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  • Hyperliquid Burns $4.2M in HYPE Tokens as Trading Fees Surge

    Hyperliquid Burns $4.2M in HYPE Tokens as Trading Fees Surge

    Hyperliquid, a leading decentralized perpetuals exchange, has burned approximately $4.24 million worth of its native $HYPE token over the past 24 hours. The burn was fueled by roughly $4.4 million in trading fees generated on the platform during the same period, according to data from blockchain analytics firm Onchain Lens.

    How the Hyperliquid Burn Mechanism Works

    Hyperliquid uses a deflationary token model where a portion of the platform’s trading fees is used to repurchase and permanently remove $HYPE tokens from circulation. This process reduces the total supply over time, potentially increasing scarcity for remaining holders. The latest burn represents a significant daily amount, reflecting strong trading activity on the exchange.

    The burn mechanism is part of Hyperliquid’s broader tokenomics, which aims to align the interests of token holders with the platform’s long-term success. By consistently removing tokens from the market, the protocol can counterbalance inflationary pressures and reward long-term participants.

    Market Context and Implications

    The $4.2 million burn comes amid a period of heightened activity in the decentralized finance (DeFi) sector. Hyperliquid has positioned itself as a major player in perpetual futures trading, offering low fees and high-speed execution. The platform’s daily trading volume has consistently ranked among the top in the industry, driving substantial fee generation.

    This burn event also highlights the growing trend of token buybacks and burns among crypto exchanges. Similar mechanisms have been adopted by platforms like Binance and FTX (prior to its collapse), though Hyperliquid’s approach is notable for its on-chain transparency and automated execution.

    Why This Matters to Traders and Investors

    For $HYPE holders, the burn represents a direct reduction in supply, which can support price appreciation if demand remains steady. It also signals that the platform is generating real revenue from user activity, a positive indicator for sustainability. However, investors should be aware that burns do not guarantee price increases, as market conditions and broader sentiment play a significant role.

    From a broader perspective, Hyperliquid’s burn activity reflects the health of the DeFi ecosystem and the growing adoption of decentralized trading platforms. As more users seek alternatives to centralized exchanges, protocols with strong tokenomics and transparent operations are likely to gain traction.

    Conclusion

    Hyperliquid’s $4.2 million $HYPE burn in a single day underscores the platform’s robust trading volume and its commitment to a deflationary token model. While the burn is a notable event, its long-term impact on $HYPE’s price and the platform’s competitiveness will depend on sustained user engagement and market conditions. As always, investors should conduct their own research and consider the risks associated with cryptocurrency investments.

    FAQs

    Q1: What is a token burn?
    A token burn is the process of permanently removing tokens from circulation, reducing the total supply. This is often done to increase scarcity and potentially support the token’s value.

    Q2: How does Hyperliquid generate trading fees?
    Hyperliquid charges fees on each trade executed on its platform, similar to traditional exchanges. These fees are then used to buy back and burn $HYPE tokens.

    Q3: Does a token burn guarantee a price increase?
    No, a token burn alone does not guarantee a price increase. While reducing supply can create upward pressure, other factors such as market demand, competition, and overall sentiment also influence price.

    Related Reading

    • FalconX Moves $14M in $HYPE to Gate, Fueling Speculation of Sell Pressure
    • Multicoin Capital-Linked Wallet Moves $4.4M in $HYPE to Coinbase Prime
    • Solana Stablecoin Active Addresses Hit Record 1.7 Million
    • $HYPE Drops 3.10% in Five Minutes, Trading at $69.51
    • Trump Says CFTC Working to Bring Hyperliquid’s Perpetual Futures to U.S. Market
  • Bitcoin Price Prediction Breaks Out As Treasury Doubles Bond Buyback Program

    Bitcoin Price Prediction Breaks Out As Treasury Doubles Bond Buyback Program

    The $BTC price prediction turns constructive after price broke decisively out of a months-long consolidation pattern, touching levels not seen since early June. The move triggered the largest wave of forced short covering in crypto’s history, even bigger than the shorts wiped out during last October’s record crash.

    Bitcoin Price Analysis: Will Bitcoin Price Go Up After Breaking the Bear Market Resistance Band?

    Bitcoin Price Analysis (Source: TradingView)

    $BTC has spent since late May consolidating inside a symmetric triangle, bouncing between roughly $58,000 and $67,000 as the range steadily narrowed. Price broke sharply above that triangle’s upper boundary this week, surging from Wednesday’s low near $64,100 to touch nearly $69,900, a move of more than $5,700 in a single session.

    The Parabolic SAR flipped bullish at $62,819.37, confirming the shift in short term trend. All four EMAs now sit below current price for the first time in months, with the 20-day at $64,919.13 marking the nearest support, followed by the 50-day at $64,720.72 and the 100-day at $66,446.68. The 200-day EMA at $71,479.33 sits just overhead and is the next real hurdle.

    Why Cowen Says Bitcoin Faces a Real Test Here?

    Analyst Benjamin Cowen framed the move as Bitcoin rallying back into what he calls the bear market resistance band, a zone that has capped every recovery attempt this cycle.

    Cowen noted Bitcoin has closed above its 200-day moving average, historically a mixed signal, sometimes preceding a real trend change and sometimes a false start followed by another leg down, as seen in parts of 2014, 2019, and 2022.

    Related: Chainlink Price Prediction Points To $14.50 As Cup And Handle Breakout Confirms

    He said the real test is whether Bitcoin can push through this band and hold it as support on a retest, rather than simply topping out here again.

    $BTC Support and Resistance Levels, August 20, 2026

    Bitcoin News: Shorts Lose $2.74 Billion in Largest Squeeze on Record

    Traders betting against Bitcoin lost nearly $2.74 billion in 24 hours as price surged toward $70,000, the largest wave of forced short closures in records going back to 2021, according to CoinGlass data. Total liquidations across all crypto reached almost $3 billion across more than 172,000 traders, with shorts accounting for roughly 92% of that total against just $257 million on the long side, a ratio of more than ten to one.

    The comparison that gives the figure its weight is October 2025, when Bitcoin crashed days after hitting a record above $126,000, producing $19 billion in liquidations in a single day, still the largest deleveraging event in crypto history. Shorts made up $2.47 billion of that crash. Wednesday’s short liquidations were larger than that entire figure, without any comparable damage on the long side.

    The squeeze was fast and concentrated. More than $1 billion in Bitcoin shorts closed in roughly an hour, totaling $1.42 billion for the full day. Ether shorts accounted for $1.13 billion and Solana $104.67 million. The single largest position wiped out was a $48.8 million Bitcoin trade on Hyperliquid.

    Bitcoin News: Treasury Doubles Bond Buybacks, Trump Pushes Clarity Act

    Bitcoin is surging hard on the news that the U.S. Treasury is going to buy back $4B of debt to “increase liquidity support by at least double”

    Welcome back, money printing 🫡 https://t.co/3qGeR5vGEU pic.twitter.com/2ETPGLppCH

    — Joe Consorti (@JoeConsorti) August 19, 2026

    Analyst Joe Consorti pointed to a Treasury announcement as the direct trigger for Bitcoin’s move, noting the Treasury will buy back $4 billion of long-term government debt to boost liquidity, double its prior $2 billion pace for bonds maturing in 10 to 30 years. Traders read the move as inflationary and bullish for hard assets like Bitcoin, sending bond yields lower and the dollar index down 0.8%.

    JUST IN: 🇺🇸 President Trump says “We need Congress to take the next step by passing The Clarity Act.”

    “And this landmark structure legislation is very, very powerful structure which will keep us ahead of China, keep us ahead of everyone else.” pic.twitter.com/0BwWWQcySP

    — Bitcoin Magazine (@BitcoinMagazine) August 19, 2026

    Separately, President Trump called on Congress to pass the Clarity Act, describing the crypto market structure legislation as powerful and necessary to keep the U.S. ahead of China and other countries in space.

    Bitcoin Derivatives: Watch Whether $69,000 Holds

    With the bulk of short positioning now cleared out, the key question is whether Bitcoin can hold above $69,000 through the coming sessions.

    A squeeze this large removes the very positioning that fueled the rally, and moves built heavily on forced buying rather than fresh organic demand have historically given back some of their gains once the squeeze pressure fades.

    $BTC Price Prediction: Upside and Downside Targets

    Bullish Case, Target: $71,479.33 (200-day EMA)

    $BTC holds above $69,000 through the Asian and European sessions, confirming the breakout wasn’t just a short squeeze fading out. Treasury liquidity support and progress on the Clarity Act add fundamental tailwinds, while a daily close that holds the bear market resistance band as support, the scenario Cowen flagged as the key signal, would strengthen the case for continuation. Clearing this zone opens the path toward the 200-day EMA at $71,479.33.

    Bearish Case, Risk Level: $64,720.72 (50-day EMA)

    Bitcoin gets rejected at the bear market resistance band once again, consistent with the pattern Cowen highlighted from 2018 and 2022, where similar sized rallies into August ultimately failed and gave way to lower prices later in the year. With short covering fuel now spent, the rally loses momentum without fresh buying to replace it, and $BTC falls back through the 20-day EMA at $64,919.13 toward the 50-day EMA at $64,720.72.

    Conclusion

    This rally has two distinct engines, a Treasury liquidity move that gave bulls a real fundamental reason to buy, and a short squeeze that then amplified the move mechanically once price

    FAQs

    What is the Bitcoin price prediction right now?

    $BTC trades at $69,808.01 after breaking above a descending triangle. The bullish target is $71,479.33 at the 200-day EMA, while the bearish risk level is $64,720.72 at the 50-day EMA if the rally fails to hold.

    Why did short sellers lose $2.74 billion in a single day?

    Bitcoin’s breakout above $69,000 triggered a cascade of forced liquidations as traders betting on lower prices got caught offside, with more than $1 billion in Bitcoin shorts alone closing within roughly an hour.

    How does this squeeze compare to October 2025’s crash?

    It’s larger on the short side specifically. October 2025’s crash produced $19 billion in total liquidations with $2.47 billion coming from shorts, while this squeeze wiped out $2.74 billion in shorts alone despite far smaller total liquidations overall.

    Why does the Treasury’s bond buyback matter for Bitcoin’s price?

    The Treasury doubled its long-term debt buyback program to $4 billion per operation, a move traders interpreted as inflationary, which typically supports hard assets like Bitcoin while pushing bond yields and the dollar lower.

    Is Bitcoin a good buy right now?

    Bitcoin just cleared major resistance on real volume, but the rally was fueled heavily by forced short covering rather than confirmed organic demand, and moves built that way have historically given back some gains once the squeeze pressure fades. This is not financial advice, so weigh the bullish and bearish cases above against your own research and risk tolerance.

  • San Sebastian to Close With ‘Le Faux Soir,’ About Media Hack in Nazi-Occupied Belgium

    San Sebastian to Close With ‘Le Faux Soir,’ About Media Hack in Nazi-Occupied Belgium

    Belgian filmmaker Michaël R. Roskam will return to the San Sebastián Film Festival to close the official selection of the 74th edition of the Spanish festival in an out-of-competition with Le Faux Soir, which will gets its European premiere following its world premiere at Toronto 2026.

    The movie “recreates one of the most curious episodes of the Belgian resistance movement during the Second World War, a clandestine operation that turned the press into a weapon against the Nazi occupiers,” according to a synopsis.

    With The Drop (2014), starring Tom Hardy, Noomi Rapace and James Gandolfini, the filmmaker won the jury prize for best screenplay at San Sebastian.

    Based on the book Le “Faux” Soir, 9 novembre 1943 by Marie Istas, the cast of the new film features Arieh Worthalter, Mélanie Thierry, Karim Leklou, Mara Taquin, Bouli Lanners, Julien Frison and François Damiens, among others. The story is set in 1943, when, having occupied Belgium, the Nazis turn the national newspaper Le Soir into their propaganda tool. “To raise the spirits of the Belgian people, a group of resistance fighters comes up with a wild idea, to print a fake edition of the newspaper mocking the occupier in what some historians consider to be the first-ever media hack,” reads the synopsis.

    Le Faux Soir is a Belgian-French co-production.

    Roskam, who worked as a journalist for the Dutch-language newspaper De Morgen, made his feature film debut with Bullhead (2011). In 2021, he directed the first three episodes of the miniseries Black Bird, starring Taron Egerton, which received Emmy and Golden Globe award nominations.

    Earlier this week, the Spanish festival unveiled Fatih Akin’s Ghost Song as its 2026 opening film. The 73rd edition of the San Sebastian festival takes place Sept. 18-26.

  • Alexa+ Is Now Free on Fire TV Devices: Here’s What the AI Tool Can Do For You

    Alexa+ Is Now Free on Fire TV Devices: Here’s What the AI Tool Can Do For You

    Amazon is making its AI-powered assistant, Alexa+, available for free on all eligible Fire TV devices in the US.

    Alexa+ is a smarter version of the older Alexa assistant Amazon launched earlier this year via compatible devices, a dedicated website, and the Alexa app. It can understand natural-language prompts and deliver responses similar to those you’d get from AI chatbots like ChatGPT and Gemini.

    An Alexa+ standalone subscription costs $19.99 per month, but Prime members can access it for free. On Fire TV devices, the deal is even better now: you can get Alexa+ at no extra cost, even without a Prime subscription.

    This offer extends to all current-generation Amazon Fire TV Sticks, the Fire TV Cube, Amazon Ember smart TVs, and smart TVs with Alexa+ built in, including those from Panasonic and Hisense.

    If you own any of these devices, no action is required from your end. “Eligible Fire TV customers are automatically upgraded to the Alexa+ experience… No app to download, and no subscription to activate. Just use your Fire TV as you normally would,” Amazon says in a blog post.

    What Can Alexa+ Do on Your Fire TV?

    Alexa+ on Fire TV

    (Credit: Amazon)

    The biggest difference between the older Alexa and the new Alexa+ lies in how each processes input. The older Alexa relied on keyword matching, meaning you needed to know a title or specific phrasing to get your desired destination.

    With Alexa+, you can just describe what you’re in the mood to watch, and then ask it to refine recommendations using follow-up prompts. For example, Amazon says you could start with “Find me a funny movie from the ‘90s,” and then refine the results with “Something the whole family can watch.”

    You can also use the AI assistant to get information about on-screen content. A sample prompt shared by Amazon says: “Alexa, how many movies has Hilary Duff been in?” followed up with: “Is she still on tour?”

    Like most other AI tools, Alexa+ will understand your context, remember preferences, and deliver more relevant recommendations over time, the company adds.

    Recommended by Our Editors

    Beyond entertainment, you can use Alexa+ to control smart home appliances. For instance, you can ask it to move a show you’re watching on a Fire TV in the living room to a Fire TV in the bedroom. You can ask it to pull up your front-door Ring camera view, and a live feed will pop up on your TV.

    Alexa+ pulls up Ring camera feed on a Fire TV device

    (Credit: Amazon)

    You can also ask it to dim your smart lights or lock your doors with a paired smart lock. Since the AI assistant has real-world information, it can also provide weather forecasts, recipe recommendations, and sports scores.

    All of these commands can be executed hands-free. If you’d like Alexa+ to use a different tone, you can also change its personality.

    Though Alexa+’s rollout on Fire TV is limited to the US at launch, Amazon said it could add additional devices and regions over time.

    About Our Expert

  • San Sebastián Sets Michaël R. Roskam’s ‘Le Faux Soir’ as Closing Night Film

    San Sebastián Sets Michaël R. Roskam’s ‘Le Faux Soir’ as Closing Night Film

    “Le Faux Soir,” a Belgian-French WWII resistance drama from “Bullhead” director Michaël R. Roskam, has been set as the closing night film of this year’s San Sebastián Film Festival.

    Playing in the festival’s Official Selection out of competition, the film will have its European premiere at San Sebastián after world premiering at Toronto, where it screens in Special Presentations. It will close the festival after the awards ceremony on Sept. 26 at the Kursaal.

    “Le Faux Soir” is produced by Belgium’s Frakas Productions and Roskam’s Harbor Men Pictures with France’s Rectangle Productions. Goodfellas handles international sales, while Cinéart will release the film in Benelux.

    Set in Nazi-occupied Belgium in 1943, the film follows a group of Resistance fighters after the occupying forces turn national daily Le Soir into a propaganda outlet.

    With commemorations of the 1918 Armistice banned, they hatch a plan to produce a fake edition of the newspaper, reproducing its paper, nameplate and format but filling its pages with articles mocking the German occupiers. The operation has been described as “the world’s first media hack.”

    Arieh Worthalter (“The Goldman Case”) leads the ensemble, alongside Mélanie Thierry (“Da 5 Bloods”), Karim Leklou (“Jim’s Story”), Mara Taquin (“Zero Fucks Given”), Bouli Lanners (“The Night of the 12th”), Julien Frison (“The Happening”) and François Damiens (“The Bélier Family”).

    The closing berth brings Roskam back to San Sebastián 12 years after his U.S. crime drama “The Drop,” starring Tom Hardy, Noomi Rapace and James Gandolfini, which won the Jury Prize for Best Screenplay in 2014.

    Roskam, who previously worked as a journalist for Dutch-language newspaper De Morgen, broke through internationally with feature debut “Bullhead.” After premiering in Berlin’s Panorama section, the film earned an Academy Award nomination for best foreign-language film and landed Roskam on Variety’s Ten Directors to Watch list.

    He later directed “Racer and the Jailbird,” starring Matthias Schoenaerts and Adèle Exarchopoulos, which screened out of competition at Venice and was selected as Belgium’s Academy Awards entry. He also helmed the first three episodes of Apple TV+ miniseries “Black Bird.”

    “Le Faux Soir” returns Roskam to the thriller territory that has marked much of his career. Roskam wrote the screenplay, with Bernard Falaise co-credited on dialogue, loosely adapting Marie Istas’ book Le “faux” Soir, 9 novembre 1943.

    The 74th San Sebastián Film Festival runs Sept. 18-26.

  • HBO Max Picks 12 European Writers for Script Engine Program

    HBO Max Picks 12 European Writers for Script Engine Program

    HBO Max and WBD Access, Warner Bros. Discovery’s talent development division, have picked the 12 European writers who will participate in this year’s Script Engine Program.

    Veteran producer and showrunner Frank Spotnitz, (The X-Files, The Man in the High Castle, Medici) will serve as lead facilitator and mentor on the four-month program which aims to help screenwriters develop original locally-rooted series concepts that they will pitch to HBO Max executives in November.

    “European storytelling has never been in greater demand,” said Spotnitz. “Audiences around the world are looking for distinctive voices and stories that reflect different cultures and perspectives, and European writers are increasingly creating work that travels internationally. Script Engine is important because it doesn’t just help writers develop their craft, it introduces them to a collaborative way of working that empowers writers to do their best work. [The program] gives mid-level writers the confidence, skills and professional mindset to build sustainable international careers.”

    The writers for the 2026 program include France’s Tolula Dada (Gangs of London, Grantchester), Justine Gautier (Petits Secrets en Famille, Leo Mattei), Storm Sigal-Battesti (Off Season, Carême); Germany’s Tunde Aladese (Transatlantic, Shuga), Stefanie Ren (A Thin Line, Nicht tot zu kriegen), and Ben Braeunlich (Tatort, Professor T.); Italy’s Tommaso Matano (Curon, Survivors), Emanuele Mochi (Zio Gianni), Simona Nobile (5 minuti prima); and Spain’s Jesica Aran (Campamento Newton, Bandidos), Lidia Fraga (Auga Seca, Montecristo) and Miguel Mayorga Moscoso.

    The four-month program includes a series workshops, masterclasses and networking opportunities led by HBO Max executives and industry experts. During the program, writers will also benefit from the expertise of HBO Max market advisors for their local territories. The curriculum was developed together with the Series Mania Institute.

    The initiative reflects HBO Max’s move to integrate its originals strategy, with both U.S. and international programming teams grouped together under HBO Max head of original programming Sarah Aubrey. HBO Max completed its European rollout this year, launching in several major territories, including Germany, France, Italy and the U.K..

  • China’s Pingyao Film Festival Sets 10th Edition Dates – Global Bulletin

    China’s Pingyao Film Festival Sets 10th Edition Dates – Global Bulletin

    PINGYAO PREMIERE

    The Pingyao International Film Festival will mark its 10th edition with a run set for Sept. 24–30, at the Pingyao Festival Palace in Shanxi Province. Founded in 2017 by director Jia Zhangke, the festival spans four programs: Screening, Market, Cultivation and Academics. The Screening slate will include Crouching Tigers, dedicated to emerging directors’ debut, second or third features; Hidden Dragons, reserved for Chinese-language filmmakers at a similar career stage; and Galas, showcasing major works and festival prizewinners. Films in Crouching Tigers and Hidden Dragons will compete for the Roberto Rossellini Awards and the Fei Mu Awards, with the Fei Mu Best Film prize carrying a cash award of RMB1 million ($140,000) and Best Director earning RMB200,000 ($28,000). Past editions have showcased early works from directors including Chloé Zhao, Wei Shujun and Liu Jian, among many others.

    BHOPAL BOW

    India’s Madhya Pradesh state will get its own festival platform, with the inaugural People’s International Film Festival of India (PIFFI) set for Dec. 17–20, at Rabindra Bhawan in Bhopal. Organized by the People’s Art, Culture and Education Foundation, the four-day, competitive event will screen features, shorts, documentaries and AI-assisted films, alongside masterclasses, panel discussions and a closing awards gala. Filmmaker Anwar Jamal serves as festival director, with critic Saibal Chatterjee heading programming and Ruchi Vijayvargia chairing the organizing committee. The advisory board includes directors Adoor Gopalakrishnan and Sudhir Mishra and former Film and Television Institute of India director Tripurari Sharan.

    TAIYUPIAN TRIBUTE

    The Singapore Film Society, Asian Film Archive and Taiwan Film and Audiovisual Institute will team up for Treasured Legacy: Celebrating 70 Years of ‘Taiyupian,’ running Sept. 4–6, at the Oldham Theatre in Singapore. The program, Asia’s first stop on a world touring series, will present five newly restored classics spoken in Taiwanese Hokkien and the Amoy dialect, including Southeast Asia premieres of “Zhang Di Seeks A-Zu,” “Good Neighbors,” “The Rice Dumpling Vendors” and “Romance at Lungshan Temple,” alongside the archive’s restoration of “Taming of the Princess.” A free public talk on Amoy-dialect cinema will accompany the screenings.

  • Banking Regulator Races to Finalize GENIUS Act Stablecoin Rules

    Banking Regulator Races to Finalize GENIUS Act Stablecoin Rules

    In brief

    • OCC head Jonathan Gould said Wednesday the agency will finalize its GENIUS Act stablecoin rules by November, racing to meet a Jan. 18 statutory deadline before the law takes effect in January 2027 after blowing past an earlier July target.
    • The 376-page proposal, released in February and open for comment through May, covers the full life cycle of a payment stablecoin—reserves, redemption at par, liquidity, risk management, audits, custody and wind-downs.
    • Gould said the OCC expects to begin processing issuer applications in 2027 and reported an eightfold jump in digital-asset chartering activity versus the Biden administration.

    The top U.S. banking regulator says it will finalize its rules for stablecoin issuers by November, moving to beat a fast-approaching deadline for the country’s landmark digital-dollar law.

    Jonathan Gould, head of the Office of the Comptroller of the Currency, laid out the timeline Wednesday at the Wyoming Blockchain Symposium, an event hosted by SALT in Jackson. He said the agency is working at a rapid pace and expects to publish a final rule by November as it weighs feedback gathered from the crypto industry.

    Myriad: Will the Clarity Act be signed into law in 2026? Click to make your prediction.
    Myriad: Will the Clarity Act be signed into law in 2026? Click to make your prediction.

    “We are very intent on moving quickly and getting a final rule out by November so that we will be able to start processing applications within the new year,” Gould said.

    The rules will implement the GENIUS Act, the stablecoin framework President Donald Trump signed in July 2025. The law tasks federal regulators with writing the details governing payment stablecoins, and it takes effect in January 2027. Agencies face a statutory deadline of Jan. 18 to have regulations in place, and the OCC has already blown past an earlier July target, a slip that has fed concern about lingering regulatory uncertainty.

    The OCC’s proposal, a 376-page draft released in February and opened for public comment through May, covers the full life cycle of a payment stablecoin. The framework spells out requirements for reserve assets, redemption at par, liquidity, risk management, audits, custody and supervision, along with the process for winding down a failed issuer. Anti-money-laundering and sanctions requirements were carved out into separate rulemaking coordinated with the Treasury Department.

    Gould said the agency expects to begin processing applications from stablecoin issuers starting in 2027. He also pointed to a surge of interest in federal oversight, saying digital-asset chartering activity has jumped eightfold compared with the Biden administration, and he criticized the prior administration’s approach to crypto risk as shortsighted.

    The stakes for the industry are steep. Under the GENIUS Act, only permitted issuers will be able to offer payment stablecoins to Americans, and Treasury has separately proposed rules that would bar platforms from selling noncompliant stablecoins to U.S. customers once the law’s provisions kick in.

    The OCC did not lay out a firm date within November for the final rule.

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  • Podcast Giant Goalhanger Hires Tom Miceli to Lead TV and Film Expansion (EXCLUSIVE)

    Podcast Giant Goalhanger Hires Tom Miceli to Lead TV and Film Expansion (EXCLUSIVE)

    Goalhanger, the British podcasting giant behind series such as as “The Rest is Football,” which recently launched as a Netflix show covering the World Cup, is looking to accelerate its growth on screen with the hire of Tom Miceli.

    Miceli joins from WME in the newly created role of head of IP development and will focus on expanding the company’s TV and film business. In his new role, Miceli will lead Goalhanger’s IP development and licensing strategy, identifying opportunities across its existing shows and development pipeline and turning them into compelling television and film propositions for U.K. and international markets.

    Reporting directly to Goalhanger’s founders, he will work closely with the company’s talent, editorial teams and general managers to develop a prioritised slate, build relationships with commissioners and production partners, and lead negotiations across licensing, co-production and format-sale opportunities.

    Miceli spent more than a decade at WME in the agency’s TV division, representing producers, directors, talent, and helping lead the agency’s international format business. Most recently, he led WME’s work on Goalhanger’s Netflix partnership, which brought “The Rest Is Football” to the platform for the World Cup and the upcoming Premier League season.

    “I couldn’t be more thrilled to be joining Goalhanger, a company I have long admired both as a business and as a fan,” said Micheli. “I consume its content every day and look forward to helping bring its IP to new verticals and platforms, while preserving the quality that has enabled Goalhanger to flourish and establish itself as one of the leading media and content companies in the industry.”

    Jack Davenport, co-founder of Goalhanger, added: “Our shows are built around distinctive ideas, brilliant talent and deeply engaged audiences, creating enormous potential to develop them beyond their original formats. Having worked closely with Tom for many years, we have seen first-hand the rare combination of creative judgement, commercial experience and strong industry relationships he brings. We’re delighted to welcome him in-house, where his dedicated expertise will help us identify the right opportunities and turn them into successful television and film projects.”

    The hire comes during a period of rapid growth for Goalhanger, which was recently named Britain’s fastest-growing private company in The Sunday Times 100. The company is set to bring its biggest shows together in London for its inaugural three-day Goalhanger: The Rest Is Fest in September.