Category: Entertainment

  • Spencer Pratt Tears Into Gavin Newsom, Rob Bonta Over Paramount Lawsuit in Lengthy Video Rant

    Spencer Pratt Tears Into Gavin Newsom, Rob Bonta Over Paramount Lawsuit in Lengthy Video Rant

    Los Angeles mayoral hopeful and former reality TV star Spencer Pratt released a lengthy, artificial-intelligence-assisted screed taking down the lawsuit filed by 12 state attorneys general against Paramount over its merger with Warner Bros. Discovery. In a TikTok video, he shouts that Hollywood is kaput if the suit succeeds.

    On July 20, a coalition of 12 states led by California filed a suit against Paramount to block its $110 billion acquisition of Warner Bros. Discovery. The coalition includes New York and Colorado, among others. A federal judge issued a temporary restraining order pausing the merger earlier this week.

    Pratt, the former MTV star who played the villain of reality TV hit The Hills 20 years ago, began leaning into Los Angeles city politics in 2025 after his Pacific Palisades home burned in one of the fires that engulfed parts of the city. Pratt and other area property owners filed a suit against the city of Los Angeles and its Department of Water and Power, alleging the fires were DWP’s fault; he also began blaming Mayor Karen Bass, citing a slow response.

    @spencerpratt

    Greasy Gavin and Bonehead Bonta are the real life slick-haired archetypal douchebag villains we’ve seen in every movie. Now they’re coming to destroy the Hollywood for good, over petty politics. The Paramount sabotage is…way worse than you think.

    ♬ original sound – Spencer Pratt

    Mad as hell about L.A. politics in the wake of the fires, he launched a campaign for mayor on the fire’s anniversary, positioning himself as a common-sense populist. In June, he came in third place behind Bass and City Councilmember Nithya Raman, after an initial count had put him more than eight percentage points ahead of her. He refused to accept the result and drew support from President Donald Trump (who already doomed his chances in L.A. with his vocal support) and House Speaker Mike Johnson; both claimed the race was fraudulent, once again without evidence.

    Pratt had said he’d stay in L.A. to remain laser-focused on local politics. But with this new video, he’s gone national, training his screed on every state suing Paramount. Being a Californian, he naturally singles out Gov. Gavin Newsom and Attorney General Rob Bonta, claiming the two are destroying Hollywood as they try to “cripple two of the greatest film studios of all time over politics.”

    “[Newsom and Bonta] are everything Paramount isn’t,” Pratt claims. “While Paramount and Tom Cruise have spent the last decades building up Hollywood, [these two] have been destroying it — chasing productions out of town, sending projects to Budapest, neglecting film tax credits and incentives to win back production, doing everything they can to cripple the film industry while Atlanta and Hungary steal our lunch. And now they’re suing Paramount to make sure the industry crumbles further, all because Paramount wants to invest $110 billion into Warner Bros.”

    The 10-minute-plus clip splices in A.I.-generated cutaways from Pratt to clips of popular Hollywood movies. The former candidate channels Alex Jones, sitting behind a desk and yelling into the camera as he argues the state’s leaders want jobs out of California. Citing a clip from a podcast interview with Bonta, he notes that tech giants like Amazon aren’t named in the lawsuit despite making blockbusters with major theatrical releases — Pratt cites Top Gun: Maverick and dubs its star “Saint Tom Cruise.”

    In the clip, Pratt also tries to shoot down Bonta’s claim that a Paramount–Warner Bros. Discovery merger would reduce production, arguing other factors were at play.

    “They claim that after Disney acquired Fox, production decreased. Notice they specifically say after they merged — they don’t say because they merged, because something else happened after that 2019 merger that may have had an impact on production,” he says. “Yeah, they merged right before COVID, but Gavin Newsom shut down the entire state and followed that with the biggest, most prolonged labor dispute in Hollywood history. Everybody’s production decreased.”

    Pratt also points to what he calls political motivation behind the opposition, noting the lack of similar scrutiny over Amazon’s MGM acquisition, and that streamers like YouTube weren’t named in the suit — inconvenient, he argues, for the theory of a Paramount monopoly.

    “This isn’t the ’80s, Rob. Streaming has changed everything. More and more people get their content online, which means fewer and fewer are watching traditional cable. The trend line only goes in one direction,” he says in the clip.

    Pratt closes out the rant with high praise for Paramount, which he credits with saving the industry.

    “There’s a ton of competition for these studios,” Pratt claims. “This whole lawsuit is a scam. He needs to quit playing petty politics and crippling Hollywood.”

  • Nordstrom’s Anniversary Sale Is a Goldmine of Jewelry Markdowns — Here Are the 23 Standouts

    Nordstrom’s Anniversary Sale Is a Goldmine of Jewelry Markdowns — Here Are the 23 Standouts

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    From designer jewelry to under-$25 finds, the Nordstrom Anniversary Sale is home to hundreds of discounted gems. Through Sunday, Aug. 9, the retailer is offering up to 45 percent off dozens of its best-selling jewelry brands: Bony Levy, Monica Vinader, Lizzie Fortunato, Mejuri and John Hardy, to name just a handful.

    To sweeten the deal, Nordstrom is running a Women’s Fine Jewelry Trunk Show alongside its annual savings event. This means that through Aug. 9, 100-plus heavily discounted designer pieces are available online only. Once Aug. 10 hits, the limited-edition assortment will not only lose its discount — it will be gone for good.

    One more Anniversary Sale shopping tip ahead of our jewelry picks: For those considering signing up for Nordstrom’s credit card, now is the most strategic time to do so, because through Aug. 9, new cardmembers will receive $60 off their next purchase. See all benefits and apply for a credit card now at Nordstrom.com.

    Nordstrom Anniversary Sale 2026: Shop Best Jewelry Deals

    online trunk show-exclusive

    These sculptural post back earrings are an exceptional price for 14k solid gold, and their delicate swaying chains add a subtle sense of movement.

    Another great value, Bony Levy is a favorite all year round for its excellent quality and fair price point.

    A bead chain is both timeless and on trend, and the CZ barrel pendant adds a little extra sparkle.

    Lizzie Fortunato is a standout for elegant statement styles. This glamorous number pairs faceted emeralds with peachy emerald-cut glass.

    One more Lizzie Fortunato favorite.

    online trunk show-exclusive

    Features a 0.35ct. lab grown diamond paired with 18k gold vermeil.

    It always pays to invest in a timeless pair of everyday diamond studs. Price per wear will be minuscule, especially given the 25 discount. These natural diamond earrings are available (and on sale) in a variety of carat weights.

    Or test the waters by getting the look for less.

    BaubleBar’s casual-cool statement necklace also comes in gold tone metal on a deep green cord.

    No comment. Just sick.

    Edge up any outfit with a black sapphire moment.

    Fully lean in with more sapphire-covered knots.

    Offered in both 14k gold plated and platinum plated versions.

    Lab diamonds paired with 18k gold vermeil.

    Same as above. Stack or wear solo.

    Related: The 75 Most Dazzling Jewelry Gifts From Celebrity-Owned and Hollywood-Loved Labels

    And one for those who’d rather solid gold.

    Round lab-grown diamonds set in either sterling silver or sterling silver with 18k-gold plating.

    A timepiece that doubles as jewelry.

    Make your Apple Watch a bit less Apple Watch-y.

    An easy pop of color.

    Get that layered look sans the tangling.

    Related: These Hollywood-Loved Designer Handbags Are Up to $1,500 Off at Nordstrom’s Anniversary Sale

    online trunk show-exclusive

    Inspired by ’50s Italian glamour and crafted from 18k gold vermeil.

    14k yellow, white and rose gold in one.

    Shop the full assortment of savings via Nordstrom’s Jewelry & Watches landing page. And for more curated picks, visit THR‘s main Anniversary Sale shopping guide.

    About the Author

    Erin Lassner is THR’s E-Commerce Writer. She covers shopping content across fashion, beauty and lifestyle, and has nearly ten years of experience testing and reviewing the best of skin-care, makeup, accessories and wellness.

  • Where to Find a Commonwealth Games 2026 Livestream in the U.S. to Watch the Event for Free

    Where to Find a Commonwealth Games 2026 Livestream in the U.S. to Watch the Event for Free

    If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission.

    Some of the best summer athletes in the world are heading to Scotland for the 2026 Commonwealth Games.

    A quadrennial event dating back to 1930, the Commonwealth Games unites thousands of athletes from more than 70 nations across the British Commonwealth — I.e. countries that are currently or were formerly part of the British Empire. So while countries like Canada, Australia, England, New Zealand, South Africa and Jamaica will all be participating, there will not be a U.S. contingent at the Games.

    How to Watch the 2026 Commonwealth Games

    This year’s Commonwealth Games run from July 23 to August 2 in Glasgow, Scotland, with events airing live and as nightly highlights on channels like 7Plus in Australia and Channel 5 in the UK.

    North American viewers can watch the Games for free on CBC, Canada’s national public broadcaster, via a virtual private network like ExpressVPN or NordVPN (NordVPN excludes a 30-day money back guarantee). Your VPN lets you set your location to Canada to stream the CBC’s coverage of the 2026 Commonwealth Games online from anywhere in the world.

    Or set your location to Australia or the United Kingdom to stream the 7Plus and Channel 5 Commonwealth Games feed online.

    How to Watch the 2026 Commonwealth Games From the U.S.

    You can also watch the Commonwealth Games in the U.S. through beIN SPORTS, the Qatar-based sports media group that is now available in America on streaming services like Fubo and Sling.

    Fubo offers beIN SPORTS on its own for just $5.99/month, or as part of the Fubo Core package, which gets you 200 live TV channels to stream online for $63.99/month (regularly $88.99 monthly).

    Don’t have Fubo? Test drive the service with a five-day free trial here and use it to stream the Commonwealth Games in the U.S. for free. Fubo’s plans include free DVR so you can record the events to watch back on-demand whenever you want.

    The cheapest way to get beIN SPORTS on Sling, meantime, is to sign up for the streamer’s Sling Orange base plan (from $45.99/month) and then add the Sports Extra package for an additional $11 a month. You’ll get more than 40 live TV channels in total that you can stream online.

    Sling Orange includes 50 hours of free cloud DVR in addition to an on-demand library of free TV shows and movies that you can stream online.

    Commonwealth Games 2026 Sports

    Unlike previous Commonwealth Games, which have featured more than 30 different summer sports, this year’s event will include just 10 sports, the lowest number of events offered at the Games since 1994. Organizers say rising costs, lack of venues and viewership decline have led to the removal of sports like field hockey, diving, rugby sevens and cricket.

    Still, there’s plenty of big names to watch for in the remaining sports, which include athletics, swimming, artistic gymnastics, boxing and cycling. Paris 2024 Olympic swimming champions Kaylee McKeown from Australia and Adam Peaty from England, are expected to compete, as is Canada’s gold-medal winning 4×100 meter men’s relay team in track and field.

    The track event will also see Scottish middle-distance runner Josh Kerr, who just broke the 27-year world record in the mile, and Jamaican superstar Shericka Jackson, a two-time World Champion who holds the second-fastest time ever recorded in the women’s 200m events.

    Reigning Olympic pommel horse champion Rhys McClenaghan from Northern Ireland will compete in the men’s gymnastics event, where he’ll face off against Cyprus’ Marios Georgiou, who is a former European All-Around champion and a three-time Olympian.

    This year’s Commonwealth Games kicks off with an Opening Ceremony featuring British singer-songwriter Tom Walker (of “Leave the Light On” fame), along with Scottish singer-songwriter, KT Tunstall and other local artists. The last edition of the Commonwealth Games was held in 2022 in Birmingham, where rockers Duran Duran performed at the Opening Ceremony.

  • Netflix Reteams With Yeon Sang-ho for ‘Parasyte: Tamiya’ Series

    Netflix Reteams With Yeon Sang-ho for ‘Parasyte: Tamiya’ Series

    Korean hitmaker Yeon Sang-ho’s Parasyte universe is getting an all-new host body to infect. On Thursday morning from Seoul, Netflix unveiled Parasyte: Tamiya, an upcoming Japanese season of the hit sci-fi horror series that has delighted fans with its inspired K-drama reimagining of artist Hitoshi Iwaaki’s best-selling manga.

    Yeon, fresh off the release of Netflix thriller series Human Vapor and zombie blockbuster Colony, returns as the lead creative force behind the show, having developed its story and co-written all episodes with his regular collaborator Ryu Yong-jae. Netflix says the new season is already in post-production and will premiere on the service sometime in 2027.

    The original Parasyte: The Grey spent four weeks on Netflix’s Global Top 10 Non-English TV list in 2024 and topped the rankings in 34 countries upon its release.

    Whereas the original season’s novelty came from transplanting Iwaaki’s classic manga to a South Korean setting, the new chapter is said to burrow more deeply into the original source material. Japanese actress Shioli Kutsuna, best known to global viewers for her recurring part in the Deadpool franchise, stars as Ryoko Tamiya, a parasite who seizes the body of a high school teacher and — initially as ruthless as the rest of her kind — gradually comes to suspect that coexistence with humans, rather than predation, may offer her species its best chance of survival. The series tells that story from her side of the divide, with Kutsuna playing the character in three registers: the original human, the violent creature that takes her over and the evolving being caught between the two.

    Japanese actress Shioli Kutsuna as Ryoko Tamiya.

    Netflix

    “Ryoko Tamiya is a truly captivating villain in the original manga,” Yeon says. “Her struggles over the nature of her own existence are what elevate the original Parasyte from a simple hero-based manga aimed at kids to something deeper.”

    “I wanted to convey her perpetual struggle over the need for parasites to coexist with humans and the issue of their survival, and how she suffers setbacks and learns over time,” the filmmaker adds. “I think the anguish she experiences is the essence of Parasyte.”

    Kutsuna, who previously worked with Netflix on the sumo drama Sanctuary and will appear in the streamer’s upcoming live-action Gundam film, calls Tamiya “the most challenging role I have ever played in my acting career.”

    She adds: “During the six months I spent living as Tamiya, I experienced many emotions I had never encountered before.”

    Yeon adds: “She did a wonderful job of portraying the process of a non-human creature coming to understand both humanity and its own existence.”

    Yeon has become one of Netflix’s most consistent and prolific collaborators in East Asia. His projects at the streamer as a creator, director or writer include Hellbound (two seasons), sci-fi feature Jung_E, occult chiller The Bequeathed, Parasyte: The Grey, last year’s Revelations and the just-launched The Human Vapor, his big-budget Japanese series collaboration with Toho. He’s kept just as busy as a theatrical filmmaker. Colony, the Cannes Midnight-premiered zombie thriller starring Jun Ji-hyun that returned him to Train to Busan territory, has grossed $42.4 million in South Korea since late May, making it one of the year’s biggest Korean hits. He’s simultaneously been experimenting with ultra-low-budget filmmaking, having released mystery thriller The Ugly last year, and with the AI-themed thriller Paradise Lost set to premiere at the Toronto Film Festival this fall.

    For Parasyte: Tamiya, Yeon reunites with Grey co-writer Ryu Yong-jae, while Japanese filmmakers Kensaku Kakimoto (Glass Heart) and Kazuhiro Nakagawa (Double, Bullet Train Explosion) direct the episodes. WOWPOINT, the production house behind The Grey, The Human Vapor and Colony, produces.

    Iwaaki’s manga, published by Kodansha from 1988 to 1995, has previously spawned an anime series and a two-part Japanese film franchise directed by Godzilla Minus One‘s Takashi Yamazaki.

    Says Yoshihiro Sato, manager of live-action creative at Netflix Japan: “‘What makes a human?’ ‘Can we coexist with beings that are different from us?’ — These questions posed by Parasyte more than 30 years ago feel much more pressing for our modern society that has placed non-sentient AI at all of our fingertips.”

    He adds: “Our purpose in making this series was to take the universal questions posed by the original manga 30 years ago and bring them into the modern spotlight.”

  • Lego at Comic-Con: Star Wars and Pokémon Activations, Star Trek and Donkey Kong Sets

    Lego at Comic-Con: Star Wars and Pokémon Activations, Star Trek and Donkey Kong Sets

    For years, Lego has been one of big booths at San Diego Comic-Con, a massive footprint in the center of the San Diego Convention Center. This year, however, the company is taking its convention experience to a whole new level of brick.

    Doubling down on its Lego Smart Play, which blends physical play with responsive technology, Lego is creating an interactive and immersive destination themed to two of the biggest brands in pop culture, Pokémon and Star Wars.  

    The company is also showing off publicly, for the first time, its upcoming sets for Star Trek, Donkey Kong and Shrek.

    The booth will welcome convention-goers with a retro-futuristic gateway before welcoming them into two fully activations.

    For the Star Wars installation, Lego has created “Destination: Mos Eisley,” which will take fans to the famous Creature Cantina, recreated by oversized Lego brick environments designed for photo taking (and social media sharing). Attendees will be able to get on stage for a remix of the Cantina Song and even slide into the famous corner booth for a face-to-face encounter with Greedo. There is also a Dewback Petting Zoo for a photo op with a purring, snoozing Dewback.

    Lego Smart Play Gateway Mos Eisley of Star Wars.

    Courtesy of Lego

    The Pokémon installation, meanwhile, recreates the Pokémon Lab with scaled up Lego brings and will be populated by life-sized Lego Pokémon builds powered by Smart Play. That experience involves Poké Balls and a game of “Hide and Pikachu.”

    Star Trek 60 Legos Figurines

    Courtesy of Lego

    One of the big sets being unveiled is the Lego Icons Star Trek: U.S.S. Enterprise NCC-1701 Bridge, coinciding with the show’s 60th anniversary. The set will available at Lego stores and LEGO.com exclusively beginning Sept. 1.

    (And speaking of Lego Trek, there will be a panel on the subject, titled Star Trek: The Collector Frontier, Thursday at 11 a.m. in Room 5AB with Lego set designers Henrik Andersen and Crystal Marie Fontan. And, for good measure, Lego is also showing off a brick-built Captain’s Chair — made out of 83,568 bricks — at the neighboring Marriott Marquis.)

    Leo Donkey Kong Arcade Game box

    Courtesy of Lego

    Lego previously produced sets replicating a Nintendo console and a Game Boy and it’s keeping the video game silo going with a Donkey Kong Arcade, which will be on display at its booth. The 1,367-piece collectible set features Donkey Kong and Lady, plus well-known sights such as the scaffold, ladder and hammer details from the original Nintendo game. And yes, you will be able to release barrels and press the button to make Jumpman leap over the barrels. That set will be available Aug. 1.

    Lego is also showcasing 12 minifigures from the Shrek franchise as it gears up for new Shrek sets in 2027. The minifigures will hit shelves Sept. 1.

    Lego Shrek Mini Figures

    Courtesy of Lego

  • Travis Scott Says He Was “Nervous as F” Making His Acting Debut in Christopher Nolan’s ‘The Odyssey’

    Travis Scott Says He Was “Nervous as F” Making His Acting Debut in Christopher Nolan’s ‘The Odyssey’

    Travis Scott is opening up about how Christopher Nolan cast him in The Odyssey for his acting debut.

    During a Tuesday night appearance on The Tonight Show Starring Jimmy Fallon, Scott recalled receiving an unexpected phone call from the Oscar-winning director, who asked if he’d be interested in acting in the Greek epic.

    “My phone went off and it just said, ‘Chris.’ And I’m thinking, ‘OK, I don’t know what this is about. Maybe he wants to go to a show?’” Scott said. “So I pick up and he’s like, ‘Would you be interested in acting in a movie?’ And I’m like, ‘I mean, I guess, you know? What’s the [role]?’”

    Scott recalled Nolan telling him the film would be “coming out soon” and that he wanted him to be part of it. Surprised by the ask, Scott responded: “I’m like, ‘Whoa, hold on. Wait. You know I make music?’” before Nolan gave him “his whole thesis on why.”

    “I really enjoy his time. I’m really inspired by him. He’s a real mentor of mine outside of this,” Scott said of the Oppenheimer filmmaker. “So I’m like, ‘Yo, whatever you’re down with, I’m down. However it goes, I’m with it.’”

    Scott played Demodocus, the bard who narrates Odysseus’ journey in the opening scene and is the first voice and face audiences see in the film.

    Though he admitted, “I was actually nervous as ‘F,’” Scott said he initially assumed his scenes would be with extras.

    “I didn’t know that it was going to be Anne Hathaway, Tom [Holland] and Robert Pattinson — a bunch of amazing people,” he said. “I don’t know what the fuck I’m doing. But they were such an amazing cast.”

    Scott continued to praise Nolan and the cast for making his acting debut a comfortable experience. The pair previously collaborated on the soundtrack for Nolan’s 2020 film Tenet, which starred Pattinson.

    “Chris is an amazing director,” Scott said before adding of the cast, “Everybody made me feel comfortable. I was just glad to be there and just watch him. And being in such a world of them. So I’m just glad to be here.”

    Nolan recently spoke with Time magazine about why he cast Scott, saying, “I wanted to nod towards the idea that this story has been handed down as oral poetry, which is analogous to rap.”

    In addition to his acting debut, Scott also recorded the original song “When I’m Home” for The Odyssey‘s closing credits alongside James Blake, with production from the film’s composer Ludwig Göransson. Nolan is credited as a co-writer.

    The Odyssey is now playing in theaters.

  • ‘Doctor Strange’ Director Says Elon Musk ‘Doesn’t Know S— About Cinema’ After Musk Vows to Make AI ‘Odyssey’: ‘His Opinions on Art Are Worthless’

    ‘Doctor Strange’ Director Says Elon Musk ‘Doesn’t Know S— About Cinema’ After Musk Vows to Make AI ‘Odyssey’: ‘His Opinions on Art Are Worthless’

    Elon Musk’s crusade against Christopher Nolan’s “The Odyssey” has raised eyebrows in Hollywood after the newly minted trillionaire vowed that before the end of the year, his AI tool Grok “will make a full-length movie of The Odyssey that is historically accurate and true to the art of Homer.” Musk also shared a three-minute clip of an AI-generated scene adapted from the poem, which was manufactured by a user on Grok.

    One figure from the film community, “Doctor Strange” and “The Black Phone” director Scott Derrickson, pulled no punches when addressing Musk directly on social media. “Clearly @elonmusk doesn’t know shit about cinema & he stopped reading in his 20s,” Derrickson wrote on Musk’s social media platform, X. “His opinions on art are worthless.”

    The Tesla mogul has railed against Nolan’s “Odyssey” long before it was released due to his perception of certain “woke” casting decisions. In March, Musk wrote that “Chris Nolan is an anti-White racist” for casting Lupita Nyong’o in the role of Helen of Troy, asserting that the director made the decision because “he wants the awards.” Musk said “Chris Nolan has lost his integrity” and called the casting an “insult” to Homer. Musk also took aim at Elliott Page, who plays Sinon in “The Odyssey,” reposting comments that mocked the transgender actor’s masculinity.

    “The Odyssey” is not the first film Musk has criticized on X; he similarly mocked “Barbie” for its feminist themes and Disney’s “Snow White” reboot led by Rachel Zegler. The anti-woke backlash to “The Odyssey” didn’t seem to matter. The Matt Damon-starring epic opened to $264 million worldwide and continues to sell out screenings months in advance.

  • Shaken, Soaked and Seasick: What It’s Like to Survive ‘The Odyssey’ in 4DX

    Shaken, Soaked and Seasick: What It’s Like to Survive ‘The Odyssey’ in 4DX

    There’s no question that seeing Christopher Nolan’s epic “The Odyssey” in 70mm and Imax – or both – is an expansive and breathtaking experience. But for cinephiles who have already checked off those formats on their list, what’s it like to watch the Matt Damon-starring, three-hour blockbuster in 4DX?

    The seat-rumbling, water-spritzing technology, available in nearly 800 movie theaters around the world, promises a “fully immersive cinematic experience that makes you feel like you’re in the movie.” But does it really? Three intrepid Variety writers – two who had seen the movie before and one first-timer – set out on an odyssey to find out. The three sailed into Regal’s L.A. Live cinemas and were fortunately better-provisioned than Damon and his exhausted crew. Tanya stockpiled mozzarella sticks and Gatorade, while Pat smuggled in a peanut butter protein bar and a bottle of water for the three-hour tour.

    Pat was about to put in some eyedrops to prep for the long running time when the moviegoers suddenly embarked on the first stop of the epic journey: the trailer for 4DX. The seats heaved and jiggled, we were spritzed with water, we were shaken and stirred and primed for equally bouncy trailers for “Spider-Man: Brand New Day” and “The Fast and the Furious” rerelease. The onslaught during the pitch for enlisting in the Navy was particularly jarring.

    Then the film began. Read on to see who survived the hero’s journey.

    Pat

    The main selling points for 4DX are shaking seats and spraying water, with a little wind thrown in. The breeze sometimes felt like the person sitting behind me was ruffling my hair – but since it was my own co-worker, that seemed unlikely. During the many scenes of roiling seas and inevitable shipwrecks, the shaking met the action appropriately. Did it add to the experience? Kind of — we could certainly empathize with how battered and bruised Odysseus and his men must have felt after all those cursed voyages.

    The water was not as bad as I had feared – I had prepared by bringing a hoodie in case of a full Sea World-esque splash zone, but the light spritzing was fairly refreshing. Nonetheless, midway through the film I took advantage of the “turn water off” button to enjoy Nolan’s ambitious filmmaking with fewer distractions. The shaking was particularly effective as the boat was being thrashed around by the whirlpool of Charybdis, one of several moments when it really matched the action onscreen. But did we really need to heave up and down every time a soldier marched into a castle? Just because you CAN shake the seats doesn’t mean you SHOULD every time there’s movement in the frame.

    Overall, I enjoyed my first 4DX experience though perhaps a different and simpler film would have been a better choice. I might have liked a few more effects – the smell of pigs, or ripening cheese, perhaps. “We were all praying for forgiveness,” Damon intones in his climactic speech. In the case of 4DX filmgoers, it could be said that after three hours we were all praying mostly for our seats to hold still.

    Matt

    I will kick off my thoughts with a caveat — I couldn’t make it through the entire 4DX experience. I can handle pretty much any roller coaster, but three hours of movement… I’m no Odysseus!

    I began getting nauseous about halfway through, and my stomach couldn’t handle the thought of experiencing the crazy water scenes that I knew were coming closer to the end of the film. But from what I was able to witness for myself, the 4DX experience was a fun, unpredictable mixture of movement happening in your seat and things happening elsewhere in the room, mainly some mist that helped set the scene when Odysseus and his men are out at sea. The audience also gets a necessary break from the constant movement during the more dialogue-heavy scenes, to be fair!

    I don’t know if I would do 4DX again, especially considering the price tag compared to my beloved AMC A-List getting me into Imax and Dolby screenings at no extra cost, which both enhance the film with better sound. For “The Odyssey,” though, it was worth taking the journey, although I wouldn’t have shelled out the $36 for any other film this summer. If you’re looking to check off as many premium formats for Christopher Nolan’s epic as possible, I’d recommend watching the film once before you try out 4DX so you don’t spend your first viewing trying to parse through the very dense plot while trying not to get knocked out of your seat.

    Tanya

    As a frequent 4DX filmgoer (and someone who had already seen Nolan’s epic), I was fully prepared for an Odyssey-esque journey of my own. I stocked up on snacks to fuel my nearly three-hour voyage, but, much like Odysseus’ experience, eating proved to be a challenge. I attempted to dip my mozzarella stick in its accompanying sauce during what I had perceived to be a scene that did not require any motion, but our chairs suddenly jolted forward, sending my over-priced mozzarella stick to the floor. Sure, there were plenty of calmer moments to come throughout the film, but my fear of the upcoming action was enough for me to opt to stay hungry.

    When I first saw “The Odyssey” in Imax 70mm, I thought to myself “This couldn’t get any better.” Seeing it in 4DX immediately proved me wrong. You’re not just immersed in the film — you’re living in it. You are battling with Odysseus’ men, dodging strikes from the Laestrygonians, breathing in actual smoke during the Battle of Troy, getting hit in the back in the same spots soldiers were pierced with arrows. You’re experiencing everything they went through — both the men of Greek legend and the actors themselves, which gives a newfound appreciation of the work that went into the film.

    Above all, the best part of this experience is the energy it created in the theater. We had lived through the film together. There were subtle frightened gasps (and even shrieks of terror) during action-packed moments, and we collectively let out sighs of relief when those moments were over. I locked eyes with strangers, sharing laughs while we attempted to not fall out of our seats. We were actively in the film, and when Odysseus finally revealed he had returned to Ithaca, the entire theater erupted into applause. It felt like we had made it home too. Moments like these are hard to replicate.

  • Yeon Sang-ho Returns to ‘Parasyte’ Universe With ‘Tamiya,’ Starring Shioli Kutsuna, at Netflix

    Yeon Sang-ho Returns to ‘Parasyte’ Universe With ‘Tamiya,’ Starring Shioli Kutsuna, at Netflix

    Yeon Sang-ho is returning to the “Parasyte” universe with “Parasyte: Tamiya,” a new live-action series starring Shioli Kutsuna for Netflix, set to stream in 2027.

    The series marks another collaboration between Netflix and Yeon (“Hellbound,” “Parasyte: The Grey”), who developed “Parasyte: Tamiya” and co-wrote the script with Ryu Yong-jae. Wowpoint, the production company behind Yeon’s “Human Vapor” and “Parasyte: The Grey,” is producing. Kakimoto Kensaku (“Glass Heart”) and Nakagawa Kazuhiro (“Double,” “Bullet Train Explosion”) are directing.

    “Parasyte: The Grey” spent four weeks on Netflix’s Global Top 10 Non-English TV list and reached No. 1 in 34 countries following its 2024 release.

    In the original manga, Ryoko Tamiya is a parasite who takes over the body of a high school teacher, initially violent and indiscriminate before gradually learning from her human surroundings. Witnessing a parasite and human sharing a single body leads her to wonder whether coexistence might offer her species a better chance of survival than conflict. “Parasyte: Tamiya” tells the story from her perspective, tracking the original human, the parasite who inhabits her and the creature caught between both worlds.

    Kutsuna (“Sanctuary,” “Deadpool 2,” “Gundam”) plays Ryoko Tamiya across three registers: the original human, the parasite after it takes over and the parasite as it struggles to interact with humanity.

    Yeon said, “Her struggles over the nature of her own existence are what elevate the original ‘Parasyte’ from a simple hero-based manga aimed at kids to something deeper. I think the anguish she experiences is the essence of ‘Parasyte.’”

    Yeon was also asked about his choice of lead. “I’m sure that was a big challenge for Kutsuna as an actor,” he said. “I think she did a wonderful job of portraying the process of a non-human creature coming to understand both humanity and its own existence.”

    On the choice of directors, Yeon said, “I chose these two directors precisely because they have such different styles, and I had high hopes for a collaboration between them.”

    Kutsuna said, “Ryoko Tamiya is the most challenging role I have ever played in my acting career. This series was brought to life through the dedication of the entire cast and crew, who supported one another through every challenge along the way.”

    Netflix Japan’s Sato Yoshihiro, manager of live action creative, added, “‘What makes a human?’ ‘Can we coexist with beings that are different from us?’ These questions posed by ‘Parasyte’ more than 30 years ago feel much more pressing for our modern society that has placed non-sentient AI at all of our fingertips.”

    The “Parasyte” manga, created by Hitoshi Iwaaki and published by Kodansha, has previously been adapted into a film series, an anime and the Korean drama “Parasyte: The Grey.”

  • YouTube’s Ad Revenue Crossed $11 Billion in the Second Quarter of 2026

    YouTube’s Ad Revenue Crossed $11 Billion in the Second Quarter of 2026

    YouTube ads earned Google more than $11 billion from April to June 2026 — up 13 percent from the same period last year — and that wasn’t even Alphabet‘s biggest second-quarter highlight.

    Alphabet revenues in total grew 24 percent year-to-year to $120 billion. All told, Google’s advertising revenue (Google Search, YouTube, and Google Network) rose to $81.6 billion. The lion’s share of that is good, old-fashioned Google Search, which alone accounted for $63.3 billion. Another $12.9 billion from subscriptions and nearly $25 billion from the cloud helped push Alphabet’s Q2 profit beyond $112 billion, which dilutes down to $9.11 per share. That absolutely crushed Wall Street’s expectations.

    Since it is 2026, Google/Alphabet CEO Sundar Pichai mostly just wants to talk about Google AI.

    “Our AI investments are redefining what’s possible across every part of our business. Q2 was an amazing quarter, with Alphabet revenues growing 24% year-over-year and Google Cloud revenues accelerating to 82% growth, driven by demand for AI infrastructure and AI solutions,” he said in a statement accompanying the financials. “It’s great to see wide adoption of Gemini Enterprise, with nearly 90% of the Fortune 100 using it.”

    “We have exciting momentum across the board,” he continued. “Our popular AI features are driving Search query growth. Gemini models now process 22 billion API tokens per minute and the Gemini App has 950 million monthly active users. We are seeing strong demand for our security solutions, and our new Gemini 3.5 Flash Cyber delivers highly cost efficient performance at the frontier.”

    Finally, Pichai touted the impact of the World Cup on YouTube views.

    “And month over month, people turn to YouTube for major world events, with over 1.7 billion unique viewers watching World Cup-related videos during the FIFA World Cup 2026,” his prepared written remarks concluded. “These outstanding results show that our differentiated, full stack approach to AI is delivering real, measurable value for consumers, customers, and our partners globally.”