Author: rb809rb

  • Darren Abbott Replaces John Matts as Hallmark Media President After Less Than a Year

    Darren Abbott Replaces John Matts as Hallmark Media President After Less Than a Year

    Somebody send this guy a congratulatory greeting card.

    Darren Abbott has been named president of Hallmark Media, replacing the company’s former president John Matts less than a year into Matts’ tenure at that level. Now Abbott will be responsible for “shaping, operationalizing, and driving the ever-evolving business into the future, while continuing to oversee the ways in which consumers interact with Hallmark’s widely beloved content, products, and experiences,” according to Hallmark.

    Abbott was already the company’s chief brand officer. He now adds ad sales, distribution, and research under his purview, which previously included oversight of programming, creative product development, marketing and PR, licensing and brand partnerships.

    In his prior role, Abbott launched a Christmas cruise, a Christmas activation near Hallmark headquarters and the new 90-minute live, traveling stage show featuring Hallmark Stars, aptly-titled Hallmark Stars Live. He also developed Hallmark+.

    “Darren is a deeply admired and respected leader with a proven track record of creating moments and opportunities that are uniquely and distinctly Hallmark. From fostering each brand touchpoint to elevating how we work with advertisers, distributors, and all external partners who help us deliver on our brand promise, Darren is uniquely suited to build a future where Hallmark continues to bring joy, positivity, and connection to fans and consumers everywhere,” said Hallmark president & CEO, Mike Perry, to whom Abbott will continue to report.

    Abbott has been with Hallmark for nearly 30 years, so maybe check the Anniversary section of the aisle as well.

    Matts had been Hallmark’s chief operating officer at the time of his promotion; he joined the company in 2022 as its chief financial officer.

  • Broadway Box Office: ‘Just In Time’ Hits $2 Million For Jonathan Groff’s Final Week

    Just In Time pulled in more than $2 million last week, its highest tally yet, as Jonathan Groff played his final performance in the musical on March 29. 

    The show, which chronicles the life of singer Bobby Darrin, has been trending up for the past several weeks, as fans flocked to the show ahead of Groff’s departure, but reached last week’s high as the average ticket price also jumped up to $362.22. Fans were also spotted camped out in front of the Circle in the Square theater in the nights leading up to the show, for a chance at rush tickets the next day. Ryan Reynolds and Blake Lively were reported attendees at the last show.

    Matthew Morrison takes over the role for a few weeks starting April 1, with Jeremy Jordan set to take over starting April 21. But it remains to be seen whether they’ll have the same box office draw as Groff. 

    Just In Time was the third-highest grossing show of the week, with Harry Potter and the Cursed Child as the highest grossing, bringing in $2.6 million, followed by Hamilton with $2.3 million. The Lion King was the next highest, with $1.9 million, with Wicked as the fifth highest, bringing in $1.8 million. 

    Five shows, The Rocky Horror Show, Titanique, Fallen Angels, Beaches, A New Musical and The Lost Boys, began previews last week amid the spring rush. Rocky Horror, starring Luke Evans, Stephanie Hsu, Rachel Dratch and more, and The Lost Boys, a musical adaptation of the vampire movie, both played to 100 percent capacity, with Rocky bringing in $460,121 across its first four previews and The Lost Boys bringing in $489,214 across its first two shows. Beaches had a somewhat less auspicious start, with capacity at 88 percent and grossing $217,743 across its first two previews. 

    Five more shows were in the midst of previews last week, including Cats: The Jellicle Ball, which brought in $901,045 in its first eight-show week and Dog Day Afternoon, starring Jon Bernthal and Ebon Moss-Bachrach, which had a strong showing of $1.3 million last week, across eight previews, ahead of its March 30 opening. The play received largely critical reviews Monday night, but the impact of those on the starry show remains to be seen.

  • NBCU Television Chairman Pearlena Igbokwe and Apple Services VP Oliver Schusser Join Variety’s Entertainment Marketing Summit

    NBCU Television Chairman Pearlena Igbokwe and Apple Services VP Oliver Schusser Join Variety’s Entertainment Marketing Summit

    Variety has announced additional speakers for the 2026 Entertainment Marketing Summit, presented by Deloitte, on April 22 in Los Angeles. Speakers will include NBCU Television Chairman Pearlena Igbokwe; Apple’s VP of Music, TV, Sports, Podcasts, and Beats, Oliver Schusser; supermodel and entrepreneur Ashley Graham and Netflix Games President Alain Tascan. 
     
    Igbokwe, Chairman, Television Studios, NBC Entertainment & Peacock Scripted, will participate in a keynote conversation with Cynthia Littleton, Co-Editor-in-Chief of Variety, speaking about the excitement for NBC as it celebrates its 100th year anniversary as a storied TV brand. 
     
    Schusser, VP Music, TV, Sports, Podcasts, and Beats at Apple, will speak to Variety reporter Steven Horowitz in a keynote conversation about Apple’s vision for connecting with audiences, hot off its wildly popular Bad Bunny Superbowl Halftime Show. 
     
    Graham will join Natasha Bolouki, Partner and Agent, UTA, to chat about “The Power of Partnership,” moderated by Jennifer Maas, Senior TV Business and Games Reporter, Variety
     
    Tascan joins Wenny Katzenstein, Managing Director, Technology, Media and Telecommunications, Deloitte Consulting LLP, U.S. in the fireside chat “Leveling Up Fandom: How Games Extend Entertainment IP,” moderated by Variety’s Maas. 
     
    In other newly added highlights, CAA Senior Leader Brent Weinstein will moderate the fireside chat “Mythical Momentum!,” a look into how Rhett & Link’s Mythical has driven consistent innovation and growth spanning three decades, featuring Dennis Ortiz, Principal, Deloitte Consulting LLP and Jacob Moncrief, COO, Mythical. 
     
    “The next chapter of entertainment marketing will likely be defined by how well brands turn audiences into participants,” said Stephanie Dolan, U.S. Entertainment Leader, Deloitte Consulting LLP. “The combination of storytelling, data, and real-time feedback is transforming fandom from something you observe into something you actively shape. As platforms expand and expectations evolve, marketers have an opportunity to build deeper, more personalized connections. With Deloitte’s 20th annual Digital Media Trends report launching this week, we’re excited to bring fresh insights to the event and collaborate with industry leaders to help shape the future of entertainment marketing.” 

    Additional speakers, with more soon to be announced, include the following: 

    • Blair Rich, Chief Marketing Officer, Legendary Entertainment 
    • Rebecca Kearey, EVP, Head of International Marketing, Distribution & Business Operations, Searchlight Pictures 
    • Brett Hyman, Founder and CEO, NVE Experience Agency 
    • Jill Steinhauser, Group SVP, Platform Monetization & Partnerships, Warner Bros. Discovery 
    • Gina Igwe, VP, Brand & Consumer Marketing, DoorDash 
    • Sharhzad Rafati, CEO, RHEI 
    • Ben Fielder, Head of Enterprise Sales, West Coast, SlackAdapt 
    • Christie Sclater, SVP, Global Marketing, Clinique Global 
    • Jason Eskin, SVP, Digital Marketing, The Walt Disney Studios 
    • Edvin Dapcevic, Global Head of Media & Entertainment, Discord 
    • Jay Tucker, Executive Director, Center for Media, Entertainment and Sports, UCLA Anderson School of Management 
    • Karen Barragan, CMO, Blumhouse 
    • Darren Schillace, President, Marketing, Fox Entertainment 
    • Tara Lipinski, Olympic Gold Medalist and Sports Analyst 
    • Shareef O’Neal, Influencer and Creative Director, Shaq Brand 
    • Leah Kateb, Chief Creative Officer & Re-Founder of Skylar 

    Speakers join previously announced programming including keynote conversations featuring Pam Abdy, Warner Bros. Motion Picture Group Co-Chair and CEO, and Tina Knowles, businesswoman, fashion designer, art collector, philanthropist and activist. 

    Deloitte is the presenting partner of the summit. Please see Deloitte’s website for a detailed description of its legal structure.  NBCUniversal is a Premier Partner of the event, with supporting partners Discord, StackAdapt, & Vizio. Get your ticket today at variety.com/entmar.

  • Meta will “substantially reduce” describing Instagram teen accounts as PG-13

    Meta has agreed to “substantially reduce” its use of the PG-13 ratings system in relation to its Teen Accounts on Instagram starting April 15.

    Last year, the Motion Picture Association objected to Meta directly referencing its movie content rating, which cautions parents against letting their pre-teens engage with certain media. In a cease-and-desist letter seen by The Wall Street Journal at the time, the MPA said that Meta claiming its teen accounts were comparable to PG-13 ratings was “literally false and highly misleading.”

    The MPA argued that its guidelines for the established movie-ratings system and Meta’s own explanation of the revamped accounts for minors did not align, and that drawing a link could have a detrimental effect on the MPA’s public image by association. It also said that Meta’s system seemingly relies heavily on AI to determine what younger users see on the social media platform.

    When introducing the changes in 2025, Meta said that the risk of seeing “suggestive content” or hearing certain language in a movie rated 13+ was a good way of framing something similar happening on an Instagram teen account. It added that it was doing all it could to keep such instances to a minimum.

    Meta has now updated that initial blog post about the changes after coming to an agreement with the MPA, adding a lengthy disclaimer that reads, in part, “there are lots of differences between social media and movies. We didn’t work with the MPA when updating our content settings, they’re not rating any content on Instagram, and they’re not endorsing or approving our content settings in any way.”

    Meta goes on to explain that it drew “inspiration” from the MPA guidance given its familiarity with parents, as well as feedback it had received from parents, and will continue to do so. The difference is that it won’t make the connection so explicitly in its communications going forward.

    “Today’s agreement clearly distinguishes the MPA’s film ratings from Instagram’s Teen Account content moderation tools,” said Charles Rivkin, Chairman and CEO of the MPA. “While we welcome efforts to protect kids from content that may not be appropriate for them, this agreement helps ensure that parents do not conflate the two systems – which operate in very different contexts. The MPA is proud of the trust we have built with parents for nearly sixty years with our film rating system, and we will continue to do everything we can to protect that trust.”

  • NAPTE, Realscreen Summit to Shut Down Amid Industry Consolidation

    NAPTE, Realscreen Summit to Shut Down Amid Industry Consolidation

    Brunico Communications has shut down its U.S. television events business, including NAPTE and its Kidscreen and Realscreen Summits.

    “This decision was deeply considered and stemmed from the market consolidation that continues to progress and have structural impacts on the content production business,” Russell Goldstein, president and CEO of Toronto-based Brunico, said in a statement on Tuesday. The move follows NATPE, a onetime storied trade show, and the Realscreen TV conferences and markets being combined in one Miami event in Feb. 2026 for one last time.

    Kidscreen and Realscreen will continue as kids and unscripted content publications, respectively. With the closure of the U.S. events, Claire Macdonald, NATPE’s executive director, and Jocelyn Christie, Kidscreen’s publisher, will leave Brunico.

    Napte in Miami returned in 2024 after the assets of The National Association of Television Program Executives were acquired by Brunico, which also operates the Banff World Media Festival. The acquisition followed NAPTE filing for bankruptcy protection in Oct. 2022 after running into a financial wall due to the forced cancellations of the 2021 and 2022 U.S. TV markets amid the pandemic. 

    NAPTE Global, the flagship U.S. TV market, returning in 2024 also coincided with the TV industry being upended by the 2023 dual Hollywood strikes, emerging streaming platforms and accelerating cord-cutting.

    That disruption unleashed another round of industry consolidation as major studios balanced expensive streaming platforms with offsetting linear TV losses. Before picking up the operating rights to the Banff World Media Festival in 2016, Brunico ran the Realscreen Summit and Kidscreen Summit conferences as it operated markets and conferences in the U.S. and elsewhere internationally.

  • New US Rule Seeks to Open $8T Retirement Market to Crypto

    New US Rule Seeks to Open $8T Retirement Market to Crypto

    In brief

    • The proposal implements President Trump’s order last year to expand 401(k) access to alternative assets.
    • Few retirement plans offer alternatives, and even fewer hold them, the Labor Department said.
    • The rule clears a legal path but leaves operational hurdles and unresolved questions about demand, Decrypt was told.

    The U.S. Department of Labor has released a proposed rule that would give 401(k) fiduciaries a safe harbor when considering alternative investments, including funds that invest in cryptocurrencies and other digital assets.

    Under the proposal, fiduciaries that undergo review for performance, fees, liquidity, valuation, benchmarking, and complexity would get a safe harbor if they follow that process. It was released for public inspection through the Federal Register on Monday and is scheduled for formal publication by Tuesday.

    The proposed rule carries out a directive from President Donald Trump in August last year to expand access to alternative assets in 401(k) plans, including investment vehicles with exposure to crypto.

    Americans held roughly $10.1 trillion in 401(k) plans as of the end of 2025, part of a broader $14.2 trillion defined contribution market, according to data from the Investment Company Institute.

    Drawing on older data, the Labor Department pegs the participant-directed market at $8.8 trillion across roughly 721,000 plans.

    Only 4% of defined contribution plans offered alternative investments last year, with just 0.1% of assets allocated to them, per data cited in the proposal.

    Safe harbor, hard choices

    The proposal follows the Labor Department’s decision last May to rescind Biden-era guidance that had urged fiduciaries to exercise “extreme care” before adding crypto to 401(k) menus, a standard the agency said went beyond what the federal law governing retirement plans requires.

    “Retirement funds are the holy grail for bitcoin enthusiasts looking for new investors: oceans of cash, tax-advantaged,” Andrew M. Bailey, Senior Fellow at the Bitcoin Policy Institute, told Decrypt.

    But retirement plans carry a built-in tension, Bailey noted.

    “Their horizons—decades, not months or years, make them well-suited for long-term investment in new technologies,” he said. “Their approach to risk and tight regulations pulls them in the opposite direction.”

    While risk aversion could “steer retirees away,” rule changes “that empower savers to make their own choices” would be welcome, he said.

    Once the rules are settled, the harder question is whether savers will actually bite, Bailey opined.

    “A secondary effect to watch is equity-based investment vehicles for bitcoin, like Strategy’s preferred stock offerings,” Bailey said. Whether direct 401(k) exposure would cannibalize demand for such products or prove complementary remains an open question, he noted.

    The proposal places digital assets “on the same playing field” as other alternative investments, Joshua Chu, lawyer, lecturer, and co-chair of the Hong Kong Web3 Association, told Decrypt.

    “If a fiduciary can document a robust process on fees, liquidity, valuation and complexity, they now have a clear safe harbor roadmap instead of a regulatory minefield,” he said.

    With it, retirement savers can get “a taste of alternative-asset alpha without the plan sponsor hiding under the desk every time Bitcoin sneezes,” he added.

    Still, fiduciaries would need to build “daily pricing, liquidity, and risk controls” for crypto inside 401(k) wrappers before any of it reaches a retiree’s account, he added.

    The proposal could put U.S. retirees ahead of most Asian savers in accessing regulated crypto exposure, Chu noted, citing how Hong Kong’s pension system and China’s trading ban still keep digital assets out of retirement accounts.

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  • Bitcoin Holds $66K as Trump Prioritizes Iran War Exit Over Reopening Hormuz

    Bitcoin Holds $66K as Trump Prioritizes Iran War Exit Over Reopening Hormuz

    In brief

    • Bitcoin is hovering near $66,000 after Trump reportedly signaled his willingness to end the Iran campaign even with the Strait of Hormuz closed.
    • The CME’s FedWatch tool puts a 97.4% chance on the Fed keeping rates unchanged on April 29, as oil is up 48% since the start of the conflict.
    • A rapid de-escalation could unlock a “strong risk-on rally” above $90,000, Decrypt was told.

    Bitcoin is holding around $66,000, as U.S. President Donald Trump reportedly pivoted towards prioritizing an exit from the Iran war.

    According to administration officials cited by The Wall Street Journal, Trump is willing to end the U.S. military campaign against Iran even if the Strait of Hormuz remains largely closed. Per the WSJ, Trump has decided the U.S. should achieve its main goals of hobbling Iran’s navy and missile stocks, winding down hostilities while applying diplomatic pressure on Tehran to resume free trade. If that fails, Washington would press European and Gulf allies to take the lead on reopening the chokepoint.

    At a White House press briefing Monday, Press Secretary Karoline Leavitt told reporters that ensuring safe passage for oil tankers through the strait is not one of the “core objectives” of the campaign.

    In a Truth Social post Monday, Trump reiterated threats to target Iran’s energy infrastructure “and possibly all desalinization plants” if the strait is not “Open for Business” following “serious discussions” with the Iranian regime.

    Trump’s pivot reflects his broader strategic approach rather than a change of intent, Erik Amirbai Lang, co-founder of movement-driven cryptocurrency project N4T, told Decrypt.

    From the outset, his actions signaled pressure and deterrence rather than commitment to a prolonged conflict, given his reluctance to accept U.S. casualties and preference for deal-making over military escalation, Lang argued. Economic costs, risks to global markets, and lack of domestic backing constrained deeper involvement, with initial actions aimed at demonstrating strength to reduce the need for further escalation, he added.

    The S&P 500 and the broader financial markets noted immediate gains following this development, but have since slid lower. Bitcoin remains fairly steady, closely hugging $66,000, the lower limit of its near-two-month consolidation phase.

    It is currently priced at around $66,600, down 1.6% over the past 24 hours, and roughly 7% over the past week, according to data from price aggregator CoinGecko. On prediction market Myriad, owned by Decrypt‘s parent company Dastan, users remain pessimistic on Bitcoin’s prospects, putting a 61% chance on its next move taking it to $55,000 rather than $84,000.

    Despite the potential easing around the geopolitical front, oil is up 48% since the war began, raising high inflation concerns. Markets have assigned a 97.4% probability that the Federal Reserve will keep the rates unchanged at the next meeting on April 29, according to data from the CME FedWatch tool.

    If a rapid de-escalation of the Middle East conflict comes to fruition, it “could unlock a strong risk-on rally,” Lacie Zhang, research analyst at Bitget Wallet, told Decrypt. In such a case, Bitcoin could move above $90,000, with Ethereum following, retesting the $2,700 to $2,800 range, she said.

    Even with an end to the Middle East conflict, Bitcoin is unlikely to embark on a bull run without “sustained institutional flows and regulatory clarity,” Zhang added.

    Interestingly, Myriad users remain cautious on the geopolitical picture, assigning just a 3% chance of a ceasefire between the U.S. and Iran before April.

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  • NATPE, Realscreen Summit Won’t Continue As Owner Brunico Downsizes Its U.S. Conference Business

    NATPE, Realscreen Summit Won’t Continue As Owner Brunico Downsizes Its U.S. Conference Business

    NATPE, the industry convention that for decades brought TV executives together (and at one point was the largest syndication sales marketplace in the nation), is folding. Canada-based publishers Brunico Communications, which acquired the NATPE assets in 2023, announced Tuesday that it would no longer continue with its U.S. events effective next year, including NATPE Global, Realscreen Summit and Kidscreen Summit.

    As part of the shutdown, NATPE executive director Claire Macdonald and Kidscreen publisher Jocelyn Christie are exiting Brunico.

    Brunico blamed “this period of market change” for what it called a “difficult, but necessary decision” to end the U.S. events. The company will continue to operate the Banff World Media Festival (which takes place June 14 to 17 this year) and continue to publish Realscreen, Kidscreen, Playback and Strategy.

    “This decision was deeply considered and stemmed from the market consolidation that continues to progress and have structural impacts on the content production business,” Brunico Communications president/CEO Russell Goldstein said in a statement. The company’s Kidscreen Awards and Realscreen Awards will also continue.

    As for the exits of Macdonald and Christie, Goldstein added, “Their passion for the communities we serve has always been evident – from the calibre of the brands’ portfolio to the level of industry respect – and we thank them for their significant contributions.”

    Brunico acquired NATPE in 2023 after the event — which launched in 1963 as the National Association of Television Programming Executives — declared bankruptcy. Among the assets Brunico purchased were NATPE Global, NATPE Budapest, NATPE Streaming+ and the Brandon Tartikoff Legacy Awards. Because of the bankruptcy, NATPE — which already had been struggling to continue during the COVID pandemic — scrapped its 2023 event. In 2024, the show returned and in 2025 and 2026 was paired with Brunico’s longrunning Realscreen Summit in Miami.

    NATPE’s peak was perhaps in the 1990s and early 2000s, when hundreds of syndication distributors would promote their wares on the massive NATPE convention floor — which major companies like Warner Bros., Universal, Paramount, King World, Sony and others erecting tremendous booths boasting A-list talent and gourmet catering. At night, distribbers like King World would hire talent like Elton John to wow the audience of station managers. But TV consolidation and the shrinking of the syndication business changed all that, and NATPE struggled to remain relevant into the 2010s, aiming its focus around to international and then the creator economy, but never quite finding its place in the new media order.

    Perhaps more surprising, given Brunico’s longer tenure with its Realscreen and Kidscreen Summits (which are paired with its continuing trade publications), is the decision to end those events as well. The two events “have served as the heartbeat of the international unscripted and kids content communities for the past 30 years and have proudly been a seminal catalyst of opportunity for an entire generation of media executives and their companies,” Brunico said.

  • Satoshi Nakamoto’s Comments from Years Ago on the Quantum Threat to Bitcoin Have Come to Light

    Satoshi Nakamoto’s Comments from Years Ago on the Quantum Threat to Bitcoin Have Come to Light

    A rare statement by Satoshi Nakamoto, the anonymous founder of Bitcoin (BTC), regarding the potential impact of quantum computers on Bitcoin, has resurfaced.

    In a 2010 discussion on the BitcoinTalk forum, a participant with the username “llama” asked whether Bitcoin would become worthless if digital signatures were broken due to quantum computers.

    In his response to this question, Satoshi Nakamoto acknowledged that such a risk, if it were to occur suddenly, could lead to serious problems. However, he stated that the system could adapt if the process progressed gradually. According to Nakamoto, the Bitcoin network can maintain its security by transitioning to new and stronger cryptographic algorithms.

    Related News IMF Issued a Warning on the Economic Impacts of an Iran-U.S. War: “An Asymmetric Shock Is Unfolding”

    Satoshi stated that if users run the updated software, their assets will be automatically resigned with a stronger signature algorithm. He explained that this process would technically be a self-administered operation for the users themselves, meaning the funds would be resent with the new secure signature.

    In a statement released by Google today, it was claimed that the encryption method used by cryptocurrencies can be broken with fewer resources than previously thought.

    *This is not investment advice.

  • ‘The Pitt’ Heads to Movie Theaters With Alamo Drafthouse Screenings of Season 2 Finale

    ‘The Pitt’ Heads to Movie Theaters With Alamo Drafthouse Screenings of Season 2 Finale

    The Pitt” is headed to the movies.

    HBO Max and Warner Bros. Television have partnered with Alamo Drafthouse to set a series of advance screenings of the Season 2 finale of “The Pitt.” The screenings will take place on April 13 at 10 Alamo Drafthouse locations nationwide, just days before the episode hits HBO Max on April 16.

    The screenings are billed as healthcare appreciation events, with current and former healthcare workers encouraged to attend, though tickets are available to all. While admission itself is free, seats can be reserved on the Alamo Drafthouse website with the purchase of a $10 food and drink voucher.

    Participating Alamo Drafthouse theaters include New York City’s Brooklyn location; the Seaport location in Boston; Raleigh, N.C.; Naples, Fla.; the Cedars location in Dallas; the Mueller location in Austin; the Westminster location in Denver; the Mountain View location in San Francisco, the Woodbury location in Twin Cities, Minn.; and the downtown location in Los Angeles.

    “The Pitt” follows a group of doctors, nurses and other healthcare professionals at the Pittsburgh Trauma Medical Center over the course of one shift. Season 1 was set on the day of a mass shooting at a music festival; Season 2 is set over Independence Day Weekend. The cast is led by Noah Wyle alongside Patrick Ball, Katherine LaNasa, Supriya Ganesh, Fiona Dourif, Taylor Dearden, Isa Briones, Gerran Howell, Shabana Azeez and Sepideh Moafi.

    R. Scott Gemmill created the series and serves as exeutive producer alonside Wyle; John Wells and Erin Jontow via John Wells Productions; Joe Sachs; Simran Baidwan and Michael Hissrich. Warner Bros. Television is the studio.