Tag: Entertainment-Variety

  • How Shawn Hatosy Could Break a 50-Year Emmy Record With ‘The Pitt’

    How Shawn Hatosy Could Break a 50-Year Emmy Record With ‘The Pitt’

    Emmys…paging Dr. Abbot.

    After winning the Primetime Emmy Award for guest actor in a drama series for his turn as Dr. Jack Abbot, Shawn Hatosy returns in Season 2 with expanded visibility, appearing in six of the show’s 15 episodes. In the 50-year history of guest acting races, repeat winners are rare, and repeat winners for the same show are even rarer. Only five actors in the guest drama actor category have ever won more than once: Patrick McGoohan for “Columbo” (1975, 1990), Ed Asner for “Rich Man, Poor Man” (1976) and “Roots” (1977), John Lithgow for “Amazing Stories” (1986) and “Dexter” (2010), Charles S. Dutton for “The Practice” (2002) and “Without a Trace” (2003), and Ron Cephas Jones for “This Is Us” (2018, 2020).

    Notably, no performer has ever won back-to-back guest drama actor Emmys for the same role. It is a lane Hatosy could create entirely for himself.

    That kind of streak has been achieved in other guest categories, most famously by Mel Brooks, who remains the only three-time consecutive winner for “Mad About You,” and Jay Thomas, who won back-to-back for “Murphy Brown.” On the drama side, Margo Martindale pulled it off for “The Americans,” while the guest comedy actress category has seen consecutive wins from Jean Smart for “Frasier” and Maya Rudolph for “Saturday Night Live.” Expanding the lens further underscores the rarity, with only a handful of performers winning multiple times for the same show in nonconsecutive years, including McGoohan for “Columbo,” Patricia Clarkson for “Six Feet Under,” Cephas Jones for “This Is Us,” Colleen Dewhurst for “Murphy Brown,” and Kathryn Joosten for “Desperate Housewives.”

    Warrick Page/MAX

    The HBO Max medical drama broke out in a major way with its first season, winning five Emmys, including outstanding drama series, lead actor for Noah Wyle and supporting actress for Katherine LaNasa, alongside Hatosy’s guest victory. It enters this year’s race as the clear show to beat.

    Hatosy’s work is central to that momentum. As Dr. Abbot, he delivers a grounded, lived-in performance that plays effectively opposite Wyle, anchoring the show’s high-stakes storytelling. His slightly expanded role in Season 2, along with stepping behind the camera to direct the episode “3:00 P.M.,” could even position him for a potential double nomination. With six episodes under his belt, including the upcoming season finale, he once again sits in the gray area between guest and supporting, a space that Emmy voters and Television Academy officials continue to debate.

    Still, narrative matters. Repeat winners often benefit from a compelling story, whether it is overdue recognition or sustained excellence. Hatosy brings both, bolstered by his long collaboration with producer John Wells and standout roles on “Southland” and “Animal Kingdom.”

    With “The Pitt” it gives a chance to redefine what a guest acting win looks like in today’s television landscape. Dr. Abbot might just make Emmy history when he comes off the night shift.

  • Livestreaming Coachella 2026: A Complete Guide to the YouTube Schedule for Weekend 1

    Livestreaming Coachella 2026: A Complete Guide to the YouTube Schedule for Weekend 1

    Coachella 2026 is underway, and for home viewers, so is Couch-ella. Most of the performances from weekend 1 will be streamed live on YouTube, across seven channels for seven stages — check out the full schedule of streams, below.

    Although most sets will be seen live, some will be shown on a delayed basis, like Jack White’s 3 p.m. Saturday show, which won’t be viewable until the afternoon streams get underway at 4 p.m So for those tuning in at home, it pays to make sure you are checking the streaming schedule and not just the on-site lineup.

    Once each day’s performances conclude, the seven channels will spend the overnight and early morning hours serving night owls by rebroadcasting the full lineup from top to bottom, starting at around midnight in most cases and going through breakfast time.

    The three main stage headliners will, of course, be going out live from Indio: Sabrina Carpenter on Friday from 9:05-10:35 PT; Justin Bieber, getting a really late start Saturday at 11:25 p.m., with no announced end time; and Karol G on Sunday beginning at 9:55 p.m. On Friday, the main stage has what amounts to an additional post-headliner headliner, as electronic music artist Anyma goes on as the clock strikes midnight, an hour and a half after Carpenter has wrapped up.

    Here is a full list of the streams scheduled for weekend 1, all in Pacific time, with embedded video links to take you right to the corresponding YouTube channels. While these lineups are separated by stage and channel, if you want to see how the sets overlap as you map out what to prioritize, scroll down for a grid that lists the steams side by side.

    Main Stage Channel Schedule

    Friday, April 10

    5:30 – Teddy Swims
    7:00 – The xx
    9:05 – Sabrina Carpenter
    12 a.m. – Anyma Presents ÆDEN

    Saturday, April 11

    5:30 – Addison Rae
    7:00 – Giveon
    9:00 – The Strokes
    11:25 – Justin Bieber

    Sunday, April 12

    4:00 – Tijuana Panthers
    4:45 – Wet Leg
    6:10 – Major Lazer
    7:50 – Young Thug
    9:55 – Karol G

    Outdoor Theatre Channel Schedule

    Friday, April 10

    4:00 – Dabeull
    5:20 – Lykke Li
    6:40 – Dijon
    8:05 – Turnstile
    10:35 – Disclosure
    11:55 – Bonus Set from Do LaB

    Saturday, April 11

    4:00 – Los Hermanos Flores
    5:10 – Alex G
    6:10 – Blondshell
    7:05 – Sombr
    8:30 – Labrinth
    10:20 – David Byrne

    Sunday, April 12, 2026

    4:00 – Gigi Perez
    5:15 – Clipse
    6:45 – Foster the People
    8:40 – Laufey
    10:30 – Bigbang

    Sahara Channel Schedule

    Friday, April 10

    4:00 – Youna
    4:50 – Hugel
    6:15 – Marlon Hoffstadt
    8:00 – Katseye
    9:15 – Levity
    10:50 – Swae Lee
    12:05 a.m. – Sexyy Red

    Saturday, April 11

    4:00 – Zulan
    5:00 – Hamdi
    6:15 – ¥ØU$UK€ ¥UK1MAT$U
    7:15 – TEED
    8:00 – Nine Inch Noize
    9:10 – Rezz
    10:30 – Adriatique
    11:55 – Worship

    Sunday, April 12

    4:00 – Girl Math (Vnssa x Nala)
    5:05 – Bunt.
    6:10 – Duke Dumont
    7:25 – Mochakk
    9:05 – Subtronics
    10:45 – Kaskade

    Mojave Channel Schedule

    Friday, April 10

    4:15 – Bini
    5:30 – Central Cee
    6:45 – Devo
    8:10 – Moby
    9:20 – Slayyyter
    10:35 – Ethel Cain
    11:55 – Blood Orange

    Saturday, April 11

    4:00 – Jack White
    4:50 – Fujii Kaze
    5:50 – Royel Otis
    7:30 – Taemin
    8:55 – PinkPantheress
    10:15 – Interpol

    Sunday, April 12

    4:25 – Little Simz
    5:35 – Suicidal Tendencies
    6:30 – Samia
    7:10 – Iggy Pop
    8:45 – FKA Twigs

    Gobi Channel Schedule

    Friday, April 10

    4:00 – Bob Baker Marionettes
    4:45 – NewDad
    5:30 – Joyce Manor
    6:15 – CMAT
    7:20 – Fakemink
    8:25 – Holly Humberstone
    9:50 – Joost
    11:05 – Creepy Nuts

    Saturday, April 11

    4:05 – Whatmore
    5:10 – Luísa Sonza
    6:15 – Geese
    7:05 – Noga Erez
    7:50 – Davido
    9:00 – BIA
    10:10 – Morat

    Sunday, April 12

    4:05 – Cobrah
    5:15 – Oklou
    6:30 – Black Flag
    7:10 – Flowerovlove
    7:45 – Tomora
    9:05 – The Rapture
    10:00 – The Chats

    Sonora Channel Schedule

    Friday, April 10

    4:00 – Wednesday
    4:50 – Fleshwater
    6:00 – The Two Lips
    7:10 – Ninajirachi
    8:25 – Cachirula & Loojan
    9:15 – Febuary
    10:00 – Hot Mulligan
    10:55 – Carolina Durante
    11:50 – Not for Radio

    Saturday, April 11

    4:20 – Ecca Vandal
    5:30 – Ceremony
    6:40 – Rusowsky
    7:50 – 54 Ultra
    8:45 – Die Spitz
    9:45 – Mind Enterprises
    10:45 – Freak Slug

    Sunday, April 12

    4:00 – Model/Actriz
    4:45 – Jane Remover
    5:30 – Los Retros
    6:40 – RØZ
    8:00 – Drain
    9:10 – French Police
    10:15 – Glitterer

    Quasar Channel Schedule

    Friday., April 10

    5:00 – Tiga

    7:00 – Deep Dish

    9:00 – PAWSA 1

    11:00 – Disco Lines

    Saturday, April 11

    5:00 – Joezi

    7:00 – Afrojack x Shimza

    Sunday, April 12

    4:00 – Jazzy

    6:00 – JOY (Anonymous)

    8:00 – Fatboy Slim

    And here are the livestreaming schedules on a day-by-day grid, for help in making those tough viewing choices:

  • ‘Ride Along 3’ With Ice Cube, Kevin Hart Hires New Writer After a Decade in Development

    ‘Ride Along 3’ With Ice Cube, Kevin Hart Hires New Writer After a Decade in Development

    Turns out, there’s more story to tell!

    Ice Cube and Kevin Hart may dust off their bickering buddy act now that “Ride Along 3” is once again in early development at Universal. Tim Story, the director of the two previous installments in the cop comedy franchise, and Will Packer, the producer, are also likely back for more. Before you reserve your ticket, it’s worth noting that all of these players have been trying to get another “Ride Along” off the ground for nearly a decade without success.

    That could change. The big news, which Variety has confirmed, is that Daniel Gold, the writer of the Netflix/CBC comedy series “Workin’ Moms,” has been hired to write the screenplay.

    It makes sense that Universal, the studio behind the “Ride Along” films, would want to revive the series. “Ride Along” grossed $155 million when it debuted in 2014, while “Ride Along 2” earned $125 million when it hit theaters in 2016. So what’s behind the delay? The answer may be that big screen comedies have fallen out of favor in recent years. Major studios have largely ceded that ground to streamers like Netflix and Prime Video, which have invested more heavily in the genre.

    For those who may be hazy on the plot of the “Ride Along” films, they follow a security guard who is desperate to prove himself to his girlfriend’s police officer big brother.

    Story and Hart are about to reunite on the upcoming Netflix comedy “72 Hours.” Packer produced “You, Me & Tuscany,” a rom-com with  Halle Bailey and Regé-Jean Page that Universal premiered this weekend. And Cube recently starred in “War of the Worlds” and played himself in last winter’s “Anaconda” reboot.

  • Natasha Lyonne Claims ‘I Was Detained’ by ICE After Being Removed From Flight Following the ‘Euphoria’ Premiere

    Natasha Lyonne Claims ‘I Was Detained’ by ICE After Being Removed From Flight Following the ‘Euphoria’ Premiere

    Natasha Lyonne claimed in a new X post that she was “detained” by ICE after she was kicked off a flight following her April 7 appearance at the “Euphoria” Season 3 premiere in Hollywood. The Emmy nominee, whose appearance on the “Euphoria” red carpet went viral due to her see-through top, was clarifying widely-circulated reports report that claimed she was kicked off a flight from Los Angeles to New York before it took off due to unruly behavior. Page Six was first to report the story.

    “Indeed, I took a Lunesta once seated, to ensure some shut eye on the Delta One red eye flight to NYC,” Lyonne posted on X in response to one of the reports tweeted by E! News. “Boarded seamlessly with just a backpack and sneakers, eager for a nap. Plan was to be bushy tailed & beauty rested, as I was meant to head straight to glam for a slot with our beloved Drew Barrymore upon landing. Was looking forward to seeing Drew & an in depth convo, but I guess ICE had other plans & I was detained instead. Sign of the times, I guess. Thanks for all the love and support. Never had a problem with Delta or TSA before. Heart is with our unpaid TSA workers. Apologies to any travelers who were delayed.”

    Variety has reached out to Lyonne’s agents, plus representatives for ICE and the Department of Homeland Security, for comment.

    Lyonne first revealed she was heading to New York City to appear on “The Drew Barrymore Show” in an April 9 post on X in which she called out the Page Six report by writing: “My heart is with all the unpaid TSA agents at our airports. Sure was looking forward to speaking honestly with Drew Barrymore yesterday but guess wasn’t in the cards. Who owns page six/New York Post now again?”

    Hours after posting, Lyonne popped up in New York City and walked the red carpet at the premiere for the Focus Features documentary “Lorne.” She also attended the film’s after party, where she took photos with friends such as Seth Meyers and Sarah Sherman. Lyonne walked the red carpet with friend Hamer Morgenstern.

    Lyonne revealed in January on X that she had relapsed and was no longer sober, but she circled back with fans in March to announce she was “doing a whole lot better and back on her feet.”

  • Netflix Drops Millie Bobby Brown’s ‘Perfect’ After She Exits Olympics Movie Over Creative Differences

    Netflix Drops Millie Bobby Brown’s ‘Perfect’ After She Exits Olympics Movie Over Creative Differences

    Netflix’s Olympic gymnastics drama “Perfect” is no longer moving ahead at the streamer after Millie Bobby Brown exited the project due to creative differences, two sources with knowledge of the project have confirmed.

    Brown was set to star as Kerri Strug, a member of the 1996 “Magnificent Seven” USA gymnastics team with Gia Coppola directing and Ronnie Sandahl as screenwriter.

    The project was announced last September. Brown had been set to produce under her PMCA shingle, which Nik Bower of Riverstone Pictures and Thomas Benski for Magna Studios as lead producers.

    At 18 years old, Strug helped her team win the gold medal after she performing the vault on an injured ankle. After she landed perfectly and her ankle gave out, her coach had so carry her off the mat, which became a landmark moment in Olympic history. Her team insisted she join them for the gold medal ceremony, and again her coach helped carry her to the podium. She became a heroic figure with appearances on talk shows, a “Saturday Night Live” parody and her photo on the Wheaties box. After her gymnastics career, Strug went on to work as an elementary school teacher and in several positions in the White House and Justice Department.

    Brown just completed five seasons of Netflix’s “Stranger Things,” which she started at 12 years old, and has “Enola Holmes 3” premiering on Netflix this summer. She has also wrapped production on the streamer’s upcoming rom-com “Just Picture It,” in which she stars and also produces, co-starring Gabrielle LaBelle. She’s also working on another Netflix project, “Nineteen Steps,” which will adapt Brown’s debut novel for the screen.

    Spokespeople for Netflix and Brown declined to comment.

  • How Young Will Amazon Make James Bond?

    How Young Will Amazon Make James Bond?

    “Maybe I could be at the bar, swilling a martini, saying nothing.”

    So Louis Partridge told Variety just last year while discussing potential ways to impress Steven Knight at the premiere for “House of Guinness.”

    At the time, Knight — who created the boozy Netflix show starring the fast-rising Brit as an Irish brewery heir — had just been unveiled as the writer of the 26th James Bond film, being directed by Denis Villeneuve. It represents Amazon MGM Studio’s major reboot of the spy franchise after the company acquired creative control from Eon. Partridge, like any actor with his eyes on arguably cinema’s most coveted role, was understandably eager to show off his finest 007 moves.

    Six months on and, whatever Partridge — also known for “Enola Holmes,” “Disclaimer,” Netflix’s upcoming “Pride & Prejudice” and a recent relationship with Olivia Rodrigo — did at the bar in front of Knight, rumors would suggest it paid off. Speculation has now reached Variety that he’s in contention for the job (and beyond simply being put on a bookmaker’s list)

    Of course, as with almost anything regarding Hollywood’s most famous superspy that’s not come directly out of the mouths of its key creative team, it’s important to note that this is no more than speculation. Attempts to confirm with Partridge’s reps or Amazon MGM Studios have been as predictably futile as any Bond villain’s wildly-complicated plans for global domination.

    The Partridge rumor does, however, align with widespread chatter that the incoming 007 will be much younger than previous Bonds. Following a (speculative, of course) report in Deadline earlier this year, the word “fresh-faced” has done the rounds, and many in the industry Variety has spoken to seem to be sure the age is being dialed down a few notches.

    But just how fresh-faced are they going for? At 23-years-old, Partridge’s face is considerably fresher than that of every other name on the ever-evolving conveyor belt of likely candidates (a list currently led by Callum Turner, Jacob Elordi, Aaron Taylor-Johnson and Harris Dickinson). As many might note, he’s barely old enough to have developed a fussy preference over how his cocktails are mixed, let alone legally drink one.

    Elordi, thought to have been a keen target for Amazon for some time, would already have been the youngest Bond at 28 years old. By contrast, Sean Connery was 32 when he started his tenure, Daniel Craig was 38, Pierce Brosnan was 42 and Roger Moore was 45 (and 57 when he signed off). Half a decade younger than Elordi, Partridge would throw the average down considerably more.

    Turner — who recently shot to the bookies’ favorites following, yes, rumors — is 36, a good 13 years older. If the Bond team are considering someone as young as Partridge, is anyone in their mid-to-late 30s, or even in their 30s, off the menu? As one producer tells Variety: “Writing a film to be led by a 23-year-old is completely different to writing one for a 36-year-old — they’re just totally different.”

    But an actor of Partridge’s age would offer producers some solid franchise longevity. Were he to do five to six Bond films over the next 15 or so years, he’d still be under 40 by the time he handed in his Walther PPK. With his star power still yet to hit A-list levels, he’d also be considerably less expensive than an Elordi or Taylor-Johnson.

    If 23 is the rough age being considered, of known names, away from Partridge there’s a relatively small pool of British talent available (and reports earlier this year suggested Bond would be British). “Heartstopper” breakouts Kit Conner (22) and Joe Locke (23) would fit, as would Noah Jupe (21), riding a current wave thanks to the Oscar-winning “Hamnet” and the buzzy “Romeo and Juliet” West End stage production. But, unless they’re going for someone more unknown (a distinct possibility), that’s about it.

    Again, this is mostly informed conjecture and nothing more than that. Never has there been a cinematic topic so fueled by speculation than who will next step into Craig’s blood-splattered 007 brogues (just ask Idris Elba, who has been batting off rumors for what feels like a lifetime).

    And who started this particular bit of speculation? Could it have been someone in Partridge’s team or family? Riz Ahmed’s new semi-autobiographical satirical series “Bait” for Amazon that sees him play a struggling actor who seeks to boost his own Bond chances by ensuring he’s snapped by paparazzi leaving a (lousy) audition. Anything is possible.

    Just to underline the how little we truly know about this, another name recently resurfaced in conversations as someone being “considered.” This time, it was 40-year-old James Norton.

  • Lionsgate Promotes Laurel Pecchia to Senior Vice President of Corporate Communications

    Lionsgate Promotes Laurel Pecchia to Senior Vice President of Corporate Communications

    Lionsgate has promoted Laurel Pecchia to the tole of senior vice president of corporate communications, Variety has learned.

    In her role, she helps lead Lionsgate’s corporate media relations strategies and initiatives, executive communications, employee communications and preparation for quarterly Board of Directors presentations and earnings calls.

    “Laurel is an exceptionally talented and versatile spokesperson whose responsibilities have expanded across the full range of our communications activities,” said Lionsgate chief communications officer Peter Wilkes. “She combines a strong grasp of our fast-changing business environment with a remarkable work ethic, and she is well liked and highly regarded by her Lionsgate and media colleagues alike.”

    Pecchia works across Lionsgate’s motion picture and television groups. Her work involves the studio’s 20,000+ title library as well as communications for the studio’s AI, live and location-based entertainment, digital media, and 3 Arts talent management and production initiatives.

    She originally joined Lionsgate in 2022 as vice president of corporate communications. Prior to her time at Lionsgate, she worked at WME, where she handled corporate and client media relations, wrote executive scripts and press releases and managed internal communications. Before that, she worked in publicity at CBS Films.

    Lionsgate upcoming film slate includes the highly-anticipated Michael Jackson biopic “Michael” as well as “Mutiny” starring Jason Statham and “The Hunger Games: Sunrise on the Reaping.” On the TV side, the studio currently has shows on the air like the critically-acclaimed Hollywood satire “The Studio” at Apple TV, “The Hunting Wives” at Netflix, and the “Power” franchise at Starz.

  • Angus Cloud’s Fez Was the ‘Backbone’ of ‘Euphoria’ Season 3 Before His Death Because Sam Levinson ‘Wanted Him to Stay Clean’ and ‘He Needed Something to Look Forward To’

    Angus Cloud’s Fez Was the ‘Backbone’ of ‘Euphoria’ Season 3 Before His Death Because Sam Levinson ‘Wanted Him to Stay Clean’ and ‘He Needed Something to Look Forward To’

    Euphoria” creator Sam Levinson focused much of the HBO series’ third season around Fezco, the character played by Angus Cloud, before the actor’s death from a fentanyl overdose in July 2023.

    In an interview with the New York Times, Levinson spoke about a version of Season 3 that he wrote before the WGA strike began in May 2023. “Angus was the backbone of that season. I used to even talk to him about it because I wanted him to stay clean,” he said. “So I would invite him over and I’d tell him what the plans were for the character. I’d say, look, he’s been in prison for a few years, so you’ve got to get that yoked prison body. Because I wanted him to start working out and taking care of himself.”

    Levinson also revealed that in his original scripts for Season 1, Fez died at the end, but he felt he “couldn’t do it,” saying that Cloud “needed something to look forward to or else he might get lost in the world.”

    “And then when I was writing Season 2 and I got to the end, I thought, OK, I’m gonna have to do it this time: Fezco’s gonna die,” Levinson continued. “And as we got closer, I just couldn’t do it, especially with everything we’d gone through. I wanted him to have something to hold onto, a tangible goal for the future.”

    At the red carpet premiere for Season 3, Levinson spoke to Variety about Cloud’s death. “Losing Angus was really hard for us as a production. I loved him very deeply,” he said. “I fought hard to keep them clean.” In the version of the the season that will premiere on Sunday, Levinson aimed to “keep [Cloud] alive” in the story, and wrote the episodes in honor of him.

  • ‘All the Evil in the World’ Doc, About Murder of Leftist Italian Student in Egypt, Sparks Political Storm After Being Denied Government Funding

    ‘All the Evil in the World’ Doc, About Murder of Leftist Italian Student in Egypt, Sparks Political Storm After Being Denied Government Funding

    An investigative documentary titled “All the Evil in the World” — about the murder of leftist Italian graduate student Giulio Regeni, who in 2016 was tortured to death in Cairo, allegedly by Egypt’s secret police — is sparking outrage in Italy over the fact that it has been denied government funding by a commission appointed by the country’s right-wing government.

    The doc, directed by Simone Manetti and produced by Italy’s Ganesh productions and Domenico Procacci‘s Fandango, reconstructs the still ongoing quest for judicial truth about the kidnapping, torture and murder of Regeni. Regeni was in Cairo to do research for his doctorate at Cambridge on Egypt’s independent labor unions that operate outside the Egyptian state-controlled trade union federation. His brutalized body was found in a gutter on the side of the Cairo-Alexandria highway on Feb. 3, 2016.

    Reports suggest Regeni was under surveillance in Egypt before his death and suspected of being a spy. Egyptian officials have repeatedly denied having had a hand in Regeni’s death. 

    In parliament on Thursday, Italy’s culture minister Alessandro Giuli rejected accusations of government interference, or even censorship, being prompted by the commission’s recent failure to provide retro-active support for the completed doc. Three members of the government-appointed commission have also resigned in protest.

    “I disagree with the selection committee’s decision on the documentary film about Regeni, both morally and in ideological terms,” Giuli said, responding to a question from the opposition Democratic Party about why funding support for the doc was nixed.

    Meanwhile, undersecretary for culture Lucia Borgonzoni, who oversees the country’s cinema department, has said she expects members of the government-appointed commission that denied funding for the film to stand down.

    “All the Evil in the World” — the title of which is a quote from Regeni’s mother when she saw the marks on her son’s body in a Cairo morgue — tells the murdered student’s story from the point of view of his parents, Claudio Regeni and Paola Deffendi, “who challenged the military dictatorship of [Egyptian President Abdel Fattah el-Sisi] to uncover the truth,” as the synopsis puts it.

    The doc includes an exclusive interview with Alessandra Ballerini, the lawyer who assisted the Regeni family in their long legal battle that has led to a trial being held in Italy of four Egyptian national security agents, without the defendants being physically present. The trial, which started in 2024, is expected to reach a verdict later this year.

    Controversy in the media over denied public funds for “All the Evil in the World” has now prompted the doc to be re-released by Fandango after its event outing in Italian cinemas in early February. Fandango and indie exhibitor Circuito Cinema is releasing the doc on 60 screens in Italy this weekend.

    “Putting the film back in cinemas is the best response to those who are hellbent on this documentary becoming a one-sided [political] battle,” Fandango chief Procacci said in a statement.

    The doc, which is being sold by Fandango Sales, is now also set to screen in more than 70 Italian universities and, on May 5, will get a special screening at the European Parliament in Brussels.

  • AI-Assisted Captain James Hook Feature in Works at Moonmax (EXCLUSIVE)

    AI-Assisted Captain James Hook Feature in Works at Moonmax (EXCLUSIVE)

    AI studio Moonmax has unveiled a slate of features signifying a push into more mainstream film production, including a project based on J. M. Barrie’s famed pirate antagonist, Captain James Hook.

    The company, known for its AI courses and delivering talks and workshops at places such as Oxford University and the Miami Film Festival, has revealed what it describes as an “expanded, creatively driven production slate spanning feature development, high profile IP adaptations, and global education initiatives.”

    Among the new projects in development is “James,” an AI-assisted feature film inspired by the origin story of Hook. Conceived as a character study tracing the literary buccaneer’s life from Royal Navy officer to the mutiny that led him to piracy, the project will employ a hybrid motion-to-video production workflow that captures real human performances while integrating AI. The film will be executive produced by Elliot Grove, founder of both the British Independent Film Awards and Raindance Film Festival.

    Beyond “James,” Moonmax is building a slate linked to both video games and literary properties. This includes “People of the Wolf,” the first instalment of the New York Times bestselling book series, North America’s Forgotten Past, by Kathleen and Michael Gear. This hybrid live-action/AI adaptation will combine traditional filmmaking with AI-driven animation techniques.

    The company is also developing “Snowbear,” an original children’s feature following a family who discover a displaced yeti, driven from its mountain home by the expansion of a ski resort, what it says is an “allegory for habitat loss, climate change, and the need for environmental stewardship.” The film blends hand-drawn illustrations, storyboards, and animatics with AI-powered image-to-video technology.

    “While we’re bullish about the possibilities, we do believe the future will be hybrid, not fully AI,” said Moonmax CEO Daniel Gordon, who also serves as Head of AI at Raindance Film Festival and Head of AI and Innovation at American Film Market. “I think the best creative projects will be those that prioritise human craft and talent: developing stories before even touching a computer, before bringing in AI selectively for execution.”