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  • Elon Musk’s Tesla reports unchanged bitcoin holdings, books $173 million digital asset loss

    Elon Musk’s Tesla reports unchanged bitcoin holdings, books $173 million digital asset loss

    Elon Musk’s Tesla’s (TSLA) bitcoin holdings were unchanged in the first quarter of 2026, with the company continuing to hold its 11,509 $BTC stockpile.

    The company booked an after-tax impairment loss of $173 million on its digital asset holdings, according to its first quarter earnings report.

    The value of that stash declined as bitcoin fell from around $90,000 at the start of the year to roughly $68,000 by the end of March.

    Tesla reported better-than-expected earnings but missed on revenue. For the first quarter, the firm reported revenue of $22.39 billion, slightly below than analyst estimates of $22.71 billion. Earnings per share came in at $0.41, higher than consensus forecast of $0.37.

    TSLA stock was trading 4% higher in after-hours trading.

    Tesla’s bitcoin journey

    Tesla initially bought bitcoin in February 2021, acquiring 43,200 $BTC for roughly $1.5 billion. About a month later, the company sold around 4,320 $BTC, roughly 10% of its position, to test market liquidity.

    By July 2022, amid the bear market, Tesla had cut its position to 9,720 $BTC. A small increase in January 2025 brought holdings to 11,509 $BTC, where they have remained since.

  • MrBeast’s Company Sued by Former Executive Over Alleged Sexual Harassment

    MrBeast‘s production arm has been sued by a former executive at the company, who alleges sexual harassment and pregnancy discrimination after she was fired upon returning from maternity leave.

    The executive, Lorrayne Mavromatis, describes Beast Industries as a “boy’s club” in which multiple female employees were sexually harassed by their supervisors. She alleges company leaders, one of whom allegedly dismissed concerns about unwelcome touching by a producer, repeatedly made comments about their appearance.

    Mavromatis, in a complaint filed on Wednesday in North Carolina federal court, alleges violations of the Family and Medical Leave Act, wrongful discharge and intentional infliction of emotional distress. It doesn’t name MrBeast, whose real name is Jimmy Donaldson, or bring a claim for sexual harassment.

    In a statement, the company said the “clout-chasing complaint” advances “deliberate misrepresentations and categorically false statements” that could be disproved. “There is extensive evidence — including Slack and WhatsApp messages, company documents, and witness testimony — that unequivocally refutes her claims,” it added.

    Mavromatis was hired in 2022 as head of Instagram and later promoted to head of creative, a role in which she was paid $250,000 for managing MrBeast’s verticals division, according to the complaint. She says she was subject to multiple retaliatory demotions and transfers.

    In one incident, Mavromatis alleges former CEO James Warren harassed her when he made her meet at his home for one-on-one meetings while dismissing concerns about a client’s sexual advances. And when she asked why Donaldson wouldn’t work with her on certain projects, he told her that she is a “beautiful woman” and that her “appearance had a certain sexual effect on Jimmy,” the lawsuit said.

    The company in a statement said the allegation was “fabricated for the sole purpose of sparking headlines” and for “a multimillion dollar payday.”

    In the complaint, Mavromatis points to a handbook distributed to employees, which states that “no does not mean no” and the “amount of hours you work is irrelevant.” She alleges the company didn’t have a process for reporting incidents of sexual harassment and discrimination in 2023, when she made a complaint against Warren and Donaldson.

    After an investigation, the lawsuit says Mavromatis was demoted to social media manager of merchandise. And when she went on maternity leave shortly after the demotion last year, she was asked by her supervisor to work on multiple projects, one of which involved a trip to Brazil, according to the complaint. Mavromatis says was terminated three weeks after returning from leave.

    Asked about the lawsuit at the Time100 Summit in New York, Donaldson stressed that he’s “brought in more experienced people” as his business grew into a major media outfit with 750 employees. He stressed he wasn’t “the best to set up culture at that scale, so the new C-suite and stuff have been amazing to have.”

    A source familiar with the situation said the company in March 2025 distributed a formal company handbook that detailed Family and Medical Leave Act rights, among other things, as Beast Industries instituted formal processes and policies.

  • A ‘Michael’ Sequel? A Thriller of a Proposition for Biopic Filmmakers

    A ‘Michael’ Sequel? A Thriller of a Proposition for Biopic Filmmakers

    After the audience at this week’s Michael premiere was treated to over two hours’ worth of hits, a title card came across the screen. In shimmery gold lettering, it read: “His Story Continues.”

    For many of the stakeholders behind the Michael Jackson biopic, or anyone who has read the hundreds of headlines Michael and its unexpectedly protracted production generated over the past year, the proclamation could be read as either a defiant declaration or an open-ended question about the status of a Michael: Part 2.

    The biopic was never intended to be a two-parter, but for the last year, under a messy cloud of reshoots and pushed release dates, the idea of splitting the film took form.

    The title card was a relatively last-minute addition, according to a knowledgeable insider, who says it was only put in about a month ago, when the filmmakers and the studios behind Michael began to realize how successful the movie could become.

    Clearly, studios Lionsgate and Universal, the Jackson Estate, and filmmakers including producer Graham King and director Antoine Fuqua wanna be startin’ somethin’. Still, a source tells THR that the script for that potential second film from writer John Logan has yet to be finished, and insiders claim nothing will be officially decided until Michael opens April 24.

    “We absolutely have more story to tell,” Lionsgate film chair Adam Fogelson told THR on the red carpet at Monday night’s premiere. “We have prepared for that moment. And if the audience reinforces that they’re ready for more, we’re prepared to give it to them sooner rather than later.” But, Fogelson noted, the decision to make a sequel won’t be determined by box office totals alone but also by fan desire for more of Jackson’s story.

    Of a sequel, King said at the premiere, “We’re definitely kicking around some ideas. We’ll see what happens very soon, but right now, I have so much anxiety about people seeing this one.”

    Lionsgate is handling the domestic release of Michael, with Universal taking on international distribution. When it came on early tracking, Michael was estimated to earn $55 million to $60 million in domestic ticket sales; it has since increased to $65 to $70 million.

    And Jackson’s international fanbase should not be underestimated. The film kicked off its press tour with a premiere in Berlin, Germany, which included a three-day fan experience. Michael’s international ticket sales are anticipated to add big gains to its box office total, with an expected global opening weekend in the $150 million range.

    Michael opens after a long and twisty journey to the big screen.

    Initially dated for April 2025, Michael landed on its final April 2026 release after it was discovered the film needed a major overhaul due to an oversight made by the Michael Jackson estate, which is backing the film. The original film featured Jackson battling accusations of child sexual abuse, which constituted much of its third act. But a past accuser had reached a settlement with the estate guaranteeing he would never be depicted in any future commercial projects.

    As previously reported by THR, 22 days of additional shooting happened in June 2025, with added production costs paid for by the estate because of its error. At this time, a plan was pushed to studio partners to split the film into two separate movies.

    From the beginning, Fuqua set out to make a more dramatic film, tackling the accusations of child molestation that tarnished Jackson’s legacy head-on. “I shot him being stripped naked, treated like an animal, a monster,” Fuqua told The New Yorker of shooting a scene when Neverland Ranch was raided by police. When the movie was reconfigured, King pushed for Michael to become a more uplifting story focused on Jackson’s music, forgoing scandal.

    “This is not the movie [Fuqua] set out to make,” says the insider, who also added that the director and producer have since unified in the new vision of the film.

    The new iteration of Michael — sans Jackson’s legal battles — is more likely to appeal to fans. The film now ends with the Jacksons’ 1984 Victory Tour, after which Jackson continues to strike out on his own, leading to the Bad album. At the premiere, during the film’s cinematic musical performances, it was hard to tell if the cheering and clapping were generated by crowds onscreen or the audience inside the Dolby. (Critics have been less kind to Michael, which currently has a 38 Metacritic score.)

    With a focus on the music and performances, Michael has drawn comparisons to Bohemian Rhapsody, the biopic about Queen that was produced by King and earned over $900 million at the global box office and won star Rami Malek a best actor Oscar.

    As for a potential sequel, usable footage from the initial shoot, including concert footage from the Dangerous and Invincible tours, could constitute as much as a third of a potential second film, according to sources. But those who have seen the movie also question what is left to tell, as the movie covered much of Jackson’s most popular music, and it’s unclear how a production unable or uninterested in tackling Jackson’s controversies would deal with the latter part of his life.

    There is also the question of scheduling and production costs. Talent like Fuqua, along with in-demand cast like Colman Domingo, Nia Long and Miles Teller and breakout newcomer Jaafar Jackson, will have to be brought back and, if Michael is a success, could very well negotiate for higher paydays.

    “It’s a sensitive topic,” a rep for one of the film’s onscreen talent says of the potential follow-up.

    Still, if Michael does become the box office success it is trending to become, there will be plenty of incentive for an encore performance.

    Tiffany Taylor and Pamela McClintock contributed to this report.

  • Warner Bros and Paramount merger could reshape US media landscape

    Warner Bros and Paramount merger could reshape US media landscape

    On Thursday, Warner Bros Discovery shareholders are set to vote on a merger that could dramatically reshape the United States media landscape — combining the company with Paramount Skydance.

    The deal, which still needs to be approved by federal regulators, would place two of the nation’s largest news organisations – CBS News and CNN – under one roof.

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    Earlier this month, the independent proxy investor advisory Glass Lewis urged investors to vote in favour of the merger.

    Paramount Skydance is led by David Ellison, the son of Oracle co-founder Larry Ellison, who is a key ally of US President Donald Trump. Under Ellison’s leadership, the network has already taken steps, critics say, to appease Trump.

    Those moves include appointing conservative opinion writer Bari Weiss, who has no prior television experience, to lead the storied broadcast network; installing Ken Weinstein, a former Trump administration appointee, as an ombudsman tasked with policing bias; and delaying or spiking stories critical of the administration – including the delay of publishing a story on CECOT, the notorious El Salvadorian mega prison to which the Trump administration deported Venezuelan migrants. Sharyn Alfonsi, the reporter who covered the story, called that move a “political” choice.

     

    Interactive_Media_Corporations_US_March17_2026-1774009588

     

    But the deal has faced continued regulatory scrutiny. Last month, Democratic US Senator Cory Booker of New Jersey called Federal Communications Commission Chair Brendan Carr to investigate foreign investment in the merger, which includes the sovereign wealth funds of Saudi Arabia, Qatar, and the United Arab Emirates as well as investment from China.

    Across the pond, the Competition and Markets Authority (CMA), Britain’s antitrust watchdog, is set to launch an investigation into the looming deal, Reuters news agency reported.

    Even before the merger, some longtime reporters, including justice correspondent Scott McFarlane, have been “disillusioned with the overall direction” at CBS under the direction of Ellison and Weiss and moved on, industry trade publication Status reported.

    Amid other major changes at the network, CBS announced last month that it would cease operations for CBS News Radio, which represents 6 percent of its workforce.

    If the merger proceeds, CNN would fall under the same corporate umbrella. CNN, viewed by Trump as overly critical, has frequently been a target of his attacks. Ellison has reportedly promised Trump “sweeping changes” at the network if the deal is completed.

    CNN has long been the middle-of-the-road network, compared to MS Now, formerly known as MSNBC, on the left and Fox News, which caters to the right.

    Internally at CNN, the looming merger is fuelling concern about what the future of the network looks like, with reports that staffers were “shaken” by the possibility of the Ellisons running the cable network.

     

    Last month, Paramount’s Ellison appeared on CNBC to quell concerns that CNN’s editorial stance would change under him, saying that editorial independence “needs to be maintained”, adding in the interview that “it’s maintained at CBS”, a claim refuted by press freedom experts.

    “Ellison has already shown his cards when it comes to editorial independence and has zero credibility on the issue,” Seth Stern, director of advocacy at the Freedom of the Press Foundation, told Al Jazeera.

    “Ellison may not turn CNN into Fox News overnight and may even still let CNN reporters criticise Trump at times. But it’s a virtual certainty that when his business interests are at stake, Trump will be given a seat at the editor’s desk.”

    Emerging partisan bias

    These concerns are underscored by a comparable merger happening in the local news ecosystem, where partisan bias is generally less overt.

    The merger in question is between two of the largest local affiliate operators in the US — Nexstar and Tegna. Mirroring concerns about the possible merger between CNN and CBS News’s parent companies, the combined Tegna and Nexstar could consolidate and limit access to differing viewpoints, especially as this merger would reach 80 percent of TV households across key US markets.

    While individual networks, including ABC, CBS, NBC and FOX, have their own editorial stances, local news stations affiliated with them do not necessarily share those.

    There are roughly 250 ABC-affiliated news stations in the US, but only eight of them are actually operated by ABC’s parent company, Disney. This is comparable across other networks. CBS only operates 17 of its stations. Fox operates 29, NBC operates 11, but they all have affiliated stations in more than 200 markets.

    The companies that operate affiliated stations that are not owned and operated by networks include Sinclair, Tegna and Nexstar as well as their competitors, including Gray Media, Scripps, Hearst TV, Allen Media Group and Graham Media.

    Under this model, a TV station produces its own content including news programming tailored to its local audience. It then licenses national network content to fill the rest of its schedule, such as national newscasts, talk shows, sitcoms, sports, and other programming. The station and the network share the advertising revenue.

    For networks, this arrangement allows them to reach audiences across the country without owning broadcast infrastructure in every market. For local affiliates, it provides access to higher-profile programming that attracts larger audiences and supports stronger advertising revenue.

    Historically, local news operators did not take part in the partisan media ecosystem. But that has started to shift, starting with right-leaning Sinclair Broadcast Group, which owns stations in 85 different markets, including the ABC station in Washington, DC and the NBC station in Providence, Rhode Island.

    In 2018, the company gained notoriety for its right-wing stance and for forcing anchors across all of its markets to read a script pushing Trump’s talking points on the state of the US media, using the same script across nearly 200 stations.

    Now Nexstar, which operates its own cable network called NewsNation, and which was originally positioned as unbiased, is staffed up with former Fox personalities and trending right, Status reported.

    Limited news options for local consumers

    Mergers of local news operators have faced antitrust scrutiny in the past. In 2018, the US Federal Communications Commission (FCC) effectively blocked a looming merger between Tribune Media and Sinclair — the then-largest affiliate operator in the US — by sending it into a lengthy regulatory review, and called for the companies to divest in stations they owned.

     

    Instead, Tribune pulled out of the deal, only to later merge with Nexstar to make the largest operator, bypassing Sinclair.

    The $6.2bn Tegna-Nexstar merger was approved by shareholders in November and has the blessing of the US president.

    “We need more competition against THE ENEMY, the Fake News National TV Networks”, Trump said in a post on Truth Social, his social media platform, in February.

    In March, eight state attorneys general, including those for New York, California, Illinois, North Carolina and Virginia, filed a lawsuit to block the merger. The next day, the FCC approved the merger. In response, the coalition of state AGs filed an emergency motion to stop it.

    Carr, the FCC chairman, who would otherwise be involved in the regulatory scrutiny of a deal like this, reposted Trump’s Truth Social post on X.

    The deal is currently on hold as a federal judge in California issued a temporary restraining order to block the merger while it considers the antitrust lawsuit.

  • SpaceX Warns Investors Elon Musk’s Space-Based AI Data Centers May Not Pay Off

    SpaceX Warns Investors Elon Musk’s Space-Based AI Data Centers May Not Pay Off

    In brief

    • SpaceX says orbital AI data centers may not become commercially viable.
    • Elon Musk has called space-based AI computing “a no-brainer.”
    • The filing also warns that Starship delays could slow the company’s growth.

    SpaceX is warning investors that one of Elon Musk’s most ambitious artificial intelligence bets—putting data centers in orbit—may never become a viable business.

    According to a report by Reuters, in a newly disclosed section of its pre-IPO S-1 filing, SpaceX says its plans for orbital AI compute—along with broader efforts to industrialize space, the moon, and Mars—remain in early stages, involve significant technical complexity, and may not achieve commercial viability.

    “Our initiatives to develop orbital AI compute and in-orbit, lunar, and interplanetary industrialization are in early stages, involve significant technical complexity and unproven technologies, and may not achieve commercial viability,” the filing says.

    The disclosure comes as SpaceX prepares for what could be the largest IPO in history. The company is reportedly targeting a valuation of about $1.75 trillion and seeking to raise $75 billion in the coming months.

    In January, in a conversation with BlackRock CEO Larry Fink at the World Economic Forum in Davos, Musk called building AI data centers in space “a no-brainer” and said orbit could become “the lowest-cost place to put AI” within two to three years. In February, after announcing a merger between SpaceX and Musk’s AI company xAI, Musk said in a post on the SpaceX website, “space-based AI is obviously the only way to scale.”

    “Global electricity demand for AI simply cannot be met with terrestrial solutions, even in the near term, without imposing hardship on communities and the environment,” Musk wrote at the time. “In the long term, space-based AI is obviously the only way to scale. To harness even a millionth of our Sun’s energy would require over a million times more energy than our civilization currently uses.”

    While the concept appears straightforward, satellites equipped with AI chips could draw near-constant solar power in space while avoiding some of the land, energy, and cooling constraints facing Earth-based data centers. But turning that vision into reality is another matter.

    Space-based systems could offer continuous solar energy and the ability to radiate heat into space. However, the economics remain uncertain with launch costs, maintenance, radiation exposure, and space debris needing to be factored in.

    SpaceX acknowledged those risks in the filing, warning that orbital AI data centers would operate in “the harsh and unpredictable environment of space,” where systems could malfunction or fail.

    While the realities of space development offer major hurdles, SpaceX may still be better positioned than its rivals to pursue the idea, having already launched the Starlink satellite internet network into orbit, and developing Starship, the fully reusable rocket Musk says is essential to cutting launch costs enough to make large-scale orbital infrastructure possible.

    However, according to SpaceX’s filing, Starship itself includes its own risks. The rocket designed to carry much larger payloads than previous SpaceX vehicles has suffered testing failures and delays, and the company said further setbacks could limit its growth strategy.

    SpaceX did not immediately respond to Decrypt‘s request for comment.

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  • Coinbase taps UK‑regulated tGBP in local‑currency stablecoin push

    Coinbase taps UK‑regulated tGBP in local‑currency stablecoin push

    Coinbase has listed FCA‑sandbox‑tested tGBP, letting users move pound‑pegged stablecoins across its app and exchange as it doubles down on local‑currency rails beyond USD.

    Coinbase is deepening its bet on non‑USD stablecoins, rolling out full support for the pound‑pegged tGBP stablecoin starting this year.

    According to the company’s announcement, users can now buy, sell, exchange, send, and receive tGBP through both the Coinbase App and Coinbase Exchange, bringing a regulated GBP token directly into the retail and institutional Coinbase stack.

    The issuer behind tGBP is BCP Technologies (also known as BCP Markets), a UK‑registered cryptoasset firm supervised by the Financial Conduct Authority.

    FCA records describe BCP as providing “the issuance and distribution of its own GBP denominated Stablecoin, tGBP, which aims to peg its value to the British Pound,” and note that the company participated in the regulator’s sandbox from 2021 through 2025 to test the product in a live environment.

    Coinspaid and other coverage of the launch emphasize that tGBP is fully backed 1:1 by reserves held in segregated accounts at a UK‑regulated financial institution, with BCP CEO Benoit Marzouk saying the token is designed to let clients “transfer pounds through blockchain technology without intermediaries and price volatility.” BCP says tGBP targets both retail and institutional users and is meant to function as a “reliable and efficient way to transact in GBP globally,” mirroring the model of dollar stablecoins but tied to sterling.

    For Coinbase, adding tGBP fits a broader push to diversify beyond USD rails. In its blog post on “GBP stablecoins unlocking the future of finance,” Coinbase argued that local‑currency stablecoins can streamline cross‑border payments, reduce FX friction, and support use cases like real‑world‑asset tokenization and programmable payouts directly in domestic currency, rather than forcing users through USD as the default bridge asset.

    The UK, meanwhile, is racing to put a formal regulatory perimeter around stablecoins, with the FCA selecting several firms to test stablecoin models in its expanded sandbox and positioning GBP tokens as future settlement instruments for both crypto‑native and traditional finance flows.

    By aligning with an FCA‑registered issuer that has already cleared a 14‑month review process and sandbox testing, Coinbase is effectively betting that tGBP — or something that looks a lot like it — will become a core building block of the UK’s on‑chain payments and trading infrastructure.

  • Here’s why CHIP crypto soared over 85% today

    $CHIP token surged over 85% on Wednesday becoming one of the best performing crypto assets of the day.

    The token shot up following its listing on Binance which introduces the token with a Seed Tag, flagging it as an early-stage, high-risk asset. The listing was accompanied by a trading campaign offering a 40 million $CHIP reward pool, which helped draw immediate attention from retail participants.

    Within the same 24-hour window, $CHIP also went live on KuCoin, BitMart, and SunCrypto, significantly expanding its availability. The rapid multi-exchange rollout injected strong liquidity into the market and made the token accessible to a wider pool of traders.

    Following these listings, $CHIP climbed to an all-time high near $0.11 before stabilizing. Trading activity surged sharply, with 24-hour volume crossing $1.4 billion. The figure stood at more than five times its market capitalization.

    The rally was further supported by the broader market’s growing interest in AI-linked crypto narratives. $CHIP is positioned within the emerging AI infrastructure segment, which has gained momentum as investors seek exposure to decentralized computing and data ecosystems.

    Despite the strong upside move, the token has shown signs of consolidation after its initial breakout, with analysts pointing to elevated volatility driven by speculative trading activity. The high volume-to-market-cap ratio suggests that short-term momentum remains the dominant force behind the price action.

    What is $CHIP crypto?

    $CHIP is the native token of the USD.AI ecosystem, a decentralized protocol focused on financing artificial intelligence infrastructure.

    The platform operates as a permissionless lending system where GPU operators can tokenize their hardware as collateral to access instant liquidity. This model allows participants to unlock capital from physical computing resources, bridging the gap between traditional hardware ownership and decentralized finance.

    The $CHIP token plays a central role within the ecosystem. It is used to facilitate lending and borrowing activities, incentivize network participants, and support the broader infrastructure needed to power AI workloads.

    By enabling hardware-backed financing and aligning incentives across participants, the protocol aims to support the growing demand for scalable and decentralized AI compute resources.

  • ‘Epic,’ Viral Musical Retelling of ‘The Odyssey,’ To Become Animated Movie Thanks to Jerry Bruckheimer (Exclusive)

    ‘Epic,’ Viral Musical Retelling of ‘The Odyssey,’ To Become Animated Movie Thanks to Jerry Bruckheimer (Exclusive)

    It began life in a college dorm room (well, technically it was 2,700 years ago, but we’ll get to that later), gained a multi-million army on TikTok, and earned a real-world record deal.

    Now Hollywood is calling.

    Epic, the musical telling of Homer’s The Odyssey, is getting the movie treatment thanks to Jerry Bruckheimer.

    Bruckheimer, the mega-producer behind the Top Gun and The Pirates of the Caribbean movies, has partnered with Jorge Rivera-Herrans, the creator, composer, songwriter, producer, and performer behind the viral sensation, and Atlantic Music Group president Kevin Weaver to produce an animated musical adaptation of the epic, no pun intended, saga. Chad Oman of Jerry Bruckheimer Films will also produce.

    The project is in the nascent stages, and is to be taken out to studios and streamers for presentations by CAA, who represents Bruckheimer, possibly as early as next week. The project would be Bruckheimer’s first foray into animation but not into the world of music. Many of his films have been musically-inclined and part of pop culture’s soundtrack, going back to 1980s classic Flashdance.

    The timing couldn’t be better as Homer has suddenly become hot in Hollywood. Christopher Nolan is prepping for a retelling of The Odyssey with his all-star live-action feature that will open July 17 and is already generating buzz that it could be one of the biggest movies of the year. Combined with the feverish following Epic has engendered, this tale is probably at the zenith of recognition not seen since the ancient Greek poet first began narrating it in his toga in the eighth century B.C.

    Rivera-Herrans began Epic as his ambitious senior thesis at University at Notre Dame. Things took off when, during the pandemic, he began posting his creative process on TikTok in 2021, then began releasing the sagas as musicals starting in 2022. The self-released EPs began hitting the no. 1 spot on iTunes and then no. 1 on the soundtrack charts, where at one point Epic occupied nine out of the top 10 listing.

    The serialized music format, re-envisioning the classic tale the war hero’s gods and monsters-filled decades-long journey home to his wife and son through a modern, immersive lens, struck a chord with millennials and Gen Zers, who fell for the influences of musicals, anime, and video games. They even got to participate in the worldwide casting process. Fans also created animatics to go with the songs, showcasing a range of styles and genres.  

    More than four billion global streams and over seven billion short-form views later, what began as viral social content evolved into a global phenomenon, redefining how music, storytelling, and audience engagement can intersect at scale.

    The music industry came calling, with every label courting him in 2023, although Rivera-Herrans rebuffed rich offers. That is, until he signed with Weaver’s Atlantic, who spent two years courting the twenty-something. Weaver, whose three-decade career at the company saw him spearhead blockbuster soundtrack projects including Barbie The Album, The Greatest Showman, and Suicide Squad: The Album, helped steer Epic from the digital sea and into the shores of the real world, with physical product and merchandizing, racking up millions of dollars from an eager fanbase.

    Bruckheimer’s boarding was eased by that fact that Weaver worked with the producer on last year’s F1 The Album, based on F1, the Brad Pitt racing movie that earned an Oscar nomination for best picture and won one for best sound. The movie grossed over $634 million worldwide.

    Rivera-Herrans is repped by Jake Phillips of Greenberg Traurig. Weaver is repped by Alan Sacks of Frankfurt Kurnit.

  • SoFi NBA Play-In Tournament viewership increases 18% for inaugural season on Prime Video

    Tyrese Maxey leads Philly to the Play-In win over Orlando, clinching the 7th seed in the East.

    The 2026 SoFi NBA Play-In Tournament generated an 18% increase among total U.S. viewers with an average of 2.79 million viewers across six exclusive broadcast windows on Prime Video, it was announced Wednesday.

    The most-watched games of the NBA Play-In Tournament were Warriors-Suns (3.65M), Warriors-Clippers (3.15M) and Magic-76ers (2.66M).

    According to Amazon’s first-party viewership data, the Play-In Tournament was viewed on 52M devices globally for over 2.5B minutes across more than 200 countries and territories. Over the six games, top-performing markets outside of the U.S. included Japan, Brazil, Mexico, Australia, Argentina, India, Spain, France, and Colombia.

  • Iran blames Trump’s blockade for diplomatic impasse as fragile truce holds

    Iran blames Trump’s blockade for diplomatic impasse as fragile truce holds

    Iranian officials have blamed the United States for the impasse in the negotiations and the continued closure of the Strait of Hormuz, stressing that Tehran will not submit to “bullying” by Washington.

    Parliament Speaker Mohammad Bagher Ghalibaf said on Wednesday that there can be no full ceasefire between the two countries if the US naval blockade on Iranian ports persists.

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    In his first comment since President Donald Trump announced he would extend the US-Iran truce, Ghalibaf, one of Iran’s lead negotiators, suggested that Tehran will not capitulate to Washington’s demands because of the siege.

    “A complete ceasefire only makes sense if it is not violated by the maritime blockade and the hostage-taking of the world’s economy, and if the Zionist warmongering across all fronts is halted,” Ghalibaf wrote on X.

    “Reopening the Strait of Hormuz is impossible with such a flagrant breach of the ceasefire,” he added, saying that the US and Israel “did not achieve their goals through military aggression, nor will they through bullying”.

    Iranian President Masoud Pezeshkian echoed that position, stressing that diplomacy, not pressure, was necessary for peace talks.

    “The Islamic Republic of Iran has welcomed dialogue and agreement and continues to do so,” he said in a social media post, addressing the US and Israel.

    “Breach of commitments, blockade and threats are main obstacles to genuine negotiations. World sees your endless hypocritical rhetoric and contradiction between claims and actions.”

    Although both countries have said they are ready to return to war, the ceasefire has so far appeared to hold on Wednesday, the day its initial two-week period expired.

    Truce extension

    The ceasefire’s extension came only a day earlier, after it became apparent that Iranian officials would not attend talks scheduled in Pakistan in protest against the US blockade.

    Amir-Saeid Iravani, Iran’s ambassador to the United Nations, said that breaking the siege is a necessary condition for the negotiations to proceed.

    Asked whether the relative calm of the truce will continue, Iravani told reporters, “We have not initiated the military aggression. They initiated the war against us, and we are ready. If they want to sit at the table and discuss and find a political solution, they will find us ready.”

    Trump did not set a deadline for the extended ceasefire to expire, but he suggested on Tuesday that the naval siege on Iran would continue to serve as leverage for future talks.

    “People approached me four days ago, saying, ‘Sir, Iran wants to open up the Strait, immediately.’ But if we do that, there can never be a Deal with Iran, unless we blow up the rest of their Country, their leaders included,” the US president wrote in a social media post.

    On Wednesday, White House spokeswoman Karoline Leavitt dismissed media reports claiming that Trump had set a specific deadline of three to five dies for the truce, emphasising that the US president alone decides on the timetable of the war.

    Leavitt added that Trump is “satisfied” with the blockade and its effects on the Iranian economy.

    “He understands that Iran is in a very week position, and the cards are in President Trump’s hand right now,” she told reporters.

    Hours before the extension of the ceasefire on Tuesday, Trump had said that he opposed lengthening the truce, and he warned Iran that time is running out before the US launches a huge attack on its infrastructure.

    Subsequently, he agreed to hold off the strikes at the request of Pakistani mediators.

    ‘No war, no peace’

    With the blockade still in place and no new date set for the talks, there are concerns that the fighting could resume at any moment.

    Reporting from Tehran, Al Jazeera correspondent Ali Hashem said Iran is experiencing a “situation of no war, no peace”.

    “Sanctions are still there. The blockade is there. No one can plan for the next week or the week after. Businesses are just waiting to see how this war is going to end,” Hashem said.

    The US and Israel launched the war against Iran on February 28, killing hundreds of civilians and several top officials, including Supreme Leader Ali Khamenei.

    Tehran responded with missile and drone attacks against Israel and US assets across the entire region. Iran also closed the Strait of Hormuz, sending oil prices soaring.

    Iran agreed to re-open the waterway as part of the two-week truce that came into effect on April 8, but it ultimately kept the waterway closed in response to Israel’s refusal to include Lebanon in the ceasefire.

    That was a condition originally stipulated in the deal announced by Pakistan.

    After a 10-day ceasefire was announced in Lebanon last week, Iran said the Hormuz Strait would re-open, but it shut down the waterway again after Trump said the US naval blockade against the country would persist.

    The US military has seized one Iranian vessel during the siege.

    For its part, Iran’s Islamic Revolutionary Guard Corps (IRGC) captured two foreign commercial ships in the Strait of Hormuz on Wednesday, saying they violated maritime regulations.

    Trump claims Iran executions halted

    Despite the rising tensions, Trump said on Wednesday that he “appreciates” that Iran halted the execution of female dissidents at his request.

    The US president had shared photos of eight alleged detainees in Iran a day earlier, claiming that they were set to be killed.

    “I have just been informed that the eight women protestors who were going to be executed tonight in Iran will no longer be killed. Four will be released immediately, and four will be sentenced to one month in prison,” Trump wrote on his Truth Social platform on Wednesday.

    “I very much appreciate that Iran, and its leaders, respected my request, as President of the United States, and terminated the planned execution.”

    Later in the day, the White House dismissed US media reports saying that Iran still has significant military capabilities.

    “Iran’s defense industrial base was almost completely destroyed,” Leavitt wrote on the social media platform X.

    “Iran’s ability to build and stockpile ballistic missiles and long-range drones has been set back by years. The vast majority of Iran’s ballistic missiles, launcher vehicles, and long-range attack drones were destroyed.”

    Iran was able to launch missile attacks against Israel daily throughout the war.