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  • ‘Nanny Diaries’ Series With Scarlett Johansson, Greg Berlanti Producing in Development at Netflix

    ‘Nanny Diaries’ Series With Scarlett Johansson, Greg Berlanti Producing in Development at Netflix

    A TV adaptation of “The Nanny Diaries” is in development at Netflix, Variety has confirmed.

    The series would be based on the book of the same name by by Emma McLaughlin and Nicola Kraus. Amy Chozick (“House of Cards,” “The Girls on the Bus”) and Jenny Bicks (“Sex and the City,” “The Greatest Showman”) serve as writers, executive producers, and co-showrunners.

    Scarlett Johannson, who starred in the film adaptation of the book in 2007, will executive produce under her These Pictures banner alongside Jonathan Lia and Keenan Flynn. Greg Berlanti, Sarah Schechter, and Leigh London Redman executive produce via Berlanti Productions. Gary Barber and Sean Hoagland executive produce for Spyglass Media Group. Warner Bros. Television, where Berlanti is under an overall deal, is the studio.

    The official logline for the project states:

    “Annie, a broke, aspiring writer in search of a story, takes a nanny job for a magnetic Upper East Side socialite, plunging into an elite world of unimaginable excess. When she lands the book deal of her dreams to go undercover and expose the salacious lives of the ultra-rich, Annie must try to keep up this double life even as she grows attached to the people and this world… and finds out what her elusive boss is actually capable of.”

    “The Nanny Diaries” was originally published in 2002, while a sequel novel titled “Nanny Returns” was published in 2010. The film version starred Johansson as Annie along with Laura Dern, Paul Giamatti, Alicia Keys, Chris Evans, and Nicholas Reese Art.

    Deadline first reported the development news.

  • D4vd Had ‘Significant Amount’ of Child Pornography in iCloud Account, Prosecutors Say

    D4vd Had ‘Significant Amount’ of Child Pornography in iCloud Account, Prosecutors Say

    Prosecutors have revealed that singer D4vd had a “significant amount” of child pornography on his iCloud storage account during a hearing on Thursday, just days after he was charged with the murder of 14-year-old Celeste Rivas Hernandez.

    During the hearing, Beth Silverman, deputy district attorney for Los Angeles County, said that they uncovered a significant amount of material that’s taking a long time to upload, according to NBC News. D4vd, whose real name is David Anthony Burke, had eight terabytes of data on an iCloud storage account, and prosecutors have only been able to download one terabyte thus far. It’s unclear how much of the iCloud content contained child pornography.

    Prosecutors said that defense attorneys could view the data at a clean computer in the justice center, and that there are an additional 20 to 30 terabytes of raw data across various devices that the district attorney’s office is attempting to transfer onto drives for the singer’s defense team. Burke, who is being held without bail, appeared at the hearing in an orange jumpsuit during the hearing and was “slumped” in his chair.

    The Los Angeles County medical examiner released an autopsy report yesterday that revealed Hernandez died of multiple stab wounds and that the manner was “homicide.” The report, which was completed in December but was sealed pending the LAPD investigation, found that Rivas died from “multiple penetrating injuries” including two wounds to the torso, one in the upper abdomen, penetrating the liver, and one in the left chest. Her body was found in multiple bags in the front trunk of Burke’s Tesla in September 2025. Her arms and legs had been cut off, and her body was significantly decomposed, according to the report.

    Rivas was last seen alive on April 23, 2025, when she went to Burke’s home in the Hollywood Hills, according to D.A. Nathan Hochman. Burke was arrested last Friday and was charged on Monday, facing a first-degree murder charge, which could potentially make him eligible for the death penalty. He will also face charges for lewd acts with a child and for dismembering the girl’s body.

  • Bitmine, a company that purchased a large amount of Ethereum this morning, has staked thousands of ETH! Here are the details

    Bitmine, a company that purchased a large amount of Ethereum this morning, has staked thousands of ETH! Here are the details

    In the cryptocurrency market, institutional players’ Ethereum-focused strategies continue to attract attention. According to information shared by the on-chain data platform Lookonchain, Bitmine recently staked 93,600 Ethereum. The total value of this transaction is estimated to be approximately $218 million.

    With this latest transaction, the company’s total staked $ETH has reached 3,489,469. The current market value of these assets is approximately $8.13 billion.

    This figure represents approximately 70% of Bitmine’s total Ethereum holdings. This indicates that the company is focusing on a staking model to generate long-term returns.

    This development is a continuation of Bitmine’s aggressive strategy to increase its Ethereum holdings. Earlier in the day, it was reported that the company purchased an additional 100,000 $ETH for approximately $233.7 million. In doing so, the company is both expanding its holdings and leveraging them to generate passive income through staking.

    Experts say that institutional investors turning to staking activities is a positive signal for the Ethereum ecosystem. Such large-scale transactions increase network security while also locking up a portion of the market supply, potentially influencing price dynamics.

    Bitmine’s latest move once again demonstrates institutional investors’ confidence in Ethereum and their expectations for long-term growth.

    *This is not investment advice.

  • Five Annapurna Interactive games get Switch 2 releases

    If you’re a Switch 2 owner itching for something new to play and you happen to be partial to an Annapurna Interactive game, then boy is it your lucky day. The prolific indie publisher has announced that five of its titles are coming to Switch 2, three in the form of next-gen upgrades and two for the first time on Nintendo platforms.

    The magnificent Sayonara Wild Hearts and Lorelei and the Laser Eyes are available starting today, complete with 120Hz and 4K upgrades for Nintendo’s latest console. First-time buyers can grab Sayonara Wild Hearts for $13, while 2024’s Lorelei and the Laser Eyes costs $25. The upgrades are free if you already own either game on Switch, and Sayonara Wild Hearts also adds the previously unavailable Remix Arcade mode for the first time. This speeds up gameplay and removes loading as you chase high scores.

    Next month, May 28, cyberpunk cat adventure Stray is also getting the Switch 2 treatment, sporting improved 4K visuals, a frame rate boost and, fittingly given its feline focus, mouse controls. The Switch 2 port will be available to purchase digitally from the eShop for $30, but it’s not clear if this will also be a free upgrade for those who bought Stray on Switch.

    Katamari creator Keita Takahashi’s charmingly weird puzzle-adventure To a T skipped Nintendo consoles when it launched last year, so it’s nice to see that one coming to Switch 2 on June 11 (digital-only, $20). A few weeks later on June 23, cozy narrative game Wanderstop arrives on both Switch and Switch 2. It’ll cost $25 on the eShop, with no word on a physical version.

    Annapurna Interactive released a lot of its games on Switch, and that trend happily looks set to continue throughout the Switch 2 generation. The musical turn-based RPG People of Note came to Nintendo’s latest console at launch earlier this month, with stylish adventure game Mixtape also arriving on Switch 2 on May 7.

  • Shocking Claims from a Former Chinese Crypto Exchange Founder: “The Inevitable End Is Coming”

    Shocking Claims from a Former Chinese Crypto Exchange Founder: “The Inevitable End Is Coming”

    CoinEX founder Yang Haipo, in a comprehensive analysis he published, made rather pessimistic assessments about the future of the sector.

    Haipo argued that the current structure of the cryptocurrency market, particularly Bitcoin, is unsustainable, suggesting that a sharp decline from the trillion-dollar market capitalization is “inevitable.”

    Yang Haipo stated that Bitcoin offers no productivity, carries no consumption value, and provides no real monetary function, making it difficult for this structure to survive in the long term. Arguing that comparisons to gold are invalid, Haipo claimed that gold occupies a different position due to both its physical uses and its historical role as a currency.

    Haipo noted that Bitcoin previously had use cases for dark web payments, cross-border transfers, and micro-payments, but these functions were largely abandoned following the block size debates. According to Haipo, this turning point transformed Bitcoin from a “flawed currency” into a purely speculative instrument.

    Haipo also drew attention to the network’s security model, stating that as block rewards decrease, the system will become entirely dependent on transaction fees, which contradicts the “HODL” (holding) narrative.

    One of the most striking points in Haipo’s analysis was his criticism of the economic structure of the crypto sector. Describing the sector as a “negative-sum system,” Haipo stated that a fixed cost of between $35 and $50 billion leaves the system each year.

    Haipo stated that these costs are distributed among mining, exchanges, project teams, and other service providers, arguing that the actual revenue the sector receives from the outside world is extremely limited. He noted that transaction fees and the token economy largely create an “internal loop,” and that the system is primarily dependent on the influx of new investors.

    Haipo, likening the crypto market to the casino industry, described exchanges as “casinos,” miners as “infrastructure providers,” and projects as “gambling tables.” However, he argued that presenting crypto with narratives like “revolution” or “the future of finance” distorts investors’ risk perception.

    Related News Bitcoin (BTC) Is Gaining Momentum Again – Is the Recent Rally a Bull Trap or a Sign of New Rallies to Come?

    According to Yang Haipo, the total operational costs incurred in the crypto sector to date have reached approximately $500 billion. Furthermore, when individual investor spending, hacking incidents, and penalties are added, the total “dead weight loss” is estimated to exceed $1 trillion.

    Haipo argued that mining operations, in particular, have largely become about electricity and equipment costs, and that these expenditures do not generate lasting value, stating that the sector’s resource consumption has reached unsustainable levels.

    Haipo calculated that the current cryptocurrency market capitalization of approximately $2.5 trillion actually has a lower “circulating value,” estimated at around $1.6 trillion. In contrast, the total value of stablecoin and fiat balances representing liquidity in the system is approximately $200 billion.

    Haipo stated that this situation means approximately eight times effective leverage, and argued that even if only a small portion of investors wanted to exit, the market could face a serious liquidity crisis.

    One of the most critical findings of the analysis was the assessment that the sustainability of the market is entirely dependent on new capital inflows. According to Haipo, ETFs and institutional investors represent the “last major wave of capital” entering the sector.

    Haipo argued that if new entries slow down, the system will experience a “net loss of value,” ultimately leading to a massive decline in the cryptocurrency market.

    However, Haipo added that crypto assets would not be completely wiped out; a certain floor value would be established due to features such as censorship resistance and permissionless transfers. But he argued that maintaining the current trillion-dollar levels would be difficult.

    *This is not investment advice.

  • Ohio man wins $158,585 lottery prize thanks to clerk’s mistake

    Ohio man wins $158,585 lottery prize thanks to clerk’s mistake

    Odd News // 3 weeks ago

    Virginia man buys 20 tickets for one lottery drawing, wins 20 times

    March 27 (UPI) — A Virginia man bought 20 identical tickets for a single Pick 4 lottery drawing and ended up winning $5,000 for each ticket — a total of $100,000.

  • The Duffer Brothers to Deliver Commencement Address at Their Alma Mater Chapman University

    Matt and Ross Duffer, class of 2007, will return to their old stomping grounds at Chapman University to deliver the keynote address at commencement.

    The ceremony, set to take place at Wilson Field on May 22, will celebrate the class of 2026, a group that includes more than 3,000 graduates with 850 of those earning advanced degrees across Chapman’s 11 schools and colleges. Not only will the Duffer Brothers team up for the speech, Chapman will return the favor by presenting them with honorary doctorates.

    The honorary degrees come their way after the Duffer Brothers achieved global success for being the masterminds behind Netflix’s hit horror franchise Stranger Things. The cultural phenomenon recently wrapped with its highly anticipated final season in December 2025. After graduating from Chapman’s Dodge College of Film and Media Arts in 2007, they carved a path in Hollywood by eventually launching their Upside Down Pictures in 2022, a company that has expanded its footprint across film, TV and stage.

    They’re at work producing the Tony Award-winning West End and Broadway productions of Stranger Things: The First Shadow. Their slate includes a live-action Stranger Things spin-off and an animated series, Stranger Things: Tales from ’85, as well as two Netflix original series, The Boroughs and the recent launch Something Very Bad is Going to Happen.

    In other Duffer Brothers news, the Gotham Film & Media Institute announced today that they will receive a visionary tribute for Stranger Things at the third annual Gotham Television Awards, set to take place at New York’s Cipriani Wall Street on June 1.

    “Matt and Ross Duffer represent the very best of Chapman — bold storytellers who turned their creative vision into work that has captivated audiences around the world,” said Chapman University president Matt Parlow. “Their journey from Dodge College to globally recognized creators is a powerful example for our graduates as they prepare to shape their own futures.”

    Other boldfaced names to have spoken at the private university in Orange, Calif. are Hilary Swank, Bill Hader, Angela Bassett and Nobel Peace Laureate Nadia Murad.

  • Peabody Awards: ‘Heated Rivalry,’ ‘Pluribus, ‘The Pitt’ Among Winners

    Peabody Awards: ‘Heated Rivalry,’ ‘Pluribus, ‘The Pitt’ Among Winners

    The 34 winners of the 2026 Peabody Awards have been announced.

    Entertainment and documentary titles had a strong showing with a total of 11 and 10 wins, respectively, in each category. Among networks, HBO earned the most wins with six: three in the documentary category for The Alabama Solution, Pee-wee as Himself and Thoughts and Prayers, and three for the TV series Heated Rivalry, The Pitt and The Rehearsal. Apple TV, Disney+, Hulu, Netflix and PBS all tied in second place with two awards each.

    “The winners of the 86th annual Peabody Awards reflect Peabody’s mission to honor storytelling that has the potential to change culture, whether it’s examining the destructive tactics of ICE, viewing terminal illness through a deeply personal lens, or resisting attempts to stifle free speech, we look forward to recognizing and celebrating these winners,” Jeffrey P. Jones, executive director of Peabody, said in a news release.

    Winners were chosen by a unanimous vote of 28 jurors from more than 1,000 submissions across television, podcasts/radio and the web in entertainment, news, documentary, arts, children’s/youth, public service, and interactive/immersive programming and media.

    The 86th Annual Peabody Awards will be held on May 31 at the Beverly Wilshire Hotel in Beverly Hills, California. As previously announced, special honorees include Amy Poehler, who will be presented with the Peabody Career Achievement Award; Sterlin Harjo, who will receive the Peabody Trailblazer Award; James L. Brooks, who’ll be honored with the Inaugural Industry Icon Award; and PBS Kids, the Industry Award.

    The full list of winners follows.

    NEWS
    “Fault Lines: ‘Kids Under Fire’ and ‘The Disappearance of Dr. Abu Safiya’” (Al Jazeera English)
    “Fault Lines” tackles the Gaza conflict in two excellent packages. “Kids Under Fire” follows Dr. Mimi Syed as she advocates for more attention to the humanitarian crisis in Gaza, where she treated at least 18 children with gunshots to the head or chest. “The Disappearance of Dr. Abu Safiya” tells the story of another doctor, one who continued to treat patients at a northern Gaza hospital even as the Israeli military forcibly cleared the region and attacked the hospital until he was taken into indefinite custody. He continues to be detained 16 months later amid reports that he’s been subjected to “severe torture,” according to the United Nations.
    Al Jazeera English

    “Immigration Crackdown” (PBS News Hour)
    “PBS News Hour” presented comprehensive and sustained coverage of the Trump administration’s radical changes in U.S. immigration policy, including birthright citizenship, refugee resettlement, asylum procedures, mass deportations, military deployments to U.S. cities, and institutional realignments inside immigration enforcement agencies. The program’s reporting included breaking news coverage as well as deeper historical context, policy analysis, institutional accountability, and real-world impact.
    PBS News Hour

    “Los Angeles Burning” (ABC News and KABC, Los Angeles)
    Reporters from both the local and national ABC News organizations mobilized across Los Angeles for thorough, on-the-scene coverage of the catastrophic fires of January 2025, even as two dozen of the local reporters were evacuated from their own homes and two had homes that burned to the ground. The coverage was crucial to residents trying to decide when to leave and when to return, while continuing coverage highlighted preparedness, environmental justice, infrastructure, and lasting effects.
    ABC News and KABC-TV, Los Angeles

    “Restrained” (ABC / KMBC 9)
    A KMBC 9 investigation revealed that at least 102 individuals across 29 states died or were injured due to the misuse of restraint chairs by law enforcement, often involving excessive force such as beating or tasing restrained inmates, highlighting significant gaps in training and policy. Following the investigation, more than 50 sheriffs in Missouri and Kansas updated their restraint policies, and the National Institute for Jail Operations recommended the content for national training, signaling a push for reform in how restraint systems are managed in correctional facilities.
    KMBC 9

    “The Rise and Fall of Terrorgram” (PBS)
    “The Rise and Fall of Terrorgram” investigates how young people are radicalized by online extremist communities to commit acts of terror, highlighting the dangerous influence of unregulated internet spaces that foster hate and violence. Through compelling interviews and meticulous research, the documentary exposes the methods used by extremists and traces the expansion of the Terrorgram network, revealing the vulnerabilities of youth to online fearmongering rooted in racism, antisemitism, and homophobia.
    FRONTLINE (PBS), ProPublica

    PODCAST AND RADIO

    Divine Intervention
    “Divine Intervention” is a ten-part audio documentary that uncovers the radical Catholic left’s resistance during the Vietnam War, highlighting the bold actions of nuns and priests who challenged the FBI and staged the first political sanctuary in centuries. Through the personal stories of activists and intense courtroom battles, host Brendan Patrick Hughes explores themes of faith, rebellion, and the complexities of confronting injustice, ultimately offering a compelling blueprint for modern activism.
    Wonder Media Network and iHeart Media

    Scam Inc
    “Scam Inc” is an eight-part narrative podcast from “The Economist” that uncovers the vast and organized world of online fraud, estimated to generate more than $500 billion annually, rivaling the illegal drug trade. Through meticulous reporting, the series reveals the complex operations behind modern scams, featuring stories of victims and scammers, while prompting global conversations among leaders in technology and policy to address this escalating crisis.
    The Economist

    When We All Get to Heaven
    “When We All Get to Heaven” is a ten-part audio documentary that uncovers the powerful stories preserved in 1,200 cassette tapes from a queer church in San Francisco during the AIDS crisis, highlighting the resilience and creativity of LGBTQ Christians amid loss and isolation. Through a blend of archival recordings and contemporary interviews, the series illustrates how the church became a sanctuary for its community, honoring both their faith and queerness while fostering joy and connection during a time of profound grief.
    Eureka Street Productions


    DOCUMENTARIES

    The Alabama Solution (HBO Max)
    In 2019, filmmakers gained rare access to document a revival meeting inside an Alabama prison, leading to a six-year investigation into the state’s deadly prison system, characterized by corruption, violence, and neglect. By communicating with incarcerated activists Robert Earl Council and Melvin Ray, the film exposes systemic issues, including brutal conditions and high mortality rates, while advocating for transparency and justice in a system that often operates in secrecy.
    HBO Documentary Films; Hit The Ground Running

    Come See Me in the Good Light (Apple TV)
    Poet-activist Andrea Gibson and their partner Megan Falley confront Andrea’s incurable ovarian cancer diagnosis as cameras follow them, exploring how this journey deepens their love and appreciation for life. The documentary encourages open conversations about mortality while showcasing the couple’s resilience, humor, and art, ultimately serving as a powerful reminder of the importance of connection and joy.
    Apple / Tripod Media / Amplify Pictures / Treat Media / Something Fierce Productions

    Mr. Nobody Against Putin (BBC Four)
    Following Pavel “Pasha” Talankin, a beloved Russian teacher who is reluctantly pulled into the state propaganda machine amid the invasion of Ukraine, this film documents the troubling transformation of his school and community. As he captures intimate footage of the regime’s militarization of youth and faces increasing danger, Pasha becomes an international whistleblower, ultimately planning a perilous escape from Russia.
    Made in Copenhagen in co-production with Pink

    No Other Land
    Basel Adra, a young Palestinian activist from the Masafer Yatta region, documents the destruction of his community by Israeli forces while he and Israeli journalist Yuval Abraham fight against their starkly unequal realities. Their film, created by a Palestinian-Israeli collective during oppressive times, aims to challenge the ongoing expulsion and propose a vision of equality.
    Antipode Films

    Pee-wee as Himself (HBO Max)
    Pee-wee as Himself explores the complex life of Paul Reubens, known as Pee-wee Herman, highlighting his artistic influences and the backlash he faced, particularly after his 1991 arrest. The film captures the emotional struggle between Reubens and the filmmaker over narrative control, ultimately paying tribute to his legacy as a groundbreaking artist while addressing issues of identity, sexuality, and the impact of public perception on personal lives.
    HBO Documentary Films presents an Elara & First Love Films Production

    Put Your Soul on Your Hand and Walk
    Put Your Soul on Your Hand and Walk provides an intimate view of life in Gaza through video calls between director Sepideh Farsi and Palestinian photojournalist Fatma Hassona, who captures the struggles and resilience of her generation amid ongoing conflict. Tragically, Fatma and her family were killed by an Israeli airstrike shortly after the film’s selection for the Cannes Film Festival, making it a heartfelt memorial to her life and artistry.
    Rêves d’Eau Productions

    Southpaw—The Life and Legacy of Jim Abbott (ESPN)
    Jim Abbott, born without a right hand, defied the odds to become a celebrated baseball pitcher, achieving fame in the Major Leagues and notably pitching a no-hitter for the New York Yankees in 1993. His journey, marked by struggles with being a reluctant role model, continues to inspire and resonate with disabled and limb-different individuals worldwide, making “Southpaw” a powerful narrative about ingenuity and identity.
    ESPN

    Thoughts & Prayers (HBO Max)
    Thoughts & Prayers explores the normalization of gun violence in America by highlighting the culture and industry that has emerged around survival, including lockdown drills and bulletproof backpacks. The film shifts the focus from traditional narratives of policy and victimhood to the everyday experiences of individuals adapting to a life of constant threat, raising critical questions about whether these safety rituals signify true preparedness or a surrender to violence.
    HBO Documentary Films presents a Tony Tina Production


    ARTS

    Fela Kuti: Fear No Man
    Fela Kuti: Fear No Man is a podcast series hosted by Jad Abumrad that explores the life and impact of Fela Kuti through innovative sound design and more than 200 interviews, highlighting the musician’s role in shaping post-colonial Nigeria and the African independence movement. The series intricately weaves personal stories with broader cultural and political narratives, demonstrating the power of art and activism, and has already garnered significant acclaim, making its way into educational curricula.
    Audible, Higher Ground, Western Sound and Talkhouse

    Sly Lives! (a.k.a. The Burden of Black Genius) (Hulu, Onyx Collective)
    This documentary explores the life and legacy of Sly Stone and his groundbreaking band, Sly & the Family Stone, while delving into the broader themes of the pressures and complexities faced by Black artists navigating success. Through interviews with other influential artists, the film highlights the emotional and societal burdens that accompany their achievements, emphasizing the importance of empathy and understanding in celebrating their contributions to music and culture.
    MRC, Network Entertainment Inc., Two One Five Entertainment Inc., RadicalMedia, Stardust Films LLC, ID8 Multimedia, Inc., and Sony Music Entertainment

    ENTERTAINMENT

    Adolescence
    Netflix’s limited series Adolescence presents a narrative through four single-take episodes that follow 13-year-old Jamie Miller (Owen Cooper), who is arrested for the murder of his female classmate, revealing the complexities of his crime and its impact on those around him. Praised for its unique storytelling and emotional depth, the series tackles pressing issues such as the “manosphere” and social media influence on the young, prompting widespread discussions about digital safety and the experiences of today’s youth.
    Warp Films, Matriarch Productions and Plan B for Netflix

    Andor (Disney+)
    Lucasfilm’s political thriller series serves as a prequel to the Star Wars film Rogue One, chronicling the transformation of Cassian Andor (Diego Luna) from a cynical bystander to a pivotal rebel hero against the totalitarian Empire, while exploring the personal sacrifices and choices that fuel a revolution. The series emphasizes hope and the power of collective action, providing a nuanced look at both the rebels and the individuals within the Empire, ultimately highlighting the enduring relevance of its themes of oppression and resistance in today’s world.
    Lucasfilm Ltd.

    Common Side Effects (Adult Swim)
    Common Side Effects follows Marshall Cuso (voiced by Dave King), a mushroom expert in Peru who discovers a potentially revolutionary fungus called “the Blue Angel” that could heal various ailments, only to find himself pursued by the DEA and pharmaceutical companies. The series, depicted through hand-drawn animation, explores themes of wellness, corporate greed and personal struggles, emphasizing the potential for collective healing and change in a chaotic world.
    Green Street Pictures, Bandera Entertainment, and Williams Street

    Dying for Sex (FX / Hulu)
    This series, based on a true story, explores the life of Molly Kochan (Michelle Williams), a woman living with terminal cancer who navigates her illness and childhood trauma, blending comedy and profound honesty in a way that challenges traditional narratives around death and sexuality. The creators aimed to portray authentically the complexities of living with cancer by consulting experts and individuals with similar experiences, ultimately depicting a life filled with both struggle and healing, while emphasizing the importance of embracing life’s realities rather than conforming to societal expectations.
    20th Television

    Forever (Netflix)
    Netflix’s Forever, adapted from Judy Blume’s novel, reimagines first love through the lens of Justin (Michael Cooper Jr.) and Keisha (Lovie Simone)—two Black high school athletes in 2018 Los Angeles, exploring the pressures of ambition and mental health. The series poignantly addresses the complexities of teenage struggles, particularly through Justin’s undiagnosed ADHD and Keisha’s experience of trauma, emphasizing the importance of unconditional support and the intersection of mental health with race and class in today’s world.
    A Netflix Series

    Heated Rivalry (HBO Max)
    Heated Rivalry follows hockey stars Shane Hollander (Hudson Williams) and Ilya Rozanov (Connor Storrie) as their secret romance evolves amidst their fierce rivalry in professional hockey, exploring themes of ambition, love, and self-discovery over eight years. As they chase glory on the ice, they grapple with their undeniable feelings for each other, questioning whether they can balance their competitive careers with a powerful, yet vulnerable, love.
    Accent Aigu Entertainment in association with Bell Media’s Crave

    Jimmy Kimmel Live! (ABC)
    For more than 23 years, Jimmy Kimmel Live! has used humor and satire to critique powerful figures and reflect American culture, embracing the responsibility of comedy to reveal truths amid political volatility. The show faced unprecedented challenges as President Trump’s second administration came to power, culminating in a brief suspension by ABC (at the behest of the FCC) that sparked a bipartisan defense of free expression on the airwaves, ultimately reinforcing the importance of satire as a vital form of democratic speech.
    20th Television in association with KIMMELOT

    Mussolini: Son of the Century (MUBI)
    This compelling portrayal of Benito Mussolini (Luca Marinelli)—as he transforms from a socialist journalist to Italy’s ruthless dictator—explores the rise of fascism through a hypermodern lens that emphasizes political manipulation and corruption. Adapted from Antonio Scurati’s novel, the series delves into the darker aspects of Mussolini’s character, illustrating how his toxic masculinity and exploitation of fear led to his ascent, while inviting viewers to reflect on the broader implications of his story in today’s political landscape.
    Sky Studios and Lorenzo Mieli for The Apartment, a Fremantle group company, in co-production with Pathé, in association with Small Forward Productions, in collaboration with Fremantle, CINECITTÀ S.p.A. and Sky

    The Pitt (HBO Max)
    The Pitt explores the immense challenges faced by emergency room physicians and nurses in a crumbling American healthcare system. Through gripping narratives, the series highlights issues such as mental health struggles, violence against healthcare workers, and the impact of rising healthcare costs, revealing the dedication of frontline workers as they face down a crisis exacerbated by chronic underfunding and societal neglect.
    HBO Max in association with John Wells Productions, R. Scott Gemmill Productions, and Warner Bros. Television

    Pluribus (Apple TV)
    Carol Sturka (Rhea Seehorn) emerges after a global crisis as one of the few humans immune to a virus that creates a harmonious hive mind, and her story explores profound existential questions about individuality, happiness, and the nature of human connection. As Carol grapples with her personal grief and the loss of her wife, she embarks on a mission to dismantle the collective’s utopia, questioning whether true happiness can exist without the freedom to choose, and what it truly means to be human in a world stripped of conflict and suffering.
    Sony Pictures Television in association with Apple

    The Rehearsal (HBO Max)
    Season 2 of “The Rehearsal” showcases Nathan Fielder’s innovative storytelling, using his “rehearsal” approach to life to make a genuine impact on the aviation community with discussions about communication, training, and mental well-being. The season’s creative approach not only garnered critical acclaim but also contributed to meaningful legislative changes, such as the Mental Health in Aviation Act, highlighting Fielder’s unique ability to blend entertainment with social relevance and public understanding.
    HBO in association with Blow Out Productions

    CHILDREN’S/YOUTH

    Marvel’s Moon Girl and Devil Dinosaur (Disney+)
    Lunella Lafayette (voiced by Diamond White), a genius teen and protector of her New York City neighborhood, takes on the challenges of superhero life alongside her massive partner, Devil Dinosaur (Fred Tatasciore). This animated series combines vibrant visuals and original music to tell relatable coming-of-age stories that emphasize themes of honesty, friendship, and community empowerment, all while ensuring diverse representation through collaboration with organizations dedicated to authenticity.
    Flying Bark Productions, Disney Television Animation, Disney Branded Television


    INTERACTIVE & IMMERSIVE

    Cleared by Fire
    Cleared by Fire is an interactive documentary that explores the tragic 2005 Haditha massacre, where U.S. Marines killed 25 civilians, including a grandfather and a young girl, yet no one was held accountable. Using a blend of investigative reporting, 3D reconstructions, and personal narratives, the project allows viewers to engage with multiple perspectives and conflicting accounts surrounding the incident, aiming to restore individuality and humanity to the victims who are often reduced to mere statistics in discussions of war.
    The New Yorker

    “ICE Sweeps Georgia”
    This social video series by The Atlanta Journal-Constitution captures the realities of immigration enforcement in Georgia, a state experiencing significant ICE activity. By employing vertical video and real-time reporting, the series presents deeply reported, character-driven stories that humanize the impact of immigration policies, and has reached nearly 2.8 million views on platforms like TikTok and Instagram.
    The Atlanta Journal-Constitution

    “Investigating War Crimes in Gaza”
    Al Jazeera’s investigation uncovers war crimes in the Gaza Strip using photos and videos posted by Israeli soldiers on social media, revealing illegal activities such as destruction, looting, and murder. By compiling a vast database of this material and sharing it through impactful social videos, the project has reached millions, providing vital eyewitness testimonies and interactive resources to document the atrocities faced by the people of Gaza.
    Al Jazeera English

    South of Midnight
    South of Midnight is a unique video game that immerses players in the rich, culturally grounded landscapes of the American South, blending magic and realism as they follow Hazel, a heroine on a quest to find the mother she lost to a hurricane. Drawing from Southern Gothic traditions, the game explores themes of history, identity, and resilience, featuring mythical creatures inspired by local folklore, while its dynamic music and audio design enhance the emotional depth of the story, creating an experience that feels both intimate and vividly alive.
    Compulsion Games

  • Carter Wilson’s Thriller ‘Tell Me What You Did’ Being Adapted Into Feature Film by Phiphen (EXCLUSIVE)

    Carter Wilson’s Thriller ‘Tell Me What You Did’ Being Adapted Into Feature Film by Phiphen (EXCLUSIVE)

    Phiphen, an independent film and television production company founded by award-winning producer Molly Conners, has optioned the Carter Wilson‘s bestselling thriller “Tell Me What You Did” and will adapt the novel into a feature film.

    Conners will produce the project; a screenwriter has not yet been attached.

    “Carter Wilson’s storytelling is immersive, suspenseful, and deeply psychological in a way that keeps readers turning pages late into the night,” said Conners. “’Tell Me What You Did’ is exactly the kind of bold, character-driven story we love to champion at Phiphen, and we’re excited to begin shaping its journey to the screen.”

    In “Tell Me What You Did,” Wilson explores guilt, secrets, and the consequences of buried truths. Wilson, who books include “The Father She Went to Find,” “The Dead Husband” and “The Comfort of Black,” has built a loyal readership and received critical acclaim for his writing.

    “I’m thrilled to partner with Molly Conners and the team at Phiphen to bring ‘Tell Me What You Did’ to life,” said Wilson. “Their passion for compelling stories and commitment to thoughtful, character-driven filmmaking makes them an incredible home for this project.”

    The option marks the latest addition to Phiphen’s growing slate of literary adaptations and original projects across film and television. Mary Alice Kier and Anna Cottle of Cine/Lit Representation handled the negotiations on behalf of Carter Wilson.

    Phiphen is an independently owned film and television production company, which creates content across all genres and budget levels. Phiphen has produced more than 30 film and television projects, including Netflix’s “Like Father,” starring Kristen Bell, Kelsey Grammer and Seth Rogen; Saban’s “Butcher’s Crossing,” starring Nicolas Cage and Fred Hechinger; and Netflix’s Emmy-nominated short-form comedy television series “It’s Bruno.” Phiphen also invested in the Tony Award–winning Broadway musical and national tour of “Operation Mincemeat.”

    Phiphen’s upcoming slate includes “The Stalemate,” starring Ben Foster, Manny Jacinto, Fiona Shaw, Tony Hale, Shea Whigham, Paul Sparks & Anthony Carrigan; “Somedays,” starring Billy Bob Thornton, Pamela Anderson and Ariana Greenblatt; and “Midge,” which was written by Terence Winter and Vince Piazza, and will be produced with Appian Way.

  • Jeff Probst Was Stunned by Difficult ‘Survivor’ 50 Immunity Challenge, Asked If He Was Being Pranked: ‘I Honestly Thought, There’s Got to Be Something Wrong’ (EXCLUSIVE)

    Jeff Probst Was Stunned by Difficult ‘Survivor’ 50 Immunity Challenge, Asked If He Was Being Pranked: ‘I Honestly Thought, There’s Got to Be Something Wrong’ (EXCLUSIVE)

    SPOILER ALERT: This article contains spoilers from “I Deserve All of This,” the ninth episode of “Survivor” Season 50.

    It turns out, getting off the couch isn’t so easy after all. Jeff Probst learned exactly that over the summer when he added another title to his “Survivor” resume under host and showrunner: competitor. Variety was on set in Fiji during the filming of Wednesday’s episode, during which Probst took part in his first immunity challenge.

    During the competition, he made a side bet with the castaways — if four of them could outlast him, they’d get a bag of rice. Ozzy, Joe, Tiff and Jonathan agree to the bet, so Probst only had to outlast one of them. And spoiler alert: he couldn’t do it.

    “My forearms are still sore,” Probst said, two days after the challenge. In this specific competition, the castaways had to hold onto a handle with a rope wrapped around it. At the end of the rope is a bucket that holds a percentage of each contestant’s pre-game body weight. Probst lasted for seven-and-a-half minutes — which is still quite impressive. And after the challenge was over, he rewarded the group with their bag of rice and even signed the bag with a Sharpie.

    (It wasn’t surprising that Joe ended up winning immunity this time around. During his season, 48, he set the record for the longest to do it, lasting 52 minutes.)

    “It was so much harder than I thought,” Probst told Variety. In fact, before he started, he wasn’t sure he should give it his all. “I had this thought: Don’t outlast too many people, because it’ll seem rigged and no one will believe it. And turns out, I could barely outlast anyone. There was no concern about somebody thinking this was staged.”

    Robert Voets/CBS

    From the moment he began, he realized the difficulty: “You take the handles and click them back, and instantly, I honestly thought, there’s got to be something wrong with my bucket. Did the art department play a joke on me? Is there a joke that I don’t know about?… I’ll admit I even went to bed thinking: Was my station set up the same as theirs? Even though I know it was because I was making sure of it! But I thought, how can it be this difficult? And I am fit, I work out. I do pull-ups, I have a grip. I gave it everything. I had no more time. That was it.”

    After he dropped, he says, he came up with “a litany of excuses” in his head for why he didn’t win. “I was disappointed and surprised, and then immediately, I started justifying. ‘Well, I was also hosting, and I’m very depleted from the last year and a half of trying to produce the show,’” he says. “The truth is Probst, it wasn’t your day. Just admit it and step away!”

    It’s been 25 years of “Survivor,” and this was one of the most eye-opening experiences Probst has had yet — and that’s saying a lot.

    “Beyond the fun of the twist, it was really informative to me. It’s very difficult to do these things. I happened to pick one that was more strength-based, but even watching somebody just stand on a narrow beam and balance a ball, I will never again look at it the same way,” he says. “And I’m the one saying, ‘It’s so easy to talk about how well you could do when you’re sitting at home.’ I’ve been that guy for 25 years. I finally got off the couch myself, and I will never be the same.”

    He was also thrilled that it went the way it did. “I was so happy that the players embraced me and then made fun of me, and gave me what I deserved, which is 25 years of smack talk,” said Probst. “I had a blast with it, and they got rice. They earned it, which is what the fans want.”