Author: rb809rb

  • Live Updates: 2026 NBA Playoffs, R1 | Thunder rolling as Suns battle

    Live Updates: 2026 NBA Playoffs, R1 | Thunder rolling as Suns battle

    Shai Gilgeous-Alexander and the Thunder are hosting the Suns in Game 2 of their 2026 NBA Playoffs first round series on ESPN.

    Check out the best of Wednesday’s action with the NBA.com live blog, as the 2026 NBA Playoffs continue.

    Cade Cunningham (27 pts, 11 ast) and the Pistons locked down the Magic to open the night, blocking 11 shots on their way to a 98-83 win.

    Now, we have Shai Gilgeous-Alexander’s Thunder taking on Devin Booker’s Suns in the second half of our ESPN doubleheader (9:30 ET).


    APRIL 22, 2026 / 11:54 ET

    Brooks boosts Phoenix

    A personal 9-0 run for Dillon Brooks (26 pts) brought the Suns back somewhat, but Shai Gilgeous-Alexander (31 pts) cooly hit a jumper along the baseline to bring the Thunder lead back to 108-89 with seven minutes to go in the fourth.


    APRIL 22, 2026 / 11:35 ET

    Watch out for Shai

    SGA’s up to 27 points, surpassing his 25 points from Game 1.

    Thunder up 98-77 with 1:18 to go in the third quarter.


    APRIL 22, 2026 / 11:26 ET

    Chet Holmgren dominating

    Back-to-back blocks for Chet Holmgren (19 pts, 6 reb, 4 ast), interspersed with an acrobatic layup off a feed from Shai Gilgeous-Alexander. The Thunder big man has exerted his influence in recent minutes, giving the Suns another obstacle to deal with around the rim.

    “How about Chet?” Doris Burke said. “How many guys can make the kinds of plays he’s making on the defensive end?”

    Holmgren is the first player since Josh Smith in 2008 to put up 10 points and four blocks in a Playoff quarter.

    84-70 Thunder with 4:23 to go in the quarter.


    APRIL 22, 2026 / 11:23 ET

    One time for Cade Cunningham

    I bet Zeke’s proud.


    APRIL 22, 2026 / 11:17 ET

    Thunder surging

    77-64 Oklahoma City, as Isaiah Hartenstein (3 pts, 7 reb, 2 ast) hits Chet Holmgren (16 pts) for the big-to-big alley-oop, forcing a Phoenix timeout.


    APRIL 22, 2026 / 10:54 ET

    Thunder up 54-46 at the break

    Jalen Williams (19 pts on 7-of-8 shooting) took over in the second quarter, pacing the Thunder to a lead at halftime in the Paycom Center.

    They’ve turned the ball over just four times, while Phoenix has 11 turnovers so far.

    But the Suns are 6-of-14 from 3-point range (42.9%), keeping them in it.


    APRIL 22, 2026 / 10:34 ET

    Suns sticking close on ESPN

    51-46 Thunder with 6:00 to go in the second quarter, as Phoenix battles to stay with the defending champs on their home court.

    We’ve seen nine lead changes and two ties so far in the contest, with Jalen Williams (16 pts) and Jalen Green (12 pts) going off in the second quarter to carry the scoring.


    APRIL 22, 2026 / 10:17 ET

    Thunder up 30-29 after one

    The Suns battled back as the first quarter wound down, ending on a 10-5 run to cut the Thunder lead to one.

    They went 4-of-8 from 3-point range in the first quarter and earned a 7-2 advantage in fast break points.

    Collin Gillespie (7 pts, 4 ast) and Dillon Brooks (7 pts) are the top scorers for Phoenix, while Shai Gilgeous-Alexander (11 pts) is getting buckets for Oklahoma City.


    APRIL 22, 2026 / 10:04 ET

    Thunder taking control with a 13-2 run

    25-16 Thunder with 4:30 to go in the first quarter, as Shai Gilgeous-Alexander (8 pts on 4-of-5 shooting) gets rolling despite tweaking a finger on his shooting hand.

    “He’s caught fire here,” said Dave Pasch.


    APRIL 22, 2026 / 9:50 ET

    Pistons even series with Magic

    In their first home Playoff win since 2008, the Pistons used a prototypical defensive effort to corral the Magic 98-83 and even their first round series at 1-1.

    Detroit held Orlando to a season-low in scoring, limiting the Magic to 32.5% shooting on the night.

    The game was tied at the half, but the Pistons used a 38-16 third quarter to take control, leading by as many as 27.

    Cade Cunningham (27 pts, 6 reb, 11 ast) was the top scorer on the game.


    APRIL 22, 2026 / 9:40 ET

    Shai Gilgeous-Alexander and the Oklahoma City Thunder host the Phoenix Suns in Game 2 of their 2026 NBA Playoffs series as our ESPN doubleheader continues.

    Phoenix:

    • PG Collin Gillespie (8 pts, 2 ast, 2 3PM)
    • SG Devin Booker (23 pts, 6 reb)
    • SF Jalen Green (17 pts, 5 reb)
    • PF Dillon Brooks (18 pts, 7 reb)
    • C Oso Ighodaro (9 reb, 3 ast)

    Oklahoma City:

    • PG Shai Gilgeous-Alexander (25 pts, 7 ast)
    • SG Luguentz Dort (8 pts, 2 reb, 2 ast)
    • SF Jalen Williams (22 pts, 7 reb, 6 ast)
    • PF Chet Holmgren (16 pts, 7 reb)
    • C Isaiah Hartenstein (8 pts, 8 reb, 2 blk)

    Watch Grayson Allen off the Suns’ bench. The Duke product averaged 16.3 ppg this season, which the Suns could use against the Thunder’s league-leading defense (106.5 DRTG).


    APRIL 22, 2026 / 9:25 ET

    All Pistons in Little Caesars Arena

    The Pistons are holding the Magic to 31.3% shooting so far, including a 6-of-25 mark from 3-point range (24%), with 11 blocks so far tonight.

    Isaiah Stewart just added another rim-protecting swat to his resume, blocking Paolo Banchero’s attempt at a posterizing two-hand jam.

    Ben Wallace and Richard Hamilton are in attendance as Detroit basketball shines bright on this Wednesday night.


    APRIL 22, 2026 / 9:10 ET

    A dominant effort from Detroit


    APRIL 22, 2026 / 9:00 ET

    Pistons firing on all cylinders

    The Detroit lead keeps growing, as Isaiah Stewart (4 pts, 3 reb, 1 blk) rejects Jalen Suggs’ (15 pts) dunk at the rim at the rim.

    It’s 76-49 with 4:20 to go in the third.

    Franz Wagner (4 pts), Wendell Carter Jr. (3 pts) and Desmond Bane (8 pts) have 15 points combined so far — they had 53 in Game 1.


    APRIL 22, 2026 / 8:52 ET

    Pistons open up the lead

    69-49 Detroit with 6:23 to go in the third quarter, as the Pistons start the period on a 23-3 run, shooting 76.9 from the field in the period.

    “It’s an avalanche here in the third,” said Mike Breen.


    APRIL 22, 2026 / 8:25 ET

    Tied at 46 at the half

    In a defensive battle, Orlando and Detroit are tied going into the second half, combining for 18 assists versus 21 turnovers in the first two quarters.

    The Pistons have a 32-18 advantage in points in the paint, while the Magic have a 10-6 advantage in fast break points.

    Jalen Suggs (15 pts, 5 reb, 3 ast) and Cade Cunningham (15 pts, 4 reb, 3 ast) are starring offensively.


    APRIL 22, 2026 / 7:58 ET

    Suggs going off

    Jalen Suggs (10 pts, 5 reb, 3 ast) is rallying the Magic, who are down 33-30 with 6:46 to go in the second quarter.

    Orlando was 34-23 with the point guard from Gonzaga this season, compared to 11-14 without him.


    APRIL 22, 2026 / 7:50 ET

    Classic Pistons defense


    APRIL 22, 2026 / 7:41 ET

    Pistons lead 25-21 after one

    Coming off a 39-point outing in Game 1, Cade Cunningham (9 pts, 3 reb, 2 ast) has it going again.

    Jalen Suggs (7 pts) is the top scorer for Orlando so far.


    APRIL 22, 2026 / 7:23 ET

    Pistons have the crowd roaring

    Detroit’s 6-of-10 to start the game, with a Duncan Robinson 3-pointer and Tobias Harris fast-break jam sending the Magic to a timeout in the early going.

    14-7 Pistons with 6:42 to go in the first quarter.


    APRIL 22, 2026 / 6:30 ET

    Cade Cunningham and the Detroit Pistons host the Orlando Magic in Game 2 of their 2026 NBA Playoffs first round series on ESPN.

    All stats from Sunday’s Game 1, which the Magic won 112-101.

    Orlando:

    • PG Jalen Suggs (16 pts, 4 reb, 4 ast)
    • SG Desmond Bane (17 pts, 6 reb, 5 ast)
    • SF Franz Wagner (19 pts, 5 reb)
    • PF Paolo Banchero (23 pts, 9 reb)
    • C Wendell Carter Jr. (17 pts, 7 reb, 5 ast)

    Detroit:

    • PG Cade Cunningham (39 pts, 5 reb, 4 ast)
    • SG Duncan Robinson (9 pts, 3 3PM)
    • SF Ausar Thompson (8 pts, 7 reb)
    • PF Tobias Harris (17 pts, 6 reb)
    • C Jalen Duren (8 pts, 7 reb)

    Keep an eye on Isaiah Stewart off the Pistons’ bench — he was a team-high +6 in their Game 1 loss, and could help slow down Paolo Banchero.


    APRIL 22 / 6:15 ET

    Tonight’s injury report

    Jonathan Isaac is out for Orlando.

    Grayson Allen, Mark Williams and Jordan Goodwin are questionable for Phoenix. Thomas Sorber is out for Oklahoma City.

  • Thunder’s Jalen Williams leaves Game 2 early with injury

    Thunder’s Jalen Williams leaves Game 2 early with injury

    Jalen Williams had 19 points on 7-for-11 shooting from the field when he left the game.

    OKLAHOMA CITY (AP) — Oklahoma City Thunder guard/forward Jalen Williams left in the third quarter of Wednesday night’s playoff game against the Phoenix Suns with a left hamstring injury.

    Williams held his leg as he left the court. He missed 30 games with a right hamstring injury this season. He also missed 19 games at the beginning of the season as he recovered from offseason surgery on his right wrist.

    Williams, an All-Star in 2024-25, had 19 points on 7-for-11 shooting from the field when he left the game.

  • Crypto Hacks Continue To Stall Adoption

    Crypto Hacks Continue To Stall Adoption

    The crypto sector is no stranger to hacks, breaches, and other illegal actions taken by market participants, and that is concerning for several reasons. Notably, the most recent hack of Kelp DAO (an estimated $293 million breach) has thrust both the blockchain ecosystem and the continued expansion of enterprise-level applications to the front-burner, and not in a positive light. With total losses related to DeFi apps totaling almost $600 million so far in 2026, with the vast majority of these losses being associated with the state sponsored Lazarus Group from North Korea, the implications for the wider DeFi ecosystem have been significant.

    Following the Kelp DAO hack, investor deposits in DeFi apps have dropped by approximately $15 billion, with withdrawals taking occurring on platforms both directly connected to Kelp DAO as well as those with a more tangential connection. The hack and subsequent drawdown of funds across the board have raised questions related to the yield-generation promised by the bulk of these DeFi apps, as well as the bridges that are integral to bringing these products and services to the mainstream.

    Hacks and breaches have long been a characteristic of the blockchain and digital asset space, but the continued vulnerability of on-chain assets, especially when coupled with the increasing sophistication of hacking groups such as the Lazarus group, create several key implications investors and policy advocates should be aware of moving forward.

    Cross-Chain Bridges Expose Weaknesses In Controls And Assurance

    The recent Kelp DAO exploit highlights a structural issue in DeFi: cross-chain bridges remain a single point of failure despite being marketed as decentralized infrastructure. Attackers reportedly manipulated verification systems that validate inter-chain transactions, effectively bypassing controls and enabling fraudulent transfers. This creates a direct accounting challenge: how should auditors evaluate control effectiveness when validation mechanisms rely on off-chain infrastructure or potentially even single points of access/weakness?

    From a financial reporting standpoint, these events raise questions around impairment recognition, loss contingencies, and disclosure of operational risks tied to protocol dependencies. Traditional SOC-style assurance frameworks do not cleanly map to decentralized validator networks, especially when governance and responsibility are fragmented. Policymakers are likely to focus on minimum security standards, mandatory disclosures around bridge infrastructure, and potentially requiring attestations over validation mechanisms. Until then, financial statement users are left with incomplete information regarding risk exposure embedded in DeFi-linked assets and treasury strategies.

    Capital Flight Signals Valuation And Reporting Challenges

    Large-scale withdrawals from DeFi platforms, including reported multibillion-dollar outflows, reflect declining investor confidence tied to both security risks and macro conditions. These movements are not just market signals; they create tangible accounting complications around fair value measurement and liquidity classification. In thin or rapidly exiting markets, determining exit price under fair value frameworks becomes increasingly subjective, particularly for governance tokens and with other illiquid positions with limited comparables. This introduces volatility into earnings and balance sheet presentation, especially under fair value standards applied to crypto assets. Although recent announcements by FASB indicate certain crypto accounting issues might be forthcoming, the issues are coming to the marketplace in the present.

    Additionally, liquidity mismatches between on-chain positions and real-world cash complicate disclosures around liquidity risk. From a policy perspective, regulators may interpret sustained outflows as evidence of systemic fragility, strengthening arguments for liquidity stress testing, enhanced reserve disclosures, and potentially capital requirements for platforms operating at scale. The broader implication is clear: DeFi’s assumed liquidity does not hold under market pressures and sustained negative sentiment, and reporting frameworks have not fully caught up.

    Regulatory Expansion Is Almost Guaranteed

    DeFi continues to operate in a gray zone where governance is decentralized in theory but concentrated in practice, complicating accountability when failures occur. The dispute over responsibility in recent exploits underscores a core issue: without clearly defined control owners, assigning liability becomes difficult. This has direct implications for auditors and regulators attempting to map traditional concepts like fiduciary duty, internal controls, and management responsibility onto DAO structures.

    Academic and policy research already indicates that DeFi introduces new forms of market misconduct and requires tailored regulatory approaches to address these gaps. From an accounting standpoint, questions persist around consolidation, including who controls a DAO, revenue recognition for fees, and disclosure of governance risks. Policymakers are likely to expand the regulatory perimeter by targeting key intermediaries such as developers, validators, and front-end operators. Such policy developments have the potential to further complicated what is already a fast-moving and often murky policy landscape for investors and entrepreneurs to follow.

    DeFi hacks continue to stall crypto adoption, and the accounting implications they are raising might prove more difficult to address than previously anticipated.

  • South Korea BOK Governor Prioritizes Digital Won CBDC in First Policy Speech

    South Korea’s new Bank of Korea Governor Shin Hyun-song used his April 21 inaugural address to plant a firm stake in the ground: the country’s digital money future runs through central bank digital currency ( CBDC) and bank-issued deposit tokens, not private stablecoins.

    Key Takeaways:

    • Bank of Korea (BOK) Governor Shin Hyun-song, sworn in on April 21, 2026, made CBDC and deposit tokens the centerpiece of his inaugural address.
    • Project Hangang Phase 2, now involving 9 banks, targets government subsidy use cases worth up to 110 trillion won ($73B).
    • Shin’s omission of stablecoins from his first speech signals a state-first digital won strategy as South Korea finalizes its Digital Asset Basic Act.

    Project Hangang Phase 2 Takes Center Stage as New BOK Governor Outlines Digital Won Plans

    Shin took office, succeeding Rhee Chang-yong at the start of a four-year term. His first major policy speech made no mention of won-denominated stablecoins, a notable omission given that South Korea is actively debating stablecoin rules under the pending Digital Asset Basic Act.

    The BOK’s position, as Shin framed it, centers on a two-tier model. The central bank issues a wholesale or hybrid CBDC. Commercial banks issue deposit tokens that are fully convertible and designed for everyday payments and settlements. Neither layer leaves room for a privately issued alternative at the top of the stack.

    Shin pointed directly to Phase 2 of Project Hangang, the BOK’s flagship digital won pilot, as the mechanism to “increase the usability of CBDC and deposit tokens.” Phase 2 launched in March 2026 and has since expanded to nine major commercial banks. Real-world transaction testing is underway, with potential applications including government subsidy disbursements valued at up to 110 trillion won, approximately $73 billion.

    Phase 1 of Project Hangang focused on technical testing of a blockchain-based digital won. Phase 2 moves into applied use, exploring programmable money, regulatory compliance tools, and integration with existing payment infrastructure.

    Shin also referenced BOK’s participation in Project Agora, a BIS-led cross-border tokenization initiative. The project explores multi- CBDC platforms for faster international payments and settlements. For Shin, BOK involvement in Agora ties directly to a stated goal of expanding the Korean won’s role in global digital payments without loosening capital controls or destabilizing the financial system.

    Additional priorities in the speech included 24-hour foreign exchange trading, an offshore won settlement system, and tighter oversight of crypto markets and non-bank financial institutions. Shin said the BOK would pursue “cautious and flexible” monetary policy throughout his term.

    The stablecoin omission drew immediate attention from observers. During his mid-April confirmation hearing before parliament, Shin had taken a more open position. In written remarks submitted to lawmakers, he stated that CBDCs and deposit tokens would “coexist with stablecoins in a manner that is supplementary and competitive to each other,” and that any stablecoin issuance should begin with regulated banks. The shift in tone from nominee to governor was deliberate, according to observers watching the process.

    Shin brings a specific international background to the role. He served as Economic Adviser and later Head of the Monetary and Economic Department at the Bank for International Settlements from 2014 until early 2026. Before the BIS, he held academic posts, including a position at Princeton University. His tenure at the BIS overlapped with several collaborative CBDC experiments, including earlier joint projects involving South Korea.

    The commercial banking sector stands to gain significant positioning under Shin’s framework. Deposit tokens place commercial banks at the center of digital money distribution, giving them a direct role in programmable finance while keeping central bank oversight intact.

    Crypto markets and non-bank financial entities face increased scrutiny under the new governor. Shin pledged better data access for risk tracking and closer monitoring of activity outside the traditional banking system.

    South Korea’s CBDC development has progressed through two governors. Rhee Chang-yong advanced technical pilots and explored subsidy applications. Shin takes over at the commercialization phase, with a clear preference for regulated, interoperable infrastructure over broader private-sector experimentation.

  • ‘Beaches’ Broadway Review: Soulless and Uninspired Musical Remake of Beloved Film Washes Ashore

    Audiences going to the musical “Beaches” are likely to know what to expect: the story of a decades-long, female friendship with plenty of schmaltz, some sass, and a mega-hit song, “Wind Beneath My Wings.”

    The musical, which began its development a dozen years ago — and most recently in a 2024 Calgary production, is based on the 1985 novel by Iris Rainer Dart which “inspired” the 1988 Touchstone Pictures film starring Bette Midler and Barbara Hershey, which had a screenplay by Dart and Mary Agnes Donoghue.

    The sisterhood saga was remade, less notably, as a 2017 Lifetime television movie starring Idina Menzel and Nia Long — with Dart as co-screenwriter. But it’s the earlier hit film— and the character tailor-made to Midler’s persona — that most likely will be on theater-goers’ minds.

    Sadly there’s little wind beneath this uninspired musical’s thin and tattered wings. Even the film’s critic-defying, pinky-swearing fanbase may be disappointed in the barebones production, jarring plotting, tired dialogue and ham-handed staging. A tour is slated after the limited Broadway run.

    As in the novel, the musical — which Dart again co-scripted, this time with Thom Thomas — begins in the ‘80s with fictional singing sensation Cee Cee Bloom (Jessica Vosk) rehearsing a number for her long-running TV variety show. Receiving an urgent phone call, she impulsively exits without explanation. Of course, a flashback follows.

    It’s 1951 on an Atlantic City beach where the 10-year-old, red-headed Cee Cee (Samantha Schwartz) is performing in a kiddie show. While under the boardwalk, literally, she meets pretty little Bertie (Zeya Grace), lost and alone. Bertie, a polite, grammar-precise, deb-destined daughter of WASP fortune is instantly dazzled by the pint-sized Jewish dynamo who peppers her speech with showbiz slang and Yiddish expressions.

    After that encounter, they stay in touch via letters until years later when Bertie (Kelli Barrett), fleeing from a controlling mother — and her own wedding — seeks out Cee Cee, who is a struggling actress in a summer stock company. It’s there they begin their in-person relationship as young adults.

    The musical remains a cliche-filled melodrama reminiscent of film vehicles for Joan Crawford or Barbara Stanwyck. There’s misperceived betrayals, a surprise pregnancy, sudden abandonment, a sentimental reconciliation, a fatal illness and a tearful farewell. But for this uninspired outing you can leave the hankies at home.

    The film made smart and economical use of a few atmospheric tunes such as “Up on then Roof,” and “The Glory of Love,” interpreted by a single lead character who is a charismatic performer. Here the musical spotlight is shared with others, and to lesser effect.

    The songs are by composing legend Mike Stoller, now 93, and a master tunesmith during the era in which much of the story spans. The musical numbers have a pleasant old-school Broadway feel mixed with pop and swing flavors. But none stand out and a few evoke templates of past show tunes. A duet by the women’s husbands suggests the condescending males of Sondheim’s “Agony.” There’s also the scent of a Kander and Ebb in a novelty number about each woman wishing they could be like the other.

    But that’s just it. Here opposites — classy and brassy — are distractions, with odd-couple joking substituting for something more substantial. Their effect on each other is also unbalanced with Cee Cee seeing Bertie as BFF — Best Fan Forever. Though Cee Cee prompts some independence in her friend, Bertie’s sheen hasn’t rubbed off on her needy pal. Only at the end does Cee Cee get a predictable semi-transformation.

    Many of the new changes in this version are clumsily presented. The pivotal scene that causes a break in their relationship is head-spinning. In a matter of minutes the best of friends go from being giggling buddies to making bitchy remarks, then hurtful revelations, all with little motivation or sense.

    The husbands in the women’s lives, played by Ben Jacoby and Brent Thiessen, are written as cardboard characters, good for a few plot turns and then out of the picture. The other women in the friends’ lives — primarily their mothers — don’t fare much better and are reduced to near-caricatures. Push the show’s direction just a bit further and this soap opera could easily slip into parody, at least in several scenes. (Some of the mugging is already there.)

    Vosk and Barrett do admirable work but are limited by the material and get little help in the writing or staging. A strong-voiced Vosk is charged with echoing Midler’ performance. Barrett makes the most of the few-but-effective moments that reveal a person more than a type.

    Production values are minimal with low-tide set designs, under-populated numbers and sketchy choreography. Cee Cee’s show biz outfits remain cheap looking, even as her celebrity and fortunes soar. (A “Hocus Pocus”-looking wig and a cheesy costume in what is supposed to be a polished production number? Really?)

    The creative and producing teams — including Lonny Price and Matt Cowart who co-direct — even miss on the musical money shot. “Wind Beneath My Wings,” the film’s bittersweet and potent Grammy-winning ode (written by Jeff Silbar and Larry Henley) was an emotional gesture of gratitude and grace. But here Cee Cee is alone on stage performing just another star turn.

  • Lena Dunham Says She Has the ‘Plot Line in My Brain’ For a ‘Girls’ Movie: ‘I Would Love to Do it’

    Lena Dunham Says She Has the ‘Plot Line in My Brain’ For a ‘Girls’ Movie: ‘I Would Love to Do it’

    Lena Dunham recently told SiriusXM’s “Radio Andy” that she has an idea for a “Girls” movie. She also shared that she made a group chat with the original cast, in which they’ve discussed reuniting when the hit HBO drama is “appropriately missed.”

    “I would love to do it, and I have to say, I got a little plot line in my brain. I do,” Dunham said. “It’s impossible not to think about where they are now. I will text with–I have a new chain with the girls and Andrew [Rannells] called ‘Survivors of the Crackcident.’ Jemima [Kirke] will pop in with the best take on like, ‘Jess is really into RFK Jr.’ and you’re like, ‘Of course she is. Of course she is.’ She does not want anyone getting vaccines. She is pissed.”

    She added, “I just see them, and also, those are my muses. So, I think it’s an obvious thing. We don’t want to come back to the party too early. We want to be appropriately missed.”

    “Girls” ran for 62 episodes across six seasons on HBO from 2012 to 2017. Dunham created the show and starred alongside Allison Williams, Jemima Kirke, Adam Driver, Zosia Mamet, Alex Karpovsky and Andrew Rannells. “Girls” was nominated for 19 Emmys and won two during its run.

    “Well, there’s a ‘Girls’ movie, HBO Max!” Dunham joked. “I would be delighted.”

    Dunham recently published her book “Famesick,” which chronicles her life and struggles as she rose to fame in her early 20s. In the book, she wrote that her “Girls” co-star Driver was “verbally aggressive, condescending and physically imposing” while filming.

  • ‘Dungeon Masters’ Host Jasmine Bhullar on Running D&D Without Licensing Restraints for New Actual-Play Show: ‘We Can Call Everything By Its Right Name’

    ‘Dungeon Masters’ Host Jasmine Bhullar on Running D&D Without Licensing Restraints for New Actual-Play Show: ‘We Can Call Everything By Its Right Name’

    Wizards of the Coast debuted the first two episodes of its new actual-play series, “Dungeon Masters,” Wednesday on YouTube, adding an officially licensed offering to the growing lineup of “Dungeons & Dragons”-inspired gameplay shows on the market.

    Run by “DesiQuest” and “Dimension 20” star Jasmine Bhullar, “Dungeon Masters” is produced by “D&D” rights holder Wizards of the Coast. That means Bhullar and her cast — Mayanna Berrin (“Dispatch,” “StoryQuest”), Christian Navarro (“13 Reasons Why,” “Forgotten Realms: Tears of Selune”), Neil Newbon (“Baldur’s Gate III”) and Devora Wilde (“Baldur’s Gate III”) — have the rare opportunity to say many trademarked words and phrases, including just the simple acknowledgement of Bhullar’s role as “dungeon master.”

    “I feel incredibly lucky and privileged, because there are a lot of actual plays, and a lot of times you have to strip out all the licensed stuff,” Bhullar said. “But I’m such a big fan of the official settings. I love that we have all these proper nouns, and we can call everything by its right name, because we have the say-so of the big dogs upstairs. I love having access to the full cadre of NPCs and locations that have been worked on by this brilliant team. It’s just a blessing to have 50 years of lore and world-building to pull on and to be able to give it the respect it deserves. I’m constantly humbled.”

    A big fan of “D&D’s” “Ravenloft” in particular, Bhullar tells Variety she “made a shriek sound” when Wizards first approached her about hosting “Dungeon Masters.” While Bhullar knew the show would be released pegged to the launch of a new “Ravenloft” campaign book, and she wouldn’t control the setting of her campaign, the story is still all her own.

    “If you see me on ‘Acquisitions Incorporated’ and you see the deep cuts I make, I love ‘Greyhawk.’ I love ‘Waterdeep.’ I love ‘Baldur’s Gate.’ And I really love ‘Ravenloft,’” Bhullar said. “I’m kind of a goth spooky — I was gonna say the B-word, but I’m not gonna say it — a goth spooky witch, myself. I was so excited to put my mustard on ‘Ravenloft.’ I never felt like, because it was an official setting, I couldn’t do what I wanted to.”

    Based on her reactions to some of Katie Marovitch’s out-there DM-ing choices during Dropout’s recent “Dimension 20: On a Bus” Season 2, it’s probably clear Bhullar appreciates a clear story and gameplay mechanics — something you get right away with an official D&D campaign.

    “When I started DM-ing, I used the pre-written settings,” Bhullar said. “I did not immediately do my own world-building. I did my homework, for lack of a better word, and then went and started to work on my own settings. So if you see [me DM-ing] ‘Coffin Run’ on ‘Dimension 20,’ I love vampires. I love black-and-white horror. ‘Ravenloft’ is absolutely my bag. And so when they called me, I didn’t question why I was getting the call. I was like, This is it. It was like a calling to come to the church or whatever. I was like, ‘Yes, absolutely. I will run “Ravenloft” for you. And if you allow me, I will run everything else, too.’”

  • Bitcoin Price Rally Nears $80K, Dips May Draw Fresh Buyers

    Bitcoin Price Rally Nears $80K, Dips May Draw Fresh Buyers

    Bitcoin price started a fresh increase and cleared the $77,500 zone. $BTC is consolidating and might aim for more gains above the $79,500 level.

    • Bitcoin managed to stay above $76,500 and started a fresh increase.
    • The price is trading above $77,200 and the 100 hourly simple moving average.
    • There is a short-term declining channel forming with resistance at $78,500 on the hourly chart of the $BTC/USD pair (data feed from Kraken).
    • The pair might extend gains if it stays above the $77,150 and $76,650 levels.

    Bitcoin Price Regains Traction

    Bitcoin price found support near $74,850 and started a fresh increase. $BTC gained pace for a move above the $75,500 and $77,200 resistance levels.

    The bulls even pushed the price above $78,500. A high was formed at $79,490, and the price is now correcting gains. There was a move below the 23.6% Fib retracement level of the upward move from the $74,850 swing low to the $79,490 high.

    Bitcoin is now trading above $77,200 and the 100 hourly simple moving average. If the price remains stable above $77,000, it could attempt a fresh increase. Immediate resistance is near the $78,500 level. There is also a short-term declining channel forming with resistance at $78,500 on the hourly chart of the $BTC/USD pair.

    Source: BTCUSD on TradingView.com

    The first key resistance is near the $79,200 level. A close above the $79,200 resistance might send the price further higher. In the stated case, the price could rise and test the $79,500 resistance. Any more gains might send the price toward the $80,000 level. The next barrier for the bulls could be $82,000.

    Another Drop In $BTC?

    If Bitcoin fails to rise above the $78,500 resistance zone, it could start another decline. Immediate support is near the $77,700 level. The first major support is near the $77,150 level or the 50% Fib retracement level of the upward move from the $74,850 swing low to the $79,490 high.

    The next support is now near the $76,650 zone. Any more losses might send the price toward the $75,500 support in the near term. The main support now sits at $75,000, below which $BTC might struggle to recover in the near term.

    Technical indicators:

    Hourly MACD – The MACD is now losing pace in the bullish zone.

    Hourly RSI (Relative Strength Index) – The RSI for $BTC/USD is now above the 50 level.

    Major Support Levels – $77,700, followed by $77,150.

    Major Resistance Levels – $78,500 and $79,500.

  • Bitcoin, Ethereum Rally, XRP, Dogecoin Hold Steady Amid Brewing Strait Of Hormuz Tensions: Analyst Sees BTC’s Real Rally After A Small ‘Breather’

    Bitcoin, Ethereum Rally, XRP, Dogecoin Hold Steady Amid Brewing Strait Of Hormuz Tensions: Analyst Sees BTC’s Real Rally After A Small ‘Breather’

    Leading cryptocurrencies rallied, while stocks closed at new records on Wednesday on the Iran ceasefire extension, even as Strait of Hormuz tensions simmer.

    Crypto Market Gains Momentum

    Bitcoin nearly topped $80,000 before easing off to the low $78,000s. Trading volume spiked 36% over the last 24 hours.

    Ethereum topped $2,400, also supported by strong buying pressure, while XRP and Dogecoin moved sideways.

    Over $460 million was liquidated in the past 24 hours,with $350 million in bearish positions alone wiped out, according to Coinglass data.

    Open interest in Bitcoin futures rose 8.64% over the last 24 hours to $61.57 billion. Whale and retail traders on Binance, however, were “extremely bearish” on BTC, placing more shorts than longs.

    “Fear” sentiment persisted in the market, according to the Crypto Fear & Greed Index.

    Top Gainers (24 Hours)

    The global cryptocurrency market capitalization stood at $2.61 trillion, following an increase of 1.65% in the last 24 hours.

    Stocks Close At New Highs

    Stocks surged back to record highs on Wednesday. The Dow Jones Industrial Average lifted 340.65 points, or 0.69%, to end the session at 49,490.03. The S&P 500 rose 1.05% to a record close of 7,137.90, while the tech-heavy Nasdaq Composite lifted 1.64% to end at 24,657.57, also hitting an all-time high.

    Meanwhile, the U.S. , with the military intercepting at least three Iranian-flagged tankers in ‌Asian waters, according to a report by Reuters.

    Oil prices sharply rose back up, with West Texas Intermediate crude futures climbing to $97 per barrel before retreating to $93 later in the session.

    Real Rally To Begin Soon?

    Widely followed cryptocurrency analyst and trader Ali Martinez noted Bitcoin forming a “bullish reversal pattern.”

    The Morning Star candlestick pattern typically appears at the bottom of a downtrend, signaling a potential shift from selling pressure to buying momentum.

    “Even though it’s a strong signal, the data shows that price often takes a small “breather” [averaging around 8%] shortly after the move before the real rally begins,” the analyst added.

    Julio Moreno, Head of Research at CryptoQuant, interpreted Bitcoin’s recent price increase as “completely driven” by the perpetual futures market, while spot demand stayed lukewarm.

    “There are risks of a correction if traders start taking profits while spot demand continues to contract,” Moreno predicted.

    Photo Courtesy: vinnstock on Shutterstock.com

  • ‘Dungeon Masters’ Host Jasmine Bhullar on Running D&D Without Licensing Restraints for New Actual-Play Show: ‘We Can Call Everything By Its Right Name’

    ‘Dungeon Masters’ Host Jasmine Bhullar on Running D&D Without Licensing Restraints for New Actual-Play Show: ‘We Can Call Everything By Its Right Name’

    Wizards of the Coast debuted the first two episodes of its new actual-play series, “Dungeon Masters,” Wednesday on YouTube, adding an officially licensed offering to the growing lineup of “Dungeons & Dragons”-inspired gameplay shows on the market.

    Run by “DesiQuest” and “Dimension 20” star Jasmine Bhullar, “Dungeon Masters” is produced by “D&D” rights holder Wizards of the Coast. That means Bhullar and her cast — Mayanna Berrin (“Dispatch,” “StoryQuest”), Christian Navarro (“13 Reasons Why,” “Forgotten Realms: Tears of Selune”), Neil Newbon (“Baldur’s Gate III”) and Devora Wilde (“Baldur’s Gate III”) — have the rare opportunity to say many trademarked words and phrases, including just the simple acknowledgement of Bhullar’s role as “dungeon master.”

    “I feel incredibly lucky and privileged, because there are a lot of actual plays, and a lot of times you have to strip out all the licensed stuff,” Bhullar said. “But I’m such a big fan of the official settings. I love that we have all these proper nouns, and we can call everything by its right name, because we have the say-so of the big dogs upstairs. I love having access to the full cadre of NPCs and locations that have been worked on by this brilliant team. It’s just a blessing to have 50 years of lore and world-building to pull on and to be able to give it the respect it deserves. I’m constantly humbled.”

    A big fan of “D&D’s” “Ravenloft” in particular, Bhullar tells Variety she “made a shriek sound” when Wizards first approached her about hosting “Dungeon Masters.” While Bhullar knew the show would be released pegged to the launch of a new “Ravenloft” campaign book, and she wouldn’t control the setting of her campaign, the story is still all her own.

    “If you see me on ‘Acquisitions Incorporated’ and you see the deep cuts I make, I love ‘Greyhawk.’ I love ‘Waterdeep.’ I love ‘Baldur’s Gate.’ And I really love ‘Ravenloft,’” Bhullar said. “I’m kind of a goth spooky — I was gonna say the B-word, but I’m not gonna say it — a goth spooky witch, myself. I was so excited to put my mustard on ‘Ravenloft.’ I never felt like, because it was an official setting, I couldn’t do what I wanted to.”

    Based on her reactions to some of Katie Marovitch’s out-there DM-ing choices during Dropout’s recent “Dimension 20: On a Bus” Season 2, it’s probably clear Bhullar appreciates a clear story and gameplay mechanics — something you get right away with an official D&D campaign.

    “When I started DM-ing, I used the pre-written settings,” Bhullar said. “I did not immediately do my own world-building. I did my homework, for lack of a better word, and then went and started to work on my own settings. So if you see [me DM-ing] ‘Coffin Run’ on ‘Dimension 20,’ I love vampires. I love black-and-white horror. ‘Ravenloft’ is absolutely my bag. And so when they called me, I didn’t question why I was getting the call. I was like, This is it. It was like a calling to come to the church or whatever. I was like, ‘Yes, absolutely. I will run “Ravenloft” for you. And if you allow me, I will run everything else, too.’”