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  • Kavinsky, French Producer and DJ Behind ‘Drive’ Opening Song ‘Nightcall,’ Dies at 50

    Kavinsky, French Producer and DJ Behind ‘Drive’ Opening Song ‘Nightcall,’ Dies at 50

    Kavinsky, the French electro music producer and DJ whose hypnotic anthem “Nightcall” became a cult classic after opening Nicolas Winding Refn’s 2011 film “Drive,” died on Tuesday. He was 50.

    The artist was found dead at his Paris home on Tuesday evening. Authorities have opened an investigation into the circumstances of his death, though no foul play has been reported. French media said the musician had complained of headaches in the days leading up to his death, according to Reuters.

    While Kavinsky had long been a respected figure on France’s electronic music scene, “Nightcall” transformed him into an international cult favorite. Produced with Guy-Manuel de Homem-Christo of Daft Punk and featuring vocals from Lovefoxxx of Brazilian band CSS, the song helped define the film’s aesthetic and became one of the signature electronic tracks of the 2010s.

    Kavinsky most recently performed the song alongside Phoenix and Angèle at the Paris 2024 Olympic Games closing ceremony, which was broadcast globally, introducing it to new audiences over a decade after “Drive’s” release.

    Born Vincent Belorgey in Seine-Saint-Denis in 1975, he came to music relatively late after first working as an actor and appearing in films by longtime friend Quentin Dupieux. Inspired by 1980s action movies, arcade games and sports cars, he developed the fictional persona of Kavinsky, a mysterious, undead driver said to have returned from a fatal Ferrari crash to make electronic music.

    He emerged in the mid-2000s through the influential French label Record Makers, releasing the EPs “Teddy Boy,” “1986” and “Nightcall” before touring alongside artists including Daft Punk and Justice. His debut album “OutRun,” released in 2013, expanded on the retro-futuristic sound that would become synonymous with the growing synthwave movement. After a long hiatus, he returned with a second album, “Reborn,” in 2022.

    Although he never achieved the mainstream commercial profile of fellow French electro artists such as Daft Punk or Justice, Kavinsky had a large influence on a generation of producers drawn to nostalgic, cinematic electro music, and helped popularize the synthwave genre well beyond France.

  • Apple Sued After Fake iPhone Wallet App Drained $1.8M in Bitcoin

    Apple Sued After Fake iPhone Wallet App Drained $1.8M in Bitcoin

    In brief

    • Three Bitcoin holders have sued Apple in California federal court, saying a counterfeit Sparrow Wallet app took a combined $1.8 million.
    • One plaintiff reported the app to Apple; another downloaded it nine days later and lost $840,000, the complaint says.
    • Sparrow Wallet developer Craig Raw has publicly flagged copycat iOS apps since January 2024.

    Three Bitcoin holders have sued Apple over a counterfeit Sparrow Wallet app they say drained a combined $1.8 million. The complaint, filed on July 24 in the Northern District of California, brings eight counts including fraud, negligent misrepresentation and strict products liability.

    Each plaintiff entered a seed phrase into the app, according to the filing. James Ramirez lost 7.4 BTC, put at $875,000; Christopher Ellis $840,000; and Jalen Delgado 1.05 BTC, put at $120,000. Sparrow Wallet runs only on Windows, macOS and Linux and has never shipped an iOS version, so any App Store listing under that name is an impersonation.

    Ramirez reported the app and his loss to Apple on July 25, 2025, the day it happened. Ellis downloaded a Sparrow app from the store nine days later. No one from Apple has contacted Ramirez about that report, the complaint says, and fraudulent Sparrow apps were still listed when it was filed.

    The filing also alleges, on information and belief, that Apple ranked the fake app and included it in curated cryptocurrency collections, “effectively recommending a fraudulent application to consumers alongside legitimate ones.”

    The developer’s warning

    Craig Raw, who built Sparrow Wallet and holds the U.S. trademarks on the name, has flagged copycat malware on Apple’s App Store since January 2024, when he tweeted that a scam version was still live weeks after being reported.

    He later stated that he had submitted an App Store listing whose only purpose was to tell iOS users that Sparrow is desktop-only. Apple rejected it as “placeholder content,” then flagged his developer account for termination over “dishonest activity,” a decision reversed on appeal.

    Apple declined to comment on the lawsuit to TechCrunch, instead pointing to its latest ecosystem analysis which found that it rejected more than 371,000 malicious App Store submissions. The firm noted that there are currently no Sparrow Wallet copycats on the App Store.

    Count seven asks the court to treat the App Store as a product placed into the stream of commerce, which would expose Apple to strict liability for failing to warn. The complaint argues Apple’s contrary disclaimers sit buried “deep within” click-through terms.

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  • ‘The Devil’s Mouth’ Review: Cave Swimmers Become Chum in a Shark Thriller With Extra Claustrophobia

    ‘The Devil’s Mouth’ Review: Cave Swimmers Become Chum in a Shark Thriller With Extra Claustrophobia

    “Under Paris,” “Deep Water,” “Thrash,” “Chum” — the shark movies come so thick and fast these days, there’s scarcely any time between them to deem it safe to go back in the water. That said, if this recent run of films is to be believed, regular old beaches are fine these days. Seems the toothy predators are increasingly seeking less obvious locations to graze on wet human flesh: a mid-Pacific plane-crash site, the City of Lights, and now, in “The Devil’s Mouth,” a dark, dank, tight-squeeze cave in idyllic coastal Thailand. This claustrophobic danger zone brings a smidge of novelty to director Jeff Wadlow‘s aquatic thriller, but the formula is otherwise familiar: five hot young things on vacation, one bull shark very much in business mode, and a pecking order that most viewers can guess five minutes in.

    It’s odd that the shark movie has lately joined the romantic comedy in the ranks of genres most favored for straight-to-streaming fodder, since its pleasures, from “Jaws” onwards, have traditionally been communal, cinematic ones: From the safety of your sofa, a great white jump scare just doesn’t land in quite the same way. A Prime Video release, “The Devil’s Mouth” sometimes feels ill-suited to the small screen, given the frequently squint-inducing murkiness of its setting; on the other hand, the very lax progression of Aja Gabel and Myung Joh Wesner’s Black List-featured script feels tailored to the requirements of second-screen viewing, with character tensions brewing slowly and repetitively between sporadic feeding frenzies.

    If the dialogue and characterization never rise above the pedestrian, however, those tensions do at least bring some malicious rooting interest to the essential survival drama — with a strain of toxic friction evident from the get-go between nice-girl protagonist Sarah (Kathryn Newton) and her narcissistic BFF Max (Lana Condor), a self-declared “CEO of fun,” on their luxury post-graduation vacation. Both stars are better than their thin roles require them to be, with Condor clearly enjoying an opportunity to spike her wholesome “To All the Boys” star persona a bit; perhaps her young fans will resist how blatantly the film’s sympathies are stacked in Sarah’s favor.

    Or perhaps not: Sarah has a pretty rough time of it from the start. The unpaired fifth wheel on what is otherwise a lovey-dovey couples’ trip — with Max and mutual college friend Adrienne (Tommi Rose) accompanied by their respective, equally bland boyfriends James (Nico Hiraga) and Greg (Gavin Casalegno) — Sarah is quite literally an afterthought when, at the end of a day’s yacht hire in a picturesque cove, the other four set sail while she’s still in the water, leaving her at the mercy of a smack of jellyfish. Cue an initial sea-creature attack less bloody than those to come, but perhaps the film’s most eerily and alarmingly constructed setpiece.

    A cursory apology from Max (“I’m trying to be accountable here,” she says, unconvincingly) doesn’t quite smooth the waters between the two by the time of the group’s next adventure: a remote coastal cave-swimming expedition led by local guide Wat (“The White Lotus” star Tayme Thapthimthong). A cautionary-tale tone soon sets in as the entitled Americans, led by Max, repeatedly overrule Wat’s native expertise. (The safer cave route he recommends is marked on the map in green; the one they choose is marked in red. How many more flags do you need?) You can hardly blame him for leaving them to their fate when, several caves in, ravaged remains float to the surface, followed in short order by the dreaded fin slicing through the water.

    How did the beast find its way into these cramped quarters? “I don’t think this is something we need to figure out right now,” says one of the guys, and fair enough, even if that rather lets the screenwriters off the hook. A more immediate priority is navigating a route out of this cave network, with the shark, given limited room to roam, tailing them at every turn. Needless to say, not everyone’s going to make it out alive. The panic-inducing narrowness of the potential escape routes make a change from the genre’s usual spatial dynamics, with Wadlow — recycling some of the atmospherics from his 2020 “Fantasy Island” film, minus the fantasy — and DP James Kniest exploiting those most effectively in a couple of extended, suitably suffocating underwater setpieces.

    It’s the shark’s appearances, surprisingly, that lack bite. Denied a point of view or much in the way of a closeup, the CG killer never feels a particularly distinctive or palpable presence, while its lunges take on a fairly predictable pattern. The gore, meanwhile, is unexpectedly discreet, which is a strange place for the film to exercise subtlety: A washed-up sea turtle with a cartoon-style bite taken out of it is the most visceral sight here, and the most saddening. The human bait, on the other hand? Have your fill, buddy.

  • K3 Capital Opens Credit Vault for Galaxy

    K3 Capital Opens Credit Vault for Galaxy

    K3 Capital, an investment firm specializing in DeFi strategies, has launched an on-chain credit facility for Galaxy through Accountable’s blockchain verification platform infrastructure. The product is available on the Monad blockchain and has already attracted $30 million in committed capital. The companies plan to expand the facility to $100 million as new liquidity providers complete onboarding.

    The vault is denominated in the AUSD stablecoin. Investors deposit funds into the vault, K3 Capital manages liquidity, while Galaxy, a digital asset financial services company, borrows the capital. All movements of funds, loan status, and interest payments can be verified on-chain through Accountable’s verification system.

    The structure is designed for institutional investors. Each loan has a 90-day term with the option to roll it over, while up to 30% of deposited funds can be redeemed every month. The project also issues tokenized vault positions that can be used across other DeFi protocols on Monad, including for yield strategies and secondary lending markets.

    Image: Magnific

  • Kaitlan Collins Appears On ‘The Daily Show’ And Offers Her Take On Donald Trump’s Correspondents’ Dinner Insults: “It’s Really Not About Me”

    Kaitlan Collins Appears On ‘The Daily Show’ And Offers Her Take On Donald Trump’s Correspondents’ Dinner Insults: “It’s Really Not About Me”

    CNN’s Kaitlan Collins gave her take on Donald Trump‘s very personal insults of her at the recent White House Correspondents’ Dinner, telling The Daily Show host Jon Stewart that the key in such situations is to focus on the work at hand.

    In his one hour remarks at the dinner on Friday, Trump went after Collins and other journalists, to the point that CNN released a statement when he was still on stage defending their reporters. Collins had received an award from the WHCA earlier in the evening.

    “It’s really not about me, and I don’t want it to be about my reaction,” Collins told Stewart. “And so I think if you let it become about that, then it becomes a back and forth between the two of us. … And so I just think in those moments it’s important to put the reminder back on the work, in the question, and on the non-answers that we get.”

    Collins did note the lack of reaction to many of Trump’s remarks as he spoke at the dinner, his first time appearing before the group as president. Among other things, Trump went on about how Collins doesn’t smile, something he has done before.

    Stewart asked Collins about whether the evening “felt surreal.”

    “Was he bombing as hard as it appeared on the TV?” he asked.

    Collins replied, “You know, I’ve covered Trump for 10 years, and so I’ve listened to pretty much all of his speeches for 10 years, with very little exception. And so I actually think its helpful for other people to be able to listen to them in their entirety, when people don’t that much these days. In the room, I think I was not surprised when he insulted me. That happens pretty regularly inside the Oval Office. This is just a bigger venue where it was happening. What was most surprising to me was the room was filled with a lot of his staffers, his cabinet, his allies, Republicans in Congress. It was so quiet in the room during the president’s remarks.”

    Collins, who is CNN’s chief White House correspondent, also talked about the differences in the press corps since Trump’s first term. The White House this term has made a point of including more friendlier outlets in the pool. While noting that reporters should be able to ask whatever they want, Collins noted that the friendlier questions may come at the cost of pressing Trump on follow ups.

    “I’ve never gotten in a back and forth with him,” she said. “I’ve always brought it back to the question. I think he does surround himself with people who praise him or laugh at his jokes, and when he’s confronted with someone who is asking a challenging question or a critical question of his policy or strategy in the Iran war, I think he doesn’t like it and lashes out over it. I mean, there have been moments where I’ve gone into the Oval Office … on behalf of the TV pool and I haven’t even asked a question yet, and he starts criticizing me. So it’s not even always just about the questions. Sometimes it’s my presence in the room.”

  • Bitcoin steadies above $64,000 as crypto looks to Fed interest-rate decision

    Bitcoin steadies above $64,000 as crypto looks to Fed interest-rate decision

    The crypto market was mixed before the Federal Reserve’s interest-rate decision later Wednesday. The CoinDesk 20 Index has added 0.41% since midnight UTC, with 10 members advancing and 10 declining.

    Bitcoin $BTC$64,491.67, the largest cryptocurrency, added 0.75% to claw back some of Tuesday’s losses after a volatile 48 hours that saw it spike to $66,700 last week before crashing to $62,400 in the wake of the rout in South Korean stocks.

    Inflation running at 4.1% makes the case for the Fed to raise the fed funds target rate for the first time in three years. Balanced against that, a pause in Iran-U.S. hostilities has taken some of the heat out of oil prices and slightly trimmed the odds of an increase.

    Ether ($ETH) is down 0.13% on the day. S&P 500 and Nasdaq 100 index futures are both positive, while gold holds above $4,000 and silver gained 1.40%, suggesting markets are hedging rather than committing ahead of the announcement.

    Derivatives positioning

    • Steady positioning ahead of Fed meeting: The crypto taker long-short volume ratio is almost in a perfect balance ahead of the Fed meeting. Open interest (OI) has held steady near $113 billion over the past 24 hours while volume increased by 10% to $205 billion. Taken together, the numbers point to steady positioning but slightly higher churn.
    • Spot gains yet to lift futures participation: Both $BTC and $ETH’s spot prices have risen more than 1% in 24 hours, but the moves have yet to translate into increased participation in futures. $BTC’s OI remains steady near 750K $BTC. $ETH’s dropped for a fourth straight day to 14.14 million $ETH.
    • $UNI is an exception: Most of the top-20 tokens have seen OI hold steady or fall over 24 hours. $UNI is an exception, with OI up slightly to 68.53 million tokens, the most since July 13. This validates the 5% upswing in the token’s price in the wake of BlackRock’s decision to bring its tokenized Treasury fund to the decentralized exchange.
    • Mixed signals from OI-adjusted CVD: The 24-hour OI-adjusted CVD paints a mixed picture. It’s positive for tokens such as $ADA, TRX, $XRP, CC, $UNI and $ETH, a sign of more and more traders going long at market orders rather than passive limit orders. Other coins display the opposite dynamic.
    • Implied volatility stays near recent lows: Bitcoin and ether’s 30-day implied volatility indexes remain near recent lows, a sign that traders do not expect any near-term jitters. It also contradicts the unease in the analyst community over the fact that traders still assign a 35% probability of the Fed raising rates on Wednesday. This is unusual as markets typically reach a consensus on what the Fed will do before the decision.
    • Puts dominate $BTC options volume: In Deribit-listed options, $BTC puts at strikes $62,000, $60,000 and $54,000 dominate the 24-hour volume rankings. A put option offers insurance against price drops in the underlying asset. In $ETH’s case, calls are at the top of the list.

    Token talk

    • $XRP led altcoin gains on Wednesday, rising 1.72% to $1.086, with $ADA$0.1635 rising 1.48%. Both are continuing to recover from their July lows as the major cryptocurrencies consolidate.
    • Jupiter (JUP) was the standout 24-hour performer among DeFi coins, rising 5.79% as trading volume ticked up, extending a recovery that has now seen it rise in three of the past four days.
    • FET continued its retreat, falling 4.60% since midnight and 6.78% over 24 hours. The AI token is now down nearly 14% over the past week as the sector’s early-July momentum continues to unwind.
    • PUMP$0.001868 shed 5.14%, giving back the bulk of last week’s speculative gains as retail enthusiasm fades.
    • Monero (XMR) bucked the trend with a 1.82% gain to $347, quietly extending a run of outperformance from the privacy coin sector that has gone largely unnoticed amid the broader market turbulence.
  • Why Netanyahu didn’t want a Zelenskyy moment with Trump

    Why Netanyahu didn’t want a Zelenskyy moment with Trump

    NewsFeed

    Diplomats Jeffrey Feltman and Michael Ratney say Benjamin Netanyahu’s low-profile White House visit reflected an increasingly complicated relationship with US President Donald Trump. You can see the full exchange on Al Jazeea’s ‘This is America’

  • Former FCC Chairs And Officials Call Agency’s Early Review Of ABC Licenses “An Assault On Free Speech Disguised As Regulatory Process”

    Former FCC Chairs And Officials Call Agency’s Early Review Of ABC Licenses “An Assault On Free Speech Disguised As Regulatory Process”

    A group of former FCC chairs and top agency officials of both parties are calling on current chairman Brendan Carr to end the early review of broadcast licenses for ABC stations, characterizing it as “an assault on free speech disguised as regulatory process.”

    In a filing with the FCC on Tuesday, the officials wrote, “The Commission initiated the early renewal process of all eight ABC-owned-and-operated stations one day after the President and First Lady criticized ABC’s Jimmy Kimmel for a joke he made about them.”

    They added: “Public reporting and the notice establishing the procedures for this proceeding also suggest that the Chairman has prejudged the outcome of this proceeding and that the Commission may assert the power to terminate the stations’ licenses early. All this betrays that this proceeding is pretext for the Chairman’s continued campaign of suppressing disfavored speech.”

    Among those signing on to the filing were Mark Fowler and Dennis Patrick, chairmen of the FCC under Ronald Reagan; Alfred Sikes, chairman under President George W. Bush; and Thomas Wheeler, chairman under Barack Obama.

    RELATED: After Trump Threat, FCC Chairman Says ABC’s Decision Not To Carry POTUS Speech Likely To Be Raised In Early Review Of Broadcast Licenses

    The FCC under Carr ordered ABC to file renewal applications for its eight owned stations at the end of May, even though the first of the licenses wasn’t set to expire until 2028. Carr has said that the action was as part of an ongoing investigation into Disney’s diversity, equity and inclusion policies.

    ABC filed for renewal, but characterized the action as “an extraordinary demonstration of power and coercion directed at disfavored editorial voices which sends a clear warning to every broadcaster in America.”

    As part of the process, the FCC opened up a public comment proceeding.

    RELATED: ABC Says “Broad And Cross-Ideological Consensus” Backs ‘The View’ Amid FCC Investigation

    In their filing, the former FCC officials noted that two groups, the Center for American Rights and the Media Research Center, had called for the agency to deny the stations’ renewal applications.

    The FCC officials said that the groups “ask the Commission to interfere with the stations’ First Amendment-protected editorial discretion: word choices, fact-checks, time covering certain topics, personnel, and the licensees’ perceived viewpoints. These are not legitimate subjects of FCC regulation. Indeed, the Supreme Court has repeatedly held that the government may not ‘un-bias’ what it thinks is biased.”

    So far, more than 141,000 comments have been received in the station renewal proceeding. The deadline for ABC to reply to the responses is Wednesday.

    RELATED: FCC Chairman Proposes Repeal Of National Ownership Cap, Sets August Vote

    An FCC spokesperson did not immediately respond to a request for comment.

    In its petition to deny the licenses, the Center for American Rights cited broadcasters’ public interest obligations. Among other things, they argued that ABC does not provide “a balanced presentation of information on issues of public importance.”

    The group wrote: “It is likely lots of ink will be spilled in this proceeding focused on the First Amendment rights of Disney. ABC and its allies will ‘attempt to drape the mantle of First Amendment protection solely around those in the broadcast industry. This approach ignores the rest of the citizens of this country.’ … ABC’s rights are important, but they are not preeminent. It is the right of viewers of ABC stations which must feature first and foremost in this Commission’s considerations.”

    In the filing, the former FCC officials called the agency’s early renewal action “virtually unprecedented.” The FCC also launched an investigation and separate proceeding into ABC’s The View and whether it qualifies as a bona fide news program and therefore is exempt from equal-time rules. The network has pushed back on that action as well, also characterizing it as a retaliatory effort to chill free speech.

    RELATED: How The FCC Plans To Weigh A Flood Of Public Comments As It Investigates ABC’s ‘The View’

    The former FCC officials were represented in the filing by the Protect Democracy Project, Andrew Jay Schwartzman, Gigi Sohn of G Squared Strategies and Berin Szóka of Tech Freedom. They also represented a group of former FCC officials to petition the agency to rescind its news distortion policy, arguing that Carr has used it to launch investigations into news coverage that is protected by the First Amendment.

    Other former FCC officials signing on to the filing include Kathryn C. Brown, chief of staff to FCC Chairman William Kennard from 1998-2001; Rachelle B. Chong, a Republican commissioner who served from 1994-97; Jerald Fritz, legal adviser and chief of staff to Fowler from 1981-87; Rosemary Harold, enforcement bureau chief from 2017-22; William T. Lake, media bureau chief from 2009-17; Ruth Milkman, chief of staff to Wheeler from 2013-17; Peter Pitsch, chief of staff to Patrick from 1987-89; Gloria Tristani, Democratic commissioner from 1997-2001; and Christopher J. Wright, general counsel from 1997-2001.

    RELATED: GLAAD, HRC, PFLAG Among 40+ Orgs Denouncing FCC’s Attempt To Require “Warning Label” On LGBTQ Programming

  • US and Saudi Arabia strike ‘Iran-aligned’ groups in Iraq

    US and Saudi Arabia strike ‘Iran-aligned’ groups in Iraq

    NewsFeed

    The US and Saudi Arabia launched joint air strikes on Iraq, targeting ‘Iran-aligned’ groups after drone attacks targeted US forces in the region and Saudi oil facilities. Saudi Arabia says it acted in self-defence, while Iraq’s Popular Mobilisation Forces reported at least 20 killed.

  • Judge Says Donald Trump Can Amend Complaint In Defamation Lawsuit Against The New York Times

    Judge Says Donald Trump Can Amend Complaint In Defamation Lawsuit Against The New York Times

    A federal judge will allow Donald Trump to again amend his defamation lawsuit against The New York Times, as the publication has moved to dismiss the litigation.

    U.S. District Judge Steven Merryday gave Trump until August 27 to file the new complaint.

    Trump sued the Times in September, taking particular issue with the premise that Trump’s celebrity fame was due to Mark Burnett and NBC’s The Apprentice. It cited an article from Susanne Craig and Ross Buettner, also named as defendants, and their book Lucky Loser. Their article was headlined, “The Star-Making Machine That Created ‘Donald Trump.’” Penguin Random House also is a defendant in the case, as is Peter Baker, who wrote a piece headlined, “For Trump, a Lifetime of Scandals Heads Toward a
    Moment of Judgment.”

    .Merryday tossed out Trump’s original lawsuit, but allowed the president to refile. He filed an amended complaint in October, pointing out individual passages in the book and Times articles. Among those cited: “Mark Burnett’s The Apprentice fortified Trump’s fact-free bubble, while also making it national and bankable in ways that Trump never did on his own.”

    The Times and other defendants moved to dismiss the new complaint, arguing that the case was filed in an improper venue, Florida, rather than New York, and that Trump failed to “plausibly allege actual malice.” It also noted that “many of the challenged statements express the authors’ subjective interpretations of undisputed facts, which are not capable of being proven false.”

    A hearing on the motion to dismiss was held last week, and the judge noted that Trump’s team asked for time to “cure any . . . deficiencies” by showing “why the Challenged Statements are not substantially true, along with additional facts and innuendo by Defendants to show why the Challenged Statements are defamatory, and additional evidence of actual malice for each Defendant.”

    On Truth Social on Monday, Trump wrote that the Times “just failed again in their desperate attempt to have our powerful Defamation Lawsuit against them dropped. As we requested, the Highly Respected Judge has called for an updated complaint, which will lay out, in extreme detail, all the ways in which The Times has repeatedly and consistently acted, with actual malice in defaming me, my family, our Great MAGA Movement, and America, itself. We will continue to hold The Times and their ‘comrades’ in the Mainstream Media accountable for publishing, promoting, and dealing in Fake News.”

    Charlie Stadtlander, spokesperson for The Times, said in a statement that the judge’s decision “makes no statement in support of the frivolous accusations in Mr. Trump’s earlier complaint. To the contrary, the judge simply gives him yet another chance to draft a complaint that demonstrates any legal merit. The president has had this chance twice previously and failed each time. The Times stands by our journalism, and the president’s legal pleadings will not change that or deter further reporting. We will continue to defend our reporters’ constitutionally protected rights — and the public’s right to know — and are confident in the laws that underpin them.”