Tag: Entertainment – Variety

  • Fulvio Lucisano, Italian Producer of ‘Planet of the Vampires’ and ‘What Have You Done to Solange?,’  Dies at 98

    Fulvio Lucisano, Italian Producer of ‘Planet of the Vampires’ and ‘What Have You Done to Solange?,’ Dies at 98

    Italian producer Fulvio Lucisano, who shepherded a slew of cult B-movies such as “Planet of the Vampires” and “What Have You Done to Solange?” and had a close rapport with Roger Corman, has died. He was 98.

    His daughter Paola confirmed Lucisano’s death on Tuesday in a statement sent to Italian news agency ANSA, writing: “Rest in peace, Dad.”

    Over seven decades in the film business, Lucisano mounted more than 150 projects in a panoply of genres, ranging from Mario Bava’s pulpy classic “Planet of the Vampires” to Franco Zeffirelli’s “The Young Toscanini,” starring Elizabeth Taylor as a primadonna soprano, as well as Buster Keaton-starrer “War, Italian Style.”

    Lucisano’s genre purview included sci-fi, horror, Italian comedies and soft porn, but also highbrow works by some of Italy’s most revered auteurs like Liliana Cavani, Marco Ferreri, Lina Wertmuller and European arthouse greats like Carlos Saura, whose 1999 work “Goya in Bordeaux” Lucisano was particularly proud of.

    “Genres don’t exist,” Lucisano said in a 2008 interview with Variety. “The only thing I care about is the moviegoers. They are our judge.”

    In the interview, Lucisano said he had always paid heed to the advice Keaton gave him in 1966 on the Rome set of “War, Italian Style,” in which Keaton played a hapless German general, one of his last roles.

    “He told me: ‘Any kind of movie you make, look at what happens in the first reel, and make sure that, if it’s a comedy, there’s a laugh early on; if it’s a drama or an action movie, then something surprising has to happen in the first 10 minutes,’” Lucisano said.

    The Rome-born Lucisano started out in production in 1949, assisting an American company making a Catholic documentary shot inside the Vatican and St. Peter’s to commemorate the coming year’s Holy Year Jubilee. A lawyer’s son who had a degree in law himself, Lucisano personally drafted his own contracts for most of his career.

    He set up Italian Intl. Film (IIF) in 1958 and soon started collaborating with Los Angeles-based American Intl. Pictures, James H. Nicholson and Samuel Z. Arkoff’s low-budget Hollywood studio that spawned Corman’s films, which were distributed in Italy by Lucisano’s Italian Intl. Film.

    Their collaboration started with 1962’s “Warriors Five,” a WWII drama starring Jack Palance; followed by “Sexy magico,” a faux docu about sexual rites around the world; and in 1964 came campy Jane Mansfield-starrer “Primitive Love,” a mondo sex farce in a similar vein.

    in 1965, Lucisano proudly shepherded Bava’s “Planet of the Vampires,” his first picture shot in Cinecitta’s legendary Studio 5, later to become Federico Fellini’s second home. “Planet of the Vampires,” considered a major influence on Ridley Scott’s “Alien,” was a co-production with American Intl. Pictures.

    “What Have You Done to Solange?” is one of Lucisano’s relatively early productions that he liked to reminisce about. It’s a now-classic 1972 England-set giallo and a favorite of Quentin Tarantino, helmed by Massimo Dallamano with a typically atmospheric Ennio Morricone score.

    In 2005, the Venice Film Festival celebrated Lucisano with a special Fulvio Lucisano Day as part of its Tarantino-presented “Secret History of Italian Cinema” retrospective, during which restored copies of both “Vampires” and “Solange” screened.

    But besides Italian B-movies, Lucisano also shepherded a slew of artier titles.

    In 1975, just three years after “Solange,” Lucisano made Mauro Bolognini’s “Per le antiche scale” (“Down the Ancient Staircase”), a dark drama starring Marcello Mastroianni as a psychologist trying to isolate an “insanity virus” in a Fascist-era asylum. It won the Locarno Film Festival’s Special Jury nod.

    He produced Liliana Cavani’s Nazi-era “The Berlin Affair,” Luigi Comencini’s “A Boy From Calabria” and Francesca Archibugi’s 1993 foreign-language Oscar-nommed debut “Il grande cocomero” (“The Great Pumpkin”), just to name a few of his forays into auteur territory.

    As a distributor, IIF has released hundreds of pics, including “Thelma and Louise,” thanks to a strong relationship he had with MGM; Andrei Konchalowski’s “Maria’s Lovers,” as part of a longstanding deal in those days with Menahem Golan’s Cannon; and “Four Weddings and a Funeral” through his tie at the time with Polygram.

    Lucisano served as president of Italy’s motion picture association ANICA from 1998 to 2001.

    During his illustrious career, Lucisano was honored with five David di Donatello awards, including a lifetime achievement honor in 2009, as well as four Nastri d’Argento Silver Ribbon awards.

    Lucisano is survived by his daughters, Federica and Paola, who run his now publicly traded company called Lucisano Media Group.

  • Bill Rasmussen, ESPN’s Founder, Dies at 93

    Bill Rasmussen, ESPN’s Founder, Dies at 93

    Bill Rasmussen, a former local-news sports director who parlayed an interest in the nascent business of satellite television into the launch of the sports-media giant known as ESPN, has died after a battle with Parkinson’s disease. The entrepreneur and founder was 93 years old.

    Rasmussen in 1978 was idling in traffic on Connecticut’s Interstate 84 after acquiring a satellite transponder from RCA, and decided to launch a new network devoted only to sports on a single acre near the small town of Bristol. Their Entertainment and Sports Programming network employed just 80 staffers at the time of its launch in September of 1979, and telecast Connecticut sports to state residents. Within months, Getty Oil would buy up a majority of the enterprise, while brewing giant Anheuser-Busch agreed to a substantial advertising contract. But investors pushed the founder out by 1980. ABC bought out the stakes of both Getty and Rasmussen family members in 1984.

    “Bill was a remarkable man — a visionary and an innovator who conceived the idea of a network entirely devoted to sports,” said ESPN Chairman Jimmy Pitaro, in a statement. “Quite simply, none of us would be here today if it wasn’t for Bill’s passion and all the hard work and entrepreneurial spirit he put into building ESPN in the late 1970s — key aspects of our company culture that still carry on to this day.”

    Indeed, some key elements of ESPN were birthed under Rasmussen. The opening program on ESPN was a show called “SportsCenter,” hosted at the time by Lee Leonard and George Grande. The series remains on air at the network.

    Rasmussen also introduced round-the-clock sports programming and coverage of the early rounds of the NCAA men’s basketball tournament in the spring of 1980, which drew national attention to ESPN.

    In 2026, ESPN employs more than 5,900 employees around the world, and programs eight U.S. television networks plus the sports programming on ABC, along with a mobile app and a burgeoning and direct-to-consumer service, a suite of radio programs and podcasts and social and digital feeds. The outlet, now controlled by Disney, with Hearst and the NFL counted as minority investors, is home to such sports staples as “Monday Night Football,” the hot-talk show “First Take” and hours and hours of NFL and NBA telecasts, among other sports coverage.

    “Bill was our George Washington and a good friend,” said Chris Berman, who joined ESPN three weeks after the network launched in 1979, in a statement. “He was such a grateful person and every sports fan can be grateful for Bill. He wasn’t a glass half-full guy; his glass was always overflowing with optimism. He greeted everyone with a smile and we can all smile knowing Bill’s legacy.”

    Bill Rasmussen was born in Chicago on October 15, 1932, in Chicago and raised in nearby Columbus Manor, IL. He played sports in his youth, earning an invitation to a minor league affiliate of the Detroit Tigers. Instead, he gravitated to business, earnings a bachelor’s degree in economics from DePauw University in Greencastle, IN. After graduating in 1954, he served in the United States Air Force and later earned an MBA from Rutgers University.

    His media career began at WTTT radio in Amherst, Mass., in 1962. In 1965, he moved to WWLP, a TV station in Springfield, Mass., where he spent eight years as sports director and two years as news director. During these years, he handled numerous football, basketball, baseball and hockey play-by-play assignments on both radio and television. In 1974, he joined the New England Whalers of the World Hockey Association as communications director, serving until the conclusion of the 1977-78 season.

    After leaving ESPN, Rasmussen worked as a consultant to sports rights holders and media companies. He also remained active with his own start-up ventures in sports. He remained a frequent guest on business and sports radio talk shows and authored two books, “Sports Junkies Rejoice! The Birth of ESPN” and most recently “ESPN: One Giant Leap for Fankind,” published in 2023. Rasmussen collaborated with Tenero Productions for a documentary and book project “Sports Heaven: The Birth of ESPN” on his life that was released in 2026.

    Rasmussen was predeceased by his wife of 56 years, Lois, in 2011 and is survived by two sons, Scott Rasmussen and his wife Laura and Glenn Rasmussen; his daughter Lynn Van Hollebeke and her husband Louie; seven grandchildren, and two great grandchildren. In addition to his wife, Bill was predeceased by his brothers Robert and Donald Rasmussen, sister Vivien and grandson Justin Van Hollebeke.

  • Digital Media Veteran Adam Boorstin Joins MrBeast’s WatchTime Studios as General Manager

    Digital Media Veteran Adam Boorstin Joins MrBeast’s WatchTime Studios as General Manager

    Digital media veteran Adam Boorstin has joined Beast Industries‘ WatchTime Studios as general manager overseeing the production of original content in a range of genres for various platforms.

    Boorstin joined the company earlier this month after a 10-year run with Studio71, a cutting-edge digital services provider that helps creators scale their content across disparate platforms. WatchTime Studios is part of the larger effort by creator superstar MrBeast (aka Jimmy Donaldson) to capitalize on his social media muscle to build out businesses with original content. He is based in Los Angeles.

    Boorstin joined Studio71 in December 2015. He climbed the ranks and rose to co-CEO in 2020. The company was acquired in April by Fixated, another leading-edge creator services firm. The two combined create a distribution network of more than 1,000 prominent creators — part of a mushrooming effort across the creator economy for larger players coming in to bring scale to what is a massively decentralized sector of the digital content marketplace.

    But that’s changing thanks to the exponential demand from marketers for the targeted audiences of motivated buyers that influencers and creators can muster. Donaldson emerged one of YouTube’s most popular personalities, and he has since sought to expand his zany MrBeast brand with a game show for Amazon Prime Video, among other ventures.

    Beast Industries also has a busy consumer products division and a philanthropic arm.

    “MrBeast is redefining what’s possible in the industry,” Boorstin wrote on LinkedIn.

  • Madonna Leads VMAs Nominations With 11, Followed by Taylor Swift, Sabrina Carpenter, Ariana Grande

    Madonna Leads VMAs Nominations With 11, Followed by Taylor Swift, Sabrina Carpenter, Ariana Grande

    It’s no time warp — Madonna leads all other divas in nominations for the 2026 MTV Video Music Awards, with 11 nods, it was announced Tuesday morning. She’s followed by Taylor Swift, with nine nominations, and Ariana Grande and Sabrina Carpenter, with seven each.

    Others with multiple shots at a Moon Person (as the awards have been non-gender-specifically known for many years now) include Bruno Mars, Zara Larsson and PinkPantheress with five nominations each. Blackpink’s Lisa with four, and Tate McRae and Shakira, tied with three each.

    The VMAs will take place this year at the Peacock Theatre in Los Angeles, marking the first time the show has been held on the west coast in nine years. The show was last broadcast from L.A. in 2017, when it was hosted by Katy Perry from the pre-Kia Forum.

    The two-hour show will air Sept. 27 on CBS, MTV and Paramount+. It will air live on both coasts at 7:30-9:30 p.m. ET/4:30-6:30 PT. A host has not yet been revealed.

    Fan voting in 13 categories is now open at vote.mtv.com through Sept. 25. One additional category, best new artists, will remain open for fan votes all the way into the live telecast.

    Artist of the year is a contest between Madonna, Swift, Grande, Carpenter, Mars and Morgan Wallen. The six candidates for video of the year are Madonna’s “Confessions II – The Film,” Swift’s “The Fate of Ophelia,” Carpenter’s “Tears,” Grande’s “Hate That I Made You Love Me,” Mars’ “I Just Might” and Gener8ion’s “Storm Starring Yung Lean.”

    The best new artist nominees are SIenna Spiro, Stella Lefty, Malcolmn Todd, Bella Kay, Cortis, Myles Smith and Magnus Ferrell. Scroll down for a full list of 2026 nominees.

    Some of the year’s most prominent superstars were limited to two nominations apiece, including Olivia Rodrigo, BTS, Ella Langley, Harry Styles, Katseye, Charli xcx and Harry Styles. Although Wallen, who has had the biggest selling album of the year, received a nomination in a top category, artist of the year, that represents his sole nomination.

    The 2026 VMAs are being produced by Gunpowder & Sky, with MTV veteran Van Toffler as lead producer. Jesse Ignjatovic of Den of Thieves, Barbara Bialkowski, Bruce Gillmer, Barry Barclay and Floris Bauer are the show’s executive producers. Melanie Block is co-executive producer and Gary Lanvy is co-producer.

    The full list of nominations:

    VIDEO OF THE YEAR
    Ariana Grande – “Hate That I Made You Love Me” – Republic Records
    Bruno Mars – “I Just Might” – Atlantic Records
    GENER8ION – “Storm Starring Yung Lean” – Iconoclast Music
    Madonna – “Confessions II – The Film” – Warner Records
    Sabrina Carpenter – “Tears”- Island
    Taylor Swift – “The Fate of Ophelia” – Republic Records

    ARTIST OF THE YEAR
    Ariana Grande – Republic Records
    Bruno Mars – Atlantic Records
    Madonna – Warner Records
    Morgan Wallen – Big Loud/Mercury Records
    Sabrina Carpenter – Island
    Taylor Swift – Republic Records

    SONG OF THE YEAR
    BTS – “Swim” – BIGHIT MUSIC
    Ella Langley – “Choosin’ Texas” – Columbia Records
    HUNTR/X: Ejae, Audrey Nuna, Rei Ami – “Golden” – Republic Records/Visva Records
    Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records
    Olivia Dean – “Man I Need” – Island
    PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records
    Raye – “Where Is My Husband!!” – Human Re Sources

    BEST NEW ARTIST
    Bella Kay – Atlantic Records
    Cortis – BIGHIT MUSIC
    Magnus Ferrell -Visva Records/Republic Records
    Malcolm Todd – Columbia Records
    Myles Smith – RCA Records
    Sienna Spiro – Capitol Records
    Stella Lefty – Sandlot/Atlantic Outpost

    BEST COLLABORATION
    Clipse, Kendrick Lamar, Pusha T, Malice – “Chains & Whips” – Roc Nation Distribution
    French Montana x Max B – “Ever Since U Left Me” – Coke Boys Records
    Madonna & Sabrina Carpenter – “Bring Your Love” – Warner Records
    PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records
    Shakira & Burna Boy – “Dai Dai” – Sony Music US Latin
    Teyana Taylor & Lucky Daye – “Hard Part” – Def Jam Recordings

    BEST POP
    Ariana Grande – “Hate That I Made You Love Me” – Republic Records
    Charli xcx – “SS26” – Atlantic Records
    Lisa – “Dream feat. Kentaro Sakaguchi” – Lloud Co./RCA Records
    Olivia Rodrigo – “Drop Dead” – Geffen Records
    Sabrina Carpenter – “House Tour” – Island
    Tate McRae – “Nobody’s Girl” – RCA Records
    Taylor Swift – “The Fate of Ophelia” – Republic Records

    BEST HIP-HOP
    Cardi B ft. Kehlani – “Safe” – Atlantic Records
    Don Toliver – “E85” – Cactus Jack/ Atlantic Records
    Drake – “Janice STFU” – OVO/Republic Records
    Megan Thee Stallion – “LOVER GIRL” – Hot Girl Productions
    Travis Scott – “DUMBO” – Cactus Jack/Epic Records
    Tyler, the Creator – “SUGAR ON MY TONGUE” – Columbia Records

    BEST R&B
    Bruno Mars – “I Just Might” – Atlantic Records
    Chris Brown – “It Depends/Obvious” – RCA Records
    Dave & Tems – “Raindance” – Neighbourhood Recordings/Capitol Records
    Justin Bieber – “YUKON” – Def Jam Recordings
    Kehlani – “Folded” – Atlantic Records
    Mariah the Scientist & Kali Uchis – “Is It a Crime” – Epic Records

    BEST ALTERNATIVE
    Geese – “Taxes” – Partisan Records/Play It Again Sam
    MGK & Fred Durst – “Fix Ur Face” – EST 19XX LLC/Interscope Records
    Noah Kahan – “The Great Divide” – Mercury Records
    Olivia Rodrigo – “The Cure” – Geffen Records
    Sombr – “Homewrecker” – SMB Music/Warner Records
    Tame Impala – “Dracula” – Columbia Records
    Twenty One Pilots – “Drag Path” – Fueled By Ramen

    BEST DANCE
    Bebe Rexha & Faithless – “New Religion” – Bebe Rexha Music LLC/EMPIRE
    Harry Styles – “Aperture” – Columbia Records
    Lady Gaga & Doechii – “Runaway” – Lil Monsters/Top Dawg Entertainment/Interscope Records/Capitol Records
    Madonna – “Confessions II – The Film” – Warner Records
    PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records
    Slayyyter – “Dance…” – RECORDS/Columbia Records
    Tate McRae – “Nobody’s Girl” – RCA Records

    BEST LATIN
    Anitta with Shakira – “Choka Choka” – Republic Records/UMLE
    Bad Bunny – “NUEVAYoL” – Rimas Entertainment
    Fuerza Regida – “TU SANCHO” – Rancho Humilde/Street Mob Records/Sony Music US Latin
    Karol G – “Papasito” – Bichota Records/Interscope Records
    Rosalía ft. Yahritza Y Su Esencia – “La Perla” – Columbia Records
    Ryan Castro, Kapo & Gangsta- “LA VILLA” – AWOO Corp./ Sony Music US Latin
    Shakira & Burna Boy – “Dai Dai” – Sony Music US Latin

    BEST K-POP
    Blackpink – “Jump” – YG Entertainment
    BTS – “Swim” – BIGHIT MUSIC
    Cortis – “REDRED” – BIGHIT MUSIC
    Katseye – “Pinky Up” – HYBE x Geffen Records
    LE SSERAFIM (feat. J-Hope of BTS) – “SPAGHETTI” – SOURCE MUSIC
    Lisa- “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records

    BEST COUNTRY
    Ella Langley – “Choosin’ Texas” – Columbia Records
    Kacey Musgraves – “Dry Spell” – Lost Highway/Interscope Records
    Lainey Wilson – “Somewhere Over Laredo” – Broken Bow Records
    Luke Combs – “Back in the Saddle” – Columbia Nashville
    Shaboozey – “Cowgirl” – American Dogwood/EMPIRE
    Stella Lefty – “Boston” – Sandlot/Atlantic Outpost
    Tucker Wetmore – “Brunette” – Back Blocks Music/Mercury Records

    BEST DIRECTION
    Ariana Grande – “Hate That I Made You Love Me” – Republic Records
    Bruno Mars – “I Just Might” – Atlantic Records
    GENER8ION – “STORM starring Yung Lean” – Iconoclast Music
    Madonna – “Confessions II – The Film” – Warner Records
    Sabrina Carpenter – “House Tour” – Island
    Taylor Swift – “Opalite” – Republic Records

    BEST ART DIRECTION
    Charli xcx – “SS26” – Atlantic Records
    Lady Gaga & Doechii – “Runaway” – Lil Monsters/Top Dawg Entertainment/Interscope Records/Capitol Records
    Madonna – “Confessions II – The Film” – Warner Records
    PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records
    Sombr – “My Body Isn’t Ready” – SMB Music/Warner Records
    Taylor Swift – “The Fate of Ophelia” – Republic Records

    BEST CINEMATOGRAPHY
    A$AP Rocky – “Punk Rocky” – A$AP Worldwide/RCA Records
    Ariana Grande – “Hate That I Made You Love Me” – Republic Records
    Lisa – “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records
    Madonna – “Confessions II – The Film” – Warner Records
    Shaboozey – “Cowgirl” – American Dogwood/EMPIRE
    Taylor Swift – “The Fate of Ophelia” – Republic Records

    BEST EDITING
    Ariana Grande – “Hate That I Made You Love Me” – Republic Records
    Bruno Mars – “I Just Might” – Atlantic Records
    Lisa – “Dream feat. Kentaro Sakaguchi” – Lloud Co./ RCA Records
    Madonna – “Confessions II – The Film” – Warner Records
    Sabrina Carpenter – “House Tour” – Island
    Taylor Swift – “The Fate of Ophelia” – Republic Records

    BEST CHOREOGRAPHY
    GENER8ION – “Storm starring Yung Lean” – Iconoclast Music
    Harry Styles – “Dance No More” – Columbia Records
    Katseye – “PINKY UP” – HYBE x Geffen Records
    Madonna – “Confessions II – The Film” – Warner Records
    Tate McRae – “Nobody’s Girl” – RCA Records
    Taylor Swift – “The Fate of Ophelia” – Republic Records

    BEST VISUAL EFFECTS
    Ariana Grande – “Hate That I Made You Love Me” – Republic Records
    Jisoo X Zayn – “Eyes Closed” – Warner Records
    Madonna – “Confessions II – The Film” – Warner Records
    PinkPantheress – “Stateside + Zara Larsson” – Warner Records UK/Atlantic Records
    Raye ft. Hans Zimmer – “Click Clack Symphony.” – Human Re Sources
    Taylor Swift – “The Fate of Ophelia” – Republic Records

  • Nonprofit Production Waterwell Doubles Funding for Unseen Iran Grants to Artists Representing the Diaspora in Film, TV, Theater and More

    Nonprofit Production Waterwell Doubles Funding for Unseen Iran Grants to Artists Representing the Diaspora in Film, TV, Theater and More

    Nonprofit production venture Waterwell, co-founded by “Succession” player Arian Moayed, and nonprofit Nimruz has doubled the funding for their program of Unseen Iran Grants now in its second cycle.

    Funding for the grant program has grown to $100,000 to supporting 10 artists representing the Iranian diaspora with TV, film, theater and creative projects in other disciplines that explore Iranian identity and cultural connectivity. The program has taken on greater urgency since its inaugural edition amid the global strife of the U.S.-Israel war against Iran as well as the fundamentalist state’s internal domestic crackdowns on rights and privileges for women and minority groups.

    Per Waterwell, “the initiative continues to foster dialogue around contemporary Iran while building solidarity across the diaspora.”

    Unseen Iran grantees will receive individual awards ranging from $5,000 to $20,000 depending on the needs of the project. Artists have six to 12 months to produce their finished products and will also receive mentorship throughout the process. Applications will accepted through Sept. 30 through the Nimruz website. The 10 projects selected will be unveiled in December.

    “This past year has been one of profound upheaval for our community, from the crackdowns that followed last January’s protests to the toll of the war between the U.S., Israel and Iran,” said Moayed. “In moments like this, Iranian resilience starts to shine and the stories told by Iranians matter more than ever.”

    Waterwell’s inaugural cycle last year received nearly 500 submissions. The final selections included writer-director Pegah Ahangarani, whose documentary “Rehearsals for a Revolution” went on to win the top doc prize at this year’s Cannes Film Festival, and it was picked up for distribution by prestige specialty label Sony Pictures Classics. Nimruz became an investor in the project.

    “In year one, we saw firsthand how much extraordinary work is out there, far more than $50,000 or even $100,000 could reach,” said Sepanta Mohseni, executive director of Nimruz. “The talent and the need are both undeniable. Doubling the fund is us responding to that. We have a long way to go, but this is a real step toward the kind of infrastructure our community’s artists deserve.”

    Nimruz describes itself as an arts-focused nonprofit devoted to “championing a flourishing Iranian spirit through arts and education programming, building a global Iranian community rooted in solidarity and shared cultural heritage.” It has backed a number of documentary and narrative projects featured at Sundance, SXSW, Toronto and DOC NYC.

    (Pictured: “Rehearsals For a Revolution”)

  • ‘Ice Princess’ Director Remembers Stars Hayden Panettiere and Michelle Trachtenberg as an ‘Amazing Pair’: ‘Two Shining Talents, Gone Far Too Soon’

    ‘Ice Princess’ Director Remembers Stars Hayden Panettiere and Michelle Trachtenberg as an ‘Amazing Pair’: ‘Two Shining Talents, Gone Far Too Soon’

    “Ice Princess” director Tim Fywell has penned a sweet tribute to the two stars of his beloved 2005 ice skating movie, Hayden Panettiere and Michelle Trachtenberg, following Panettiere’s death on Sunday at the age of 36. Trachtenberg also passed away in February of last year, at 39 years old.

    After the news of Panettiere’s death, “Ice Princess” started trending on social media as those who grew up with the Disney movie realized that its two young stars are both now gone. The film follows Casey Carlyle (Trachtenberg), a teenager who decides to give up a Harvard scholarship to pursue her dream of becoming a professional figure skater. Along the way, Casey meets skater Gen (Panettiere), and helps her to improve using algorithms generated on her computer. “Ice Princess” also starred Joan Cusack and Kim Cattrall as Casey and Gen’s mothers, respectively.

    “It was really upsetting to hear yesterday of the death of Hayden Panettiere at the age of 36,” Fywell said in a statement to Variety. “I remember a brave, sparky, dedicated young actress who lit up the set in rehearsals and then the screen with her vibrant talent. Michelle Trachtenberg, Hayden’s co-star in the movie, and she were an amazing pair.”

    The British director remembers the two as having “very different personalities.” Trachtenberg was “kooky, fun, with an infectious laugh and her brilliant sad-funny comic timing,” while Panettiere was “plucky and determined and perfectionist, spending hours practicing her skating and utterly focused on getting every acting take spot-on and truthful. Which she did.”

    Fywell continued: “In what was often a tough and technically complicated shoot, and my first Hollywood movie, they were delightful to work with and great to have around. I remember them both with huge affection, how they were 20 odd years ago, at that relatively uncomplicated time of their lives, two shining talents, gone far too soon.”

    Others have also remembered Panettiere and Trachtenberg together, including “Spy Kids” star Alexa PenaVega, who wrote on social media that her “heart is heavy” because Panettiere’s death marks the passing of another fellow child star. Vega also mentioned Daveigh Chase, who died at 35 in June.

    “Hayden, Michelle, Daveigh… my heart is heavy today,” PenaVega wrote. “These aren’t just names from my childhood. They’re girls I grew up alongside, sharing a world that was exciting and also incredibly hard. We were kids navigating something so big, and not everyone had the foundation or support they deserved.”

    She added, “Today, I’m grieving and holding their families close in my prayers and thinking of everyone still fighting battles we can’t see. Hug your people close today.”

    Corbin Bolies contributed to this report.

  • Peacock Raises Prices Across All Plans, NBCU’s Fourth Increase in Four Years

    Peacock Raises Prices Across All Plans, NBCU’s Fourth Increase in Four Years

    NBCUniversal‘s Peacock just turned profitable for the first time. And now the company is raising prices for all customers, marking the streamer’s fourth fee increase in four years.

    Starting Aug. 18, Peacock will increase its prices for new and returning customers, and on or after Sept. 17 for current customers (depending on their next billing date).

    The new pricing is as follows: Peacock Premium (which includes ads) will be $12.99/month, up from $10.99; Peacock Premium Plus will be $19.99/month, a $3 increase from $16.99; and the Peacock Select tier (which includes current and past seasons of NBC and Bravo shows but excludes movies, live sports and Peacock originals) will increase from $7.99 to $8.99/month.

    Peacock most recently raised prices in July 2025, after price increases the two previous years as well. Note that it has company: Virtually every other streaming service has hiked prices in the last two years, including Netflix, HBO Max, Apple TV, Paramount+ and YouTube Premium.

    Launched in July 2020, the Peacock streaming service turned its first-ever quarterly profit for Q2 2026. Peacock paid subscribers totaled 48 million as of the end of June, with 2 million net additions during the period.

    Peacock Premium and Premium Plus subscribers have access to large bucket of sports and live events, including NFL Sunday Night Football, the NBA, WNBA, Premier League, college football and basketball, the Macy’s Thanksgiving Day Parade and NBC’s 100th anniversary special on Dec. 10.

    Movies currently on the service include “The Super Mario Galaxy Movie” and “Obsession.” Peacock originals include “The Five-Star Weekend,” and its unscripted hits include “The Traitors” and “Love Island USA.” The service also stocks thousands of hours of NBC and Bravo series, including “Saturday Night Live,” “Law & Order,” “One Chicago,” “The Real Housewives” and “Below Deck.”

  • ABC Files First Amendment Lawsuit Against FCC

    ABC Files First Amendment Lawsuit Against FCC

    Disney’s ABC filed a First Amendment lawsuit against the Federal Communications Commission on Tuesday, raising the pitch of the company’s efforts to countermand unusual pressure from the federal government to force the company’s stations to submit licenses for early renewal proceedings.

    ABC has found itself at cross purposes with the FCC at several moments in recent months, with the Trump administration taking issue with monologues from late-night host Jimmy Kimmel and commentary on the daytime roundtable program “The View.”

    In its filing with U.S. District Court, ABC’s lawyers said the company was being punished for editorial decisions and news coverage and had “no alternative means to eliminate these ongoing and immediate threats other than total capitulation to the Administration’s demands. “The company also said the Trump administration had “attacked ABC’s speech” on multiple occasions, including “the stories its journalists report and the viewpoints its network programs air.  Over time, those attacks have escalated into express demands that ABC be stripped of its broadcast licenses because of its speech.”

    Disney has for the past several weeks grappled with unorthodox pressure from the Trump administration. The Federal Communications Commission, led by Chairman Brendan Carr, ordered Disney to file for renewals for eight of its stations years ahead of schedule. In filings, Disney has said its applications were made “under protest in response to an unlawful, arbitrary, and unconstitutional order.” “The View,” which has thrived in recent years with discussion of politics, has also found itself in the administration’s cross-hairs. The FCC has probed whether the program has violated so-called “equal-time” election laws following the appearance of political figures, launching its investigation after James Talarico, the Democratic Senate candidate from Texas, appeared on the show in February. The FCC issued new guidance in January that late-night and daytime hosts needed to give equal time to political candidates from various parties, claiming the programs might be working along partisan lines.

    More to come…

  • Croatian Crime Drama ‘Red Water,’ Directed by Cannes Prizewinner Antoneta Alamat Kusijanovic, to Be Co-Produced by ZDF/Arte, Beta Film (EXCLUSIVE)

    Croatian Crime Drama ‘Red Water,’ Directed by Cannes Prizewinner Antoneta Alamat Kusijanovic, to Be Co-Produced by ZDF/Arte, Beta Film (EXCLUSIVE)

    Beta Film has teamed up with ZDF/Arte and Antitalent to co-produce the Croatian crime drama “Red Water,” winner of the 2025 Council of Europe Series Co-Production Development Award at the Sarajevo Film Festival’s CineLink Industry Days.

    “Red Water,” a six-hour series, is based on Jurica Pavičić’s bestselling novel of the same name, which ranked among the top 10 books of 2025 lists of the Financial Times and Sunday Times.

    It is the next Croatian drama series to emerge from the successful partnership between Beta and ZDF/Arte in the Central and Eastern Europe region, following “The Silence” (Šutnja) and the multi-awarded Serbian series “Operation Sabre.”

    “Red Water” follows a 17-year-old girl’s mysterious disappearance from a small Croatian coastal town. With the police inquiry yielding no results and the looming Yugoslav Wars diverting attention, the girl’s family is left with no choice but to embark on their own investigation.

    Almost 30 years of pursuit not only erodes the bonds within the local community but mirror the fate of a whole nation, leaving everyone to reflect on their own personal responsibility.

    The series is directed by Antoneta Alamat Kusijanović, whose feature film “Murina” was honored at the Cannes Film Festival with the Caméra d’Or, while Canneseries-winning writer Ljubica Luković (“Awake”) is responsible for the scripts, and the Academy Award-nominated Danijel Pek (“The Man Who Could Not Remain Silent”) is producing. Shooting is scheduled for 2027.

    Simon Ofenloch, commissioning editor at ZDF/Arte, noted that the novel had enjoyed great success across Europe and was “regarded as one of the best European novels of recent years,” receiving numerous awards, including five prestigious literary prizes in France.

    He added, “With this accomplished novel as its foundation, the series provides a gripping crime story, full of suspense and mystery and featuring complex characters. A chronicle of social upheaval, it offers an effortless insight into the major historical events in the Western Balkans following 1989 and marks an authentic portrayal of the final years of Yugoslavia up to Croatia’s present-day tourist-driven landscape.”

    Wolfgang Bergmann, CEO of Arte Germany and Arte coordinator at ZDF, said, “The European context of ‘Red Water’ aligns well with Arte’s profile. The creative professionals involved form a European community, working together in a proven and trusted international collaboration. The result is a top-quality series from Europe, made in Europe – for the Arte audience across Europe.”

    Anna Rohde-Seyfried, international creative executive at Beta Film, said, “We are delighted to collaborate with ZDF/Arte on ‘Red Water.’ Driven by a shared commitment to fostering European stories and talent, this collaboration combines Arte’s vision for distinctive European content with Beta’s expertise in bringing these productions to audiences around the world. We are very grateful for the creative mastery that our talented and visionary team including Antoneta, Ljubica, and Danijel bring to this project as they transform the acclaimed novel into a gripping and emotional series. ‘Red Water’ takes us on a truly complex and thrilling journey, while exploring how war shapes people’s identity and society overall.”

    “Red Water” is produced by Antitalent in co-production with ZDF/Arte and Beta Film. Beta Film handles international sales.

  • Hayden Panettiere’s Ex Wladimir Klitschko Remembers Her ‘Immense Talent While Also Facing the Darker Sides’ of the Industry: ‘She Left This World Far Too Soon’

    Hayden Panettiere’s Ex Wladimir Klitschko Remembers Her ‘Immense Talent While Also Facing the Darker Sides’ of the Industry: ‘She Left This World Far Too Soon’

    Hayden Panettiere‘s ex Wladimir Klitschko, who is the father of her 11-year-old daughter Kaya, is mourning the actress following her death on Sunday at the age of 36.

    In an Instagram post late Monday night, the heavyweight boxing champion wrote that his “family is going through a time of profound shock and grief.”

    He continued: “The announcement of Hayden’s tragic death saddens me deeply. She left this world far too soon. Hayden was, although no longer my partner, an important part of my life and the mother of our daughter, Kaya. She built an incredible career through immense talent, while also facing the darker sides of a very demanding industry. Nothing will erase the times we shared or the place she had in our lives.”

    Klitschko and Panettiere dated on and off for nearly a decade beginning in 2009, and were at one point engaged before Panettiere gave birth to their daughter, Kaya, in 2014. Their relationship officially ended in 2018, when Panettiere relinquished custody of Kaya amid struggles with postpartum depression and addiction.

    Klitschko added, “To our daughter Kaya, I will always speak of her mother with respect and make sure she remembers the person she was. I extend my deepest condolences to Hayden’s parents, her friends, and her fans, who are also grieving today. Young and talented people like Hayden should not leave this world so soon.”

    Panettiere was found unresponsive in her home in Greenville, South Carolina, on Sunday afternoon. Her death is under investigation by the Greenville Police Department and Coroner’s Office, though there were “not any signs of foul play or suspicious circumstances.” A cause of death has not yet been released, but People reported that on the dispatch audio, which the outlet obtained, officials could be heard discussing an “overdose” and “cardiac arrest.” An official cause of death will be given following an autopsy.

    Panettiere had been open about her struggles with alcohol and drugs over the years, and stepped away from the industry in 2016 before returning in 2023 with “Scream VI.” In May of this year, she published a memoir titled “This Is Me: A Reckoning,” in which she wrote candidly about these struggles and the impact of growing up in Hollywood.