Tag: Entertainment-HollywoodReporter

  • Well Go USA Is Sending ‘Train to Busan’ Back to Theaters, Sets Date for Yeon Sang-ho’s New Zombie Movie

    Well Go USA Is Sending ‘Train to Busan’ Back to Theaters, Sets Date for Yeon Sang-ho’s New Zombie Movie

    Zombie fans rejoice! Train to Busan, Yeon Sang-ho‘s 2016 Korean masterpiece, is heading back to theaters to celebrate the 10th anniversary of the film that reanimated the zombie genre. And that’s not all — Yeon’s new film about the pernicious undead has set its North American theatrical release date.

    Leading indie and specialist distributor Well Go USA Entertainment is bringing Train to Busan back to American and Canadian theaters on Aug. 14. The film will be presented in 4K for the first time in theaters. There are no details as yet how many theaters or where exactly the film will play.

    Train to Busan was a global smash hit when it was released. The film, which stars an ensemble cast including Gong Yoo, Jung Yu-mi and Don Lee, tells the story of a zombie apocalypse that suddenly breaks out and threatens the lives of passengers on a train between Seoul and Busan. The film was followed by the animated prequel Seoul Station (2016) and the standalone sequel Peninsula (2020).

    Well Go USA has also revealed that it has acquired the North American rights to Yeon’s newest zombie feature Colony. That film will have its world premiere at the Cannes Film Festival in May, with a theatrical release set for Aug. 28 this year. Well Go USA has revealed a teaser trailer to the film (see below).

    Written and directed by Yeon, Colony, per a description from the producers, “follows Professor Se-jeong as she is thrust into a terrifying hellscape when a mutating virus is unleashed during a biotech conference, forcing authorities to seal the facility to contain the outbreak. Unable to escape, Se-jeong and a group of survivors must fight to stay alive as the infected undergo horrific transformations and threaten to spread the virus.”

    Colony stars Gianna Jun (My Sassy Girl) and Koo Kyo-hwan (Peninsula, Escape from Mogadishu).

  • Eurovision Song Contest to Stream for Free in U.S. on YouTube, in Addition to Peacock, as Executive Addresses Political Boycotts

    Eurovision Song Contest to Stream for Free in U.S. on YouTube, in Addition to Peacock, as Executive Addresses Political Boycotts

    Planet Earth, get ready for the madness that is Eurovision! A taste of Eurovision permeated the inaugural StreamTV Europe industry event in Lisbon, Portugal on Tuesday, courtesy of a session entitled: “The Original Song Contest: A Eurovision Case Study.”

    Now, the U.S. is getting a free option to follow all the fun and the fury of the annual singing competition, courtesy of YouTube. Jurian Van Der Meer, commercial director of the European Broadcasting Union (EBU), who oversees all business and commercial activities related to the Eurovision Song Contest, broke the news during the panel that YouTube has struck a deal for the event, starting with this year’s 70th anniversary edition, taking place in Vienna, Austria. The deal covers the semifinals and final, which are also already available in the U.S. for Peacock subscribers.

    So far, “we didn’t really have a strategy for distributing our content” longer-term, including the national selection processes, Van der Meer shared on the Lisbon stage. Now, the free U.S. YouTube livestream will change that. The semifinals take place May 12 and 14, followed by the final on May 16.

    The exec told THR after the session that YouTube already streamed the song contest last year, but that was not widely known yet. YouTube’s deal covers the world, except for select markets where local broadcasters chose not to share the event with the streaming platform, including in the U.K. and Australia, he said.

    On stage, Van der Meer on Tuesday also addressed this year’s latest Eurovision conflict around a controversy surrounding last year’s public vote in Israel and the inclusion of Israel amid the Gaza war. While the debate led to rule changes, five countries decided to boycott this year’s edition. They are Iceland, Ireland, the Netherlands, Slovenia, and Spain. These five have not sent representatives to this year’s Eurovision Song Contest, but two of them, namely the Netherlands and Iceland, will air the event.

    “Politics does come in once in a while, unfortunately,” explained Van der Meer. “The music is what we will have [our] focus on. We welcome everybody, but we also understand and respect … that people are having certain views.”

    Eurovision panel at StreamTV Europe in Lisbon, courtesy of Georg Szalai

    Tuesday’s Eurovision panel, hosted by media universe cartographer Evan Shapiro, also featured Filipe Ligeiro, who works on the digital strategy of Festival da Canção, one of the longest-running television programs in Portugal and the country’s national selection for the Eurovision Song Contest, who shared: “Eurovision for us is a really good global platform,” he said, explaining that last year’s Portuguese Eurovision entry, the band NAPA, is now one of the country’s hottest muscial acts.

    Yiğit Doğan Çelik, the chair and CEO of Merzigo Global, a media technology company focusing on the distribution and monetization of premium film, TV, and digital content across open video platforms, also touted the global opportunity for the song contest.

    Van der Meer also highlighted the recent EBU deal with Voxovation, S2O Productions and Thailand’s Channel 3 for the inaugural Eurovision Song Contest Asia in Bangkok on Nov. 14. Shouldn’t that competition be called Asiavision, Shapiro asked? Acknowledged the executive: “There’s a little debate.”

  • ‘The ‘Burbs’ Gets Second Season at Peacock

    ‘The ‘Burbs’ Gets Second Season at Peacock

    Peacock has handed out a second-season order for The ‘Burbs, the series-length reboot of the 1989 cult classic starring Tom Hanks.

    Set in present-day American suburbia, The ’Burbs follows a young couple who have reluctantly relocated to the husband’s childhood home. Their world is upended when a new neighbor moves in across the street, bringing old secrets of the cul-de-sac to light, and new deadly threats shatter the illusion of their quiet little neighborhood, according to a synopsis from the producers.

    The rookie season of eight episodes for The ‘Burbs, which launched Feb. 8 on the same day as the Super Bowl, earned a top 10 debut over four weeks on Peacock.

    “We’re so thrilled that audiences loved season one of The ’Burbs and are going to get to spend more time in Hinkley Hills with Keke and the rest of this incredible cast. A huge congratulations to all of the writers, producers and crew who updated the beloved original film and made something funny, warm and highly contemporary,” Lisa Katz, president, scripted content at NBC and Peacock, said Monday in a statement.

    The series, created, written and executive produced by Celeste Hughey, sold to more than 100 territories internationally. The ensemble cast includes Jack Whitehall, Julia Duffy, Paula Pell, Mark Proksch and Kapil Talwalkar.   

    The ‘Burbs has Palmer executive producing the series alongside Seth MacFarlane, Erica Huggins, Aimee Carlson, Dana Olsen, Nzingha Stewart, Brian Grazer, Kristen Zolner, Natalie Berkus and Rachel Shukert.  Universal Studio Group’s UCP produces the series.

  • Phil Collins, Oasis, Billy Idol and Wu-Tang Clan Highlight Rock & Roll Hall of Fame 2026 Class

    Phil Collins, Oasis, Billy Idol and Wu-Tang Clan Highlight Rock & Roll Hall of Fame 2026 Class

    The Rock & Roll Hall of Fame officially unveiled its 2026 class on Monday night, with Phil Collins, Oasis, Billy Idol, Wu-Tang Clan, Luther Vandross, Sade, Joy Division/New Order and Iron Maiden all named as inductees.

    Ryan Seacrest and Lionel Richie revealed the inductees on the latest episode of American Idol for the show’s Rock Hall episode. Beyond the performer category, Queen Latifah, Graham Parsons, Celia Cruz Fela Kuti and MC Lyte will all be honored with the early influence award, while Linda Creed, Arif Mardin, Jimmy Miller and Rick Rubin will receive the musical excellence award.

    Artists reach Rock Hall eligibility when their debut recording turns 25 years old. Collins, Vandross and Wu-Tang Clan are all getting into the hall on their first nominations. Collins was previously inducted with Genesis back in 2010 and is now joining the rarer group of two-time inductees. Idol and Sade got the nod on their second nominations, with Idol earning his first nomination last year, while Sade was previously nominated in 2024. Iron Maiden, Joy Division/New Order and Oasis are all getting in on their third nominations.

    “Induction into the Rock & Roll Hall of Fame is music’s highest honor,” John Sykes, chairman of the Rock & Roll Hall of Fame, said in a statement. “We look forward to celebrating these remarkable artists at this year’s ceremony — it’s going to be an unforgettable night.”

    Perhaps the biggest snub this year is Mariah Carey, who was denied once again on her third nomination after previously getting nominated in 2021 and 2023. Also denied entry this year are Lauryn Hill, Pink, The Black Crowes, Jeff Buckley, Melissa Etheridge and INXS.

    Outside of the performers, Ed Sullivan will be posthumously honored with the Ahmet Ertegun award, which is reserved for non-performing industry figures for their influence on music. The longtime TV fixture’s Ed Sullivan Show had a profound impact on bringing music to the masses, hosting historic television music performances from Emany acts including Elvis Presley, the Rolling Stones and, most famously, the Beatles. Those three Beatles performances in 1964 launched Beatlemania and the broader British Invasion, inspiring countless young musicians from Billy Joel to Bruce Springsteen and Aerosmith to get into music themselves. It’s arguably the most important music television performance of all time.

    The induction ceremony will tape on Nov. 14 at Peacock Theater in Los Angeles for the second year in a row, with the show then airing on ABC and Disney+ in December. The Rock Hall said the ceremony would return to Cleveland in 2027.

  • Soccer Star Who Slammed Chappell Roan After Security Guard Confronted Daughter Says “Matter is Closed” After “New Information”

    Soccer Star Who Slammed Chappell Roan After Security Guard Confronted Daughter Says “Matter is Closed” After “New Information”

    Less than a month after soccer star Jorginho Frello slammed a security guard he believed worked for Chappell Roan for “extremely aggressive” behavior towards his 11-year-old daughter, Frello is sharing that “new information” has changed his “understanding of parts of what happened” and that he now believes the situation to be “closed.”

    On March 21, Frello said that while attending Lollapalooza Brazil, his 11-year-old daughter spotted the “artist she really admires, or used to admire,” tagging Roan twice in his initial Instagram Stories post, during breakfast at their hotel and walked past the artist’s table to make sure it was her.

    Frello did not name which of his children he was referring to but his wife, Catherine Harding, shares an 11-year-old daughter, Ada, with Jude Law.

    “She didn’t even approach her,” Frello wrote at the time. “She simply walked past the singer’s table, looked to confirm it was her, smiled, and went back to sit with her mum. She didn’t say anything, didn’t ask for anything.”

    What happened next, Frello said, was “completely disproportionate” as a “large security guard” came over to their table and addressed his wife and daughter in an “extremely aggressive manner,” adding that his wife, “shouldn’t allow my daughter to ‘disrespect’ or ‘harass’ other people.”

    Frello went on to criticize the artist after the incident left his daughter in tears.

    “I’ve lived with football, public exposure, and well-known people for many years, and I understand very well what respect and boundaries are. What happened there was not that. It was just a child admiring someone,” he wrote. “It’s sad to see this kind of treatment coming from those who should understand the importance of fans. At the end of the day, they are the ones who build all of this. I sincerely hope this serves as a moment of reflection. No one should have to go through this, especially not a child.”

    In closing, tagging Roan’s Instagram account, he wrote, “WITHOUT YOUR FANS, YOU WOULD BE NOTHING. AND TO THE FANS, SHE DOES NOT DESERVE YOUR AFFECTION.”

    Roan responded to the incident the next day, insisting the guard was not her “personal security,” who she didn’t ask to confront the mother and daughter, and Roan said she didn’t even notice them.

    “They did not come up to me. They weren’t doing anything. It’s unfair for security to just assume someone doesn’t have good intentions when they have no reason to believe, because there’s no action even taken,” she explained in a video. “I do not hate people who are fans of my music. I do not hate children. Like, that is crazy. I’m sorry to the mother and child that someone was assuming something that you would do something and that if you felt uncomfortable, that makes me really sad. You did not deserve that.

    Now, while Frello maintains that “the situation did occur as it was originally described,” he indicates his response was driven more by his protective instinct as a father. His initial statement, he writes on his Instagram Stories on Monday, came about “in the heat of the moment, after hearing that my child and wife had been approached by an adult male security guard in an intimidating way … My priority is, and always will be, protecting my family, and that is exactly what I did.”

    Saying the guard “has since confirmed publicly that he was representing another artist at the hotel at the time,” Frello adds it’s now clear that the guard wasn’t acting on Roan’s behalf.

    Frello said the incident was a “misunderstanding” and he’s “glad to set the record straight.”

    “It’s important to me that this is clarified fairly and accurately,” he said. “I regret the impact this situation has had on Chappell Roan, Catherine, Ada and our family.”

    Frello also shared that Roan reached out to his wife “privately” and both sides’ teams “spoke directly.” The artist, he said was “understanding and sympathetic” and he says based on the conversations with Roan’s team, it “became clear that she had no knowledge of what took place at breakfast and had not asked anyone to approach them.”

    In conclusion, he said he does “not support or encourage hate speech or online attacks from any side” and stressed the values of “respect, empathy and humility … As far as I am concerned, this matter is closed.”

  • How to Watch ‘Boy Band Confidential,’ Joey Fatone’s ID Docuseries on the Industry’s Dark Side

    How to Watch ‘Boy Band Confidential,’ Joey Fatone’s ID Docuseries on the Industry’s Dark Side

    ID’s latest limited series, Boy Band Confidential, is exposing the secret machinery behind the ’90s boy band boom via revealing interviews with NSYNC’s Lance Bass, Backstreet Boys’ AJ McLean and Boyz II Men’s Wanya Morris and Shawn Stockman. The four-part docuseries airs over two nights, April 13 and 14, from 9 p.m. to 11 p.m. PT/ET on ID, and can be livestreamed on any streaming service that carries the network, including DirecTV (with a five-day free trial), Philo (with a seven-day free trial), Sling and Hulu + Live TV.

    At a Glance: How to Watch Boy Band Confidential

    Following its Investigation Discovery premiere, the four-parter will be available to stream on-demand via HBO Max, which can be bundled with Disney+ and Hulu for the best bang for your buck. To stream HBO Max for free, opt for a subscription to one of DirecTV’s signature packages — Entertainment, Choice or Ultimate — which gives customers their first three months of HBO Max for free, along with Paramount+ Premium, STARZ, MGM+ and Cinemax (see here for more details on these premium add-ons). Plus, DirecTV offers a five-day free trial for any plan, meaning new members can stream Boy Band Confidential (and everything else the packages have to offer) at no cost during the trial period.

    Where to Watch Boy Band Confidential: Air Date and Time, Where to Stream Online

    Executive produced by NSYNC’s Joey Fatone, the four-part documentary series premieres over two nights, April 13 and 14, from 9 p.m. to 11 p.m. PT/ET on ID, which can be livestreamed via DirecTV (with a five-day free trial), Philo (with a seven-day free trial), Sling and Hulu + Live TV.

    As mentioned, all four episodes will also be available to stream on-demand via HBO Max, which can be bundled with Disney+ and Hulu for the best deal. Additionally, to stream HBO Max for free, opt for a subscription to one of DirecTV’s signature packages — Entertainment, Choice or Ultimate — which gives customers their first three months of HBO Max for free, along with Paramount+ Premium, STARZ, MGM+ and Cinemax. See here for more details on these premium add-ons and sign up for a five-day free trial period here. Keep reading to learn more about each option.

    Five-day free trial; packages from $19.99 per month

    ID is included in any of DirecTV’s signature packages: Entertainment, Choice, Ultimate and Premier. Plus, DirecTV is offering a five-day free trial for its streaming service, meaning new subscribers can catch the doc series at no cost.

    When signing up for any of these packages, customers can also add three months of HBO Max (along with Paramount+ Premium, STARZ, MGM+ and Cinemax) for free, which, as mentioned, will have Boy Band Confidential available to stream on-demand. See here for more details on these premium add-ons, which will be offered for three months at no cost during checkout.

    Philo

    Seven-day free trial; packages from $25 per month

    Watch the ID channel on Philo, one of the most affordable cable alternatives. Following a seven-day free trial period, plans start at $25 per month with access to 70+ channels.

    Half off first month for select plans

    ID is included in Sling’s Blue Plan (40+ channels), starting at $45.99 per month.

    For the best bang for your buck, opt for Sling’s Orange & Blue plan, which gives subscribers access to everything both plans have to offer, and starts at $60.99 per month. Visit Sling.com for the full channel breakdown of each package.

    Three-day free trial; packages from $89.99 per month

    Watch ID for free with a three-day trial to Hulu + Live TV, which comes bundled with Disney+ and ESPN+, and starts at $89.99 per month.

  • Paul Williams on Muppets, Streisand and Sobriety

    Paul Williams on Muppets, Streisand and Sobriety

    Paul Williams, a Songwriters Hall of Famer and an Oscar and three-time Grammy winner, is being honored at the TCM Classic Film Festival, where he’ll attend screenings of two films for which he wrote tunes, 1979’s The Muppet Movie and 1987’s Ishtar. The 85-year-old spoke with THR from a convention, where many of his fans had not yet been born when he wrote “We’ve Only Just Begun” and “The Rainbow Connection” but may know him for his Daft Punk collaborations “Touch” and “Beyond.”

    How did you learn about your TCM tribute? Were you involved in selecting the films they’ll show?

    I got an email and was told that they had run out of people. (Laughs.) No, it’s wonderful, and TCM is such a great channel. The older I get, the more I appreciate classic films — my favorites include A Place in the Sun and Paths of Glory — and they are kept alive by TCM. At any rate, they picked the films for my tribute, and I was thrilled with the choices. Ishtar, to me, was one of my greatest challenges — being hired to write “bad songs” [for characters who are bad songwriters] was really interesting. As for The Muppet Movie, it started when I was a guest on The Muppet Show and met Jim Henson and all the Muppet performers, and we formed almost a blood brotherhood.

    Paul Williams in the ’70s, around the time he wrote “Rainy Days and Mondays” and Williams in 2026.

    Jim McCrary/Redferns/Getty Images; Frazer Harrison/Getty Images

    How did you get started in the business?

    I’ve described myself as an out-of-work actor who got really lucky. I did a movie called The Loved One [1965] and had a nice part in it. Then I worked for several months on a picture called The Chase [1966] with Marlon Brando and Robert Redford, but I was inches away from being an extra in that. And then I started writing songs. I think I write songs with my instincts as an actor — I try to crawl inside the characters and write like they would. The longest partnership of my life was with Roger Nichols, who was at A&M Records when I was signed there. They were looking for a lyricist for Roger. He would present me a finished melody. We wrote songs together like “We’ve Only Just Begun” and “Rainy Days and Mondays.”

    With “Evergreen,” my understanding is Barbra Streisand wrote the melody and you wrote the lyrics.

    I was hired [to write the songs for 1976’s A Star Is Born] by Barbra and [producer] Jon Peters. There was a song that I’d written with Kenny Ascher that she loved called “You and Me Against the World,” and she said, “There’s a scene after [Kris Kristofferson’s character is] killed where I find a song that he’s written, and I’d like to have something like ‘You and Me Against the World.’ “

    Barbra Streisand and Kris Kristofferson in 1976’s A Star Is Born, for which Williams wrote the lyrics to “Evergreen.”

    Courtesy Everett Collection

    At one of my first meetings with Barbra, she sat down and took out a guitar, which she was just learning to play, and she went, “Could you do anything with this?” It was such a beautiful melody, but she was very shy and demure as she was offering it. I went, “Are you joking? I think that’s your love theme!” The shooting schedule was such that the song came very late in the shoot. I worked on Kris’ songs first, and I heard again and again from Barbra, “Where’s my lyric?” Eventually I wrote “Evergreen.”

    You were omnipresent as a public figure for many years — performing, acting, appearing on TV game shows, etc. — but then you sort of disappeared for a while. What was that about?

    I was a major cocaine addict and alcoholic, and for 10 years I was missing in action — it was as if somebody else was using my body. You know you’re an alcoholic when you misplace a decade. For me, the ’80s were essentially gone. But I just celebrated 36 years of sobriety. I went to treatment, and I loved it — I felt a connection to the world around me, I felt safe, and I felt unashamed. I felt like Lazarus, and I began to rebuild my life. Then I went to UCLA, got my certification as a drug and alcohol counselor and focused on that instead of music. The phone was not ringing, I was not the new kid in town, and I had a reputation that was not the best. But then a wonderful thing happened. The phone rang and it was Brian Henson [Jim’s son], who was doing The Muppet Christmas Carol [1992], and he asked if I would write the songs for it. It was the toe-in-the-water experience that gave me my musical career back.

    This story appeared in the April 8 issue of The Hollywood Reporter magazine. Click here to subscribe.

  • ‘Saturday Night Live’ Has New Home in Canada

    ‘Saturday Night Live’ Has New Home in Canada

    Saturday Night Live is set to leave longtime Canadian home Global Television for rival CTV and the Crave streamer, starting with the 52nd season later this year.

    The deal between CTV-parent Bell Media and NBCUniversal Global TV Distribution will see the NBC sketch comedy series shift to CTV and Crave, which already has library SNL episodes on its platform. A change of Canadian rights holders also follows NBCU’s Peacock as a direct-to-consumer streaming platform continuing to focus on the U.S. market and doing deals for its studio programming with Canadian broadcasters.

    “A proven hit for over 50 years, the series has always been at the vanguard of pop culture, setting the tone for modern humor. We will be enjoying alongside viewers when the new season premieres on Crave and CTV,” Justin Stockman, vp of global content at Bell Media said in a statement on Monday.

    The Canadian rights to SNL shifting north of the U.S. border from longtime Corus Entertainment comes as local media giants continue to play musical chairs with major U.S. TV brands amid streaming competition. In May 2025,  Warner Bros. Discovery did deals to move popular lifestyle and entertainment brands like HGTV, Food Network, Cooking Channel, Magnolia Network and OWN from Corus Entertainment to rival Rogers Sports and Media.

    WBD also switched other entertainment brands like Discovery, Motor Trend, Science, Animal Planet and I.D. from longtime homes at Bell Media to Rogers. The realignment of top American channels and series aims to allow local broadcasters to continue following TV viewers online, and targeting where possible Canadians increasingly favoring U.S. streaming platforms Netflix and Prime Video.

    The big loser in that Canadian TV horse race is Corus, a major buyer of American series from major Hollywood studio suppliers, but which has been hobbled by a recapitalization plan to stay in business that has yet to receive final approval from the CRTC, the country’s TV watchdog. Corus draws Canadian primetime TV viewers with American series like the Survivor and NCIS franchises, the FBI,CIA and 9-1-1 series, but has now given up SNL as it deals with a continuing decline in linear TV advertising in Canada.

  • ‘Mr. & Mrs. Smith’ Finally Starts Production on Season 2 at Prime Video

    After several months of a pause in production, and the naming of a new showrunner earlier this year, Mr. & Mrs. Smith has started filming its second season for Prime Video.

    Season two is proceeding under showrunner and writer Anna Ouyang Moench (Beef, Severance), who came aboard the series in January. She takes over from co-creator and season one showrunner Francesca Sloane, who in September 2025 signed an overall deal with HBO. At the same time, Mr. & Mrs. Smith producers Amazon MGM Studios and New Regency hit pause on season two.

    Prime Video has confirmed that Mark Eydelshteyn (Anora) will play one of the title roles in season two. Sophie Thatcher (Yellowjackets) has long been attached to the show to play Mrs. Smith, though sources noted at the time of Moench’s hiring that availability could become an issue.

    Maya Erskine, who starred with co-creator Donald Glover in season one, will be an executive producer on the second season, along with Moench, Glover, Yariv Milchan, Michael Schaefer, Stephen Glover, Anthony Katagas and Fam Udeorji.

    Story details for the second season are being kept quiet, though it’s expected the show will follow the broad outlines of season one, where Glover and Erskine’s characters were hired by a mysterious spy agency to take on new identities and carry out missions around the world. Mr. & Mrs. Smith is loosely based on the 2005 movie of the same name that starred Angelina Jolie and Brad Pitt.

    Season two will be based in Los Angeles, relocating from New York. The show received a $22.4 million tax credit in March 2025 from the California Film Commission to film in the state.

  • New York Times Shakes Up Senior Exec Ranks As It Leans Into Product, Data and AI (Exclusive)

    New York Times Shakes Up Senior Exec Ranks As It Leans Into Product, Data and AI (Exclusive)

    The New York Times is making some significant changes to its executive ranks, The Hollywood Reporter has learned, promoting a pair of executives as its CTO is set to depart in the coming months, underscoring the news company’s business focus on subscriptions, data and technology under CEO Meredith Kopit Levien.

    Levien revealed the changes in a memo to staff Monday morning.

    The changes will see New York Times CTO Jason Sobel exiting the company, with Levien telling staff that he informed her of his decision to leave the role late last year. The Times is beginning the search for a successor, with Sobel sticking around until they find one.

    Sobel joined the Times in 2021, and is based in California. Levien wrote that “he believes, and I agree, that The Times would be best served in this next chapter by a ranking tech executive who can be present very regularly in our NYC headquarters.”

    Alex Hardiman and Hannah Yang will also be promoted to executive VP, with Hardiman adding oversight of engineering and overseeing product and Yang overseeing data at the company. Both executives have also been closely involved in growing the Times‘ subscription business, with Hardiman already overseeing cooking and games and Yang overseeing marketing and customer service.

    “Alex and Hannah have proven themselves as leaders, collaborators, and executives at The Times,” Levien tells THR in a statement. “Alex is a gifted product and operational leader who helped shape the essential subscription strategy that has driven much of the Times‘ recent commercial success. She’s also been a key leader in our continued embrace of technology to make our journalism and products more engaging and accessible. Hannah embodies mission-driven leadership in a way that has inspired the whole company to keep our subscription business growing and thriving. I couldn’t be more optimistic about what they’ll accomplish with expanded responsibilities from here.”

    Hardiman, notably, is also the executive tasked with “working with leaders across the enterprise to use AI ambitiously and responsibly to enhance our human-made journalism, make our products more accessible and useful, and better enable our colleagues in their day to day work,’ Levien wrote to staff.

    “As part of that accountability, Alex is marshalling our efforts to develop a cross-company AI product vision, which she’s facilitating on behalf of AG [Times publisher AG Sulzberger], Joe [Times editor Joe Kahn] and me, and with leaders in news and within each of the products in our portfolio,” she added.

    Whomever the Times hires as its next CTO will report jointly to Hardiman and Levien, with Levien and Yang jointly overseeing data. The thinking is that by promoting the pair to EVP and giving them key responsibilities alongside the CEO decision-making will be sped up in the company.

    Levien also announced that Rebecca Grossman-Cohen and Anand Venkatesan will join the company’s executive committee, which sets the direction for the company. Grossman-Cohen had been Levien’s chief of staff and had been leading Times partnerships with tech platforms, including AI companies. She will become senior VP of strategic partnerships and executive operations. Venkatesan is senior VP of strategy and corporate development, including oversight of M&A activity. He will add oversight of the Audience Insights Group.

    The changes underscore the priorities of the Times‘ business strategy, with a heavy emphasis on product improvements, subscription growth, and technology investment and innovation, including finding the right ways to use AI at the news organization.