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  • Ethereum Foundation Decides to Stake a Significant Amount of ETH Assets

    Ethereum Foundation Decides to Stake a Significant Amount of ETH Assets

    The Ethereum Foundation, one of the main organizations in the Ethereum ecosystem, has decided to stake a portion of its treasury.

    The foundation utilizes on-chain solutions developed by Bitwise Asset Management as its infrastructure for the staking process. According to the announcement, the Ethereum Foundation started the staking process by initially depositing 2,016 $ETH. The organization’s ultimate goal is to stake approximately 70,000 $ETH. At current prices, this amount is worth approximately $140 million.

    Cryptocurrency wallets known to be linked to the Ethereum Foundation currently hold $418 million worth of $ETH. Of this amount, $354 million is held directly in $ETH, while the remainder is held as wrapped $ETH on other networks.

    At the time of writing, Ethereum staking rewards provide an annual return of 2.77% in $ETH terms. This means that the foundation will generate $3.8 million in annual revenue from this staking method in a scenario where the $ETH price remains stable.

    *This is not investment advice.

  • Trapped manatee hoisted from storm drain in Florida

    Trapped manatee hoisted from storm drain in Florida

    Odd News // 4 weeks ago

    N.C. man wins $150,000 lottery prize while in Ohio for work

    Feb. 9 (UPI) — A North Carolina man won a $150,000 prize from a scratch-off lottery ticket he bought thanks to a trip to Ashtabula, Ohio, for his work.

  • Kanye West to Play SoFi Stadium Show In Major Booking After Antisemitism Backlash

    Kanye West to Play SoFi Stadium Show In Major Booking After Antisemitism Backlash

    Kanye West will perform a one-night Los Angeles concert at SoFi Stadium in April, the venue announced Monday, marking the rapper’s most high-profile U.S. show in years after West had faced widespread backlash across the entire entertainment industry over his stream of antisemitic comments going back to 2022.

    West will play SoFi on April 3 for what is advertised as his “only performance in Los Angeles,” according to the venue’s announcement. The stadium said a general on-sale for tickets will take place on Wednesday at 11 a.m.

    West’s concerts have been rarer since the controversial rapper’s antisemitic comments from 2022 onward. His comments have ranged from spreading stereotypes about jews to voicing his admiration of Adolf Hitler and calling himself a Nazi. He’s He performed several shows and listening events in China and Korea in 2024 and 2025, and he played two shows in Mexico in January.

    West’s booking agency CAA dropped him as a client in 2022 after West had tweeted a call for “death con 3 on Jewish people,” and Cara Lewis had reportedly represented him in 2024. Though by February of 2025, he was represented by booking agency 33 and West, with the agency’s Daniel McCartney dropping him following another round of antisemitic actions when West infamously took out a Super Bowl ad directing viewers to a website where West was selling t-shirts with swastikas on them.

    Booking West has become a risk for promoters for years not just because of hateful comments, but because of reliability concerns as well. West famously canceled the remainder of his Saint Pablo tour after suffering a mental health breakdown in 2016, and in 2022, he canceled headlining sets at both Rolling Loud Miami and Coachella weeks before those shows.

    A representative for SoFi Stadium confirmed to The Hollywood Reporter that rapper Rod Wave’s promotion company Mainstay Touring would serve as the promoter for April’s concert.

    West’s upcoming show comes as the rapper looks to be mounting another comeback. He took out an ad in the Wall Street Journal earlier this year apologizing for his hateful statements, citing his untreated bipolar disorder and brain trauma for his claims while further saying “I love jewish people.”

    “I regret and am deeply mortified by my actions in that state, and am committed to accountability, treatment and meaningful change,” West’s ad said.

    While West’s actions lost him CAA as well as deals like his Adidas Yeezy venture, he’s remained one of the most streamed artists in the industry, coming in at 10th on Spotify’s year-end 2025 list for top-10 artists in the U.S. He currently has nearly 70 million monthly listeners on the platform.

    Amid news of the apology, it was confirmed that West’s next album Bully would be coming March 20. Independent music company Gamma, whose roster also includes Mariah Carey, Usher and Snoop Dogg, is partnering with West for the release. The Journal reported in January that the deal was in the mid-to-low seven figures.

    The deal, coupled with an upcoming promoted concert at one one of the most prominent venues on the planet, shows that even through the most extreme controversies, if there’s an audience who may be willing to buy, Hollywood will come back to partner up.

  • ‘Tink’ Series, Based on ‘Peter Pan’ Fairy Tinker Bell, in the Works at Disney+

    Disney+ is eyeing one of the company’s foundational pieces of IP for its next series project.

    The streamer has put into development a show called Tink that will center on Peter Pans Tinker Bell. Liz Heldens (Will Trent) and Bridget Carpenter (11.22.63) are teaming up to write the project.

    Tink is considered a priority for Disney+, but it’s in the very early stages — so much so that there’s no logline for the project yet. Heldens and Carpenter will executive produce with former Disney Branded Television head Gary Marsh and Quinn Haberman of Heldens’ Selfish Mermaid company.

    Tinker Bell, of course, is the pocket-sized fairy in J.M. Barrie’s Peter Pan who is friendly with the title character but envies new Neverland arrival Wendy Darling. Following the 1953 animated film, Tinker Bell became something of an unofficial Disney mascot, providing the spark for a number of introductory title cards on Disney TV shows and home video releases over the years.

    The character has been the focus of several animated movies, but a live action project has never taken flight. Reese Witherspoon was at one point attached to play Tinker Bell in a feature film, but it never came together. A Tink series has been on Marsh’s to-do list for several years — it was one of the first projects he set after leaving Disney Branded TV and signing a producing deal with the company.

    Heldens and Carpenter first worked together on Friday Night Lights. Heldens is currently co-showrunner of ABC’s Will Trent; her credits also include The Dropout and The Orville. Carpenter created 11.22.63, based on Stephen King’s novel, for Hulu and has worked on Westworld and Parenthood, among other shows.

    Heldens is repped by WME and Hansen Jacobson. Carpenter is repped by CAA, Artists First and Schreck Rose.

  • I Tested Starlink’s Low-Cost $80-Per-Month Plan: It’s Not the Downgrade I Expected

    I Tested Starlink’s Low-Cost $80-Per-Month Plan: It’s Not the Downgrade I Expected

    Honest, Objective, Lab-Tested Reviews

    PCMag.com is a leading authority on technology, delivering lab-based, independent reviews of the latest
    products and services. Our expert industry analysis and practical solutions help you make better buying
    decisions and get more from technology.

  • It is time for the world to move on without the United States

    It is time for the world to move on without the United States

    On February 28, the United States and Israel launched a war on Iran. The US-Israeli attacks came without prior warning or approval by the United Nations and targeted and killed Iranian Supreme Leader Ayatollah Ali Khamenei.

    Just two months earlier, the US launched another attack, on Venezuela, in which its special forces kidnapped Venezuelan President Nicolas Maduro from his residence in Caracas and transferred him to New York, where he faces criminal charges in federal court.

    In between these two violent attacks, US President Donald Trump withdrew from 66 international organisations, including 31 UN entities, and launched the Board of Peace, a new institution he chairs personally that he suggested might replace the UN.

    These and other developments in recent years demonstrate that the world order the US helped establish in 1945 no longer serves its interests.

    For eight decades, US treasure, diplomacy and military power sustained this architecture. Whatever one’s criticisms of how that power was exercised, the scale of the commitment was remarkable, and the US did not have to do this. It chose to.

    The world of 2026 bears little resemblance to 1945. Europe has rebuilt. China has risen. Canada, Japan, South Korea and many Gulf States are rich. and Brazil, Indonesia, Nigeria, India, Vietnam and other countries are on the rise.

    Today’s threats – climate change, pandemics, terrorism and others – were barely imaginable when the UN Charter was drafted. It is not unreasonable for Americans to ask why they should continue bearing a disproportionate burden for a system designed for a world that no longer exists.

    The question is what the rest of the world intends to do. For too long, multilateralism has been something the US provided and others consumed. European nations sheltered under American security guarantees while criticising US foreign policy. Developing nations demanded institutional reforms while relying on American funding. Small states like those of the Caribbean invoked international law as our shield while contributing little to enforce it.

    If we truly value this system, we must now demonstrate that value with resources, not merely rhetoric.

    A powerful first step would be relocating the UN headquarters from New York as an acknowledgment of reality. Why should the world body remain in a nation that is withdrawing from so many of its parts and building alternatives?

    Relocation would signal that the international community intends to preserve multilateralism regardless of American participation and that we are prepared to bear the costs of doing so. And there are many options for where the UN can be based. Geneva and Vienna can offer neutrality. Nairobi and Rio de Janeiro would centre the organisation in the Global South.

    An island nation is also an option: Antigua and Barbuda, Barbados, Jamaica or Mauritius. Such a choice would underscore that this is now an institution for the vulnerable, not the powerful.

    If the world can mobilise trillions for wars and bailouts, it can fund a headquarters move.

    More fundamentally, the UN requires a new funding model. The US has provided roughly 22 percent of the regular budget and far more for peacekeeping. This dependency gave Washington outsized influence and made the organisation hostage to US domestic politics.

    If we value multilateralism, we must fill the gap. The European Union, China, Japan, the Gulf states and emerging economies must contribute commensurate with their stake in a functioning international order. A diversified funding base would ensure survival and democratise global governance in ways long overdue.

    The urgency of these reforms is underscored by the crises now unfolding. The attacks on Iran risk a wider regional conflagration that could draw in the Gulf states, disrupt global energy supplies and tip fragile economies into recession. The abduction of Venezuela’s president has destabilised Latin America and set a precedent that no sovereign leader is beyond the reach of unilateral force.

    Meanwhile, the wars in Gaza and Sudan grind on, the eastern Democratic Republic of the Congo remains engulfed in conflict and millions of displaced people strain the capacity of neighbouring states. In each case, the UN Security Council has proven unable or unwilling to act, paralysed by the very veto structure that privileges the powerful over the vulnerable.

    A relocated and revitalised United Nations, funded broadly and no longer beholden to a single patron, would not resolve these crises overnight. But it could act with greater legitimacy and less selective morality.

    It could authorise humanitarian corridors without fear that one member’s geopolitical interests will block action. It could convene emergency sessions on energy price stabilisation, coordinate debt relief for nations pushed to the brink by conflict-driven commodity shocks and deploy peacekeeping missions that are not contingent on one country’s budgetary politics. The point is not that a reformed UN would be perfect. It is that the current one is structurally incapable of responding to the very emergencies that demand collective action.

    Every month of inaction widens the gap between what the institution promises and what it delivers, eroding the faith of the most vulnerable nations that multilateralism is worth defending at all.

    Climate architecture also requires particular urgency of action. The American withdrawal from the UN Framework Convention on Climate Change threatens the Green Climate Fund, the Adaptation Fund, and Loss and Damage mechanisms. For Small Island Developing States and other climate-vulnerable countries, these are lifelines, not abstractions.

    The window for building climate finance independent of US participation is narrow, but it exists. Europe must demonstrate its climate leadership with resources. China, the world’s largest emitter, has the capacity to become a major contributor if it wishes to claim moral leadership.

    For the Caribbean, this transformation demands both humility and ambition. Humility because we have long relied on frameworks we did little to fund. Ambition because we have 14 UN General Assembly votes, moral authority from the front lines of climate change and a tradition of punching above our weight.

    The Caribbean Community (CARICOM) should propose a resolution on headquarters relocation and funding reform, convene like-minded states and strengthen the Caribbean Court of Justice as a regional anchor when global mechanisms falter. The blocs representing Small Island Developing States, Africa and other parts of the developing world have the numbers to reshape governance if they act in concert.

    The US remains the world’s largest economy, its most powerful military force, and home to many of the institutions, universities, corporations and civil society organisations that drive global progress. Americans who believe in multilateralism remain numerous and influential. The door to renewed American engagement should always remain open.

    But the rest of the world cannot wait indefinitely for US domestic politics to resolve itself. We must build institutions resilient enough to function with or without American participation.

    In 1945, a war-weary and generous America chose to build rather than retreat, and that choice shaped the world we inherited. In 2026, a different America has made a different choice. We should accept it without rancour and recognise it for what it is, an invitation to finally take ownership of the international order we claim to value.

    The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

  • Variety Announces Party at SXSW Celebrating Cover Star Keke Palmer and ‘I Love Boosters’

    Variety Announces Party at SXSW Celebrating Cover Star Keke Palmer and ‘I Love Boosters’

    Variety will host an exclusive cover party at SXSW, presented by Neon, on Thursday, March 12, celebrating its latest cover star, Keke Palmer, alongside filmmaker Boots Riley and the cast of their highly anticipated new film, “I Love Boosters.” The invite-only event will take place just hours after the film’s world premiere at the festival, bringing together talent, industry leaders, and creative voices from across entertainment to toast one of the most talked-about debuts of SXSW.

    In “I Love Boosters,” Palmer stars as Corvette, a charismatic and unpredictable figure at the center of Riley’s stylized crime comedy. The film marks Riley’s long-awaited follow-up to his critically acclaimed 2018 debut, “Sorry to Bother You.” After its SXSW premiere, “I Love Boosters” is slated for a global theatrical release on May 22.

    “Boots Riley’s ‘I Love Boosters’ will be one of the big discoveries out of SXSW, and Keke Palmer delivers a career-high performance as Corvette,” said Ramin Setoodeh, Co-President and Co-Editor-in-Chief of Variety. “This makes Keke the perfect cover star for Variety’s first-ever SXSW issue. We look forward to celebrating with Keke, Boots and the entire ‘I Love Boosters’ cast at our opening night party.” 

    You can read Variety’s latest cover on Keke Palmer, written by Selome Hailu, here

    The party is invite-only.

  • ‘The Drew Barrymore Show’ Gets Two-Year Renewal, Remaining in Daytime Through 2028

    ‘The Drew Barrymore Show’ Gets Two-Year Renewal, Remaining in Daytime Through 2028

    Drew has some news: “The Drew Barrymore Show” has been renewed for two seasons, keeping it on the air through 2028. That means the daytime talk strip will continue for a seventh and eighth season.

    CBS Media Ventures, which produces and distributes the show, announced the renewal on Monday. The news comes during a challenging time for daily talk shows: In late night, CBS’ “The Late Show With Stephen Colbert” will end in May; in daytime, NBCUniversal’s “The Kelly Clarkson Show” and Debmar-Mercury’s “Sherri” will be wrapping their runs by the end of the year. “Drew Barrymore” joins Warner Bros./Telepictures’ “Jennifer Hudson” in recently securing a renewal in daytime.

    The “Drew Barrymore” renewal includes CBS-owned stations in key markets (including New York, Los Angeles and Chicago), as well as renewals on Nexstar and Sinclair outlets. According to CBS Media Ventures, “Drew Barrymore” has been given time slot upgrades in Seattle, Minneapolis, Cleveland, Charlotte, Baltimore, Kansas City and Cincinnati.

    “Drew Barrymore” is helped by CBS synergy, as well as CBS Media Ventures’ strategy of distributing “The Drew Barrymore Show” as two half hours, which can be run as an hour block or split and paired with local news.

    “Drew is the original influencer – a true trendsetter and culture-driving force who has consistently stayed ahead of the conversation,” said exec producer Jason Kurtz in a statement. The success of this show is rooted in the fact that Drew shows up as her unfiltered, authentic self every single day, continually challenging the conventions of daytime television and reimagining what the format can be in a multiplatform world.”

    According to CBS Media Ventures, “The Drew Barrymore Show” is averaging 1.6 million viewers, making it the talker’s most-watched season. The show has started taking longform, audience-free interviews with guests and distributing them in two ways — as a broadcast edit and as an extended digital cut on the show’s YouTube channel.

    “This show began as a space for intimate conversation, and we’re continuing to plant our flag as a truly multiplatform experience,” Barrymore said in a statement. “We live in a world where people discover content in so many different ways, and from the very start in 2020, our mission was to break the mold rather than conform to the traditional daytime landscape. I hold myself accountable to staying savvy about how and where this show is seen – feeding every corner that counts, while daring to just be myself and figure out life with others. My curiosity about people is what fuels me. I’m so excited to continue as I see this endeavor as an opportunity and a gift. Our show family is deeply grateful for the support of CBS and George Cheeks, who all helped us get here.”

    The show, which originates from New York, is exec produced by Barrymore and Kurtz.

  • Anthropic sues US government over supply chain risk designation

    Anthropic has filed a lawsuit to prevent the Pentagon from adding the company it a national security blocklist. This comes days after the Department of Defense sent a letter to Anthropic confirming the company was labeled a supply chain risk; at the time CEO Dario Amodei had all but guaranteed Anthropic would fight back with legal action.

    The lawsuit claims the designation is unlawful and violated free speech and due process rights. “These actions are unprecedented and unlawful. The Constitution does not allow ​the government to wield its enormous power to punish a company for its protected speech,” Anthropic said in a statement published by Reuters.

    Engadget received the following statement from an Anthropic spokesperson:

    “Seeking judicial review does not change our longstanding commitment to harnessing AI to protect our national security, but this is a necessary step to protect our business, our customers, and our partners. We will continue to pursue every path toward resolution, including dialogue with the government.”

    The lawsuit characterizes the government’s actions as an “unprecedented and unlawful […] campaign of retaliation.” It goes on to say that “the Constitution does not allow the government to wield its enormous power to punish a company for its protected speech. No federal statute authorizes the actions taken here.”

    Today’s legal action comes after several weeks of back-and-forth between the AI company and the government. In late February, news broke that the Department of Defense and Defense Secretary Pete Hegseth were pressuring Anthropic to remove certain safeguards from its AI systems, but Amodei made it clear the company would refuse to allow its model to be used for mass surveillance or development of autonomous weapons.

    On the February 27 deadline, Amodei refused to budge, leading Hegseth to threaten the company with the supply chain risk designation; he also said the US government would cancel its $200 million contract with the company. The same day, President Trump ordered all federal agencies to cease using Anthropic as well. Despite all this, according to the lawsuit, Anthropic had agreed to “collaborate with the Department on an orderly transition to another AI provider willing to meet its demands.”

    Anthropic rival OpenAI stepped into this chaos and quickly made a deal with the Department of Defense. At the time, OpenAI CEO Sam Altman said that two of OpenAI’s most important safety principles are “prohibitions on domestic mass surveillance and human responsibility for the use of force, including for autonomous weapon systems” — the same issues that got Anthropic in hot water. OpenAI then doubled down on the surveillance issue, writing into its contract that “the AI system shall not be intentionally used for domestic surveillance of U.S. persons and nationals.”

    Depsite this, OpenAI’s head of robotics hardware resigned from the company this weekend in response to the Defense Department deal. Caitlin Kalinowski wrote on X that “surveillance of Americans without judicial oversight and lethal autonomy without human authorization are lines that deserved more deliberation than they got.”

  • Hyper Light Drifter studio workers form union after rounds of layoffs

    Workers at Heart Machine, the independent studio behind Hyper Light Drifter and Solar Ash, have formed a union with Communications Workers of America (CWA) Local 9003. The wall-to-wall unit covers all 13 frontline employees at the studio, which voluntarily recognized the union in February after a supermajority of eligible workers voted for the measure.

    The organizing effort follows a rough stretch at Heart Machine, after the studio laid off employees in November 2024, then announced in October 2025 that it would end development on its early access title Hyper Light Breaker and cut further staff.

    “I decided to get involved in organizing my studio because I’ve seen so many peers in the industry stand up to protect the craft we all care so deeply about. Watching that momentum grow made me realize that if we love this work, we have to protect it, especially now,” said Steph Aligbe, a gameplay tools engineer at the studio.

    Heart Machine joining the CWA extends the union’s gaming footprint even further. The union counts thousands of employees at Microsoft subsidiaries among its members, as well as staff at EA, Id Software and others. CWA also runs the United Videogame Workers, a direct-join union that launched in 2025, allowing individual game workers in the US and Canada to sign up on their own without elections or employer consent. Large gaming studios like Ubisoft have been undergoing a seemingly endless string of layoffs, and workers are increasingly demanding to have their voices heard.