Author: rb809rb

  • Doc10 Unveils Lineup, Billie Jean King Film ‘Give Me The Ball!’ to Open Festival

    Doc10 Unveils Lineup, Billie Jean King Film ‘Give Me The Ball!’ to Open Festival

    Give Me The Ball!,” an upcoming ESPN film, will open the Doc10 film festival’s showcase of documentary cinema on April 30.

    Screening at the Davis Theater, “Give Me The Ball!” tells the true story of American tennis player Billie Jean King through interviews with King, who delves into her “competitive drive on the court as well as her private struggles with her sexual identity.”

    The festival’s 11th edition will close on May 3 with “Knife: The Attempted Murder of Salman Rushdie,” which chronicles the 2022 violent assault against world-renowned author Salman Rushdie. A Q&A with Rushdie, director Alex Gibney and poet Rachel Eliza Griffiths will follow the screening.

    Doc10’s slate also includes the latest projects from other acclaimed documentary-makers, including two-time Oscar nominated filmmaker Maite Alberdi (“The Mole Agent”) with her film “A Child of My Own,” about a woman desperate to be a mother, who faked her own pregnancy, and Ross McElwee’s “Remake,” which focuses on the juxtaposition of the death of his son and an awkward Hollywood development deal.

    Other highlights include “Soul Patrol,” about the first elite unit of Black special ops fighters in the Vietnam War; “Everybody to Kenmure Street,” which follows a 2021 immigration raid in Glasgow and the community’s rallying response to stop their neighbors’ deportation; and “The Baddest Speechwriter of All,” about Martin Luther King Jr.’s trusted lawyer and speechwriter, directed by Ben Proudfoot and Stephen Curry.

    “If I had to come up with a theme for this year’s selection, it would be perseverance,” said Doc10 Senior Programmer Anthony Kaufman. “Many of our films follow people who are fiercely determined, whether Billie Jean King, Salman Rushdie, or Amy Goodman; a father relentlessly searching for his missing son; a would-be mother who desperately wants a child; American doctors bravely trying to provide medical care in Gaza; or even Girl Scouts tenaciously selling cookies. Perhaps these are exactly the kind of
    stories we need right now.”

    For more information, visit doc10.com.

  • UFC Legend Georges St-Pierre Biopic in the Works From Director Thomas Soto (EXCLUSIVE)

    UFC Legend Georges St-Pierre Biopic in the Works From Director Thomas Soto (EXCLUSIVE)

    Georges St-Pierre, one of the most dominant champions in UFC history, is getting the big screen treatment. A movie about the mixed martial arts icon is officially in development, with Quebec director Thomas Soto attached to helm the project.

    “We have been considering telling my story for a moment now, and when we found this team it was clear to us that we wanted this to be told in a new creative way,” St-Pierre said in a statement.

    The biopic will trace St-Pierre’s journey from Saint-Isidore, Quebec, to Octagon history, becoming a two-division champion at the UFC. The filmmakers say they want to strip away the myth of “GSP the global icon” to “reveal Georges, the man.”

    The project is led by executive producers Brandon St-Jacques and Jean-Christophe Pelchat, alongside producers Bruno Rosato and Vito Balenzano. Casting will be announced at a later point.

    Soto has earned a Rising Star Award nomination from the Academy of Canadian Cinema and Television. Working as a writer, director and director of photography, Soto’s credits include his short film “Hold the Lighthouse”, the final season of the CBC television series “Six Degrees”, and the series “Still I Rise” on
    Crave.

    “I want to tell the story of Georges behind GSP in a way that feels intimate, honest and deeply human,” Soto said in a statememnt. “To me, bringing that story to the world is both a privilege and a responsibility.”

    St-Pierre is widely regarded as one of the greatest mixed martial artists of all time. He is both a welterweight and middleweight champion, who retired with a professional record of 26-2 and has since appeared in films including “Captain America: The Winter Soldier” and “Kickboxer: Vengeance.” Beyond fighting, St-Pierre is a businessman, philanthropist, and cultural ambassador for Quebec and Canada.

    St-Pierre is represented by Benji Bar David at CAA.

  • Akai just released a portable and relatively budget-friendly MPC sampler

    Akai just revealed specs and other details about the MPC Sample after teasing the gadget earlier this month. This is a portable sampler and groovebox that looks eerily similar to Teenage Engineering’s EP series. It also resembles some legendary Akai gadgets from decades past, including the MPC3000 and MPC60. In other words, it’s easy on the eyes and sort of looks like a Super Famicom.

    It seems pretty capable. The Sample has 16 velocity-sensitive MPC pads with poly aftertouch, which should please finger drummers. It can handle 32 stereo voices of polyphony and there’s a sequencer for making actual beats.

    Chop mode.

    Akai

    As for sampling, there’s an easily accessible chop mode, in addition to time-stretching and repitching capabilities. Samples can be edited via waveform, thanks to a full-color LCD display. The machine can resample internally with FX, letting creators make some unique soundscapes. The MPC Sample boasts access to four effects engines and 60 effect types.

    The gadget ships with over 100 factory drum kits, but users can easily add whatever they want. It comes with just 8GB of internal storage, but there’s a microSD slot for more. It can, of course, connect to MIDI keyboards for playing melodic samples. The Sample also hooks up to DAWs.

    A sampler.

    Akai

    The RAM is on the lower side, at just 2GB. However, this is the standard configuration for some more expensive units, like the MPC Live and Live II. It should be able to get the job done, but the MPC XL is the product to pick for those looking for maximum horsepower. That one has a whopping 16GB of RAM. It also costs nearly $3,000.

    The rechargeable battery here lasts five hours, which is respectable but not groundbreaking. Teenage Engineering’s EP series boasts better battery life, but requires pricey AAs. Finally, there’s a speaker, but I’ve never had much luck with speakers on this type of thing. Bring some headphones to actually hear what’s going on.

    Perhaps the biggest news here is the price. The MPC Sample costs just $400, which seems reasonable given the form factor and features. It’s available right now.

    Casio recently unveiled another nifty-looking portable sampler called the SX-C1. It also resembles a Nintendo product, but this time it’s a Game Boy and not the Japanese SNES.

  • YieldNest Launches ynRWAx Vault

    YieldNest Launches ynRWAx Vault

    YieldNest, a DeFi infrastructure provider for yield strategies, has introduced ynRWAx, a vault designed to integrate real-world credit returns into decentralized finance. The product focuses on combining tokenized assets with lending mechanisms commonly used in DeFi, including leveraged looping strategies.

    The vault targets an annual yield of about 11%, based on mortgage-backed private credit linked to residential real estate in Australia. The credit operations are managed by Kimber Capital, a licensed Australian investment firm specializing in structured lending. YieldNest delivers the on-chain architecture and integrations.

    ynRWAx is structured as a yield-bearing asset that allows users to gain exposure to off-chain credit markets within blockchain-based systems. It follows the ERC-4626 standard, which supports compatibility with lending protocols and broader DeFi applications without requiring special permissions.

    The vault currently holds more than $7.5 million in total value locked and operates across multiple networks, including Ethereum, Base, Arbitrum, and Polygon. Additional integrations include Euler and Morpho for lending, as well as Pendle and Spectra, which enable separation of fixed and variable yield components. Incentive layers are provided through Merkl and Brevis Incentra, adding extra rewards alongside the base yield.

    Image: Freepik

  • Analytics Company Predicts When Bitcoin Will Bottom Out! “We’re Very Close!”

    Analytics Company Predicts When Bitcoin Will Bottom Out! “We’re Very Close!”

    Bitcoin ($BTC) has experienced a correction of over 50% since peaking around $126,000 in October 2025.

    During the current correction, Bitcoin fell to levels around $60,000, but is now trying to hold above $70,000.

    While technically the bear market is still ongoing, investors are trying to catch the bottom for Bitcoin.

    While there are various predictions for the bottom at this point, one CryptoQuant analyst said it could take two months for $BTC to reach its bottom.

    CryptoQuant analyst Maartunn, in a statement from his X account, predicted that if Bitcoin follows its historical pattern, a potential bottom will occur in approximately two months.

    The analyst based this prediction on the historical four-year halving pattern. According to the analyst, 703 days have passed since the last Bitcoin halving.

    Historically, the market bottom typically begins to form around the 777th day after the halving, but the analyst suggested this could happen in about two months.

    According to the analyst, if the four-year pattern in Bitcoin remains intact, a definitive bottom could occur in late May 2026.

    In line with this analysis, CryptoQuant stated in its February analysis that Bitcoin had not yet fully surrendered and that on-chain indicators were still in a bearish phase. At that point, analysts drew attention to the price support levels that had been reached, pointing to $55,000 as the ultimate bottom for $BTC.

    *This is not investment advice.

  • California man wins $50,000 lottery prize during Maryland trip

    California man wins $50,000 lottery prize during Maryland trip

    Odd News // 1 month ago

    California man wins $50,000 lottery prize during Maryland trip

    Feb. 18 (UPI) — A California man took a trip to Maryland to visit his daughter’s family and ended up winning a $50,000 lottery prize during his vacation.

  • ‘For All Mankind’ Renewed for Sixth and Final Season at Apple TV

    Apple TV is looking to the heavens one last time.

    The streamer has renewed its drama series For All Mankind for a sixth and final season. The pickup comes three days before season five of the show premieres on March 27; season six will debut in 2027.

    With the renewal, For All Mankind (produced by Sony Pictures Television) will become one of the longest-running series in Apple TV’s six-plus years of offering original programming. Among shows aimed at adults, only Slow Horses — which has been renewed through a seventh season — will have gone longer.

    “Getting to explore the For All Mankind universe over six seasons has been an amazing privilege, and we’re thrilled to have the opportunity to finish the story the way we’ve always hoped,” said showrunners Matt Wolpert and Ben Nedivi, who also co-created the series with Ronald D. Moore. “We’re incredibly proud of what this series has become, and grateful to Apple TV and Sony Pictures Television for helping us see it through to its final chapter.”

    Added Apple TV head of programming Matt Cherniss, “From being one of the first Apple originals to launch on Apple TV in 2019, For All Mankind has remained an innovative, epic sci-fi series that has enthralled fans season after season. As one of Apple TV’s most enduring and celebrated series, it has delivered time and again because of the extraordinary artistry of visionary storytellers Ron, Matt, and Ben, along with our partners at Sony, and we can’t wait for people to experience how this story comes to its exhilarating conclusion when the final season debuts next year.”

    Season five of the series, set in an alternate history where the Soviet Union was the first to land people on the moon, is set in the 2010s and will delve into the friction between residents of a colonized Mars and those who remain on Earth. Joel Kinnaman, Toby Kebbell, Edi Gathegi, Cynthy Wu, Coral Peña and Wrenn Schmidt reprise their roles alongside new series regulars Mireille Enos, Costa Ronin, Sean Kaufman, Ruby Cruz and Ines Asserson.

    Wolpert and Nedivi serve as showrunners and executive produce with Moore and Maril Davis of Tall Ship Productions, Kira Snyder, David Weddle, Bradley Thompson and Seth Edelstein.

  • The Freelance Platform Fiverr Wants to Sell You AI Video

    The Freelance Platform Fiverr Wants to Sell You AI Video

    Can a gig economy stalwart crack Hollywood? Fiverr thinks it figured out the model… by going all-in on generative artificial intelligence.

    The freelance marketplace, which connects users to workers in all sorts of categories (think website development, resume guidance, etc) on Tuesday launched an “AI Video Hub,” which will offer services from a handful of established AI directors at “a fraction of the cost” of traditional production, Fiverr CMO Matti Yahav says.

    That includes Billy Bioman, the Stockholm-based director who has created AI brand videos for Google, Universal Music Group and Klarna, among others. In a marketing stunt connected to the launch, Fiverr constructed a 30-foot tall, 230-foot wide billboard of Boman’s name overlooking the 101 Freeway, meant to evoke the Hollywood sign.

    It also includes The Dor Brothers, who created Snoop Dogg’s first AI-generated music video, and other directors with experience using AI tools for commercial work.

    Indeed, commercials, especially for smaller businesses, seem to be the logical market for Fiverr’s marketplace. Big brands, after all, can pick and choose who they work with on a project by project basis, and have no problem leveraging the human creativity of big agencies (many of which are also embracing AI tools).

    And while Fiverr is framing its marketplace as a disruption of the Hollywood studio system, it seems to be more disruptive to Madison Ave, which has never quite been able to crack advertising for small and mid-size businesses, given the obvious economic constraints.

    Car companies have massive marketing budgets. Car dealers do not.

    The AI directors will create brand films, social media content and even commercials that can run on TV or streaming platforms.

    “For decades, brand video has been at the mercy of the Hollywood production playbook: big crews, big agencies, big budgets, and months of lead time,” said Yahav in a statement. “That model is breaking. The directors in this hub are producing work that stands next to anything coming out of a traditional studio, and they’re doing it faster, leaner, and for a fraction of the cost. We put a 30-foot sign on a hillside in LA because this is where the entertainment industry has always announced what comes next. This is what comes next.”

    “A year ago, I was constrained by what was technically possible. Now I’m constrained only by what I can imagine, and that changes everything about how a brand can tell its story,” added Boman. “My name on that hillside next to one of the most famous landmarks in entertainment history says something about where this industry is heading. The old gatekeepers built incredible things. But the gates are open now, and the directors walking through them don’t need a studio lot or a seven-figure budget to deliver at that level.”

  • The US should end the war asap

    United States President Donald Trump’s instincts are correct. He wants to end the current engagement as soon as possible. He is using both a carrot and a stick to achieve that result. The carrot he offers is to spare Iran’s electricity grid and energy industry from further destruction. The stick, of course, is more bombing and possibly a ground invasion.

    He should lean more in the direction of the carrot.

    Destroying Iran’s energy infrastructure would result in an environmental disaster and make it an economic basket case for years to come. It would create a legion of refugees who would eventually make their way to Europe and possibly the US.

    These refugees, unlike those who left Iran after the Iranian revolution of 1979, would not be blaming the ayatollahs for taking away their freedoms. They would hate America for what it did to them and their homeland. They would be a destabilising force on the world stage. I guarantee this would come back to bite us here in the US.

    Obviously, coming up with an immediate negotiated peace would be preferable, but even if there were no agreement, it would be good for the US to simply leave. If we called a unilateral ceasefire and simply left the region, the Iranian regime would have a vested interest in opening the Strait of Hormuz because it would help its economy. This would immediately lower oil prices globally.

    And what if the Iranians continued terrorising cargo ships as they tried to move their product? Well, that would incite an immediate reaction from our allies, trade partners and competitors. It would not simply be our problem; it would be everybody’s problem. And my assumption is that the Iranian regime would back off pretty quickly in the face of a global reaction.

    Regime change will not happen during this current campaign. Regimes do not collapse when bombs are dropping. But that does not mean that the current efforts have not been successful in weakening the governing structure.

    As the Trump administration calls a halt to its ongoing campaign, it should also work to arm insurgent groups who have the will but not the weaponry to overthrow the Islamic republic. It is too much to ask our friends inside the country to keep bringing only knives to what clearly will be a series of gunfights.

    Of course, the number one reason to end this war now is domestic politics. The American people do not want it, and they certainly do not want the higher petrol prices that have accompanied it.

    Affordability is the buzzword among all the political pundits here in the US. But I do not think it is just expensive products that make voters grumpy. It is the anxiety that suffuses during any wartime engagement.

    Voters do not know how this is all going to play out. They already have plenty of other things that are making them worried about the future. Artificial intelligence is threatening their livelihoods. Data centres are sucking up water and electricity and increasing utility prices. Political conflict has led to staffing shortages at the Transportation Security Administration, making air travel more uncertain.

    Add war to the mix, with the threat of Iranian sleeper cells, and you have an American populace on edge. None of this is conducive to winning an election.

    Republicans still have a chance to keep control of Congress – both the House and the Senate – but that requires that the Trump administration immediately change the focus from international conflict to domestic concerns. The American people care more about what is happening around their neighbourhoods and the cost of food at their dining room tables than about foreign adventures.

    I still remember well when President George H W Bush had approval ratings of 91 percent shortly after the first Iraq War. But by the time he ran for re-election, voters cared less about the impressive celebratory military parade that he hosted in Washington, DC, in June 1991 and more about their own pocketbooks.

    Bush did not have much of a vision thing, while his opponent, Bill Clinton, a draft dodger and notorious womaniser, was focused on the economic issues like a laser beam. It was the economy, stupid, he told his campaign team.

    If Trump wants Congress to stay in Republican hands, he needs to remember that it is still the economy, stupid. Ending this war sooner rather than later makes it much easier to turn the focus back on the American people, right where they want it.

    The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

  • Jon Bernthal’s ‘Punisher’ TV Special Titled ‘One Last Kill” and Sets May Release Date, Same Day as ‘Daredevil: Born Again’ Season 2 Finale

    Jon Bernthal’s ‘Punisher’ TV Special Titled ‘One Last Kill” and Sets May Release Date, Same Day as ‘Daredevil: Born Again’ Season 2 Finale

    After returning in “Daredevil: Born Again” Season 1, Jon Bernthal is back for his Marvel Special Presentation, “Punisher: One Last Kill,” set to release May 12 — the same day as the “Daredevil: Born Again” Season 2 finale.

    Bernthal originally starred as Frank Castle in Season 2 of Netflix’s “Daredevil” series in 2016. He faced off against Charlie Cox’s blind vigilante, and later teamed up with him. Castle, a military veteran driven to vengeance after the massacre of his family, proved to be popular enough to headline his own “Punisher” spinoff show that ran for two seasons from 2017 until 2019.

    Netflix’s street level heroes, including Bernthal’s Punisher, Cox’s Daredevil and Krysten Ritter’s Jessica Jones, slowly made their way back into the MCU. After his Netflix show ended, Cox reprised his role as lawyer Matt Murdock in “Spider-Man: No Way Home,” then “She-Hulk: Attorney at Law” and “Echo.” In 2025, he starred in the revival series “Daredevil: Born Again” on Disney+, which was the first M-rated Marvel series. Bernthal also appeared on the show, reuniting with Cox and teaming up with him against corrupt New York City mayor Wilson Fisk (Vincent D’Onofrio), aka the Kingpin. After the success of “Daredevil: Born Again,” which is renewed through Season 3, it was revealed Bernthal would star in his own Punisher MCU special.

    But that’s not all for Bernthal’s character: He’ll also appear in “Spider-Man: Brand New Day” with Tom Holland. Fellow MCU characters like Mark Ruffalo’s Hulk and Michael Mando’s Scorpion from “Spider-Man: Homecoming” will also reappear in the movie.