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  • Minecraft World to Open at UK Theme Park in 2027; Microsoft Gaming, Merlin Entertainments Execs Reveal First Details on $70 Million Project

    Minecraft World to Open at UK Theme Park in 2027; Microsoft Gaming, Merlin Entertainments Execs Reveal First Details on $70 Million Project

    Theme park lovers who yearn for the mines will have their wish granted in 2027 with the debut of Minecraft World.

    A $70 million project opening within Chessington World Adventures in the UK from Microsoft-owned “Minecraft” maker Mojang Studios and theme park giant Merlin Entertainments (the owner of the Legoland theme parks), the attraction will mark the first-ever theme park based on the popular building video game.

    Per the two companies’ description for Minecraft World at Chessington, which is accessible from London by a 35-minute direct train ride, “Inspired by the game’s most iconic biomes, mobs, and items, Minecraft World will bring the best-selling game of all time into the physical world for the very first time at a major theme park. The land will feature new Minecraft-themed attractions, including a thrilling world first coaster, interactive adventures, epic block built playscapes, and themed retail and dining.”

    Ahead of announcing the Minecraft World news during the Minecraft LIVE presentation Saturday, Microsoft Gaming’s head of Mojang Studios and franchise development Kayleen Walters and Merlin Entertainments’ senior vice president of global brand marketing Angela Jobson broke down their new partnership in an interview with Variety.

    First off, the execs clarified that Minecraft World isn’t going to be a theme-park adaptation of the blockbusters hit “A Minecraft Movie” — or its upcoming 2027 sequel — brought into real life. It’s going to be based on how you play the game “Minecraft.”

    “When a player joins ‘Minecraft’ and plays, it’s their own completely new experience,” Walters said. “They have the agency, they choose how to play. So every time you hit play, it’s a different experience for you, and that’s how we think about broadening beyond the game, too. We want the players to have the agency; we want our fans and our community to have the agency and the experience. So we’ve been thinking about immersive experiences in its own space, not in the movie IP space. This is really its own unique Minecraft experience.”

    Walters continued: “So they haven’t taken the sets from the movie or that sort of thing. But what the Merlin team did so well is they worked really closely with the Mojang creative team, and they designed together, and they actually designed using the game, too, which was really great. So they would actually think about what it would look like in game, and then what that player mode is like in real life. And so I think what you’ll really discover is a unique, immersive experience that brings to life what you would want to see if you were to actually get to step into a real ‘Minecraft’ world and get to experience the gravity and the physics and the smell of the different biomes.”

    Jobson says Mojang and Merlin Entertainments see the need for Minecraft World to balance between “commitment to delivering real emotion and making it really believable” and “this sense of epicness.”

    “There are some features in that land that I’m still not quite sure how we’re even doing it from an engineering perspective,” Jobson said. “There’s a giant floating island in the middle of it, and that we held on to from one of our initial visuals. And sometimes you go really big with your creative vision, but somehow we put our arms around it. I’ll never know. But we all believe that we really need to have this feature in it. It’s going to look quite spectacular.”

    Jobson notes that along with the world’s first “Minecraft” rollercoaster and the world’s biggest “Minecraft” retail store, the park will have “Minecraft”-themed dining, “which has led to some very interesting conversations.” “Like, what can you eat? What do you want to eat from the Minecraft world? Because clearly, we want it to be appetizing,” Jobson said.

    Walters says following the massive success of 2025’s “A Minecraft Movie,” it was clear to Microsoft Gaming “how excited people were just to be engaging in a different way with what they know and love within ‘Minecraft,’” and that response inspired the collaboration on Minecraft World.

    “The natural evolution is to make in-real-life immersive experiences,” Walters said. “And I think it’s going to be really successful. Just that idea of sharing what you play every day with people who don’t play every day, but know it’s really important to you, and now they can bring their whole family or their friends to see what ‘Minecraft’ is like in real life. And I think it’ll get people understanding more around what ‘Minecraft’ is, and will bring people into the game even more. There is that kind of connected ecosystem where we engage in it in one way and it reminds you about a world you built five years ago that you might want to play again, so it brings players back into the game.”

    Mojang and Merlin Entertainments note the project will also include collaboration with “a selection of iconic ‘Minecraft’ creators to help bring the universe to life in the most authentic way possible for the game’s global community of fans.” 

    See below for images of the Minecraft World concept art provided by Merlin Entertainment and Microsoft.

    Merlin Entertainment

  • Tom Lee-backed Eightco doubles down on OpenAI as total stake hits $90 million

    Tom Lee-backed Eightco doubles down on OpenAI as total stake hits $90 million

    Eightco Holdings ($ORBS), a Nasdaq-listed company backed by Bitmine Chairman Tom Lee, is deepening its bet on OpenAI. The company said Friday it had made an additional $40 million commitment, taking its total stake to $90 million.

    Eightco (NASDAQ: $ORBS) Invests Additional $40 Million into OpenAI, Bringing Total OpenAI Investment to $90 Millionhttps://t.co/0oJC0E71gx pic.twitter.com/5MKbhM6k7K

    — Eightco Holdings, Inc. (@Eightcoholdings) March 20, 2026

    The stake now makes up about 30% of Eightco’s total treasury. The company also backs Beast Industries, the media enterprise led by YouTube creator MrBeast.

    Eightco CEO Kevin O’Donnell called the OpenAI investment “a transformative opportunity” for both the company and its shareholders, adding that it gives retail investors access to one of the world’s most important AI companies.

    “This investment highlights our continued belief in the long-term impact of artificial intelligence and positions $ORBS at the forefront of innovation as this technology reshapes industries globally,” O’Donnell stated.

    OpenAI recently closed a record $110 billion private funding round, with participation from Amazon, NVIDIA, and a group of sovereign wealth funds. That round pushed its implied valuation to $730 billion.

    The company surpassed $20 billion in annual revenue as of January 2026, more than tripling the roughly $6 billion it generated in 2024.

    Eightco’s investment was disclosed alongside two board-level appointments.

    Lee will join Eightco’s board of directors, while Brett Winton, chief futurist at Cathie Wood’s ARK Invest, has been named an advisor to the board.

    In addition to its OpenAI position, Eightco maintains holdings of 277 million $WLD, 11,068 ETH, and $76 million in cash and stablecoins.

    The $WLD position makes Eightco by far the largest publicly traded holder in the Worldcoin ecosystem, a digital identity and crypto project co-founded by OpenAI CEO Sam Altman.

    The token has lost approximately 97% of its value from an all-time high of $11.7, per CoinGecko.

    $ORBS shares fell 4% to $0.90 intraday, according to Yahoo Finance, and are down about 46% year-to-date. The decline comes despite a surge in trading volumes following multiple funding announcements.

    OpenAI readies IPO

    OpenAI is preparing for a potential IPO as early as the fourth quarter, while sharpening its focus on enterprise growth and high-productivity use cases for ChatGPT.

    At a recent all-hands meeting, Applications CEO Fidji Simo told employees the company is “orienting aggressively” toward business use, aiming to convert its 900 million weekly users into more intensive, high-compute customers.

    The company is also building out its finance team and refining spending plans, targeting about $600 billion in compute investment by 2030 alongside projected revenue of more than $280 billion.

    Disclosure: This article was edited by Vivian Nguyen. For more information on how we create and review content, see our Editorial Policy.

  • A Minecraft theme park will open in London in 2027

    The best-selling game of all time is moving from the virtual to the physical. Minecraft World, a permanent Greater London theme park based on the game, is scheduled to open in 2027. The announcement came during Minecraft Live 2026.

    It will be a new section in Chessington World of Adventures, a theme park with a built-in zoo. The resort is a 35-minute train ride from London’s Waterloo station.

    Details are still fairly light on the park. But we know it will include a roller coaster, “interactive adventures” and “epic block-built playscapes.” Torfi Frans Ólafsson, the game franchise’s creative director, said they’re aiming for “an experience that feels immersive, authentic and welcoming.” Naturally, that will include welcoming you to open your wallet in Minecraft-themed retail and dining spots.

    The park is a collaboration between Mojang Studios and Merlin Entertainments, the world’s second-largest theme park builder. (A certain rodent-led empire is first.)

    If visiting the full theme park in England isn’t your thing, the latest location of the game’s (also real-world) pop-up events will open in May. Minecraft Experience: Moonlight Trail will let visitors in Buenos Aires, Argentina, go on an hour-long outdoor nighttime adventure. As its name suggests, you’ll “walk a moonlit trail” through iconic Minecraft biomes. Along the way, you’ll craft gear, mine diamonds, battle mobs and “help restore an ancient beacon.” The event opens in May.

    Screenshot from Minecraft. A character walks through a village, followed by a gaggle of babies of various species.

    The game’s next big drop, Tiny Takeover, arrives on Tuesday. (Mojang Studios)

    Not all of Minecraft Live’s announcements were about real-world empire building. Minecraft, the game, is getting some updates, too. Its next big drop, Tiny Takeover, will live up to the billing with a redesigned “cuter” look for baby mobs. The update will also add a golden dandelion, which you can feed to a baby mob to make it stay young forever. (Or, at least until you feed it a second one.) Tiny Takeover arrives on March 24.

    Mojang also teased the next drop after that. Later this year, Chaos Cubed will add a sulfur cube that changes properties when absorbing different materials. “There is a lot of variety in what the cube can do,” Mojang promises. “Just like there are balls with different ‘bounciness’ and behavior, the sulfur cube can have different physics.”

    Finally, the long-rumored Minecraft Dungeons II game is official. We’re still extremely light on details about the sequel to the 2020 spinoff, aside from the fact that you can wishlist it on March 21.

  • Will the XRP Price Drop Further From Here? Here’s the Forecast

    Will the XRP Price Drop Further From Here? Here’s the Forecast

    Crypto analyst Joao Wedson, in his assessment of $XRP price movements, indicated that the market may not have fully bottomed out yet. According to Wedson, current data suggests that a further short-term pullback for $XRP is possible.

    In his analysis, Wedson particularly highlighted the “number of days in profit” metric. This indicator provides important clues about the market’s maturity level by measuring when the current price was last compared to higher levels in the past.

    According to the analyst, historically, this metric reaches much higher levels during periods when market bottoms are formed. However, currently, $XRP appears to be remaining below these critical thresholds. This indicates that the market has not yet reached a level of maturity similar to the bottom structure seen in previous cycles.

    Based on this data, Wedson states that $XRP either needs to spend more time or experience a further decline to form a healthier bottom structure. The analyst adds that the current outlook does not yet fully confirm classic bottom signals.

    *This is not investment advice.

  • Box Office: ‘Project Hail Mary’ Rocketing to Gravity-Defying $77 Million-Plus Opening

    Box Office: ‘Project Hail Mary’ Rocketing to Gravity-Defying $77 Million-Plus Opening

    Filmmaking duo Phil Lord and Chris Miller’s golden touch continues with space epic Hail Project Mary, starring Ryan Gosling.

    Friday’s opening-day gross of $33.1 million, including $12 million in previews, puts the film on course for a better-than-expected domestic opening of $77 million-plus, according to Amazon MGM Studios.

    Only three non-sequel, non-franchise films have opened above $50 million in the post-pandemic era; Oppenheimer, F1: The Movie and It End With Us. And only two, Oppenheimer and It, crossed $70 million. In terms of the genre itself, Project Hail Mary would share rarefied air with Interstellar’s opening in 2014.

    Project Hail Mary was looking at a debut of $50 million-plus heading into the weekend.

    Critics and audiences are embracing the warm-hearted, adventure-action movie in almost equal measure, which is the sweet spot for every studio. And it certainly doesn’t hurt to have screenwriter Drew Goddard back in the fold after successfully adapting another Weir novel, The Martian, for the big screen.

    The movie, also starring Sandra Hüller and James Ortiz , is opening in 82 markets around the globe timed to its U.S. launch, including the U.K., France, Germany, Italy, Mexico, Brazil, Australia, Korea, Japan, and China.

    Among the weekend’s other wide releases to watch is Searchlight Pictures’ horror Ready or Not 2: Here I Come. The film, directed by filmmaking duo Radio Silence (Matt Bettinelli-Olpin and Tyler Gillett), stars Samara Weaving reprising her role as the fan-favorite, Grace.

    The horror-comedy is looking at a fourth-place with an estimated $9 million.

    Internationally, the film also opens in territories including the UK, Australia and Brazil, along with additional smaller markets. It will be open almost everywhere by mid-April. Among holdovers, Pixar and Disney’s Hoppers is holding firmly at No. 2.

    This story was originally published March 20 10:39 a.m.

  • A ‘Minecraft’ Theme Park Is in the Works

    A ‘Minecraft’ Theme Park Is in the Works


    Merlin Entertainments and Mojang Studios are going to need a ton of solid blocks for this one.

    Together, the companies are building a Minecraft theme park, a $70 million construction project set to open in 2027 at Chessington World of Adventures in Greater London. Minecraft World will feature Minecraft-themed attractions, including a roller coaster, interactive adventures, block-built playscapes and, of course, themed retail and dining.

    A “selection of iconic Minecraft creators” will consult on the build, the companies said on Saturday during the Minecraft Live event.

    “We’re absolutely thrilled to be bringing Minecraft’s creativity, bold adventures, and ridiculous fun to life at a theme park for the first time at Chessington World of Adventures,” Angela Jobson, senior vice president of global brand for Merlin Entertainments, said in a statement. “Minecraft World will allow friends and families to play, explore and craft together on a truly epic scale. Working closely together with Mojang Studios, we are meticulously creating an authentic world that the global community of Minecraft fans will want to immerse themselves in and experience the game in a whole new way.”

    Chessington World of Adventures, a 35-minute direct train ride from London Waterloo, is Britain’s biggest wildlife theme park, featuring rides, a zoo, an aquarium and two hotels.

    “Minecraft World represents a meaningful milestone in our ongoing journey to expand the Minecraft universe,” Torfi Frans Ólafsson, senior creative director of entertainment at Minecraft, said. “We’re thrilled to have partnered with Merlin Entertainments to realize a place where you can literally be in the Minecraft Overworld and have an adventure of your own with your family and friends. The team at Merlin Entertainments and Mojang have worked hard to craft an experience that feels immersive, authentic and welcoming, and we can’t wait for our community to experience it.”

    Mojang is the developer of Minecraft, the best-selling video game of all time. Merlin Entertainments is the theme park company behind Legoland.

    In 2025, Minecraft was adapted for the big screen with A Minecraft Movie, which went on to gross nearly a billion dollars at the box office.

  • Judy Greer and Kara Swisher Take on AI Fears, Streaming’s Impact and Maturing on Screen: ‘I Have Loved This Section of My Life’

    Judy Greer and Kara Swisher Take on AI Fears, Streaming’s Impact and Maturing on Screen: ‘I Have Loved This Section of My Life’

    Actor Judy Greer and journalist and TV host Kara Swisher went right for it as soon as they sat down.

    The pair took AI fears, maturing on screen and assessing how the dawn of streaming has changed Hollywood’s traditional compensation models during a conversation held at the SHE Media Co-lab space at the SXSW festival in Austin, Texas on March 15.

    Greer was at the festival as part of the rollout for the indie drama “Chili Finger,” a true-crime tale revolving around a scam plot gone wrong. She stars opposite Sean Astin, Bryan Cranston and others. Greer described the jobs picture in Hollywood as “scary” for people in the early stages of their careers.

    “In the dawn of all the streaming television, we’ve already lost a lot of money. We don’t get those residuals anymore. People who relied on those for their health insurance, they don’t have access to that anymore. And so that’s a big, huge change that we’re trying to figure out,” Greer said. “There’s so many more jobs, but it feels like no one’s working, and now people can’t get their insurance.”

    Greer, known for her character turns on “Two and a Half Men,” “Arrested Development” and a host of other TV series and movies, told Swisher that getting older as an actress has been creatively fulfilling. Swisher is a veteran journalist and author and now a TV personality. She is host of the docu-series “Kara Swisher Wants to Live Forever,” on the science and understanding of aging, which bows April 11 on CNN.

    “I’ve been so happy with the way things have been going for me. The roles I’m getting offered are so much more layered and interesting, and so I have loved this section of my life,” Greer said. “Moving forward, I do tend to see all these older actors, male actors, playing these super-angry villains and stuff. And I would like to see some women playing those roles — being like ‘Retribution!’ I think would be interesting. We would do it in a lot smarter way,” Greer said.

    “One of the things that has been freeing as I’ve aged is, I don’t have to adhere to a certain look anymore. I feel that is why the roles are becoming so interesting to me. Even myself — I’m personally not as worried about how I look and being pretty in a movie. I don’t care anymore,” Greer said.

    Swisher pressed Greer on the concerns about making a living as a performer in the age of AI.

    “Personally, I’m still a bit sheltered from the really scary parts, because I am recognizable. My voice is recognizable. I haven’t had to be scanned [for potential AI reproductions], things like that,” Greer said. “People at my level and above, it’s really our duty to fight for the middle class of what I do. Because people who are background artists, people who are day players — they’re the ones that I think are really going to get super-fucked.”

    Swisher admitted that she has conflicting feelings about how to handle AI’s rapid advance. Greer agreed.

    “If we can’t kill this thing, and I don’t know if we should, how can we use the superpower for good and not evil? is there something that we can use this to like, elevate our art and to elevate artists and like in the way that sort of the iPhone gave a medium to young filmmakers, young people and young artists. Is there a way to utilize the superpower to help creatives?” Greer asked.

    (Pictured: Kara Swisher and Judy Greer at the SHE Media Co-lab at the SXSW festival in Austin, Texas on March 15.)

  • ‘The Madison’ Season 2: Michelle Pfeiffer and Kurt Russell Break Down What Fans Can Expect Next After the Season Finale

    ‘The Madison’ Season 2: Michelle Pfeiffer and Kurt Russell Break Down What Fans Can Expect Next After the Season Finale

    SPOILER ALERT: This article contains spoilers for the Season 1 finale of “The Madison,” now streaming on Paramount+.

    The too-brief first season of “The Madison” has come to an end, and after six tear-jerking episodes, fans are already looking forward to what a second season will bring for the Clyburns. The first season focused on Stacy Clyburn (Michelle Pfeiffer), who packed up and moved her family from bustling New York City to Montana after the death of her husband and family patriarch, Preston (Kurt Russell).

    While no date has been set for the second season, it was already filmed before the show premiered. Because of that, during the press cycle for Season 1, stars Michelle and Russell were able to preview what audiences can expect next season.

    “It’s after the initial stage of raw grief passes, and some time has gone by,” Pfeiffer says. “It’s the messy and profound rebuilding of everything that you knew after everything that you knew has fallen apart and what that looks like.”

    Christina Alexandra Voros, who directed every episode of Season 1, also teased the idea of moving on in the next season.

    “I think by the end of Season 1, there are a number of questions to be answered in terms of what the next steps will be for the Clyburn family,” she says. “Season 2 begins to delve into that.”

    Russell adds that a darkness comes into the show’s second season.

    “I think it’s fair to say that in Season 2 — and I believe Michelle will agree with me — what happens is the level of real danger goes up,” he says. “Things begin to become dangerous in realistic ways.”

    When it comes to realism, Russell says the script’s relatability in Season 1 was a main element that appealed to him.

    “It was a matter of reading it and saying, ‘Wow, at what point was [writer Taylor Sheridan] a fly on the wall in our house?’” he says. “We lived part of the time in Los Angeles, but I did move to Colorado when I was 26 years old to live the way I wanted to live and still be in the business. When I read it, I realized how, for the first time, I was going to play somebody similar to myself, as opposed to somebody who was a broad character or something in a very different genre. This is in the wheelhouse of reality, relatability as human beings, one to the other. It’s adventure of the soul, and I was right for it. There were both sides of this guy. I’ve lived it. So it was more bringing the right thing for Michelle and for the show, which I felt confident in doing.”

    Voros also says she felt an intense closeness to the material.

    “I would be hard-pressed to imagine a story that felt more organic for me,” she says. “I’m a Boston-raised, longtime New York City-living gal who met a cowboy on a Western in Mississippi, and now live in West Texas. My husband’s actually our animal coordinator on this show, and a lot of the ‘Yellowstone’ shows. The idea of being someone who identifies as being from a city and discovering not only a part of the country that is foreign to you, but the part of yourself that emerges when you transplant yourself into a different environment, and makes you question your identity and the choices one makes in how to live their life. It was a wild script to end up on my doorstep, because it felt so incredibly personal to me.”

    Watch a trailer for “The Madison” below.

  • Intel says Crimson Desert devs ignored offers of help to support Arc GPUs

    It doesn’t sound like Crimson Desert, the recently released prequel to Black Desert Online, will support Intel Arc GPUs anytime soon, if at all. On the game’s FAQ page, its developer Pearl Abyss advised players expecting Arc support to apply for a refund. “If you purchased the game expecting Intel Arc support, please refer to the refund policy of the platform where the game was purchased for available options,” the company wrote. Apparently, though, it’s not from lack of guidance from Intel. The chipmaker told Wccftech that it reached out to Pearl Abyss “many times” over the past several years.

    The Intel spokesperson said that the company has tried to help the developer “test, validate, and optimize support for Intel graphics” for years. Intel also tried to provide the developer “early hardware, drivers, and engineering resources” across several generations of GPUs, “including Alchemist, Battlemage, Meteor Lake, and Lunar Lake.” The chipmaker said it’s “hugely disappointed that players using Intel graphics hardware” can’t play the game, but that it remains “ready to assist Pearl Abyss” however it can. It also advised players to reach out directly to the developer for “details on the choice not to enable Intel support at launch.”

    Pearl Abyss, of course, doesn’t have the obligation to tweak the game so that it runs on PCs with Intel Arc GPUs. The good news is that since the title came out just a few days ago, it will still be easy to get a refund. Steam, where Crimson Desert is now one of the top-selling games, issues refunds within two weeks of purchase.

  • The 5-cent contract that debunked a wartime death conspiracy

    The 5-cent contract that debunked a wartime death conspiracy

    The rumor followed a familiar wartime script. Iran’s Islamic Revolutionary Guard Corps claimed it had struck Benjamin Netanyahu’s office. Then came the forged screenshots — fake posts from the Israeli prime minister’s official account announcing he was dead. Then came the AI furore over a low-resolution freeze-frame from a press conference that, at the right angle, appeared to show Netanyahu’s right hand sporting six fingers, leading contrarian commentators to take victory laps.

    Conservative influencer Candace Owens amplified the claims loudly on X, demanding to know where Netanyahu was and why his office was “releasing and deleting fake AI videos.” Iran’s Tasnim News Agency — run by the Islamic Revolutionary Guard Corps — published an article titled “New Video of Netanyahu Proves Fake,” cataloguing alleged clear signs that a subsequent coffee shop clip, posted by Netanyahu’s own account to debunk the rumors, was itself generated by artificial intelligence. The conspiracy had become self-sealing; every refutation was recast as fresh evidence.

    But while the fact-checkers scrambled and the podcasters speculated, one data source offered a clean, immediate signal. On Polymarket, the world’s largest crypto prediction market, the contract for “Netanyahu out by March 31” was trading at around 4 to 5 cents, implying a roughly 4 to 5% probability of him leaving office before the end of the month. The market didn’t move. For anyone paying attention to that number, the entire conspiracy theory collapsed in a single glance.

    Polymarket volume (Dune Analytics)

    A record-breaking backdrop

    To understand why the Netanyahu conspiracy took hold when it did, you need to understand the information environment it emerged from.

    Since the U.S. and Israel launched strikes on Iran on Feb. 28, Polymarket has been transformed into something closer to a real-time geopolitical intelligence terminal. In the week ending March 1, bettors placed $425 million in geopolitics wagers on the platform alone — up from $163 million the prior week — with total platform wagering hitting a record $2.4 billion. The “US strikes Iran by…?” contract accumulated $529 million in total volume, making it one of the largest single markets Polymarket has ever hosted and the fourth-largest in its entire “Politics” category.

    It is a remarkable trajectory for a platform that processed $73 million in total trading volume in 2023 and was pushed offshore by a CFTC settlement a year later. By 2025, Polymarket had processed approximately $22 billion in notional trading volume across the year — a figure that underscores how quickly the platform has moved from crypto curiosity to mainstream financial infrastructure.

    This is no longer a crypto curiosity. In October 2025, the Intercontinental Exchange, parent company of the New York Stock Exchange, invested $2 billion into Polymarket at a $9 billion valuation, and launched a “Polymarket Signals and Sentiment” tool that feeds real-time prediction market data directly to Wall Street trading desks. When the Iran war began, equity and oil futures markets were closed for the weekend. Polymarket was not.

    The market as instant truth machine

    Prediction markets don’t have death contracts in the conventional sense. What Polymarket offers instead are “politician out by X date” markets, which resolve “Yes” if a leader resigns, is removed, or steps down. They don’t directly price the probability of death. But in a context where the conspiracy theory is that Netanyahu has been killed and the government is conducting a cover-up, these contracts function as a powerful proxy.

    The logic is simple. A leader who has died or been incapacitated cannot indefinitely run a country from office. Eventually, a resignation, a removal or a credible leak would surface. And if any of that happened, the payout on a “Yes” share at 5 cents would be enormous: a $1 payout on a 5-cent share is a 20-to-1 return.

    One trader was willing to make that bet at scale. A single Polymarket account placed $151,000 on Netanyahu being out before March 31, accumulating nearly 3.8 million shares at 4.7 cents each. If correct, the position would pay out $3.8 million. It is currently underwater by roughly $26,000.

    That number is the ceiling of rational conviction in the conspiracy. At the height of the online hysteria, the most aggressive speculator on record was willing to stake $150,000 on the theory — implying he knew the odds were long. The market as a whole put the probability at around 5%. Social media said it was certain. The money said otherwise.

    “Whether a politician is in or out of office is a very economically meaningful outcome for a lot of people,” said Aaron Brogan, a managing attorney at Brogan Law who has advised on prediction market regulation. “These are exactly the kinds of markets that event contract rules were designed to accommodate.”

    Why the odds are hard to fake

    The 2024 US election cycle offered a masterclass in prediction market efficiency — and the limits of efforts to dismiss its signals. When Polymarket showed Donald Trump trading at a substantial premium over Kamala Harris, critics cried manipulation. A French trader, they alleged, had artificially pumped Trump’s odds using multiple accounts for political purposes.

    The experts weren’t buying it. As Flip Pidot, co-founder of American Civics Exchange, told CoinDesk at the time: a true manipulator trying to move the price would simply pile in blindly and let themselves get filled at worsening prices. The French trader did the opposite — splitting orders strategically across accounts to minimize slippage. That is what profit-seeking looks like, not propaganda.

    The deeper reason manipulation struggles to stick is expected value arbitrage. If a price is artificially depressed or inflated, profit-hungry traders pile in to exploit the gap until it closes. Cross-market arbitrage reinforces this: Polymarket prices in real time against Kalshi, Betfair, and others. If odds drift meaningfully out of line across platforms, traders immediately sell the higher price and buy the lower one, synchronizing markets toward a consensus.

    Harry Crane, a statistics professor at Rutgers University who studies prediction markets, sees the Netanyahu episode as a near-perfect illustration of this dynamic. “These markets are an antidote to propaganda precisely because their resolution rules anchor outcomes to verifiable sources rather than narrative,” he told CoinDesk. “I understand why governments want to limit them — not because of concerns over leaking classified information, but because verifiable price signals are harder to control.”

    That framing maps directly onto the Netanyahu conspiracy. The people claiming he was dead were doing structurally the same thing as those who cried Polymarket was rigged in 2024: attacking the signal rather than engaging with it.

    What the market is actually pricing — and what it isn’t

    Crane is careful about the limits of the signal, and his caveat is worth sitting with.

    “The market is only pricing the probability that Netanyahu is verifiably out of office under these rules,” he said. The resolution criteria state that the contract resolves “Yes” if Netanyahu announces his resignation or is otherwise removed from office, confirmed by official sources or a consensus of credible reporting. If a government concealed a leader’s death so completely that no credible source ever confirmed it, the market could resolve “No” — faithfully, correctly under its own rules, and yet without capturing the underlying reality.

    That dynamic was playing out in real time. Domer — a well-known prediction market trader who goes by ImJustKen online — was publicly holding a No position on Netanyahu leaving office before March 31. Not because he was certain Netanyahu was alive, but because he didn’t believe a departure would ever be confirmed under the market’s resolution criteria, even if it occurred. He was pricing the verification gap, not the conspiracy itself.

    But that caveat reveals something important about the conspiracy itself. The Netanyahu death rumor only holds together if you believe in a cover-up so total — encompassing Israeli officials, international media, independent fact-checkers, and Netanyahu’s own social media accounts simultaneously — that no verifiable evidence would ever surface. At that point, the conspiracy has become unfalsifiable by design. An unfalsifiable claim is one no rational actor should stake capital on.

    This is the key distinction from traditional fact-checking. A fact-checker requires institutional credibility, research time, and editorial process — all of which conspiracy theories are engineered to preemptively undermine. A Polymarket price requires none of that. It requires only that someone, somewhere, believes the opposite enough to put real money on it. When no one does, that is its own kind of proof.

    The contrast case: Khamenei

    The clearest evidence that these markets work as a truth signal — and not merely as a null result — is what happened with the Khamenei contract.

    When Iranian Supreme Leader Ali Khamenei was killed in the February 28 strikes, the “Khamenei out as Supreme Leader by March 31” contract on Polymarket behaved exactly as you would expect from an efficient market. It had hovered between 25% and 50% through January and February as tensions built, pricing genuine uncertainty about an escalating conflict. Then, when Iranian state TV confirmed his death, it spiked vertically to 100%. The contract drew $45 million in volume. The top trader made $757,000 on a yes bet. Four others cleared six figures.

    The Netanyahu market did not do this. It stubbornly remained below 5 cents throughout the conspiracy cycle. The crowd that correctly priced Khamenei’s death — and got paid for it — looked at the Netanyahu claims and declined to move.

    Price movements on Polymarket (Polymarket)

    The regulatory storm gathering overhead

    The informational value of these markets is being stress-tested at exactly the moment when political pressure against them is reaching its peak.

    When Khamenei was killed, Kalshi — Polymarket’s CFTC-regulated rival — invoked a “death carveout” buried in its contract terms, settling its Khamenei positions at the last traded price before his death: roughly 39.5 cents rather than the full dollar. Polymarket, which carries no such carveout, paid out in full. A $54 million class action lawsuit against Kalshi followed.

    The inconsistency in Kalshi’s approach has been pointed out sharply. In late 2024, Kalshi had run a market on whether a 100-year-old Jimmy Carter would attend Trump’s inauguration. When Carter died before it took place, Kalshi settled that contract to “No” — resolving a market directly via death, without invoking any carveout. As Crane has noted, the application of its death carveout appears to have been selective: they settle on death, just not when it’s expensive.

    Kalshi disputes the characterization. “Our rules were clear from the beginning, we never changed them, and we settled based on the rules,” a spokesperson said. The company added that it reimbursed all fees and net losses out of pocket following the Khamenei settlement — “to the tune of millions of dollars” — ensuring no user lost money on the market. “Kalshi is a peer-to-peer exchange and does not profit from user losses. We have no incentive not to pay out our users, but we need to follow the rules of the exchange and the rule of law.”

    On the legislative push, the company struck a conciliatory tone. “Kalshi already bans insider trading and markets directly tied to death and war,” a spokesperson said. “As a US-based exchange, we support regulators and policymakers from both sides of the aisle in their efforts to keep these markets safe and responsible in America.”

    Kalshi declined to comment on record about the consistency of the death carveout as applied to the Khamenei contract versus the Carter market, or on the current status of the class action lawsuit.

    Six Democratic senators, led by Adam Schiff, have written to the CFTC demanding a categorical ban on contracts that “resolve upon or closely correlate to an individual’s death.” Separately, senators Merkley and Klobuchar have introduced the End Prediction Market Corruption Act, which would bar the president, vice president, members of Congress, and their immediate families from trading event contracts, and impose fines and profit clawbacks for violations — citing the well-timed wagers on US strikes and Iranian leadership changes that netted some traders hundreds of thousands of dollars.

    Blockchain analytics firm Bubblemaps identified six newly created wallets that collectively netted $1.2 million betting on the timing of US strikes on Iran, with accounts funded within 24 hours of the attack. One trader turned roughly $60,000 into nearly $500,000.

    Brogan is skeptical that the legislative push has the momentum to land. “This is largely Democratic senators using the legislative process to generate political capital,” he said. “The conditions under which that legislation actually passes are where something really calamitous happens — some kind of market collapse or scandal that forces politicians to make an example of the industry. Without that, I don’t think there’s sufficient political capital to move it.”

    He also draws a clear distinction between Polymarket’s legal exposure and Kalshi’s. “The restrictions Kalshi faces are not directly applicable to Polymarket,” Brogan said. Polymarket is not a CFTC-regulated US exchange — a status that stems from a 2021 settlement that pushed it offshore and barred US users from accessing it directly. That remains its largest single legal exposure, Brogan noted, though he pointed out that the Trump administration has shown little appetite for pursuing the kind of action the Biden administration explored against Polymarket CEO Shayne Coplan in early 2025.

    Crane, for his part, is unambiguous about what would be lost if the legislative push succeeded. “These markets have genuine informational value and can counter propaganda,” he said. “That’s the case study here — a market involving war and the fate of a political leader doing exactly what its critics say it shouldn’t exist to do.”

    There is also a state-level front opening up. Arizona recently charged Kalshi with operating an illegal gambling operation — part of a broader conflict between states that regulate and tax traditional gambling markets and federally-overseen prediction markets that sit outside their control. “The question that ultimately matters is whether federal law will preempt state law on this,” Brogan said. “There are courts hearing that question right now.”

    What the crowd gets right — and what it can’t fix

    None of this is to say prediction markets are infallible. Crane notes that nearly 25% of Polymarket’s historical volume has been attributed to wash trading — artificial activity generated by users trying to position themselves for a potential token airdrop — a figure that Columbia University researchers found peaked at around 60% in December 2024 before falling sharply. Wash trading inflates headline volume without necessarily biasing prices, but it is a legitimate caveat to the “wisdom of crowds” narrative.

    The more fundamental limitation is what Crane identified in his answer to the manipulation question: a sufficiently coordinated disinformation campaign could, in theory, move a market — especially a smaller one. The Netanyahu “out by March 31” contract had enough liquidity to make that expensive, but not impossible.

    What prediction markets cannot do is replace the underlying information infrastructure they depend on. They resolve against credible sources. If those sources are corrupted or silent — as Iranian state media clearly was throughout this episode — the market’s signal is only as good as the resolution criteria it is anchored to.

    But in the Netanyahu case, that is precisely where the conspiracy fell apart. The rumor required a cover-up so comprehensive that no Israeli official, no international journalist, no independent fact-checker, and no market trader with real money on the line would ever find confirmation. The market priced that scenario at 5 cents. It was right.

    When Candace Owens was demanding to know where Bibi was, Polymarket already had an answer. It just costs a few pennies to read it.