Tag: Entertainment-HollywoodReporter

BBC Studios CEO Tom Fussell and Zai Bennett, CEO and chief creative officer of BBC Studios Productions, discussed tariff talk by U.S. President Donald Trump, mega-consolidation, including the planned Netflix-Warner Bros. Discovery deal, the growth of the company’s U.S. streaming business, and the Bluey movie.

They spoke to the press on the first day of the 50th annual BBC Studios Showcase in London. BBC Studios, the commercial arm of British broadcaster BBC, is known for such hit franchises as animated powerhouse Bluey, Netflix’s Baby Reindeer, legal drama The Split and its upcoming spin-off The Split Up, and such natural science hits as Walking With Dinosaurs, and it recently unveiled new shows to mark broadcaster and naturalist David Attenborough’s 100th birthday on May 8.

“We have seen no impact” from Trump tariff talk, Fussell said when asked about any possible fallout, also lauding the continuing popularity of BBC News in the U.S. He didn’t discuss Trump’s lawsuit against BBC News, simply touting the resilience of the BBC brand and saying “we are not seeing any changes.”

Asked about Netflix-WBD, he said “we are well diversified, and obviously, you can only control what you can control, so you focus on your priorities, and our priority is carrying the transformation and the growth in the areas we’ve got.” He emphasized though that “no doubt, … people have talked about challenging markets and the rest of it, and our view going forward is that the market growth is not going to be anything like what it had been in the [past] five years.”

Continued Fussell: “And when you start seeing rumors upon rumors about takeovers and consolidation, that normally is testament to the fact there aren’t huge amounts of growth in the market, because everyone’s looking for … synergies. But we know what we’re doing. We know where we want to be investing in our global expansion of our studio.”

In that context, he also highlighted that BBC Studios was “a growing business that’s transforming,” with revenue up 55.7 percent over the last four years.

Following TV market challenges, Bennett on Monday suggested that “there are definitely green shoots of recovery,” sharing that “Paramount is back in the market, spending money,” among other things. But he reiterated that things are “definitely not” expected to return to the highs of the past five years but play out in a new normal range.

Fussell suggested though that he felt the business would be “talking about striving again,” from scripted to unscripted and, vitally, kids programming.

Mentioning the 2019 BBC Studios deal with what was then Discovery to take full control of UKTV’s entertainment channels, including Dave, Gold, and Drama, as well as a 2024 deal with ITV that gave the company full control of streamer BritBox International, Fussell also signaled that BBC Studios could also strike more acquisitions of its own. He said it would “carry on investing organically and maybe inorganically.”

Bennett, who started his role in late 2024, similarly noted that BBC Studios Productions is seeing “solid organic growth and investment” and “looking for inorganic growth in some territories,” mentioning the rest of Europe, the Middle East and Africa as one possible region for deals.

Fussell added that there “are opportunities for inorganic growth in streaming across the genres,” adding: “I think we have a right, as the home of British streaming, to grow that even further.” But he emphasized that “these opportunities take time,” concluding: “We are very judicious with how we spend that investment.”

Fussell on Monday also touted the success of streaming services BritBox and BBC Select, which focuses on documentaries, in North America. “Last week was the fifth birthday of BBC Select, and BBC Select is now the third-largest factual SVOD in the States, and we’re really proud of that,” he said. He also touted the growth of BritBox and its launch of a premium tier.

Among content trends, Bennett was asked about the growth of microdramas, saying that “we’re looking at that right now” and signaling the company could talk about this space more in the coming months. He added: “We’re certainly experimenting.”

Questioned about audience and buyer appetite, he sees for escapist content versus programming dealing with the world’s cultural and political divisions, Bennett said BBC Studios Productions looks at market needs and is “leaning into specificity and Britishness” more than anything else.

Current and old content favorites also drew reporter questions on Monday. Could motoring show Top Gear return to U.K. screens? Replied Bennett: “Never say never.”

Of course, the upcoming Bluey: The Movie was also a talking point. Fussell shared that he just visited creator Joe Brumm in his studio in Brisbane, calling the experience “an absolute pleasure,” and saying that the work on the film was going well. But “I can’t say anything” more, he emphasized. And Bennett shared: “We’ve seen bits of it, and it looks amazing.”

AMC Entertainment Holdings has seen its fourth-quarter net loss edge down on lower overall revenues as it hopes for stronger Hollywood box office this year.

On Monday, the debt-laden parent of AMC Theatres reported overall revenues at $1.28 billion, down 1.4 percent against a year-earlier $1.3 billion. That came as total attendance at its domestic and international theaters fell nearly 10 percent to 56.3 million patrons during the latest quarter.

U.S. markets attendance was off 7.5 percent to 39.7 million filmgoers, while international attendance was off nearly 15 percent at 16.5 million ticket buyers after a roller coaster ride for Hollywood box office in 2025.

AMC Theatres’ net loss for its most recent financial quarter was $127.4 million, against a year-earlier loss of $135.6 million, or a diluted loss per-share of 25 cents, compared to a loss of 35 cents per-share in the same period of 2024. During the latest quarter, admissions revenue came in at $701.6 million, against a year-earlier $721.4 million, while food and beverage revenue was also down at $436.5 million, compared to $446.2 million in the same period of 2024.

AMC is riding a premium screen gold rush at the local multiplex by offering varied immersive auditoriums like Imax, Dolby Cinema, iSense, XL and laser projection-equipped screens. AMC Theatres CEO Adam Aron in remarks that accompanied his latest financial results anticipated better Hollywood box office anticipated in 2026.

“Looking ahead, our studio partners are poised to deliver on their commitment to release more titles in 2026 and beyond, and this makes us increasingly optimistic. Encouragingly, the January North American box office was approximately 16 percent ahead of the same period last year, and the European box office growth has been even more significant,” he argued.

Also Monday, parent AMC Entertainment Holdings said a subsidiary, Muvico LLC, had launched an offering of $1.73 billion in first lien notes due 2031 as part of ongoing debt refinancing efforts. The company also recently announced it had struck an agreement to sell up to $150 million of class A common stock to address its high debt load coming out of the pandemic.

AMC Theatres will hold its Q4 analyst call on Tuesday after the market close.

BBC Studios CEO Tom Fussell and Zai Bennett, CEO and chief creative officer of BBC Studios Productions, discussed tariff talk by U.S. President Donald Trump, mega-consolidation, including the planned Netflix-Warner Bros. Discovery deal, the growth of the company’s U.S. streaming business, and the Bluey movie.

They spoke to the press on the first day of the 50th annual BBC Studios Showcase in London. BBC Studios, the commercial arm of British broadcaster BBC, is known for such hit franchises as animated powerhouse Bluey, Netflix’s Baby Reindeer, legal drama The Split and its upcoming spin-off The Split Up, and such natural science hits as Walking With Dinosaurs, and it recently unveiled new shows to mark broadcaster and naturalist David Attenborough’s 100th birthday on May 8.

“We have seen no impact” from Trump tariff talk, Fussell said when asked about any possible fallout, also lauding the continuing popularity of BBC News in the U.S. He didn’t discuss Trump’s lawsuit against BBC News, simply touting the resilience of the BBC brand and saying “we are not seeing any changes.”

Asked about Netflix-WBD, he said “we are well diversified, and obviously, you can only control what you can control, so you focus on your priorities, and our priority is carrying the transformation and the growth in the areas we’ve got.” He emphasized though that “no doubt, … people have talked about challenging markets and the rest of it, and our view going forward is that the market growth is not going to be anything like what it had been in the [past] five years.”

Continued Fussell: “And when you start seeing rumors upon rumors about takeovers and consolidation, that normally is testament to the fact there aren’t huge amounts of growth in the market, because everyone’s looking for … synergies. But we know what we’re doing. We know where we want to be investing in our global expansion of our studio.”

In that context, he also highlighted that BBC Studios was “a growing business that’s transforming,” with revenue up 55.7 percent over the last four years.

Following TV market challenges, Bennett on Monday suggested that “there are definitely green shoots of recovery,” sharing that “Paramount is back in the market, spending money,” among other things. But he reiterated that things are “definitely not” expected to return to the highs of the past five years but play out in a new normal range.

Fussell suggested though that he felt the business would be “talking about striving again,” from scripted to unscripted and, vitally, kids programming.

Mentioning the 2019 BBC Studios deal with what was then Discovery to take full control of UKTV’s entertainment channels, including Dave, Gold, and Drama, as well as a 2024 deal with ITV that gave the company full control of streamer BritBox International, Fussell also signaled that BBC Studios could also strike more acquisitions of its own. He said it would “carry on investing organically and maybe inorganically.”

Bennett, who started his role in late 2024, similarly noted that BBC Studios Productions is seeing “solid organic growth and investment” and “looking for inorganic growth in some territories,” mentioning the rest of Europe, the Middle East and Africa as one possible region for deals.

Fussell added that there “are opportunities for inorganic growth in streaming across the genres,” adding: “I think we have a right, as the home of British streaming, to grow that even further.” But he emphasized that “these opportunities take time,” concluding: “We are very judicious with how we spend that investment.”

Fussell on Monday also touted the success of streaming services BritBox and BBC Select, which focuses on documentaries, in North America. “Last week was the fifth birthday of BBC Select, and BBC Select is now the third-largest factual SVOD in the States, and we’re really proud of that,” he said. He also touted the growth of BritBox and its launch of a premium tier.

Among content trends, Bennett was asked about the growth of microdramas, saying that “we’re looking at that right now” and signaling the company could talk about this space more in the coming months. He added: “We’re certainly experimenting.”

Questioned about audience and buyer appetite, he sees for escapist content versus programming dealing with the world’s cultural and political divisions, Bennett said BBC Studios Productions looks at market needs and is “leaning into specificity and Britishness” more than anything else.

Current and old content favorites also drew reporter questions on Monday. Could motoring show Top Gear return to U.K. screens? Replied Bennett: “Never say never.”

Of course, the upcoming Bluey: The Movie was also a talking point. Fussell shared that he just visited creator Joe Brumm in his studio in Brisbane, calling the experience “an absolute pleasure,” and saying that the work on the film was going well. But “I can’t say anything” more, he emphasized. And Bennett shared: “We’ve seen bits of it, and it looks amazing.”

BBC Studios CEO Tom Fussell and Zai Bennett, CEO and chief creative officer of BBC Studios Productions, discussed tariff talk by U.S. President Donald Trump, mega-consolidation, including the planned Netflix-Warner Bros. Discovery deal, the growth of the company’s U.S. streaming business, and the Bluey movie.

They spoke to the press on the first day of the 50th annual BBC Studios Showcase in London. BBC Studios, the commercial arm of British broadcaster BBC, is known for such hit franchises as animated powerhouse Bluey, Netflix’s Baby Reindeer, legal drama The Split and its upcoming spin-off The Split Up, and such natural science hits as Walking With Dinosaurs, and it recently unveiled new shows to mark broadcaster and naturalist David Attenborough’s 100th birthday on May 8.

“We have seen no impact” from Trump tariff talk, Fussell said when asked about any possible fallout, also lauding the continuing popularity of BBC News in the U.S. He didn’t discuss Trump’s lawsuit against BBC News, simply touting the resilience of the BBC brand and saying “we are not seeing any changes.”

Asked about Netflix-WBD, he said “we are well diversified, and obviously, you can only control what you can control, so you focus on your priorities, and our priority is carrying the transformation and the growth in the areas we’ve got.” He emphasized though that “no doubt, … people have talked about challenging markets and the rest of it, and our view going forward is that the market growth is not going to be anything like what it had been in the [past] five years.”

Continued Fussell: “And when you start seeing rumors upon rumors about takeovers and consolidation, that normally is testament to the fact there aren’t huge amounts of growth in the market, because everyone’s looking for … synergies. But we know what we’re doing. We know where we want to be investing in our global expansion of our studio.”

In that context, he also highlighted that BBC Studios was “a growing business that’s transforming,” with revenue up 55.7 percent over the last four years.

Following TV market challenges, Bennett on Monday suggested that “there are definitely green shoots of recovery,” sharing that “Paramount is back in the market, spending money,” among other things. But he reiterated that things are “definitely not” expected to return to the highs of the past five years but play out in a “new normal” range.

Fussell suggested though that he felt the business would be “talking about striving again,” from scripted to unscripted and, vitally, kids programming.

Mentioning the 2019 BBC Studios deal with what was then Discovery to take full control of UKTV’s entertainment channels, including Dave, Gold, and Drama, as well as a 2024 deal with ITV that gave the company full control of streamer BritBox International, Fussell also signaled that BBC Studios could also strike more acquisitions of its own. He said it would “carry on investing organically and maybe inorganically.”

Bennett, who started his role in late 2024, similarly noted that BBC Studios Productions is seeing “solid organic growth and investment” and “looking for inorganic growth in some territories,” mentioning the rest of Europe, the Middle East and Africa as one possible region for deals.

Fussell added that there “are opportunities for inorganic growth in streaming across the genres,” adding: “I think we have a right, as the home of British streaming, to grow that even further.” But he emphasized that “these opportunities take time,” concluding: “We are very judicious with how we spend that investment.”

Fussell on Monday also touted the success of streaming services BritBox and BBC Select, which focuses on documentaries, in North America. “Last week was the fifth birthday of BBC Select, and BBC Select is now the third-largest factual SVOD in the States, and we’re really proud of that,” he said. He also touted the growth of BritBox and its launch of a premium tier.

Among content trends, Bennett was asked about the growth of microdramas, saying that “we’re looking at that right now.” He added: “We’re certainly experimenting.”

Questioned about audience and buyer appetite, he sees for escapist content versus programming dealing with the world’s cultural and political divisions, Bennett said BBC Studios Productions looks at market needs and is “leaning into specificity and Britishness” more than anything else.

Current and old content favorites also drew reporter questions on Monday. Could motoring show Top Gear return to U.K. screens? Replied Bennett: “Never say never.”

Of course, the upcoming Bluey: The Movie was also a talking point. Fussell shared that he just visited creator Joe Brumm in his studio in Brisbane, calling the experience “an absolute pleasure,” and saying that the work on the film was going well. But “I can’t say anything” more, he emphasized. And Bennett shared: “We’ve seen bits of it, and it looks amazing.”