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  • Final Emmy Voting Opens: 25 Records That Could Be Broken, From Jean Smart and Allison Janney’s All-Time Tie to Harrison Ford’s First Trophy at 84

    Final Emmy Voting Opens: 25 Records That Could Be Broken, From Jean Smart and Allison Janney’s All-Time Tie to Harrison Ford’s First Trophy at 84

    Final Emmy voting is now open.

    More than 20,000 Television Academy members have the final ballots in hand for the 78th Emmy Awards, with voting remaining open through Wednesday, Aug. 26, at 10 p.m. PT. When the envelopes begin opening — first during the two-night artisans ceremony, formerly known as the Creative Arts Emmys, on Sept. 5 and 6, and then during NBC’s Sept. 14 telecast from the Peacock Theater — some of the longest-standing records in Emmy history could fall.

    HBO Max enters the final stretch as the most-nominated network, led by two of the year’s biggest contenders: reigning drama champion “The Pitt” and the fifth and final season of “Hacks.” But the night could produce history well beyond the top program races. Two actresses could tie the all-time record for acting wins on the same night. A limited series could accomplish something no program has done in the category’s history. The competition could produce just the fourth three-peat ever — or the first for a show celebrating its 50th season. And perhaps the most poignant possibility sits in guest actor in a comedy series, where Rob Reiner is nominated posthumously alongside Michael J. Fox. Either outcome would rewrite the record book.

    Here’s a rundown of the records, milestones and fun facts among some of the nominees this year, category by category.

  • Wall Street Pushback Halts SEC’s Crypto Fundraising Framework, Sources Say

    Wall Street Pushback Halts SEC’s Crypto Fundraising Framework, Sources Say

    In brief

    • The SEC abruptly canceled a Friday open meeting that would have launched formal rulemaking on Regulation Crypto Assets, a new framework for crypto fundraising, just three days after announcing it.
    • Sources say Wall Street trade group SIFMA, which has lobbied against broad regulatory exemptions for crypto and tokenized-securities firms, raised the prospect of legal action over the SEC’s statutory authority, contributing to the agency standing down.
    • The policy conversation continues this week with a White House event Wednesday featuring Trump and top crypto executives, the CFTC’s inaugural Innovation Advisory Committee meeting Thursday, and ongoing Clarity Act negotiations ahead of a September 15 cloture vote.

    More drama in Washington’s ongoing crypto policy debate unfolded Friday when the Securities and Exchange Commission abruptly canceled a meeting that would have kicked off the formal rulemaking process for a new framework governing crypto fundraising in the United States, known as Regulation Crypto Assets.

    The meeting had been announced just three days earlier and was widely viewed as the securities regulator taking the initiative to lay the groundwork for clearer crypto rules while the industry’s marquee legislation, the Clarity Act, remains in limbo until lawmakers return from recess in mid-September.

    Myriad: Will the Clarity Act be signed into law in 2026? Click to make your prediction.
    Myriad: Will the Clarity Act be signed into law in 2026? Click to make your prediction.

    An SEC spokesperson attributed the cancellation to an “unforeseen scheduling issue” but provided no further details.

    Talk to enough people in crypto policy circles with their ears to the ground, however, and you’ll hear additional details involving the Securities Industry and Financial Markets Association (SIFMA) and the White House.

    First, some backstory: Over the past year, SIFMA, which represents many of Wall Street’s leading broker-dealers, investment banks and asset managers, has repeatedly pushed back against broad regulatory relief for crypto and tokenized securities firms. In a June 2025 letter, the group urged the SEC not to make major changes to the rules governing tokenized securities and other parts of the securities markets through no-action letters or exemptions. Instead, it called for a public notice-and-comment process, warning that broad relief could create regulatory arbitrage, weaken investor protections and fracture market liquidity.

    The SEC’s Crypto Task Force has been working for months on an innovation exemption that could give crypto firms more flexibility to trade tokenized securities without being subject to all the same rules governing traditional Wall Street firms. Bloomberg reported that the agency was considering unveiling details last Friday, potentially alongside its proposed framework for crypto fundraising. Unlike the fundraising proposal, the innovation exemption would rely on the SEC’s existing exemptive authority rather than go through formal rulemaking.

    Multiple industry sources who spoke with Crypto In America say the White House asked the SEC to postpone Friday’s meeting over concerns that Reg Crypto Assets and, separately, the innovation exemption could complicate Clarity Act negotiations ahead of the Senate’s procedural vote in September. The bill addresses both crypto fundraising and tokenized securities.

    But there may be another layer to the story.

    According to two sources familiar with the matter, SIFMA discussed the possibility of legal action if it determined that the SEC had exceeded its statutory authority under federal securities laws, including through exemptions or no-action relief. The prospect of a legal challenge may have contributed to the White House’s decision to ask the SEC to stand down and cancel the meeting, the sources said.

    Asked about the discussions around a potential legal challenge, a SIFMA spokesperson declined to address them, saying: “SIFMA does not comment on specious or hypothetical theories. In this situation in particular, it would be premature to comment on something that currently doesn’t exist.”

    The White House and the SEC did not immediately respond to requests for comment on this reporting.

    It remains unclear whether the SEC will reschedule the meeting before the Senate returns next month.

    In the meantime, the White House and crypto’s top regulators are expected to keep the policy conversation going this week, with separate events on Wednesday and Thursday.

    SEC Chairman Paul Atkins and CFTC Chairman Michael Selig will attend a White House event Wednesday alongside executives from across crypto, prediction markets and traditional finance, where President Trump is expected to deliver remarks.

    Industry leaders expected to attend include Coinbase CEO Brian Armstrong, Ripple CEO Brad Garlinghouse, Gemini founders Tyler and Cameron Winklevoss, Kraken co-CEO Arjun Sethi, a16z crypto Managing Partner Chris Dixon, BitGo CEO Mike Belshe, Blockchain.com CEO Peter Smith, Polymarket CEO Shayne Coplan, Kalshi CEO Tarek Mansour, Chainlink CEO Sergey Nazarov, Intercontinental Exchange CEO Jeff Sprecher and Nasdaq CEO Adena Friedman, among others.

    On Thursday, Selig will host the inaugural meeting of the CFTC’s Innovation Advisory Committee, whose 43 members include several of the executives listed above. Futures Industry Association President and CEO Walt Lukken will chair the committee. The agenda includes crypto regulation, the growing roles of artificial intelligence and agentic finance, and, of course, prediction markets.

    Meanwhile, lawmakers and their staff are expected to continue negotiating the Clarity Act’s unresolved issues ahead of a cloture vote scheduled for the afternoon of September 15. DeFi and developer protections, provisions in the Senate Agriculture Committee’s portion of the bill, and ethics rules for government officials all remain outstanding.

    Negotiators will also have to contend with continued lobbying from the banking industry for changes to the bill’s stablecoin yield provisions. Despite that push, some of the country’s biggest bank CEOs still support seeing the broader legislation pass, including Goldman Sachs CEO David Solomon and Citi CEO Jane Fraser.

    “We have not given up on pushing to get some improvements made to the bill, but we would like to see a good bill go through,” Fraser told FOX Business in an interview last week. “I think it would be excellent for the system.”

    Crypto in America is a newsletter written by Eleanor Terrett. Follow the link to read in full and subscribe.

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  • Disneyland Paris to Welcome ‘The Lion King’ Animatronics, Re-Themed Space Mountain and New Parade

    Disneyland Paris to Welcome ‘The Lion King’ Animatronics, Re-Themed Space Mountain and New Parade

    Disneyland Paris may have just launched a new World of Frozen land earlier this year but it’s already looking towards its next land, which is set to be inspired by “The Lion King.”

    Imagineers offered fans a sneak peek of the attraction at the D23 expo in Anaheim over the weekend, including a look at concept art featuring an animatronic Scar.

    Concept art of the upcoming Disneyland Paris expansion themed after ‘The Lion King’ (Courtesy of The Walt Disney Company)

    The ride will bring to life the iconic scene in the 1994 animated classic, where Scar confronts his royal nephew. Set in a new 30,000 square metre area designed to reflect an African savanna, it will include attractions, stores, restaurants and character interactions.

    Although no opening date was announced for the highly-anticipated area, which will be the first in Disney’s global stable of immersive properties to be entirely dedicated to the big cat movie, construction is well under way at Disney Adventure World, one of two parks at the Disney’s French outpost.

    “The teams at Walt Disney Imagineering, Disneyland Paris and Disney Animation are hard at work bringing to life the beloved world of ‘The Lion King,’ which has captivated audiences for more than three decades,” said Michel den Dulk, VP portfolio executive at Walt Disney Imagineering Paris. “We believe this epic story was also embraced thanks to its unforgettable villain, so we are excited to lift the curtain on Scar’s presence in this major attraction. Thanks to an extraordinary level of detail, our guests will experience the very heart of the film’s story, its emotion and thrills, in an entirely new way.”

    Concept art of the new parade at Disneyland Paris (courtesy of The Walt Disney Company)

    In the meantime, visitors to the Paris-adjacent resort will have other attractions to look forward to. An “Up”-inspired ride called Wilderness Explorers Sky Swings will open next year while in 2028 Space Mountain is set to be re-themed, returning to its original 1995 version “De la Terre à la Lune” (“From the Earth to the Moon”) based on Jules Verne’s novel of the same name. (For the past ten years it has been themed to “Star Wars” as “Hyperspace Mountain.”) The ride will close towards the end of next year to accommodate the update, which will see a new spin on the original steampunk theme. Steve Bramson’s original score is also set to be fully remastered as part of the refurb.

    Also in 2028, for the first time since 2017 Disneyland Paris will debut a unique new daytime parade led by Mickey Mouse and friends. It will include eight new floats with beloved characters from films including “Aladdin,” “The Princess and the Frog,” “Rapunzel” and “Coco.” By the time of its launch, it will have required more than 10,000 hours of research and technical development and 225 sketches of costumes, wigs and makeup.

    “A new dawn of storytelling is upon us at Disneyland Paris,” said Christophe Murphy, president of Disneyland Paris. “From a vibrant daytime parade and a classic comeback for Space Mountain in Disneyland Park to the continued development of a themed area inspired by ‘The Lion King’ in Disney Adventure World, we are investing in the stories our guests love while continuing to evolve what a Disney visit can be. By listening to our fans and never standing still, I’m confident we are creating experiences that will delight people for years to come.”

  • US Treasury proposes rules for stablecoin issuance and sales under GENIUS Act

    US Treasury proposes rules for stablecoin issuance and sales under GENIUS Act

    The US Treasury Department proposed new rules Monday detailing how stablecoin issuers and digital asset service providers would comply with key provisions of the $GENIUS Act.

    The Notice of Proposed Rulemaking focuses on Section 3 of the law, defining when a payment stablecoin is considered issued in the United States and when a platform is considered to offer or sell a stablecoin to someone in the country.

    The proposal is scheduled for publication in the Federal Register on Aug. 18, with comments accepted for 60 days.

    Under the proposal, a stablecoin would generally be considered issued in the US if the issuer is located in the country at the time of issuance or if the stablecoin is issued to someone located in the US.

    For individuals, Treasury would generally look at physical presence, while US incorporation or a principal place of business in the country would determine the location of companies.

    Foreign issuers could avoid being treated as issuing in the US if they reasonably believe recipients are outside the country, maintain controls designed to prevent issuance to people located in the US, and do not target US users through advertising or solicitation.

    The $GENIUS Act is expected to take effect on Jan. 18, 2027. From that point, companies generally will not be allowed to issue payment stablecoins in the US without authorization under the federal or state regulatory framework, subject to exceptions for qualifying foreign issuers.

    Beginning July 18, 2028, digital asset service providers would generally be prohibited from offering or selling stablecoins to people located in the US unless they were issued by a permitted payment stablecoin issuer or a qualifying foreign issuer.

    Foreign issuers would also need the technological capability to comply with lawful US orders and applicable reciprocal arrangements.

    Treasury’s proposal gives several examples of what could constitute offering or selling a stablecoin in the US, including directly soliciting US users, advertising that a stablecoin is available to them, responding to purchase inquiries from people in the country, and helping users bypass location restrictions such as IP address checks.

    Platforms could receive protection if they reasonably believe the customer is outside the US, maintain controls designed to prevent sales to people in the country, and avoid advertising or solicitation targeting US users.

    The proposal also exempts certain direct transfers between individuals and transactions involving self custody wallets from the Section 3 prohibitions.

    Treasury is also seeking industry feedback on how the framework should apply to activities including airdrops, stablecoin buybacks, wrapped tokens, blockchain bridges, market makers and transfers to exchanges or liquidity providers.

    The proposal is one part of a broader implementation of the $GENIUS Act. Treasury, FinCEN and OFAC previously proposed rules covering anti money laundering and sanctions compliance requirements for permitted stablecoin issuers in April.

    The $GENIUS Act was signed into law in July 2025 and requires payment stablecoins to maintain reserves backing their outstanding tokens on a one to one basis using eligible assets including cash, deposits and short term Treasury securities.

  • BitMart founder dismisses calls for audit as users report blocked funds, unpaid employees

    BitMart founder dismisses calls for audit as users report blocked funds, unpaid employees

    “We have collected full evidence of the content on X, all of which is fabricated rumors,” Lee said. “During daytime US time, we will file a police report and send a lawyer’s letter to X, demanding technical and data forensics.”

    Regarding unpaid staff, the founder of the Cayman Islands-based crypto exchange said, employee assets “are not prioritized over client assets, everyone is a client, and there are no privileges.”

    An X user known as BeardStaff said their assets had been inaccessible since the July 26 announcement, and that a dedicated VIP manager removed them from Telegram the day withdrawals stalled. “Where is my $10 million?” they posted.

    Another user cut straight to Lee’s hacked account claim.

    “No one asked you if the account was hacked or not,” wrote @chicha_liam. “Answer what people have been asking you since July 26. When will users be able to withdraw their funds?”

    Onchain investigator ZachXBT also pushed back. “If you actually have the liquidity, then simply return the funds to everyone instead of posting vague statements.”

    Roshan Dharia, CEO of distressed investment firm Echo Base, told CoinDesk via Telegram that his firm has offered BitMart a funded restructuring package including debtor-in-possession financing and equity at emergence, underwritten by Echo Base as a claimholder. He said BitMart has not responded.

  • Motion Picture Association Inks AI IP Protection Deal With ByteDance

    Motion Picture Association Inks AI IP Protection Deal With ByteDance

    Six months after a fully AI-generated viral video of Tom Cruise battling Brad Pitt took the internet by storm, the tech behind the ripoff has been tweaked to protect Hollywood intellectual property and likenesses.

    The Motion Picture Association on Monday said that it had reached a Memorandum of Understanding (MOU) with the Chinese tech giant ByteDance that will provide “strong guardrails” within its tech and platforms that will protect Hollywood.

    The agreement covers Seedance, the AI video model that generated the Cruise vs. Pitt video, as well as Seedream 5.0 Lite, TikTok, CapCut and Dreamina, among others.

    The launch of Seedance and the ensuing deal bears a striking similarity to Sora, OpenAI’s video model, which launched last year with a flurry of unauthorized videos featuring well-known characters and people, only to fizzle out after the tech giant agreed to pull back on the ripoffs. OpenAI ended up killing Sora earlier this year.

    ByteDance, however, is continuing to invest in Seedance, which has become one of the most advanced video models alongside offerings from Google and others.

    “Today’s agreement illustrates our belief that copyright is a cornerstone of the film and television industry – and reinforces our commitment to protect creative content,” said MPA Chairman and CEO Charles Rivkin in a statement. “For the past several months, we have had constructive engagement with ByteDance to implement meaningful guardrails on Seedance and Seedream, and this MOU reflects our shared determination to continue our work together to further fortify those guardrails.”

    “ByteDance respects the intellectual property rights that underpin creative industries around the world, and we believe responsible innovation in AI goes hand in hand with meaningful protections for rightsholders,” adds John Rogovin, general counsel of ByteDance. “We appreciate the productive engagement with the MPA and its members as we continue to strengthen safeguards across our generative AI services. This MOU establishes an important framework for continued collaboration as the technology evolves, across a variety of products and platforms.”

  • Alia Shawkat Has Thoughts About Actors Who Don’t Work With Female Filmmakers

    Alia Shawkat Has Thoughts About Actors Who Don’t Work With Female Filmmakers

    Alia Shawkat has been trying to star in a stoner comedy for years. She signed on to Dylan Meyer‘s The Wrong Girls during the pandemic, giving a near-instant yes after her first coffee meeting with the writer-director and with the knowledge that the project would reunite her with her The Runaways costar Kristen Stewart. The group put on a table read for investors, and secured the financing to move forward. Then Shawkat got pregnant. The actress isn’t one to let anything get in the way of a job — she points out that she shot both the second season of The Old Man and the movie Atropia during her pregnancy — but The Wrong Girls requires some specific considerations.

    “There is so much weed smoking in this movie,” she says with a laugh. “Even if we could hide my pregnancy, and even though we’re not smoking real weed, you just really can’t do that.”

    Shawkat paused her commitment to the film, and — fickle as the indie film industry is — the financing disappeared. “And then I had my kid, and was like, I’m back, and I look normal,” she says. “And they were able to find more money.”

    Now, the long-awaited film has finally hit theaters, offering moviegoers an utter rarity: A stoner comedy about women, starring women, and helmed by a first-time female director. Here, the actress tells THR why it was worth the way.

    To start, I have to imagine this is one of the more fun press tours you’ve been doing…

    We’ve been doing really chill stuff. We were just hanging out with a bodega cat for awhile. All these internet shows are so funny. They’re like, say whatever you want and we’ll edit it into what we need. We did this one called, I think, Natasha Gets the Munchies, and she takes edibles and wears Google glasses and films her meals. Kristen and I met up with her at Korean barbecue, and we all just ate. She didn’t even ask us questions. It was like, do you guys like acting? It was so low-key. I was like, wow, journalism has changed.

    Kristen and I trip out on it so much, because we spent our lives making film and television and we’re like, this has nothing to do with it. I feel like an old person. I’ve been looking up these formats because I’ve never heard of any of these internet shows and it’s like, they have Oprah Winfrey on.

    Do you remember the first big press commitment you did?

    I used to get invited to a lot of kid premieres when I was a child actor. I was at like the Inspector Gadget premiere. I remember being on a red carpet and everyone screaming my name, and I was really shocked. They were probably pronouncing my name wrong too. I looked like a little adult, with a purse and my hand on my hip. I was like, I’m a woman. I also did a TV Guide blurb when I was nine and my mom still has it at our house. I think I talked about having a cat.

    Tell me about getting started on The Wrong Girls; it’s had a really long path to the screen.

    Dylan wrote it 13 years ago. She always had Kristen in mind, and then years later they met and got married. Dylan was like, I sent you a script a long time ago, and Kristen was like, no you didn’t. And then she found the email, and she just didn’t respond. But it’s so hard to get anything made, and I do really trust that things will happen in their own weird, mysterious way. It all happened for the best, especially since when they first wrote those characters it was for girls in their early 20s which is such a different vibe. Now it’s about girls in their mid- to late-30s being like, we’re still doing it. My character is 36 and just deciding if I’m going to move out and have a job, which I think is so funny. I think it just works better.

    Do you think that the fact that this is a stoner comedy about women played a part in making it harder to get financing, or get to the screen?

    In the past, obviously, it was always dudes in the lead of movies like this and the women were just used as the sexual jokes. Like oh, you embarrassed yourself in front of the hot girl. I think maybe it took this long to even be like, can you imagine girls who smoke weed? I will say that Point Grey, Seth Rogen’s company, was always attached. They had a good sense that this was a rad script. Dylan has been an on-set writer with Seth on a lot of his projects, she was an in-house comedian of sorts. To me, this movie seems like a million-dollar idea. We’ll see how well it does, but the sad truth is it’s just hard to get movies about women, and directed by women, made. You read the numbers now and somehow those numbers have even gone down, which is always nice as we move forward into this weird fascism.

    The last three movies you’ve been in — this, Atropia from Hailey Gates, and Blink Twice from Zoe Kravitz — have all been directed by women.

    I feel really lucky that I did those, and they were all really good friends of mine. It’s really not easy for a first-time female director to get money to make a feature. I’m happy to be part of these and be able to help get them made in any way I can.

    You bring up a good point about movies that are about women, in addition to directed by women; looking ahead to this season’s Oscars hopefuls, so many are male-focused stories.

    There actually are a lot of rad movies coming out this year directed by women, but the question is who are they willing to put all their money behind? You have The Invite, you have Camp Miasma, these are really well-made movies, but who are they going to bet on? They’re like, it’s Chris Nolan all the way. And I get it! It’s a very big, commercial movie. But it’s part of why we have to look at awards differently. We’re lying to everybody by being like, they just got a phone call, people love the movie! It’s like, no, they have a whole team who are pushing for them and spending a lot of money to get these nominations.

    Kristen, of course, also had her directorial debut recently; have you guys been circling each other since you were both in The Runaways?

    We didn’t share much screen time. She was Joan Jett and I was a Glorified Extra. My character was an entertainment lawyer and was like, I don’t want to be involved [with the biopic]. They told me that on set, and that I couldn’t say anything in the movie. I was just there to hang out. But there’s lots of cute photos of me and Kristen together in a band, which is fun. All the girls on the movie would hang out and smoke weed and have a fun time, but Kristen and I were young and awkward and in different stages of life. We’d see each other throughout the years just from being actresses, and every time we’d be like, we gotta do this more. And then this movie felt like we were just hanging out and then capturing that on camera. We’d be doing something funny off-camera and Dylan would be like, what are you guys doing, keep doing that on camera. At the end of the movie we have that dance to Celine Dion, we didn’t prep anything, we just made it up.

    How did the aforementioned fake weed treat you?

    On one of the first days we did a scene with a Bongatron, and I did get a little high by accident. The fake weed is just weed without the THC, but if you smoke enough of it. I was kind of paranoid because I hadn’t been smoking in awhile since I had my kid. It was just enough where I was like, I’m not sober, and I’m at work. I asked Kristen if she felt anything and she said no, but just to go with it. And she was right. And I sobered up by lunch. And we’re in a stoner comedy! I leaned in.

    You’ve been doing comedy for decades, but I’m curious if you learned anything from working with Kate McKinnon on this movie.

    I truly think she’s one of the greatest comedians of our time. You could just tell she has a million ideas at all times. You just have to tell her to go and she’ll blast off. She has a scene where she says “Fuck me in my ass” 20 different ways. It’s on the blooper reel. We were all a little intimidated by her and just like, thanks for being in our movie.

    Do you keep a proverbial rolodex of people you want to work with?

    When I see a new movie, I’ll send it to my agents and ask about the person. Especially foreign filmmakers. I saw this film from Colombia, A Poet, and I was able to have a Zoom with the director. Obviously, the PT Andersons and the Scorseses of the world, it’s like, obviously I’d like to work with them. But at the same time I feel like my lane is more working with cool new filmmakers and women. There’s a lot of big actresses who don’t work with female directors, and I have a hard time believing that it’s on accident. It’s like, you have to actively avoid it. They’re trying to not work with female filmmakers. I genuinely believe we need to start building up female directors, there are so many who have made so many movies and they still have a hard time getting money. Kelly Reichardt should not have a hard time getting a movie made. She’s one of the best we have, and if she was a man she would have no problem.

    If she was a man, she would be Paul Thomas Anderson.

    Exactly. She would be. And she would be respected in that way. To pretend this issue isn’t real is crazy. I have this mix of desires, to be in bigger movies, but I don’t need to be in huge movies. I just want opportunities to play bolder characters, people who go through some crazy stuff.

    Do you have a desire to go back onstage?

    I do. It’s really hard and the hours are nuts and you get paid no money. It’s hard to live off. I’m hoping to make enough money this year to be able to do another play.

    Your play, You Got Older, really set the Cherry Lane Theater on a path to being the cool downtown theater.

    I’m not trying to pat myself on the back, but I do feel like there’s a lot of stuff in my work where everyone’s like, that was the first one. Arrested Development was an early Netflix production. Search Party produced a lot of really great talent, John Early and John Reynolds both have movies this year. Honestly, if that show hadn’t gotten re-released on Netflix it would have disappeared. I did a TV show when I was young that still can’t get the rights on Disney because all the music is really well-known 60’s music. It’s called State of Grace. I’m dying to get it on streaming.

  • Need A New PC Before School Starts? Dell’s Seasonal Sale Has the Best Deals

    Need A New PC Before School Starts? Dell’s Seasonal Sale Has the Best Deals

    We’re neck-deep in all the back-to-school sales, with retailers and manufacturers competing to grab that cash in exchange for essential tech. Laptops are one of the most heavily discounted categories in August as new freshmen get ready for college, and deep discounts can be found if you’ve got the inside info. One sale you shouldn’t miss is at Dell‘s online store, which has exclusive educational discounts as well as massive price drops for everybody else. Here are the five best deals I’ve found so far.

    Dell XPS 13 Laptop Deal

    Dell XPS 13 Laptop

    13.4-inch 2.5K display, Intel Core 5 320 CPU, 8GB RAM, 512GB SSD


    $599.00
    at Dell

    $699.00
    Save $100.00


    Get Deal

    It’s been a breakout year for budget laptops, as Apple’s MacBook Neo disrupted the market with style and performance. Windows-based manufacturers are striking back, and while we don’t have a full review yet, our hands-on time with the new XPS 13 had PCMag expert Matthew Buzzi thinking that it might be the best new budget portable of 2026. This doesn’t look or feel like a low-priced PC, with a full metal build and backlit keyboard immediately drawing attention. The 1600p touch display is also extremely competitive at this price point. Under the hood, Intel’s new Wildcat Lake platform promises solid performance for productivity and entertainment. Dell has a student pricing program, where qualified buyers who provide ID can get a $100 discount on this portable.

    Dell Pro 16 Laptop Deal

    Dell Pro 16 Laptop

    16-inch FHD+ display, Intel Core 5 120 CPU, 16GB RAM, 512GB SSD


    $1,098.97
    at Dell

    $1,558.87
    Save $459.90


    Get Deal

    For something with a little more muscle under the hood, the Dell Pro 16 is a seriously well-designed midrange laptop with a lot to recommend it. The sizable 16-inch FHD+ screen on this portable adds some heft, but it also lets you work on presentations and papers with less eyestrain, as well as watch lectures (or Netflix) more comfortably. We have a write-up of this machine where we run down its many impressive features, including a slim, premium-feeling build, solid components, and great port selection. Dell has a bunch of configurations on sale, so make sure to click around the CPU and memory options to craft the perfect portable for your needs.

    Dell Pro 14 Premium Laptop

    14-inch FHD+ display, Intel Core Ultra 5 236V CPU, 16GB RAM, 512GB SSD


    $1,598.51
    at Dell

    $2,308.51
    Save $710.00


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    If your student needs a portable that’s a little more… portable, we happily recommend the Dell Pro 14 Premium, which crams a ton of performance into a pint-sized casing. In our review, we lauded the laptop’s battery life, solid build, and impressive array of ports. The Pro 14 Premium is the replacement unit for Dell’s long-running Latitude line of enterprise PCs, targeted at white-collar workers who need secure and reliable laptops for everyday tasks. The peppy Core Ultra 5 processor has the juice to tackle schoolwork as well. The sleek chassis is crafted from premium 90% recycled magnesium, and MIL-STD tested for durability and reliability. It’s also the quietest laptop in the Pro line, with a super-efficient dual fan system keeping it cool. It’s on sale for 31% off.

    More Laptop Deals

    *Deals are selected by our commerce team

    Alienware 16 Aurora Gaming Laptop Deal

    Alienware 16 Aurora Gaming Laptop

    16-inch WQXGA display, Intel Core 7 240H CPU, GeForce RTX 5050 GPU, 16GB RAM, 512GB SSD


    $1,499.99
    at Dell

    $1,699.99
    Save $200.00


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    Buying a gaming laptop at a student discount might seem silly, but there are advantages to having a bigger screen, faster processor, and a dedicated graphics card beyond entertainment. Dell’s Alienware lineup is filled with beefy machines with solid specs for the price, and you can snag a $200 discount on this configuration, featuring a current-gen Nvidia GPU, right now. Although we haven’t tested this one, we do have an extensive review of the very similar 16X Aurora, where we note that it’s a super-capable midrange gaming machine with a bright, sharp display, sturdy design, and impressive port selection. Improved cooling means this design doesn’t need a thermal shelf, making it more ergonomic.

    Recommended by Our Editors

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    *Deals are selected by our commerce team

    Dell 24 All-In-One Desktop Deal

    Dell 24 All-In-One Desktop

    23.8-inch FHD display, Intel Core i5-1334U CPU, 16GB RAM, 512GB SSD


    $1,009.99
    at Dell

    $1,179.99
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  • Gillian Anderson Says Sony Exited ‘The Salt Path’ Distribution Deal After Authors’ ‘Fabrications’ Exposed: ‘It Felt Like Such a Betrayal’

    Gillian Anderson Says Sony Exited ‘The Salt Path’ Distribution Deal After Authors’ ‘Fabrications’ Exposed: ‘It Felt Like Such a Betrayal’

    Gillian Anderson has said that Sony ditched a deal to distribute “The Salt Path,” in which she starred alongside Jason Isaacs, after a scandal broke last summer over alleged fabrications in the supposedly true story.

    Based on a memoir of the same name by Ray and Moth Winn, the book and film tell the story of a down-on-their-luck couple who walk the south coast of England after their home is repossessed and Moth is diagnosed with a terminal illness, emerging stronger and with a newfound sense of purpose.

    Anderson played Ray while “Harry Potter” and “White Lotus” star Isaacs played Moth. Both the book and the screen adaptation were billed as a true story.

    However last summer the U.K.’s Observer newspaper reported that key elements of the Winns’ story had been misrepresented, claiming that the couple had lost their house after Ray embezzled money and casting doubts on Moth’s diagnosis of corticobasal degeneration which sees sufferers given an average of eight years to live. The couples’ names were also revealed to be pseudonymous.

    The Winns, who won numerous awards for the book, disputed the allegations at the time.

    “It was really disappointing, a huge letdown,” Anderson has now said of the scandal. “The story came out the week we were signing U.S. distribution and Sony withdrew. We had been so surprised by its success: ‘What, really, this film about two old people going on a walk?’ It felt like such a betrayal because we’d spent time with [the Winns].”

    Speaking to The Times of London, Anderson said she has not heard from the couple but seemed to have some sympathy for them, telling the newspaper: “It must have been really unsettling, to be potentially, allegedly, not telling the truth on live TV.”

    She added: “I was interested in the due diligence — like, how has it come to this? What degree of proof was there? They had told us that they couldn’t talk about [a previous] legal case because it was ongoing. Anyway. It was unfortunate.”

    As Variety exclusively reported earlier this year, the film is set to get a North American release via Rialto Distribution International later this month. “This is a film of quiet power,” Kelly Rogers, CEO of Rialto, said at the time. “It speaks to something deeply human – love, endurance and the idea that it’s never too late to begin again. We’re thrilled to share this remarkable screen work with viewers in the United States and Canada and believe it will leave a lasting impression.”

    Variety‘s review, published before the scandal broke, praised the film, saying: “this portrait of loss, humanity and rebirth makes it worth the emotional investment.”

    A rep for Sony did not respond by press time.

  • Toronto First Look: ‘Black Sunflowers’ Images Show Ukrainian Youth Coming of Age in Wartime (Exclusive)

    Toronto First Look: ‘Black Sunflowers’ Images Show Ukrainian Youth Coming of Age in Wartime (Exclusive)

    James Marcus Haney made his name as a filmmaker sneaking into Coachella, Glastonbury and other top music festivals by posing as press to get exclusive footage of pop stars and their performances.

    That need to gate crash marquee festivals with his camera was captured in his 2014 feature documentary No Cameras Allowed. Now Haney is headed to the Toronto Film Festival with Black Sunflowers, a feature documentary about Ukrainian youth coming of age amid martial law as they move between underground raves and car racing on the home front and the brutal front lines of war against Russia.

    Black Sunflowers.

    Toronto Film Festival

    The first images for Black Sunflowers, which will have a Sept. 11 world premiere in Toronto, has young Ukrainians facing tragedy and duty as soldiers on the front lines, while they find distraction on concert dance floors, in relationships or bonding at a local watering hole.

    Working with a Ukrainian film crew, Haney captures an army truck driver who races his car down city streets back home; a young amputee soldier finding freedom on a high energy rave dance floor, despite a blade prosthesis; a young woman turning from nature photography to war photography amid the ruins of war; and still another young woman being trained to shoot a rifle as a generation of youth face compulsory military service.

    Black Sunflowers.

    Toronto Film Festival

    Haney, in a director’s statement on the TIFF website, recalls first arriving in Ukraine as war reshaped everyday life: “I was surprised to see how much normal life carried on, despite the war. I couldn’t help but think that mainstream media is missing half of the story.”

    Haney’s film joins a slew of other Ukraine war documentaries, including Roman Liubyi and Volodymyr Tykhyy’s Time Machine Maidan, which bowed at Sheffield, Oscar-winning filmmaker Mstyslav Chernov‘s new film, 2000 Meters to Andriivka, and Militantropos, from co-directors Alina Gorlova, Yelizaveta Smith and Simon Mozgovyi.

    Black Sunflowers, with an original score by Fred Gibson (Fred Again), Brian Eno and Koloah, is produced by Pedram Rezaee, Mikayla Jean Miller, Yevhenii Zdorovylo, Samy Mosher, Eric Maldin, Volodymyr Yatsenko and Anna Yatsenko.

    Black Sunflowers

    Toronto Film Festival

    Black Sunflowers.

    Toronto Film Festival