Tag: Entertainment-HollywoodReporter

  • ‘Survivor 50’: Benjamin “Coach” Wade on His Legacy After Elimination, Mistakes Made and Why the Dragon Slayer Still Endures

    Out in Fiji, Benjamin “Coach” Wade was a popular pre-game winner pick among the press — a calmer, more introspective version of the Dragon Slayer who seemed poised for a deep run on Survivor 50. That calm didn’t last. In his exclusive exit interview with The Hollywood Reporter below, Coach explains where the game slipped away, how old instincts crept back in and why he believes he may never be meant to win Survivor.

    ***

    Before the first Tribal Council of season 50, a lot of us in the press had you pegged as a potential winner. You were my winner pick. In pregame, you were really introspective and seemed like Coach 2.0, but we saw the Dragon Slayer come back pretty quickly. What changed from that pregame zen to that traditional Dragon Slayer game that we ended up seeing?

    I’ll tell you. I had amassed an enormous army of real connections with people, real conversations. You can’t name a single person out there that didn’t want to play with me. Kamilla, Charlie, Mike — who very easily could have been Final Four. I set that spot to be the nucleus of every single beach that I was on. And even when we merged, Emily came up to me and we had a really good conversation. I had one commodity coming into that game, and that’s my word. When I say I’m going to do something, I do it. People misconstrue my honor and integrity. It’s not about getting through the game without lying because that’s impossible. I tried to do it in Tocantins and failed. It’s more about I’m going to vote the way I say I’m going to vote.

    You can’t find a single time where I went into a vote saying, “This is what I’m going to do.” And then I did something different. That’s my commodity. When Ozzy tried to erode that commodity, I stood up for myself. But I was at the nucleus of everything and had this huge army that was systematically being picked off, unbeknownst to anybody knowing that it was the group that I was assembling. So that kind of unraveled me a little bit. What really happened was when we went to the “Blood Moon,” I made a huge mistake in forgetting that Colby didn’t have a vote. Colby and Joe asked me to throw a challenge before the merge, that last one. They said, “We got to get Colby’s vote back and we got to get out Aubrey or maybe Tiffany.” I said, “That goes against what I think as a competitor, so I can’t do that.” In hindsight, maybe we should have, but I forgot that Colby didn’t have a vote. 

    So we’re up there on the pegs (of last week’s challenge) and I couldn’t go longer. Dee turns around and looks at me and says, “Coach, I got you. ” I said, “Dee, are you sure?” She was like, “Yeah, I got you, Coach.” So I stepped off. Then in the moment where Colby says, “Coach, we’re screwed.” I said, “No, we’re not, man. We still got the votes. It’s you, me and Cirie.” He was like, “Coach, I don’t have a vote.” I say the F-bomb. You can see it on TV. They bleep it out. That’s the moment I realized I made a huge mistake, so it really derailed me because I then went and played very messy with Dee and scrambled and didn’t want Colby to go home.

    Then I was like, “Frick, Colby just went home. So all right, let me be calm and cool. Let me reconnect with the people.” Then we get into the Dee vote and it’s a very simple one. I said, “All right, let’s go. Let’s vote Dee.” It was just a group of us. It was not me running the show. Then we said, “Well, who’s going to go second?” I think it was me, Jonathan and Joe having a conversation. The three of us agreed we needed to have Tiffany out because she’s Dee’s best friend. So we came up with that decision and then it was like, “who’s going to vote for who? How are we going to split the votes?”

    You’re talking about all returning players. You’re going to go into a vote and not split it? If you have the numbers, that’s Survivor 101. And they refused to do it. I couldn’t believe it. So I started getting agitated because again, it was based on fear. I had already made some mistakes. I saw people leaving that were in my greater alliance and I thought, I cannot go home tonight. We could have been sitting here last week and you would’ve been saying, “Well, why didn’t you fight harder to convince people to split the votes?” I would’ve said, “Nobody wanted to split the votes, so I just put my tail between my legs.” That’s not me.  

    The other thing is that I am a performer. There’s this time, 10-12 days in, where I start thinking, “I have to make sure that I take this to the next level and that what I say does not end up on the cutting room floor.” So I think that there’s a little bit of that.

    I’m a big believer in destiny. I’m not a religious man, but I’m deeply spiritual. I don’t think that I’m meant to win Survivor because I think that it would go so to my head. My ego would be getting so big — bigger than it already is — that it would be to the detriment of who I am as a character and the impact that I have on people. It doesn’t surprise me that you guys said that [I was a potential winner], but I’m very comfortable with what happened. I did not compromise myself. I think the farther I went in the game, maybe I would’ve had to betray people and change my votes up and compromise that part of my game.

    Chrissy Hofbeck and Benjamin “Coach” Wade on Survivor 50.

    After the challenge, you were told to lay low by Chrissy. How much did you actually buy into her advice and in hindsight — was she right?

    I think there’s a middle ground. It started with Rizo the episode before. It does show that I have grown. I better have grown as a man — but in Tocantins I would’ve been like, “You’re not telling me what to do.” But I took the advice. I thought it was sound advice for the time. I know that I’ve been aggressive. I know that in order to get the vote split, I had to really throw my weight around. And then it was like, “okay, now let me be calm and let me sit here and let me let the chips fall.” I didn’t spend the whole day in the hammock, but I felt like it was sound advice and it coming from a good place, so I took it.

    You were aligned with Ozzy. Did you have a sense that he hadn’t fully let that early Fight for Supplies issue go?

    Hats off to him for playing the most strategic game he’s ever played. So congratulations, not coming in the same way that he’s always come in. Cirie, Stephenie, Joe, Jonathan — you could go over most people. They’re coming in the same way they came in last time. Ozzy has evolved strategically and good for him. But I knew that at the end of the day, he and I were not going to be sitting at the finals together. And it was really a matter of who was going to get to the other one first because I imagined him coming down to six, and then cutting him at six.

    If you’re curious about my boot order, I was thinking it was going to be Stephenie, Cirie, after Ozzy, whittling it down like that. And then me, Jonathan and Chrissy at the final three. But it was inevitable. Ozzy and I have never had the luxury of starting on the same beach together. So we’re never going to have that day one alliance and that day one trust.

    When Cirie came back from Exile, it looked like she shifted the vote onto you and Chrissy. Was that the turning point or were you already in trouble?

    I think that was still part of the plan going into tribal, maybe not 100 percent but maybe 50/50 or 60/40 against me. Then Deven’s idol definitely tipped it 10 percent one way. But I did not think I was in trouble. I think Cirie came back and it was interesting because she and I had a talk on the hammock and she said, “Coach, I don’t know what it means for you to be an alliance, but I’ll tell you that for me to be in an alliance, it means that I will fight for you. I fought for you with the Colby vote and I will fight for you until my last dying breath out here.” That level of emotional deception is what made her dangerous in the moment. Hats off to her. 

    I did send her a text message and she said, “Well, Coach, you got to know that Dee actually said to me that you were going for me for the Colby vote.” Then he said, “But Dee later came back and said that she was lying about that.” It’s like a resting snake. They’re not really dangerous and she really has done some things, but she hasn’t been the strategic mastermind in this game. And in fact, I was sitting there thinking, “Is Cirie overrated?” Then she does something like that and shifts the whole game and you think, “yeah, she is dangerous.”

    Coach and Jonathan Young.

    You got a pretty memorable sendoff with the Tai Chi, rock formation, the haikus. You even got a song. What was it like for you watching your final episode back, even though you went home?

    They’ve really honored me over the years. I have nothing but gratitude for the producers. I’ve got nothing but joyful times and memories, even the bad times. The fact that they don’t have to show any of that stuff. It’s all icing on the cake. They didn’t have to show the nicknames. Now it’s gone viral. And I’m literally having thousands of requests. I’m running this limited nicknaming ceremony on my website and we’ve almost sold out. It’s crazy. And as I said to the producer that did that episode, “You didn’t have to show that. And so thank you for giving me honor all the time in this edit.” Sometimes it’s including eye roll. Sometimes Tiffany’s finally getting airtime by slagging me off and reaming me a new one. 

    A lot of people should be thanking me because attached to me, good or bad, they’re getting the airtime. I just feel humbled and blessed and honored they have continued to put me up as one of the memorable characters. Five years from now, 18 of these contestants from season 50 will not even be remembered. But they will think of 50. And whether they love me or hate me, they will remember me being attached to this season.

    Coach, you’ve always approached Survivor with a sense of mythology and a personal narrative. What story do you think the season ultimately told about you?

    That I can be wise, that I can be a big character, I can be eclectic. I think the biggest thing is that I can be joyful, because they really showed my happy side. I’m singing and dancing almost the whole time. I think that that’s the biggest takeaway; but that I can be stupid and that I can have holes in me because I’m older and I’m vulnerable. They can show all of the above. It’s why in the words of the great man himself, “There’s never been a Coach, there will never be another Coach.”

    The joyful part really shows where I’m at in life. I have this amazing family. I’ve got a great job, a great career. My kids’ artwork is hanging up behind me. The meaning of life is not what it was 15 years ago. It’s shifted and is different. It’s to have a relationship with the creator of the universe. It’s to have a relationship with the creator of the universe. That’s first and foremost. There’s a spot inside of our soul that will not be filled up with anything other than that, whatever that looks like to you. Number two is to find your soulmate and crush life’s obstacles together and leave a generational legacy through your children. And number three is to keep the magic inside of us that we’ve been born with.

    It’s joy, kindness and love. The world wants to beat it out of us, especially when we’re men. And it beat it out of me for a while, but I see it in my kids every day and I protect it in my kids every day. If we give that to everybody that we meet – joy, kindness, and love – the world’s going to change. And in my corner of the world, I do that every day and it has been changed. Whether I’m at the high school or I’m radiating light through these kids that are coming through my program and they in turn are radiating light to the student body, or where I’m conducting the symphony, where I’m coaching soccer. It’s there. It’s a ripple effect and we can all do it. We just have to let go of our ego and our pride.

    To close us out, do you have a haiku, quote or a song that sums up your Survivor 50 experience?

    I’ll give you a haiku and then I’ll give you a quote. So Walter Savage Landor once said that, “It’s easy to look down on others, but to look down on yourself is the true difficult task.” And I think that’s apropos. It’s easy for people to talk smack online. But when you look at yourself and your introspective and say, “This is not who I want to be, ” then that’s the difficult task and something that I think I’ve done over the survivor journey. A haiku, “Bitter at this time. My heart is downtrodden now. Resilience will come.” 

    Coach, always a pleasure to talk to you. I look forward to seeing you at the finale in L.A. next month.

    You too, brother. I appreciate you.

    ***

    Survivor airs new episodes on Wednesdays at 8pm on CBS and Paramount+.

  • Christina Applegate Breaks Silence Amid Hospitalization Reports to Give Health Update

    Christina Applegate Breaks Silence Amid Hospitalization Reports to Give Health Update

    Christina Applegate has offered an update on her health on the heels of reports she was hospitalized in Los Angeles amid an ongoing battle with multiple sclerosis.

    “Thank you for the outpouring of love and well wishes,” the actress shared on Instagram Monday. “Health issues are a constant for me, but I’m a strong chick and I’m getting stronger and better every day. I’m taking a moment to focus on my health, but I’ll be back with more to say soon enough.”

    She shared the post with a picture of a coffee mug and the words “Kissy Kissy” written on it, placed on top of her new memoir You With the Sad Eyes, which was published last month.

    The update comes after TMZ reported last Thursday, April 16, that the veteran star had been hospitalized since late March. The actress had not commented on the report and her only Instagram post in April was an update on her memoir becoming a New York Times audio bestseller. After the report got picked up widely, Applegate’s rep issued a statement declining comment on whether or not “she is in the hospital or what her medical treatments are.”

    The rep added, “She’s had a long history of complicated medical conditions that she has been refreshingly open about, as evidenced in her memoir and on her podcast.”

    More to come.

  • Sandra Bullock and Nicole Kidman Return as Sister Witches in ‘Practical Magic 2’

    Sandra Bullock and Nicole Kidman Return as Sister Witches in ‘Practical Magic 2’

    Sandra Bullock and Nicole Kidman are charming sisters and witches passing their magical skills to their kids in the trailer for Practical Magic 2, which dropped on Monday and is directed by Susanne Bier (The Perfect Couple, Bird Box).

    Bullock and Kidman reprise their roles from the 1998 original, which follows orphaned sisters Sally and Gillian Owens as they are raised by their witch aunts Aunt Jet (Dianne Wiest) and Aunt Franny (Stockard Channing). After avoiding witchcraft most of their lives, the pair work to learn how to use their powers to ward off a curse that threatens women in the family over the generations from finding love, and leaves men they fall in love with dead. 

    “Everyone we love dies,” Bullock says at one point in the teaser. Kidman then adds: “A really horrible death. I mean, it’s just — it’s not great for the Tinder bio.” Wiest and Stockard also return to a reassembled Coven for the long-awaited sequel, along with new cast members Joey King, Lee Pace, Maisie Williams, Xolo Maridueña and Solly McLeod.

    Practical Magic 2 returns to a world steeped in moonlit mischief and powerful ancestral magic, as the Owens sisters must confront the dark curse that threatens to unravel their family once and for all in a must-see cinematic event of fun, magic and mayhem,” a synopsis from the producers states.

    Based on the novel entitled The Book of Magic by Alice Hoffman, Bier directed a script penned by Akiva Goldsman and Georgia Pritchett. Denise DiNovi, Bullock and Kidman share the producer credits, while Andrew Kosove, Broderick Johnson, Donald Sabourin and Hoffman are executive producers.

    Warner Bros. plans a Sept. 11, 2026 theatrical release.

  • Eric Roberts Says Bob Fosse Made Him Spend the Night in the Real ‘Star 80’ Murder Apartment

    Eric Roberts Says Bob Fosse Made Him Spend the Night in the Real ‘Star 80’ Murder Apartment

    Eric Roberts still isn’t sure how he got through Star 80.

    Appearing on the latest episode of It Happened in Hollywood, the actor looked back on his experience making the 1983 film with director Bob Fosse — a process that was as methodical as it was, at times, deeply unsettling. One moment in particular has stayed with him.

    During production, Fosse insisted that Roberts spend the night in the actual apartment where Dorothy Stratten, the real-life Playboy Playmate of the Year from 1980, was murdered by her husband and manager, Paul Snider, the role Roberts was playing.

    “I didn’t want to go,” Roberts says on the podcast. “I told him, ‘I don’t want it.’ And he said, ‘No, you’re going to spend the night with it. Come on.’”

    The apartment, located off a busy highway, was noisy and impossible to ignore. Roberts says he didn’t sleep. The next day, he filmed one of the movie’s most difficult scenes.

    “That was Bob,” he says. “He wanted you to feel what it was.”

    Roberts’ path to Star 80 was far from straightforward. The year before production, he had been in a serious car accident that left him in a coma and caused lasting memory and coordination issues. At the time, he believed his acting career might be over. Then his manager passed him a script for Fosse’s next project, which had not yet widely circulated.

    “It didn’t grab me right away,” Roberts admits. “It felt very black and white. But it said ‘Bob Fosse’ on it, and that was enough.”

    He went in to audition, repeatedly. Roberts estimates he read for Fosse five or six times before getting a straightforward offer. “He never tipped his hand,” Roberts says. “Then one day he just asked if I wanted to make a movie. “

    Once cast, Roberts entered what he describes as an unusually immersive prep process.

    For roughly three months, Fosse walked him through key locations connected to the infamous true story, including the Vancouver Dairy Queen where Snider first met Stratten, her childhood home and the Playboy Mansion. Rehearsals were held in a church on Highland Avenue in Los Angeles, where Fosse taped out full set layouts on the floor.

    “He knew exactly what he was going to shoot,” Roberts says. “Every move, every piece of furniture, everything.” Fosse’s focus, Roberts adds, was on avoiding a one-dimensional portrayal of Snider.

    “He didn’t want a cartoon,” Roberts says. “He wanted someone real. And the truth is, people like that are all around us. “

    Later in the podcast, Roberts also shared a story from pre-production that he says he rarely tells.

    While staying at a motel with Fosse in West Los Angeles, he received a phone call that Fosse encouraged him to take. On the other end was the late director Peter Bogdanovich, also a former guest on It Happened in Hollywood, who had his own connection to Stratten.

    Bogdanovich had cast her in 1981’s They All Laughed, her leap into mainstream filmmaking, which had led to an affair between filmmaker and muse.

    The obsessive Snider hired a private investigator to follow Stratten. When he discovered she planned to divorce Snider and marry Bogdanovich, Snider murdered Stratten and killed himself. Bogdanovich is depicted in Star 80, renamed Aram Nicholas and played by Roger Rees.

    Adding the strange, sensational surreality of the real-life tragedy, on Dec. 30, 1988, the 49-year-old Bogdanovich married 20-year-old Louise Stratten, Dorothy’s younger sister, sparking a tabloid frenzy.

    “He asked me what I was getting paid, how I got the part,” Roberts recalls. “And then he suggested I leave the movie and that he might consider me for his version.”

    Bogdanovich was developing his own version of the murder, which became the memoir The Killing of the Unicorn, detailing the relationship between their love affair, the making of They All Laughed and her murder.

    Roberts describes Bodanovich’s tone as “condescending.” Meanwhile, Fosse, sitting nearby, urged him to keep the conversation going.

    “I just kept talking, Roberts says. “I told him I’d call him back. “

    He never did.

    When the call ended, Roberts says Fosse was “rolling on the floor laughing.”

    When Star 80 was released in November 1983, Roberts says the response from within the industry was notably muted.

    “They didn’t know how to react,” he says. “They were afraid to like it because it might say something negative about Hollywood. And they were afraid to hate it because it was a great film.”

    The movie received strong reviews but limited awards recognition. Roberts earned a Golden Globe nomination for best actor in a drama but was not nominated for an Oscar — something he acknowledges didn’t fully register until years later.

    “I didn’t even think about it at the time,” he says. “Then someone mentioned it, and I thought, ‘Oh. Maybe I should have been.’”

    Fosse died in 1987, four years after the film’s release, without directing another feature. Looking back, Roberts places Star 80 alongside All That Jazz as defining works.

    “Those are perfect movies,” he says. “Working with him, you realize real geniuses are rare. And they don’t work the way anyone else does.”

    You can listen to the full conversation on It Happened in Hollywood.

  • ‘The Pitt’ Star Shawn Hatosy to Narrate Quinn Original Audio Drama ‘Yes, Chef’ (Exclusive)

    ‘The Pitt’ Star Shawn Hatosy to Narrate Quinn Original Audio Drama ‘Yes, Chef’ (Exclusive)

    The Pitt star Shawn Hatosy is going from the ER to the kitchen.

    Hatosy will star in Yes, Chef, a two-episode immersive audio romance for audio erotica app Quinn, The Hollywood Reporter can exclusively announce. Yes, Chef marks the latest Quinn Original series, the app’s produced romances that “complement Quinn’s thriving erotica creator community.”

    In Yes, Chef, Hatosy stars as Grant Reilly, a “seasoned executive chef of North & Vine, a restaurant fighting to maintain its Michelin star in an industry that’s rapidly evolving. After a viral negative review threatens the restaurant’s legacy, Grant’s business partner brings in rising culinary star Iris Adams to shake things up and take North & Vine from ‘classic’ to ‘relevant.’ As Grant and Iris work side by side, their differences spark undeniable chemistry.”

    Narrated directly to the listener, who will represent the role of Iris, Yes, Chef “immerses audiences in an intoxicating forbidden romance set in the high-stakes world of fine dining.”

    Securing Hatosy as a narrator is sure to make app fans happy given he’s been a top choice among listeners.

    “Shawn is one of our most requested narrators ever,” Caroline Spiegel, founder and CEO of Quinn, said in a statement. “With Yes, Chef, most of the story takes place inside the chaos of a Michelin-star kitchen. We wanted to emulate the high-pressure settings that fans love seeing Shawn in, and we couldn’t be more excited to have him step into this world with us.”

    Grant is wrestling with his identity and what that means. That really resonated with me, because I’ve been there. Then things happened in my career — like The Pitt — that changed my trajectory,” Hatosy said in a statement. “Grant isn’t feeling like he has a lot of value outside of the kitchen, but he starts to see through Iris, through her youth and vitality and what she brings. And by listening to her, really paying attention to her, he grows.”

    When asked about why working with Quinn made sense, Hatosy said in a statement, “I did my research, and I saw what the philosophy was. That really got me to pay attention.”

    Described as being “made by women, for the world,” Quinn was designed to help listeners be a main character in their fantasy, with stories putting female pleasure at the forefront. The app has recruited Hollywood stars to narrate the steamy stories including Chris Briney, Andrew Scott, Manny Jacinto, Tom Blyth, Jamie Campbell Bower, Victoria Pedretti, Jesse Williams, Lucien Laviscount, Thomas Doherty, Katherine Moennig, Heated Rivarly stars Hudson Williams and Connor Storrie, Costa D’Angelo and Tyriq Withers.

    Quinn founder Spiegel — sister of Snapchat founder Evan Spiegel — launched the app in 2021 and began enlisting Hollywood talent last year to help share audio erotica that “felt approachable and not intimidating.”

    “At first, we weren’t even sure if people would do it or people would like it,” Spiegel told THR. But in an AI-driven age, stars are able to take control of their erotic output. “It’s actually kind of nice to be like, ‘OK, I’ll do this. I’ll do it my way with my creative vision for how I want this to be,’ ” Spiegel said. 

    “There’s a huge catalogue of intimate scenes I’ve done over 25 or 30 years, and audiences have been taking that material and creating content. I don’t have any control over that,” Hatosy said. “With Quinn, it gave me an opportunity to step into this space with intention, and help shape this kind of new media in a way where I can participate and feel like we’re building something meaningful together.”

    On The Pitt, Hatosy plays night shift attending physician Dr. Jack Abbot. In addition to serving as a sounding board for Noah Wyle’s Dr. Michael “Robby” Robinavitch, as the close friends have talked about their respective mental health struggles in key scenes over the past two seasons, Abbot has become a fan favorite for his memorable friendly interactions with Supriya Ganesh’s Dr. Samira Mohan, who, it was recently announced, will be leaving the hit HBO Max series after season two. Speaking to THR ahead of The Pitt season two finale, Hatosy said Abbot “definitely has feelings” for Dr. Mohan and that he’ll “miss her,” but hopefully the two will stay in touch.

    Hatosy also previously talked to THR about the fan interest in his character, including his shirtless scene in season two.

    “I try to never take any of it seriously,” he said. “Yes, that episode really blew up and it’s weird. Certainly, it creates these lines where things can get a little complicated, like if I’m out in public with my family. I don’t want to be the guy who isn’t taking the picture with the fans because I know that it means something to them. Especially when I’ve talked to fans who are really moved by the show, I’ve had people say they were struggling and then watched Abbot not jump [off the roof]. But then when it comes to me and my pasty, flabby back out in the world, yeah, it can get a little weird. I just try and enjoy it.”

    Hatosy is repped by Trademark Talent and Paradigm. 

    Episode one of Yes, Chef releases on the Quinn app on April 21 with episode two premiering April 24.

    Shawn Hatosy in Yes, Chef

    Quinn

    Hilary Lewis contributed to this report.

  • Vatican to Host Private Screening of Scorsese-Produced Pope Documentary ‘Aldeas’

    Vatican to Host Private Screening of Scorsese-Produced Pope Documentary ‘Aldeas’

    Martin Scorsese, it’s fair to say, is team Pope.

    The Vatican on Monday announced it would be hosting a private screening of the Scorsese-produced documentary Aldeas, The Final Dream of Pope Francis, in Rome on April 21, to mark the one-year anniversary of Francis’ death.

    Aldeas is the community cinema project run by Pope Francis’ global educational movement Scholas Occurrentes which holds workshops around the world to help local communities create scripted short films celebrating “their unique identities, histories, and values.” The documentary follows the cinema initiative across Italy, Indonesia, and The Gambia, and includes a visit by Scorsese to his grandfather’s village in Sicily, where he works with local young people to make a film of their own. It includes Pope Francis’s last in-depth on-camera interview shortly before his death and several behind-the-scenes conversations between the Pope and the Oscar-winning director.

    “This film is a tribute to the Holy Father,” said Scorsese in a statement. “It honors his memory by embodying the spirit of his ministry and his dream of creating an ever more human culture. At this moment in history, I believe that is not only a dream, but a necessity.”

    The Vatican will hold a private screening of the film on Tuesday, April 21, a year after Pope Francis’ death, just steps from where he lived and died.

    On Monday, the Vatican unveiled several first-look images from the film (see below).

    The new film lands amid a weeks-long dispute between the current pontiff, Pope Leo XIV, and U.S. President Donald Trump over the U.S.-Israel war against Iran. After Leo called Trump’s threat that a “whole civilization will die” to be “truly unacceptable,” POTUS lashed out, posting on Truth Social that the first U.S.-born Pope was “WEAK on Crime, and terrible for Foreign Policy.” Trump also posted an AI-generated image of himself as a Jesus-like figure, which he later removed amid a backlash from American Christians.

    On the new episode of Last Week Tonight on Sunday, host John Oliver mocked Trump for taking on the leader of the Catholic Church, saying the President was “on a epic run of picking losing fights.”

    Vice President JD Vance, a Catholic convert, also weighed in, suggesting the Pope should be “careful when he talks about matters of theology.

    Over the weekend, the Pope, currently on a tour of Africa, said it was “not in my interest at all” to debate Trump about the Iran war, but that he would continue preaching the Gospel message of peace.

    Clare Tavernor and Johnny Shipley directed Aldeas, The Final Dream of Pope Francis, which was produced by Aldeas Scholas Films in association with Sikelia Productions and Massive Owl Productions. LBI Entertainment and Double Agent are handling sales of the film, with all proceeds to be reinvested in the Aldeas initiative.

    Aldeas, The Final Dream of Pope Francis.

    Aldeas Scholas Films

    Aldeas The Final Dream of Pope Francis.

    Aldeas Scholas Films

  • Jay Mohr: Why You Need to Watch Netflix’s ‘Love on the Spectrum’

    Jay Mohr: Why You Need to Watch Netflix’s ‘Love on the Spectrum’

    “You need to watch …”

    This sentence has been a constant my entire life with interchangeable titles. The Sopranos. Deadwood. Seinfeld (I’m old). Breaking Bad. Game of Thrones. Year after year, decade after decade, someone has attempted to guilt me for what I have been missing in my leisure time.

    Upon hearing this admonition, I have always smiled and acted politely as my insides filled with dread, annoyance and disappointment at the messenger for wasting my time. (People and their stupid shows, amiright?)

    That said, you need to watch Love on the Spectrum.

    Unlike the iconic leads in the above mentioned shows, the main characters on LOTS haven’t been brought to life through the alchemy between writer and actor.

    The leads on LOTS are everyday human beings who are living brilliantly and beautifully with autism. They’re brought to life by the magical alchemy of unconditional love and family. None of the cast are playing a character. They are the character. The only character they know how to be. In this TikTok, quick fix world, Netflix finds themselves filming people who have waited their entire lives to simply be embraced as themselves. The result is nothing short of glorious. 

    The conceit of the show is simple and, at first review, a bit cruel. Take a few people on the autism spectrum and film them going on a date. Almost always their first date. Ever.

    Admittedly, I was so uncomfortable watching these first dates. The conversations are halting and awkward. There’s a great deal of silence. There’s social anxiety. Things are said that are inappropriate. There are panic attacks. It’s honestly tough to watch.

    But then there’s … something. That thing that lives dormant in most of us a nostalgic memory. That thing is a connection. An impossible, long shot, snow in July-type connection. Then, for the viewer, there’s an almost selfish feeling of relief.

    We’re not comfortable with too much silence. When we have social anxiety we tend to flee. When the LOTS cast find that divine spark, that connection, they are unknowingly and mercifully letting us all off the hook from the hang ups we brought in the door with us. Watching people on the spectrum find their soul mate is like watching flowers grow through concrete.

    It can take a while. For our cast it’s taken a lifetime.

    While watching Love on the Spectrum, I realized I was feeling something that I have never felt before watching television. Victory. Sobbing while I cried tears of gratitude. Victory. No one but my new heroes could ever have walked me to that destination. And I am deeply humbled to have had the honor of watching them.

    You need to watch Love on the Spectrum.

    Jay Mohr is a writer, actor, stand-up comedian and host of the podcast series Mohr Stories. A recent episode, which can be seen here, found Mohr sitting down with Love on the Spectrum star Connor Tomlinson.

  • Microdramas Platform Verza TV Shifts Strategy Just 4 Months After Launch (Exclusive)

    Microdramas Platform Verza TV Shifts Strategy Just 4 Months After Launch (Exclusive)

    Alan Mruvka’s vertical video platform Verza TV is already moving beyond verticals. Not that it’s leaving the portrait-mode shorts format behind.

    Verza TV, founded by the cofounder of E! Entertainment Television, just launched in December. Today, what the company is internally calling “Verza 2.0” is upon us, which includes horizontal videos and a complete shift to user-generated content, The Hollywood Reporter has learned. So, yeah, YouTube + YouTube Shorts, essentially, just on a much, much smaller level. (To be fair, compared with YouTube, even Netflix is on a much smaller level.) Verza TV is positioning itself as “the digital theatre for the next generation,” and says this transition will make the mobile-first platform scalable.

    At launch, Verza licensed 80 Singapore-made microdramas from an international distribution company. It was something of a strange choice for the first U.S.-based (at the time of announcement, at least) microdrama platform.

    “Verza was built on the idea that the future of entertainment is mobile, immersive, and accessible,” Mruvka said in a statement. “By evolving into a creator-driven ecosystem, we’re empowering the next generation of storytellers while maintaining the premium quality audiences expect. We are building the digital theatre for the next generation.”

    There’s that tagline again. Mruvka is presenting Verza 2.0 at the NAB Show in Las Vegas.

    Verza says adding traditional horizontal formats on the platform is “a first for the microdrama category.” Going fully UGC will not impact production quality, Verza says, and creators will be able to check their monetization stats in real-time.

    Vertical videos, colloquially called “microdramas” (even though they’re sometimes comedies), are the newest trend in Hollywood, though most of the content comes from China (or the Ukraine, in Holywater’s case). Time will tell if the trend is more of a fad.

    For now, the space is getting crowded. There are the major incumbents like ReelShort and DramaBox, as well as upstart companies from Hollywood veterans including MicroCo and GammaTime.

    Microdramas are generally cheaply made dramas dubbed and diced up into roughly 60-second slices, though the details can vary by platform. These mobile apps tend to offer the first few “episodes” for free, hoping to hook a viewer, and then charge a user to finish the story.

  • UEG Expands in Celebrity Brand Building With Business Ventures Division

    UEG Expands in Celebrity Brand Building With Business Ventures Division

    Celebrity brand-building has become a big business.

    So the United Entertainment Group has launched UEG Ventures after company founder Jarrod Moses had success connecting Queen Latifah and CoverGirl for their brand partnership.

    UEG is an entertainment and sports marketing agency, part of DEJ Holdings (Daniel J. Edelman Holdings). Jarrod Moses launched UEG in 2007 and in 2024 became global chair of DJE’s entertainment, sports and culture business.

    Now the agency is looking to pair more starry clients with capital investment for additional Madison Avenue success stories, whether with start-ups or as the face of brands.

    Celebrity entrepreneurs will enter business ventures in the earliest stages of development or as they expand. “UEG Ventures was built to bring the power of culture into the foundation of business. By aligning investment with creative strategy and our unmatched access to talent, we help visionary brands move faster, connect deeper, and scale smarter,” Moses said in a statement.

    Recent dealmaking at UEG to bring star wattage to new products includes Paris Hilton and her 11:11 Media banner teaming with the McCormick spice brand for campaign and product partnerships as part of a two-year tie-up, a partnership between the soda retail chain Cool Sips and actress Whitney Leavitt and actor and producer Wilmer Valderrama pacting with real estate developer Edens to create the Latin American-inspired cocktail bar Elegacia in Washington D.C. as part of the Union Market development.

    “UEG Ventures has a clear understanding of the intersection of business and talent in a way few others do — and they bring a level of authenticity that was essential as I built the Elegancia brand, a Latin food and drink concept inspired by the dishes that are most authentic to me,” Valderrama stated.

    As UEG moves beyond just offering expertise in marketing strategy, PR and other talent support, the new Ventures division is looking to strike celebrity and brand partnerships in the health and wellness, food and beverage, fashion and apparel, beauty and personal care, financial services, sports, retail and technology sectors.

    UEG is headquartered in New York, with offices in Los Angeles, Chicago, Miami, Dallas, London, Hamburg, Sydney, and Tokyo.

  • ‘99% Invisible’ Host Roman Mars to Host New Podcast About American History (Exclusive)

    99% Invisible creator Roman Mars is hosting a new series about the objects that shaped the history of America. 

    The show, A History of the United States in 100 Objects, is produced by SiriusXM and BBC Studios, and will see Mars uncover the stories behind objects such as a gold coin from a shipwreck in 1857 that led to a financial panic, an antebellum schoolbook that became a tool for Black liberation and a small screw that shows how the U.S. created a hidden industrial empire.

    “The history of America can’t be captured in a single story,” Mars said. “So instead, we’re telling one hundred. By looking closely at the things we’ve made – and the things we’ve thrown away – we’re hoping to reveal a richer, more complicated picture of who we are.”

    In addition to the new show, Mars hosts 99% Invisible, a narrative podcast about unnoticed architecture and design, which has led to multiple spin-off series, including Articles of Interest and the 99% Invisible Breakdown of The Power Broker. SiriusXM acquired 99% Invisible in 2021..

    Throughout the new series, Mars will be joined by historians, journalists and podcasters, as well as individuals with personal connections to the stories being told. The lineup includes Radiolab founder Jad Abumrad; Dan Taberski, investigative journalist and host of Hysterical, Song Exploder creator Hrishikesh Hirway; former MythBuster Adam Savage; current Radiolab co-host Latif Nasser and more. 

    The first episode premieres May 19, with weekly episodes following in the “99% Invisible” feed on the SiriusXM app and wherever podcasts are available.