Tag: HollywoodReporter

  • Tim Curry’s Most Memorable Roles

    Tim Curry’s Most Memorable Roles

    From ‘The Rocky Horror Picture Show’ to ‘Clue’ to ‘Annie,’ a list of great performances by the actor, who died Wednesday at age 80.

    The world is mourning Tim Curry.

    The actor, who died Wednesday at age 80, was known for playing everything from eccentrics to villains in such films as It, The Rocky Horror Picture Show, Clue and Annie.

    The Hollywood Reporter takes a look at some of his most memorable roles, below.

  • Chris Hansen Buys Ads Before Every Screening of A24’s ‘Primetime’ (Exclusive)

    Chris Hansen Buys Ads Before Every Screening of A24’s ‘Primetime’ (Exclusive)

    Moviegoers who show up to see Robert Pattinson play To Catch a Predator host Chris Hansen in Primetime will first find themselves face-to-face with the real thing.

    Hansen has purchased preshow advertising on every screen showing the upcoming A24 release, The Hollywood Reporter has learned. In the spot, he directs audiences to TruBlu, his streaming network devoted to the same kind of predator investigations that made him famous.

    The film, a dark exploration of Hansen’s specialty of luring suspected sex predators into nondescript suburban kitchens before confronting them on camera, opens Sept. 25 following its world premiere Sept. 5 at the Venice International Film Festival.

    Hansen has said on podcasts and on Jesse Watters’ Fox News program that he declined an invitation to see the film because he was required to sign an agreement barring him from taking legal action against A24.

    Sources close to Hansen tell THR that he is now consulting attorneys about his options following the film’s release.

    In the meantime, Hansen is capitalizing on the renewed attention by placing the ad before every theatrical showing of Primetime. In the spot, shared exclusively with THR, Hansen enters his familiar hunting ground, a kitchen, and delivers a variation on his dread-inducing catchphrase.

    “I’m going to need everyone in the theater to take a seat right over there,” he says.

    “Now there are more platforms than ever before where this disturbing crime is being committed,” Hansen continues. “Join us undercover every day on my streaming network, TruBlu.”

    A QR code directs moviegoers to a landing page for the network, which offers a steady stream of predator investigations and other true-crime programming.

    Hansen wanted to end the commercial by reminding audiences that what they were about to see in Primetime was “a Hollywood fantasy version” of what actually happened, according to sources. But there were concerns about possible blowback from A24, and the line was removed.

    Directed by Lance Oppenheim, Primetime is based on Luke Dittrich’s 2007 Esquire article “Tonight on Dateline, This Man Will Die.” The article examines the suicide of Bill Conradt, a Texas district attorney who became a target of one of Hansen’s televised sting operations after allegedly attempting to solicit sex from a minor.

  • Blake Lively Will Receive $400K in Attorney Fees In Justin Baldoni Case

    Blake Lively Will Receive $400K in Attorney Fees In Justin Baldoni Case

    Blake Lively will receive about $400,000 in legal fees after the settlement of her legal battles with her This Is Us co-star Justin Baldoni. 

    This is well below the $8 million Lively sought to make up for her attorneys fees as she fought against the defamation lawsuit filed by Baldoni as part of their larger legal tussle. However, in the ruling Wednesday, U.S. District Judge Lewis J. Liman, wrote that he agreed with Baldoni and Wayfarer Studios, who said that Lively was “entitled only to the reasonable fees and costs necessary to defend against the defamation claim,” rather than her larger claim amount. This amounted to $363,000 in attorneys’ fees and $44,000 in court costs.

    Lively had been seeking just over $8 million, which included $7.5 million in attorneys’ fees and another $540,000 in court costs. She sought compensation under a California law designed to protect survivors of sexual harassment and discrimination from retaliatory lawsuits.

    While Liman found that the counsel’s rates were not unreasonable, in what he called a case with “complex legal issues,” he found that “the number of hours for which Lively seeks reimbursement is unreasonable.”

    Additionally, he denied other requests for reimbursement, including on media relations. 

    “Media relations were not integral to defending the defamation claim brought against Lively,” the ruling states. “Accordingly, time spent on media relations and press coverage is not compensable.”

    This was Lively’s last chance at monetary compensation (unless she decides to file another suit) after she and Baldoni settled their 18-month legal war in May, just ahead of a federal trial that was scheduled for later that month. 

    The legal battle began after Lively filed a legal complaint in December 2024, alleging that Baldoni and Wayfarer Studios had launched an online smear campaign against her after she spoke up about sexual harassment on the set of It Ends With Us.

    In turn, Baldoni and Wayfarer Studios filed a defamation suit, which claimed Lively and her husband, Ryan Reynolds, had planted false claims in order to take over creative control the film. He also sued The New York Times for writing a story after Lively’s complaint. Both those suits were dismissed, as were several of the claims in Lively’s suit, ahead of the ultimate settlement.

  • ‘Alice and Steve’ Renewed for Season 2 at Disney+

    ‘Alice and Steve’ Renewed for Season 2 at Disney+

    Alice and Steve will return for another season at Disney+.

    Created and written by Sophie Goodhart, the Canneseries winner — available on Hulu in the U.S. — will be back following a successful first installment on the platform, prompting acclaim and heated online discourse over the age-gap relationship depicted in the show.

    In season one, Alice (Nicola Walker) is devastated when her best friend Steve (Jemaine Clement) starts dating her 26-year-old daughter Izzy. She’s going to lose her best friend and her daughter in one fell swoop. Alice tries everything she can to end the relationship. Unfortunately for her, Steve’s more than ready for the attack, and what begins as a perfect friendship, devolves into an all-out feud.

    “I phoned my agent and went, ‘Please, please, I want to do this,’” Walker told The Hollywood Reporter on set during the making of season one. “It’s a very unusual tone. We keep talking about that. And when you get it, it feels amazing. So, I think what Sophie’s done is written something very, very, very funny, but then it can go really sad, and it’s sort of brutally honest at times.”

    Goodhart is “thrilled” that Alice and Steve has been given a second season. “No one will be prepared for what happens next, especially not Alice and Steve,” she said.

    Petra Fried, joint managing director at Clerkenwell Films, added: “We absolutely love Alice and Steve, both the show and, of course, the two characters at the heart of Sophie’s brilliantly messy, funny and fearless exploration of friendship and love. We’re thrilled to be bringing it back for a second season and can’t wait for audiences to see what Sophie has in store for our favourite frenemies.”

    The series is executive produced by Petra Fried, Sophie Gardiner and Wim de Greef with co-executive producer Rachael Stephenson for Clerkenwell Films, part of BBC Studios, and was commissioned by Lee Mason, vp of scripted, Disney+, EMEA.

  • Iranian Drama ‘A Bit of Light’ Sells Wide Ahead of Venice Premiere (Exclusive)

    Iranian Drama ‘A Bit of Light’ Sells Wide Ahead of Venice Premiere (Exclusive)

    International buyers have pounced on Ali Asgari’s Iranian drama A Bit of Light ahead of its world premiere in competition at the Venice International Film Festival next month.

    Paris- and Berlin-based sales company Salaud Morisset has closed deals for the film for much of year, with sales to France (Haut et Court), Italy (Teodora Film Distribuzione), Spain (La Aventura Cine), Switzerland (Trigon Film), Benelux (September Film Distribution), Bulgaria (Beta Film Ltd.), and Greece (Filmtrade), as well as Brazil (Imovision). The company says it has offers under negotiation for the U.K., Germany, and Central Europe.

    A Bit of Light stars Misagh Zareh (The Seed of the Sacred Fig), as a doctor in contemporary Iran who becomes disillusioned after he is arrested by the regime and has his medical practice shut down. Determined to end his life, he spends one final day visiting his siblings and mother to prepare them for his departure. The film is Asgari’s follow up to Divine Comedy, which premiered in Venice’s Horizons section last year.

    “We are extremely proud to represent the film and to see such strong interest from distributors, many of whom already know Ali Asgari’s work and have been closely following his career,” said Paul Jullien, head of sales at Salaud Morisset. “The story resonates very strongly with the current moment, and we can feel among distributors both a real desire and a sense of urgency to bring this film to audiences.”

    Meret Ruggle of Trigon praised Asgari and producer Milad Khosravi. “With A Bit of Light they lay bare, without holding back, the terrible consequences that the short-sighted actions of power-obsessed men can have on the psyche and lives of the people concerned. We applaud Ali and Milad for their courage in
    speaking out in times like these.”

    Added Luan Filippo Oldenbrock from Brazilian distributor Imovision, which released Asgari’s 2023 feature Terrestrial Verses: “Ali is a filmmaker with a very distinctive voice and an extraordinary ability to turn intimate, human stories into something deeply resonant. A Bit of Light immediately connected with us, and we’re very excited to bring the film to Brazilian audiences.”

    Milad Khosravi produced A Bit of Light through Seven Springs Pictures. The film’s other
    producers are Sunny Independent Pictures, Zoe Films, Good Measure Productions,
    Haurvatat Film, MeMo Films, and Salt for Sugar Films.

    The 83rd Venice Film Festival runs Sept. 2-12.

  • Roku Lands NWSL Matches in Latest Sports Rights Deal (Exclusive)

    Roku Lands NWSL Matches in Latest Sports Rights Deal (Exclusive)

    The National Women’s Soccer League is expanding its streaming footprint.

    Roku and the NWSL have signed a deal that will make the Roku Sports Channel the exclusive home for a package of Sunday night games for the rest of the 2026 season and the 2027 campaign. First up is an Aug. 30 match between the Seattle Reign and Houston Dash.

    The pact is the latest live sports rights deal for the free streamer — and arguably the highest profile one in Roku’s current portfolio, which also has rights to X Games, Formula E and the Bassmaster pro fishing circuit. The live matches will expand an existing partnership between the NWSL and Roku, which last year created an NWSL Zone that showcased highlights, game replays and other league-related programming and pointed viewers toward games on the league’s other media partners (CBS Sports, ESPN, Ion, Prime Video and the league-run NWSL+ streaming service).

    “We’re thrilled to be elevating our partnership with NWSL to include this exclusive package of Sunday Night matches, leading into and during what will be a watershed year for women’s soccer,” said Joe Franzetta, Roku’s head of sports. “As sports fandom is continuing to grow alongside streaming access to sports, our audience reach will bring the NWSL matches to more than half of U.S. streaming households and deepen our commitment to highlighting women’s sports.”

    Roku will stream eight matches in the final weeks of this season and 25 games on Sundays in 2027. The NWSL’s deal with Roku comes a few weeks after the league terminated its agreement with fledgling sports streamer Victory+ over missed rights payments.

    “As we continue to grow the NWSL’s audience, we’re focused on making it as easy as possible for fans to find and watch our matches wherever they are,” said NWSL chief marketing officer Rachel Epstein. “Roku’s tremendous scale and accessibility make them an exciting partner as we bring more NWSL matches to more viewers and continue building consistent destinations for fans to engage with our league.”

  • Haim Saban, Lawrence Bender and Teddy Schwarzman Among Industry Group Accusing Mark Ruffalo of “Antisemitism” in Attack on Paramount Leadership

    Haim Saban, Lawrence Bender and Teddy Schwarzman Among Industry Group Accusing Mark Ruffalo of “Antisemitism” in Attack on Paramount Leadership

    An entertainment industry group that includes Hollywood producers Haim Saban, Lawrence Bender and Teddy Schwarzman has released a statement condemning the alleged “antisemitic tropes” underpinning Mark Ruffalo‘s opposition to Paramount’s leadership amid its proposed merger with Warner Bros. Discovery (WBD).

    The statement comes from a group calling itself The Brigade, which describes itself as “a group of nearly 1,000 members, friends, and allies of the Jewish community who are proud to be working in film, television, music, Broadway, social and digital, and other platforms in and around the entertainment industry.”

    As well as Power Rangers media mogul Saban, Reservoir Dogs and Pulp Fiction producer Bender and Black Bear founder and CEO Schwarzman, the Brigade includes amongst its ranks Ram Bergman, Matti Leshem, Anthony Bregman, Micah Green and Lynn Harris.

    The Brigade’s statement comes in the wake of Ruffalo’s Aug. 21 Instagram post that spotlighted Oracle’s ties to the Israeli military — specifically a viral clip of former Oracle CEO Safra Catz at the Israeli-American Council National Summit in 2024 as it related to Israel’s war effort in Gaza. 

    “Singling out Jewish executives and describing them in terms lifted from centuries-old antisemitic conspiracy theories, while invoking Israel as the frame for that attack, is antisemitic,” reads the statement. “It is unacceptable to introduce Jews, antizionism, or antisemitism into conversations about business transactions, simply because those involved are Jewish.”

    Ruffalo has long opposed both the Paramount-WBD merger over concerns about Hollywood jobs and has also long campaigned for Palestinian rights and condemned Israel’s actions in Gaza and the West Bank. The actor’s post called out Oracle founder Larry Ellison, Paramount’s controlling shareholder through a family trust, and the father of Paramount CEO David Ellison. Larry Ellison is also the key financial backstop behind Paramount’s merger attempt with WBD.

    The statement added: “This is a callous continuation of the ongoing campaign by the same individuals and groups targeting Jewish people and the state of Israel, a pattern of antisemitism and misinformation that puts our community in grave danger.”

    After Ruffalo’s initial Instagram post, a Paramount spokesperson issued a reply to the four-time Oscar-nominated and two-time Emmy-winning actor that called for the temperature of the debate around the WBD deal to be lowered and characterized Ruffalo’s remarks as “antisemitic.” In a viral X post, Ruffalo fired back that the “accusation that I am antisemitic is appalling and fundamentally dishonest.”

    The Brigade joins the Simon Wiesenthal Center in condemning Ruffalo’s Paramount posts. But in her own statement, Emmy-winning Hacks actress Hannah Einbinder described the “antisemitism” claims against Ruffalo as “ludicrous,” and implored more in Hollywood to “be more like Mark.”

    Read the full statement from The Brigade below:

    We are writing on behalf of a group of nearly 1000 members, friends, and allies of the Jewish community who are proud to be working in film, television, music, Broadway, social and digital, and other platforms in and around the entertainment industry. It is unfortunate that we are yet again forced to state our unequivocal condemnation of the use of antisemitic tropes and narratives by those who use their platform for targeted hate speech toward Jews.

    Singling out Jewish executives and describing them in terms lifted from centuries-old antisemitic conspiracy theories, while invoking Israel as the frame for that attack, is antisemitic. It is unacceptable to introduce Jews, antizionism, or antisemitism into conversations about business transactions, simply because those involved are Jewish. There is nothing “strange” about a Jewish executive discussing substantive issues about tech.

    This is not commentary on a merger. It is not a criticism of a government. It is simple antisemitism, where Jewish executives are portrayed as a secretive and powerful wealth-hoarding elite delighting in mass death. This is the same rhetoric that Nazis, Soviets, and the Klan weaponized against Jews, and its consequences are not only historical: they show up today in attacks against Jews in our streets, our synagogues, and our schools.

    This is a callous continuation of the ongoing campaign by the same individuals and groups targeting Jewish people and the state of Israel, a pattern of antisemitism and misinformation that puts our community in grave danger.

    There is no excuse and no defense for this rhetoric, including the “I have Jewish friends” rationale, and there are many questions that demand an answer — including, is there someone behind the funding of this campaign that is continuously perpetrated by the same individuals?

    We will keep standing up against this hatred. Because when we say, NEVER AGAIN, we mean it.

  • The Best Tinted Sunscreens to Achieve Off-Duty (UV-Protected) Beauty

    The Best Tinted Sunscreens to Achieve Off-Duty (UV-Protected) Beauty

    If you purchase an independently reviewed product or service through a link on our website, The Hollywood Reporter may receive an affiliate commission.

    Tinted sunscreen is the not-so-secret ingredient to maintaining youthful skin while attaining a no-makeup makeup look — but the secret lies in which brands do it best.

    While lightweight formulas with some degree of pigment are the throughline, products range in degree of coverage, type of application, suite of skin benefits and finish. As a general rule of thumb, tinted sunscreens tend to fall in the sheer to light coverage category with a dewy, glowing finish; however, that’s not always the case. For more color payoff and matte finish options, look for products marketed as “skin tints” or “tinted moisturizers” — just be sure they have SPF in the mix. Alternatively, skip the search and see our five tried-and-tested favorites below.

    best overall

    Thanks to EltaMD’s extensive SPF selection targeting a spectrum of skin types and concerns, the dermatologist-coveted, expert-approved brand is an easy choice for any and all sun care needs. And when it comes to tinted products, it certainly takes the cake.

    For a subtle tint and healthy glow, EltaMD’s UV Clear SPF is our pick. It’s lightweight, absorbs easily and works double duty as a moisturizer — and at the end of a long day, there won’t be a clogged pore in sight.

    best under-$20

    For a budget-friendly buy that stands up to the competition, Bubble’s Plus One is a no-brainer.

    It features a non-greasy formula that’s well-suited for oily-leaning skin, and the lilac extract further mattifies and balances acne-prone skin. And akin to EltaMD, Bubble’s pump makes for easy application. At the end of your morning skin-care routine and ahead of any makeup, apply two to four pumps evenly, 30 minutes before sun exposure. Pair with a water-resistant sunscreen when swimming or sweating.

    best matte formula

    Maybe oily skin is your main concern and glow isn’t your no. 1 priority. In that case, enter Tarte’s BB Tinted Moisturizer, offering a blurred soft-matte finish for an easy no-makeup-makeup look.

    While many tinted sunscreens offer light coverage, BB Blur provides medium coverage for days we need that little extra something-something. And because Tarte’s formula has more color payoff, it’s available in a wider range of shades than the category’s sheerer alternatives.

    best serum

    Ilia’s fan-favorite skin tint is another multi-hyphenate miracle worker that prioritizes a wide shade range, deep moisture and sun care as skin care (and vise versa).

    Available in 30 dewy shades that offer light to medium coverage, the powerful yet sensitive formula combines a mineral SPF with Hyaluronic Acid and Plant-Based Squalane to lock in hydration and strengthen the skin barrier, along with Allantoin to soothe dryness and reduce the appearance of redness. And the serum consistency keeps skin feeling like skin.

    Related: Anthropologie’s Beauty Advent Calendar Sells Out Every Year — Its 2026 Iteration Just Dropped

    best compact

    Prefer a compact to a liquid? Opt for Avène’s non-greasy cream-to-powder skin tint.

    With broad spectrum SPF 50 UVA/UVB protection, a formula that’s water resistant up to 40 minutes and a compact and mirror for easy on-the-go application and reapplication, the Mineral Tinted SPF has you covered in more ways than one. And the light, non-irritating formula is safe for hypersensitive skin.

  • Taylor Swift Remembers Dolly Parton’s “True Grace and Grit”: “Her Legacy Will Be Everlasting”

    Taylor Swift Remembers Dolly Parton’s “True Grace and Grit”: “Her Legacy Will Be Everlasting”

    Taylor Swift is honoring the late country music icon Dolly Parton.

    Parton died Tuesday in Nashville at 80, her family announced. She died after a “brief battle with cancer,” her reps told People.

    “A world without Dolly doesn’t feel possible, real, or right,” Swift began in a statement shared with The Hollywood Reporter. “But because of the eternally generous way she spent her time on this earth and the countless lives she changed for the better, her legacy will be an everlasting one.”

    “She was truly the gift that kept on giving. Dolly gave us someone to look up to while encouraging us to be who we are as individuals. Somehow she was able to give us her lessons about the world gently and honestly, simultaneously, and oftentimes hilariously,” Swift continued. “She managed to give the world the ultimate mystery and fantasy in some corners of her life, but to give full transparency in the ways that counted. Somehow she was true grace and true grit, all in one dazzling person. She possessed the softest heart when it came to the struggles of others, and a backbone of steel to defend her own self worth as an artist.”

    She concluded, “Along with her other fans, I am so grateful for all of it. For the melodies and lyrics she wrote that thawed even the coldest hearts. For the millions of books she provided children all over the world so that they might fall in love with stories the way she did. For the tightropes she walked so that young girls like me could grow up dreaming of joining the circus too. Dolly, I’ll think of you each step of the way.”

    Last September, the “Jolene” singer announced she was postponing a set of Las Vegas concerts to deal with “some health challenges.” In May, she canceled her Las Vegas residency, but continued to put on a brave front, telling her fans that she was OK.

    In July, just ahead of her Madison Square Garden wedding, Swift and Travis Kelce donated $26 million to varying organizations, including to Dolly Parton”s Imagination Library. Parton shared an Instagram video thanking the married couple for their donation, where she said she was “blown away and overjoyed with that gratitude.”

    “Now, it’s evident, that you have made giving back a key part of your lives, so hey, when you have you firstborn, can I have it?” she joked. “Because that is gonna be one special baby!”

    The 14-time Grammy Award winner also reflected on the two-time Oscar nominee’s legacy in Parton’s 2023 profile with The Hollywood Reporter.

    “Dolly is a force of evolution and transformation in our industry, but she does it with such playful levity it almost looks effortless. Her sense of humor and mischief are easily my favorite things about her, because I think it forces the world to reconcile that a woman can be a serious artist and writer who also has raucous fun with it, can make people laugh and be in on every joke,” Swift told THR. “She’s never stopped challenging herself to clear new hurdles and explore new territory artistically, and I think that speaks to her great curiosity about the human condition. She’s a legendary empath and the storyteller for the ages. She’s also having the most fun doing it.”

  • Dolly Parton, a Hollywood Treasure Who Lit Up the Screen With Her Authentic Self

    Dolly Parton, a Hollywood Treasure Who Lit Up the Screen With Her Authentic Self

    When Jane Fonda was developing the rollicking 1980 workplace farce 9 to 5, inspired by a real-life women’s rights organization of that name, at some point the project shape-shifted from the serious drama that was originally planned to a comedy, enlisting the brilliant Colin Higgins to direct and work on the screenplay with Patricia Resnick.

    Having cast Lily Tomlin as her acerbic ally in the secretarial pool, Fonda and producer Bruce Gilbert wanted to broaden the film’s appeal, landing on the idea of a third lead who might push beyond urban liberals to reach mainstream, conservative and Southern audiences. From that commercially-driven demographic strategy, Dolly Parton the Movie Star was born.

    As Doralee Rhodes, the happily married secretary of Dabney Coleman’s lecherous corporate vice president, kept busy dodging his unwelcome advances, Parton was a natural. Her luminosity, effervescence, folksy delivery and innate comic timing infused the film with livewire energy, whether she was fantasizing about hog-tieing and spit-roasting the boss or bringing that fantasy to life, like a seasoned rodeo queen.

    The movie became a massive hit, grossing more than $103 million at a time when a women-centric, empowerment-minded blockbuster was almost unimaginable. Every one of the predominantly female ensemble comedies that became pop cultural fixtures in later decades — The First Wives Club, Sister Act, The Devil Wears Prada, Bridesmaids — owes 9 to 5 a debt.

    The eternally catchy country pop theme song Parton wrote and recorded for the film left its own mark, reaching number one on Billboard’s Country, Hot 100 and Adult Contemporary charts. Parton often said in interviews that she came up with the song’s tapping typewriter-key rhythm by clicking her long acrylic fingernails together.

    The death of a global superstar is invariably a sad event, but the loss of Parton today at age 80 is an uncommonly crushing blow to many of us. For gay men, she was our North Star, a beacon of inclusivity in a world of persistent intolerance. Her theme park near the Great Smoky Mountains, Dollywood, was a pilgrimage destination on the queer-tourism map. If gays ran the Oval Office, her birthday would be a national holiday.

    Parton frequently mined self-deprecating humor from her almost cartoonish appearance — the boobs, the big blonde wigs, the bejeweled outfits, the cosmetic surgeries — and yet she remained unequivocally real. 

    I saw her perform just once at a Radio City Music Hall concert in 2005 as part of her Vintage Tour, along with a sea of gay men who had resurrected their Westernwear from Madonna’s “Don’t Tell Me” period for the occasion. When an elaborate piece of stage scenery malfunctioned and failed to descend from the flies during her opening number, Parton quipped that a little old country girl from East Tennessee should never have even attempted something so fancy.

    The iconic look and larger-than-life persona were an inextricable part of her sui generis screen presence in a handful of beloved movies. She was never an actress with significant range, but the thing is, she never had to be. The sweetness, the sense of humor and the old-fashioned goodness that epitomized who she was in her many walks of life made her incandescent. From her very first entrance, we knew exactly who her character was, almost all of them a mirror to who Parton was in real life.

    In The Best Little Whorehouse in Texas, starring as Miss Mona Stangley alongside Burt Reynolds, she made being the madam of a brothel — or as she puts it in one of her songs, “A Lil’ Ole Bitty Pissant Country Place” — seem wholesome, caring for her “girls” like they were her own children. Rewatching that cornbread musical in a Houston gay bar in the early ‘80s was a hootenanny I’ll never forget, Stetsons constantly flying up in the air in jubilant appreciation.

    In Steel Magnolias, an all-star tear-jerker about the fortitude to be drawn from female friendship in times of sadness, Parton played the big-haired, open-hearted small-town Louisiana beauty parlor owner, Truvy Jones. (Her character names alone are divine.) Her salon was a social hub, a place for harmless gossip and friendly banter, and a respite for its regulars from their frequently exasperating husbands and sons. 

    Watching Parton hold her own alongside pros like Sally Field, Olympia Dukakis and Shirley MacLaine was bliss, not to mention seeing her character in a loving marriage with the coolest — OK, and sexiest — of modern-day cowboys, Sam Shepard.

    It’s doubtful that anyone would try to make a case for the 1984 Sylvester Stallone vehicle, Rhinestone; I wonder if there’s even a living soul who managed to get through it. But Parton could sew a silk purse out of a sow’s ear, introducing two top 10 country hits in the movie.

    Her gifts were put to more memorable use in the cheesy but disarming comedy Straight Talk, as Shirlee Kenyon, a Southern transplant looking to rebuild her life in Chicago, where she becomes an accidental talk radio call-in advice show host. And Parton brought her signature warmth and wit to the guilty pleasure Joyful Noise, playing G.G. Sparrow, a feisty widow wrestling for control of her small Georgia town’s choir with Queen Latifah’s Vi Rose Hill. When Vi Rose gets her in a headlock, G.G. squawks, “Oow, you’re breakin’ my hair!”

    Putting aside her many cameos and popular TV movies, Parton’s filmography was by most standards meager. But she inhabited every role with spirit, vigor, compassion and charm for days, qualities entirely true to herself. Her death leaves the world a much poorer place.