Tag: Entertainment – Variety

  • 6 Things You Need to Know About the Shocking $12.5 Billion Lakers Sale

    Read this article on Variety’s sister website Sportico.

    The record-breaking Los Angeles Lakers sale, announced Wednesday to a largely unsuspecting audience, is packed with intrigue. 

    The seller, Mark Walter, is facing federal investigations across his business empire. The buyer, Joshua Kushner, is Trump family-adjacent, recently tried to invest in FIFA in what became a true international scandal and could soon become the youngest control owner in the NBA. The deal, which is still a long way from closing, has implications for the NBA’s potential multibillion-dollar sale of an expansion franchise 300 miles east of LA, the ownership future of baseball’s richest team and much more. 

    To unpack the biggest topics, Sportico complied six things to know about the agreement and its fallout:

    1. The price

    Yes, $12.5 billion is the highest valuation ever for control of a sports team in a transaction, but Kushner’s group is not forking over $12.5 billion to make it happen. Nor did Walter actually pay $10 billion when he consolidated control less than a year ago. It’s important context, particularly as sports team values soar to numbers unfathomable for all but the world’s absolutely richest people.

    Walter and Todd Boehly already owned 27% of the Lakers before they agreed to that “$10 billion takeover,” a slice they purchased in 2021 at a $5.5 billion valuation. What’s more, the team’s long-time control owners, the Buss family, retained an approximately 15% stake in the club. In rough math, that $10 billion transaction was really less than $6 billion, and that’s before you get into the debt and the financing specifics.

    For this deal, Kushner has already clarified that the Buss family will remain involved. So right off the bat, that lowers the transaction to $10.6 billion. The team’s exact cap table is not public and it is unclear who is exiting, so that number is an absolute max. The NBA’s debt limit is $475 million, and the league allows teams to have up to 30% of their equity held by institutional funds (no one fund can have more than 20%), which means more than $3.5 billion of this total could come via private equity funds like Kushner’s Thrive. 

    That back-of-napkin math helps explain how Kushner and Bob Iger—who have a combined net worth of about $6 billion—can buy an NBA team in a $12.5 billion deal. 

    2. The buyer

    As team prices have skyrocketed, there’s been lots of chatter about who is rich enough to actually own these franchises. Tech has seemingly come to the rescue.

    Venture investor Vinod Khosla is leading the $9.6 billion takeover of the Seattle Seahawks. Jeff Bezos is reportedly a notable part of a consortium looking to buy a significant minority stake in Liverpool, along with Facebook co-founder Eduardo Saverin.

    Earlier generations of Silicon Valley leaders largely turned their noses up at sports. But no longer. The development of AI in particular appears to have increased tech billionaires’ interest in the artificially scarce entertainment assets that will continue to draw attention (and dollars), even if other segments of the economy are turned upside down by sudden surplus. Khosla has predicted a world in which today’s 5-year-olds won’t ever need jobs. That would give them more time for football. 

    AI can produce information and entertainment for basically free. But it can’t match the local team when it comes to generating passion.

    Kushner, 41, has overseen Thrive’s investments in tech companies including Instagram, Spotify and OpenAI. He explained his philosophy for a new Thrive Eternal fund this spring alongside an investment in the San Francisco Giants.

    “These are assets with qualities that cannot be replicated by technology,” he said at the time. “In a world shaped by abundant intelligence where creation scales and distribution fragments, we believe they will matter even more.”

    Potential OpenAI and Anthropic IPOs could mint a new generation of billionaires—and sports investors.

    3. The politics

    Kushner isn’t just known as a tech investor these days. He’s also recognized as the brother of Jared Kushner, President Donald Trump’s son-in-law who remains active in global relations after serving as a top advisor during Trump’s first term in office. Jared divested from Thrive Capital after Trump’s election in 2016. Their father serves as the U.S. ambassador to France. 

    Those political connections were a key driver in the backlash to the proposed FIFA investment deal.

    Joshua Kushner reportedly donated $250,000 to the Growth Democrats political action committee during the 2024 election cycle. Iger was briefly considered a potential 2020 presidential candidate after switching his party affiliation from Democrat to no party preference in 2016. He largely avoided direct confrontation with the President during his recent stint as Disney CEO, which ended in March, even as the company and administration collided over allegations of defamation and concerns over press freedom at ABC.

    Iger has long been a power player within the sports world and is known to be close with NBA commissioner Adam Silver. 

    4. The financing

    There’s been very little disclosed about how this deal is being financed. Sportico’s assumption is that it’s being backstopped by Thrive, which has more than $60 billion under management, and that Kushner and Iger will now begin the process of building a group of investors—almost certainly a mix of wealthy individuals and institutional funds, likely with notable celebrities mixed in too.

    Fifteen years ago, this timeline would have felt backwards, but this is largely how modern sports transactions unfold today. It’s what happened with the sales of the Boston Celtics and Portland Trail Blazers, and it’s currently underway for the pending acquisitions of the San Diego Padres and Seattle Seahawks. The sale agreement comes first, then the financing comes together.

    That helps explain at least part of what is perhaps the most shocking piece of this very shocking story. Iger said Wednesday that the deal came together in just three days. But that’s really just an agreement on a price. Now the much harder work begins to syndicate a group that has the money and can pass the NBA’s background checks.

    That will all have to be wrapped up before the deal is officially approved by the NBA, in a process that could take a few months. The exact close date has big ramifications on the level of taxes Walter will owe for the deal.

    5. The seller

    Walter flipping the Lakers in less than a year, for a tidy 25% profit, came as a shock to the sports business industry. If he sells another team from his portfolio, it will be less of a surprise.

    Walter is “in talks with investors to raise money to help pay down loans on the books of its insurers that had drawn scrutiny from the Justice Department,” according to recent reporting from Bloomberg. The DOJ is reportedly investigating loans Walter-owned insurance firms made to holdings of his within the TWG Global holding company, which also includes his sports portfolio. 

    “Mark Walter and TWG have always acted in good faith, and those who have done business with Mark know him as honest and straightforward,” TWG Global said in a statement in July. “We are cooperating with authorities, and we are confident these matters will be resolved favorably.”

    Those investigations have put an extra spotlight on Walter’s relationship to The White House. Walter visited 1600 Pennsylvania Ave. in July with the Los Angeles Dodgers, delivering a personalized World Series ring to Trump on behalf of the team.

    Walter is the Dodgers’ controlling owner. He also owns part of the Chelsea Football Club, Cadillac Formula 1 Team and the WNBA’s Los Angeles Sparks. He is the primary backer of the Professional Women’s Hockey League.

    6. NBA expansion

    The NBA formally launched its expansion process in May with only two cities under consideration: Las Vegas and Seattle. Adam Silver has been clear that expansion is not guaranteed, and the league might choose only one market.

    The Vegas opportunity has attracted more interest, with four known groups interested and more unknown parties certainly kicking the tires. Kushner and Iger hired an investment bank and spent months exploring a Vegas bid. Their group and one fronted by Nancy Walton Laurie and Bill Laurie were considered the frontrunners, according to multiple sources.

    Kushner and Iger pivoting to Los Angeles reshapes the bidding and potentially clears the path for Walton Laurie, a Walmart heiress who brings deep pockets and a local flavor to the Vegas process. She and her husband live just outside Sin City in Henderson, Nev., and are worth $18.4 billion, according to Forbes.

    Other known contenders in Las Vegas include a bid fronted by Vegas Golden Knights owner Bill Foley. A group dubbed the Las Vegas Jacks revealed plans to bid with a cap table that includes former Phoenix Suns owner Jerry Colangelo, former Turner Sports executive David Levy, American Century Investments CEO Jonathan Thomas and Prime Capital Financial chairman Scott Colangelo.

  • Creator Agency Fixated Taps Mary Murcko as Chief Revenue Officer

    Media biz veteran Mary Murcko has joined Fixated, an agency that provides support services for creators ranging from talent representation to creator economy support services.

    Murcko has been tapped to steer the company’s global revenue organization, overseeing brand partnerships, direct media sales, podcast sales, clipping and other brand and sponsorship activities. Launched in 2024, Fixated is designed to be a next-generation talent agency plus production services plus distribution partner for promising creators emerging from the wild west of the creator economy.

    Murcko reports to Zach Katz, Fixated’s CEO & founding partner, and Jason Wilhelm, president and co-Founder.

    “Mary is exactly the kind of executive we look for at Fixated—strategic, entrepreneurial and relentlessly focused on growth,” Katz said. “She has repeatedly built modern revenue organizations, expanded commercial partnerships and helped media businesses evolve during periods of transformation. As we continue scaling our platform at Fixated, Mary’s leadership and experience will help us create even more opportunities for creators, brands and advertising partners.”

    Wilhelm pointed to Murcko’s range of experience as being a good fit with Fixated’s mission to build a media firm for the creator economy generation.

    “Mary understands both the needs of today’s creators and the expectations of the world’s leading advertisers,” Wilhelm said. “Her experience building innovative commercial organizations across digital media and the creator economy will help us deepen our relationships with brands and agencies while creating new opportunities for our creators to grow sustainable, long-term businesses.”

    Murcko comes to Fixated after holding senior business and revenue posts for digital firms as Skimm, Fullscreen, Catch+Release and traditional publishing giants including Condé Nast, Gannett and Rodale.

    “I’m excited to join Fixated at such a pivotal moment for the creator economy,” Murcko said. “The company has built an incredibly differentiated platform that brings together talent, content, distribution and monetization in ways that create meaningful value for creators and brands. I look forward to working with the team to deepen our relationships with advertisers and agencies while developing innovative partnerships that help creators build enduring businesses.”

  • Indian Freedom Fighter Bhagat Singh Series in Development at Collective Studios’ Historyverse (EXCLUSIVE)

    A new original series exploring the life of Indian freedom fighter Bhagat Singh is in development at Collective Studios’ Historyverse.

    The project is being made in association with Hathiramani Commercial Ventures and co-produced with investor and entrepreneur Manish Hathiramani, who marks his producing debut with the show.

    The series is designed to move past the familiar episodes of Singh’s story and instead examine the man beneath the myth – his childhood, intellectual development and the social and political forces that shaped his convictions in early 20th-century India. Rather than revisiting the widely known chapters of Singh’s life, the show will track how his ideas evolved across the different stages of his journey, culminating in the revolutionary figure whose legacy continues to endure.

    Sudeep Lahiri, head of channels and distribution at Collective Media Network, said: “There are some figures in our history whose stories we think we know completely. Bhagat Singh is one of them. But behind the icon was a young man whose ideas, influences and experiences shaped the person he would become. That is the story we are interested in exploring. Having Manish come on board as a co-producer makes this collaboration particularly exciting, because we share a strong belief in finding new perspectives within stories that have already been told many times and bringing them to audiences with scale and ambition.”

    “Bhagat Singh is a figure whose life has always fascinated me, but what interests me most is the person before the legend,” Hathiramani added. “We know the revolutionary, the freedom fighter and the icon; this series gives us an opportunity to understand the many facets of Bhagat Singh’s life and the journey that shaped him. I am delighted to be producing this project with Historyverse and to bring a fresh perspective on his life and legacy to audiences.”

    Title, cast and additional details are to be confirmed. Singh has been the subject of at least five Indian features, among them “Shaheed” (1965), “Shaheed-E-Azam” (2002), “23rd March 1931: Shaheed” (2002), “The Legend of Bhagat Singh” (2002) and “Rang De Basanti” (2006). The Bhagat Singh project joins a Historyverse slate that already encompasses titles drawn from Indian mythology and history, including projects centered on Shivaji and Swami Samarth.

  • Andreas Dresen, Doris Dörrie Films to World Premiere at Zurich Film Festival

    The world premieres of two major German films, Andreas Dresen’s “Love, After All” and Doris Dörrie’s “How Can I Help?,” are among 10 titles to feature in the Gala Premieres section of Zurich Film Festival.

    The selection also includes Oscar contenders “I Play Rocky” and “Josephine,” and Switzerland’s most anticipated film, “111 – Echoes From Halifax.”

    Christian Jungen, CEO of the festival, said the section is “dedicated to auteur cinema for a broader audience.”

    “We are particularly delighted that two major figures of German auteur cinema, Andreas Dresen and Doris Dörrie, have entrusted us with the world premieres of their new films,” Jungen said. “Their films are grounded in everyday life and, with a little wink, reflect on the state of our society.”

    He added, “We present films that will play an important role later in the award season, such as ‘I Play Rocky.’” The film tells the story behind the making of the cult classic starring Sylvester Stallone, which won the Academy Award for best picture in 1977.

    Jungen explained that, from a Swiss perspective, “111 – Echoes From Halifax” deserves special mention. “From multiple perspectives, the film sheds light on a major event that shook our nation: the crash of a Swissair aircraft near Halifax,” he said.

    The full program of the 22nd Zurich Film Festival, which runs Sept. 24 to Oct. 4, will be revealed on Sept. 9.

    I PLAY ROCKY
    European Premiere
    Biography
    U.S., 2026
    Director: Peter Farrelly
    Cast: Anthony Ippolito, Matt Dillon, Stephan James, AnnaSophia Robb, PJ Byrne, Toby Kebbell, Tracy Letts, Jay Duplass
    Unknown actor Sylvester Stallone is writing a screenplay titled “Rocky” that a studio is desperate to acquire. But Stallone refuses to sell the rights – unless he gets to play the lead himself. Despite numerous setbacks and rejections, he remains determined to make his dream a reality: playing Rocky Balboa. The result is the ultimate underdog story behind the legendary underdog film.

    JOSEPHINE
    Drama
    U.S., 2026
    Director: Beth de Araújo
    Cast: Channing Tatum, Gemma Chan, Mason Lily Reeves
    When 8-year-old Josephine witnesses a violent crime, her world is out of joint. She is trying to find a way to regain a sense of security. While her emphatic mother (Gemma Chan) wants to help her process what happened, her father (Channing Tatum) believes in preparing Josephine for the harsher realities of life but increasingly finds himself overwhelmed by the situation. With the suspense of a thriller, director Beth de Araújo tells a deeply empathetic family drama about fear and the limits of parental care. Channing Tatum gives one of his strongest performances in this year’s great Sundance Film Festival sensation.

    111 – ECHOES FROM HALIFAX
    European Premiere
    Drama
    Switzerland, Canada, 2026
    Director: Mauro Mueller
    Cast: Ursina Lardi, Kris Holden-Ried, Djebril Zonga, Fathia Youssouf, Natalie Brown
    On Sept. 2, 1998, the crash of Swissair Flight 111 off Halifax changes the lives of many people forever: relatives struggle for certainty about their loved ones, helpers try to offer comfort, and the residents of the Canadian coast are confronted with the traces of tragedy. As time passes and questions remain unanswered, the film shows how grief connects, relationships change, and new perspectives emerge. Mauro Mueller’s film is a quiet, poignant drama about loss, memory and the power of human closeness.

    COMPANY
    Mystery
    Canada, U.S., UAE, 2026
    Director: Casey Affleck
    Cast: Nick Nolte, Ben Mendelsohn, Adelaide Clemens, Scoot McNairy, Emily Alyn Lind, Caylee Cowan
    On a winter night in 1975, a mysterious woman named Evelyn arrives uninvited at a holiday gathering and tells the story of Tom, an aging hermit who rescues a stranded actress during a Colorado blizzard in 1953. To pass the night, the actress recounts an older tale of a farming couple who take in a troubled young drifter as a series of grisly murders spreads fear across the frontier. As the stories intertwine across generations, “Company” becomes a meditation on grief, vengeance, forgiveness and the quiet acts of compassion that can heal even the deepest wounds.

    POSSIBLE LOVE
    Drama
    South Korea, 2026
    Director: Lee Chang-dong
    Cast: Jeon Do-yeon, Sul Kyung-gu, Zo In-sung, Cho Yeo-jeong
    “Possible Love” follows the intertwined relationship of two married couples facing different paths and hidden desires. Mi-ok (Jeon Do-yeon) lives quietly with her laid-off husband Ho-seok (Sul Kyung-gu) and their young son Cheol until a funeral brings them into the orbit of Ye-ji (Cho Yeo-jeong), a documentary filmmaker chronicling laid-off workers, and her husband Sang-woo (Zo In-sung) – a couple whose affluent lifestyle stands in sharp contrast to their own. When Mi-ok agrees to be filmed, she grows close to Ye-ji, and finds herself uneasily drawn to the unreadable Sang-woo. As their worlds collide, fractures begin to appear in their daily existence. Marking his first release in eight years, highly acclaimed director Lee Chang-dong (“Burning,” “Poetry,” “Secret Sunshine”) brings his signature nuance to “Possible Love,” capturing shifting emotions, conflicts, and contrasting outlooks that shape these relationships.

    LOVE, AFTER ALL
    World Premiere
    Tragicomedy
    Germany, 2026
    Director: Andreas Dresen
    Cast: Dagmar Manzel, Joachim Król
    Lore (Dagmar Manzel) and Harry (Joachim Król) have been married for nearly 40 years and there is rarely a moment of silence between them. Old stories, missed chances and the uncertainties of retirement fuel heated discussions. Lore is afraid of growing old and bitter in the garden alongside Harry while he longs for stability and peace. There is only one thing they agree on: Their daughter Gloria has little luck in love. Now, she wants to get married for the third time – this time to a wealthy man who is almost the same age as Harry. A warm-hearted love story inspired by real life, drawing the audience in with its authentic characters and lots of humor.

    IT WILL HAPPEN TONIGHT
    Romance
    Italy, France, Spain, 2026
    Director: Nanni Moretti
    Cast: Louis Garrel, Jasmine Trinca, Hippolyte Girardot, Angela Finocchiaro, Melina Åkerman Kvie, Elena Lietti, Andrea Lattanzi, Antonio De Matteo, Nanni Moretti
    I’ll wait for you, for as long as you want me to. But will it ever happen?

    BURGUNDY
    Documentary
    France, 2026
    Director: Michael Dweck, Gregory Kershaw
    Cast: Enzo Ferraroli, Céleste Kalis, Eric Goettelmann, Patrick Maniere, Guillaume Baroin, Bertrand Devillard
    Burgundy is one of the world’s most famous wine regions. Through the eyes of novices in hospitality and viticulture, the film offers a fascinating glimpse into its unique wine culture, where time-honored traditions live on in rituals centered on luxury and indulgence. Blending documentary and fictional elements, directors Michael Dweck and Gregory Kershaw pay homage to the remarkable and charming people whose zest for life shapes and preserves this unique region and its centuries-old culture.

    HOW CAN I HELP?
    World Premiere
    Drama/Comedy
    Germany, 2026
    Director: Doris Dörrie
    Cast: Angela Winkler, Laura Tonke, Josef Ellers, Via Jikeli, Eugene Boateng, Zoë Baier
    Mrs. Winkler has a fall and becomes a nursing case. Her daughter, overwhelmed by her needs, hires a care robot. After some initial resistance, Mrs. Winkler grows quite fond of him. He takes perfect care of her and keeps her entertained – except that he is also supposed to kill her in case her condition deteriorates further…

    THE HAMMER
    World Premiere
    Documentary
    France, U.S., 2026
    Director: Simon Wallon
    Cast: Simon de Pury, Jeff Koons, Marina Abramović, Chloe Wise, Lou Zhenggang
    A documentary portrait of famed auctioneer Simon de Pury, whose career saw him leading auction houses such as Sotheby’s and Phillips, being the curator of major world collections, an artist, even a DJ, and always being an unavoidable personality “the Mick Jagger of auctions” takes us behind the curtain of the extravagant art market. Art fairs, collectors’ homes, artists’ studios, galas… The film is a welcoming and entertaining dive amongst the 1% and explores the complicated relationship between artists and commerce. Ultimately, it questions what it means to be an artist today. It was shot between New York, Tokyo, London, Cannes, Miami and Monaco.

  • Ritchie Blackmore Performs With Deep Purple for First Time Since Acrimonious Split in Early ’90s, After Warning Fans: ‘I Have Not Played Rock Music in 25 Years’

    Most Deep Purple fans had long since given up any hope of seeing the band ever share a stage with founding guitarist Ritchie Blackmore again, due to a well-know, decades-long estrangement. But that’s exactly what took place near the end of the group’s show Wednesday night at Jones Beach in New York, as hatchets were buried and Blackmore rejoined his old mates for a rendition of the group’s most famous song, “Smoke on the Water.”

    “It’s gonna be interesting,” Blackmore said in a podcast appearance the night before the show, in which the 81-year-old guitar legend leaked news of his imminent appearance. “i have not played rock music in 25 years.”

    At the conclusion of “Smoke in the Water” Wednesday, singer Ian Gillan showered praise on his ex-bandmate before he left the stage. “A couple of days ago I got a message from a local lad… saying ‘I only live around the corner, do you mind if I come and jam with you?’ It was an absolute pleasure to have back on stage the founding member, the great legend,”the immortal Ritchie Blackmore. Thanks, Ritchie. i have to say, it was a great pleasure. I’ll see you in the bar.”

    Probably few in the audience were taken by complete surprise by Blackmore’s cameo, since the previous night, the guitarist had spilled some of the beans in a livestream conversation with his wife, singer Candice Night, the evening before the Jones Beach gig. Blackmore said on Tuesday’s live podcast that he was revealing the secret in advance because he wanted fans who had waited for this moment for decades to at least have a shot at making it to New York in time for Wednesday’s show.

    Blackmore, who co-founded Deep Purple in 1968, had a fallout with other members in 1993 that resulted in him leaving the lineup in 1993 for the second and last time. The fallout was bad enough that Blackmore did not show up at the band’s Rock & Roll Hall of Fame induction in 2016, after being told that the currently touring lineup — which still includes three original or near-original members in Gillan, drummer Ian Paice and bassist Roger Glover — would not reunite with him under any circumstances, even for a short, one-off performance at the ceremony.

    So hell seemed to have frozen over when Gillan recently sent a message gingerly asking if he could come up on stage for one number at a tour date… and the band proved surprisingly agreeable to that notion, after so much water under the bridge.

    “it is a secret and i don’t want anybody to know, but I’m probably going to go up and do an encore with the band, Deep Purple,” Blackmore blurted about eight minutes into the livestream with his wife, singer Candice Night. “But you can’t tell anybody, and I know this will be kept a secret. won’t it?” he joked, even as the web lit up with the news quickly being spread among hard rock buffs.

    Blackmore explained the genesis of this unexpected reunion: “I sent my AI pigeon to Ian Gillan in Portugal, where he lives at the moment, and I said, ‘How would you feel if I got up just for an encore on one of the songs. Don’t want to intrude.’ And I said, ‘No pressure, just kind of old times’ sake.’ You know, I’m 81 now. So (Gillan) seemed to li0e the idea, put it to the band, got a thumbs up, and it looks like we might be doing that.”

    The guitarist admitted he was hardly in practice for a performance with Deep Purple, given the drift in his musical focus since 1993, as he moved on to gentler brand of folk-rock with Blackmore’s Night, the band fronted by his wife.

    “I changed my strings on my Strat, which i haven’t done in over 25 years,” he revealed. “It’s kind of frightening. I haven’t played rock in 25 years. I’ve been playing acoustic guitar for 25 years. And at first i was very uncomfortable playing (acoustic guitar), but i got used to it, and now I’m more used to playing the acoustic, more so than the electric.”

    He said he needed some medical assistance in being able to withstand “Smoke on the Water.”

    “I did have my injection in my lumbar area yesterday,” he explained on the podcast, of needing a steroid shot. “it’s a special injection i have that enables me to stand in one spot, because if I’m playing a Strat, i have a hard time… I have four herniated discs, if anybody wants them. And I had my injection yesterday of a steroid which helps me get through standing on stage. But I have kind of a stool there, just in case I start toppling over or something.”

    Of his reasons for giving fans 24 hours’ notice, he said he “wanted to warn the people living in Romania, so they could fly over… Not really. I just thought it might be an idea to let a few people know because I think a lot of people would like to see that.”

    His announcement of sitting in with the group concluded with the thoughts: “I hope people enjoy it.” And: “it will be good to see the old guys again.”

    Fans from afar turned to the web to look for footage of the show. Perrin Wolfson and Jimmy Kay of the Metal Voice podcast livestreame through the latter part of Deep Purple’s set, waiting for confirmation that it had gone down, and putting up photos and video that were shared with them from inside the show. “History has been made,” Wolfson and Kay crowed as they first got word “Smoke in the Water” was in progress with Blackmore aboard. “I feel like we just walked on the moon.”

  • ‘SNL U.K.’ Season 2 Sets September Date

    ‘SNL U.K.’ Season 2 Sets September Date

    “Saturday Night Live U.K.” will launch its second season on Sky and Now starting Sept. 12, the broadcaster announced, kicking off a run of six new episodes following the show’s debut season earlier this year.

    A trailer for the new season has been released, and additional episodes are planned for early 2027 beyond the initial six-episode run. As in the debut season, every episode will pair a new celebrity host with a musical guest, alongside topical sketches, live musical performances and a British spin on “Weekend Update.”

    Audience tickets will open through a ballot on Aug. 14.

    The six confirmed episodes are set to air on Sept. 12, Sept. 19, Sept. 26, Oct. 10, Oct. 17 and Oct. 24.

    All 11 cast members from the inaugural season are returning: Hammed Animashaun, Ayoade Bamgboye, Larry Dean, Celeste Dring, George Fouracres, Ania Magliano, Annabel Marlow, Al Nash, Jack Shep, Emma Sidi and Paddy Young.

    There are several changes behind the scenes for the new season. Laura Claxton steps up to co-head writer alongside Jonno Johnson, who remains head writer. Director Liz Clare is back for a second season, costume designer Heather MacVean joins the team for the first time, and Sinead Oldnall takes charge of onscreen talent for the U.K. production.

    Universal Television Alternative Studio’s U.K. arm and Broadway Video produce the series for Sky and NOW, with Lorne Michaels executive producing and James Longman leading production. Helen Kruger Bratt heads UTAS U.K. Productions as managing director, with Andy Charles Smith producing for the label, Shanna Baynard overseeing production and Hannah Peddar serving as production executive.

    Phil Edgar-Jones, Sky’s executive director of unscripted originals, commissioned the series, with Alex Moody, the broadcaster’s head of comedy commissioning, handling the second-season order for Sky Studios CEO and chief content officer Cecile Frot-Coutaz.

    Watch the triler here:

  • AI Music Generator Suno Strikes Licensing Deal With BMG as It Preps New Label-Backed Models

    AI Music Generator Suno Strikes Licensing Deal With BMG as It Preps New Label-Backed Models

    Suno, the AI music generator that’s managed to both rankle the music industry and lure some of its biggest talent to its side, has added music company BMG as its latest licensing partner as it prepares new models powered by licensed work.

    The partnership will see Suno pay for BMG’s repertoire of recordings from its artists, while also covering the use of any BMG songs to train Suno’s past models. BMG joins Warner Music Group in settling with the music-generation company, which has been the target of a series of lawsuits alleging unauthorized use of audio recordings to train its data.

    “We believe the future of music will be more participatory, creating entirely new ways for artists and fans to connect,” Suno CEO and co-founder Mikey Shulman said in a statement. “Building that future responsibly means working directly with the people who make music and the companies that represent them. Together with BMG, we can develop new experiences that give artists and songwriters real choice, generate new revenue, and make music a bigger part of people’s lives.”

    Celine Joshua, BMG’s executive vice president of global marketing and streaming, framed music’s future as one where artists and songwriters “share in the value” platforms such as Suno may create.

    “Choice is the guiding principle,” Joshua said. “This agreement establishes strong protections, clear economics, and new creative possibilities for artists and their fans. As we enter the era of creation, we look forward to shaping that future together with our creators and Suno.” 

    The settlement marks BMG’s most notable acceptance of AI’s role in music since the generative era began. It sued Anthropic in California federal court earlier this year for allegedly using its copyrighted works, including songs by the likes of Bruno Mars and the Rolling Stones, to train its models in what it called a scheme of “widespread and systematic infringement.” The case, similar to one brought by other music publishers in 2023, is ongoing.

    BMG also joined a collection of other music labels and companies last month, including WMG, Universal Music Group and Sony Music, in proposing a new set of guidelines for how AI-generated music could chart on music tracking lists, specifying that only tracks that were “substantially human made” qualify for the industry’s measure of success.

    The deal with BMG also gives Suno another layer of legitimacy as it prepares its new industry-backed models, which Suno said on Monday would come soon. Last week, Suno said it would begin watermarking songs downloaded from the platform to help signify the use of AI and limit song downloads for its three usage tiers to combat slop, efforts the company is taking to further legitimize its outputs among the music industry.

    Still, Suno is facing ongoing lawsuits from UMG and Sony Music for copyright infringement, and last month a German court found that the company was violating U.S. and German copyright laws.

     

  • Alex Cooper and Matt Kaplan’s Unwell Media Company Valued at $500 Million After Investment From Patrick Whitesell’s WTSL

    Alex Cooper and Matt Kaplan’s Unwell Media Company Valued at $500 Million After Investment From Patrick Whitesell’s WTSL

    Unwell, the media company co-founded by married couple Alex Cooper and Matt Kaplan, has landed its first outside investor: Patrick Whitesell, co-founder of WME and former executive chairman of successor company Endeavor.

    Whitesell’s WTSL, an investment firm focused on media, entertainment and sports he launched after exiting Endeavor and WME last year, has invested an undisclosed sum in Unwell that values the business at $500 million, according to Unwell. Cooper and Kaplan, who self-funded the company targeting Gen Z women audiences, retain a majority ownership stake. Formed in 2023, Unwell says it has been profitable from day one and sees the WTSL investment as growth capital.

    Unwell said that in addition to the funding, WTSL brings “deep strategic expertise, industry relationships and a proven track record of supporting some of the most innovative companies and storytellers in media,” including Peyton Manning’s Omaha Productions.

    “Trust has become the ultimate distribution channel and 70 million women a month tune into Unwell,” Cooper, whose “Call Her Daddy” podcast remains the company’s tentpole franchise. “We’re scaling on all fronts, combining nimbleness, social-first premium content, and our understanding of culture to serve this highly influential audience. With WTSL’s backing, the company is now also poised to accelerate our media platform’s growth through acquisitions and investments.”

    Whitesell said in a statement, “Alex, Matt and the team have demonstrated an exceptional ability to anticipate where audiences are headed and create entertainment experiences that resonate deeply,” he said. “The company’s growth, audience connection and cultural relevance set it apart, and we believe Unwell is uniquely positioned to help define the present and future of media.”

    Alex Cooper and Patrick Whitesell

    Photo credit: Michela Pini/Unwell

    News of the funding from Whitesell’s WTSL comes after a pair of recent exposés alleging behind-the-scenes chaos at Unwell. According to a Vanity Fair story in June, one Unwell freelancer alleged that Kaplan “creates the most toxic work environment that I’ve ever seen”; anonymous sources also said Kaplan had questioned employees about their sex lives and commented on their physical appearance. In April, Bloomberg reported that Kaplan “has earned a reputation for frequently yelling at staff members” and said Unwell’s employees were “looking for the exit.”

    Cooper, in an interview at Cannes Lions this June with the Wall Street Journal, was asked about the allegations. “I will just kind of leave it at ‘Don’t believe everything that you read on the internet’ — but I think everyone knows that at this point,” she said. Cooper also said, “I think that we have done a really incredible job at Unwell, and I think if you walk the halls, there are so many people that are so happy to work at this company. … I think, unfortunately, being a woman in this industry is extremely difficult because you’re held to a completely different standard. Whether it’s a smear campaign being created for someone’s narrative, whatever it be.”

    Kaplan is the founder of ACE Entertainment, whose credits include “To All the Boys I’ve Loved Before,” one of Netflix’s most-watched original films to date, and popular Gen Z series “XO, Kitty” (also for Netflix).

    “As the premier media company for women, we’re collaborating with some of the biggest brands in the world on creator-led strategies,” Kaplan said in a statement. “Brands realize buying paid ads or influence just isn’t enough in such a disparate media landscape. And, it’s difficult to find a platform like Unwell that meets Gen Z where they are on their terms. That’s something legacy media still hasn’t unlocked.”

    Unwell says its audience is 89% female, with 72% between the ages of 18 and 35. The company claims to have nearly 100 million followers across platforms and generated more than 1.7 trillion earned media impressions in 2025 alone. Its podcast network of more than a dozen shows is supported by a “significant” SiriusXM partnership and video engagement on YouTube. In 2024, Cooper inked a three-year deal with SiriusXM worth as much as $125 million over the course of the agreement.

    Beyond podcasting, Unwell has expanded into series for premium streaming services and YouTube as well as live events.

    The company produced the “Hannah Montana 20th Anniversary Special” on Disney +; partnered with Peacock on live programming from the Paris Olympics; launched reality series “Love Overboard” with Hulu, and has a slate of shows with Netflix, including “Let’s Marry Harry” and “Icebreaker,” set to shoot this fall. Unwell also has a growing portfolio of YouTube-native series announced earlier this year at the streaming giant’s Brandcast event.

    Unwell also has staged nationwide tours, spring break experiences, SXSW activations and other live events (which the company estimates have been attended by more than 150,000 fans in person). The company also has a consumer products business spanning energy drinks, hydration products and stick packs.

  • ‘The Brink of War’ Review: Reagan and Gorbachev Engage in Unengaging Verbal Battle

    ‘The Brink of War’ Review: Reagan and Gorbachev Engage in Unengaging Verbal Battle

    There was a time when talky slabs of recent political history like “The Brink of War,” carried by skilled name actors who aren’t quite stars, were largely the preserve of Emmy-chasing TV networks. Today, with a bit of added Christian-right rhetoric, they’re ready for the big screen, as the growing faith-based film industry expands its palette in terms of subject matter — but not cinematic style, as evidenced by this dutifully drab gray-flannel enterprise from writer-director Michael Russell Gunn.

    The latest from so-called “values-based” distributor Angel Studios comes hot on the heels of their Fourth of July release “Young Washington,” which has drummed up nearly $47 million in theaters, and shares with that Great Man biopic the kind of textbook American patriotism that recalls, well, a certain kind of textbook. The story of how the 1986 Reykjavik Summit between Ronald Reagan and Mikhail Gorbachev paved the way for the next year’s nuclear arms control treaty between the United States and the Soviet Union, it feels veritably designed (right down to its PG rating) to bore kids in history classrooms for generations to come. Adult audiences may be more willing when “The Brink of War” opens wide on Friday, but it’s doubtful they’ll be much more entertained.

    “Young Washington” was stolidly old-fashioned, but still rousing in its gung-ho way. “The Brink of War” is a far dustier, more static affair: Its drama is all in two aging men seated at a table, arguing with each other over two days about nuclear disarmament in a remote Icelandic consulate building. That doesn’t have to be dull, of course, and if you squint a little at the screen, you can just about see the first-rate Broadway play that could emerge from this material — with no casting changes required — if the telling were just a little more tense, and the writing just a little more witty.

    Gunn’s stiff script is attentive to the political dynamics and rhetorical thrust of the talks, and if its repeated emphasis on American honor, freedom and statesmanship makes for a somewhat pious exercise, you can’t deny the narrative stakes are high. The lines of conflict are established early and clearly: Where Gorbachev merely wants to discuss the banning of ballistic missiles, Reagan’s equal emphasis on human rights — in particular, the Soviet Union’s restrictions on Western travel for its citizens — complicates the discussion, while his insistence on pushing the controversial Strategic Defense Initiative continues to be a sticking point for the other side. (No surprise that the film glides over American political opposition to the latter proposal, unambiguously taking Reagan’s side on all fronts.)

    What’s crucially lacking here is a particularly compelling sense of Reagan and Gorbachev as human characters. Jeff Daniels and Jared Harris, respectively, put forward solidly recognizable impressions of the men we knew from televised speeches and newscasts, but aren’t given many notes to play: The leaders’ inner lives are limited to standard-issue exchanges with their wives about professional duty and strain, which don’t vary much in tone from the pithy aphorisms they share with their right-hand men about diplomacy, or lack thereof. Even when religion comes up for discussion, it’s in predictably on-message Angel Studios fashion, as Reagan chides his atheist opponent for “denying [his people] the hereafter.” (“This is worse than propoganda!” protests one of Gorbachev’s aides; irony is not one of the film’s stronger suits.) At one point, Reagan spills some chicken salad sandwich filling on his shirt; it’s about the most unguarded moment we get.

    Reagan also, naturally, gets the leading perspective, as well as the most generous sounding boards in the supporting ensemble: not just his wife Nancy (Hope Davis), who doesn’t travel to Reykjavik but provides repeated counsel over the phone, but his Secretary of State George Shultz (played with an air of gruff, salt-of-the-earth decency by J.K. Simmons), on hand to straighten out Team America’s priorities when the negotiations go awry.

    Though the film’s lens is consistently ennobling — abetted by everything from DP Magdalena Górka’s sober official-portrait lighting to Austin Wintory’s overbearing score — Daniels gets Reagan’s combination of folksy squareness and flintier social conservatism. It’s a more substantial portrayal than Dennis Quaid’s in the tackily propagandistic 2024 biopic “Reagan,” though we’re still left with the impression that, in the ranks of American presidents on screen, the erstwhile movie star remains a less dynamic movie subject.

    Harris, meanwhile, plays Gorbachev as an altogether more aloof, intractable and unknowable figure, which is precisely how the film wants it — though Branka Katić gives the canniest, funniest performance here as his watchful, image-conscious wife Raisa, here placed in a remote PR war with the U.S. First Lady where, yet again, America gets to come out on top. The film could use a few more such colorful secondary strands adjoining the main conflict, though one subplot involving a maybe-romance between two jaded journalists assigned to the summit is oddly framed and abruptly dropped.

    Fairly deliberate for much of its two-hour running time, “The Brink of War” suddenly races toward a denouement in its final quarter-hour — somewhat eliding the fact that the Reykjavik Summit was, at least in the short term, a failure, with the two men’s talks ultimately stalling, and folding it into the clearer success story of the next year’s treaty. As the film’s single most lumpen line of dialogue reminds us at the close: “A journey of a thousand miles doesn’t begin with the most incredible arms deal in history — it begins with a single step.” Gunn’s film, on the other hand, is content to skip a few steps where necessary.

  • Jenna Ortega ‘Would Go All Day’ Without Food or Water as a Child Star to Make Sure She Wasn’t ‘In the Way of Anybody’

    Jenna Ortega ‘Would Go All Day’ Without Food or Water as a Child Star to Make Sure She Wasn’t ‘In the Way of Anybody’

    Jenna Ortega recently told Esquire that, as a child actor, she would go entire days without asking for food or water to make sure she was not “in the way of anybody.”

    “I really had it going for me as a child ‘cause I can’t think of one mistake I made,” Ortega said. “Is that a terrible thing to say? I feel like I make mistakes now all the time, but as a child, I was so grateful and so excited to be there that my game face was on.”

    Part of putting on that game face, Ortega explained, was not asking for anything on set.

    “I wasn’t asking for a sip of water,” she recalled. “I would go all day without eating, drinking, whatever, because I wanted so badly to not be in the way of anybody.”

    Ortega added, “Maybe that was my mistake, was not actually looking after myself.”

    Before she was “Wednesday,” Ortega got her break headlining the Disney Channel series “Stuck in the Middle.” That show debuted in 2016, and Ortega was only 13 years old. Her other early TV credits include “Richie Rich,” “Jane the Virgin,” “You” and “Elena of Avalor.”

    When asked for her take on the stigmas surrounding child stars, Ortega quipped, “Is it wrong to say that a lot of them are true? And do with that what you will.” She later explained that “the motivation” behind her career was sparked very young when she first told her parents she wanted to be an actor.

    “I was 7 years old when I said I wanted to do this,” Ortega said. “My parents laughed at me when I told them that I wanted to do it, and then that was kind of the root of everything. The motivation. And I never really stopped, because I’m very stubborn. And then I never questioned it.”