Category: Entertainment

  • Dixon Q. Dern, Entertainment Lawyer Who Represented Desilu and Helped Get CAA Off the Ground, Dies at 97

    Dixon Q. Dern, Entertainment Lawyer Who Represented Desilu and Helped Get CAA Off the Ground, Dies at 97

    Dixon Q. Dern, the influential entertainment lawyer who represented Lucille Ball and Desi Arnaz and helped structure the business affairs of their landmark Desilu production company, has died. He was 97.

    Dern died Sunday at his home in Los Angeles, a spokesperson for WME announced.

    Dern also represented Bob Hope, Jackie Gleason, The Jackson 5 and the Television Academy, among many others. And as a founding partner of Dern, Mason, Swerdlow & Floum, he helped build a formidable Hollywood law practice.

    In 1975, Dern was approached by Michael Ovitz, Ron Meyer, Michael Rosenfeld, Rowland Perkins and Bill Haber, who told him they were bolting William Morris and forming a new agency, CAA.

    They asked “me if I would represent CAA and more importantly serve as a sort of go-between on the shift of clients from William Morris that would follow them,” he recalled in a 2009 interview for the TV Academy Foundation website The Interviews. He agreed to do so.

    Born on Jan. 24, 1929, in Colorado Springs, Dixon Quackenbush Dern was adopted by a woman who wasn’t yet married, a rare occurrence back then. He enrolled in 1946 at Stanford University, where he earned his undergraduate and law degrees, before arriving in Los Angeles, and he was admitted to the California Bar in 1954.

    His first job in L.A. was as the in-house attorney for the animation house UPA, the studio behind The Gerald McBoing-Boing Show and Mr. Magoo. He moved to CBS, where he handled network programming and employment contracts, but left the legal department to work directly with such series as Perry Mason and Rawhide.

    Dern exited in 1962 for the job of general counsel at Desilu Productions, the home of I Love Lucy and later shows including The Untouchables, Star Trek, Mannix and Mission: Impossible. There, his work contributed to the growth of television syndication as an enduring economic model, fundamentally changing how programming would be financed, distributed and valued for generations.

    He left Desilu in 1965 to run business and legal affairs at United Artists Television for a couple years before going into private practice with Dern, Mason, Swerdlow & Floum.

    Around that time, he also began serving as an arbitrator and mediator in entertainment and labor disputes, with his opinions widely respected and cited within the industry.

    Dern served as vice president and as a member of the board of governors of the State Bar of California; as president of the Beverly Hills Bar Association; as trustee of the Los Angeles County Bar Association; and as president of the Los Angeles Copyright Society.

    In 2009, the Television Academy honored him with its Syd Cassyd Founders Award, which recognizes members who have made a significant, positive impact on the Academy of Television Arts & Sciences with their years of involvement and service.

    His family noted he loved opera, books, politics and square dancing and “was deeply devoted to his AA community and proud of his 50 years of sobriety.”

    Survivors include his children, Chelsea, Warren, Peter, Rosalin and Greg Dern, five grandchildren and many great-grandchildren. He will be buried beside his wife, Lisa Dunn-Dern (the mother of Chelsea, she died in 2016), at Forest Lawn Hollywood Hills.

  • ‘The Odyssey’ Anoints Christopher Nolan as Hollywood’s Most Powerful Director — Here’s How Universal Thwarted Warner Bros. to Land Him

    ‘The Odyssey’ Anoints Christopher Nolan as Hollywood’s Most Powerful Director — Here’s How Universal Thwarted Warner Bros. to Land Him

    Greek mythology is riddled with humans who become immortal, many as punishment for tangling with the gods. But not Christopher Nolan, the toast of the mortal world’s Mount Olympus — Hollywood.

    The opening-weekend success of his Imax epic “The Odyssey” cements Nolan as his own kind of myth: a bankable auteur who can command the attention of worldwide moviegoers simply by picking up his camera.

    Nolan has spent most of his career in the upper stratosphere of show business; he’s thought to be one of a few name directors who are events unto themselves (Quentin Tarantino, Ryan Coogler, Greta Gerwig, James Cameron). But after a nearly $265 million global first frame for “The Odyssey,” the best start of Nolan’s career, he’s moved even closer to the sun. Analysts predict the film now has the runway to gross $1 billion around the world. The title has also crashed down on this year’s Oscars race like a thunderbolt from Zeus, disrupting a low-hum narrative that Amazon MGM’s “Project Hail Mary” is the reigning, populist choice for best picture.

    “The Odyssey” has “invited people back to a theatrical experience which had been hobbled since the pandemic,” says Jason E. Squire, professor emeritus at USC School of Cinematic Arts. “This is an extraordinary creative and commercial victory for Nolan and Universal Pictures.”

    Indeed, the other victor here is Donna Langley, NBCUniversal’s entertainment and studios chairman. As the days tick by and box office records for “The Odyssey” keep rolling in, it’s abundantly clear how important it was that Langley wooed Nolan to Universal Pictures five years ago following his messy breakup with Warner Bros.

    In 2021, Langley fended off Sony Pictures, Paramount and the deep-pocketed Apple Studios to win the director’s unexpected blockbuster “Oppenheimer.” While Nolan never has signed any kind of exclusive studio deal — and almost surely never will — Langley’s team has proven an able partner for the once-in-a-generation talent. In essence, they have replaced Warner Bros., where Nolan made nine of his 13 movies, as his default home.

    “You may think it’s an easy approval process to move forward with any Nolan movie, but it’s an enormous financial commitment. A $250 million budget, another $100 million at least for marketing? There is no guarantee of profitability, and that’s the intriguing and seductive gamble for movie executives,” added Squire, who taught Coogler at USC and hosts “The Movie Business Podcast.”

    That gamble has paid off and observably came down to an issue of trust. Nolan was incensed in 2021 when Warner Bros., his studio partner of nearly 20 years, went rogue amid the COVID-19 pandemic and decided to release a full slate of films concurrently on its streaming service HBO Max and in cineplexes. This directly impacted Nolan’s time-traveling action film “Tenet,” led by John David Washington and Robert Pattinson. Nolan’s brand exclusively celebrates movies made for theaters. Jason Kilar, the corporate overlord of Warners at the time, exploded the company’s goodwill with talent and agents in every corner of the business by forcing the studio’s titles to stream day and date.

    Langley, known for an English sort of grace under pressure and her bedside manner with filmmakers, swooped in with a complex and unusual deal for “Oppenheimer.” It guaranteed a lengthy exclusive theatrical window for the opus about the atomic bomb, committed in writing to a marketing spend equal to the film’s $100 million budget and awarded Nolan a generous portion of the film’s first-dollar box office grosses. Nolan earned a reported $100 million in fees and back end for the best picture Oscar winner. Langley and Nolan’s bond had been forged years before, as the two both have same-aged kids.

    While his “Odyssey” deal is thought to be a more standard agreement than the “Oppenheimer” pact, insiders say Nolan will again receive first-dollar gross. That means he stands to reap millions for his work on top of his salary early in “The Odyssey”’s theatrical run, instead of having to wait until the film is profitable. Reps for Universal Pictures and Nolan declined to comment.

    Not that WB, Universal’s neighbor in Burbank, didn’t put up a fight. In 2022, following Discovery’s purchase of Warner Bros., the film studio’s incoming leaders, Mike De Luca and Pamela Abdy, announced plainly in a Variety cover story that they were “hoping” to get Nolan back. Subsequently, we reported that De Luca and Abdy cut a seven-figure check to the director in 2022 — a payment in arrears for fees he waived in hopes of getting “Tenet” to be the first film shown in theaters reopening after coronavirus closures.

    That “little kiss,” as one source put it, didn’t work. Especially given the windfall that came to Nolan after Warner Bros. staked its own blockbuster “Barbie” on the same July 2023 release date that Universal had given “Oppenheimer.” While the competition ignited the box office in a world-class example of counterprogramming, the move was seen as baiting and antagonizing the director.

    And so Universal won the day again with “The Odyssey.” After the success of “Oppenheimer,” Nolan and partner Emma Thomas did not take “The Odyssey” out to other bidders. Langley traveled to Nolan and Thomas’ Hollywood Hills home and read the script with the pair, insiders say. Afterward, the group rolled directly into planning for the Matt Damon epic.

    Nolan can run the table with any studio partner he wants, but “The Odyssey” feels like his own homecoming to Langley’s lot. Shareholders, the creative community and global audiences are all pleased. Why test the movie gods?

  • Indie LGBTQ Dramedy ‘Actual Nobodies’ Acquired by Scatena & Rosner Films, Sets Early 2027 Release (EXCLUSIVE)

    Indie LGBTQ Dramedy ‘Actual Nobodies’ Acquired by Scatena & Rosner Films, Sets Early 2027 Release (EXCLUSIVE)

    Scatena & Rosner Films has acquired distribution rights for North America, Australia and New Zealand for the LGBTQ indie dramedy “Actual Nobodies,” written and directed by Alex Wyse. S&R picked the film up at this year’s Cannes Market.

    Germany’s Media Luna New Films has secured rights for all remaining territories. A U.S. release is planned for early 2027.

    Marking Wyse’s solo feature directorial debut following the GLAAD Media Award-nominated and ARTIOS-winning “Summoning Sylvia,” “Actual Nobodies” stars legendary actress Didi Conn (“Grease,” “Best Medicine”) and Austin P. McKenzie (“When We Rise,” “Speech & Debate”).

    “Actual Nobodies” tells the story of two lonely outsiders who find unexpected companionship when Joyce (Conn), a whimsical woman in her seventies, rents out her spare room to Anthony (McKenzie), a young gay man in search of solitude.

    The ensemble also includes Greta Quispe (“American Fiction,” “New Amsterdam”), Paul Lieber (“Alias,” “Barney Miller”), Will Chase (“Stranger Things,” “Dopesick”), Jason Veasey (“Only Murders in the Building,” “Best Medicine”), Olli Haaskivi (“Widow’s Bay,” “Oppenheimer”) and David T. Patterson (“The Gilded Age,” “Blue Bloods”).

    “’Actual Nobodies’ is a story about the people who feel invisible to the world and the surprising ways they ultimately connect with one another,” Wyse said in a statement Tuesday. “Making this film with this extraordinary cast and crew was deeply personal, and finding partners in Scatena & Rosner, who truly believe in filmmaker-driven, emotionally resonant storytelling, makes this next chapter especially exciting.”

    Gato Scatena and Jordan Rosner of Scatena & Rosner Films added: “Alex has a unique voice that balances humor and heart with incredible precision. Actual Nobodies is exactly the kind of elevated, theatrical-forward independent cinema we are passionate about championing, and we’re thrilled to have launched the film’s global journey in Cannes. Independent films don’t break through simply because they’re well made—they break through because they make audiences feel something. Actual Nobodies does exactly that.”

    “Films with genuine emotional authenticity have tremendous international appeal, and Actual Nobodies delivers exactly that. Alex Wyse has created a heartfelt, uplifting film with universal themes that we believe will resonate with international buyers and audiences alike,” Media Luna New Films’ Ida Martin said.

    Producer Cody Lassen of Alder Street Productions said, “From the moment we began sharing the film, we felt it connect with audiences in a profound way. Scatena & Rosner and Media Luna immediately understood both its emotional core and its broader marketplace potential. We’re excited to partner with them as we introduce Actual Nobodies to buyers and audiences around the world.”

    Producing alongside Tony Award-winning and Grammy-nominated Lassen’s Alder Street Productions (“Summoning Sylvia,” “Indecent”) is Trey Tetreault (“Holding Back the Tide”), and Wyse, with co-producers Neil Gooding Productions, Second Set Productions, and associate producers Rayshaun Sandlin and Pam Moriarty.

    The film features cinematography by Al Bouchillon, editing by Sara Corrigan, music by Max Mueller, costumes by Nadia Durham, and production design by Rachel Aileen Abraham. The film was shot on location in New Jersey.

    Lassen and Wyse previously collaborated on the horror-comedy feature “Summoning Sylvia,” which received a theatrical release, was acquired by Starz, and currently holds a 100% critics’ score on Rotten Tomatoes.

  • John Legend Inks Two-Year Deal to Join Bang & Olufsen as Global Brand Ambassador

    John Legend Inks Two-Year Deal to Join Bang & Olufsen as Global Brand Ambassador

    John Legend is singing a new tune for Bang & Olufsen.

    The acclaimed singer-songwriter — a multiple Grammy Award winner and one of the youngest to achieve EGOT status — has signed a two-year deal to join the Danish sound and tech experts as global brand ambassador. During that time, Bang & Olufsen and John Legend will showcase a shared vision “through curated performances, cultural moments and storytelling, with each activation reflecting the idea that beautiful sound is born from true craftsmanship. More specifics on those events and activations will be revealed in the coming months.

    In announcing the deal, Bang & Olufsen cited the multi platinum musician, producer, activist and EGOT winner’s career as one “defined by restraint, detail and emotional honesty,” as he has created music that “resonates through intention and clarity. His work has become part of a global cultural fabric, known for its timelessness and emotional depth.” As such, he was tapped to embody Bang & Olufsen’s Beautiful Sound philosophy, which is defined as the “seamless marriage of flawless acoustic engineering, timeless Scandinavian design and uncompromising craftsmanship.”

    Legend with Bang & Olufsen Beo Grace earbuds.

    Courtesy of Bang & Olufsen

    “John Legend is an artist whose work reflects a rare balance of discipline and emotional openness,” praised Bang & Olufsen interim CEO Nikolaj Wendelboe. “This partnership is about alignment at the highest level of craft, artistry, and a shared belief that music should be felt as much as it is heard. Together, we are building something refined yet powerful, where sound and emotion meet without interference.”

    Legend returned the favor by saying he didn’t just join the brand because they asked; he has a long history of admiration for what they do — and he already owned their wares.

    “Bang & Olufsen has been one of my favorite audio brands for years. As a longtime owner of their products, I’ve always been drawn to the way they combine beautiful sound with timeless design. Their products are crafted with incredible attention to detail, and I’ve spent time in their listening rooms over the years experiencing music in a way that feels true to how it was intended to be heard,” said Legend. “I love that Bang & Olufsen approaches both sound and design with the same level of care and craftsmanship, creating products that are as beautiful to live with as they are to listen to. I’m thrilled to be partnering with the brand because we share a passion for creativity, quality, and creating experiences that connect with people on an emotional level.”

  • Broadway Box Office: ‘Proof’ Plays Final Performance, ‘Cats’ Sees Grosses Jump

    Proof, starring Ayo Edebiri and Don Cheadle, played the final performance of its limited run July 19, with grosses rebounding back up to $934,473, one of the higher tallies of the run, and playing to more than 100 percent capacity at the Booth Theatre. 

    Cats: The Jellicle Ball  also upped its box office tally last week, after announcing its Aug. 8 closure. The musical brought in $823,972 across just seven performances (the July 13 performance was cancelled), compared to the prior week’s $766,808 across eight performances. Capacity jumped up to 97 percent from 82 percent the prior week. 

    Hamilton was the highest grossing show, bringing in $2.2 million, followed by Death of a Salesman with $2.06 million across seven performances, The Lion King with $1.9 million, MJ with $1.8 million and Harry Potter and the Cursed Child with $1.6 million. 

    But overall, the industry took a hit last week, with grosses and attendance both down about six percent. Every Brilliant Thing also cancelled one performance, with grosses dropping down to $361,158 (the lowest tally of the week) and capacity falling to 77 percent. 

    Oh, Mary! saw a $130,000 drop in grosses last week, bringing in $911,738 as star Meg Stalter missed performances due to illness. 

    There were also only 31 productions playing last week, compared to 32 the week prior, after Dog Day Afternoon played its final performance July 12. 

  • ‘La La Land’ Poster Fixes Ryan Gosling’s Flat Hand After 10 Years of the Actor Being Haunted by It

    ‘La La Land’ Poster Fixes Ryan Gosling’s Flat Hand After 10 Years of the Actor Being Haunted by It

    At long last, Ryan Gosling‘s wish has been granted.

    After speaking out in multiple interviews over the years about his dislike of his hand placement as featured on the original “La La Land” theatrical release poster, Lionsgate has unveiled a new design for the movie’s 10th anniversary with Gosling’s flat hand now sticking out.

    Back in 2024, Gosling told The Wall Street Journal Magazine about a “moment” in the Oscar-winning hit that still haunts him years later: “We’re dancing, Emma and I, and I didn’t know this would become the poster for the movie. We were supposed to have our hands up, and I thought it would be cool to put my hand [more flat] even though everyone told me it wasn’t cool. I was sure it was cooler.”

    “Now when I look at it, and I have to see it all the time, you know what would’ve been cooler… [the intended pose],” Gosling added. “It just killed the energy that way. I call it La La Hand.”

    Timed for its 10th anniversary, “La La Land” is releasing back in theaters starting Sunday, Aug. 16, playing in Dolby Cinema at AMC Theatres. The film won six Oscars, including best director and best cinematography, as well as a record-breaking seven Golden Globes. It grossed $447 million worldwide on a $30 million budget. A Broadway musical is currently in the works (a date for which has yet to be announced).

    Gosling won a Golden Globe for his role as Seb, an aspiring pianist who falls in love with Mia (Stone), an actress who can’t catch a break. Stone went on to win the best actress at the Oscars.

    Watch the 10th anniversary trailer below.

  • ‘In the City’ Concludes With Two-Part Reunion: Where to Watch ‘Summer House’ Spinoff’s Cast Sit-Down Online

    ‘In the City’ Concludes With Two-Part Reunion: Where to Watch ‘Summer House’ Spinoff’s Cast Sit-Down Online

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    Following last week’s emotional In the City finale, the cast returns for a supersized season one reunion. Airing over two consecutive weeks, the revealing sit-down interviews kick off on Tuesday, July 21 at 8 p.m. PT/ET, and since the show is broadcast on Bravo, episodes can be livestreamed on any streaming service that carries said network, namely DirecTV (with a five-day free trial), Fubo, Sling and Hulu + Live TV.

    Additionally, uncensored versions of each episode will be available to stream on-demand the following day on Peacock (July 22 for part one and July 29 for part two), and while the streamer doesn’t offer a free trial directly, fans can enjoy free Peacock access through partner subscription DirecTV — more on this option below.

    At a Glance: How to Watch In the City Season One Reunion

    Where to Watch In the City Reunion: Release Date, Air Time

    The reunion will air over two consecutive Tuesdays — July 21 and 28 — at 8 p.m. PT/ET on Bravo.

    Where to Stream In the City Reunion Online Free

    Since In the City‘s two-part reunion is broadcast on Bravo, the episodes will be available to watch live on any streaming service that carries the network, including DirecTV (with a five-day free trial), Fubo, Sling and Hulu + Live TV.

    Uncensored versions of both parts will drop on Peacock the day after airing on Bravo (July 22 and 29). While the streamer itself no longer offers a free trial, customers who sign up for one of DirecTV’s signature packages — Entertainment, Choice, Ultimate or Premier — can get two months of the Movies Extra Pack + Peacock at no cost (a $19.98 value). Plus, DirecTV offers a five-day free trial for any plan, meaning new members can stream the reunion at no cost during the trial period. To claim, select your preferred signature package, then opt to add “Movies Extra Pack + Peacock Premium” where it instructs you to pick your add-ons, and your two free months will automatically apply.

    More on each live TV streaming option — and their new subscriber discounts — below.

    Five-day free trial; packages from $19.99 per month

    Bravo is included in any of DirecTV’s signature packages: Entertainment, Choice, Ultimate or Premier. Plus, DirecTV offers a five-day free trial for its streaming service, meaning new subscribers can tune in at no cost for a limited time.

    Learn more about each plan option, including how to build your own channel lineup (starting at just $19.99 per month), at directv.com.

    Fubo

    Up to $30 off first month; packages from $64.99 per month ($54.99 for first month)

    Bravo is available to stream with a subscription to Fubo, which offers between $10 and $30 off for the first month. Plans start at $54.99 during the first month and $64.99 monthly thereafter.

    Plans from $4.99 per day or $19.99 per month

    Bravo is included in Sling’s Blue Plan, from $45.99 per month, and Sling’s Orange & Blue plan, from $60.99 per month. Visit Sling.com to check station availability and package options, starting as low as $4.99 per day or $19.99 per month.

    Three-day free trial; packages from $89.99 per month

    Watch Bravo for free with a three-day trial to Hulu + Live TV. Subscriptions come bundled with Disney+ and ESPN+, and start at $89.99 per month.

    In the City Cast for Season One Reunion

    Andy Cohen hosts the entire season one cast for the two-part tell-all. This includes Kyle Cooke, Amanda Batula, Lindsay Hubbard, Danielle Olivera, Eoin Heavey, Andrea Denver, Lexi Sundin, Nick Barber, Yvonne Najor, Georgina Ferzil, Whitney Fransway, Kenny Martin, Gavin Moseley and Katie Arundel.

  • Christopher Nolan’s ‘The Odyssey’ Movie Is Making Gen Z Listen to the Book (EXCLUSIVE)

    Christopher Nolan’s film adaptation of “The Odyssey” is a bona fide cultural phenomenon (sorry, trolls!), shattering box office projections with a $264.1 million worldwide gross its opening weekend, earning rave reviews from critics, unleashing a tidal wave of Oscar buzz and causing such a frenzy for Imax 70mm tickets that moviegoers have gone as far as embarking on cross-country trips and delaying pregnancies to see it.

    The enormous popularity of Nolan’s summer blockbuster, which stars Matt Damon as Odysseus, who crosses paths with goddesses, sirens, a cyclops, armored giants and a Scylla during his decade-long return to Ithaca — where his wife and son, played by Anne Hathaway and Tom Holland, have been fending off a hall of scheming suitors vying for her hand and his throne — following the events of the Trojan War, has also boosted sales of the book version of Homer’s nearly 3,000-year-old tale, as sales across all editions of “The Odyssey” are up 76% this year, according to data from Circana BookScan.

    And, as Variety can exclusively reveal, the Nolan bump has extended to Spotify streams of the audiobook format of “The Odyssey.” According to Spotify, “Across 91 audiobook editions in 10 languages, ‘The Odyssey’ has now been listened to on Spotify for the equivalent of more than 43 years of continuous playback.”

    There’s more: On July 17, the opening day of Nolan’s “The Odyssey,” listens to the audiobook of “The Odyssey” jumped more than 500% on Spotify; in June, weeks before the premiere, listens to ‘The Odyssey’ jumped increased more than 240%, while post-premiere listens are on pace to be up roughly 680%; and on Spotify, “The Odyssey” has been especially popular among younger listeners, with 36% of listeners being Gen Z, 45% Millennial, and male listeners, with 63% of all listenership being men.

    “It’s always exciting to see beloved classics find new audiences,” Lena Yang, Senior Editor for Audiobooks at Spotify, tells Variety. “Audiobooks offer a fresh way to experience timeless tales, and it’s especially rewarding to see listeners returning to ‘The Odyssey’ in such a meaningful way.”

  • Expedia Reveals 2026 ‘Island Hot List,’ With St. Lucia, Porto Santo and Cape Verde, Following Country’s Cinderella World Cup Run

    Expedia Reveals 2026 ‘Island Hot List,’ With St. Lucia, Porto Santo and Cape Verde, Following Country’s Cinderella World Cup Run

    If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission.

    St. Lucia, Porto Santo, Praslin and Syros are the among the top island escapes to travel to this year, according to Expedia‘s 2026 Island Hot List, an annual ranking of the most popular island destinations based on searches and bookings.

    Released July 21, this year’s Island Hot List highlights ten under-the-radar islands that offer an “alternative to traditional hotspots,” per Expedia, with the locations lauded for “combining natural beauty, cultural depth, and sometimes better value.”

    St. Lucia tops the list for 2026, with Expedia reporting searches for the Eastern Caribbean island up 125% over 2025. Travelers say the lush getaway in the Lesser Antilles is best for “romantic escapes,” citing its intimate vibe and host of luxury resorts. Of course there’s plenty for adventure seekers to do as well, with long stretches of beaches, tropical rainforests and dramatic volcanoes in the distance.

    Expedia

    WHERE TO STAY

    Sugar Beach, A Viceroy Resort

    St. Lucia pick

    Porto Santo Island, in the Portuguese archipelago of Madeira, ranked second on Expedia’s 2026 Island Hot List, with searches for the destination up 85% from this time last year. Expedia says the so-called “golden” island ranks best for “wellness and relaxation,” with travelers seeking out spa treatments and tranquil moments along stretches of sand that are said to hold calming “geotherapeutic” properties. Porto Santo also offers an airy and quieter sun-soaked getaway, compared to the busy resorts and mountainous landscapes of its sister island, Madeira.

    WHERE TO STAY

    Pestana Porto Santo Beach Resort & Spa

    Porto Santo pick

    Praslin, an island in the Seychelles, comes in third on this year’s list, as a destination for “nature lovers.” Located in the Indian Ocean, Praslin is home to the Vallée de Mai Nature Reserve (“May Valley”), a national park and UNESCO World Heritage Site that offers an expansive palm forest promising sightings of rare birds and plants (like the Coco de Mer palms). You can also hit the open water to snorkel for giant turtles and coral reefs, or swim along Anse Lazio beach, renowned for its white sand and dramatic granite boulders in the distance.

    WHERE TO STAY

    Coco de Mer Hotel and Black Parrot Suites

    Praslin pick

    This year’s Expedia roundup also includes Syros Greece, which the booking site says is best for foodies looking for both authentic and inventive Greek cuisine; Lofoten Islands in Norway for arctic adventures; Phu Quoc, Vietnam for “affordable luxury;” and Sanibel Island over in Florida, which Expedia says is “best for family escapes.” Other islands on the Hot List are Palawan, Philippines; Culebra, Puerto Rico; and Fiji, along with Great Stirrup Cay in the Bahamas, which was named Expedia’s “Best Private Island for Cruises.” Great Stirrup Cay is a private island that is exclusive to Norwegian Cruise Line guests.

    Of course, this year’s Island Hot Lists reflects what people are buzzing about and Expedia says searches for Cape Verde have shot up a whopping 805% on the heels of the country’s cinderella World Cup run. The travel site says the archipelagic country off the coast of West Africa saw interest boom after “a summer of soccer, where team Cape Verde melted soccer fans’ hearts and drove a new wave of travel demand.”

    Expedia

    WHERE TO STAY

    Morabeza Hotel

    Cabo Verde pick

    Cape Verde was ranked 67th in the FIFA rankings prior to the World Cup but finished second in Group H with three draws (including tying now-World Cup champions Spain). The team then went on to narrowly lose to Argentina in a Round of 32 knockout stage match, earning the respect of Lionel Messi and soccer fans from around the world. Expedia, meantime, calls it the “Best Ultimate Soccer-inspired Island.”

    “Islands don’t just satisfy the urge to get away; they can also be one of the smartest vacation values, thanks to all-inclusive resorts and bundle savings on Expedia,” says Melanie Fish, VP of Public Relations, Expedia Group Brands, who adds that “The list was finalized until two destinations generated so much buzz from cruise travelers and soccer fans that we had to give them awards of their own.”

    The 2026 Expedia Island Hot List was based on global flight searches made on all Expedia points of sale from September 22, 2025 to March 22, 2026, for travel any date in 2026. See the full list here.

  • ‘Robocop’ TV Series From Blumhouse Officially a Go for Prime Video

    ‘Robocop’ TV Series From Blumhouse Officially a Go for Prime Video

    Amazon MGM Studios will buy that for a dollar!

    The company has finally greenlit its Robocop TV series for Prime Video from Blumhouse Atomic Monster.

    The new Robocop will be an eight-episode series from showrunner Peter Ocko (Lodge 49) and executive producers James Wan, Michael Clear and Rob Hackett. The project was first announced in development three years ago.

    The original 1987 RoboCop film* from director Paul Verhoeven told the story of a crime-ridden Detroit where a fatally injured police officer is rebuilt into a mechanical superhero. The film was acclaimed for its satirical take on corporate America. Ed Neumeier — co-creator and co-writer of the original — will also serve as an executive producer. 

    From the official series order description: “Since its debut in 1987, Robocop has endured as one of the most iconic and culturally significant franchises in science fiction. What began as a bold social satire — blending visceral action with a critique of corporate greed, privatization, and the nature of identity — has resonated across generations, spawning sequels, television series, video games and comic books. Its themes of humanity versus technology and the consequences of unchecked corporate power feel more relevant today than ever, making it the ideal property to reimagine for a new era of television.”

    “I’ve been a massive fan of RoboCop forever, so getting to help bring this world to television is a dream,” said Wan. “What Paul Verhoeven created in 1987 was decades ahead of its time, and its questions about technology, identity, and who corporations really serve have only grown more urgent. With Peter’s distinctive vision and bold approach to storytelling, and alongside Ed and our partners at Amazon MGM Studios, we’re working to honor what made the original iconic and highlight its relevancy in this modern, tech-driven world, while building something unmistakably new for a global audience.” 

    Robocop is a franchise that has meant something to audiences for nearly four decades — not just as an action spectacle, but as a sharp, provocative mirror of our relationship with technology and power,” said Peter Friedlander, Head of Global Television, Amazon MGM Studios. “Peter Ocko has crafted a vision that honors the soul of what made the original so enduring while building something entirely fresh and urgent for today. Paired with the cinematic sensibility of James Wan and the team at Blumhouse Atomic Monster, we believe this series will captivate a whole new generation of fans on Prime Video.”

    There have been many efforts to expand RoboCop into a franchise before. A 12-episode animated TV series was released by Marvel Productions in 1988. There were two modest sequel films, 1990’s RoboCop 2 and 1993’s RoboCop 3. In 1994, there was a short-lived RoboCop TV series, and in 2001 there was a live-action miniseries, RoboCop: Prime Directives. Perhaps the best-known reboot is 2014’s RoboCop film starring Joel Kinnaman.

    *The film uses an uppercase “c” for “cop,” while the new series uses a lowercase “c.”