Author: rb809rb

  • Electric blue ‘alien’ sea creatures invade UK shores in droves during heatwave

    Electric blue ‘alien’ sea creatures invade UK shores in droves during heatwave

    Velella (velella velella) or by-the-wind sailor washed up on the beach in Malibu, California USA; Shutterstock ID 2285728707; purchase_order: -; job: -; client: -; other:
    Velella (velella velella) or by-the-wind sailor washed up on the beach (Picture: Shutterstock / Kelly Nine)

    If you were to go down to the beach today you may find a wobbly surprise.

    Thousands of bright electric blue creatures, thought to be Velella Velella, have washed ashore after a scorching heatwave this summer.

    The creatures dubbed ‘alien jellyfish’ are normally found in exotic climes like Portugal or the Caribbean but over the weekend it was St Bees beach in Cumbria that was overrun.

    Louise Nicholson nearly mistook one of the strange creatures for a mound of seaweed.

    Speaking to BBC Cumbria, she said: ‘There were hundreds of them and there were lots of visitors to the area taking photos.

    ‘They are absolutely beautiful, only about 2ins in size. It was a great find on a beautiful day.’

    BNPS.co.uk (01202 558833) Pic: SteveTrewhella/BNPS Thousands of 'jellyfish' related to the deadly Portuguese Man-o-War have washed up on a stretch of British beach after being blown here by Storm Desmond. The bizarre-looking Velella velella, known commonly as By-the-wind Sailors, are being left high and dry on beaches in Dorset in unprecedented numbers as a result of the recent strong winds. Experts say it is the biggest influx of the marine creatures in a decade - and it has left beachgoers fearing for their safety due to their close resemblance to Portuguese Man-o-War. But unlike their poisonous cousins, Velella velella - which have a 'sail' they use to travel across oceans - are harmless to humans.
    Velella velella have a ‘sail’ they use to travel across oceans (Picture: BNPS)

    The organisms have a ‘sail’ which they use to travel across oceans, and normally roll into strange territories in the wake of a storm.

    They are harmless to humans – but beachcombers have been warned to be aware.

    BNPS.co.uk (01202 558833) Pic: SteveTrewhella/BNPS Thousands of 'jellyfish' related to the deadly Portuguese Man-o-War have washed up on a stretch of British beach after being blown here by Storm Desmond. The bizarre-looking Velella velella, known commonly as By-the-wind Sailors, are being left high and dry on beaches in Dorset in unprecedented numbers as a result of the recent strong winds. Experts say it is the biggest influx of the marine creatures in a decade - and it has left beachgoers fearing for their safety due to their close resemblance to Portuguese Man-o-War. But unlike their poisonous cousins, Velella velella - which have a 'sail' they use to travel across oceans - are harmless to humans.
    Experts say it is the biggest influx in a decade (Picture: BNPS)

    Velella velella, known as By-the-wind Sailors, haven’t been swept here in such huge numbers in more than a decade.

    But although the two-inch creatures are related to the deadly Portugese man ‘o war, the worst they offer people is a mild sting.

    The electric blue creatures are ‘colonial hydroids’ – meaning they’re not jellyfish but a colony of tiny individual animals.

    They live partly in and partly out of the water with a sail held in the wind and tentacles dangling in the water to catch plankton.

    BNPS.co.uk (01202 558833) Pic: SteveTrewhella/BNPS Thousands of 'jellyfish' related to the deadly Portuguese Man-o-War have washed up on a stretch of British beach after being blown here by Storm Desmond. The bizarre-looking Velella velella, known commonly as By-the-wind Sailors, are being left high and dry on beaches in Dorset in unprecedented numbers as a result of the recent strong winds. Experts say it is the biggest influx of the marine creatures in a decade - and it has left beachgoers fearing for their safety due to their close resemblance to Portuguese Man-o-War. But unlike their poisonous cousins, Velella velella - which have a 'sail' they use to travel across oceans - are harmless to humans.
    They are known as ‘By-the-wind Sailors’ (Picture: BNPS)

    Conservationist Steve Trewhella said: ‘They only wash up after prolonged gales and storms.

    ‘Because they travel in the same way, in theory Portugese man o’ wars could come in as well, and that would be something to worry about. They pose a real threat and can kill people in the water.

    ‘We are noticing a trend in these unusual marine animals coming into our shores on a more regular basis recently. It’s because our weather appears to be changing.

    ‘Velella velella are deep blue or purple in colour and often cause confusion if they wash in, in vast numbers, creating a blue beach.’

    Marine specialist Frankie Hobro, owner of Anglesey Sea Zoo in Bynsiencyn, said their sting is ‘mild’ in comparison to their cousins – the deadly Portuguese man o’ war.

    ‘If you touched your lips, face or another sensitive area, it could be quite painful and cause a tingling sensation,’ she said.

    ‘What is slightly worrying is that Portuguese Man o’ War are arriving earlier in the year and more frequently, overlapping with marine creatures like By-the-wind-sailors. It shows how climate change is affecting ocean currents.’

    Temperatures could reach 35C in the South East on Monday, according to the Met Office, higher than forecasts for the islands of Mykonos, Rhodes and Santorini.

    Much of central and southern England is set to see highs in the upper 20s to low 30s before temperatures ease slightly later in the week.

    The UK Health Security Agency (UKHSA) has issued amber heat-health alerts for the East Midlands, East of England, South East and London from Monday until Wednesday morning.

  • The masonic temple that’s home to a ‘watery poltergeist’

    The masonic temple that’s home to a ‘watery poltergeist’

    Clifton Hall Masonic Temple in Birkenhead
    Staff have reported strange noises and unusual occurrences while working at Clifton Hall in Birkenhead (Picture: Liverpool Echo)

    Built as an imposing Victorian home, Clifton Hall was repurposed as a masonic hall by the 1920s.

    But the historic home has since garnered a reputation for supernatural occurrences, with workers claiming to have noticed unexplained events while maintaining the 180-year-old property.

    Caretaker Jeff Forshaw, who joined the team working at the Grade II-Listed building as a volunteer in 2023, said he heard unusual sounds while preparing the property for a visit with his daughter.

    Incidentally, the pair were getting the home ready for a live ‘paranormal investigation’ on Halloween by Haunted Scouse, a group which scans haunted locations for signs of supernatural activity.

    He explained they had arrived to open up the hall before the group was due to arrive when they heard a loud noise like running water.

    ‘It was loud, as if someone was filling a bath’, he said.

    Things became even eerier when, after he yelled out ‘hello’, the sound suddenly stopped.

    Jeff Forshaw at Clifton Hall Masonic Temple in Birkenhead
    Caretaker Jeff Forshaw said he experienced several unexplained events while getting the building ready for a live ‘paranormal investigation’ on Halloween (Picture: Liverpool Echo)

    Another unexplained event occurred as they were preparing the basement when the fire exit door refused to open, as if it had been blocked from the other side.

    Mr Forshaw explained: ‘It genuinely felt like someone had planted their foot behind it.

    ‘My daughter thought I was messing around, so she squeezed past me and tried it herself.’

    After struggling for several minutes, the door suddenly burst open. When the pair tested it again, the door opened and closed without any issues.

    In a corridor, they also noticed what sounded like a music box playing. Members of the Haunted Scouse group also reported hearing similar sounds.

    Built as a private residence in 1845, Clifton Hall later became a tabernacle before being converted into its current use as a Masonic Hall.

    Since 2023, the unique building has been available for hire for events, such as meetings and functions.

    Jeff Forshaw at Clifton Hall Masonic Temple in Birkenhead
    Mr Forshaw said the unusual happenings had even convinced more skeptical workers at the 19th-century hall (Picture: Liverpool Echo)

    Strange occurrences have even convinced more skeptical members of staff.

    One volunteer at the hall reported feeling something push them on the shoulder while working alone in the basement.

    The hall’s kitchen manager, another skeptic, has since had several experiences, including being hit with a pan lid and losing his keys only for them fly straight at him across the room.

    On another occasion, the same manager reported encountering a silhouette of a man looking through one of the windows facing the car park, Mr Forshaw said.

    He returned the next day to try and find any trace of the figure or furniture which could have cast the shadow, but discovered nothing there.

    Get in touch with our news team by emailing us at webnews@metro.co.uk.

    For more stories like this, check our news page.

  • Bitcoin Up, Ethereum Down: Inside Coinbase’s Shifting Crypto Treasury

    Coinbase increased its Bitcoin holdings during the first half of 2026 even as the overall value of its digital asset portfolio declined. The latest figures show the exchange continues to strengthen its Bitcoin treasury while slightly reducing its Ethereum exposure, signaling a cautious shift in its balance sheet strategy as market conditions remain volatile.

    Bitcoin Holdings Rise While Ethereum Slips

    As of June 30, Coinbase held 17,311 $BTC, up 12.5% from 15,389 $BTC at the end of 2025. The company added 1,922 $BTC during the first six months of the year, reinforcing its long-term confidence in Bitcoin.

    Ethereum holdings, however, moved in the opposite direction. Coinbase ended the period with 150,279 $ETH, down 0.6% from 151,175 $ETH at the end of last year. While the reduction is relatively small, it highlights a noticeable divergence in the company’s allocation between the two largest cryptocurrencies.

    Despite accumulating more Bitcoin, the fair value of Coinbase’s crypto portfolio dropped from $1.99 billion to $1.47 billion, reflecting the broader decline in digital asset prices during the first half of 2026.

    Stronger Treasury, But Business Faces Pressure

    Coinbase recently reported its second-quarter financial results, offering more insight into the company’s performance before entering August.

    Revenue came in at $1.22 billion for the quarter ended June 30, down 14% quarter-over-quarter and 19% year-over-year as crypto trading activity slowed across the industry.

    The company posted a GAAP net loss of $359 million, although much of the loss stemmed from non-operating items, including a $209.5 million non-cash markdown on crypto assets, $52.4 million in restructuring charges, and $238 million in stock-based compensation.

    On an adjusted basis, Coinbase remained profitable, reporting Adjusted EBITDA of $208 million.

    Market Share Improves Despite Weak Trading

    Although overall crypto trading activity weakened, Coinbase continued gaining market share. Its share of global crypto trading volume increased to 10.3%, up from 9.1% in the previous quarter, setting a new company record.

    The exchange also continued expanding beyond trading. Subscription and services revenue reached $555 million, accounting for 48% of total net revenue. Coinbase noted that 88% of its net revenue now comes from businesses outside Bitcoin spot trading, including staking, stablecoins, subscriptions, derivatives, and other products.

    August Remains a Key Test

    On the other hand, Coinbase stock entered August after gaining 6.76% in July, recovering from June’s weakness. However, August has historically been its weakest month since listing on Nasdaq.

    The stock fell 19.28% in August 2023, 18.27% in August 2024, and 19.38% in August 2025, making this month another important test for investor sentiment.

    Wall Street also remains divided. Rosenblatt maintained an Outperform rating with a $240 price target, expecting growth from derivatives and prediction markets. Meanwhile, JPMorgan lowered its target from $283 to $196, citing concerns that Coinbase’s revenue-sharing agreement with Hyperliquid could reduce future income from USDC reserves.

    With Bitcoin holdings increasing and Ethereum exposure remaining largely unchanged, Coinbase’s treasury strategy is showing a stronger preference for Bitcoin. Whether that allocation trend continues through the second half of 2026 could become an important development for the market.

  • Nancy Guthrie Case Haunted by Sheriff’s Department’s Possible Mistakes

    Nancy Guthrie Case Haunted by Sheriff’s Department’s Possible Mistakes

    As the investigation into Nancy Guthrie‘s kidnapping case crosses the six-month mark, a new report from The Wall Street Journal is highlighting possible mistakes by the sheriff and lead investigators.

    The Pima County Sheriff’s Department, led by Chris Nanos, has been overseeing the investigation after Savannah Guthrie‘s mom was reported missing on Feb. 1. As of Aug. 2, Nancy hasn’t been found and there have been no arrests in the case.

    After reviewing personnel files obtained in public records requests and conducting interviews with current and former county and federal officials and people close to the case, the WSJ has found that there were concerns from the start of the investigation, including who Nanos appointed head of homicide, Sgt. David Stivers.

    According to personnel records, Stivers was reprimanded two months before Nancy was kidnapped for “poor judgment,” as he was blamed for delays securing crime-scene evidence in a homicide case. The charges in that case were ultimately dropped for insufficient evidence, The Journal reported.

    When it came to Nancy’s case, people familiar with the investigation said Stivers and his detectives ignored the dried blood on her front porch for hours after they arrived on Feb. 1, suspecting that the blood came from some unrelated cause. “They failed to seal off the property with police tape to protect sensitive crime-scene evidence, allowing reporters, livestreamers, and Amazon and pizza delivery drivers entry to the porch,” the WSJ wrote.

    After undergoing DNA analysis, the blood samples were later confirmed to be Nancy’s. It’s now believed to be connected to her kidnapping.

    The WSJ later reported that Nanos promoted Stivers to lieutenant in July. The new role will reportedly take effect in September.

    Lt. Heather Lappin — Nanos’ opponent in the November 2024 election, where he was running for reelection (he ultimately won after a recount) — told The Hollywood Reporter in February that Nanos had removed some of the department’s best detectives because they supported her election campaign. “A lot of the Guthrie case is just consequences of his really bad decision-making, the years of decimating his units,” she told THR at the time. “Three of our best homicide detectives, probably in [all of] southern Arizona, were removed from Homicide because they supported me [in the election].”

    People familiar with the matter also told the Journal that Nanos put Lappin on administrative leave weeks before Election Day and sidelined deputies who had supported Lappin after being reelected.

    The department’s senior pilot, who had backed Nanos’ challenger in the election, was also demoted to patrol duty days before Nancy’s kidnapping following a workplace complaint.

    This led to more delays in the investigation on Feb. 1, as the department struggled for hours to find a flight deputy to operate its search-and-rescue plane, a $1.7 million Cessna surveillance aircraft, equipped with both infrared and zoom-lens cameras. Flight data reviewed by The Journal showed that by the time the plane got up in the air to begin its search, it was getting too dark to use its zoom-lens cameras.

    The WSJ said that Nanos has disputed its findings. “I can assure everybody that we are working hard every day with all of our partners,” the sheriff said, including “corporate America,” which has “offered up some assistance with some of the brightest minds in this country.” He added, “This case is not cold.” THR has also reached out to the Pima County Sheriff’s Department for comment.

    In addition to coming under fire from his own department, as Nanos was accused in March of hiding an extensive disciplinary record, the sheriff has also been criticized by Federal Bureau of Investigation Director Kash Patel.

    Neither Nanos and Patel has announced any further breaks in Nancy’s case, despite the latter also promising early on to lead the charge on the federal side. In May, during an interview on Sean Hannity’s Hang Out with Sean Hannity podcast, Patel accused Nanos of sidelining FBI agents early in the investigation. “For four days, we were kept out of the investigation,” he said.

    The sheriff pushed back against those claims in an interview, stating that there weren’t any delays. If Patel “really believes that we tried to block them or keep them out of this or not share things,” Nanos said, “I, 100 percent, want him to call me because that’s the furthest from the truth.” According to The Journal, Nanos said he has never spoken to Patel.

    Throughout the case, Savannah has continued to take to social media, pleading for answers in her mom’s disappearance. On Saturday, after Nanos released a pair of ransom notes initially sent to the CBS affiliate in her home city of Tucson, Arizona, the Today co-anchor asked that anyone with information come forward.

    “We are begging for help. We are desperate. We need someone to come forward,” Savannah wrote on Instagram. “Someone knows something. Someone suspects something. Someone recognizes the writing in the ransom demand notes. Someone has noticed something different, strange, troubling or just unusual — perhaps with someone they deeply love. Perhaps they are afraid to come forward. Perhaps they are conflicted. Perhaps they are angry or upset for being in this situation. There is a way out — to tell what you know. You can do so anonymously. The reward is available.”

    The Pima County Sheriff’s Department said the notes “purport to have been written by kidnappers.” The second note, which was sent to the CBS affiliate on Feb. 6, stated that Nancy “perished shortly after she was taken. We believe it was heart related. She is buried in nature now.”

    Authorities said they decided to share the ransom notes publicly in hopes that someone recognizes “distinctive patterns of word choice, syntax and phraseology that reflect the writer’s unique linguistic style.”

  • Ariana Grande to “Step Back From Visibility” After Tour Ends Amid “Ongoing Public Scrutiny”

    Ariana Grande to “Step Back From Visibility” After Tour Ends Amid “Ongoing Public Scrutiny”

    Ariana Grande is planning to take a step back from the public eye after the Eternal Sunshine Tour wraps, including dropping out of Sunday in the Park with George.

    This decision comes after the Grammy-winning singer has faced a wave of online commentary surrounding her health and body over the last year. Most recently, discussions intensified after the release of her new music video for her song “Petal,” with many fans pointing out her noticeably thinner appearance in the footage.

    “Ariana will be taking a step back from visibility after she completes the Eternal Sunshine Tour,” her rep shared in a statement to The Hollywood Reporter on Sunday. Her tour concludes on Sept. 1 after her 10-show residency in London.

    “She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break from public-facing work and appearances, which has led to endless, ongoing public scrutiny,” the rep added. “This tour has been a beautiful experience for her. She loves her fans and has loved every minute of this tour so much.”

    Grande has been booked and busy the last few years, filming Wicked and Wicked: For Good, which released in 2024 and 2025, respectively. She had also been campaigning for awards for both films, ultimately earning a best supporting actress Oscar nomination for her role as Glinda in the first film.

    On the music side, she dropped her seventh studio album, Eternal Sunshine, in 2024, before heading out on a 3-month-long tour starting in June. She also just released her eighth studio album, Petal, at the end of July.

    A source close to the singer also told THR that her new album is “a fight song.” They added that it’s an “anthem about the love-hate relationship with the public and their toxicity. This album is not about any romantic partner or breakup in that way.”

    Grande next stars in Focker-in-Law, opposite Robert De Niro and Ben Stiller, which hits theaters on Nov. 25. It’s unclear if Grande plans to participate in the film’s upcoming press tour.

    The “hate that i made you love me” singer was also set to appear, opposite her Wicked co-star Jonathan Bailey, in the West End revival of Stephen Sondheim’s Sunday in the Park with George. However, THR confirmed Grande will no longer be participating in the project, which opens at London’s Barbican Centre next summer. The production will cast another lead to replace Grande.

    “Following this evening’s announcement from Ariana Grande’s team, we can confirm that she has decided to step back from Sunday in the Park with George,” Empire Street Productions shared in a statement. “We know this cannot have been an easy decision, and she makes it with our complete understanding and support. The production will open at the Barbican in summer 2027 as planned, and casting will be announced in due course.”

    People was first to report the news of Grande stepping back from visibility after the tour.

    Caitlin Huston contributed to this report.

  • Phil Collins Says He Almost Died in 2024 From Alcohol Abuse: ‘People Were Coming to Say Goodbye’

    Phil Collins Says He Almost Died in 2024 From Alcohol Abuse: ‘People Were Coming to Say Goodbye’

    Phil Collins recently told The Times of London that he almost died in 2024 from health complications stemming from alcohol abuse.

    The Genesis frontman explained that he was initially admitted to a Swiss hospital for alcohol addiction in late 2023. He was discharged at first, but was brought back in shortly after and placed into intensive care. Collins says he was mostly unconscious during his second stint at the hospital.

    “My kidneys were packing up, my organs were just seizing up,” Collins said. “People were coming to say goodbye. But I don’t remember them coming. I didn’t have no idea this was going on. They were all worried that they wouldn’t see me again. It could all have gone so terribly wrong.”

    Collins recalled that his five children were rushed to his side, thinking their dad was about to die. He said that, at the time, “There were some decisions to be made about ‘Do we keep Phil on life support?’ kind of thing.”

    “I was very lucky to have come out of that,” he added. “Needless to say, I haven’t had a drink since.”

    Collins has always been very open about his health troubles. In early 2026, he told BBC Two that he’s undergone five surgeries on his knee. In a more recent interview with BBC Breakfast, Collins said that he’s “healthier now than I have been for quite a while” and often considers getting back to recording and performing.

    “I would contemplate, yeah,” he said. “I’m constantly saying to myself, I better go back down to my studio at home.”

  • Morgan Wallen’s Year-Old Album Manages to Climb Back Atop the Charts

    Morgan Wallen’s Year-Old Album Manages to Climb Back Atop the Charts

    Morgan Wallen‘s I’m the Problem is back on top of Billboard‘s albums chart, the publication reported on Sunday, more than a year after the country star first released the project in May 2025, and over seven months since the album last reached number one back in January.

    I’m the Problem managed to best both Olivia Rodrigo‘s eight-week-old You Seem Pretty Sad for a Girl So in Love and Charli XCX‘s brand new Music, Fashion, Film in one of the tightest chart races of the year so far. Wallen earned 80,000 units this week, while Rodrigo’s LP, which topped the charts for two weeks this summer, came in with just under 80,000 units. Charli’s Brat follow-up, meanwhile, opened with 78,000 units.

    While I’m the Problem hasn’t hit No. 1 since January, it’s been a chart monster overall, staying in the top 10 since its release over a year ago. It’s one of two top 10 albums for Wallen, with his 2023 album One Thing at a Time clocking in at seven this week. I’m the Problem has spent 63 weeks on the Billboard albums chart, while One Thing at a Time has racked 178 weeks.

    Wallen’s number one return comes as the singer released his latest song, “Been by Now,” last Friday. The question now becomes where that song will land on Monday’s new Hot 100 chart.

    Through all his controversies, Wallen remains the biggest streaming act in a country boom that’s also propelled the likes of Zach Bryan, Luke Combs and Ella Langley, the latter of whom currently has three songs in the top 10 on the Hot 100, including song of the summer contender “Choosin’ Texas.”

    For Rodrigo, You Seem Pretty Sad for a Girl So in Love has logged its fifth consecutive week at number two after spending its first two weeks atop the chart. For Charli, Music, Fashion, Film opens with a similar debut to Brat, which debuted with 77,000 units back in 2024.

  • Cottonia Partners with Cyper to Advance AI-Powered Privacy-First Web3

    Cottonia Partners with Cyper to Advance AI-Powered Privacy-First Web3

    Cottonia, an Artificial Intelligence (AI) focused Web3 project, is pleased to announce its strategic partnership with Cyper, a privacy-first Web3 social platform. This partnership is aimed at building smarter, advanced, privacy-first Web3 experiences for all users. Both platforms are experts in providing their services to users.

    💥New Partnership💥@CottoniaAI 🤝 @web3_cyperchat#Cyper is a privacy-first Web3 social platform for anonymous, self-sovereign interactions with messaging, wallets, streaming & DApps. 🔐

    Together, we unlock new possibilities at the intersection of AI x Web3. 🚀#Web3 #AI pic.twitter.com/BvnKzfsu09

    — Cottonia (@CottoniaAI) August 2, 2026

    This integration is going to explore AI-powered features for Web3 social platforms and improve secure and privacy-preserving user interactions. Cyper offers anonymous messaging, self-sovereign identity and interactions, and integrated crypto wallets. Cyper also provides live streaming and Decentralized Application (DApp) access within a decentralized environment. Cottonia has shared this news through its official social media X account.

    Cottonia and Cyper Drive AI Innovation Across the Web3 Ecosystem

    Cottonia develops AI-powered tools and infrastructure for decentralized applications (dApps) and ecosystem growth. The amalgamation of Cottonia and Cyper improves secure and privacy-preserving user interactions and enhances decentralized applications with AI capabilities. The integration of Cottonia and Cyper creates new opportunities at the intersection of AI and Web3 technologies.

    Moreover, this collaboration also indicates the growing trend of integrating AI into decentralized social platforms along with maintaining user privacy and self-custody. Cyper provides enough security to users about messages, wallets, and streaming DApps. Together, they are unlocking new possibilities at the intersection of AI and Web3.

    Unlocking Intelligent and Secure Web3 Experiences

    The unification of Cottonia and Cyper has its own worth in terms of securing digital assets and brings new, smarter Web3 experiences. This partnership is much more than an ordinary partnership; rather, it is bringing new and advanced innovation with quick response for users around the world.

    Security is a priority for all users regarding protecting assets and providing proper satisfaction for users around the world. This collaboration enables users to become more capable of using Web3 applications and their proper functionalities.

  • Coldcard Bitcoin Exploit Balloons to $88 Million as Attackers Keep Draining Wallets

    Coldcard Bitcoin Exploit Balloons to $88 Million as Attackers Keep Draining Wallets

    In brief

    • The Coldcard exploit is ongoing, with Galaxy Research now tracking about $88.6 million stolen across 4,585 addresses in three waves.
    • Galaxy’s Alex Thorn described the sweeps as deliberate and likely LLM-orchestrated, warning that every single-sig Coldcard address created after the March 2021 firmware flaw will eventually be drained.
    • The breach has spurred an unusual reversal of the “not your keys, not your coins” ethos as users move Bitcoin back to exchanges.

    The theft of Bitcoin from compromised Coldcard hardware wallets is still underway, with researchers now tracking losses of roughly $88 million and warning that every vulnerable device will eventually be emptied.

    Galaxy Research said Saturday it has identified a third wave of thefts, in which 207.73 BTC was drained, lifting its observed tally to about 1,367 BTC—around $88.6 million—across 4,585 addresses. The firm called the exploit ongoing and urged anyone holding single-signature funds on a Coldcard to move them at once. Galaxy said it has flagged roughly 600 suspected attacker addresses to federal investigators, compliance firms and cross-industry cyber investigators, crediting victims who shared transaction details for helping map the on-chain patterns.

    “I continue to investigate and add new Coldcard victim and attacker addresses to our investigation database,” Galaxy’s head of research Alex Thorn posted to X. “The attack is ongoing—move your funds off Coldcard-generated addresses immediately if you have not done so.”

    The flaw, as Decrypt previously reported, stems from a March 2021 firmware build error on Coinkite’s devices that caused seed phrases to be generated with far too little randomness, leaving private keys guessable. Thorn wrote that the sweeps look deliberate and programmatic, probably orchestrated with a large language model, and cautioned that every single-sig Coldcard address created after that 2021 update will eventually be drained, saying it is only a matter of time.

    Thorn noted the stolen coins had sat untouched for years before being taken—an average dormancy of 3.18 years—underscoring that the victims were long-term holders. The funds from the three documented waves remain parked in attacker addresses and have not moved.

    The fallout has driven a panicked response from affected users, with security experts urging caution when moving funds to new addresses. Many of the affected users are racing to move Bitcoin off self-custody and back onto centralized crypto exchanges, such as Coinbase or Binance, or freshly generated addresses—an inversion of the industry’s usual “not your keys, not your coins” ethos.

    For some, the warnings came too late. Canadian coach Jonathan Goodman said in a post on X that 18.25 BTC, worth about $1.6 million Canadian, was swept from his wallets in a seven-minute span on July 29, despite his keys sitting in a safety deposit box that never touched the internet. “Perhaps the hardest part about this is that I did everything right,” he wrote, adding that he is filing reports with police and the Ontario Securities Commission.

    Daily Debrief Newsletter

    Start every day with the top news stories right now, plus original features, a podcast, videos and more.

  • ‘Jimmy’ Review: Woozily Seductive Mood Piece Wanders Europe in Pursuit of James Baldwin’s Spirit

    ‘Jimmy’ Review: Woozily Seductive Mood Piece Wanders Europe in Pursuit of James Baldwin’s Spirit

    “If not me, who?” said actor Billy Porter in a 2024 Guardian interview, explaining the rationale for his plan to direct and star in a biopic of Black queer author and activist James Baldwin. “Who’s going to tell it better than the Black gay man who embodies that in today’s age?” Porter was right that the movie industry has been unduly slow to engage with Baldwin as a subject and source, relative to white authors of equivalent renown; one presumes, however, that he didn’t know “Jimmy” would premiere later that year. The directorial debut of photographer Yashaddai Owens is no star vehicle, and is only glancingly a character study. Its depiction of Baldwin is shimmery and largely silent, alternating between ambient portraiture and first-person perspective, yet it feels keyed into his experience of the world in a way a more completely (and conventionally) dramatized film might not.

    Finally granted a U.S. release nearly two years after its Telluride world premiere, this 68-minute work occupies no clear lane. Though it’s ostensibly a narrative feature, following a version of Baldwin played by actor Benny O. Arthur through restless travels in Turkey and France, it’s light on story — and, until mere minutes before its close, shorn of dialogue — but heavy on circling mood. Owens shoots in monochrome on a Bolex 16mm camera, making no attempt to disguise the present-day backdrop to his subject’s midcentury wanderings, which occasionally lends “Jimmy” the sense of a cinematic walking tour, chasing the spirit of Baldwin rather than attempting to embody him outright. Given the candid, diaristic nature of its construction and presentation, it could equally be viewed as a nonfiction record of Owens and Arthur’s creative collaboration.

    For the first ten minutes or so, Baldwin is an invisible protagonist in “Jimmy,” as Owens’ roving camera assumes his gaze: We’re immersed directly into the chattering streets and dusty rural paths of Istanbul, where the author traveled repeatedly in the 1960s, and observe as he did its teeming density of life, both human and animal. Owens’ own photographic eye for storied faces and charged urban tableaux ensures this doesn’t feel like mere travelogue, as do the jittery, changeable bebop rhythms of Paco Andreo’s marvelous jazz score; a keen individual perspective emerges despite no accompanying narration or characterization.

    It’s only after this enigmatic Turkish prologue, when Baldwin relocates to Paris, that he becomes a physical presence in the film — with Arthur’s resemblance to the author assisted by the bleached-out, ink-blotted graininess of Owens’ lensing. Usually clad in high-waisted, cinch-backed khakis that impose a hint of period authenticity on these otherwise 21st-century images, the actor’s predominantly wordless performance gives Baldwin a quick, alert but inquisitive stride, a lone-wolf body language that owns its independent status, but sometimes projects a hungry, willing sexuality: We glimpse his flirtations with other men, fellow outsiders in the city’s Algerian quarter. And sometimes he merges entirely with the fabric of the city, shown only as a shadow or a translucent reflection on the scenery.

    Even at a little over an hour, “Jimmy” risks stretching its impressionistic conceit: Compared to, say, Raoul Peck’s rigorous, textually engaged Baldwin documentary “I Am Not Your Negro,” it’s a film that doesn’t aim to say much about Baldwin, but to feel and channel his general aura. Yet there is an arc to its jagged rambling, as he gradually finds not just his feet in Paris, but his voice too: He begins to write, as Andreo’s hitherto ceaselessly cascading score pauses for the amplified scritch of pencil on paper.

    Finally, in a film that mostly conjures the author’s mind and spirit without recourse to his words, “Jimmy” eventually lets him speak: Arthur reads crisply from Baldwin’s 1972 book “No Name in the Street,” verbalizing the anger, isolation and unrest that Owens has otherwise suggested in sensory terms. The specifics are needed, as Baldwin’s words bring bracing, embittered context to the film’s lustrous European tour. “My history in the West had, for its daily effect, placed me in such mortal danger that I had fled, all the way around the corner, to France,” he says. “Jimmy,” for all its beauty and curiosity, depicts not a great escape, but a renewed confrontation with the othering and alienation that Baldwin faced back home.