Author: rb809rb

  • ’60 Minutes’ Debuts New Season With A Pentagon Exclusive And Hidden Camera Expose — Amid Plenty Of Scrutiny Of The Show Itself

    ’60 Minutes’ Debuts New Season With A Pentagon Exclusive And Hidden Camera Expose — Amid Plenty Of Scrutiny Of The Show Itself

    60 Minutes debuted its new season on Sunday with an exclusive sit down with an Air Force officer who told of his harrowing rescue in Iran. It featured a hideen camera segment on pardon brokers who collect hundreds of thousands or even millions to try to secure Trump’s clemency. And it profile the Los Angeles Rams and head coach Sean McVay.

    Yet despite new graphics, the debut of new correspondent Ross Douthat for its one-minute ender, and an increased social media presence, the show had much the same look and feel of previous seasons. The story selection was in the realm of past seasons.

    What is different, though, is the extra scrutiny the show is under, in the wake of the purge last spring of executive producer Tanya Simon and top producers, as well as correspondents Cecilia Vega, Sharyn Alfonsi and Scott Pelley, each of whom has accused the executive higher ups of interference. Just this past week, the former managing editor called the show “a casualty of corporate priorities and ideological intrusion.” CBS News editor in chief Bari Weiss pushed back on the claim in June, telling The Wall Street Journal, “What’s being called ‘editorial interference’ is in reality the job description of an editor in chief.” And shortly after he became the new executive producer, Nick Bilton told staffers that the show “will never be instructed by the ownership of the company on these stories.”

    The corporate ownership has done plenty to raise suspicions, starting with the decision by the previous owners of Paramount, the parent company of CBS, to settle a lawsuit Donald Trump filed against the network for the way that 60 Minutes edited an interview with Kamala Harris. Then, new owners Skydance have waged a not-so-subtle effort to woo Trump as it sought administration sign off for its proposed acquisition of Warner Bros. Discovery.

    Interference or not, the risk that 60 Minutes faces is ratings, or losing the show’s position as the No. 1 news show on television.

    The first segment was Norah O’Donnell’s exclusive sit down with an Air Force colonel whose plane was shot down over Iran, who relayed the story of his survival and then rescue, calling it a “modern day miracle.” The network had extensive cooperation from the Pentagon, with interviews with Defense Secretary Pete Hegseth and General Dan Caine, the chairman of the Joint Chiefs of Staff, as well as declassified footage of the operation.

    The segment was narrowly focused on the rescue itself, as the officer described his free fall, major injuries and his ascent up a 7,000 foot ridgeline before being spotted two days later. The officer said at the end of the segment, “It’s a story of the teamwork, the training, of the faith, of the decisions and the leadership to do something that will live in history as an example of what America’s willing to do, in order to uphold our promise and leave no man behind.”

    The sit down was one that all networks crave, and it is one that the Pentagon has been anxious to promote. There was a mention during the segment of the “costly and unpopular war that has taken the lives of 18 service members.” It remains to be seen how 60 Minutes will explore further aspects of the conflict, and if it will turn its attention to one of the more alarming stories circling in D.C.: Hegseth’s purge of top experienced generals.

    The next segment put a spotlight on pardon brokers, with a hidden camera used to capture two of them, Jack Burkman and Jacob Wohl, as they tried to entice Ammon Covino, a convicted felon, and his wife, Crystal, into spending $300,000 for their alleged ability to get a pardon request in front of Donald Trump.

    The camera caught Burkman telling them, “You have to put pressure on the president from all directions in a consistent way to force his hand. We literally want to put the pen in his hand and get him to sign it because he’s tired of hearing about it.”

    The show pointed out that Burkman and Wohl are well known for their political stunts, so their involvement in business of pardon brokering isn’t all that shocking. In the footage that aired, they didn’t seem all that rattled by the revelation of a hidden camera. They also tried to engage in a bit of relativism, i.e. that their activity was little different from what went on in the Biden and Obama administration.

    That’s why the more telling moment of Lesley Stahl’s segment were the stats: About 70% of Trump’s clemencies in his second term have not gone through the standard channels the DOJ. If the president’s pardons of the January 6th rioters are included, the figure is 92%. And while the White House claimed that Trump was behaving in an “ethically sound manner,” the segment pointedly featured a college professor who said that, despite the proliferation of brokers charging ever higher fees, “in the end, it falls on the administration.”

    Also important is that the show ran through some of the notables who did get pardons, including the CEO of Binance who “boosted a Trump family crypto venture, though both sides deny any connection to the pardon,” Stahl noted.

    The third segment was devoted to the Los Angeles Rams, with 60 Minutes and Bill Wertheim getting access to its preseason practice, billing the team “as maybe the — premier NFL franchise: blue chip; gold standard.”

    There wasn’t mention of the drubbing that the Rams took in its opener against the 49ers, but that was perhaps foreshadowed by McVay during his interview. He said, “Success is never linear, you know? It’s– it– it’s always up and down.” He also admitted that he was “not in a good place right now,” referring to the progress of practice.

    Douthat appeared for the closing segment, The Last Minute, to talk about the latest warnings about AI, but he also made a pitch for the show’s future, with the drama of the last year left unsaid. “We may have a narrow window this year, not the next 10, to make artificial intelligence safe for humanity,” he said. “That clock is ticking, and so is ours. For almost 60 years, it has meant the same thing: Journalism you can trust. Where we’re headed, we’re going to need it.”

  • Face the music: Eric Clapton didn’t bring deaf teen onstage in 1992

    Face the music: Eric Clapton didn’t bring deaf teen onstage in 1992

    Claim:

    In September 1992, musician Eric Clapton invited 16-year-old Sarah Mitchell, who was deaf, onstage at a concert in Birmingham, England, and performed for her.

    Rating:

    False

    In September 2026, social media users recirculated a story alleging that musician Eric Clapton once interrupted a concert for a deaf teenage fan.

    One Facebook post with the story read, “Eric Clapton was lost inside a guitar solo when something in the crowd pulled him out of the music,” directing readers to an article that started:

    Eric Clapton Stopped Mid-Song for a Deaf Girl Who Could Feel His Music

    Eric Clapton was lost inside a guitar solo when something in the crowd pulled him out of the music.

    Twelve thousand people filled the National Exhibition Centre in Birmingham. They were standing, shouting, clapping, moving as one body under the lights. The noise was overwhelming. The energy was electric.

    And in the middle of it all, one teenage girl sat completely still.

    It was September 23, 1992. Clapton was deep into his Journeyman tour, riding the momentum of sold-out arenas and roaring applause. He had already played through fan favorites, the band locked in, the night unfolding exactly as expected.

    Except for her.

    Third row. Center section. A young girl who wasn’t clapping. Wasn’t swaying. Wasn’t reacting at all.

    Her name was Sarah Mitchell. She was sixteen years old. And she was profoundly deaf.

    Born without hearing, Sarah had never experienced music the way most people did. She had never heard a guitar string vibrate through air. Never heard applause. Never heard her own voice.

    (Facebook user Youness ER)

    The article further claimed that during a show in Birmingham, England, on Sept. 23, 1992, Clapton stopped midsong and brought a “profoundly deaf” 16-year-old named Sarah Mitchell onto the stage. Clapton supposedly positioned an amplifier behind her chair so she could feel the music’s vibrations and then played a song for her as the arena fell silent.

    Over the months, the story spread on numerous social media platforms, including X, LinkedIn and YouTube. Some posts featured links leading to articles on advertisement-filled websites. 

    Snopes readers also searched our website for information about whether the claim was true.

    However, the story about Clapton amounted to fiction. Searches of Bing, DuckDuckGo, and Yahoo found no credible media outlets reporting about such an event, and several key details in the story conflicted with well-documented information about Clapton’s tours and Birmingham performances in 1992. 

    The fabricated story resembled glurge, which Dictionary.com defines as “stories, often sent by email, that are supposed to be true and uplifting, but which are often fabricated and sentimental.” It was one of hundreds of similarly fake stories about celebrities on Facebook that aim to generate views and advertising revenue via websites linked in posts.

    Timeline doesn’t match tour records

    The story placed the alleged moment on Sept. 23, 1992, at the National Exhibition Centre in Birmingham. However, Clapton’s official timeline shows the Journeyman World Tour opened at the NEC on Jan. 14, 1990 — not September 1992 — and ran for three consecutive nights. Fan-compiled tour listings corroborated the dates and location. Moreover, the posts framed the alleged moment as part of Clapton’s Journeyman tour, which ended in March 1991 and did not extend into September 1992.

    Clapton did play in Birmingham in early February 1992, but those shows were at the National Indoor Arena, not the NEC. He later returned to the NEC for a series of benefit concerts in October 1992 — dates that don’t match the rumored Sept. 23 appearance. 

    The story also isn’t mentioned in “Eric Clapton: The Autobiography,” first published in the United Kingdom in 2007. Because the book covers key moments from Clapton’s career and touring life, the encounter described in the social media posts would likely have been included if it had actually happened. 

    AI-generated content helped spread story 

    The claim frequently circulated alongside an image showing Clapton with a teenage girl that appeared to have been generated using artificial intelligence. Hive Moderation, an online AI detector, determined that the image was highly likely to be AI-generated.

    (Facebook user Dena Wells)

    In August 2026, a nearly-identical image spread with the story, but this time with a black-and-white filter and a “Curiously Unusual Wonders” watermark:

    (Facebook user Amila K Madige)

    Similarly, most of the accompanying text was likely AI-generated, according to the AI detector ZeroGPT. (Research shows AI-detection software is imperfect. Readers should consider the tools’ results with skepticism.)

    (ZeroGPT)

    The text’s tone, structure and emotional language further pointed to AI authorship.

    Finally, the story appears to have originated from a YouTube channel presenting itself as a source of “true stories About Eric Clapton that will restore your faith in humanity,” but the video provided no verifiable evidence of the event. The channel’s other content follows the same clickbait pattern, with sensational, vague titles and attention-grabbing thumbnails designed to generate clicks. Many of the thumbnails also appear to be AI-generated or heavily manipulated, which is consistent with a channel producing content that’s primarily focused on generating views:

    (YouTube channel @EricClaptonTheUntoldLegacy)

    The false rumor about Clapton fits a familiar pattern of shareable, feel-good celebrity stories that spread quickly online because they appeal to emotion and usually rely on little more than reposts. We have debunked similar claims before, including posts alleging U.S. President Donald Trump and first lady Melania Trump spent New Year’s Day 2026 at a Pennsylvania orphanage and that Stephen Colbert launched a multimillion-dollar “Evergreen Sanctuary” for abused dogs.

    Sources

    5 February 1992 – Eric Clapton & His Band – Where’s Eric! https://whereseric.com/tour/1992-5/. Accessed 19 Jan. 2026.

    14 January 1990 – Eric Clapton & His Band – Where’s Eric! https://whereseric.com/tour/1990/. Accessed 19 Jan. 2026.

    AI Detector – Trusted AI Checker for ChatGPT, GPT5 & Gemini. https://www.zerogpt.com/. Accessed 19 Jan. 2026.

    Eric Clapton : The Autobiography. With Internet Archive, London : Arrow Books, 2007. Internet Archive, http://archive.org/details/ericclaptonautob0000unse.

    “Eric Clapton: The Untold Legacy.” YouTube, https://www.youtube.com/channel/UCsP2ltBHEM_M896B3z5K_tw. Accessed 19 Jan. 2026.

    Hive Moderation. https://hivemoderation.com/ai-generated-content-detection. Accessed 19 Jan. 2026.

    Kar, Sujita Kumar, et al. “How Sensitive Are the Free AI-Detector Tools in Detecting AI-Generated Texts? A Comparison of Popular AI-Detector Tools.” Indian Journal of Psychological Medicine, vol. 47, no. 3, May 2025, pp. 275–78. PubMed Central, https://doi.org/10.1177/02537176241247934.

    “Timeline (1990s).” Eric Clapton, https://ericclapton.com/pages/timeline-1990s. Accessed 19 Jan. 2026.

    Winter, Emery. “Did Stephen Colbert Launch Sanctuary for Abandoned and Abused Dogs?” Snopes, 30 Dec. 2025, https://www.snopes.com//fact-check/colbert-animal-sanctuary-dogs/.

    Wrona, Aleksandra. “Bogus Story Claims Trumps Volunteered at Pennsylvania Orphanage on New Year’s Day.” Snopes, 11 Jan. 2026, https://www.snopes.com//fact-check/donald-melania-trump-orphanage/.

  • Pay $33 Just One Time for Lifetime Windows 11 Pro & Office 2021 Licenses

    Pay $33 Just One Time for Lifetime Windows 11 Pro & Office 2021 Licenses

    TL;DR: Through September 27, get lifetime licenses for Windows 11 Pro and Microsoft Office Professional 2021 for one PC for $32.97 (MSRP $418.99), with no recurring subscription fees.

    If you’re setting up a new PC or upgrading your current one, bundling your software tools can be a smart move, but it’s often expensive. Luckily, there’s an affordable way to upgrade.

    Take advantage of this bundle that pairs Windows 11 Pro with a Microsoft Office Pro 2021. Instead of paying subscriptions, you can get these essential Windows tools on sale for only $32.97 (MSRP $418.99).

    Microsoft Office Professional 2021 includes Word, Excel, PowerPoint, Outlook, Teams (free version), OneNote, Publisher, and Access. It’s a robust set of tools built for professionals handling everything from reports and presentations to email and database management. Since this isn’t a Microsoft 365 subscription, once it’s installed on your Windows device, you’ll get full desktop functionality without recurring fees.

    Alongside your Office suite, you’ll also get a license for Windows 11 Pro. Designed for both security and usability, Windows 11 Pro includes support for biometric logins, BitLocker encryption, Snap Layouts, and virtualization tools like Hyper-V. It also comes with Copilot, an AI-powered assistant that can help generate images, write code, or adjust system settings.

    Recommended by Our Editors

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    About Our Expert

  • Reba McEntire Expected to Perform Tribute to Dolly Parton at 2026 Emmys

    Reba McEntire Expected to Perform Tribute to Dolly Parton at 2026 Emmys

    Reba McEntire has been tapped to perform a special tribute to the late Dolly Parton during the 2026 Emmy Awards on Monday night, The Hollywood Reporter has learned.

    The Grammy winner is expected to sing a song by the Queen of Country Music, who died last month at age 80 after a brief battle with cancer. In addition to McEntire’s performance, New York Knicks point guard Jalen Brunson is also expected to make a guest appearance during a pre-taped segment at the beginning of the telecast.

    It’s no secret that host Mariska Hargitay is a longtime Knicks fan, regularly spotted sitting courtside at games at Madison Square Garden. However, when THR caught up with Hargitay ahead of the ceremony, she wouldn’t confirm whether Brunson would make a special appearance.

    “Not sure, but maybe OG will come flying in with 1.2 seconds left,” Hargitay said at the time.

    It was previously announced that the awards ceremony will also feature a performance by Noah Kahan for the In Memoriam segment, as well as celebrations for the 30th anniversary of Buffy the Vampire Slayer with David Boreanaz and Sarah Michelle Gellar and the 50th anniversary of Charlie’s Angels with Kate Jackson, Cheryl Ladd and Jaclyn Smith.

    Heading into the ceremony, HBO Max‘s The Pitt leads the Emmy nominees with 25 nominations, followed by HBO Max’s Hacks (with 24 nominations), Apple TV+’s Widow’s Bay (19), Apple TV+‘s Pluribus (18 nominations), Netflix’s Beef (16), HBO Max’s DTF St. Louis (13) and NBC’s Saturday Night Live and Amazon Prime Video’s Spider-Noir with 11 nominations each.

    The 78th Emmy Awards, hosted by Law & Order: Special Victims Unit star, will air live from the Peacock Theater on Monday, Sept. 14, at 8 p.m. ET/5 p.m. PT on NBC and Peacock.

  • Chris Rock Reveals Paul Thomas Anderson Gave Notes on ‘Misty Green’: “A Tweak Here or There”

    Chris Rock Reveals Paul Thomas Anderson Gave Notes on ‘Misty Green’: “A Tweak Here or There”

    Chris Rock revealed on Sunday that filmmaker Paul Thomas Anderson provided feedback on his latest directorial project, Misty Green.

    The comedian mentioned during the film’s premiere at the Toronto International Film Festival on Saturday that Anderson watched the movie, which Rock wrote and directed, before telling The Hollywood Reporter that he watched Misty Green as a friend and critic.

    “Both,” Rock said when asked if Anderson watched as “a bud” or to give notes. “But it’s always for notes. It’s like, what do I have you — what’s the use of having a friend like you who can’t help me?” 

    Rock would say not what Anderson changed or where in the film audiences may see his changes but did share that the Oscar-winning director provided “a tweak here or there.” 

    Distributed by A24, Misty Green follows an award-winning actress (Rosalind Eleazar) whose career has faded. Determined to make peace with her past, Misty attempts a career comeback after reconnecting with her former talent agent (Topher Grace). In addition to Eleazar and Grace, the comedy-drama also stars Adam Driver, Daniel Kaluuya, Anna Kendrick and Rock in a small role.

    Rock told THR he was inspired to write the film after watching a former A-list actress perform in a “loop group,” an ensemble of voice actors who provide sound effects or background conversations for film and TV. 

    “ I was editing a movie, or something, and I was doing a loop group,” Rock explained at The Hollywood Reporter’s Studio at 1 Hotel during TIFF, presented by sponsor Canada Goose. “ You’re almost done with the movie, right? And you need extra sound effects, [so] you ask for a loop group. In the loop group was a formerly famous actress. I was like, ‘Wow, what is she doing here?’ Because you don’t really get paid for loop group.” 

    Rock said that he’s “never” going to share who the actress was, but “something about watching her sparked the initial [idea].” 

    “Like, ‘oh, this is a whole movie here,’” Rock added. “What happened in her life that she’s here at the loop?”  

    Misty Green is scheduled to be released in theaters on Oct. 9. 

  • Dead Boys Guitarist Cheetah Chrome Dies at 71

    Dead Boys Guitarist Cheetah Chrome Dies at 71

    Eugene Richard O’Connor, the punk rocker known as Cheetah Chrome and guitarist of the Dead Boys, died Sunday, his bandmates confirmed on Instagram. He was 71.

    “We are incredibly sad to announce the news of the passing of our beloved friend and bandmate Cheetah Chrome,” the band wrote in the post. “Cheetah was a true original, an architect of the punk rock movement. A one-man hurricane tearing up the musical landscape with his feral guitar riffs and manic energy. Beyond all that Cheetah was also just a really sweet guy that loved rock-roll. We extend our deepest condolences to Cheetah’s family, friends and fans around the world. His music lives on and will continue to inspire others for generations to come. We ask for privacy during this difficult time. Godspeed Cheetah. Tony, Chris, Mark and the entire Dead Boys family.” 

    Cheetah Chrome was a Cleveland, Ohio-born punk-rock musician based in Nashville. He started as a guitarist in Rocket from the Tombs in 1974 before starting Frankenstein with Dead Boys members Stiv Bators and Johnny Blitz. The band quickly evolved into Dead Boys.

    The three-piece band released their first album, “Young, Loud and Snotty,” in 1977 and their second, “We Have Come for Your Children,” in 1978 before breaking up a year later. The band reunited for a series of live performances over the years, but never put out another studio album. In honor of its 50th anniversary, the band had plans to tour their debut album in 2027. 

    O’Connor is survived by his wife, Anna O’Connor, and his 14-year-old son Rogan, who reside in Nashville. 

  • ‘Prima Facie’ Review: Cynthia Erivo Stars as a Lawyer Who Becomes a Rape Victim in This Misfire of an Adaptation

    ‘Prima Facie’ Review: Cynthia Erivo Stars as a Lawyer Who Becomes a Rape Victim in This Misfire of an Adaptation

    Prima Facie carries a bracing, important, timely lesson about getting justice for victims of rape. Cynthia Erivo plays Tessa Ensler, a rising star among British barristers, who often deals with assault cases, and whose world crumbles along with her belief in the legal system when she herself is assaulted by a colleague she was dating. Suzie Miller wrote the screenplay, expanding on her one-woman stage version, which won the 2023 Olivier for Best New Play, along with the Best Actress Olivier and a Tony for Jodie Comer, and its easy to see how well it might have worked in the theater with a galvanizing performance. But there is no use sugar-coating the huge disappointment the film turns out to be.

    As a message, Prima Facie is still a howl of rage and a plea for change. But as a film it is a near-total muddle, from the clunky recurring voiceover to the cringey, obvious visuals and a preachy ending, with only some stunning supporting performances and a brief, powerful middle section to redeem it.

    Prima Facie

    The Bottom Line

    A well-intentioned mess.

    Venue: Toronto International Film Festival (Gala Presentations)
    Cast: Cynthia Erivo, Daniel Ings, Toheeb Jimoh, Noma Dumezwemi
    Director: Susanna White
    Writer: Suzie Miller

    1 hour 46 minutes

    Directed by Susanna White, whose smart works include the series Generation Kill and the thriller Our Kind of Traitor, the film opens with some of its heaviest-handed imagery. As Tessa bounces up the steps of the Old Bailey courthouse, already wearing her robe and white courtroom wig, the camera focuses on her out-of-place black-sequined sneakers. She steps into a room full of sleek, posh-looking women lawyers and in the first of her voiceovers, many taken directly from the play, says, “Thoroughbreds, that’s how I see them.” The film then cuts to images of — really, it’s this literal — horses.

    She goes on to say, “But I’m here too.” Although she’s a working-class girl who got through Cambridge on a scholarship, she fits in well with her colleagues. As they walk out for drinks together, she explains to a young coworker — in clumsy exposition and foreshadowing that is really for us — that legally it doesn’t matter if an assault victim didn’t consent, as long as the accused believed there was consent.

    Before long she has sex in the office with another rising-star lawyer, the privileged Julian. “I want this,” her unnecessary voiceover says. Julian is played with winning charm by Daniel Ings in a role that stretches him from his usual parts, like the buffoonish screw-up brother in the series The Gentlemen. Casting is not one of this film’s problems.

    A shrewd element of Miller’s story is that she sets up the rape to be as legally thorny as possible. After a terrific date and sex with Julian, Tessa feels ill from too much wine and food, and refuses when Julian wants sex again. There is no doubt that what happens next is a violation. It is also another example of how little White trusts the audience to grasp anything. The focus blurs, Julian’s expression becomes furious and we see images of shattered glass. In a director’s statement, White says she wanted the images and sound throughout to express Tessa’s inner thoughts, which seems like a fine idea on paper but lands on screen with as much of a thud as the thumping sound effects that hammer home the point during the attack. And the surreal touches, appearing sporadically, are an odd fit with the pedestrian voiceover.

    After the rape, the film temporarily gains the impact it should have. Erivo walks stiffly through the first section, but here eloquently displays the pain and self-doubt Tessa is feeling when she goes to a police station to report the assault. The camera stays close on her face as she answers the officers’ questions, and for once the voiceover works effectively to tell us what she doesn’t say out loud: that she knows she was foolish to have taken a shower and washed away the evidence, that she should not have deleted a text from Julian, that she had been drinking. She has been on the other side of this kind of case, and knows she is not in a strong position to prove what happened.

    But the film quickly moves on to become a courtroom drama with blurrier focus, with Tessa on the stand giving the kind of speech that is a cliché of the genre. Erivo delivers a monologue, as Tessa makes the point that expecting logic and consistency from rape victims runs counter to their experience. They know what happened, but the details can be foggy due to the trauma, she says, and the legal system ought to account for that. Despite her visceral anger, what should have been a stirring dramatic moment seems stage bound.

    In opening up the film, Miller deftly brings to life characters only mentioned in the play. Noma Dumezwemi, so strong in so many supporting roles, notably in The Undoing, is moving as Tessa’s mother, a cleaning woman who has little grasp of her daughter’s world but who stands solidly by her side, even as she worries that reporting the rape will ruin her brilliant future. Toheeb Jimoh (Sam on Ted Lasso) adds to the effective picture of class difference as Tessa’s brother, whose response to learning about the rape is to try to beat up Julian. Like everyone else involved in this well-meaning dud, they deserved so much better.

  • Harry Styles reveals Argentinians CA7RIEL & Paco Amoroso are joining his tour

    CA7RIEL & Paco Amoroso are on their Free Spirits World Tour until November, but they’ll be hitting the state again in 2027 for one of the biggest milestones of their career. On Thursday, Harry Styles dropped the dates for his Together, Together 2027 tour, and fans quickly noticed the Argentine duo’s name. 

    CA7RIEL and Paco Amoroso are one of the most unique acts in music right now© Getty
    CA7RIEL and Paco Amoroso are one of the most unique acts in music right now

    Styles will be in six cities on the North American leg of the global stadium tour before heading to Europe. CA7RIEL & Paco Amoroso will be joining them on April 9 and April 10 for their shows in Dallas, Texas, at AT&T Stadium. 

    Harry Styles is hitting the road with the help of some friends© Getty
    Harry Styles is hitting the road with the help of some friends
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    Continue reading

    Who are CA7RIEL & Paco Amoroso?

    The duo met in first grade after sitting next to eachother by chance © Redferns
    The duo met in first grade after sitting next to eachother by chance

    The duo, often mistaken for brothers due to their shared surname, consists of Catriel Guerreiro (aka Ca7riel) and Ulises Guerriero (aka Paco Amoroso). They met way back in primary school when they were six.

    Catriel said in an interview with Arte that they sat next to each other. “It was first grade. Just one of those f***ing coincidences in life; we ended up sitting next to each other,” he explained.

    Since the beginning, people thought they were siblings, and they started trolling together immediately. “The teacher was taking attendance and said, ‘Okay, Ulises Guerriero?’ He raised his hand. ‘Catriel Guerreiro.’ I raised my hand. “Oh, are you brothers?” she asked. And we said yes,” he said.

    CA7RIEL & Paco Amoroso performs on stage at Movistar Arena on May 28, 2025 in Madrid, Spain© Getty
    CA7RIEL & Paco Amoroso performs on stage at Movistar Arena on May 28, 2025 in Madrid, Spain

    They sat in music workshops together, one strumming guitar, the other violin, eventually forming a rock band called Astor y las Flores de Marte in 2010. They officially became a duo in 2018, shifting into the experimental-trap/funk/hip-hop/pop world, and are among the first wave of Urban musicians in Argentina. 

    Now, they’ve practically become blood. “We’re not brothers, but we’re basically brothers,” Catriel told Arte. 

    They dropped their debut studio album, Baño María, in April 2024. But everything changed when they lit up the international scene with their viral Tiny Desk session, released on October 4, 2024, which has garnered over 55 million views at the time of this publication. 

    Riding the wave of success, they went on tour, opened for Kendrick Lamar, and have played at the world’s biggest music festivals, venues, and stadiums.

    LAS VEGAS, NEVADA - NOVEMBER 13: EDITORIAL USE ONLY. (L-R) Ca7riel and Paco Amoroso pose in the press room with the Best Pop Song for "El Día del Amigo", Best Alternative Song for "#Tetas", Best Alternative Music Album for "Papota", Best Short-Form Music Video for "#Tetas" and Best Long-Form Music Video for "Papota" during The 26th Annual Latin GRAMMY Awards at MGM Grand Garden Arena on November 13, 2025 in Las Vegas, Nevada. (Photo by Arturo Holmes/Getty Images)
    The artists won 5 Latin GRAMMYS

    In 2025, they were the stars of the show at the Latin GRAMMYS. Tied with Mexican legend Edgar Barrera for the second most nominations after Bad Bunny, they won 5 awards at the Latin GRAMMY Premiere Ceremony:  Best Alternative Song, Best Long Form Music Video, Best Alternative Music Album, Best Short Form Music Video, and Best Pop Song. They also made out.  

    Paco Amoroso and CA7RIEL© Getty
    They won their first GRAMMY in February

    Then, they won their first Grammy Award for Best Latin Rock or Alternative Album for their EP PAPOTA at the 68th Grammy Awards on February 1, 2026.

  • Israel’s Minister of Culture Threatens to Revoke Israeli Citizenships of ‘NAZA’ Filmmakers

    Israel’s Minister of Culture Threatens to Revoke Israeli Citizenships of ‘NAZA’ Filmmakers

    Israel’s Minister of Culture Miki Zohar threatened to revoke the Israeli citizenships of “NAZA” co-directors Yuval Abraham and Rachel Szor. He called the documentary “shocking” and accused the filmmakers of “betraying the state.”

    “The self-loathing that burns in the creators, who are willing to harm their homeland just to get applause from antisemites around the world, is inconceivable and constitutes a betrayal of the state,” Zohar wrote. “As Minister of Culture, I will act immediately to revoke the Israeli citizenship of these despicable creators for betraying the state.”

    “NAZA” shows “in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza,” according to its official logline. The film recently premiered at the Venice Film Festival, where it received overwhelming acclaim. The standing ovation at the film’s premiere clocked in at 24.5 minutes, the longest in festival history. Abraham and Szor were awarded the special jury prize for their work.

    After accepting the award, Abraham said, “It’s honestly not very easy to stand here, thinking of all the Israeli politicians and journalists who are now attacking this film and denying it without even seeing it. So much is being done not to look at reality.”

    He added, “We believe that the denial of a crime is what helps it persist, and that’s why it’s especially important for us that Israelis watch this film — it’s our country that is doing these crimes — that Europeans watch it, and especially here in Italy because your government and the German government are blocking pressure on Israel that can end this, that Americans watch it because that country is funding much of the killing.”