Odd News // 3 weeks ago
Prosthetic leg, surfboard among Los Angeles Metro’s Lost & Found
March 13 (UPI) — The Los Angeles Metro revealed some of the most unusual items in its Lost & Found, including a surfboard, a prosthetic leg and a 55-inch TV.

Odd News // 3 weeks ago
Prosthetic leg, surfboard among Los Angeles Metro’s Lost & Found
March 13 (UPI) — The Los Angeles Metro revealed some of the most unusual items in its Lost & Found, including a surfboard, a prosthetic leg and a 55-inch TV.

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Weekend one of Coachella has officially arrived, meaning its cowboy boot-covered sister festival is just around the corner. While a limited number of passes are still available through Stagecoach‘s official ticketing site, axs.com, prices have increased on AXS since initial release, meaning customers can find some of the best deals on third-party platforms, namely StubHub, TicketNetwork, Vivid Seats, Ticket Liquidator, SeatGeek and Gametime. Plus, The Hollywood Reporter has exclusive discount codes for select sites (all listed below).
When comparing resale platforms, StubHub stands out for its large inventory, while TicketNetwork offers the best THR-exclusive promotion: $150 off $500 and up with code THR150, and $300 off $1,000 and up with code THR300 at TicketNetwork.com. THR‘s additional promo codes are listed directly below.
TicketNetwork, Vivid Seats and SeatGeek are offering exclusive deals to THR readers:
At a Glance: How to Buy Stagecoach 2026 Tickets Online
In addition to the THR-exclusive promo codes for TicketNetwork, Vivid Seats and SeatGeek (all listed above and below), resale platforms StubHub, Ticket Liquidator and Gametime also have a number of discounted passes to catch Cody Johnson, Lainey Wilson and Post Malone live (scroll for the full 2026 lineup and confirmed set times). Learn more about each ticketing site — and their corresponding promo codes — below. Inventory is extremely limited, so act fast.
Note: Since pricing and inventory are constantly fluctuating, we didn’t include current pricing details below, and recommend checking each of the six sites listed (StubHub, TicketNetwork, Vivid Seats, Ticket Liquidator, SeatGeek and Gametime) to compare costs at time of purchase.
With the most expansive resale inventory, StubHub has a number of Stagecoach tickets still on sale.
TicketNetwork has 2026 Stagecoach tickets, and right now, THR readers can get $150 off orders of $500 and up with promo code THR150, or $300 off $1,000 and up with code THR300.
Use code THR30 to save $30 on purchases of $300 and above at vividseats.com.
New customers can use promo code HOLLYWOOD10 to save $10 on purchases of $250 and up at SeatGeek.
Headlining the festival are Cody Johnson (Friday), Lainey Wilson (Saturday) and Post Malone (Sunday). Other artists on the bill include Bailey Zimmerman, The Red Clay Strays, Ella Langley, Counting Crows, Riley Green, Journey, Little Big Town, Teddy Swims, Brooks & Dunn, Hootie & The Blowfish, Third Eye Blind, Diplo, Pitbull and Ludacris. See the full 2026 Stagecoach lineup below.
See below for Stagecoach 2026 set times.
Related: How to Get Last-Minute Coachella Passes for Both Weekends of the Sold-Out 2026 Festival

It seems like a lifetime ago when a record 11 companies — including the six major Hollywood studios — teased their upcoming films in 2018 at CinemaCon, the annual convention of theater owners and operators that’s been held for decades in Las Vegas.
The mood was one of general optimism; annual domestic box office revenue was still clocking in at north of $11 billion despite the rise of streaming. But in a harbinger of a far more serious threat — consolidation — then-20th Century Fox movie head Stacey Snider brought many to tears when addressing the looming sale of a large swath of Rupert Murdoch’s media and entertainment empire, including the film studio, to Disney. “Today we face a new transition and potential merger that will have lasting implications for the film business,” she said. A year later, Snider was gone, with the renamed 20th Century movie division becoming part of Disney’s CinemaCon presentation. “It’s a bit of a shock to be here as colleagues,” confessed Emma Watts, who had been vice chair at Fox and did a brief post-merger stint at Disney.
Shock was one way to put it. This year’s CinemaCon could prove all-out surreal as the number of major legacy studios further erodes at a time when cinemas need more product that can work theatrically, not less, if they are ever to recover from the pandemic and labor strikes. Numerous movies are expected to finally be dated, for example.
A plethora of huge stars and filmmakers are expected to participate, including Christopher Nolan and possibly even Steven Spielberg, as well as actors Zendaya, Matt Damon, Tom Holland, Timothée Chalamet and Tom Cruise. But the radical consolidation underway in Hollywood will share the stage inside the cavernous Colosseum Theater at Caesars Palace as nervous exhibitors try to wrap their heads around the notion of Skydance founder David Ellison buying up Warner Bros. — no matter what the cost or debt incurred — when the ink has barely dried on his acquisition of Paramount Pictures, which had been left crippled after years of financial neglect.
But hope runs eternal among box office pundits, with many counting on a repeat of summer 2023 and the Barbenheimer phenomenon. “Everyone feel very bullish about the prospects for a mighty impressive summer for movie theaters and studios,” says Comscore chief analyst Paul Dergarabedian.
Bullish, and terrified. “It’s unclear how the elephant in the room is going to play out, whether increased pressure from the tech companies, or the merging of two iconic studios with little clarity on what a joined Warner Bros./Paramount will ultimately look like in the film ecosystem a year from now,” says one top studio executive. “All of this will cast a bit of shadow on what’s supposed to be a celebratory week.”
Here’s a guide to the biggest headlines that could come out of CinemaCon 2026 from the five remaining legacy studios hosting presentations — Sony, Warners, Universal, Paramount and Disney. Amazon MGM, which is celebrating its first major box office hit, Project Hail Mary, also is presenting, as is the indie outfit Neon. Amazon MGM could leave exhibitors all-out elated if it dates the next Bond pic, although Daniel Craig’s replacement as 007 isn’t likely to be revealed just yet. Then again, it is Vegas.

Spider-Man: Brand New Day
Courtesy of Sony Pictures
Sony Pictures Entertainment chair Tom Rothman, whose studio for years has opened the show on Monday night, can generally be counted on for a pithy quote, such a “Netflix, my ass” (said at 2017’s CinemaCon). He and his team also could share sneak footage of what’s virtually assured of being the biggest live-action pic of the summer, Spider-Man: Brand New Day (July 31), produced by Marvel Studios president Kevin Feige. And don’t forget about the four Beatles pics that are Rothman’s passion project. Directed by Sam Mendes, they are opening in April 2028. Maybe we’ll finally know the exact dates each one is debuting.

From Left: Warner Bros. movie chiefs Pam Abdy and Mike De Luca flanked distribution head Jeff Goldstein, who had fun promoting Superman at CinemaCon 2025. This year, they’ll be plugging Diggers, starring Tom Cruise, who is seen (far right) at the 2022 premiere of Paramount’s Top Gun: Maverick with then-Skydance CEO David Ellison, who now runs all of Paramount and could soon be running Warners as well.
Eric Charbonneau/Warner Bros./Getty Images; Tristan Fewings/Getty Images
A year ago, Warner Bros. film chiefs Mike De Luca and Pam Abdy were raked over the coals by the media — this reporter included — when touting Sinners and One Battle After Another at CinemaCon. Pundits said both films cost far too much. The duo certainly got the last laugh: Sinners picked up a record 16 Oscar nominations and won a slew of top categories, including best original screenplay for filmmaker Ryan Coogler and best actor for Michael B. Jordan, and One Battle After Another won best picture, best director and adapted screenplay for Paul Thomas Anderson. It isn’t clear if De Luca and Abdy will follow Snider’s cue and talk about the ownership change; Ellison has said repeatedly he’ll keep the two studios separate (many say that’s likely true for at least two years).
Otherwise, expect to see something from their year-end movie Diggers, directed by Alejandro González Iñárritu and starring Tom Cruise in his first potential awards film in years. Legendary’s Dune: Part 3, starring Chalamet and Zendaya, and DC’s Supergirl will also be highlighted. Overall, Warners’ presentation may have fewer stars, but those that do turn out will be names known around the world.

Illlumination and Universal’s Minions & Monsters
Illumination & Universal Pictures
Whether or not Ellison will be on the ground in Vegas, new Paramount studio chiefs Dana Goldberg and Josh Greenstein are sure to make as much news as possible, either by announcing release dates or new projects. They’ll also promote films including May’s Billie Eilish — Hit Me Hard and Soft: The Tour, a 3D concert film directed by James Cameron. And Cruise recently was filmed atop Paramount’s water tower for some sort of CinemaCon reel. At Skydance, Ellison grew close with Cruise when partnering with Paramount and co-financing the Mission: Impossible and Top Gun franchises.

The Devil Wears Prada 2
Macall Polay/20th Century Studios

The Mandalorian & Grogu
Francois Duhamel/Lucasfilm
Like Warners in years past, Universal is known for throwing a talent-rich CinemaCon show. Don’t expect that to change this time as it pulls off nothing short of a coup: having Nolan on hand to plug his July epic The Odyssey (Damon plays the lead, while other high-profile names on the call sheet include Zendaya, Holland and Charlize Theron). And don’t be surprised if Spielberg could make his CinemaCon stage debut to promote Disclosure Day, his summer sci-fi event picture that stars Emily Blunt (she’s also in The Devil Wears Prada 2, which kicks off the summer box office May 1), Josh O’Connor, Eve Hewson, Colin Firth and more. And exhibitors never tire of the chance to catch up with longtime Universal movie chief Donna Langley, who now overseas all content across movies, TV and streaming as chair of NBCUniversal Entertainment & Studios.
Disney, which historically relied on footage instead of talent, also is expected to pull out all the stops in terms of star and filmmaker power. Its slate is enviable, from 20th Century’s The Devil Wears Prada sequel to Pixar’s Toy Story 5 to the December event pic Avengers: Doomsday. That last one, from Marvel, has been shrouded in mystery, so now would be an opportune time to demonstrate that the film will deliver. Sources say Doomsday is exploding on long-lead tracking. Disney also has two Star Wars films on the horizon: director Jon Favreau’s The Mandalorian & Grogu, which releases in May, and next year’s Starfighter, starring Ryan Gosling.

Toy Story 5
Disney/Pixar
A version of this story appeared in the April 8 issue of The Hollywood Reporter magazine. Click here to subscribe.

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United States Vice President JD Vance has departed for Pakistan to engage in talks on ending the US-Israeli war with Iran, saying he expects “positive” results.
Vance spoke briefly to reporters on Friday as he boarded a plane bound for Islamabad, where talks with Iran were set to be held the following day.
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“We’re looking forward to the negotiation. I think it’s going to be positive. We’ll, of course, see,” he said.
Vance added that President Donald Trump had given him “pretty clear guidelines” for the meeting.
“If the Iranians are willing to negotiate in good faith, we are certainly willing to extend an open hand, that’s one thing,” he said.
“If they’re going to try to play us, they’re going to find that the negotiating team is not that receptive.”
Some observers have seen the last-minute move to have Vance lead the US delegation as a sign of Iran’s wariness with US Special Envoy Steve Witkoff and Trump’s son-in-law Jared Kushner.
Witkoff and Kushner, who will still attend Saturday’s talks, had twice led indirect negotiations about Iran’s nuclear programme.
Those talks were ongoing when Israel initiated a 12-day war on Iran in June 2025, which ended with the US striking three of Iran’s key nuclear sites, and when the US and Israel launched the latest war on February 28.
While deeply loyal to Trump, Vance is also viewed as less hawkish than many of the president’s other top officials.
A former member of the US Marine Corps during the 2003 Iraq war, Vance has become representative of the anti-interventionist wing of Trump’s “Make America Great Again” (MAGA) movement.
“It’s interesting that JD Vance has been singled out to head this delegation. He hasn’t played much of a role to date,” Al Jazeera correspondent Mike Hanna reported from Washington, DC.
“One of the reasons, possibly, is because the Iranians had expressed their preference for dealing with Vance, rather than the other envoys who they have been dealing with.”
Iranian Parliament Speaker Mohammad Bagher Ghalibaf and Foreign Minister Abbas Araghchi are expected to lead the Iranian delegation, although it is not clear if any representative from Iran’s Islamic Revolutionary Guard Corps (IRGC) would attend.
The format of negotiations, and whether the US and Iranian officials would speak face to face or through intermediaries, was not revealed as of Friday.
The talks on Saturday will cap an extraordinary week in the war, which saw Trump threaten strikes on Iran’s civilian infrastructure, including power plants and bridges, if Tehran did not agree to his terms.
International law experts have said such strikes would likely constitute war crimes.
On Tuesday, just hours before the temporary ceasefire was announced, Trump went further, pledging that a “whole civilization will die tonight” if a deal was not reached.
While the pause in fighting has generally held, both sides have offered conflicting messages on the agreed-upon terms.
The Trump administration said it agreed to a 10-point plan put forward by Iran, but maintained the points are different from an earlier 10-point proposal it previously rejected.
No clarity has emerged on key issues, including control over the Strait of Hormuz, the future of Iran’s nuclear programme, and whether Israel’s invasion of Lebanon is subject to the ceasefire.
Both the US and Israel have maintained that pausing the fighting in Lebanon was not part of the initial ceasefire agreement, contradicting claims from Iran and Pakistan.
However, on Thursday, in a phone interview with an Israeli journalist, Trump said he told Israeli Prime Minister Benjamin Netanyahu to make the operations in Lebanon more “low key”, so as not to derail the talks in Pakistan.
In a phone interview with the New York Post on Friday, Trump re-upped his threat, saying the US was “loading up the ships with the best ammunition, the best weapons ever made” in the event the talks fall through.
Ghalibaf, meanwhile, cast doubt on whether the negotiations would move forward.
In a post on X on Friday, he maintained two conditions of the initial agreement had not yet been fulfilled. They included the “ceasefire in Lebanon and the release of Iran’s blocked assets prior to the commencement of negotiations”.
“These two matters must be fulfilled before negotiations begin,” Ghalibaf wrote.
Iran’s Deputy Foreign Minister for Political Affairs Majid Takht Ravanchi, meanwhile, told a meeting of foreign ambassadors on Friday that Iran welcomed the Pakistan dialogue.
But Ravanchi added he remained wary that it could be used as a deception, to cover for renewed escalation in the fighting. He said Iran seeks an agreement with guarantees that it will not be attacked again.
Before the negotiations, the two sides appear to be “miles apart, and there’s tremendous amounts of mistrust” before the meeting, according to Ali Vaez, the Iran project manager at the International Crisis Group.
“In fact, I would argue that they’re beginning from a negative starting point now, because of their recent experience of the Trump administration bombing them twice in the middle of negotiations in the past year,” Vaez explained.
“However, the reality is that every option possible has been tried: Sanctions, economic coercion, military coercion, and both sides ended up in a lose-lose scenario towards the end of this conflict.
“And if they are practical, they’ll realise it is so much better and less costly … to do concessions at the negotiating table,” he added. “But that is much easier said than done.”
Reporting from Islamabad, Al Jazeera correspondent Osama Bin Javaid cited multiple sources as saying some “ground progress is already being made” before the arrival of the marquee negotiators.
But he noted it remains to be seen whether the US and Iran resume their negotiations from February, when talks about Iran’s nuclear programme were unfolding in Oman and Switzerland.
“Now the question is: Where does that framework begin? Is it going to be where they left off in Oman and in Geneva?” Bin Javaid said. “Or after the evolution of the last six weeks, it is going to start from scratch?
“What are the modalities that they will have to agree upon?”

Netflix’s Olympic gymnastics drama “Perfect” is no longer moving ahead at the streamer after Millie Bobby Brown exited the project due to creative differences, two sources with knowledge of the project have confirmed.
Brown was set to star as Kerri Strug, a member of the 1996 “Magnificent Seven” USA gymnastics team with Gia Coppola directing and Ronnie Sandahl as screenwriter.
The project was announced last September. Brown had been set to produce under her PMCA shingle, which Nik Bower of Riverstone Pictures and Thomas Benski for Magna Studios as lead producers.
At 18 years old, Strug helped her team win the gold medal after she performing the vault on an injured ankle. After she landed perfectly and her ankle gave out, her coach had so carry her off the mat, which became a landmark moment in Olympic history. Her team insisted she join them for the gold medal ceremony, and again her coach helped carry her to the podium. She became a heroic figure with appearances on talk shows, a “Saturday Night Live” parody and her photo on the Wheaties box. After her gymnastics career, Strug went on to work as an elementary school teacher and in several positions in the White House and Justice Department.
Brown just completed five seasons of Netflix’s “Stranger Things,” which she started at 12 years old, and has “Enola Holmes 3” premiering on Netflix this summer. She has also wrapped production on the streamer’s upcoming rom-com “Just Picture It,” in which she stars and also produces, co-starring Gabrielle LaBelle. She’s also working on another Netflix project, “Nineteen Steps,” which will adapt Brown’s debut novel for the screen.
Spokespeople for Netflix and Brown declined to comment.

“Maybe I could be at the bar, swilling a martini, saying nothing.”
So Louis Partridge told Variety just last year while discussing potential ways to impress Steven Knight at the premiere for “House of Guinness.”
At the time, Knight — who created the boozy Netflix show starring the fast-rising Brit as an Irish brewery heir — had just been unveiled as the writer of the 26th James Bond film, being directed by Denis Villeneuve. It represents Amazon MGM Studio’s major reboot of the spy franchise after the company acquired creative control from Eon. Partridge, like any actor with his eyes on arguably cinema’s most coveted role, was understandably eager to show off his finest 007 moves.
Six months on and, whatever Partridge — also known for “Enola Holmes,” “Disclaimer,” Netflix’s upcoming “Pride & Prejudice” and a recent relationship with Olivia Rodrigo — did at the bar in front of Knight, rumors would suggest it paid off. Speculation has now reached Variety that he’s in contention for the job (and beyond simply being put on a bookmaker’s list)
Of course, as with almost anything regarding Hollywood’s most famous superspy that’s not come directly out of the mouths of its key creative team, it’s important to note that this is no more than speculation. Attempts to confirm with Partridge’s reps or Amazon MGM Studios have been as predictably futile as any Bond villain’s wildly-complicated plans for global domination.
The Partridge rumor does, however, align with widespread chatter that the incoming 007 will be much younger than previous Bonds. Following a (speculative, of course) report in Deadline earlier this year, the word “fresh-faced” has done the rounds, and many in the industry Variety has spoken to seem to be sure the age is being dialed down a few notches.
But just how fresh-faced are they going for? At 23-years-old, Partridge’s face is considerably fresher than that of every other name on the ever-evolving conveyor belt of likely candidates (a list currently led by Callum Turner, Jacob Elordi, Aaron Taylor-Johnson and Harris Dickinson). As many might note, he’s barely old enough to have developed a fussy preference over how his cocktails are mixed, let alone legally drink one.
Elordi, thought to have been a keen target for Amazon for some time, would already have been the youngest Bond at 28 years old. By contrast, Sean Connery was 32 when he started his tenure, Daniel Craig was 38, Pierce Brosnan was 42 and Roger Moore was 45 (and 57 when he signed off). Half a decade younger than Elordi, Partridge would throw the average down considerably more.
Turner — who recently shot to the bookies’ favorites following, yes, rumors — is 36, a good 13 years older. If the Bond team are considering someone as young as Partridge, is anyone in their mid-to-late 30s, or even in their 30s, off the menu? As one producer tells Variety: “Writing a film to be led by a 23-year-old is completely different to writing one for a 36-year-old — they’re just totally different.”
But an actor of Partridge’s age would offer producers some solid franchise longevity. Were he to do five to six Bond films over the next 15 or so years, he’d still be under 40 by the time he handed in his Walther PPK. With his star power still yet to hit A-list levels, he’d also be considerably less expensive than an Elordi or Taylor-Johnson.
If 23 is the rough age being considered, of known names, away from Partridge there’s a relatively small pool of British talent available (and reports earlier this year suggested Bond would be British). “Heartstopper” breakouts Kit Conner (22) and Joe Locke (23) would fit, as would Noah Jupe (21), riding a current wave thanks to the Oscar-winning “Hamnet” and the buzzy “Romeo and Juliet” West End stage production. But, unless they’re going for someone more unknown (a distinct possibility), that’s about it.
Again, this is mostly informed conjecture and nothing more than that. Never has there been a cinematic topic so fueled by speculation than who will next step into Craig’s blood-splattered 007 brogues (just ask Idris Elba, who has been batting off rumors for what feels like a lifetime).
And who started this particular bit of speculation? Could it have been someone in Partridge’s team or family? Riz Ahmed’s new semi-autobiographical satirical series “Bait” for Amazon that sees him play a struggling actor who seeks to boost his own Bond chances by ensuring he’s snapped by paparazzi leaving a (lousy) audition. Anything is possible.
Just to underline the how little we truly know about this, another name recently resurfaced in conversations as someone being “considered.” This time, it was 40-year-old James Norton.
America’s Big Tech companies may soon learn that saddling up with Donald Trump doesn’t tend to work out in the end. As the president sows chaos and distrust around the globe while taking aim at EU tech regulations, Europe is looking for ways to adopt its own alternatives. The latest example is France, which said it’s dropping Microsoft Windows in favor of Linux.
On Wednesday, France said (via TechCrunch) it plans to move its workstations from Windows to the open-source Linux. It’s part of a broader movement across Europe toward digital sovereignty, aimed at reducing reliance on foreign tech — especially American and Chinese. Although homegrown alternatives aren’t available in many areas, the EU seems prepared to wean itself off where it can.
In January, France announced that it would move its videoconferencing from Zoom and Teams to the French-made Visio. As part of this week’s Linux announcement, France added that it would also migrate its health data to a new platform by the end of 2026.
Since taking office, Trump has used tariffs and other measures to try to bully European nations into dropping their regulations on America’s tech industry. In August, he vowed to “stand up to Countries that attack our incredible American Tech Companies.” (The strange capitalizations are his, not ours.) His administration has described laws like the EU’s Digital Services Act as “censorship” and “a tax.”
So far, Europe has stood firm. “I want to be very clear: our digital sovereignty is our digital sovereignty,” European Commission President Ursula von der Leyen said at the Munich Security Conference in February. “We have a long tradition in freedom of speech. Actually, the Enlightenment started on our continent.”
Christian Kroll, CEO of German search engine Ecosia, foresaw Europe’s predicament soon after Trump’s 2024 reelection. “We, as a European community, just need to make sure that nobody can blackmail us.” He added that “if the US turned off access to search results tomorrow, we would have to go back to phone books.” Granted, the guy is selling a European-made search engine, so his bias is clear. But the salience of his point stands.
Giorgos Verdi, policy fellow at the European Council on Foreign Relations, said the Trump administration’s behavior underscores the need for Europe to break free. “Could the US use its dominance over AI chips, its dominance over cloud in Europe, its dominance over AI systems in order to exert more pressure?” Verdi asked CNN rhetorically in January. “In order to build more resilience for Europe… there is a geopolitical case for European innovations to emerge.”
Amazon is ending support for third-party integrations on its Luna cloud gaming service. The most immediate changes mean that it’s no longer possible to buy Ubisoft+ and Jackbox Games subscriptions or standalone games through Luna.
Amazon will automatically any cancel active subscriptions bought through Luna at the end of customers’ next billing cycle. If you have a Ubisoft+ subscription that you bought directly from Ubisoft instead, you’ll still be able to access games on that service through Luna until June 10.
The Bring Your Own Library option — which allows users to play games they own on the likes of EA, GOG and Ubisoft on Luna — is going away too. You won’t be able to access games from on those storefronts via Amazon’s streaming service after June 3.
If you bought any games outright on Luna, you’ll still be able to play them there until June 10. Unlike Google did when it shut down Stadia, Amazon isn’t offering refunds for those purchases. However, you’ll still have access to them through the respective third-party platform that’s linked to your account, be it the EA App, GOG Galaxy or Ubisoft Connect.
That doesn’t exactly help folks who don’t have powerful-enough systems to play more demanding games and were relying on Luna. As such, some people might need to turn to the likes of GeForce Now in order to keep playing games they bought through Luna (and they’ll need to hope GFN actually supports their specific games).
Amazon has been reshaping Luna over the last several months. It rolled out a revamped version of the service back in October, with more of a focus on GameNight party games that you can play with a smartphone.
Prime subscribers will still be able to claim PC games and stream games on the Luna Standard tier at no extra cost. The Luna Premium subscription, which includes a wider range of third-party games, is still available too.
“We’re doubling down on a broad range of gaming experiences, including strong third-party titles, delivered in ways that make great games more accessible, as well as new and unique gaming experiences like GameNight,” Amazon wrote in an email to Luna users. The company also said it will offer some folks a free Luna Premium subscription.