Author: rb809rb

  • Tiger Woods pleads not guilty to DUI in car crash where opioids found

    Tiger Woods pleads not guilty to DUI in car crash where opioids found

    Plea comes hours after sheriff’s report said the golfer showed signs of impairment at the scene of last week’s crash.

    Golfer Tiger Woods pleaded not guilty in his driving under the influence case in Florida on Tuesday, hours after a sheriff’s report said he had pain pills and showed signs of impairment at the scene of the crash last week.

    The online court docket for Martin County, Florida, showed that Woods entered a written plea of not guilty and planned to waive his appearance during an arraignment hearing next month.

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    Woods’s eyes were bloodshot and glassy, his pupils were dilated, and he had opioid pills in his pocket when interviewed at the scene of the crash, according to the arrest report released by the Martin County Sheriff’s Office.

    The golfer’s movements were slow and lethargic, and he was sweating as he talked to deputies and told them he had taken prescription medication earlier in the morning, according to the report. Woods told deputies he had been looking at his phone and fiddling with the radio before he clipped a truck in front of him, the report said.

    Deputies found two white pills, which were identified as the opioid hydrocodone, used to treat pain, in his pocket, the report said.

    When asked by a deputy if he took any prescription medications, Woods said, “I take a few.”

    Woods’s agent at Excel Sports, Mark Steinberg, has not responded to multiple messages seeking comment.

    The golfer was travelling at high speeds on a beachside, residential road on Jupiter Island when his Land Rover clipped the truck and rolled onto its side, according to the sheriff’s office, which noted that Woods had shown signs of impairment.

    The truck had $5,000 in damage, according to the report.

    The truck driver and another person helped Woods out of his vehicle, with the golfer needing to climb out from the passenger side. Neither Woods nor the truck driver was injured.

    During a field sobriety test, deputies noticed Woods limping and that he had a compression sock over his right knee. The golfer explained he had undergone seven back surgeries and more than 20 leg operations, and that his ankle seizes up while walking. Woods, who was hiccupping during the questioning, continuously moved his head during one of the sobriety tests, and deputies had to instruct him several times to keep his head straight, the report said.

    “Based on my observations of Woods, how he performed the exercises and based on my training, knowledge, and experience, I believed that Woods’ normal faculties were impaired, and he was unable to safely operate the motor vehicle,” the deputy wrote after the tests.

    Woods, 50, is the most influential figure in golf and has become as recognisable as any athlete in the world. The first person of Black heritage to win the Masters in 1997, he has captivated golf fans with records likely never to be broken.

    But his injuries kept him from accomplishing more, including those suffered in a 2021 car crash that damaged his right leg so badly he said doctors considered amputation.

    At this latest crash, Woods agreed to a breathalyser test, which showed no signs of alcohol, but he refused a urine test, authorities said. He was arrested and released on bail eight hours later.

    No one from Woods’s camp or the PGA Tour – he is on the board and is the chairman of the committee reshaping the competition model – has commented since his arrest.

    Woods, who has been involved in many crashes over the years, is charged with driving under the influence, with property damage and refusal to submit to a lawful test. He is scheduled for arraignment on April 23. Online court records do not list a lawyer for him.

    Under a change to Florida law last year, refusing a law enforcement officer’s request to take a breath, blood or urine test has become a misdemeanour, even for a first offence.

  • Turkey’s Cryptocurrency Tax Regulation Passed the Committee with a Minor Amendment – Here’s the Latest Update

    Turkey’s Cryptocurrency Tax Regulation Passed the Committee with a Minor Amendment – Here’s the Latest Update

    The tax regulation for the cryptocurrency market in Turkey has passed through the commission and is preparing to be voted on in the General Assembly of Parliament. The new regulation includes significant changes in terms of both transaction tax and the taxation of earnings.

    According to the proposal, a transaction tax of three per ten thousand (0.03%) will be levied only on sales and transfer transactions carried out or brokered by crypto asset service providers. While the authority to determine this tax rate is given to the President, the procedures and principles regarding its implementation will be determined by the Ministry of Treasury and Finance.

    One of the most notable aspects of the regulation is the taxation of gains from crypto assets. Accordingly, income from the disposal of crypto assets will be classified as “capital gains.”

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    Article 5 of the proposal stipulates a 10% withholding tax on gains and income derived from crypto assets. For investors trading on domestic platforms under the supervision of the Capital Markets Board ($SPK), this withholding tax will be considered the “final tax,” and there will be no obligation to file a tax return. Thus, the taxation process will be automatically handled through the platforms.

    In contrast, a different approach will apply to investors trading on foreign or global cryptocurrency platforms that are outside the scope of the Capital Markets Board ($SPK) oversight. These investors will be required to declare their earnings themselves through their annual income tax returns. It is stated that the tax rate could reach up to 40% for earnings exceeding 5 million TL.

    *This is not investment advice.

  • Bitcoin Report from Japanese Research Company: “Big Whales Are Selling, Institutions Are Buying” – What Does It Mean?

    Bitcoin Report from Japanese Research Company: “Big Whales Are Selling, Institutions Are Buying” – What Does It Mean?

    XWIN Research Japan, a Japan-based research firm, pointed to a notable supply structure in the Bitcoin ($BTC) market, indicating a clear divergence between large investors and institutional buyers.

    According to the company, while the Bitcoin price appears stuck around the $70,000 level, a weak market structure is evident on the surface. In particular, the Exchange Whale Ratio metric, prominent in on-chain data, reveals increased activity by large investors in exchanges and strengthening short-term selling pressure. This aligns with a picture where the market is struggling to produce an upward breakout.

    However, more in-depth analyses indicate a significant shift in market dynamics. It is reported that approximately 62,000 $BTC were purchased by publicly traded companies in the first quarter of 2026, with these purchases largely corroborated by official financial statements and regulatory filings. In particular, MicroStrategy’s continued accumulation of Bitcoin through capital increases and debt financing is creating a sustained source of demand in the market.

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    The report notes that these institutional actors, unlike traditional long-term investors, actively utilize capital markets. It adds that these purchases, made through debt and equity issuance, create a demand flow independent of price movements, absorbing supply even in weak market conditions.

    On the other hand, a mixed picture prevails in spot Bitcoin ETFs. While inflows are seen in the products of some large companies like BlackRock, the ongoing outflows from Grayscale are said to indicate a rotation among funds rather than new money entering the market. Therefore, it is stated that total ETF assets will be flat or slightly declining in the first quarter of 2026.

    When all this data is considered together, it appears that the Bitcoin market has become fragmented. Large investors are driving short-term volatility with sales, while institutional companies are steadily accumulating in the background. ETF investors are not showing a clear direction, while individual investors are generally on the selling side.

    XWIN Research Japan argues that Bitcoin is not simply in a “weak” market, but rather undergoing a transitional period where who controls the supply is changing.

    *This is not investment advice.

  • FBI agents who investigated Trump file lawsuit alleging retaliatory firing

    FBI agents who investigated Trump file lawsuit alleging retaliatory firing

    Former agents say that they were fired for work on probe into Trump’s efforts to stay in power after 2020 election loss.

    Three former agents with the Federal Bureau of Investigation (FBI) have filed a class-action lawsuit alleging that they were wrongfully fired in retaliation for their work in the United States.

    The lawsuit, filed on Tuesday, marks the latest legal challenge against efforts under President Donald Trump to purge staff at the federal law enforcement agency.

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    The three agents involved — Michelle Ball, Jamie Garman and Blaire Toleman — argue that their employment was terminated as a result of their work on an investigation into Trump’s efforts to stay in power after losing the 2020 election.

    Career agents at the FBI are nonpartisan employees. The three plaintiffs argued that agents should not be required to show “fealty to any political party, movement, or figure”.

    “Serving the American people as FBI agents was the highest honor of our lives,” the agents said in a statement.

    “We took an oath to uphold the Constitution, followed the facts wherever they led and never compromised our integrity. Our removal from federal service — without due process and based on a false perception of political bias — is a profound injustice that raises serious concerns about political interference in federal law enforcement.”

    Each of the former agents had between eight and 14 years of experience at the FBI.

    In their 48-page complaint, they explain they were abruptly fired in October and November in what they describe as a “retribution campaign” under the Trump administration.

    The lawsuit explains they received termination letters, signed by FBI Director Kash Patel, that “baselessly accused them of ‘weaponizing’ their positions within the government”.

    The three agents had been assigned to offer FBI support to an investigation led by special counsel Jack Smith, an independent prosecutor assigned to probe Trump’s actions.

    As a result of that investigation, Trump was indicted in 2023 on charges he had taken part in an illegal effort to overturn his loss in the 2020 election.

    Smith eventually dropped that case, along with another focused on Trump’s retention of classified documents, after the Republican leader was re-elected for a second term in 2024. The Department of Justice has an internal policy prohibiting the prosecution of sitting presidents.

    Smith also resigned his position before Trump took office in January 2025.

    But since returning to the White House, Trump has faced criticism for allegedly seeking retribution against employees involved in policies he disagrees with.

    “President Trump made clear that upon his return to office, he expected top officials in federal law enforcement to carry out his retribution,” Tuesday’s lawsuit asserts.

    Nonpartisan members of both the FBI and Department of Justice who were involved in Smith’s work have seen their jobs cut in the aftermath of Trump’s inauguration.

    But Tuesday’s class-action lawsuit (PDF) could pave the way for more agents fired for perceived disloyalty to return to their jobs.

    By accusing the agents of “weaponising” the FBI, the lawsuit argues that the Trump administration not only damaged their individual reputations but those of all law enforcement officers in similar situations.

    “This false and defamatory public smear impugned the professional reputation of Plaintiffs and the proposed class members, suggesting they were something other than faithful and apolitical law enforcement officials,” the lawsuit argues.

    A group of 12 former FBI workers also sued the agency in December, alleging that they were wrongfully terminated for taking a knee during a Black Lives Matter protest in 2020.

  • The Backrooms trailer combines creepypasta dread and A24 prestige horror

    Against all odds, A24’s adaptation of The Backrooms actually looks like a proper elevated horror movie. Hell, it’s even got Oscar winner Chiwetel Ejiofor (12 Years a Slave, Serenity) and Cannes favorite Renate Reinsve (Sentimental Value) onboard. Judging from the film’s fist trailer, which combines The Backrooms creepypasta-born dread around liminal spaces, and A24’s slick horror aesthetic, you couldn’t tell that its director can’t even legally drink in the US yet. Yes folks, Kane Parsons is just 20.

    Parsons, AKA Kane Pixels, made a splash four years ago with his original Backrooms shorts, the first of which has amassed over 73 million views on YouTube. Those were relatively simple episodes created in Blender, but they did an admirable job of feeling genuinely creepy. Parsons has also dabbled in live action horror shorts with his series The Oldest Room.

    While Parsons certainly has a ton of internet clout behind him, he also has a strong eye for slow-burn horror. This trailer alone is making me feel uneasy about heading into my dimly lit basement office. He also won’t be the first internet creator to reach cinemas this year. Markiplier’s adaptation of the indie game Iron Lung was particularly notable, since he funded both the production and theatrical distribution on his own.

    The Backrooms joins Genki Kawamura’s adaptation of the game Exit 8 as another new horror film about spooky liminal spaces. It’ll be interesting to see how the two compare. The former started as 4chan stories and images around eerily empty buildings, while the latter was a game where you slowly walked through a repetitive Tokyo subway. There’s more room for Parsons to turn The Backrooms into a narrative of his own, whereas Exit 8 is somewhat restricted by the original game.

  • Trump’s $200B Iran war ask raises risk-off pressure on crypto markets

    Trump’s $200B Iran war ask raises risk-off pressure on crypto markets

    Trump’s push for an extra $200 billion Iran war budget on top of record defense spending is forcing crypto markets to reprice geopolitical risk, debt, and the dollar in real time.

    Trump’s reported push to have Arab states help bankroll a potential Iran war, alongside a fresh ~$200B Pentagon funding request, underscores the spiraling fiscal and geopolitical stakes that crypto markets must now price in. In an X post on Tuesday, Coin Bureau told followers: “$TRUMP EYES ARAB STATES TO HELP FUND IRAN WAR AS COSTS SURGE,” noting the ask comes “on top of an already record $900B annual military budget” and amid reports that Iran is demanding “full war reparations and compensation as part of any deal.”

    🚨LATEST: $TRUMP EYES ARAB STATES TO HELP FUND IRAN WAR AS COSTS SURGE

    This comes as the Pentagon prepares a ~$200B additional funding request, on top of an already record $900B annual military budget.

    At the same time, Iran is reportedly demanding full war reparations and… pic.twitter.com/doBoKn8UHE

    — Coin Bureau (@coinbureau) March 31, 2026

    Commenters quickly seized on the contradiction; user @lynkrcrypto wrote that with a record $900B budget and another $200B on top, “sounds like someone’s running out of cash,” while @TKT_tobe called a military budget exceeding $1T “a risky financial game.”

    According to AP, the Pentagon has formally requested about $200B in extra Iran war funding from the White House, a sum described by one senior official as “extraordinarily high” given prior supplemental packages. In comments to ABC News, Defense Secretary Pete Hegseth said the department is going “back to Congress” for additional money, adding bluntly: “It takes money to kill bad guys.” Reporting in the Washington Post and TRT World suggests the funds would replenish precision munitions and expand production lines, potentially leaving U.S. deficits wider for longer if Congress ultimately signs off. Outgoing Defense Secretary Lloyd Austin had already told the Office of Management and Budget in late 2024 that defense spending was on track to push “past $1 trillion in the years to come,” according to a letter seen by Bloomberg.

    For crypto, the immediate channel is macro. A U.S. war budget nudging toward or above $1T, with a new $200B supplemental layered over an existing ~$900B baseline, raises questions about debt sustainability, inflation risk and the long-run path of the dollar. Historically, episodes of geopolitical stress and aggressive fiscal expansion have produced periods of risk-off in equities and high-beta coins, even as some investors rotate into perceived hedges like bitcoin and gold; prior shocks have seen crypto sell off sharply before recovering as macro narratives reset. If markets conclude that Washington is “running out of cash,” as @lynkrcrypto put it, and that Arab partners are reluctant to absorb the tab, the squeeze on U.S. finances could strengthen the case for scarce, non-sovereign assets over time, even as short-term volatility spikes across digital assets.

  • What is the Future of Solana (SOL)? What Level Needs to Be Breached for a Rally?

    What is the Future of Solana (SOL)? What Level Needs to Be Breached for a Rally?

    In its latest assessment of Solana’s technical outlook, cryptocurrency analytics company MakroVision stated that the price is attempting to hold onto a key support zone, but the pressure has not yet fully subsided in the short term.

    According to MacroVision, Solana is trading within a narrow price range while attempting to find equilibrium above a critical support area. The analysis notes that the price remains below prominent downtrend lines, indicating that the short-term technical outlook has not yet clearly turned positive.

    According to the company, the first significant resistance level in upward movements is $85. This level is considered critical because it represents both a horizontal resistance zone and an area where the current downtrend continues to exert pressure. The $98 level is considered the last low point, and analysts believe that breaking above this level could significantly improve the technical outlook. On a broader scale, a move above $117 would strengthen the structure of the Solana recovery and add more quality to the uptrend.

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    On the downside, the $75.5 to $78 range is currently identified as the most critical support zone. MacroVision notes that Solana has given the first signs of stability in this region, while warning that a downward break of this support could clearly strengthen the downward trend in the short term.

    In its analysis of the chart structure, it was noted that Solana is moving within a narrow band just above support and has begun to form a small-scale upward pattern. However, it was also noted that the short-term outlook has not completely reversed as the price is still below the descending trend lines. MacroVision stated that a breakout from the current consolidation could determine the direction of the next strong price movement in Solana.

    Solana technical analysis chart shared by MakroVision.

    *This is not investment advice.

  • ‘Scream 8’ in the Works With ‘Poker Face’ Writers Lilla and Nora Zuckerman

    ‘Scream 8’ in the Works With ‘Poker Face’ Writers Lilla and Nora Zuckerman

    Spyglass’ Scream 8 is moving forward. So, get ready for another Ghostface — or more.

    Lilla and Nora Zuckerman, better known as the Zuckerman sisters, are set as writers for the eighth installment of the long-standing slasher franchise, created by Kevin Williamson, The Hollywood Reporter has confirmed.

    The Zuckerman sisters have served as showrunners for the Peacock series Poker Face, starring Natasha Lyonne. They have also worked as writers and co-executive producers on such shows as Agents of S.H.I.E.L.D., Suits, Fringe and Prodigal Son.

    The news comes after Scream 7, released Feb. 27, became the highest-grossing film in the franchise, earning more than $200 million worldwide.

    Scream 7 welcomed back Williamson, who stepped into the director’s chair. The film also saw the return of its final girl, Neve Campbell (who didn’t appear in Scream VI due to salary disputes) and saw Ghostface targeting Sidney and her teenage daughter, Tatum (Isabel May). The screenplay was co-written by Williamson and Guy Busick (Ready or Not films, Abigail).

    Shortly after the film premiered, Anna Camp, who appeared in Scream 7, told THR she heard chatter about another installment. “Just rumors, just rumors. I haven’t heard from anyone specifically that I worked with, like Kevin or Neve but I’ve heard the rumors going around that there’s a Scream 8,” she said.

    Additional cast members included Courteney Cox, Matthew Lillard, Mason Gooding, Jasmin Savoy Brown, Joel McHale, Mckenna Grace, Isabel May, Michelle Randolph, Ethan Embry, Mark Consuelos, Jimmy Tatro, Celeste O’Connor, Asa Germann and Sam Rechner.

    Lilla and Nora Zuckerman are repped by UTA and Lichter, Grossman, Nichols, Feldman, Rogal, Shikora & Clark.

    Deadline was first to report the news.

    More to come.

  • ‘Love Story’ to ‘All’s Fair’: The Status of the Ryan Murphy-Verse on TV and Streaming

    Love Story: John F. Kennedy Jr. and Carolyn Bessette was an out-of-the-gate success for FX and executive producer Ryan Murphy. The show, which concluded on March 26, racked up strong streaming numbers and passionate (if sometimes polarized) reaction from viewers.

    In other words, it was quintessential Murphy: Over the course of his career, which includes more than two dozen series, he has delivered a host of hits that tend to play in a high emotional register and attract audiences and conversation.

    Murphy is also one of the more prolific executive producers in the business, with projects at ABC, FX and Netflix (where he had an overall deal for several years before returning to Disney’s 20th TV in 2023). Here’s where the productions from his eponymous company currently stand.

    Just Finished

    Love Story: The FX series is the latest in Murphy’s American Story franchise (though it dropped the “American” from its title. Created by Connor Hines and executive produced by Murphy, the show deftly re-created the 1990s New York that Kennedy and Bessette inhabited (though some members of the Kennedy family and people who knew the couple had issues with the dramatic license the show took).

    Given its success for FX, it seems likely that the Disney outlet would want a second season, though there’s no deal in place yet. Nor, seemingly, have Murphy and Co. settled on a subject. Executive producer Nina Jacobson responded “You and me both” to a THR writer’s interest in finding out who a possible second season would feature.

    Ongoing

    911 and 911: Nashville: The ABC series about L.A. first responders has put its characters and home city through the wringer over nine seasons (the first six of those on Fox), with disasters ranging from a tsunami to a bee swarm to a geostorm that Athena (Angela Bassett) and Hen (Aisha Hinds) battle from space. The Nashville-set spinoff debuted last fall and has put tornados and cyberattacks in front of its cast, along with more everyday emergencies. Both shows have been renewed for the 2026-27 season.

    Coming Soon

    American Horror Story 13: Murphy teased a new season of the long-running anthology on Halloween last year, promising a new season in time for this Halloween (FX hasn’t announced a premiere date yet). Ariana Grande is joining frequent AHS players Sarah Paulson, Evan Peters, Bassett, Kathy Bates, Emma Roberts, Billie Lourd, Gabourey Sidibe, Leslie Grossman and Jessica Lange; no other details are available yet. (Companion show American Horror Stories is currently in limbo.)

    Monster: The Lizzie Borden Story: The fourth season of Murphy and Ian Brennan’s Netflix anthology will focus on the infamous Lizzie Borden murder case, with Ella Beatty in the title role. Charlie Hunnam, Vicky Krieps, Rebecca Hall, Lourd and Jessica Barden also star. The streamer hasn’t announced a premiere date yet, but the season went into production last fall, suggesting it could be debuting later in the year.

    TBD

    All’s Fair season two: Critics pilloried the legal drama starring Kim Kardashian, Naomi Watts, Niecy Nash-Betts, Paulson and Glenn Close. But the show performed solidly for Hulu and earned a second season pickup in November 2025. There’s no word yet on when the series will return.

    The Shards: Murphy rescued a show based on Bret Easton Ellis’ novel from turnaround at HBO, and FX picked it up in the summer of 2025. The 1980s-set novel is partly based on Ellis’ life, and the series stars Kaia Gerber, Igby Rigney, Homer Gere, Wes Bentley, Graham Campbell, Hayes Warner and Jordan Roth. It began filming late last year.

    The Beauty season two: FX has yet to make a decision on the series, which is set in a world where a drug can turn people into physically perfect versions of themselves — before it kills them. Season one, which ended on a cliffhanger, starred Peters, Anthony Ramos, Jeremy Pope, Rebecca Hall, Jessica Alexander, Ashton Kutcher and isabella Rossellini. Matthew Hodgson and Murphy created the series.

    Never Say Never

    American Crime Story season four and Feud season three: It’s been more than four years since the last American Crime Story installment, Impeachment, aired — but then again, almost seven years passed between seasons of Feud. FX, which is behind both shows, hasn’t provided any updates on either in some time (season two of Feud aired in early 2024). The outlet’s relationship with Murphy, however, is such that if he and his collaborators came to FX with an idea for either show, they would certainly listen.

  • Is Joel McHale Quietly Becoming a Leading Man?

    Is Joel McHale Quietly Becoming a Leading Man?

    Veteran comic actor Joel McHale took a big swing this year, with a film role that showcased some incredible versatility. He played a doting dad, undercover lover, authority figure and action star all in one. He didn’t get any laughs, and that was the point.

    Maybe one thing is funny about this showcase from McHale: it happened in “Scream 7.” Yes, it was the sixth sequel in Wes Craven’s iconic horror franchise (which just crossed $200 million in global box office) that unwittingly gave us this dynamic performance. It was a bit part that most actors couldn’t make a meal of, and it proves that the former host of “The Soup” has quietly been building momentum as a screen presence. Hear me out.

    McHale stars as Mark Evans, sheriff of the sleepy town in which we find “Scream” queen Sydney Prescott (Neve Campbell) and her family trying to survive yet another attack from the ghost face killer of her past. Mark is Sydney’s husband and father to her kids, including teenage Tatum (co-lead Isabel May).

    Admittedly, his first moments on screen conjure disbelief. “Is that Joel McHale?” one wonders of the man whose primary screen uniform is from his long-running Fox sitcom “Animal Control.” It would initially appear that “Scream 7” director Kevin Williamson’s casting of McHale signifies a “direction” for the character – another hapless funny guy who leads the innocent into danger, or perhaps could be ghost face himself (all due respect to the OG inept cop of “Scream,” David Arquette).

    But the resulting performance is quite the opposite. McHale’s first challenge is establishing a viable marriage with Campbell’s Sydney, and the actors find a low-key sexual chemistry as a middle-aged pair stealing intimate moments between school drop off and knife attacks. Next, McHale navigates a heated argument between Sydney and their eldest daughter – on the surface about the borrowing of an iconic leather jacket (from “Scream 2”), but broadly about how Sydney’s secrecy over her past has poisoned trust with Tatum. McHale nails the role of mediator and doesn’t sacrifice any dignity in the process.

    Finally, and perhaps most the most left-field choice in the “Scream” canon, McHale’s Mark Evans is excessively competent. He’s got good instincts as a cop (like, “Hey babe, don’t run into that house where the killer is hiding” kind of instincts). He’s an active listener and doesn’t rush to judgment. He makes peace and doesn’t want to kill his wife or child. He can throw a punch and survive a few slashes to the gut. He fills out his cop uniform (important!). In sum, as one notable industry horror fan told me after last month’s “Scream 7” premiere on the Paramount lot, “he actually believes the women around him” when they, I don’t know, sense imminent death.

    This is not a common trope for “Scream.” The men of this world fall tend to fall into two categories: matinee idols who are secret serial killers or duds, and frustrated virgins (bordering on incels) who miss the plot and catch a knife to the skull. That McHale can represent a voice of reason and still fall prey to the superhuman antics of ghost face is a breath of fresh air. It’s also a swerve from the bitter snark we’re used to seeing from him, and a welcome new perspective from his notable works like “Community” and “Ted.”

    While McHale’s “imposter syndrome” forbids him from entirely agreeing with my premise, he does say that this work – coupled with his intense cameos on recent seasons of “The Bear” – have been rewarding.

    “I still can’t believe that people want to point a camera at me and hit record. When I got to Hollywood 25 years ago, my hope was to do all of this,” McHale said during a recent Variety chat. “I started on ‘The Soup,’ and thought that if Greg Kinnear could turn the same opportunity into an Oscar nomination for ‘As Good As It Gets,’ then I at least have a People’s Choice Award nomination in me.”

    He credits his chemistry with Campbell as a the reason for his “Scream 7” success.

    “Every scene with her is fireworks. It felt similar to working with Jeremy Allen White, being there with somebody who can hit the ball back harder and faster,” McHale said. The part of Mark was offered to him weeks before production began, and McHale approached his own teenage son to see if it was the right fit.

    He remembers his son saying,“ What are you an idiot? You might be relevant again if you take that job.” Audiences at home can discover if young McHale was correct, as “Scream 7” is now available for rental on wide VOD platforms.