Vox Media and Vice.

  • ‘The Bachelorette’ Season 22 Cast: Meet Taylor Frankie Paul’s Suitors

    ‘The Bachelorette’ Season 22 Cast: Meet Taylor Frankie Paul’s Suitors

    Taylor Frankie Paul, best known for her role as the leader of MomTok on “The Secret Lives of Mormon Wives,” is about to start her search for The One as the lead of Season 22 of “The Bachelorette.”

    On Monday, ABC announced the 22 men competing on this season — no, Dakota Mortensen is not on the list — which kicks off on Sunday, March 22, ten days after the Season 4 premiere of  “The Secret Lives of Mormon Wives.”

    Following the March 15 Oscars, ABC will air a special kickoff special for “The Bachelorette,” featuring 18 former leads sitting down with the social media star to share advice before her journey begins.

    The batch of this season’s men, seen in the gallery below, includes multiple single fathers and one whose description notes he’s a “devoted member of the Mormon church.” Paul, 31, has made it clear that she’s looking for a partner who’s willing to move to Provo, Utah, to be with her and her three children.

    Meet all the contestants below:

  • BBC Greenlights Three New Dramas, Including Tudor-Set ‘1536,’ ‘Shy & Lola’ With Hayley Squires, Bel Powley

    The BBC has unveiled three new dramas coming to our screens in due course, including Shy & Lola with Hayley Squires and Bel Powley.

    Shy & Lola, a new six-part drama for BBC iPlayer and BBC One, is written by award-winning screenwriter and novelist Amanda Coe (Apple Tree Yard, The Trial of Christine Keeler) and produced by multi-BAFTA and Emmy award-winning Clerkenwell Films (Baby Reindeer, The Death of Bunny Munro, The End of the F***ing World), part of BBC Studios.

    The darkly comic story follows Shy and Lola, two very different women who are forced to become allies when a murder entangles them in the criminal underworld operating in Shy’s small coastal town in the North of England. Squires (The Night ManagerI, Daniel Blake) stars as Shy, a cleaner scraping by and dreaming of a new life in Portugal, with Powley (A Small Light, The Diary of a Teenage Girl) playing Lola, an ex-model-turned-grifter who arrives in town with trouble at her heels.

    Filming on the show, based on the French television drama Cheyenne and Lola, will begin this spring in and around the U.K. cities of Hull and Leeds.

    Also announced on Monday is D-Notice from writers and executive producers Adam Patterson and Declan Lawn. The six-part British political thriller is set in the world of investigative journalism. Patterson and Lawn are said to “have some experience of” the D-notice mechanism, which allows the government to advise journalists about national security. Now, they’ve come up with a drama that looks at how truth and power speak to one another. It is their third project for the BBC, following The Salisbury Poisonings and Blue Lights, and their first commission from production company Hot Sauce Pictures, backed by Sony Pictures Television.

    The BBC has also commissioned 1536, a new drama series for BBC iPlayer and BBC One, based on Ava Pickett’s play of the same name. The eight-part show written by Pickett from Drama Republic (Riot Women, One Day) is set in the heart of Tudor England against the backdrop of Anne Boleyn’s arrest and weaves royal scandal with rural struggle.

    1536 centers around Anna, Mariella, and Jane: three young women gossiping, arguing, and dreaming in an Essex village, desperately waiting for their lives to start. When the news reaches them that King Henry VIII has had his Queen, Anne Boleyn, arrested, the three of them never suspect that this act will change their lives forever.

    Pickett said: “1536 is something I am immensely proud of and I feel so lucky and privileged to have the chance to bring Anna, Jane and Mariella to a wider audience and to build out their lives even more. In a world where every decision made in the corridors of power ricochets through all of our lives, this story feels more relevant than ever. I’m so grateful to Lindsay Salt for being such a champion of it from the start.”

    Lindsay Salt, Director of BBC Drama, added: “From the moment we saw Ava’s play we knew that we had to have the TV version on the BBC. Visceral, funny, provocative, timely and full of courage, this is a piece of work like no other. Ava is an exceptional voice, so we feel very lucky to be working with her and the brilliant team at Drama Republic to bring three iconic female characters to the screen.”

    Executive producers are Jude Liknaitzky, Roanna Benn, Rebecca de Souza, Chloe Beeson and Pickett. The series was commissioned by Salt.