Author: rb809rb

  • Mattel’s Collectible 2026 Barbie Holiday Doll Channels Festive Representation in Red

    Mattel’s Collectible 2026 Barbie Holiday Doll Channels Festive Representation in Red

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    Mattel has unveiled its official 2026 Signature Collection Barbie Holiday Doll.

    First unveiled at the New York Toy Fair in February, the collectible, Christmas-themed doll is now available to purchase online, with custom 2026 packaging and a newly-designed red gown replacing the gold dress from 2025.

    Amazon

    COLLECTOR’S ITEM

    Always one of the most popular Barbie releases of the year, the 2026 Holiday Doll features Barbie in a voluminous red gown with a strapless sweetheart neckline and dramatic bow detailing at the hip.

    Silver drop earrings, strappy red heels and a bold red lip complete the look, which Mattel says conveys “a dazzling vision of festive elegance and timeless charm.”

    The Holiday Barbie is presented in festive packaging and comes with a doll stand, set against a sparkly gold backdrop and mistletoe accents on the corner of the window pane display cover.

    Amazon

    ALSO AVAILABLE

    You can also pick up the official 2026 Holiday Ken Doll, with Barbie’s blond boyfriend decked out in a red satin jacket, white dress shirt and black bow tie.

    BLACK HAIR

    The 2026 Barbie Holiday Signature Doll comes in multiple hairstyles and skin tones, including this Black Barbie doll with black hair.

    You can also shop South Asian and East Asian-inspired Holiday Barbie Dolls on Amazon here. And fans can find a redhead Holiday Barbie Doll for $45 at Walmart.com. These festive releases are popular collector’s items and sell quickly online so we recommend adding the doll(s) to cart while they are still in stock.

    The release of the Holiday Barbie is a beloved tradition that dates back to the first edition in 1988. The new dolls arrive ahead of the upcoming Barbie in the Nutcracker animated special, which celebrates the 25th anniversary of Barbie’s collaboration with Tchaikovsky’s famous ballet.

    PRE-ORDER NOW

    Fans can pre-order this official Funko Pop! collectible, featuring a Sugar Plum Fairy Barbie in mini vinyl figure form.

    The original Barbie in the Nutcracker film, meantime, is available to stream on Netflix or rent or buy on Amazon here.

  • Learn Piano the Right Way With 5 Years of Flowkey for Only $80

    Learn Piano the Right Way With 5 Years of Flowkey for Only $80

    TL;DR: A five-year subscription to Flowkey Classic is available for $79.99 (reg. $899)—about 91% off the regular price.

    Most piano apps hand you a video and leave you to figure out if you’re playing it right. Flowkey Classic takes a different approach: it listens through your device’s mic or a connected keyboard and flags incorrect notes and timing as you go, so you can correct mistakes in the moment rather than practicing them into muscle memory.

    What Makes This App Worth It

    • Real-time feedback that catches wrong notes and timing while you play

    • Songs paired with synced sheet music and video, broken into manageable steps

    • Slow-motion and loop tools for drilling the parts that trip you up

    • Hand-by-hand practice mode for isolating technique

    • A song library that ranges from classical staples to current hits

    The app scales with your skill level rather than locking you into a single track, so it works whether you’re picking up the piano for the first time or returning after years away. It’s also available across devices and in multiple languages, which is useful if your practice sessions bounce between a tablet and a laptop.

    For less than the cost of a single private lesson, a five-year subscription is a hard deal to pass up if you’ve been meaning to actually learn the instrument instead of restarting with a new app every few months.

    Get the Flowkey Classic five-year subscription for $79.99.

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  • Steve Guttenberg, Christie Brinkley’s Family Comedy ‘American Summer’ Lands Release (Exclusive)

    Steve Guttenberg, Christie Brinkley’s Family Comedy ‘American Summer’ Lands Release (Exclusive)

    American Summer is heading to theaters at just the right time.

    Blue Harbor Entertainment has acquired U.S. distribution rights to writer-director Michael W. Gray’s family comedy American Summer and will release it theatrically on Sept. 4, The Hollywood Reporter has learned. Steve Guttenberg (Police Academy) and Christie Brinkley (National Lampoon’s Vacation) star in the coming-of-age indie film.

    American Summer centers on Mikey (Guttenberg) as he reflects on a standout summer from growing up, when he met a special girl, made the travel baseball team and navigated the uncertainty of his dad going missing overseas while with the U.S. Army.

    The cast includes Dan Lauria (The Wonder Years), Logan Gray (Surfside Girls), Mia Talerico (Good Luck Charlie), Cullen Moss (Outer Banks), Erinn Ruth (Billions), Maximus Virgili and Major League Baseball legends Lee Mazzilli and Luis Sojo.

    Gray helmed the movie from a script he wrote, with additional writing by Jennifer B. White and Marc Prey. Gray, Michael Cuomo and Ann M. Gray serve as producers. The trailer can be seen below.

    “We made this movie in tribute to small-town-USA life,” says Gray. “It is important to me to bring people together which is what movies, baseball, community and family have always done. I am grateful for the opportunity to share American Summer with the country and soon the world.”

    Adds the Blue Harbor Entertainment team, “American Summer is a heartfelt nostalgic throwback to the kind of films that brought the whole family together. With its winning mix of baseball, first love, humor, adventure and genuine emotion, the film beautifully captures the unforgettable magic — and uncertainty — of one life-changing summer.”

    Guttenberg is represented by Vault Entertainment and CAA. Brinkley is repped by Artist Brand Alliance and Untitled Entertainment.

    The poster for American Summer.

    Courtesy of Blue Harbor Entertainment

  • Sundance Teases New Theaters in Boulder, Expanded Competition Slots as Industry Heads to Colorado for ‘Orientation’

    Hollywood hasn’t begun packing for the fall festivals in Venice, Telluride and Toronto, but the Sundance Film Festival has dropped in with a reminder that January is around the corner.

    On Wednesday, leadership at Sundance sent out a mid-year update on the fest’s seismic move from Park City, Utah, to the Colorado mountain town of Boulder, setting the stage for state-of-the-art movie theaters, expanded competition slots and a much larger swath of ground to cover for industry types and filmmakers.

    “In the new footprint, our venues are all within about a 2-mile radius,” wrote festival director and head of public programming Eugene Hernandez in a missive, pointing to key venues that will house the festival’s trove of indie films.

    That includes the University of Colorado Boulder’s Macky Auditorium, the Chautauqua Auditorium, Boulder Theater and the honest-to-God multiplex Cinemark Century (any Sundance veteran will be confounded by watching screenings in an actual modern movie theater, not a makeshift public building or school auditorium).

    To call the location change an adjustment might be an understatement. To combat the shock, Sundance has been hosting “industry orientations,” as one source put it, for major stakeholders on the ground. Agents, artists, PR teams and more have been shuttling to Boulder to get the lay of the land. They’re also getting more opportunities for Sundance glory.

    Hernandez announced that four central competition categories — U.S. Dramatic, World Cinema Dramatic, U.S. Documentary, and World Cinema Documentary — will grow to 12 films from 10. Other sections, including Premieres, NEXT, Midnight, Family Matinee, and more, will also expand.

    Read expanded points from Sundance’s mid-year update:

    Save the Dates

    The 2027 Sundance Film Festival will take place January 21–31, in Boulder, Colorado. World premieres will be held Thursday, January 21, to Tuesday, January 26 — Festivalgoers will be part of the first audiences ever to see brand-new films, episodic projects, and more. Throughout the entire run of the Festival additional showings of the 2027 program will continue until the Festival wraps.

    Our annual Festival gala will take place on Friday, January 22. This event raises vital funds to support independent artists through our year-round programs.

    For those joining us outside of Colorado, anywhere across the country, we’ll again offer at-home online screenings from Thursday, January 28, to Sunday, January 31, offering films in our five competition sections, including NEXT. Films from other sections in our lineup can also choose to participate in the online Festival program for limited audiences. Press and industry will have online access to the at-home program for the professional community beginning one day earlier on Wednesday, January 27.

    An Expanded Program

    In this moment when artists are seeking more support, we’re thrilled that Boulder allows us to expand our program size and connect even more films with Sundance Film Festival audiences.

    In 2027, our four central competition categories — U.S. Dramatic, World Cinema Dramatic, U.S. Documentary, and World Cinema Documentary — will grow to 12 films each. Other sections, including Premieres, NEXT, Midnight, Family Matinee, and more, will also expand.

    This undercurrent of expansion runs throughout the entire Festival. Our Offscreen (formerly known as Beyond Film) programming slate — Cinema Café, The Big Conversation, Power of Story — will be expanding our signature talks and thoughtful events with artists and colleagues to include live podcast recordings and more.

    In September, we’ll share more information on Fest passes, ticket packages, and single film tickets so you can decide the best way to experience everything the Festival has to offer. Passes and packages go on sale in October, and single film tickets in early January. Stay tuned for more details on the ticketing products available as well as the 2027 lineup, which will be announced in December. Be sure to create a Festival account and opt in to receive email communications to get the latest updates.

    If you want to get early access to Festival passes and packages, become a Sundance Institute Member or donor. Besides sustaining our year-round artist programs and initiatives, supporters get early access to ticket sales, discounts on merchandise (which you can use to pick up some more 2026 gear right now!), and more.

    New Frontier FLUX

    For the last two years, New Frontier — our dynamic, cutting-edge program at the intersection of art, cinematic storytelling, and emerging technologies — has been on pause to evaluate the rapid changes in our media landscape. Determined to stay with our community as we face the uncertainty of our times, New Frontier will return to the 2027 edition of the Festival as New Frontier FLUX to activate inside the massive fluctuations of our biodigital realities.

    Committed to experimentation and interdisciplinary practice, New Frontier FLUX radically pushes at formal cinematic boundaries to champion and cultivate maverick, independent storytelling. As we plant roots in Boulder, a community that holds a deep, long-standing love of experimentation and exploration, we are excited to have found a home for this courageous section of the Festival.

    Exciting Additions to Festival Awards

    Toward the end of the Festival, we honor the projects and artists that have graced our screens for nine days, celebrating their accomplishments and dedication to creating culture-shifting, unique stories. The 2027 Sundance Film Festival jury and audience awards will be announced on Friday, January 29.

    For the first time, we’re thrilled to welcome the International Federation of Film Critics (FIPRESCI) to the Sundance Film Festival. FIPRESCI will establish their own jury who will select winners for Best Debut Narrative in the World Cinema Dramatic Competition and Best Debut Documentary within the World Cinema Documentary Competition. FIPRESCI will present these awards during our awards ceremony. This partnership is a great way to welcome our international community as we kick off our Festival in Boulder.

    In addition, the Academy of Motion Picture Arts and Sciences has acknowledged the works of our global filmmakers by making the Sundance Film Festival an Academy Awards–qualifying Festival for World Cinema Grand Jury Prize winners, Documentary and Dramatic. Simply, this means that our World Cinema Grand Jury Prize winners will automatically qualify for the upcoming Oscars in the International Feature Film Category. This change is so exciting for all of us at the Institute as it continues to uphold the mission of supporting and highlighting groundbreaking artists from around the globe.

    Speaking of Hard Work

    Our Festival has a proud history of working with volunteers throughout our venues and programs, and this year is no different. We will be welcoming over 2,000 volunteers from across the world and around the corner to bring our Festival to life. Volunteer applications will open on our website August 31, 2026, for anyone who may want to get involved!

    Boulder Is Full of Options

    Naturally, the questions we hear most from our Festival community are about our transportation and lodging. A new location brings new logistics to learn and new neighborhoods to explore. One of our favorite things about Boulder is how easy it is to get around, whether walking, riding a scooter or e-bike, or taking advantage of the city’s robust local transportation system with bus routes that seamlessly reach all our venues. Regional buses from around the area, including Denver and the airport, connect directly into this Boulder system.

    Another thing about our new Fest home that I’ve fallen in love with is the sheer convenience for our audiences and artists — from locally owned and award-winning places to eat (over 100 in the heart of Boulder, 400 in the city!), to spots to grab a drink, to shops for last-minute necessities and gifts, there are countless options for how to shape your days in Boulder! Visit Boulder will be providing easily accessible, interactive guides on where to eat by each theater to help attendees make quick decisions between films. From high-quality grab-and-go options to a MICHELIN-star meal, and everything in between, Boulder has it all!

    Wondering where to stay? The Lodging section of our How to Fest guide has information on hotels and short-term rentals in and around Boulder and surrounding areas, as well as info on transportation for those who want to experience more of Colorado by staying in Denver or nearby commutable areas. This site will continue to be updated as more inventory is added throughout the year at lodging.sundance.org.

    If you are coming from overseas, good news: There are over 30 direct international flight routes to Denver International Airport in January, including flights from London, Mexico City, Tokyo, Toronto, and more.

    There is something magical about experiencing stories with people you don’t know. These experiences bring us together, and being a part of this community creates the memories we take home with us. Our whole team is working hand in hand every day to build the new foundation for our Festival with our incredible partners in Boulder.

    I can’t wait for us all to kick off this next chapter of the Sundance Film Festival together in Boulder, Colorado, in January, because it wouldn’t be the Sundance Film Festival without you.

    Eugene

  • Gate US joins BitGo off-exchange settlement network

    Gate US joins BitGo off-exchange settlement network

    Gate US joined BitGo’s Go Network Off-Exchange Settlement service on July 28, giving eligible institutional clients access to the exchange’s U.S. liquidity while their assets remain in custody at BitGo Bank & Trust, National Association.

    The integration extends a broader partnership announced five days earlier. Gate US said BitGo would provide institutional custody, wallet management and risk-control technology as the exchange expands its U.S. business. Neither company disclosed financial terms, expected trading volume or a separate rollout schedule for the OES connection.

    Gate US clients can trade without pre-funding the exchange

    Under the arrangement, an institution allocates part of its balance held at BitGo Bank & Trust for trading on Gate US. BitGo then projects the available balance to the exchange for order execution, while the underlying assets remain in segregated custody until settlement.

    .@GateUS_Official is now part of BitGo’s Go Network Off-Exchange Settlement.

    How it works 👇

    🏛️Assets stay in segregated, regulated custody at BitGo Bank & Trust throughout the trading lifecycle

    💸Clients pledge cash, crypto, and select tokenized real-world assets, then… pic.twitter.com/OosXz3rB4N

    — BitGo (@BitGo) July 28, 2026

    Completed trades settle through Go Network rather than requiring customers to transfer assets into a conventional exchange wallet before each transaction. BitGo’s technical documentation says Go Network settlements occur off-chain while assets remain in its cold-storage system.

    Gate US Chief Operating Officer Laura Liu said the connection gives clients a framework built around regulated custody. Her description of the service as a “secure and efficient path” is a company claim. The firms have not published performance data comparing settlement speed, failure rates or costs with ordinary exchange deposits.

    BitGo separates custody from trade execution

    BitGo Bank & Trust provides custody and settlement, while Gate US continues to operate the market and execute orders. BitGo’s disclosures identify the subsidiary as a national trust bank chartered and regulated by the Office of the Comptroller of the Currency.

    The OCC’s corporate applications database shows that BitGo’s conversion from a South Dakota trust company became effective on Dec. 12, 2025. The charter authorizes fiduciary and custodial services but does not make digital assets eligible for federal deposit insurance.

    The model resembles traditional-market structures where a custodian holds assets while another venue executes trades. As crypto.news previously reported, OKX US added BitGo OES for institutional clients in April. In related coverage, Binance connected to Anchorage Digital’s Atlas platform under a similar structure.

    Off-exchange settlement reduces but does not remove risk

    Keeping assets away from an exchange can reduce exposure if the venue experiences insolvency, withdrawal restrictions or a custody breach. However, BitGo’s annual SEC filing says its OES services still create operational, regulatory and counterparty risks.

    BitGo lists possible trade-data errors, delayed asset transfers, insider misconduct, cyber incidents, technology disruptions and reconciliation failures. It also warns that a participating exchange or its clients could fail to meet obligations or provide inaccurate transaction data.

    Those disclosures qualify broader claims that off-exchange custody eliminates counterparty exposure. Settlement still depends on BitGo’s systems, Gate US’s execution records and enforceable agreements between the parties. The announcement did not specify supported assets, margin arrangements, settlement frequency, default procedures or separate OES fees.

    Gate US said in July that it held 36 state money-transmitter licences and served 47 U.S. jurisdictions. Its legal page states that cryptocurrency accounts are not protected by the Federal Deposit Insurance Corporation or Securities Investor Protection Corporation.

    Gate US expands BitGo’s institutional venue network

    BitGo now lists Gate US alongside Crossover Markets CROSSx, Deribit through Copper ClearLoop, Finery Markets, Gate Global, HTX, INX, KuCoin, OKX US and STS Digital. Clients may trade directly with connected venues or use BitGo Prime for aggregated access to exchanges, market makers and over-the-counter liquidity providers.

    BitGo calls the expanding system its “Global Liquidity Layer.” That remains a strategic description rather than a regulated market category. Its value will depend on institutional adoption, reliable settlement and the amount of usable liquidity available through each connected venue.

    The next measurable updates will be the start of client activity, the assets supported on Gate US and any disclosed settlement or volume data. The companies have not announced deadlines for those disclosures. No verified market-price reaction was directly attributable to the integration.

  • AI Book Burning? Companies Are Destroying Millions of Books to Feed Chatbots

    AI Book Burning? Companies Are Destroying Millions of Books to Feed Chatbots

    In brief

    • AI companies are anonymously buying physical books in bulk and destroying them after scanning them for AI training.
    • Booksellers say demand for obscure and out-of-print titles has surged, raising fears that rare books are disappearing.
    • A federal judge ruled that destructive scanning of legally purchased books can qualify as fair use, even as separate copyright litigation continues.

    Like a scene out of the classic dystopian novel “Fahrenheit 451,” some AI companies aren’t just reading books—they’re destroying them.

    As developers race to build more powerful AI models, and lawsuits over copyright mount, a cottage industry has sprung up to supply them with millions of physical books that are stripped apart, scanned into training datasets, and discarded.

    First reported by 404 Media, AI companies are using intermediaries to acquire books at industrial scale anonymously. Companies specializing in bulk sourcing advertise their ability to locate hundreds of thousands of titles while promising confidentiality for AI clients, reflecting the sensitivity surrounding the practice.

    Critics say the buying spree is driven by AI companies racing to preserve human-authored knowledge before it is diluted by AI-generated text, often called “AI slop.” Books published before the rise of generative AI in 2023 are especially valuable because they provide high-quality training data written entirely by humans.

    The surge in demand is already reshaping the used-book market. One unnamed bookseller told 404 Media that weekly sales climbed from roughly 20 books to several hundred after AI buyers entered the market. While the increase has been profitable, he said he worries uncommon and out-of-print books are being permanently lost after they are scanned and destroyed.

    “It benefits me financially as well as by clearing out old inventory that is otherwise unlikely to sell,” the bookseller told 404 Media. “I’ve been well suited for these sales with inventory from overseas and foreign language books. On the other hand, I don’t like the end-use, and I don’t like that uncommon books are being pulped.”

    The practice mirrors Anthropic’s “Project Panama,” which digitized millions of books through destructive scanning.

    Last summer, in the copyright lawsuit Bartz v. Anthropic PBC, a federal judge in San Francisco ruled that scanning legally purchased physical books into digital copies, even when the originals were destroyed, constituted transformative fair use. Federal judges later issued similar fair use rulings in separate copyright cases involving OpenAI and Meta.

    However, in a separate case, a federal judge in the same district this week approved a $1.5 billion copyright settlement requiring Anthropic to pay thousands of authors about $3,000 per book after the company used pirated copies of their works to train Claude.

    In response to the growing backlash, AI developers, including Elon Musk, have spoken out against the practice and said companies should maintain the books being scanned.

    “I’ve asked the SpaceXAI team to preserve any rare books in a library and scan them the hard way vs just cutting off the spine and scanning,” Musk wrote on X.

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  • Bruce Campbell to Bring ‘Ernie & Emma’ on Nationwide Alamo Drafthouse Tour This Fall (EXCLUSIVE) – Film News in Brief

    Bruce Campbell to Bring ‘Ernie & Emma’ on Nationwide Alamo Drafthouse Tour This Fall (EXCLUSIVE) – Film News in Brief

    Bruce Campbell is set to bring his new independent film, “Ernie & Emma,” to Alamo Drafthouse screens this fall.

    The nationwide tour will feature Campbell in-person, beginning Friday, Sept. 4 in Los Angeles before stops in San Francisco, New York City, Texas, Washington, D.C., North Carolina, Virginia and more cities through Nov. 14. The romantic comedy “Ernie & Emma,” which Campbell directed, wrote, produced and starred in, follows a small-town salesman who goes on a road trip across Oregon to honor his late wife through a “meticulous list of instructions she leaves behind,” according to an official synopsis.

    “It’s incredibly special to share this film with audiences across the nation. Getting to bring it directly to communities and experience those conversations in real time is the reason you make something like this in the first place,” Campbell said in a statement. “I’m going to start these screenings with one question: ‘How many people here have lost a loved one? Raise your hand. Every hand is going to go up. That’s why I believe this movie connects with everyone. Loss is universal, and so is the challenge of finding your way forward.”

    In addition to his acting work in “The Evil Dead” trilogy and “Spider-Man 2,” Campbell previously directed “My Name is Bruce,” “Make Love! The Bruce Campbell Way” and “Man with the Screaming Brain.”

    Wednesday, July 29

    Cosm and Warner Bros. Pictures Set Shared Reality Release of ‘It’

    Cosm and Warner Bros. Pictures announced “It” will premiere in shared reality at Cosm venues on Aug. 28.

    Cosm will utilize its 87-foot-diameter, 12K+ LED domes and fulldome production technology to transport guests to Derry, Maine. Intensified sound design and dynamic environments will supplement the jump scares in the horror film, which premiered in 2017 and quickly became the highest grossing horror film.

    “Over the past year, we’ve seen experiential cinema in Shared Reality bring to life a fresh, exciting way for fans to interact with – and enter the worlds of – their favorite films,” said Alexis Scalice, vice president of business development and entertainment at Cosm.

    “It” marks the fourth entry in Cosm’s film portfolio, along with “The Matrix,” “Willy Wonka & the Chocolate Factory” and “Harry Potter and the Sorcerer’s Stone.”

    “It” will premiere at Cosm Los Angeles, Dallas and Atlanta on Aug. 28, and at Cosm Detroit at a later date.

    Tuesday, July 28

    Byron Allen’s Freestyle Digital Media Picks Up Jeff Ryan’s Golf Crime Comedy ‘Mooch’

    Freestyle Digital Media has acquired the golf crime comedy “Mooch,” written by, directed by and starring Jeff Ryan. “Mooch” will debut on digital platforms starting Aug. 14. Ryan, who retains theatrical rights through is First-Names Films, will release the film in a national roadshow of one-night screenings developed in partnership with Emo Nite, featuring live performances from its soundtrack artists.

    “The rollout reimagines the theatrical experience for the ‘Mooch’ audience: part screening, part concert, part reunion for a generation raised on Warped Tour,” the filmmakers said in a statement. The ensemble cast includes Scott Cohen, Katerina Tannenbaum, Geneva Carr, Molly Brown, Ashby Gentry, Will Chase, Louis Cancelmi Olli Haaskivii, Ian Dolley, Natalie Roy and Oscar Williams.

    Featuring an original emo soundtrack, “Mooch” tells the story of Shane, the oldest caddy at his local golf club, who takes on the job of digging up dirt for a charismatic New Jersey nightclub owner.

    Monday, July 27

    CSA Announces 2026-27 Board of Directors and Dates, Venues and Timeline for 42nd Annual Artios Awards

    The Casting Society announced its newly elected Board of Directors for the 2026-27 term, as well as the date, venues and voting timeline for the 42nd annual Artios Awards. 

    The Artios Awards will be Feb. 18, 2027, with events in Beverly Hills, New York City and London. The awards recognize excellence in casting in film, television, commercials and theater.

    The 2026-27 Board of Directors includes Destiny Lilly, Elizabeth Berra, Matthew Glasner, Sujotta Pace, Danielle Pretsfelder Demchick, Devon Brady, Jazzy Collins, Wendy Kurtzman, Asjai Lou, Gayle Pillsbury, Rachel Reiss, Erica A. Hart, Felicia Joseph, Tiffany Mak, Becca McCracken and Dustin Presley.

    The 2026-27 CSA Global Chapter Board of Governors includes Cassandra Han, Dave Bennett, Sien Josephine Teijssen, Kei Kawamura, Mawuko Kuadzi and Maria Lainas.

    Phase 1 submissions for the Artios Awards are open Aug. 3-13, with nominees announced Oct. 7. Phase 2 submissions are open Oct. 26-Nov. 5, with nominees announced Dec. 16.

  • Morpho Signs First Hong Kong Partnership With HashKey’s HSK Chain

    Morpho Signs First Hong Kong Partnership With HashKey’s HSK Chain

    Morpho, the DeFi lending protocol with about $7.6 billion in total value locked, will complete a full deployment on HashKey’s HSK Chain and become the network’s official onchain credit partner, HSK Chain said in a post on X on Tuesday.

    The deal gives Morpho its first anchor in Hong Kong, one of the few jurisdictions running a licensed regime for virtual asset trading, and gives HashKey, the licensed Hong Kong crypto group behind the chain, a battle-tested credit engine to build regulated lending products on. The two said they will develop onchain credit products for institutional and retail users, explore CeDeFi and yield products backed by Bitcoin and real-world asset collateral, and bring more institutional-grade assets into Morpho as eligible collateral.

    “HashKey becomes our anchor partner in one of the world’s most important capital markets,” Shan, who leads APAC growth at Morpho, said in a post on X. “This is proof that onchain credit infrastructure is ready to expand via licensed, institutional rails in APAC.”

    Morpho’s infrastructure lets HashKey layer KYC, wallet screening and access controls on top to meet local regulatory requirements, Shan said, calling Hong Kong “a strategic entry to APAC.”

    MORPHO rose 0.7% in the past 24 hours while HSK slipped 0.8%, both trailing Bitcoin’s 1.3% gain, according to CoinGecko. Morpho’s TVL stands at roughly $7.6 billion, per DefiLlama.

    Compliance Meets Permissionless

    The structure the partners describe keeps Morpho’s base contracts permissionless while pushing compliance to the edges — a licensed operator gates who gets in, while the credit engine underneath stays open infrastructure.

    HashKey Group operates a licensed virtual asset trading platform and holds a Type 9 asset management license from Hong Kong’s Securities and Futures Commission, making it one of the most heavily regulated crypto operators in Asia.

    The partnership extends a year in which Morpho has leaned hard into distribution through regulated channels rather than direct-to-DeFi growth, powering lending products for exchanges and fintechs. HSK Chain framed the deal as accelerating “the adoption of open, efficient on-chain financial services in Asia and beyond.”

  • ‘The Odyssey’ Surpasses $700 Million Globally After 12 Days in Theaters

    ‘The Odyssey’ Surpasses $700 Million Globally After 12 Days in Theaters

    The Odyssey” has surpassed $700 million at the global box office, becoming the fourth highest-grossing movie of the year after just 12 days in theaters.

    Christopher Nolan‘s Greek epic has generated $320.5 million domestically and $407.4 million overseas, bringing worldwide ticket sales to $727.9 million. Hollywood’s top three releases of 2026 are June’s “Toy Story 5” ($1.02 billion) and April’s “The Super Mario Galaxy Movie” ($1.001 billion) and “Michael” ($1.001 billion). In the coming week, “The Odyssey” will join those films in the billion-dollar club, a remarkable feat that underscores Nolan’s ability to transform his movies into cultural events.

    These ticket sales are all the more impressive considering that “The Odyssey” has yet to open in China, the world’s second-biggest moviegoing market. The country is rolling out the red-carpet treatment for the film, which is expected to land on nearly 800 Imax screens — and across thousands of standard auditoriums on Aug. 14.

    Even with outsized competition from Sony and Marvel’s adventure “Spider-Man: Brand New Day,” which debuts on Friday and is primed to score one of the biggest openings of all time, “The Odyssey” is expected to remain a force at the box office. It could earn as much as $50 million to $60 million in its third weekend of release, a tally that most adult-skewing dramas would be lucky to earn in their debuts these days.

    “The Odyssey” cost $250 million, marking Nolan’s most expensive film to date. It’ll soon be his most commercially successful, too. It’s primed to overtake “The Dark Knight” ($1.008 billion) and 2012’s “The Dark Knight Rises” ($1.08 billion) as the director’s highest-grossing film of all time.

    Adapted from Homer’s 3,000-year-old epic poem and starring Matt Damon as the Greek king Odysseus, “The Odyssey” has been a major draw in Imax. As the first feature shot entirely with Imax cameras, it’s been sold out in those formats for weeks. So far, Imax has contributed $140 million of the film’s global ticket sales. It’s the company’s second-fastest title (after “Avengers: Endgame”) to surpass the $100 million mark, having done so in just 10 days.

  • The evolution of play-to-earn models: From NFT gaming to mining simulators

    The evolution of play-to-earn models: From NFT gaming to mining simulators

    Play-to-earn gaming is evolving beyond crypto rewards as developers prioritize sustainable economies, stronger gameplay, and long-term player retention.

    The play-to-earn (P2E) genre of games has witnessed a lot of popularity since the 2021–2022 crypto boom. The concept was pretty straightforward: spend time playing a game but get something valuable in return. The use of NFTs, crypto tokens, and the whole blockchain technology has become one of the biggest selling points for the genre.

    With the rise in popularity of crypto, numerous P2E games emerged. While some were able to form a strong community around themselves, most of them faced challenges related to sustainability. They relied on the constant flow of new users, which declined with the decrease in interest in the crypto market. Earning money was not enough to retain players.

    A different approach to play-to-earn

    As a result, many of the developers have changed their approach. Rather than developing game mechanics based on costly NFTs or quick gains, they have placed much emphasis on designing entertaining games. The incentives are still a part of the game, but not the only motivation for playing anymore.

    Rollercoin provides a perfect example. It is a mining simulator that can be accessed through one’s web browser. In this simulator, people are required to engage in mini-games and build virtual mining projects to earn rewards. The idea is to encourage regular participation and consistent gains instead of focusing on immediate gains. This is in line with what many gaming applications are doing.

    How traditional gaming is influencing P2E Design

    Most modern play-to-earn projects are taking inspiration from classic video games and not the earlier attempts in the cryptocurrency space. Concepts like season-specific battle pass, daily missions, achievements system, ranking battles, and cosmetic customization have all found their way into blockchain games.

    This shift reflects changing player expectations. Rather than viewing crypto rewards as the primary attraction, developers are incorporating blockchain elements into gameplay loops that players already understand. The result is a model where digital ownership and token incentives support the experience instead of defining it, potentially making blockchain games more accessible to mainstream audiences.

    What has changed?

    There are a few features that distinguish some of the most successful P2E games from others:

    • They prioritize gameplay before rewarding the player.
    • The economy of the game is well-balanced.
    • It’s possible for new players to start without spending much money.
    • Progress comes from regular play rather than pure speculation.
    • The developers care about keeping players interested in the game.

    None of these factors is a recipe for success, but they make the games look more sustainable than many P2E projects were at their beginning.

    Why mining simulators are growing

    In this new form of P2E, mining simulators have taken root. Instead of acquiring costly NFTs, players establish their own mines and make money through consistent upgrades to both themselves and their gear.

    The game is for those individuals who are interested in management and idle gaming, and at the same time, some concepts of cryptocurrency will be introduced in an easy manner. Since the main idea is to upgrade and optimize, such games can be fun even during crypto market downtimes.

    How regulation could shape the next generation of P2E

    With the evolution of blockchain-based gaming, regulation is gradually becoming an essential consideration for developers. Various jurisdictions have become more interested in digital currencies, token issuance, and in-game economies featuring monetary value. Although play-to-earn games have been made primarily for entertainment purposes, those games issuing tokens or NFTs will be subject to differing legal considerations according to their jurisdiction.

    For developers, this means balancing innovation with compliance. Features such as KYC requirements, regional restrictions, or transparent token disclosures may become more common as the industry evolves. Although regulation introduces new challenges, it could also help improve trust among players and institutional partners by establishing clearer standards for blockchain-based games.

    Looking ahead

    The play-to-earn game industry has evolved significantly within a relatively short period of time. Initially concentrated around the use of NFTs and rapid profits, it has been shifting its attention to creating games for extended player engagement.

    Much experimentation is left to do, yet one thing is evident: people will stay involved in the process if the game is fun by itself. Getting some sort of reward could be an additional element, but it certainly is not enough anymore to drive everything.