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  • Amy Hill, Yolonda Ross Board ‘Flowers Para Los Muertos’ Black Comedy (Exclusive)

    Amy Hill, Yolonda Ross Board ‘Flowers Para Los Muertos’ Black Comedy (Exclusive)

    Amy Hill and Yolonda Ross have nabbed lead roles in Flowers Para Los Muertos, a Spanish- and English-language black comedy-thriller.

    The indie feature has just completed production in Mérida, Mexico, where it had local support from the Mexican city and used its iconic landmarks as locations. The international co-production between The Ebersole Hughes Company, Candivision and Maquina is written and directed by the creative team of P. David Ebersole and Todd Hughes.

    Flowers Para Los Muertos has Hill playing New York photographer Aviva Lake, who unexpectedly inherits a house in Mexico, overseen by real estate agent Raven Johnson (Ross), who earlier did shady business with Lake’s estranged gay husband.

    Johnson tries to gaslight Lake into believing the house is haunted for a quick sale, only to discover the house in reality is haunted. Lilo & Stitch star Hill also appeared in the 2001 indie feature The New Women directed by Hughes.

    Flowers Para Los Muertos features local first-time actors, including Miguel Angel Loret and Andrea Arenas and the bilingual movie is inspired by 1940s psychological thrillers produced by Val Lewton and Mexican Spanish-language melodramas.

    Earlier, Ebersole directed and Hughes wrote Fox Television adaptations of the Spanish language telenovelas Desire and Wicked Wicked Games. Ebersole and Hughes share producer credits on Flowers Para Los Muertos with Candi Guterres, who also did the production design.

    Hill is represented by SMS Talent. Ross is represented by Principal Entertainment. The Ebersole Hughes Company is represented by Evoke Entertainment and Wallman PR.

  • Elizabeth Snead, Former Hollywood Reporter Contributor, Dies at 74 

    Elizabeth Snead, a former contributor and style and fashion writer for The Hollywood Reporter, died Monday in Delray Beach, Florida, of complications from Alzheimer’s disease. She was 74.

    Snead joined THR in 2011 as a contributing style editor, and she interviewed costume designers, established stars like Kristen Stewart and emerging talents while covering industry trends through 2015.

    During THR’s Costume Designers Roundtable in 2012, Lincoln’s Joanna Johnston told Snead and executive features editor Stephen Galloway that designing wardrobes for film was “somewhere between a war and a circus.”

    And for a 2012 story on the retirement of Uggie, the Jack Russell who starred in the best picture Oscar winner The Artist, his trainer Sarah Clifford told Snead, “He’s at the stage where he just says, ‘I think I want to go and lay in the sun by the pool.’” Wrote Snead: “Uggie’s protégé, his brother Dash, is training hard and will be able to jump in and fill Uggie’s pawprints soon.”

    Snead was born in Orange, New Jersey, to James, a relative of Hall of Fame golfer Sam Snead, and his British wife, Hazel. She graduated from Florida Atlantic University and began her journalism career at the South Florida Sun Sentinel in Fort Lauderdale.

    In the early 1980s, Snead was hired by the new USA Today as a style, fashion and pop culture writer. For nearly 20 years, first out of Washington and later as a correspondent in Los Angeles, she profiled the likes of Jane Fonda, George Clooney, Robert Redford, David Lynch and Barbra Streisand and covered awards shows, premieres and the Sundance and Cannes film festivals.

    Snead went freelance in the early 2000s, writing a biweekly Hollywood column for the Los Angeles Daily News and a Fashion Police column for E!, and she contributed to The Washington Post, Harper’s Bazaar and InStyle as well.

    In 2005, she wrote for the Los Angeles Times awards website, The Envelope, and created The Dish Rag, a celebrity news blog that became the newspaper’s most-read blog, with 3 million unique users a month. She also helped with the Calendar section and created the newspaper’s party page.

    And she handled interviews for Entertainment Tonight.

    Snead often brought her poodle Mina on assignment. She found the abandoned dog, dingy gray and with chipped nail polish, on a street near Dupont Circle in Washington. Once she bathed the pooch, she discovered Mina had snow-white fur.

    She retired from journalism in the mid-2010s and returned to Florida, where she turned her attention to animal activities, such as showing her pack of Maltese dogs competitively and breeding Napoleon cats.

  • How ‘Toy Story 5’ Found Its Potato Head Voices After Deaths of Don Rickles, Estelle Harris

    How ‘Toy Story 5’ Found Its Potato Head Voices After Deaths of Don Rickles, Estelle Harris

    Toy Story 5 will keep Mr. and Mrs. Potato Head in the action, despite the deaths of the original voice stars behind the fan-favorite characters.

    Pixar‘s latest sequel in the Oscar-winning animated franchise hits theaters June 19. Writer-director Andrew Stanton‘s movie centers on Tom Hanks as the voice of Woody and Tim Allen voicing Buzz Lightyear as the heroes butt heads with new tablet Lilypad (Greta Lee).

    During a Reddit AMA on Tuesday, Stanton responded to a fan’s question about how the franchise dealt with replacing the late Don Rickles as Mr. Potato Head and Estelle Harris as the character’s wife. In Disney‘s new movie, Jeff Bergman voices Mr. Potato Head, while Anna Vocino is the voice of Mrs. Potato Head.

    “There were auditions for that, yes,” Stanton replied. “We found two people that sounded very close to the original actors!”

    Rickles, who died in 2017 at 90, had voiced Mr. Potato Head since the original Toy Story that hit theaters in 1995, while Harris, whose Mrs. Potato Head was introduced during 1999’s Toy Story 2, passed away in 2022 at 93. Mr. Potato Head had a small role in 2019’s Toy Story 4 through the use of Rickles’ archival recordings as the character.

    The Toy Story 5 trailer, released last week, includes Bergman’s Mr. Potato Head reflecting on Woody and Buzz’s friendship: “It’s good to see them fighting again.”

    Additionally, Toy Story 5 will see Ernie Hudson take over the part of Combat Carl after Carl Weathers, who died in 2024 at 76, voiced the role in Toy Story 4.

    During the Reddit AMA to promote the release of his Hulu feature In the Blink of an Eye, Stanton was also asked if he would do anything differently on his 2012 movie John Carter, given that the live-action Disney film became an infamous box office flop. Stanton, who has been involved in the writing process of every Toy Story movie, has also helmed such features as Finding Nemo, WALL-E and Finding Dory.

    “If I got to do it again, I would do everything exactly that same as before,” Stanton responded about John Carter. “I loved every second of making that movie.”

  • TKO Tees Up Blockbuster 2026 As It Reports Fourth Quarter Earnings

    TKO is gearing up for a knockout 2026.

    The owner of UFC, WWE and IMG reported its fourth quarter and 2025 earnings Wednesday, and released 2026 guidance that delivers the benefits of its recent rights deals with Paramount and Disney.

    The company reported revenues of $1.04 billion in Q4, net income of $0.8 million, and adjusted EBITDA of $281.2 million

    But the real story is in TKO’s 2026 guidance, which shows sharp increases in revenue and adjusted EBITDA. The company is targeting revenues of between $5.675 billion to $5.775 billion (up from $4.375 billion in 2025) and adjusted EBITDA of between $2.240 billion to $2.290 billion (up from $1.585 billion).

    Those increases are thanks in no small point to the new rights deals that TKO inked for WWE (with Netflix and Disney) and the new UFC rights del with Paramount, and at IMG’s On Location business, which will benefit from the 2026 Winter Olympics and the FIFA World Cup.

    As for Q4, UFC revenue rose 17 percent to $401.4 million, with partnerships and marketing revenue helping to drive that higher, with adjusted EBITDA rising 20 percent to $213.2 million.

    WWE revenue rose 21 percent to $359.6 million driven by a boost in media rights and production revenue, with adjusted EBITDA rising 44 percent to $165 million.

    At IMG revenue fell 9 percent to $247.7 million, due to the timing of some events in the prior year. Adjusted EBITDA fell to a loss of $3.9 million.

    TKO also announced that intends to continue offering its dividend, while also launching a $1 billion share repurchase program.

    “TKO’s 2025 results reflect meaningful momentum across both UFC and WWE,” said Ari Emanuel, executive chair and CEO of TKO. “Having concluded our second full year since forming TKO, we are extremely well positioned with long-term media rights agreements in place and operational strength across the business. We intend to initiate the next phase of our capital return program, underpinning our commitment to deliver long-term, sustainable value for shareholders.”

    “2025 was a milestone year, underscoring the durability of our premium IP through record-setting live events and transformational global partnerships,” added Mark Shapiro, president and COO of TKO. “The successful launch of Zuffa Boxing last month sets the table for even further long term value creation. With growing revenue, expanding margins, and an increasingly global fan base, TKO is a high-quality execution story with multiple avenues for outperformance.”

  • Martin Short Postpones Steve Martin Comedy Tour Dates Amid Death of Daughter Katherine Short

    Martin Short Postpones Steve Martin Comedy Tour Dates Amid Death of Daughter Katherine Short

    Martin Short has postponed a string of dates on his comedy tour alongside Steve Martin following the news of his daughter’s death.

    Katherine Short, one of Martin’s three children, whom he adopted with his late wife, actress Nancy Dolman, died Monday at the age of 42. Sources told TMZ that she died from a self-inflicted gunshot wound, as the LAPD responded to her Hollywood Hills home shortly after 6 p.m on Monday. The L.A. Medical Examiner ruled her cause of death a suicide.

    All of the scheduled February dates for The Best of Steve Martin & Martin Short have been postponed. The Only Murders in the Building co-stars were slated to kick off their joint tour on Friday in Milwaukee at the Miller High Life Theatre.

    “Due to unforeseen circumstances, Steve Martin & Martin Short’s show, originally scheduled for Friday, February 27th in Milwaukee, has been postponed,” a message on the venue’s website reads. “Tickets will be honored for a future rescheduled date. We will be in contact with further news when it is available.”

    The duo was also scheduled to perform at Minneapolis’ Orpheum Theatre on Saturday, with a similar message on the venue’s website reading, “Steve Martin & Martin Short’s shows originally scheduled for Saturday, Feb. 28 have been postponed. Tickets will be honored for a future rescheduled date when determined.”

    Their next stop, scheduled for March 13 the Dar Constitutional Hall in Washington, D.C., does not share any details about the show being postponed. A series of additional appearances with the duo is scheduled through Dec. 4.

    “It is with profound grief that we confirm the passing of Katherine Hartley Short,” a rep for Martin Short said in a statement on Tuesday. “The Short family is devastated by this loss and asks for privacy at this time. Katherine was beloved by all and will be remembered for the light and joy she brought into the world.”

    Martin and Dolman also shared two sons, Henry and Oliver. Katherine graduated from NYU in 2006 with a bachelor’s degree in psychology and gender sexuality studies, and also obtained her master’s in social work from USC in 2010.

    Only Murders in the Building was renewed for a sixth season in late October, with filming for the installment seemingly expected to begin in May.

  • As Movie Theater Chains Struggle, Imax Box Office Surges In Fourth Quarter

    As Movie Theater Chains Struggle, Imax Box Office Surges In Fourth Quarter

    As major cinema chains slump on reduced 2025 attendance, Imax is reporting a surge in global box office during its fourth quarter from a mix of Hollywood tentpoles like Avatar: Fire and Ash, local language titles and alternative programming.

    On Wednesday, the film technologies company also revealed its gross box office during the three months to Dec. 31, 2025 jumped 62 percent to $336.2 million, which marks a new Q4 record. And Imax is looking to increased contributions from Hollywood blockbusters shot with its proprietary cameras and local-language films to drive what it touts as a Big Bang moment for the company in 2026.

    “Our slate for 2026 is arguably the strongest we’ve ever seen, with a record of at least 12 Filmed For Imax releases worldwide; a highly anticipated offering of family films in a time where we’re growing market share with family audiences; and more international blockbusters than ever,” Imax CEO Richard Gelfond stated.

    The Imax chief added, “The year is highlighted by huge, Imax-centric tentpoles — including Christopher Nolan’s The Odyssey, the first theatrical feature shot entirely with Imax film cameras; and Filmed For Imax releases including Denis Villeneuve’s Dune: Part Three, Jon Favreau’s The Mandalorian and Grogu, and Greta Gerwig’s Narnia — and our strong slates for 2027 and 2028 continue to come into view.”

    Imax during an after-market analyst call is also expected to discuss grabbing a bigger share of the global box office this year and next as a provider of premium theatrical screens and technologies to distinguish itself from the broader exhibition industry.

    On Wednesday, Imax said it posted Q4 revenue up 35 percent to $125.2 million, compared to $92.7 million in the year-ago period. That beat an analyst forecast for revenue of $120.12 million. Net income fell 64 percent to $2.5 million, compared to a year-earlier $6.9 million.

    During the latest quarter, Imax recorded a one-time charge of $15 million to repurchase convertible notes due 2026, and a non-cash goodwill impairment charge of $7 million. The adjusted earnings per-share hit 58 cents, against a year-earlier 27 cents.

    Also during the fourth quarter, content solutions revenue rose 50 percent to $38.2 million, against a year-earlier $25.5 million, underpinned by the strong gross box office growth. The technology products and services revenue was up 32 percent to $84.6 million, compared to $64 million in the same period of 2024.

    Imax earlier said its worldwide theater network helped the company post $1.28 billion in global box office for 2025, a new company record. That surpassed Imax’s previous highwater mark of $1.1 billion in global box office for 2019, and the company now expects $1.4 billion in global box office for 2026.

  • TKO Meets its 2025 Financial Guidance With Q4 Report, Plans Another $1 Billion Share Buyback Program

    TKO Meets its 2025 Financial Guidance With Q4 Report, Plans Another $1 Billion Share Buyback Program

    TKO wrapped 2025 on a strong note, allowing the sports entertainment heavyweight to achieve the higher end of the full-year financial guidance that it gave to Wall Street last year.

    For full year 2025, TKO delivered revenue of $4.73 billion and adjusted earnings before interest, taxes, depreciation and amortization of $1.58 billion. That was a notch over the $4.72 billion in revenue that TKO predicted earlier in the year as the maximum end of its guidance. The EBITDA number came in on the nose for the top of its EBITDA range.

    Fourth quarter earnings for UFC and WWE came in at $1 billion with adjusted EBITDA of $281.2 million, up in both measures over Q4 2024.

    In March, TKO plans to start another $1 billion stock buyback program, after purchasing the same amount through the course of 2025. More than 60% of TKO shares are held by its controlling shareholders at Silver Lake and Endeavor.

    “TKO’s 2025 results reflect meaningful momentum across both UFC and WWE,” said Ariel Emanuel,
    executive chair and CEO of TKO. “Having concluded our second full year since forming TKO, we are
    extremely well positioned with long-term media rights agreements in place and operational strength across the business. We intend to initiate the next phase of our capital return program, underpinning our
    commitment to deliver long-term, sustainable value for shareholders.”

    TKO results have been buoyed by demand for UFC and WWE content from media outlets as well as sponsorship, event ticket and merchandise sales. The MMA league and the dean of pro wrestling leagues both enjoy the kind of rabid fandom that marshals for live events and thrives in online communities and the creator economy digital eco-system. TKO is also expanding into the sweet science through its pact with Zuffa Boxing.

    “2025 was a milestone year, underscoring the durability of our premium IP through record-setting live
    events and transformational global partnerships,” said Mark Shapiro, president and COO of TKO. “The
    successful launch of Zuffa Boxing last month sets the table for even further long term value creation. With growing revenue, expanding margins, and an increasingly global fan base, TKO is a high-quality
    execution story with multiple avenues for outperformance.”

    More to come

  • KTLA’s Mark Kriski Among Layoffs As Nexstar Eliminates Jobs at Stations Across the Country; SAG-AFTRA Decries Cuts

    Longtime KTLA weather anchor Mark Kriski, an eight-time Emmy winner who has been an L.A. TV fixture since he joined “KTLA Morning News” at its launch in 1991, has been let go by the station. Kriski’s exit is a part of nationwide staff cuts by Nexstar, including major layoffs at flagship stations WPIX New York, WGN Chicago and KTLA Los Angeles.

    Also let go at KTLA were midday anchors Glen Walker, who had been at KTLA since 2010, and Lu Parker, who had been with KTLA since 2015. At WGN, the Chicago Tribune reported eight layoffs, including Dean Richards, who had been with the station in various capacities since 1991.

    Others let go according to the paper: Sean Lewis (a union steward who had been with WGN for two decades), Ray Cortopassi, Bronagh Tumulty, Judy Wang, Julian Crews, Paul Lisnek and Chris Boden. The Tribune also reported that meterologist Mike Janseen, who had been with the station since 2010, did not see his contract renewed. Also, per the paper, “six newswriters were laid off and three technical director positions were eliminated.”

    Meanwhile, WPIX layoffs are said to include anchors Kori Chambers, Arrianae LeBeau, John Muller and Craig Treadway.

    “Nexstar does not comment on personnel issues, but the company is taking steps necessary to compete effectively in this period of unprecedented change,” a Nexstar spokesperson said in a statement.

    The Nexstar job cuts come as the company is in the process of acquiring the Tegna station group, which would give it a massive oversight of TV news departments in major local markets across the country.

    In a statement, SAG-AFTRA blasted Nexstar for eliminating its union positions at KTLA and WGN — and noted that the layoffs come as SAG-AFTRA is actively bargaining with Nexstar stations in several markets.

    “By laying off journalists across the country, Nexstar is eroding the resources and talent that local communities rely on for trusted news,” SAG-AFTRA president Sean Astin said in a statement. “These actions highlight the risks of media consolidation and underscore the urgent need for regulators and the company to prioritize the public interest and the professionals who serve it.”

    In its statement, SAG-AFTRA accused Nexstar of “pushing to gut severance pay and insert onerous provisions into the union contract that limit workers’ ability to freely negotiate the terms of their own employment. These reductions in SAG-AFTRA talent also comes as Nexstar finalizes its multi-billion-dollar acquisition of Tegna. This consolidation makes the decision to cut local newsroom jobs particularly troubling.”

    Added SAG-AFTRA national executive director and chief negotiator Duncan Crabtree-Ireland: “Our members are trusted voices in their communities, and they deserve contracts that respect their work and safeguard their futures. SAG-AFTRA will not stand by while the future of local news is put at risk. We will continue to fight for strong agreements that protect journalists and the audiences who rely on them every single day.”

    Meanwhile, the Communications Workers of America union, part of AFL-CIO, has also criticized Nexstar for fighting employees’ efforts to form unions in several markets and retaliating against individual workers for union activism.

    “Over the past two years, workers have voted for union representation in elections supervised by the National Labor Relations Board (NLRB) at three Nexstar stations and one broadcasting hub,” the CWA said. “In each case Nexstar refused to recognize the union despite clear election outcomes, instead engaging in frivolous appeals… The NLRB has issued four complaints against Nexstar for terminating employees at the Denver locations who supported the union. The NLRB is also investigating five unfair labor practice charges in Henderson, Kentucky alleging the company terminated union supporters and made unilateral changes to working conditions.”

    As for Kriski, the meteorologist was the last remaining original host from the launch of “KTLA Morning News.” He suffered a stroke in May 2024, forcing him off the air for a period of time before returning the following year.

  • Real Madrid in Champions League trouble? + Glenn Crooks on Emma Hayes & NYCFC’s New Era

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    Real Madrid are staring down a potentially humiliating Champions League exit — can they steady the ship against Benfica in the Round of 32? The boys break down what’s gone wrong, whether Madrid’s aura still carries weight in Europe, and give their official predictions for all Round of 32 matchups.

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    Then we’re joined by the legendary Glenn Crooks, who gives incredible insight into how Emma Hayes developed into the elite manager she is today. Crooks also reflects on his own journey in soccer, shares thoughts on NYCFC’s upcoming season, discusses Pascal Jansen’s evolution as a coach, and weighs in on what the club’s new stadium means for the future of football in New York City.

    To close it out, we react to Carlo Ancelotti being spotted at Carnival — is that a bad look for Brazil’s head coach given the national team’s current form? Plus, we discuss Tottenham’s new manager, Raheem Sterling’s move to Feyenoord, Pellegrino Matarazzo’s first La Liga loss, and Antoine Semenyo’s absolutely unhinged pizza opinion. Another packed episode full of insight, debate, and chaos.

    Timestamps:

    (7:30) – Real Madrid in Champions League trouble?

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    (13:00) – Every Round of 32 UCL prediction

    (25:00) – Glenn Crooks joins The Cooligans

    (1:02:00) – Carlo Ancelotti spotted at Carnival

    (1:06:30) – Reacting to other world soccer news

    UCL PREDICTIONS

    UCL PREDICTIONS

    🖥️ Watch this full episode on YouTube

    Check out the rest of the Yahoo Sports podcast family at https://apple.co/3zEuTQj or at yahoosports.tv

  • Player development deep-dive, Embiid’s resurgence, CP3’s legacy & more with Drew Hanlen

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    NBA skills coach Drew Hanlen joins Kevin O’Connor to break down the season’s hottest topics, from star player development to the reality of tanking in the league. Drew shares inside stories about working with Joel Embiid, Tyrese Maxey, Jayson Tatum and others and explains why self-belief can be both a gift and a curse for rising talent.

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    (0:48) When will Tatum return for Celtics?

    (12:13) Player development & Deni Avdija

    (21:43) Can Hornets maintain their winning ways?

    (26:25) How can NBA stop tanking?

    (31:09) Joel Embiid’s recovery and development

    (43:02) How teams use data & analytics to improve

    (49:03) Chris Paul retires from NBA

    (56:43) How will defensive coaching evolve?

    (01:00:11) Future of the All-Star game

    Joel Embiid #21 of the Philadelphia 76ers looks on during the game against the LA Clippers on February 2, 2026 at Intuit Dome in Los Angeles, California.  (Photo by Juan Ocampo/NBAE via Getty Images)

    Joel Embiid #21 of the Philadelphia 76ers looks on during the game against the LA Clippers on February 2, 2026 at Intuit Dome in Los Angeles, California. (Photo by Juan Ocampo/NBAE via Getty Images)

    (Photo by Juan Ocampo/NBAE via Getty Images)

    🖥️ Watch this full episode on the Yahoo Sports NBA YouTube channel

    Check out all episodes of The Kevin O’Connor Show and the rest of the Yahoo Sports podcast family at https://apple.co/3zEuTQj or at yahoosports.tv