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  • LISTEN: Why the Warner Bros.-Paramount Skydance Sale ‘Symbolizes Big Changes in the Industry’

    On today’s episode of “Daily Variety” podcast, Erik Gordon, a professor at the University of Michigan’s Ross School of Business, breaks down the Warner Bros. Discovery sale saga as the company’s shareholders prepare to vote on the sale to Paramount Skydance.

    Gordon, who studies mergers and acquisitions and has used Warner Bros. Discovery as a case study in one of his classes, says that the process has been “unusual” for both WBD and Paramount Skydance. WBD shareholders will get the chance to vote April 23 on whether to support the deal. It’s been a long road for the company since sale rumors picked up steam last summer. WBD at first tried to hold off its aggressive suitor, which was one of many unconventional aspects of the transaction.

    “It’s unusual for the target to just say, ‘We’re not going to talk to you, take a hike. We don’t want to listen.’ It’s sort of like, putting their hands over their ears and going, nah, nah, nah, nah, nah, nah. That’s pretty unusual,” Gordon says. “It finally got to the point where some legal duties took over. It’s also unusual for the pursuer, the acquirer Paramount Skydance, to be so persistent. I mean, you’ve got to give David Ellison credit for. He’s the guy who gets turned down by a girl 23 times. And he asks the 24th time and she says, ‘OK, I’ll go out with you.’ ”

    The jockeying around WBD, the tug of war between Netflix and Paramount Skydance over the deal reflects so many crosscurrents that are roiling the traditional entertainment business. But fundamentally, a company endowed with sui generis assets such as Warner Bros. and HBO offers a rare opportunity to grab significant showbiz real estate.

    “This deal, even though it didn’t create the big changes in the industry, this deal will probably come to symbolize all of those big changes,” Gordon says.

    Listen to Daily Variety on iHeartPodcastsApple Podcasts, Variety’s YouTube Podcast channel, Amazon MusicSpotify and other podcast platforms.

  • LG’s first RGB TV starts at $5000 and is available to pre-order today

    LG has announced the pricing and availability of its Micro RGB evo, the company’s first take on a TV display trend that kicked off in earnest at CES 2026. The LG Micro RGB evo is available to pre-order today starting at $5,000, and follows the recent release of the ultra-thin LG Wallpaper.

    The Micro RGB evo represents the top of the line of a new class of display at LG that directly builds on the company’s work with Mini LED technology. The new TV features LG’s Micro RGB panel and its Alpha A11 AI processor, which runs the TV’s webOS software, and perhaps more importantly, powers the “Micro RGB Engine” that controls the TVs individual LEDs. LG says the Micro RGB evo offers full gamut coverage across DCI-P3, BT.2020 and Adobe RGB, along with “enhanced contrast and refined detail” from the TV’s over a thousand dimming zones.

    While Micro RGB should offer better color representation than OLED, LG’s OLED TVs still have their share of benefits, especially in things like contrast and dimming. Micro RGB panels are similar to the company’s Mini LED ones, but rather than using all blue or white LEDs, the Micro RGB evo has individually controlled red, green and blue LEDs. The new style of display is also being explored by companies like TCL and Samsung, and at least for now, it’s not as affordable as some QD-OLED or OLED TVs can be.

    The LG Micro RGB evo is available to pre-order today from LG’s website in 75, 86 and 100-inch screen sizes. The TV starts at $5,000 for the smallest 75-inch model and goes up from there.

  • ‘Clayface’ Teaser Trailer: First Look at DC Studios’ R-Rated Body Horror Film

    The Clayface teaser trailer has arrived.

    The first footage (below) from the high curiosity project from DC Studios follows an up-and-coming actor (Tom Rhys Harries) whose face is disfigured by a gangster. As a last resort, he turns to a scientist (Naomi Ackie) who transforms his body into clay.

    The body horror film from director James Watkins (Speak No Evil) is based on a script by Doctor Sleep director Mike Flanagan along with Hossein Amini. In February, DC Studios co-chief James Gunn told reporters that the studio, “had no plans [to make] a Clayface movie,” but then Flanagan “turned in a script and it’s one of the best scripts that we’ve read.”

    Like Todd Phillips’ 2019 hit Joker, the project will serve as an origin story for a Batman villain and is likewise expected to carry an R rating. Unlike Joker, and its 2024 sequel, the project is considered part of the DC Universe rather than its own self-contained world.

    Clayface might not be as widely known as The Penguin or The Joker, but we really feel that his story is equally resonant, compelling, and in many ways, more terrifying than one of those,” DC Studios co-chief Peter Safran has said, with Gunn adding the film will feel “totally real” and will be “true and psychological and body horror and gross.”

    Clayface is slated to take advantage of spooky season at the box office, hitting theaters on Oct. 23. First up for DC, however, is Supergirl, which takes flight on June 26. The duo are seen as the second wave of theatrical projects for Gunn and Safran since last year’s hit, Superman.

  • ‘Heart Eyes 2’ a Go for 2028 Release From Paramount, Spyglass

    ‘Heart Eyes 2’ a Go for 2028 Release From Paramount, Spyglass

    Paramount is doubling down on Heart Eyes. The studio has has set a Valentine’s Day weekend release date of Feb. 11, 2028.

    Paramount will co-produce and co-finance Heart Eyes 2 along with Spyglass Media Group and handle global distribution. (Sony had domestic on the first film, while Paramount handled international for the for the romantic slasher sequel.)

    Mason Gooding and Olivia Hoult starred in the first movie as co-workers mistaken for a couple by a killer who targets romantic partners on Valentine’s day. It earned $33.1 million globally after opening Valentine Day Weekend last year.

    Josh Ruben directed the first Heart Eyes and will return to direct and co-write the sequel script with Darcy Fowler, from a story by Christopher Landon and Michael Kennedy. (Landon and Kennedy wrote the script for the first movie with Phillip Murphy.) Landon and Divide/Conquer will produce the feature.

    At this stage, it’s too early to say if if Gooding or Hoult will return for the sequel. Ruben made the original film in near record time, pitching it on Valentine’s Day weekend in 2024, with the film arriving in theaters a year later. “We really hustled, and it’s truly a nine-month baby,” he told THR upon release. This time, there will be a little bit more breathing room to hit that 2028 date.

  • Annecy Festival Rolls Out Inaugural Slate for New International Animation Institute

    Annecy Festival Rolls Out Inaugural Slate for New International Animation Institute

    Annecy Animation Film Festival is rolling out a slate of events to mark its 2026 edition and the opening of its sprawling new institute, including a showcase for Laika, the studio behind “Coraline” and “The Boxtrolls,” and an exhibition dedicated to Ankama (“Krosmoz”).

    Annecy is already considered the world’s leading animation festival. The new hub, called Cité Internationale du Cinema d’Animation, will now expand Annecy’s reach beyond its annual festival and reinforce its status as a global animation platform.

    The site will open on June 19 with an inaugural exhibition, “Ankama: From Sketch to Epic — 25 Years of Creation.” The immersive showcase – running through January 2027 — will explore the studio’s “Krosmoz” universe across animation, video games and publishing, tracing its creative journey from early sketches to finished works.

    The exhibition around Laika, meanwhile, will bring its CEO, filmmaker Travis Knight, on the ground in Annecy where he will present early footage from “Wildwood,” one of the most anticipated animated films in the pipeline. .

    A year-round cultural and educational hub, the Cité Internationale du Cinema d’Animation boasts a vast screening room, an artists’ residency, special areas for training courses and cultural action, alongside exhibition spaces, a bookstore and a gift shop. It’s located in a 19th century landmark called Haras, which spreads over 2.6 acres of lush gardens and buildings listed as French historic monuments.

    Mickaël Marin, the director of Annecy festival and its industry market MIFA, previously told Variety that the idea behind the venue was to “create a cultural hub like the French Cinematheque in Paris or the Lumiere Institute in Lyon, which will bring together animation lovers and artists from all around the world.”

    As Gaëtan Bruel, the president of the National Film Board, pointed it, “The Annecy Festival is not only the world’s leading animation event, but also the third-largest event of its kind across all genres.”

    “Together with the Cité internationale du cinéma d’animation, our goal is to build on these achievements and take things even further by making Annecy and its region the year-round global capital of animation,” he added.

    Dominique Puthod, president of CITIA, the festival’s organizing body, said, “The Cité is a place for today — and above all for tomorrow. It’s a place for young people, where animation becomes a living heritage shared by all.” He added, “Animation is not a minor form of cinema, but an art in its own right — a universal language that connects generations.”

    Education will be a core pillar at the Cité Internationale du Cinema d’Animation, with spaces such as the “Grenier à images” offering workshops and programs designed to help younger audiences understand how images are made and how to engage with them.

    “With the opening of the Cité, Annecy fully asserts its status as the world capital of animation,” said Antoine Armand, describing the project as a “major milestone” that strengthens a “unique ecosystem” and boosts the city’s international reach.

  • Russia Advances Sweeping Crypto Bill With Provisions for ‘Circumventing Sanctions’

    Russia Advances Sweeping Crypto Bill With Provisions for ‘Circumventing Sanctions’

    In brief

    • Russia’s State Duma passed comprehensive crypto regulation in its first reading.
    • The bill classifies cryptocurrency as property, enabling legal protection in court proceedings.
    • Cross-border crypto transactions are permitted; domestic payments remain prohibited.

    Russia’s State Duma passed a comprehensive crypto regulation bill in its first reading, establishing the country’s first formal framework for digital asset regulation while maintaining restrictions on domestic cryptocurrency payments.

    Per reports in local media, the legislation would classify cryptocurrency as property, enabling legal protection in court proceedings including bankruptcy and divorce cases. Non-qualified investors would face annual purchase limits of 300,000 rubles (around $3,900), while professional participants would encounter no such restrictions.

    Kaplan Panesh, deputy chairman of the State Duma Committee on Budget and Taxes, noted that while the ruble remains Russia’s sole legal settlement currency, the bill creates an exception for cryptocurrency use in foreign trade. “This allows Russian companies to use cryptocurrency to pay foreign counterparties, circumventing sanctions restrictions,” Panesh said.

    The Bank of Russia would serve as the licensing authority for crypto market participants under the proposed framework. The legislation is expected to take effect July 1, 2026, pending second and third readings in the State Duma, Federation Council approval, and presidential signature.

    The bill’s provisions for cross-border crypto transactions could provide Russian companies an alternative payment mechanism outside traditional banking systems that Western nations have restricted since Russia’s invasion of Ukraine. The legislation explicitly permits cryptocurrency settlements with foreign partners while maintaining domestic payment prohibitions, creating a regulatory pathway for international trade that circumvents conventional financial channels.

    Tuesday’s State Duma vote represents Russia’s most comprehensive attempt to formalize digital asset regulation, balancing cryptocurrency integration with state control over domestic monetary policy.

    Russia and crypto

    Russia’s crypto landscape continues to evolve in the face of the geopolitical upheaval sparked by its invasion of Ukraine, and the resulting sanctions imposed on the country.

    Russia banned cryptocurrency payments in 2020 while permitting digital asset ownership. The country has since opened limited pathways for institutional use and cross-border transactions amid Western sanctions following its invasion of Ukraine.

    A September 2025 report from blockchain forensics firm Elliptic found that one Russia-linked network was connected to at least $8 billion in stablecoin transactions over an 18-month period, specializing in “sanctions evasion as a service.”

    By January, transactions in ruble-pegged stablecoin A7A5 had topped $100 billion, while the 2026 TRM Crypto Crime Report found that A7A5 and its associated wallet network handled approximately $70 billion in sanctions-related flows in 2025.

    In February, the EU moved to ban all crypto transactions with entities based in Russia, in response to the relaunching of sanctioned Russian crypto providers under different names—as in the case of shuttered Russian exchange Garantex, which reemerged last year as Grinex.

    Earlier this month, Grinex halted trading after alleging a $13 million exploit by what it termed “Western special services.”

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  • ‘Heart Eyes 2’ Sets February 2028 Release Date at Paramount

    ‘Heart Eyes 2’ Sets February 2028 Release Date at Paramount

    Heart Eyes Killer, the deranged murderer who strikes on Valentine’s Day, has staked a big-screen return.

    Paramount Pictures will co-produce and co-finance “Heart Eyes 2,” with a release date set for Feb. 11, 2028. Sony Pictures had distributed the first film, which earned $33 million at the global box office against an $18 million budget in 2025.

    Olivia Holt and Mason Gooding starred in “Heart Eyes” as two co-workers who are mistaken for lovers by a serial killer whose modus operandi is slaying couples on the most romantic holiday of the year. Gigi Zumbado, Michaela Watkins, Devon Sawa, and Jordana Brewster rounded out the cast. It’s unclear who from that group is returning for the sequel. Plot details haven’t been revealed, either.

    Josh Ruben is back to direct “Heart Eyes 2.” He will also co-write the script with Darcy Fowler from a story by Christopher Landon and Michael Kennedy. Spyglass Media co-produced and co-financed “Heart Eyes” and the sequel. Landon and Divide/Conquer will also serve as producers.

    “Heart Eyes” wasn’t exactly a box office smash, but reviews were solid for the horror genre. Variety’s Courtney Howard praised the film as a a breezy rom-com slasher that slices and dices with charm,” adding that “‘Heart Eyes’ makes us swoon and squirm in equal measure.”

    Last year, Ruben suggested the”Heart Eyes” franchise has the “potential for a long life.”

    “I’ll put it this way: You could replicate the structure of any great rom-com, from ‘His Girl Friday’ to ‘Defending Your Life,’ and you could drop Heart Eyes into the center of that story, and have him flash and slash about,” he said. “That’s what’s exciting about this: There’s an opportunity that we could have whoever the filmmaker was — certainly, I’d be interested — genuinely trying to create or replicate that rom-com, or the feeling of a “Bridget Jones” or “Love Actually” or what have you, but actually have those people terrified by this psychopathic killer.”

  • Anthony Pompliano Claims the Bitcoin Bull Market Has Begun – “The Sling Shot Effect Is Coming”

    Anthony Pompliano Claims the Bitcoin Bull Market Has Begun – “The Sling Shot Effect Is Coming”

    Renowned financial analyst Anthony Pompliano, in his latest analysis, claims that the Bitcoin bull market has already begun and issued an important warning to his followers.

    Noting that Bitcoin has experienced a pullback of approximately 40% from its peak of $126,000, Pompliano predicts that this decline will create a “slingshot effect” leading to new highs.

    Pompliano argues that Bitcoin has proven its worth to institutional investors. In seven consecutive financial crises since 2020, Bitcoin has outperformed stocks, gold, and cash, becoming the most profitable asset.

    From pandemics to wars, banking crises to high inflation, he argues that Bitcoin has become the “king of safe havens” in all kinds of chaos.

    Related News BREAKING: Cryptocurrency Exchange Coinbase Lists a Surprise Altcoin

    Citing a new report published by Bitwise, Pompliano argued that an investor who holds Bitcoin for at least three years has less than a 1% chance of losing money.

    The analyst argues that a historic period is underway not only for cryptocurrencies but also for stock markets. He added that the signal he calls the “3-3-3 rule” (the stock market rising by 3% or more for three consecutive weeks) has only occurred three times in the last 76 years.

    Referring to the impact of the upcoming US elections on the markets, Pompliano predicts that the current administration will do everything in its power to keep the economy afloat and boost asset prices before the election.

    *This is not investment advice.

  • The question isn’t whether privacy. It’s what sort of privacy

    Blockchains were built as public networks in the best tradition of open-source technology. But their future is private. And that future is arriving faster than most people realize.

    This month, Tempo — the Stripe-backed payment blockchain that raised $500 million at a $5 billion valuation, with Visa, Mastercard, Paradigm, and UBS among its backers — published a detailed architectural proposal for private enterprise stablecoin transactions. Tempo is not a scrappy privacy-native project. It is arguably the most institutionally credentialed blockchain launch in years, built by people who deeply understand what banks, payment processors, and enterprises actually need. When a network with that pedigree makes privacy a launch-week priority, it isn’t a signal. It’s a verdict.

    The question of whether or not institutional chains will be private has been settled. What remains is the harder one: what kind of privacy are we actually building?

    The problem with public chains

    Bitcoin solved a problem that had stumped computer scientists and bankers for decades: how to transfer value between strangers without a trusted intermediary. Ethereum took blockchains further, offering programmable value alongside value transfer — smart contracts that could encode agreements, automate settlement, and eliminate entire categories of middlemen. Then came stablecoins, which married programmability to the stability of the dollar, and from there, the migration of real-world assets to onchain protocols began.

    Each wave has brought added institutional interest, capital, and ambition. And now, as regulatory clarity emerges, institutions are ready to deploy resources onchain.

    But there’s one thing holding them back — a fundamental flaw that becomes more consequential the larger the numbers get.

    Everything is visible. Every wallet. Every balance. Every transaction, in real time, is readable by anyone with a browser. In financial markets, this is not a feature. It is an existential problem. Imagine if every hedge fund’s positions, every corporate treasury’s holdings, every pension fund’s rebalancing trade appeared on a public screen the moment it was executed. Sophisticated counterparties would front-run. Competitors would map your strategy. Criminals would identify targets. The financial system as it exists today would seize up overnight.

    Blockchains have been asking institutions to accept exactly that. Tempo’s announcement on April 16 is the clearest possible signal that institutions have finally said: no.

    Architecture is destiny

    Here is where the conversation gets more consequential — and more nuanced.

    Tempo’s solution is Zones: private parallel blockchains connected to the main network. Within a Zone, participants transact privately. The public sees only cryptographic proofs of validity, not underlying data. Compliance controls travel with the token automatically. Assets remain interoperable with Tempo Mainnet. For enterprises running payroll, treasury operations, or settlement workflows, it is a thoughtful and practical design.

    But Tempo’s privacy model is operator-visible. The Zone operator — an enterprise or infrastructure provider — sees all transactions within its Zone. The public sees nothing. The operator sees everything. For many regulated institutions, this is acceptable, and may even be required. But it means privacy is contingent on trusting an intermediary. You have moved the visibility problem; you have not eliminated it.

    This is not a criticism of Tempo. It is a description of a genuine architectural choice — one with real consequences for anyone thinking carefully about risk.

    Zero-knowledge cryptography offers a different path. ZK proofs allow a party to prove that a transaction is valid without revealing the underlying data. A new generation of ZK-native blockchains builds this privacy-preserving functionality into the execution layer itself. Accounts execute transactions locally, with the chain storing only a cryptographic commitment. Nothing sensitive ever touches a public ledger. Transaction history is not browsable. And crucially, no operator has a god’s-eye view — privacy is enforced at the base layer, not delegated to an intermediary.

    If Bitcoin gave us trustless transfer and Ethereum gave us programmable trust, ZK-native blockchains offer verifiable privacy: the ability to prove that everything happened correctly without revealing what actually happened.

    Compliance without full transparency

    The obvious objection is regulatory. Privacy and compliance have long been framed as incompatible — oil and water. That framing is becoming obsolete.

    Regulatory compliance does not require that everyone can see your transactions. It requires that the right parties, under the right conditions, can verify that your transactions were legitimate. That is a meaningful distinction, and it is one that ZK cryptography is uniquely positioned to enforce. Selective, programmable disclosure — revealing what regulators need to see, nothing more — is not a workaround. It is a more precise implementation of what compliance actually demands.

    Tempo’s model handles this at the operator level. ZK-native approaches handle it at the cryptographic level. Both satisfy the compliance requirement. But they distribute trust very differently.

    The question that matters

    The financial industry knows it needs to move onchain. It now knows — Tempo’s announcement makes this undeniable — that it cannot do so on fully public infrastructure. The era of public-by-default blockchains as the assumed standard for institutional finance is ending.

    What comes next depends on a choice the industry is only beginning to make clearly: privacy through trusted operators, or privacy through cryptographic guarantees that require no trust at all.

    Both are legitimate answers. But they are not equivalent. The privacy model you choose determines your risk surface, your compliance posture, and your exposure to the failure modes of the intermediaries you depend on. Architecture is not a technical detail to be resolved later. It is the decision that determines everything else.

    The question for the industry is not whether privacy. That debate is over.

    The question is what sort of privacy — and who, if anyone, you are willing to trust with the view.

  • Iran says ‘fully prepared’ for football team’s World Cup participation

    Iran says ‘fully prepared’ for football team’s World Cup participation

    Tehran says all necessary arrangements has been made for participation in the tournament cohosted by the US.

    Iran says that the country’s institutions are fully prepared for its national football team’s participation in the 2026 FIFA World Cup in the United States, Canada and Mexico.

    In a statement made to state broadcaster IRIB, government spokesperson Fatemeh Mohajerani said on Wednesday that the Ministry of Youth and Sports ensured all necessary arrangements for the team’s effective participation in the tournament.

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    She also said the preparations were made under the directive of the sport minister, with a focus on providing the required facilities for a successful performance.

    FIFA President Gianni Infantino said on April 16 that Iran is expected to participate in the upcoming World Cup, taking place from June 11 to July 19, noting that the team has qualified and expressed its willingness to compete despite the ongoing US-Israeli war on Iran.

    “But Iran has to come, they represent their people, they have qualified, the players want to play,” he said of the Iranian team’s upcoming matches scheduled in the United States in June.

    “Sports should be outside of politics,” Infantino said.

    Group matches in the US

    US President Donald Trump said in March that while Iran’s team would be welcome at the tournament, he questioned whether it would be appropriate for them to attend, citing concerns over their “life and safety”.

    Iran is scheduled to play its three Group G matches in the United States – two in Los Angeles, one in Seattle – with their base for the tournament in Tucson, Arizona.

    Iran’s participation in the global tournament being cohosted by the three North American countries had been thrown into doubt by the conflict launched by the United States and Israel on February 28.

    Iran raised the prospect of a “boycott” of the competition before asking FIFA to move its matches from the United States to Mexico, a request the world governing body rejected.

    After several weeks of air strikes on Iran and Iranian reprisals against Israel and other countries in the region, a fragile truce came into effect on April 8.

    The announcement of the two-week ceasefire was followed by rare direct talks in Islamabad on April 11–12, which ended without an agreement. The ceasefire was later extended by the US as diplomatic efforts continue.

    The World Cup, the first to feature 48 teams, starts on June 11.