Author: rb809rb

  • Blizzard finally revealed its long-rumored Overwatch mobile game

    Blizzard finally revealed its long-rumored Overwatch mobile game

    Blizzard is finally bringing Overwatch to mobile devices, but not exactly in the way you think. The company isn’t making a port of the mainline game. Rather, it just announced a spinoff called Overwatch Rush, which is being described as a “top-down hero shooter designed specifically for mobile set in the Overwatch universe.”

    There have been rumors about an Overwatch mobile game for what seems like a lifetime. Most people assumed this would appear as a straight port, but a brand-new game is also great. It’s not being developed by Team 4, the group that works on the mainline game, but is being made internally.

    Overwatch Rush features many of the heroes of Overwatch battling on familiar-looking maps, according to a gameplay video. The game offers 4v4 matches, though the characters are more cartoonish and stylized than the mainline game. This is likely to accommodate smaller screens and the top-down view.

    This is a mobile game, so the battles are described as “bite-sized” and the controls are touchscreen-based. Blizzard says it’s still in the early stages of development but that it’s going to offer “fast-paced, on-the-go play, with hero-centric combat and playstyle customization that suits both team and solo players.”

    Overwatch Rush will be playable soon, as part of a beta testing process. It’ll be free to play and available for both Android and iOS whenever the full game is ready to go.

    Blizzard says that a “new, separate, dedicated team” will be “focused exclusively” on Overwatch Rush. That’s industry code for “we aren’t draining resources from the main game to make the mobile spinoff.” Oddly, the company recently held a series of panels to discuss the future of its franchises and didn’t mention this mobile game.

    This isn’t the company’s first foray into mobile game development. It’s had a hand in stuff like Diablo Immortal and Warcraft Rumble.

  • BAFTA Launches Review of Film Awards After Tourette’s Fiasco: “Our Intention To Be Inclusive” Does Not “Diminish the Impact of What Happened”

    BAFTA Launches Review of Film Awards After Tourette’s Fiasco: “Our Intention To Be Inclusive” Does Not “Diminish the Impact of What Happened”

    BAFTA has launched a “comprehensive review” of its 2026 Film Awards ceremony, the British Academy has said in a letter to its members, after the N-word was shouted while Sinners stars Michael B. Jordan and Delroy Lindo were onstage.

    The big news out of Sunday night was the outburst from Tourette’s campaigner John Davidson, who has said he is “deeply mortified” if anyone thought his tics were “intentional.” The I Swear executive producer has a neurological disability that causes involuntary verbal tics, such as loud swearing, and also said in his statement that he has campaigned for most of his life to bring awareness and education to Tourette’s. His life inspired I Swear, and members of the Tourette syndrome community got candid with The Hollywood Reporter about the widespread misunderstanding around the condition here.

    BAFTA released a full apology to the wider public on Monday explaining they apologized “unreservedly” to the Sinners actors, and thanking Davidson for making the decision to leave the ceremony halfway through.

    THR understands that Warner Bros. executives immediately requested the slur not be broadcast on the BBC, which aired on a two-hour delay. Questions have arisen over the broadcaster’s decision to include the slur. They have since apologized and removed the ceremony from streaming service iPlayer. BAFTA jury member Jonte Richardson even announced his decision to quit his role after the “utterly unforgivable” handling of the incident by BAFTA and the BBC.

    On Tuesday, a letter was sent to BAFTA members addressing the situation that arose, stating that they take the duty of care to all our guests “very seriously and prepared extensively in order for John to be able to be present in the room.”

    “We made those in attendance aware of the tics, announcing to the audience before the ceremony began, and throughout, that John was in the room and that they may hear involuntary strong and offensive language, noises or movements during the ceremony,” BAFTA said in the letter, referring to the preshow warning and disclaimers from host Alan Cumming. “We fully understand our intention to be inclusive in no way diminishes the impact of what happened.”

    “It was a very complex situation and we understand you will have many questions,” the letter concluded. “Please rest assured how seriously we are taking this.”

    Read the letter to BAFTA members in full below.

    We would like to address the situation that arose during the EE BAFTA Film Awards on Sunday night, in which highly offensive language that carries incomparable trauma and pain for so many was heard. We issued a statement last night, and we want members to hear from us directly, too. Please find our public statement here.

    We recognise this has impacted members in a multitude of ways – we want to acknowledge the harm this has caused, address what happened and apologise to all.

    One of our guests, John Davidson MBE has Tourette Syndrome and has devoted his life to educating and campaigning for better understanding of the condition. John is an executive producer of one of the nominated films, I Swear. The film highlights that Tourette Syndrome is a neurological disability that causes involuntary verbal tics, that the individual has no control over. Such tics are in no way a reflection of an individual’s beliefs and are not intentional.

    We take the duty of care to all our guests very seriously and prepared extensively in order for John to be able to be present in the room. We made those in attendance aware of the tics, announcing to the audience before the ceremony began, and throughout, that John was in the room and that they may hear involuntary strong and offensive language, noises or movements during the ceremony. We fully understand our intention to be inclusive in no way diminishes the impact of what happened.

    Early in the ceremony loud and involuntary tics, including one in the form of a profoundly offensive term, were heard by many people in the room. Michael B. Jordan and Delroy Lindo were on stage at the time, and we have apologised unreservedly to them, and to all those impacted. We have also thanked Michael and Delroy for their incredible dignity and professionalism – and regret they were put in this position in the first place.

    During the ceremony, John chose to leave the auditorium and watch the rest of the ceremony from a screen, and we have also thanked him for his dignity and consideration of others, on what should have been a night of celebration for him.

    We are in contact with the studios involved and conversations are ongoing. We want to assure all our members that a comprehensive review is underway. You may have also seen the BBC have issued their own apology for the broadcast.

    It was a very complex situation and we understand you will have many questions – please rest assured how seriously we are taking this. If you’d like to contact us, please email membership@bafta.org.

    We take full responsibility for putting our guests and members of the academy in a very difficult situation and we will learn from this.

    We will keep inclusion at the core of all we do, maintaining our belief in film and storytelling as a critical conduit for compassion and empathy – as firmly demonstrated by this year’s nominated and winning films.

  • ‘Ludwig,’ Crime Drama Series on “Fairy Tale King” Ludwig II of Bavaria, Boarded by Beta Cinema

    ‘Ludwig,’ Crime Drama Series on “Fairy Tale King” Ludwig II of Bavaria, Boarded by Beta Cinema

    King Ludwig II of Bavaria, an eccentric visionary known as the “Fairy Tale King” and also sometimes as the “Mad King,” and his mysterious death are the subjects of a high-end fiction crime drama with the working title Ludwig, which is currently in the works from W&B Television (Pagan Peak, Dark, 4 Blocks). And Beta Cinema unveiled at a London TV Screenings event on Tuesday that it has boarded the series as international partner.

    “His death became a famous cold case,” Beta said about the drama about the royal. “But who was he really? Ludwig is a cinematic journey into the king’s fantastical world, rich with pomp and gold. Yet behind all the splendor and spectacle stood a deeply enigmatic man — as mysterious in life as he was in death. Set in the late 1800s in Bavaria, Ludwig is a fascinating and tragic tale of life and queer love, infused with a captivating crime story at its heart.”

    The series follows psychologist Gustav Zimmermann who is tasked with reviewing a psychiatric report on King Ludwig II, a document that was designed to determine whether the king was incompetent to rule. “The more he invests in discovering the reasons that led to Ludwig’s removal from power, the closer he gets to revealing the secrets of the king: his struggles with power, his longing for freedom and his profound forbidden love,” according to a synopsis of the drama.

    Filming on the series has wrapped at historical locations, including the famous Castle Neuschwanstein and the Residenz, the former royal palace in the heart of Munich. Filming also took place in the Czech Republic.

    Up-and-coming talent Luis Pintsch (22 Lengths) stars as King Ludwig II, alongside Felix Mayr (Unorthodox, Senna), who plays psychologist Zimmermann, Aaron Friesz (Corsage, Franz K.), Carlotta Bähre (Ku’damm 77), Jonathan Kriener (Chabos), Tom Wlaschiha (Stranger Things, The Boat), Francis Fulton-Smith (Empire Oktoberfest), and Karl Markovics (The Counterfeiters, Babylon Berlin), among others.

    Ludwig is directed by Nina Vukovic (Kleo season 2) and Sebastian Ko (Tatort), who both also served as writers. Head writers are Dominik Kempf and Marianne Wendt. Jan Prahl (The Signal) is the director of photography.

    Oliver Vogel, Quirin Berg, Max Wiedemann, and Dominik Kempf serve as executive producers, Stefan Mütherich as co-executive producer, and Gretha Heisig as associate producer.

    “The global fascination with Ludwig is no coincidence,” said Ferdinand Dohna, head of content at Beta Film. “He was a romantic dreamer with rock-star allures, who accepted no compromises when the realization of his visions and dreams was at stake, most notably Neuschwanstein Castle, which famously inspired Disney’s iconic castle logo.”

    He added: “Like every good romantic hero, he failed in the end and died under mysterious circumstances at a young age. These are the ingredients for larger-than-life characters, brought to life in this miniseries by an outstanding creative team and magnetic cast that will resonate with audiences around the world.”

    Ludwig is produced by W&B Television for ARD Degeto, BR, ServusTV and SRF. The series is supported by the German Motion Picture Fund (GMPF), the Bavarian Film and Television Fund (FFF Bayern), with the support from the Czech Audiovisual Fund’s Production Incentive. Beta Film is handling international sales.

  • Contender power rankings, Cade’s MVP case, Celtics/Lakers lessons, Team USA & Boozer vs. Dybantsa with John Fanta

    On today’s Kevin O’Connor Show, KOC is joined by NBC broadcaster John Fanta to talk everything NBA. They start with Eastern Conference contender power rankings: who’s the number one team in the East? Could Cade Cunningham really be MVP?

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    Then, they turn to Team USA hockey’s gold-medal win against Canada before John tells the story of his call-up to the NBA on NBC by Mike Tirico.

    Plus, they discuss if Anthony Edwards is the face of the league, address the troubles in Phoenix & Houston, and take a look at the top prospects in this year’s fiery draft class.

    That and more, today!

    Eastern Conference Contenders (1:39)
    USA Hockey and John’s NBC Career (43:16)
    Draft Class (1:10:20)

    LOS ANGELES, CALIFORNIA - FEBRUARY 22: Payton Pritchard #11 of the Boston Celtics talks to head coach Joe Mazulla during the second half of their game against the Los Angeles Lakers at Crypto.com Arena on February 22, 2026 in Los Angeles, California. (Photo by Luiza Moraes/Getty Images)

    LOS ANGELES, CALIFORNIA – FEBRUARY 22: Payton Pritchard #11 of the Boston Celtics talks to head coach Joe Mazulla during the second half of their game against the Los Angeles Lakers at Crypto.com Arena on February 22, 2026 in Los Angeles, California. (Photo by Luiza Moraes/Getty Images)

    (Luiza Moraes)

    🖥️ Watch this full episode on the Yahoo Sports NBA YouTube channel

    Check out all episodes of The Kevin O’Connor Show and the rest of the Yahoo Sports podcast family at https://apple.co/3zEuTQj or at yahoosports.tv

  • Messi Meltdown in LA, EPL Title Race Drama & Is the 2026 World Cup Already Cracking?

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    LAFC sent a loud message in their 3-0 dismantling of Inter Miami, and it wasn’t just about the scoreline. Los Angeles FC looked sharp, organized, and ruthless, while Inter Miami CF looked frustrated and overwhelmed. We break down what went wrong for Miami, what this result means long-term, and whether Lionel Messi’s heated postgame interaction with referees is a sign of deeper cracks. Plus, we recap the rest of MLS opening weekend and highlight the teams that set the tone early.

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    Across the pond, the Premier League title race is heating up once again. Manchester City and Arsenal continue to push each other to the limit at the top of the table. Can City pull off another late surge, or is this finally Arsenal’s year? We examine the remaining fixtures, squad depth, and pressure points that could decide the title.

    Off the pitch, concerns are growing around the 2026 tournament. With New Jersey canceling its World Cup fan zone and Gillette Stadium reportedly resisting FIFA licensing without additional funding, we ask whether the 2026 World Cup is starting to show serious organizational strain. Is this just early logistical turbulence—or a warning sign for what’s ahead?

    Timestamps:

    (7:00) – LAFC thrash Messi and Inter Miami

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    (23:00) – MLS opening weekend recap

    (32:00) – Arsenal and Man City continue to battle in PL title race

    (47:45) – World Cup in danger of falling apart already?

    MESSI-INTER MIAMI

    MESSI-INTER MIAMI

    🖥️ Watch this full episode on YouTube

    Check out the rest of the Yahoo Sports podcast family at https://apple.co/3zEuTQj or at yahoosports.tv

  • Winter Olympics 2026: Milan Cortina Games draw biggest ratings since 2014

    A record-setting performance by Team USA in the 2026 Winter Olympics drew fantastic ratings. An average of 23.5 million viewers in the United States tuned in to watch Team USA set a national record with 12 gold medals across the event, per NBCSports.com.

    That figure was a massive upgrade over the 2022 Olympics, making the Milan Cortina Games the most-watched Winter Olympics since 2014.

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    It helped that Team USA was competitive throughout the entire Olympics. The team found itself in surprising contention early, earning a mixed doubles curling medal in the first couple days of the Olympics. It finished out with a gold-medal hockey game by the men’s team, which defeated Canada 2-1 in an overtime thriller.

    Additionally, some athletes drew eyes and stole the show with their performances and stories of redemption. Though Lindsey Vonn’s time at the 2026 Winter Olympics was short, fans were eager to see her compete. While Vonn was unable to secure one more medal, Mikaela Shiffrin came away with some redemption in 2026, winning her first gold since 2018. And toward the end of the Olympics, figure skater Alysa Liu captivated fans with her gold-medal performance and NSFW celebration.

    Both the men’s and women’s hockey teams also kept things interesting, winning nearly identical overtime games vs. Canada to take home gold medals.

    That consistent success by Team USA led to consistent viewership across the Olympics. All 15 days of the Games topped 20 million viewers, per NBCSports.com

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    Whether Team USA can deliver better numbers in 2030 will depend on a myriad of factors, including the talent and athletes who make the 2030 Games, which will be held in the French Alps. With the 2026 Games drawing big numbers, partially due to some niche events standing out more than expected, that viewership momentum could carry over four years later as fans become more familiar with the rules of curling and ski mountaineering, which had a fun debut at the Olympics in 2026.

  • Falcons expected to release Kirk Cousins in March, adding another veteran QB to free-agent market

    When the NFL’s free-agent signing period opens in March, one more veteran quarterback will be added to the list of available players. Atlanta Falcons quarterback Kirk Cousins will be released on the first day of the 2026 league year, Falcons general manager Ian Cunningham said Tuesday.

    Cunningham made those comments during a local radio interview. He said he spoke to both Cousins and his agent about the move.

    Cousins, 37, still showed some ability with the Falcons down the stretch. Following a season-ending injury to Michael Penix Jr., Cousins started the final seven games of the regular season for Atlanta. He threw for 1,471 yards, 10 touchdowns and 5 interceptions during those contests. The Falcons went 5-2 with Cousins under center down the stretch, but that wasn’t good enough to push the team into the playoffs.

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    While Cousins already knows his fate, the Falcons will wait until March 11 — when the 2026 league year begins — to make the move for salary cap reasons.

    Once he becomes available, Cousins will join a free-agent quarterback market littered with older veterans like Aaron Rodgers, Russell Wilson and Joe Flacco. All four of those players could draw interest from teams, though none of them, with the exception of Rodgers, seems likely to be guaranteed a starting job.

    Cousins turned in an excellent 12 seasons to start his NFL career, but an Achilles injury in his final season with the Minnesota Vikings cast doubt on his future. Cousins returned quickly from that injury, but struggled in his first year with the Falcons in 2024, eventually being benched for Penix.

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    While Cousins showed signs of life down the stretch, it’s unclear whether that will lead to a significant role in 2026. The veteran might still have some ability in his right arm, and could help a team win some games next season, but he may have to compete for playing time on his new club.

  • Judge doesn’t grant Alabama C Charles Bediako’s request for injunction to play while he appeals ineligibility ruling

    Charles Bediako isn’t giving up on his quest to play for No. 17 Alabama again this season. But he suffered another setback on Tuesday.

    Bediako has appealed the ruling preventing him from competing with the Crimson Tide to the Alabama Supreme Court. As part of that appeal, Bediako asked Monday for interim injunctive relief so that he could get back on the court before the court hears the appeal.

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    Tuesday, Judge Daniel Pruet denied Bediako’s request for the injunctive relief, meaning Bediako is still ineligible. Pruet previously ruled that Bediako was ineligible to continue playing with the program.

    Bediako had filed the request for the interim injunction because since Alabama’s regular season is almost over, his appeal to attempt to play again would “become moot without interim relief.” Bediako has been helping the Crimson Tide as a scout team member ever since he was deemed ineligible.

    The Crimson Tide hold a 20-7 record and sit second in the SEC standings entering Wednesday’s game against Mississippi State. They have four games left in the regular season, which will end with a rivalry matchup against Auburn on March 7.

    Charles Bediako’s saga continues

    Bediako filed a lawsuit against the NCAA earlier this year in order to return to Alabama, where he had last played during the 2022-23 campaign. Bediako entered the NBA Draft after that season, but was not selected. He then spent the last few seasons in the G League, playing in six games for the Motor City Cruise this season.

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    Bediako was granted a temporary restraining order in January, which allowed him to play with Alabama again after the NCAA had initially denied the request. Bediako ended up appearing in five games with the Crimson Tide, and averaged 10 points, 4.6 rebounds and 1.4 blocks per contest over that span. Alabama went 3-2 with him.

    [Get more Crimson Tide news: Alabama team feed]

    But then earlier this month, Pruet overruled the temporary restraining order that Bediako was granted. The judge who had originally granted that order to allow him to play was removed from the case after revelations that he was an active donor to Alabama athletics. The new ruling then made Bediako ineligible once more, and Alabama has been playing without him since.

    The NCAA praised the decision, and said that “common sense won a round.” SEC commissioner Greg Sankey argued against granting Bediako eligibility in an affidavit, saying that it could fuel “disruption in college sports.”

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    Bediako is one of several former professional players trying to make their way into the college ranks again. Baylor signed former NBA Draft pick James Nnaji in December, though he never played in an NBA game and instead was with FC Barcelona since 2020. Two other G League players are set to play for programs next season.

    “There’s a reason … there’s a lot of G League players trying to come back to college,” Alabama head coach Nate Oats said after Bediako was ruled ineligible again. “The money’s a lot better. The development is a lot better. You get a full-time dietician, full-time strength coach, you’re not traveling on commercial flights, spending all your time in airports, not being able to develop.

    “Charles actually has lost weight since he went to the G League. His development wasn’t what you would think being a pro. You’re more of a professional able to focus on getting your body right in college. He’s here. He’s in school. We’re going to help him try to gain weight back he’s lost since he was in the G League. We’re going to continue to help his basketball development. We’re going to continue to help his development as a student, as a student-athlete.”

  • Nick Sirianni says he ‘can’t guarantee’ A.J. Brown will be with Eagles in 2026

    Even in the offseason, the Philadelphia Eagles can create plenty of drama. Head coach Nick Sirianni met with reporters at the NFL scouting combine on Tuesday, where he was non-committal on whether mercurial wideout A.J. Brown would remain with the team for the 2026 season.

    When asked about the situation, Sirianni said he wants Brown to be on the team, but the coach said he “can’t guarantee” that, per ESPN.

    “Will A.J. be here next season? I think we’re still in a spot, like, I can’t guarantee how anything is going to play out into next season. I’m thinking I’m going to be the coach next season but you can’t guarantee anything past tomorrow,” he said.

    Sirianni was making a larger point about how nothing is guaranteed. So, his comments shouldn’t be viewed as a direct shot at Brown. But Sirianni also could have just said, “Yes, I expect him to be here and I want him to be here,” and left it at that. The fact that he did not take that track will undoubtedly fuel some rumors about Brown’s availability.

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    Team general manager Howie Roseman also fed into those rumors, saying he would listen to trades on any player.

    “You never know what someone is willing to do. Certainly, we’ve been in situations where there were guys we didn’t anticipate trading that we got an offer that was too good, and then you balance it with what you can get there.”

    While the 28-year-old Brown has turned in some fantastic seasons with the Eagles, his frustrations with the team seemed to boil over at times in 2025. Brown had a few sideline outbursts and comments aimed at his usage and lack of targets.

    His numbers rebounded after a slow start, but Brown finished with his second-lowest yardage total since entering the league and posted his lowest catch rate since 2022.

    If the Eagles are going to part ways with Brown in the offseason, it would almost certainly come via a trade. Brown signed a three-year, $96 million extension with the club in 2024. That deal doesn’t kick in until next season, meaning Brown is under contract with the Eagles through 2029.

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    While Brown is owed a lot of money over the next couple seasons, he’s still talented enough to draw interest from other teams around the league.

    Brown seems certain to bounce back after somewhat of a down year in 2025. The only question now is whether that resurgent season will come with the Eagles.

  • Former Banijay Exec Unne Sormunen Named CEO of Finnish Creator Studio Tarinatalli: ‘We See This Moment as an Opportunity’ (EXCLUSIVE)

    Former Banijay Exec Unne Sormunen Named CEO of Finnish Creator Studio Tarinatalli: ‘We See This Moment as an Opportunity’ (EXCLUSIVE)

    Helsinki-based creator studio and production company Tarinatalli has appointed former Banijay executive Unne Sormunen as CEO and partner.

    “Tarinatalli is a talent-led creator studio built around the idea that the next generation of IP will be driven by personalities, communities and direct audience relationships. We see strong opportunities in Finland and in the Nordics as content trends, technology and distribution models are evolving rapidly,” he told Variety

    “Recent podcast and talent deals by global players such as Netflix, Spotify and Amazon Prime Video show that platforms are increasingly investing in personality-led IP and long-term creator partnerships. We believe this shift is only accelerating.” 

    He added: “Our ambition is to scale a creator-first model that combines premium storytelling with audience-driven formats, branded partnerships and multi-platform distribution. We want to build sustainable IP with talents across audio, video, social and TV and create new revenue streams beyond traditional commissioning.”

    Sormunen succeeds Jonna Linnanahde, who continues as COO and co-founder. Tarinatalli was founded in 2022 by TV personality, producer and podcaster Aki Linnanahde.

    According to Linnanahde, in its early years, the company focused on “premium podcasts and strong local talent.”

    “Recently, we have expanded into multi-platform storytelling, branded entertainment and strategic partnerships with platforms and brands. We see a clear shift toward personality-driven IP and long-term collaborations that creates exciting opportunities.”

    Sormunen added: “Tarinatalli has recently produced some of Finland’s biggest podcasts, videocasts and creator-led formats for both platforms and YouTube. Going forward, we will focus on three key areas: talent-led content and personality-driven IP, branded entertainment and long-term partnerships with brands and multi-platform storytelling across audio, video, social and television.” 

    The company is also building strategic partnerships with traditional production companies and distributors. 

    “Our digital-first approach allows us to develop IP in a more agile and cost-efficient way before scaling it into larger unscripted or scripted formats. In addition, we are actively exploring how AI and new technologies can support creative development, production workflows and audience insights while keeping human storytelling at the core.”

    Sormunen most recently served within Banijay Group as managing director of EndemolShine Finland and CEO of Jarowskij Finland, overseeing the likes of Finland’s first Netflix original series “Dance Brothers,” “MasterChef,” “Big Brother,” “LEGO Masters,” crime drama “Detective Maria Kallio” and Prime Video’s first Finnish-language original, “The Bridge Suomi.”

    Before joining Banijay, he spent five years as head of domestic programming at Finnish commercial broadcaster Nelonen. 

    “We currently work with many of Finland’s leading TV hosts, radio personalities and podcast creators. Our role is to help them build long-term 360 creator businesses, not just individual shows. Brands are also moving from short-term campaigns toward long-term storytelling partnerships. Instead of advertising around content, they want to be part of the narrative. We see opportunities in this area, particularly in sports, lifestyle and entertainment,” he said.

    While Finland experienced a peak TV boom during the early 2020s, he said – “especially during the pandemic” – over the past two years, the market has become more challenging for scripted series and feature films as both public and commercial broadcasters have reduced investments.

    “Non-scripted production has remained a bit more stable, and audio and podcast platforms have grown significantly. At the same time, international streamers have been relatively cautious with local investments, partly because a local levy system has not yet been implemented. This has created a reset in the market,” he noted. 

    “Producers and platforms are looking for more efficient development models, lower risk and stronger audience validation before making larger commitments.”

    The biggest challenge right now? “Financing and risk-sharing in a fragmented and rapidly changing ecosystem.” 

    “We see this moment as an opportunity. Lean operating models, strong talent relationships and closer collaboration between platforms, producers, brands and creators will be key. Companies that can build engaged communities and prove audience demand early will have an advantage,” assured Sormunen.

    “We believe the future belongs to producers that combine premium storytelling with creator-driven development and diversified revenue models. Our goal is to help talents and producers build sustainable IP and bring authentic local stories and formats to both Finnish and international audiences.”