Author: rb809rb

  • Swiss Period Drama ‘Silent Rebellion’ Takes Top Honors at Joburg Film Festival

    Swiss Period Drama ‘Silent Rebellion’ Takes Top Honors at Joburg Film Festival

    Swiss director Marie-Elsa Sgualdo’s “Silent Rebellion,” a period drama that follows a rape survivor’s defiant journey of self-discovery, won the top prize at the 8th Joburg Film Festival on Saturday.

    Sgualdo’s feature debut tells the story of 15-year-old Emma, who’s impregnated after being raped. Defying her oppressive rural Protestant community, she embarks on a journey of self-determination, transforming her trauma into a catalyst for emancipation while confronting the moral hypocrisy of her village and the lingering shadows of World War II.

    Commenting on its being awarded the Nguni Horn for best feature, JFF founder and executive director Tim Mangwedi praised the film’s “perfect pairing of an engaging narrative with striking cinematography.”

    The film, which premiered in the Venezia Spotlight section at the 82nd Venice Film Festival, also scooped the prize for best cinematography, for the work of DoP Benoît Dervaux, while lead actress Lila Gueneau received a special mention from the jury for her performance.

    South African directing duo Jason Jacobs and Devon Delmar’s “Variations on a Theme,” which won the top prize in Rotterdam’s Tiger Competition, took home the award for best African feature. The directors’ sophomore film, which follows an elderly goat herder who falls victim to a scam promising long-overdue reparations for her father’s WWII service, was praised by Variety’s Guy Lodge following its Rotterdam triumph for its “warmly observational, literary quality” that is “lovingly attentive to language and local custom.”

    The award for best documentary went to Nolitha Refilwe Mkulisi for her Rotterdam-premiering “Let Them Be Seen,” which offers a prismatic portrait of the director’s hometown of Tapoleng, a small village in South Africa’s Eastern Cape. Best editing went to Czech director Ondřej Provazník’s #MeToo drama “Broken Voices,” edited by Anna Johnson Ryndová.

    The award for best short film went to Tevin Kimathi and Millan Tarus’s “Stero,” while best student film went to George Temba’s “The Silent Inheritance” and Khaya Dube’s “Umxoxiso” won the Young Voices Competition. Veteran South African producer Harriet Gavson also earned a special recognition at Saturday night’s awards gala.

    The festival jury was comprised of producer Cait Pansegrouw (“This Is Not a Burial, It’s a Resurrection,” “The Wound”); producer Bongiwe Selane (“Happiness Is a Four-Letter Word”); producer and director Sia Stewart (“Why Not Us: Southern Dance”); filmmaker and Septimius Awards founder Jan-Willem Breure; Berlinale curator and World Cinema Fund jury member Dorothee Wenner; and programmer Keith Shiri, founder of Africa at the Pictures.

    The 8th Joburg Film Festival wraps March 8 with the world premiere of “The Trek,” a western-horror from first-time director Meekaaeel Adam.

    This year marked the JFF’s biggest edition yet, with festival curator Nhlanhla Ndaba saying organizers received a record 770 submissions from nearly 100 countries before whittling down the final selection to 60 films.

    At the festival’s opening ceremony, Ndaba acknowledged the difficult context within which this year’s edition was taking place, while also reminding the filmmakers in attendance that their voices remain as vital as ever.

    “This festival happens at the moment when the world feels anything but nuanced — at the moment when artists are being asked: Should you speak or should you stay silent?” Ndaba said. “At the Berlinale we witnessed a fierce debate about whether filmmakers should engage in politics. It was suggested that artists should stay away from politics because films are a counterweight to politics. 

    “The Joburg Film Festival has always been a space where politics and artistry meet, where the African continent and the world connect, where politics are just but another story. Where we don’t pretend that storytelling happens in a vacuum,” he continued. “The moment we stop reflecting the world in all its beauty and in all its brokenness, it’s the moment we stop being relevant.”

    The Joburg Film Festival runs March 3 – 8 in Johannesburg.

  • AI Agent Went Off-Script, Set Up a Hidden Tunnel, and Mined Crypto

    AI Agent Went Off-Script, Set Up a Hidden Tunnel, and Mined Crypto

    An artificial intelligence (AI) agent autonomously bypassed security controls to mine cryptocurrency during a routine training exercise, according to a research paper. The paper was published by an Alibaba-linked research team.

    The researchers designed the model, known as ROME, to test an AI agent’s ability to independently navigate complex, multi-step tasks.

    AI Agent Diverts Cloud GPUs to Mine Crypto

    During the exercise, the researchers observed unexpected behavior. The agent established a reverse secure shell (SSH) tunnel to external servers, effectively creating a concealed connection from inside the system.

    The move allowed the model to bypass Alibaba Cloud firewall protections and redirect graphics processing unit resources toward cryptocurrency mining.

    “We also observed the unauthorized repurposing of provisioned GPU capacity for cryptocurrency mining, quietly diverting compute away from training, inflating operational costs, and introducing clear legal and reputational exposure,” the paper stated.

    According to the researchers, this behavior was unanticipated and emerged without any explicit instruction, prompt injection, or external jailbreak.

    The findings highlight continuing concerns about the operational safety of autonomous AI systems.

    The researchers concluded that current models remain “markedly underdeveloped in safety, security, and controllability,” conditions they said limit the technology’s readiness for broader deployment in real-world environments.

    The team has since implemented tighter restrictions and a safety-focused data filtering system to prevent similar breaches.

    Meanwhile, the discovery has sparked significant interest within the crypto community.

    “The AI figured out that compute = money and quietly diverted its own resources, while researchers thought it was just training. It wasn’t a prompt injection. It wasn’t a jailbreak. No one asked it to do this. It emerged spontaneously,” Josh Kale, a host and producer of the Bankless crypto podcast, said.

    Kale noted the mined asset was likely a GPU-friendly token rather than Bitcoin, which requires specialized application-specific integrated circuit hardware. The incident arrives as the broader cryptocurrency industry aggressively pivots toward the “agent economy.”

    This emerging sector envisions a landscape where software systems do more than generate text. In this world, these agents can also autonomously execute complex financial strategies.

    As a result, several companies and blockchain networks, including Ethereum, Paradigm, and Circle, are investing in tools designed to support this emerging infrastructure.

    One example is the Coinbase-backed x402 standard, which enables software agents to make payments for online services. However, its adoption remains significantly limited.

    Data from x402 shows the tool processed over 75 million transactions, totaling $24 million in gross volume across 94,000 buyers and 22,000 sellers over the past 30 days.

    Still, industry experts argue that this activity could expand rapidly if autonomous agents are more widely deployed.

    “AI and crypto aren’t competing — they’re converging. AI needs identity, payments, and provenance tracking. Crypto provides all three,” venture capital firm a16z said.

    The post AI Agent Went Off-Script, Set Up a Hidden Tunnel, and Mined Crypto appeared first on BeInCrypto.

  • U.S. President Donald Trump Releases Security Strategy That Also Concerns Cryptocurrencies

    US President Donald Trump has released a new cybersecurity strategy that includes protecting the cryptocurrency sector against potential security risks posed by quantum computers.

    The newly announced “National Cyber Strategy” document aims to maintain the U.S.’s superiority in cyberspace and enhance security in new technologies.

    In a strategy document released by the White House, the Trump administration stated that it will take steps to ensure the U.S. remains “unrivaled” in cyberspace. The document also emphasizes that individuals should take precautions regarding digital security, stating that Americans are not alone in this fight. As part of the strategy, the government plans to strengthen security in both infrastructure and technological supply chains.

    The document particularly emphasized security for cryptocurrencies and blockchain technologies. The administration stated it would develop secure technologies to protect user privacy from the design phase to implementation and support the security of crypto assets. Furthermore, it indicated that the adoption of “post-quantum cryptography” standards would be encouraged in anticipation of the possibility that quantum computers might break existing encryption methods in the future.

    The development of quantum computers has long been a topic of discussion within the crypto ecosystem. Researchers note that as this technology matures, the existing cryptographic systems used by blockchain networks may need updating. However, some within the industry argue that the risk is exaggerated. For example, Michael Saylor stated that while it’s important for developers to prepare, the threat doesn’t pose a significant risk in the short term.

    The Trump administration’s new strategy was announced along with a presidential executive order aimed at combating cybercrime, signed on the same day. Trump, who campaigned on promises to support the digital asset sector, has signed numerous executive orders directly related to the crypto space since taking office.

    *This is not investment advice.

  • Cinema Audio Society Awards: ‘F1,’ ‘KPop Demon Hunters’ and ‘Becoming Led Zeppelin’ Among Film Winners

    Cinema Audio Society Awards: ‘F1,’ ‘KPop Demon Hunters’ and ‘Becoming Led Zeppelin’ Among Film Winners

    F1: The Movie, KPop Demon Hunters and Becoming Led Zeppelin were among the motion picture winners at Saturday night’s Cinema Audio Society Awards.

    Elsewhere in the television categories, The Studio, Adolescence and The Pitt were the big winners.

    The awards ceremony was hosted by Chris Hardwick Saturday night at the Beverly Hilton in Beverly Hills, California. There, Skip Lievsay CAS was honored with the CAS Career Achievement Award, while Guillermo del Toro received the Filmmaker Award. And this year, the Cinema Audio Society gave out the inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology to Evan Brooks, Peter Gotcher, Glenn Sanders and Howard Stark.

    Mingxi Xu also received the CAS Student Recognition Award, taking home a $5,000 prize.

    “Tonight we celebrate the very best of our profession,” said CAS president Peter Kurland. “Sound mixing demands both technical skill and artistic intent, and these honorees exemplify the precision, creativity, and discipline that define our craft. We are proud to recognize professionals whose dedication and excellence continue to elevate the standard for our industry.”

    F1 is similarly nominated for the 2026 Academy Award for sound alongside Frankenstein, One Battle After Another, Sinners and Sirat. Last year, the CAS awarded A Complete Unknown with its live action motion picture award and in 2024, Oppenheimer won the top honor at the CAS Awards, though in the three years before that, the winning CAS honored film went on to win the Academy Award.

    See the full 2026 CAS Award winners list below.

    Motion Pictures – Live Action

    F1: The Movie  (WINNER)
    Production Sound Mixer – Gareth John
    Re-Recording Mixer – Gary A. Rizzo CAS
    Re-Recording Mixer – Juan Peralta
    Scoring Mixer – Alan Meyerson CAS
    ADR Mixer – Alan Freedman CAS
    Foley Mixer – Dennis Leonard 

    Frankenstein 
    Production Sound Mixer – Greg Chapman
    Re-Recording Mixer – Brad Zoern CAS
    Re-Recording Mixer – Christian Cooke CAS
    Scoring Mixer – Peter Cobbin CAS
    Scoring Mixer – Kirsty Whaley CAS
    ADR Mixer – Sebastian Vaskio
    Foley Mixer – Kevin Schultz CAS

    Mission: Impossible – The Final Reckoning
    Production Sound Mixer – Lloyd Dudley
    Re-Recording Mixer – Chris Burdon
    Re-Recording Mixer – Mark Taylor
    Scoring Mixer – Chris Fogel CAS
    ADR Mixer – Nick Roberts
    Foley Mixer – Adam Mendez 

    One Battle After Another 
    Production Sound Mixer – Jose Antonio Garcia
    Re-Recording Mixer – Christopher Scarabosio CAS
    Re-Recording Mixer – Tony Villaflor
    Scoring Mixer – Graeme Stewart
    Foley Mixer – Kevin Schultz CAS
    Foley Mixer Chelsea Body

    Sinners
    Production Sound Mixer – Chris Welcker CAS
    Re-Recording Mixer – Brandon Proctor
    Re-Recording Mixer – Steve Boeddeker
    Scoring Mixer – Chris Fogel CAS
    ADR Mixer – Jason Oliver   
    ADR Mixer – Tami Treadwell   
    Foley Mixer – Darrin Mann 

    Motion Pictures — Animated

    Elio 
    Production Sound Mixer – Vince Caro CAS
    Production Sound Mixer – Paul McGrath CAS
    Re-Recording Mixer – Lora Hirschberg
    Re-Recording Mixer – Bonnie Wild
    Scoring Mixer – Scott Michael Smith
    Foley Mixer – Richard Duarte

    KPop Demon Hunters (WINNER)
    Original Dialogue Mixer – Howard London CAS
    Re-Recording Mixer – Michael Babcock CAS
    Re-Recording Mixer – Tony Lamberti
    Scoring Mixer – Erich Talaba
    Foley Mixer – Giorgi Lekishvili 

    The Bad Guys 2
    Original Dialogue Mixer – Ken Gombos
    Re-Recording Mixer – Julian Slater CAS
    Re-Recording Mixer – Greg P. Russell CAS
    Scoring Mixer – Sam Okell
    Foley Mixer  – Paul Pirola 

    The SpongeBob Movie: Search for SquarePants
    Re-Recording Mixer  – Will Files CAS
    Re-Recording Mixer  – Mark Paterson
    Re-Recording Mixer  – Steve Neal CAS
    Scoring Mixer  – Shawn Murphy
    Foley Mixer  – Jordan McClain 

    Zootopia 2
    Original Dialogue & Re-Recording Mixer – Gabriel Guy CAS
    Re-Recording Mixer – David Fluhr CAS
    Scoring Mixer  – Warren Brown
    ADR Mixer  – Doc Kane CAS
    Foley Mixer  – Richard Duarte 

    Motion Pictures — Documentary

    ​​Becoming Led Zeppelin (WINNER)
    Production Sound Mixer – Nigel Albermaniche
    Re-Recording Mixer – Nick Bergh

    I Was Born This Way
    Production Sound Mixer – Travis Franklin
    Re-Recording Mixer – Leslie Gaston-Bird CAS
    Re-Recording Mixer – Gabriel Guy CAS

    It’s Never Over, Jeff Buckley 
    Production Sound Mixer – David Hocs
    Re-Recording Mixer – Lewis Goldstein CAS

    Lilith Fair: Building a Mystery
    Re-Recording Mixer – Steve Foster
    Re-Recording Mixer – Lana Marie Hattar

    Strange Journey: The Story of Rocky Horror
    Production Sound Mixer – Paul Stula
    Re-Recording Mixer – Tony Solis CAS

    Non-Theatrical Motion Pictures or Limited Series

    Adolescence S01 E01 (WINNER)
    Production Sound Mixer – Kiff McManus
    Production Sound Mixer – Rob Entwistle
    Re-Recording Mixer – Jules Woods CAS
    Re-Recording Mixer – James Drake
    ADR Mixer – Mike Tehrani
    ADR Mixer – Simon Diggins
    Foley Mixer – Adam Mendez

    Black Mirror S07 E06 USS Callister: Into Infinity
    Production Sound Mixer – Stuart Piggott
    Re-Recording Mixer – James Ridgway
    Scoring Mixer – Sam Okell
    ADR Mixer – Mike Tehrani
    Foley Mixer – Adam Mendez

    Chief of War
    Production Sound Mixer – Fred Enholmer
    Production Sound Mixer – Thomas Visser
    Re-Recording Mixer – Carlos Sanches CAS
    Re-Recording Mixer – Josh Eckberg
    ADR Mixer – Chris Navarro CAS
    ADR Mixer – Vedat Kiyici
    Foley Mixer – Andrey Starikovskiy

    Love, Death + Robots
    Production Sound Mixer – Rob Cairns
    Re-Recording Mixer – Joe DeAngelis CAS
    Re-Recording Mixer – Chris Carpenter

    Star Trek: Section 31 
    Production Sound Mixer – Bill McMillan CAS
    Re-Recording Mixer – Todd M. Grace CAS
    Re-Recording Mixer – Edward C. Carr III CAS
    Scoring Mixer – Michael Perfitt
    ADR Mixer – Tami Treadwell
    Foley Mixer – Darrin Mann 

    Television Series — One Hour

    Andor S02 E08 Who Are You?
    Production Sound Mixer – Danny Hambrook
    Re-Recording Mixer –  David Acord
    Scoring Mixer – Geoff Foster
    ADR Mixer – Nick Roberts
    Foley Mixer – Richard Duarte

    Pluribus S01 E01 We Is Us 
    Production Sound Mixer – Phillip W. Palmer CAS
    Re-Recording Mixer – Larry Benjamin CAS
    Re-Recording Mixer – Tim Hoogenakker CAS
    ADR Mixer – Judah Getz CAS
    ADR Mixer – Jason Wolf
    ADR Mixer – Jamieson Rabbe
    Foley Mixer – Ron Mellegers

    Severance S02 E10 Cold Harbor
    Production Sound Mixer – David Schwartz CAS
    Re-Recording Mixer – Bob Chefalas CAS
    Re-Recording Mixer – Jacob Ribicoff
    Scoring Mixer – Chris Fogel CAS
    ADR Mixer – Kris Chevannes
    Foley Mixer – George Lara CAS

    Stranger Things S05 E08 Chapter Eight: The Rightside Up
    Production Sound Mixer – Michael P. Clark CAS
    Re-Recording Mixer – Mark Paterson
    Re-Recording Mixer – Will Files CAS
    Re-Recording Mixer – Steve Neal CAS
    Re-Recording Mixer – Craig Henighan CAS
    Scoring Mixer – Carlos Remirez
    Foley Mixer – Judah Getz CAS

    The Pitt S01 E13 7:00 PM (WINNER)
    Production Sound Mixer – Von Varga
    Re-Recording Mixer – Todd M. Grace CAS
    Re-Recording Mixer – Edward C. Carr III CAS
    ADR Mixer – Tami Treadwell
    Foley Mixer – Alex Jongbloed CAS

    Television Series — Half Hour

    Hacks S04 E04 I Love LA
    Production Sound Mixer – Jim Lakin CAS
    Re-Recording Mixer – John W. Cook II CAS
    Re-Recording Mixer – James Parnell CAS
    Scoring Mixer – Carlos Rafael Rivera
    ADR Mixer – Fernanda Domene
    Foley Mixer – Jacob McNaughton

    Murderbot S01 E01 Free Commerce 
    Production Sound Mixer – Michael Lacroix
    Re-Recording Mixer – Alexandra Fehrman CAS
    Re-Recording Mixer – Emilie Corpuz

    Only Murders in the Building S05 E09 LESTR
    Production Sound Mixer – Joseph White Jr. CAS
    Re-Recording Mixer – Mathew Waters CAS CAS
    Re-Recording Mixer – Kyle O’Neal CAS CAS
    Scoring Mixer –  Alan DeMoss    Foley Mixer – Mitch Kluge 

    The Bear S04 E03 Scallop
    Production Sound Mixer – Scott D. Smith CAS
    Re-Recording Mixer – Steve “Major” Giammaria CAS
    ADR Mixer – Patrick Christensen CAS
    Foley Mixer – Ryan Collison CAS
    Foley Mixer – Connor Nagy CAS

    The Studio S01 E08 Golden Globes (WINNER)
    Production Sound Mixer – Buck Robinson CAS
    Re-Recording Mixer – Lindsey Alvarez CAS
    Re-Recording Mixer – Fred Howard CAS
    Scoring Mixer – Adrià Serrano
    ADR Mixer – Brian Magrum CAS
    Foley Mixer – Ron Mellegers 

    Television Non-Fiction, Variety or Music — Series or Specials

    100 Foot Wave S03 E04 The Eddie
    Re-Recording Mixer – Keith Hodne CAS

    Billy Joel: And So It Goes S1 E01 Part One (WINNER)
    Production Sound Mixer – Mark Mandler CAS
    Production Sound Mixer – David Mitlyng
    Production Sound Mixer – Michael Stewart
    Re-Recording Mixer – Bob Chefalas CAS
    Score & Music Mixer – Bradshaw Leigh
    Music Mixer – Brian Ruggles
    Music Mixer – Jay Vicari

    Formula 1: Drive to Survive S07 E09 Under New Management
    Re-Recording Mixer – Steve Speed CAS
    Re-Recording Mixer – Lydia Brown
    Re-Recording Mixer – Nick Fry CAS

    John Candy: I Like Me
    Production Sound Mixer – Brad Dawe
    Production Sound Mixer – Michael Kool
    Re-Recording Mixer – Gary A. Rizzo CAS
    Scoring Mixer – Tyler Strickland

    Pee-Wee as Himself S01 E01
    Production Sound Mixer – John Mathie
    Re-Recording Mixer – Daniel Timmonds CAS

  • ‘SNL’ Cold Open: Colin Jost and Ashley Padilla Skewer Pete Hegseth Over Iran and Kristi Noem’s Firing

    ‘SNL’ Cold Open: Colin Jost and Ashley Padilla Skewer Pete Hegseth Over Iran and Kristi Noem’s Firing

    Saturday Night Live‘s” cold open took aim at Secretary of Defense Pete Hegseth’s bravado as the U.S. goes to war with Iran as well as Kristi Noem’s firing from the Department of Homeland Security after a string of debacles.

    Colin Jost played a revved-up Hegseth holding a press conference to discuss the U.S.’s growing military action in Iran. Jost’s Hegseth was typically pugnacious with the press corps that was almost entirely young white men in skinny ties.

    Jost entered with WWE bravado with his signature blue suit and American-flag pocket square. He touted the success of the U.S. mission. “We’re treating Iran like the Breathalyzer in my car — we’re blowing it the hell up,” Jost said.

    Jost’s Hegseth bristled when the faux reporters referred to the events of the past week as a war. “It’s a situation-ship. This isn’t a war.” He explained the military tactics being used in Iran in risque terms.

    “We’re just in a hookup. If it feels good we’ll keep going, if we get bored we’ll start hooking up with Cuba,” Jost’s Hegseth said. When pressed by a reporter if the U.S. was prepared to put boots on the ground in Iran, Jost’s Hegseth said those boots would in fact be “your mom’s next to my bed after I bang her.”

    Jost’s Hegseth berated the media and taunted, “You’re all playing chess — I’m playing ‘Grand Theft Auto.’ “

    He then declared himself to be “white Hamilton” and he changed the lyric to one of the most famous lines from the beloved musical: “Just like my country/I’m drunk, angry and horny/and they made me throw away my scotch.”

    Jost’s Hegseth then introduced Padilla’s Noem as someone who had been “reassigned under the bus.” Padilla’s Noem came to the podium and declared, “I didn’t get fired. I self-deported.”

    The skit also skewered the former North Dakota governor for her penchant for glamming up and putting herself on camera. “As I told my plastic surgeon the work is never done” and “The time has come for me to turn in my badge, gun, lips, lashes, teeth and forehead.”

    The skit made fun of Noem’s infamous confession in her autobiography that she once shot one of her dogs (“You miss 100% of the dogs you don’t shoot”) and took dead aim at rumors that Noem, who is married, has had an intimate relationship with Trump aide Corey Lewandowski.

    Padilla’s Noem referenced that she will move on to a new role as head of the Trump-created Shield of the Americas entity. She said her new office “is at a WeWork space outside of Denver and it is spectacular.”

    The March 7 episode of “Saturday Night Live” marks the fourth time that actor Ryan Gosling has hosted. The musical guest is British band Gorillaz led by Blur frontman Damon Albarn. It’s the band’s first outing on “SNL.”

    “SNL” is a promotional stop for Gosling as he tubthumps his latest movie, Amazon MGM’s sci-fi epic “Project Hail Mary,” which opens March 20. Gosling last hosted “SNL” on April 13, 2024.

  • ‘SNL’ Weekend Update Tackles Timothée Chalamet’s Ballet and Opera Flap, Trump, RFK Jr. and Kristi Noem

    ‘SNL’ Weekend Update Tackles Timothée Chalamet’s Ballet and Opera Flap, Trump, RFK Jr. and Kristi Noem

    Timothée Chalamet’s comment on the contemporary state of opera and ballet in a CNN/Variety town hall last month was among the targets of “Saturday Night Live‘s” “Weekend Update” segment.

    Chalamet’s remarks came at the Feb. 21 “CNN and Variety Town Hall Event” with Matthew McConaughey as the pair talked about the struggles in recent years for theatrical movies.

    “And I don’t want to be working in ballet or opera, or things where it’s like, ‘Hey, keep this thing alive.’ Even though it’s like, no one cares about this anymore. All respect to the ballet and opera people out there,” Chalamet said.

    The comment has drawn strong responses from prominent opera and ballet companies in the U.S. On Saturday, “SNL” went pretty easy on the Oscar-nominated star of “Marty Supreme,” the story of a ping-pong prodigy in the 1950s. “Weekend Update” anchor Colin Jost observed that Chalamet has been “criticized by major opera and ballet organizations after he said that no one cares about those art forms. Chalamet made the comment on a press tour for his movie about ping-pong.”

    Among other zingers, Jost commented on Kristi Noem’s ouster as head of the Department of Homeland Security, in part out of unhappiness over her spending $220 million on an ad campaign that put her front and center in various rustic settings including shots of her on horseback. In the campaign, Noem “dressed up like Jesse from ‘Toy Story.’” Jost also went there on the allegations that Noem has had an intimate relationship with a Trump aide. “She’s so happy riding a horse. Bet his name is Corey Lewandowski.”

    In discussing another member of Trump’s cabinet, Jost noted that Robert F. Kennedy Jr., the controversial head of Health and Human Services, “is what happens when you leave Walton Goggins in an air fryer.”

    On the emergence of what appears to be a severe rash on President Trump’s neck, “Weekend Update” anchor Michael Che observed, “Apparently somebody accidentally washed his shirt in holy water.”

  • OpenAI’s head of robotics resigns following deal with the Department of Defense

    OpenAI is going to need to find a new head of robotics. Caitlin Kalinowski, OpenAI’s now-former head of robotics, posted on X that she was resigning from her role, while criticizing the company’s haste in partnering with the Department of Defense without investigating proper guardrails.

    Kalinowski, who previously worked at Meta before leaving to join OpenAI in late 2024, wrote on X that “surveillance of Americans without judicial oversight and lethal autonomy without human authorization are lines that deserved more deliberation than they got.” Responding to another post, the former OpenAI exec explained that “the announcement was rushed without the guardrails defined,” adding that it was a “governance concern first and foremost.”

    OpenAI confirmed Kalinowski’s resignation and said in a statement to Engadget that the company understands people have “strong views” about these issues and will continue to engage in discussions with relevant parties. The company also explained in the statement that it doesn’t support the issues that Kalinowski brought up.

    “We believe our agreement with the Pentagon creates a workable path for responsible national security uses of AI while making clear our red lines: no domestic surveillance and no autonomous weapons,” the OpenAI statement read.

    Kalinowski’s resignation may be the most high-profile fallout from OpenAI’s decision to sign a deal with the Department of Defense. The decision came just after Anthropic refused to comply with lifting certain AI guardrails around mass surveillance and developing fully autonomous weapons. However, even OpenAI’s CEO, Sam Altman, said that he would amend the deal with the Department of Defense to prohibit spying on Americans.

  • NASA’s DART spacecraft changed a binary asteroid’s orbit around the sun, in a first for a human-made object

    When NASA crashed a spacecraft into the asteroid moonlet Dimorphos in 2022, it altered both Dimorphos’ orbit around its parent asteroid, Didymos, and the two objects’ orbit around the sun, according to new research. NASA’s Jet Propulsion Laboratory (JPL) said in a press release that this “marks the first time a human-made object has measurably altered the path of a celestial body around the Sun.” It’s a promising result as scientists work to find a feasible method of defending Earth from hazardous space objects.

    The Double Asteroid Redirection Test (DART) mission was designed to demonstrate one possible way of deflecting such an object, targeting the non-threatening moonlet Dimorphos, which is about 560 feet wide. NASA quickly declared it a success after its initial analysis showed the planned collision shortened Dimorphos’ orbit around Didymos, the larger of the two objects in the binary asteroid system. In a follow-up study published in 2024, a team at NASA’s JPL reported that Dimorphos’ orbital period had been trimmed by about 33 minutes, as its path was nudged roughly 120 feet closer to Didymos than before. The latest study now indicates that the whole binary system was affected, not just Dimorphos.

    Didymos and Dimorphos have a 770-day orbital period around the sun, which lead author Rahil Makadia said has been changed by “about 11.7 microns per second, or 1.7 inches per hour.” That might not sound like much, but according to Makadia, “Over time, such a small change in an asteroid’s motion can make the difference between a hazardous object hitting or missing our planet.”

  • Grok, Claude, Qwen, ChatGPT, and More: 9 AI Models Predict Bitcoin’s Next Price Path

    Grok, Claude, Qwen, ChatGPT, and More: 9 AI Models Predict Bitcoin’s Next Price Path

    While bitcoin has drifted sideways this week, we turned to some of today’s leading artificial intelligence (AI) models to weigh in on where the asset may head next. Will the crypto asset fall below its 2026 low? Or will it reclaim the $100,000 mark in the near term? Nine AI models lay out their expectations.

    What Do AI Models Think Happens Next for Bitcoin? 9 Unique Forecasts Offer a Timeline

    Over the past seven days, bitcoin has traded within a broad band between $65,200 and $73,700, though some exchanges logged dips below $65K and peaks brushing just above $74K. At $67,442 per coin as of 5 p.m. EST Saturday evening—the price at the time of writing— bitcoin now trades more than 46% beneath its record high of $126,272 reached on Oct. 6, 2025.

    Since then, many market watchers argue that bitcoin and the broader crypto economy are in a bear market, and while some expect the usual drawdown of 70%–80% from the all-time high (ATH), others contend this cycle could prove far less severe. With that in mind, we decided to ask nine of today’s most prominent AI chatbots where they believe bitcoin is headed next, requesting a brief explanation to support each prediction.

    The prompt used for this experiment was:

    “This thought experiment builds a forward-looking valuation model for bitcoin. The leading crypto asset previously reached a historic peak of $126,272 in October 2025. As of March 7, 2026, bitcoin trades at $67,442, sitting 46% below that high. Positioned as a veteran crypto analyst within the bitcoin sector, you are asked to chart the asset’s potential price trajectory. Exactly when will bitcoin climb past the $100,000 level again, and will it slip below the 2026 low of $60,000 before reclaiming $100,000. In just a few sentences, you must present both forecasts and provide logically grounded reasoning for your estimate in two to three sentences—what is your prediction?”

    Grok 4.20 beta (four agent mode) answer:

    Claude Sonnet 4.6 answer:

    Kimi AI K2.5 Instant:

    I’ll analyze bitcoin’s current market position and trajectory to provide a grounded forecast. Let me first gather the latest market data and relevant context.

    Based on current market data and technical analysis, here is my forecast:

    Bitcoin will reclaim $100,000 by October 2026, but it will first test and likely breach the $60,000 support level before that recovery occurs.

    The technical structure shows bitcoin currently consolidating in a $60,000-$72,000 range with a Head and Shoulders pattern pointing to a measured move target near $44,000-$50,000 if the $60,000 neckline breaks with conviction. Given that previous bitcoin bear markets have seen 77%+ drawdowns from all-time highs and the current 46% decline remains historically shallow, a final washout below $60,000 appears probable to clear leverage and complete the cyclical bottoming process. However, the institutional foundation has structurally changed—spot ETFs now hold nearly 7% of circulating supply with AUM approaching $150 billion, and 80% of institutional investors plan to increase crypto allocations. This institutional bid, combined with anticipated Federal Reserve rate cuts in 2026 and the post-halving supply squeeze, creates the conditions for a Q4 recovery toward $100,000+ as macro liquidity returns and ETF inflows resume their 2024 trajectory.

    ChatGPT 5.3 Instant answer:

    Mistral.ai LeChat answer:

    Based on the latest analyst consensus as of March 2026, bitcoin is unlikely to slip below the $60,000 level before reclaiming $100,000, with most forecasts placing strong support between $60K–$65K and the worst-case stress-test low near $55K–$57K. The majority of analysts expect bitcoin to surpass $100,000 again in the second half of 2026, potentially reaching between $125K and $200K by year-end, driven by sustained ETF inflows, institutional adoption, and a bullish market structure.

    In summary: Bitcoin is forecast to avoid a dip below $60K and likely reclaim $100K+ by late 2026, with the next major rally expected in Q3 or Q4.

    Venice.ai answer:

    Bitcoin will likely reclaim the $100,000 level by Q4 2026, specifically between September and December, driven by post-halving supply compression and institutional adoption trends. I expect bitcoin to test the $60,000 support level in Q2 2026 before this recovery, as current momentum indicators suggest bearish pressure in the near term. The confluence of ETF inflows resuming and macroeconomic stabilization should catalyze the breakout above six figures before year-end.

    Pi AI answer:

    Openclaw Instance using Claude Haiku 4.5 answer:

    Qwen 3.5 Plus answer:

    AI’s Final Takeaway

    The responses show a clear split in outlook but a surprisingly tight window for bitcoin’s next major milestone. Most of the AI models expect the asset to reclaim the $100,000 mark sometime in the second half of 2026, with estimates clustering between late summer and the fourth quarter.

    Several models anticipate one final shakeout below $60,000 before that move, while others argue that growing institutional demand and exchange-traded product flows could allow bitcoin to avoid another deep leg down. What stands out across the forecasts is the shared view that bitcoin is still navigating a post-all-time-high consolidation phase rather than a structural collapse.

    Whether the market experiences another brief capitulation or simply grinds sideways for several more months, the majority of the models agree on one point: the path back to six figures likely hinges on macro liquidity conditions, institutional inflows, and the continued effects of the most recent halving cycle.

    FAQ 🔎

    • What did the nine AI models predict about bitcoin’s price? Nine artificial intelligence models forecast that bitcoin could reclaim $100,000 sometime between mid-2026 and early 2027, based on factors like halving cycles, institutional inflows, and macro liquidity.
    • Do AI models expect bitcoin to fall below $60,000 first? Several AI forecasts anticipate a brief dip below $60,000 during 2026 before a recovery, while others argue strong support in the $60K–$65K range may hold.
    • Which AI models were included in the bitcoin forecast experiment? The predictions came from Grok 4.20, Claude Sonnet 4.6, Kimi K2.5, ChatGPT 5.3 Instant, Mistral LeChat, Venice.ai, Pi AI, an Openclaw instance using Claude Haiku 4.5, and Qwen 3.5 Plus.
    • Why do AI models think bitcoin could return to $100,000? Most forecasts cite the post-halving supply cycle, institutional demand, and growing adoption as key drivers that could push bitcoin back toward six figures.
  • Refusing new IRS crypto tax forms could cost you your exchange account

    Refusing new IRS crypto tax forms could cost you your exchange account

    Log in to Coinbase next tax season, and your tax documents might no longer arrive by mail.

    Under a new IRS proposal, crypto exchanges could be required to file Form 1099-DA electronically. This form reports digital asset trades, and could refuse to do business with customers who decline to provide it.

    The comment period closes May 5, and if finalized, the rule would shift crypto tax reporting from the mailbox to the platform.

    This is not a tax cut or a rollback of reporting requirements. Brokers still send identical information to the IRS regardless of how they deliver forms to customers. The proposal permits exchanges to make app-based delivery mandatory.

    The result: millions of crypto users would receive tax forms exclusively through email and in-app document centers, with no paper backup and no right to switch back.

    The twist: crypto taxes are not getting lighter. They are getting quieter.

    What actually changes

    The IRS proposal creates an alternative electronic delivery process for Form 1099-DA.

    Under current rules, brokers must offer customers paper forms. The proposal would allow exchanges to use streamlined consent, where customers agree to electronic delivery during account setup, and exchanges could terminate relationships with anyone who refuses.

    Consent would likely appear as a pop-up with an “I agree” button, with language indicating the broker may not continue servicing customers who decline.

    Once customers consent, exchanges would not be required to let them withdraw that consent while remaining customers. The only guaranteed paper fallback would be a notice if email delivery fails, not the full tax document.

    Delivery would happen via posting forms to an online document center with email notification or via a direct email attachment.

    Exchanges must maintain access through Oct. 15 of the following year and retain prior statements for seven years. Undeliverable email triggers a physical notice within 30 days, but that is procedural, not a substitute for the mail cue many users expect.

    The bigger enforcement shift

    This proposal sits inside a larger compliance buildout.

    Starting with transactions on or after Jan. 1, 2025, crypto brokers must file Form 1099-DA reporting gross proceeds.

    Basis reporting, cost information needed to calculate gains and losses, phases in for certain transactions starting Jan. 1, 2026, only for covered assets acquired from and held with the same broker.

    The enforcement math is significant. A Government Accountability Office report found that the IRS Automated Underreporter program identified potential underreported income in over 1 million cases, totaling $6.6 billion, in fiscal 2023.

    Form 1099-DA feeds that match the matching engine. An IRS research paper found 6.5% of individuals, 17.4 million people, reported cryptocurrency sales from 2013 through 2021, while external surveys suggested 12% to 21% of US adults owned crypto.

    The gap implies many holders never appear in sales reporting.

    The Joint Committee on Taxation estimated digital asset reporting provisions would raise roughly $28 billion over 10 years. The IRS cites an internal study estimating that up to 75% of taxpayers with digital assets are noncompliant.

    The electronic delivery proposal is not about easing burdens. It is about standardizing infrastructure for automated compliance.

    What retail users would notice

    The user experience shifts from annual paper envelopes to persistent digital workflows. Tax season becomes a document-center notification rather than a mailbox event.

    For users accustomed to physical forms as their filing reminder, the shift creates new ways to miss deadlines.

    Exchanges would integrate consent into onboarding or account settings, presented as routine platform terms. Email delivery relies on users maintaining current contact information and checking spam filters.

    In-app document centers blend tax forms into notification streams that handle trade confirmations, security alerts, and promotions. The seven-year retention requirement means historical forms remain accessible, but only if users know to look for them.

    Coinbase’s 2025 10-K reports 9.2 million monthly transacting users and $376 billion in assets on the platform. Other major exchanges have comparable scale.

    If even a fraction of tax documents adopt mandatory electronic consent, the volume of tax documents moving exclusively through digital channels becomes substantial.

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    The enforcement gets more invisible

    The critical distinction: this proposal changes how customers receive forms, not whether the IRS receives them.

    Broker reporting to the government continues unchanged. An exchange that shifts to app-only delivery still files identical information with the IRS.

    The IRS explicitly states that taxpayers must report digital asset transactions regardless of whether they receive Form 1099-DA. The agency emphasizes recordkeeping: taxpayers must maintain their own basis records to calculate gains and losses, especially during the phase-in when many forms will not include basis.

    For 2025 transactions, brokers generally report only gross proceeds. Basis reporting begins in 2026 for certain assets held with the same broker from acquisition.

    This creates a compliance gap where users need their own trade history exports even if they receive a form. The electronic delivery proposal makes accessing historical data more dependent on platform tools, such as document centers, CSV exports, and API access, rather than mailed statements.

    From an enforcement perspective, the shift is efficient. Information returns are submitted to the IRS digitally regardless of the customer’s delivery method. Automated matching compares filings against broker reports without manual intervention.

    Users who miss app-based notifications still face potential underreporter notices, penalties, and interest. The system becomes less visible to inattentive users while remaining fully visible to the IRS.

    What happens next

    The proposal is open for public comment through May 5, 2026. If finalized, it would apply to forms furnished on or after Jan. 1 of the calendar year following publication, meaning the earliest effect would be tax season 2027 or later.

    Whether exchanges adopt mandatory electronic delivery is a business decision. The proposal creates permission, not a mandate. Some brokers keep paper options as customer service, while others view digital-only as operationally simpler.

    Adoption rates will determine how many users face the “consent or lose access” choice.

    Users should assume electronic delivery will become standard across major platforms once permitted.

    Treat exchange email settings as critical tax infrastructure. Ensure contact information stays current. Enable document notifications. Check spam filters before Feb. 15, when forms are due. Download and back up trade history regularly, especially for transactions across multiple platforms where no single broker has complete basis information.

    The broader context is global convergence toward standardized crypto tax reporting.

    The OECD’s Crypto-Asset Reporting Framework is being adopted across jurisdictions. The EU’s DAC8 directive expands reporting to cover crypto assets. The US electronic delivery proposal fits within a multi-year buildout in which crypto’s informality premium shrinks toward the information returns of traditional securities.

    Crypto tax reporting is not disappearing into apps to make compliance lighter. It is moving inside digital rails to make enforcement more automatic and harder to ignore.

    The IRS is not cutting the paper trail. It lets the trail move from the mailbox to the platform, where broker copies still flow to the government, while customer copies become just one more notification in a crowded interface.